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Displayed below are some selected recent viaLibri matches for books published in 1969

        Voyelles. 5 Litografie originali di Guy Harloff.

      Teodorani Editore 1969 - Litografie originali di segnate da Guy Harloff Parigi (4 giugno 1933 - Galliate 6 gennaio 1991) a Vernazza (durante il suo soggiorno 1968/1969) nella primavera-estate del 1969 e tirate sui torchi della Grafica ST di Milano. Carta intonsa puro straccio con filigrafa editoriale della Cartiera Ventura di Cernobbio, Inchiostri di stampa Colorgraf, Contenitori della Legatoria Lombardini, Caratteri Stylgraf. Esecuzione ai torchi di Giuseppe De Bellis e Lino Masini. Designer Ferruccio Pagliari. Copertina e frontespizio eseguiti in litografia originale (quest'ultimo mancante verosimilmente non inserito nella presente tiratura di "prova"). Stampa degli occhi (elemento fondamentale di tutte le sue opere) in fotolito. Lastre distrutte dopo la stampa. Tiratura 99 esemplari numerati da 1 a 99 firmati a mano dall'Artista al quale sono state riservate parte delle 15 copie di "prova" numerate da I a XV a disposizione dei Critici d'Arte e dell'atelier. Primo esemplare dei XV riservati. Litografie numerate e firmate dall'Artista a lapis, contenute entro foglio ripiegato con indicazione a stampa della vocale riferita: A - noir. E - blanc. I - rouge. O - bleu. U - vert. Precedono due carte non numerate con poesia Voyelles di Rimbaud e specifica editoriale. Legatura editoriale, tutta tela bianca a stampa e illustrata a colori. pp. 2 carte n.n. - 5 Tavole in litografia - in folio (64 x 49 cm.). Esemplare perfettamente conservato in ogni sua parte. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: il Bulino libri rari]
 1.   Check availability:     AbeBooks     Link/Print  


      New York: Walker and Company, 1969. First Edition. Hardcover. Very Good. First hardcover edition. Signed by author in black ink on a bookplate facing title page, inscribed to former owner. 309 p. Very Good in Good dust jacket. Former owner's stamp on front paste down. Corners a bit bumped. Jacket has wear and chipping at extremities, small closed tear in top of front panel, small nick near spine, spine panel creased. Front panel creased as well. Foxing and a few pieces of clear tape on verso, price intact ($4.95).

      [Bookseller: Burnside Rare Books ]
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        Isabel viendo llover en Macondo

      Buenos Aires: Editorial Estuario 1969 - Early reprint. Warmly inscribed by García Márquez to his nephew, Gustavo, on the first free leaf: "Para Gustavito, / digno hijo de su / padre, que es hijo / del mío, con el / cariño de su tío, / GABO / [rule] / 1971." ["For Gustavito, deserving son of your father, who is the son of my own, with the affection of your uncle, GABO 1971"]. Publisher's bright yellow paper wrappers, lettered in green and blue and with green illustration of an umbrella to front wrapper. A good copy, variously worn with creasing and light soiling to wrappers, some offsetting to first free leaf, light evidence of water damage to text block edge, text block starting at front hinge but with all text intact and relatively clean. A well-used copy, charming with the author's inscription, from the library of the author's close friend's daughter. First published in the magazine Mito in 1955 as Monologo de Isabel viendo llover en Macondo [Monologue of Isabel Watching it Rain in Macondo}, this short monologue is one of the first appearances of the town of Macondo after La hojarasca. It deals with many of García Márquez's major themes, including death, solitude, and magical realism, and is told from the point of view of a young woman as her town is inundated with torrential rain, resulting in corpses from a flooded morgue floating down the street. This particular edition contains an essay on the author and the themes of his work by literary critic Ernesto Volkening. [Attributes: Signed Copy; Soft Cover]

      [Bookseller: B & B Rare Books, Ltd., ABAA]
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        The Paintings of Titian - Volume One, The Religious Paintings, 1969; Volume Two, The Portraits, 1971; Volume Three, The Mythological and Historical Paintings, 1975

      Phaidon 1969 - All are first editions. There are a few very light creases to the pages, otherwise the books are in very good/excellent condition, with no inscriptions. The dustjackets are also in very good/excellent condition - two are in protective sleeves. Further photos are available upon request. The books are just over 12" tall, and are very heavy at approx 7kg - overseas postage may be possible depending on destination but will be expensive, please enquire before buying. A very scarce set. [Attributes: First Edition; Hard Cover]

      [Bookseller: Helen Barlow Books]
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      [Bookseller: Controcorrente Group srl BibliotecadiBab]
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        Slaughterhouse-Five or, The Children's Crusade. A Duty-Dance with Death.

      New York: A Seymour Lawrence Book/ Delacorte Press, 1969 - Octavo. Original blue cloth, spine lettered in gilt, red and black, signature to the front board in gilt, black endpapers. With the dust jacket designed by Paul Bacon. Slightly rolled, spine ends slightly bumped; an excellent copy in the lightly toned dust jacket. First edition, first printing. Signed by the author on the half-title, with a large signature above the date of signing, May 20 1995. Perhaps Vonnegut's best known novel, the plot centres on the Allied bombing of Dresden in 1945, which Vonnegut himself experienced. Loosely inserted are a ticket and a programme for a talk given by Vonnegut in 1999. [Attributes: First Edition; Signed Copy]

      [Bookseller: Peter Harrington. ABA member]
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        Slaughterhouse-Five, or The Children's Crusade

      New York: Delacorte Press, 1969. Book. Near Fine. Hardcover. A First Edition, First Printing. Near fine and appears to be unread in a near fine unclipped dust jacket. Jacket lightly tanned with the spine just a shade darker. .

      [Bookseller: James Graham, Bookseller]
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        Slaughterhouse-Five or The Children's Crusade, a Duty-Dance with Death

      New York: Seymour Lawrence / Delacorte, 1969. First edition. Hardcover. Very Good/very good. 1969, First Edition, stated first printing of Vonnegut's most famous work. Hardcover, original blue cloth, silver titles. 186 pp. Very Good in a Very Good dust jacket. Slight lean to the spine; minor fading to spine ends; former owner's signature in green marker ('Chaplin') on the front blank; otherwise a strong, unmarked copy. The DJ faded along the spine; shallow chipping to spine ends and corners; folds rubbed; only light fading. Original price and code ($5.95 / 8021) present. DJ designed by Paul Bacon, and now housed in mylar. An attractive copy of one of the major 20th-century novels.

      [Bookseller: Caliban Books ABAA-ILAB]
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        The Lord of the Rings

      London: George Allen and Unwin Ltd,, 1969. Octavo. Original black boards, spine lettered in gilt, design to front board in gilt, silver and green, black and red title page, silver and green marbled endpapers, green speckled edges. With the publisher's black card slipcase. 2 folding colour maps. Ownership mark on verso front endpaper. An excellent copy. First India-paper edition of the three books originally published between 1954 and 1955, and here issued complete in one volume.

      [Bookseller: Peter Harrington]
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        Berliner Straße mit Häusern, Mauer und Schornsteinen. Schwarz-weiße Tuschzeichnung und Faserstift, links unten mit *Kohlhoff (19)69 * signiert und datiert. Verso ein Aquarell der Berge.

      Blattmaß 42,5 x 60 cm ( Höhe x Breite ). Auf Büttenpapier. Gezeigt wird eine kahle und leere Berliner (Vorort?)-Straße mit aufragenden Häusern, hinten 2 Schornsteine, rechterhand eine Brückenbrüstung, an der Straße ein Bushaltestellenschild. Das Blatt wohl durch den Künstler rechts unten mit 18 nummeriert. Verso ein farbiges Aquarell mit einem Blick über eine Alm auf Tannenwald, dahinter hoch aufragende, schneebedeckte Gipfel der Alpen. Das Aquarell nicht signiert, undatiert ( wohl ebenfalls um 1969 ). Die Tuschzeichnung gering fleckig, im weißen Außenrand wohl bedingt durch alte Rahmen etwas stärker fleckig und mit kleinen Randläsionen, das Aquarell von guter Erhaltung. Ingesamt recht gut erhalten. Walter Kohlhoff ( *1906Berlin 1981 ebenda ). W. Kohlhoff war über 20 Jahre lang Vorstandsmitglied des Vereins Berliner Künstler. Maler urbaner Landschaften Berlins und seiner Umgebung. Kohlhoff zeigt seine Stadtbilder menschenleer und verleiht ihnen somit teils einen denkmalhaften Charakter. In seinen Arbeiten wendet er sich vor allem den ruhigen Orten der Großstadt wie auch Hinterhöfen, Großstadtdächern und abgelegenen Arealen wie Seitenstrassen, Kleingärten, Bahngleisen, Fabrikanlagen etc.. Er malte im Rahmen einer späten Neusachlichkeit. Dies gilt auch für seine anderen Motive wie Bilder aus den Alpen, Landschaftsstudien, Stilleben. Ferner malte er Porträts, Selbstporträts und Aktzeichnungen. ( Weitere Bilder auf Anfrage further pics at request ) Artikelnummer 15399. ( Weitere Bilder auf Anfrage further pics at request )

      [Bookseller: Antiquariat Friederichsen]
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      np: np, (1969). Third edition. Wraps. Near fine. 8vo. Publisher's wraps in original glassine. SIGNED by Ruscha at inside front cover. Mild toning and chipping to glassine with price sticker at front flap and some creasing to flaps. Distributor sticker at final page. Trivial touches of wear to wraps at edges. Interior bright and clean. Near fine. Third edition of the first of Ruscha's sixteen books and an iconic early artist's book. Inspired by the look and feel of the books he encountered at the bouquiniste stands on the Left Bank during a 1961 trip to Paris, as well as his own work as a typesetter and printers devil, Ruscha self-published TWENTYSIX GAS STATIONS with an aesthetic reminiscent of iconic Editions Gallimard paperbacks. Conceiving first of the title, Ruscha took photographs to fill the requisite number on a road trip from Los Angeles to visit his mother in his hometown of Oklahoma City. The photographs, labeled with the station name and location, together form a dotted line between LA and Oklahoma, creating out of these stoically framed images of banal locations a deep emotional resonance. [Phillpot, CATALOGUE RAISONNE, 60].

      [Bookseller: Brian Cassidy, Bookseller]
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      CLUB DEGLI EDITORI, 1969. ITALIANO 0,31 Pagine leggermente ingiallite ai bordi da fattore tempo, rilegatura editoriale cartonata, blu con fregio d'oro al piatto e titoli al dorso, lievi segni di usura alle punte USATO

      [Bookseller: Biblioteca di Babele]
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        Novalis Weke. Hrsg. und kommentiert von Gerhard Schulz. Studienausgabe.

      München. C. H. Beck. 1969. Originalbroschur.. 8°. 875 Seiten. mit leichten Lagerspuren. gutes und festes Exemplar.Monogrammstempel auf Titel. in deutscher Sprache. Versandkostenfreie Lieferung

      [Bookseller: Antiquariat am Flughafen]
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        Die Nigger Die!

      New York: The Dial Press, 1969. First Edition. Hardcover. Very Good. Signed by Author. Inscribed by Brown on half title in the early '70s: "See it's no between: you're either free or you are a slave." It is the signature phrase of Imam Jamil Abdullah Al-Amin, formerly known as H. Rap Brown, currently serving a life sentence. Also signed by his close friend and lawyer (who presumably passed Brown the book) on dedication page, famous radical lawyer William Kunstler. (ix), 145pp. Orange cloth with black spine lettering. First edition. Fine in Near Fine unclipped dust jacket with wear at head and tips. The autobiography of the SNCC activist and Black Panther minister of justice, quite uncommon signed. He's most famous for saying, "Violence is necessary. It is as American as cherry pie.”

      [Bookseller: Burnside Rare Books ]
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        DE AETNA. ON ETNA.

      Verona, 1969. 6 x 9. 149 pages. Quarter red morocco & boards gilt, all edges gilt. Fine in morocco-edged slipcase. With prospectus. The first English translation. No. 4 of 125 copies of the Latin/English edition. (There were also Italian & German editions.) Latin text is set in Griffo, English text in Bembo. Mardersteig provides an essay on the type faces. Bembo provided the first detailed written account of this volcano. It was published by Aldus Manutius.

      [Bookseller: The Veatchs Arts of the Book]
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        The Americans

      Aperture/Grossman Publishers, New York 1969 - 7 1/4 x 8 1/2 inches, unnumbered pages, cloth, slight stains to front and rear cover, Dust Jacket (fine condition), The first edition of this book to appear with stills from several of Frank's earliest films. With an introduction by Jack Kerouac. edition. Very good. [Attributes: First Edition; Hard Cover]

      [Bookseller: Dawson's Book Shop, ABAA, ILAB]
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        Inter / VIEW (Andy Warhol's interview issues 1-12)

      Interview/Poetry Films 1969-1970, New York - 4to. 12 volumes. unpaginated. Printed wraps as issued. Text in English. Numerous Black & White plates. A few closed tears, and a little browning and chipping to edge of some issues. The first 12 issues of 'The Crystal Ball of Pop'. Constructed of interviews with up and coming Super Stars, and essays on film. Undoubtedly the most influential avant garde monthly to come out of New York in the late sixties. Early issue cover Ken Russell, Agnes Varda, Woodstock, Jane Fonda, Jagger in Performance, Visconti, Antonioni, Bergman, popular icons and factory stars. The early issues were very much an avant garde film journal- in later year 'Interview' developed into the intelligent persons celebrity magazine, and became a template for magazine publishing which persists to this day. An incredibly important piece of pop culture history. [Attributes: First Edition; Soft Cover]

      [Bookseller: november-books]
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        I CAN LICK 30 TIGERS TODAY! ** Signed First Edition **

      Random House, NY 1969 - ***** SIGNED by Dr. Seuss. ***** This is the true first edition, first printing (with "My Book About Me" as the last title listed in the upper listing of books on the back cover; and the back cover; and with no bar code - per Younger & Hirsch). ***** This book is SIGNED by the author (Dr. Seuss) on the page opposite the title page. The author has not inscribed this book to anyone; it is just signed by the author. The author has added his usual flourish (or squiggle) below his signature. ***** Signed examples of this title are RARE. ***** Nice hardcover without dust jacket (as issued; there was no dust jacket issued with this book). ***** There is NO writing, NO bookplates, and NO remainder marks. It is NOT a book club edition and NOT a former library book. CONDITION: This book is in VERY GOOD PLUS condition (toning to covers -- nearly all examples have some toning to the off-white covers). Occasional moderate foxing to endpages and interior pages. ***** OUR GUARANTEE TO YOU: All books are guaranteed to be as described. We believe that no sale is complete until you are happy. Any book is returnable for a full refund (including postage) if you're not 100% satisfied. All books are packaged very carefully and shipped via USPS Mail with Delivery Confirmation. Thank you! Richard Vick, Modern First Editions (Buying and Selling Modern First Editions since 1982). [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Richard Vick, Modern First Editions]
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        THE BEST COLLECTION OF RUSSIAN CLASSICS] Moya biblioteka [i.e. My Library]: [In 2 vols]. Bibliographical catalog

      Kniga, Moscow 1969 - 22x18 cm. In two original green cloth binidngs. Both volumes in original illustrated dust-jackets. Good. Minor tears of dust-jackets. The first and only edition of the catalog of the main Soviet bibliophile. Nikolay Smirnov-Sokolsky (1898-1962) was an artist but became best-known for his book collection. His private library set new standards for collectors of Russian fiction and first editions. His selection of Pushkin editions became the model for future generations of collectors. Every bibliographical entry comes with the notes on the rarity of the book and the story of its publication. [Attributes: First Edition; Hard Cover]

      [Bookseller: Bookvica]
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        Prometheus and the Vulture.

      New York: Kennedy Graphics, 1969. Distributed graphics by Alan Wofsy Fine Arts.(). Lithograph in black on olive Fabriano paper One of 100 signed and numbered impressions. 30 x 22 inches. Kennedy, 258.

      [Bookseller: Wittenborn Art Books]
 20.   Check availability:     Bibliophile     Link/Print  


      New York: A Seymour Lawrence Book/ Delacorte Press,, 1969. or, The Children's Crusade. A Duty-Dance with Death. Octavo. Original blue cloth, spine lettered in gilt, red and black, signature to the front board in gilt, black endpapers. With the dust jacket designed by Paul Bacon. Slightly rolled, spine ends slightly bumped; an excellent copy in the lightly toned dust jacket. First edition, first printing. Signed by the author on the half-title, with a large signature above the date of signing, May 20 1995. Perhaps Vonnegut's best known novel, the plot centres on the Allied bombing of Dresden in 1945, which Vonnegut himself experienced. Loosely inserted are a ticket and a programme for a talk given by Vonnegut in 1999.

      [Bookseller: Peter Harrington]
 21.   Check availability:     Biblio     Link/Print  



      [Bookseller: Controcorrente Group srl BibliotecadiBab]
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        The Very Hungry Caterpillar

      New York and Cleveland: The World Publishing Company, 1969. First Edition. Very Good. First edition, first printing with number line reading 1-5 on copyright page, and A3450 code on rear. Very Good, lacking the dust jacket. Faint soiling to cloth, light wear at corners and spine ends. Previous owner name and inscription to front paste down and front free end paper, with a vintage bookseller tag to paste down. Pages show light reading wear. Carle's third book, in which a caterpillar eats it's way toward metamorphosis.

      [Bookseller: Burnside Rare Books ]
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      WORLD PUBLISHING COMPANY 1969 - TRUE FIRST Edition, FIRST Printing: A lovely copy of the True Scarce First Printing which was printed in Japan by World Publishing and includes the full number line down to the 1 (the later printings were printed in the United States, and do not have the complete number line down to 1), and with the A3450 code on rear board. The Very Hungry Caterpillar was Carle¿s break through/landmark book and one of the most read children¿s books of all time. A lovely example of this title, in the original boards in good condition, lacking the dust jacket. Boards lightly toned with slight soiling, and a few faint surface scratches. The boards have no edgewear and the book is tightly bound. The internal pages have no names, no inscriptions and no bookstore stamps. The internal pages have some intermittent lightly scattered handling marks and/or faint pale stains, but are overall clean. A few smaller than dime size areas of white-out which are quite hard to spot and do not even show in the images. (please see images). An incredibly scarce book at a great price for this title. Lacking the dust jacket. Highly collectible. ADDITIONAL IMAGES AVAILABLE UPON REQUEST. Please see our Abe store for other rare children's books [Attributes: First Edition; Hard Cover]

      [Bookseller: Meier And Sons Rare Books]
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        The Very Hungry Caterpillar

      New York and Cleveland: The World Publishing Company, 1969. First Edition. Hardcover. Good. First edition, first printing with number line reading 1-5 on copyright page, and A3450 code on rear. Good, lacking the dust jacket. Cloth shows soiling, owner name in ink and several small stray marks to front cover, surface scratches, fraying to corners and top edge near spine. Vintage bookseller ticket to front free end paper, edge tear to dedication page. Pages thumbed and rubbed. Binding a bit slack, with stitching exposed at several hinges. First edition.

      [Bookseller: Burnside Rare Books ]
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        Zander, Heinz. - "Männlicher Akt vor Baumruine".

      - Zeichnung / Federzeichnung, in schwarzer Tusche, über Bleistift, auf gelbem Bütten, 1969. Von Heinz Zander. 36,5 x 28,2 cm (Darstellung) / 42 x 30 cm (Blatt). Rechts unten in schwarzer Feder signiert und datiert: "H. Zander 1969". Links unten eigenhändig bezeichnet: "Engel vorbei, oder Baum? Er wirft den Mantel ab um vielleicht die Kühle des Windes zu spüren." Verso in Bleistift nochmals signiert. Dazu Widmung des Leipziger Galeristen-Ehepaars Gisela und Hans-Peter Schulz an den Drucker Horst Arloth. - Papier im Rand kaum merklich knickspurig. Insgesamt sehr guter Erhaltungszustand. Heinz Zander (*1939 Wolfen, lebt und arbeitet in Leipzig). Deutscher Maler, Grafiker und Schriftsteller. 1959-64 Studium an der Hochschule für Grafik und Buchkunst in Leipzig u.a. bei Bernhard Heisig. 1967-70 Meisterschüler von Fritz Cremer an der Akademie der Künste in Berlin (Ost). Seit 1970 freischaffend. Namhafter Vertreter der realistisch-manieristischen Strömung der Leipziger Schule. Seine an altmeisterlicher Manier orientierte Malweise lässt Vorbilder wie Hieronymus Bosch, Albrecht Altdorfer, Matthias Grünewald sowie die italienischen Manieristen erkennen. Sprache: Deutsch [Attributes: Signed Copy]

      [Bookseller: GALERIE HIMMEL]
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        The Lord of the Rings.

      London: George Allen and Unwin Ltd, 1969 - Octavo. Original black boards, spine lettered in gilt, design to front board in gilt, silver and green, black and red title page, silver and green marbled endpapers, green speckled edges. With the publisher's black card slipcase. Ownership mark on verso front endpaper. An excellent copy. 2 folding colour maps. First India-paper edition of the three books originally published between 1954 and 1955, and here issued complete in one volume. Hammond & Anderson A5h.

      [Bookseller: Peter Harrington. ABA member]
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      Alfred A. Knopf, New York 1969 - Approx. 6" x 8.5" VG- hardcover in VG silver dustjacket with green title. Lightly soiled boards faded and worn around perimeter; foxing to edges of text block. Crinkling and abrasion to corresponding areas of age-toned jacket, now protected in clear mylar overlay. Author has SIGNED colloquially (as "Dick") and INSCRIBED this copy ("For Barrett and Evelyn--with admiration, good memories, and best wishes") on ffep, dated 11/14/69. Clean and tight throughout. -Shelve Case 2. Dupont. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Second Story Books, ABAA]
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        Bonheur du jour. Poèmes.

      1969 - Paris, les Impénitents, 1969. In-4 en feuilles, couverture imprimée (emboîtage de l'éditeur). Quelques frottements sur les bords et les coins de l'emboîtage, un petit accroc sur un bord. Edition originale, illustrée d'un frontispice gravé sur cuivre par Salvador Dali, et de 8 eaux-fortes originales en couleurs et 5 gaufrages de Michel Mathonnat. Tirage limité à 165 exemplaires numérotés sur Vélin de Rives. Un des 35 exemplaires hors commerce, notre exemplaire numéroté VIII, comportant comme les 25 premiers exemplaires, une suite des eaux-fortes en premier état sur Vélin de Mandeure (épreuve d'artiste, chaque épreuve signée par Michel Mathonnat), d'une suite en noir des 8 eaux-fortes, et une estampe originale en couleurs tirée sur Vélin et signée par le même artiste. Exemplaire enrichi d'un cuivre ayant servi au gaufrage d?une des illustrations, et de la carte de voeux adressée par la société à ses membres en 1969 et illustrée d'une eau-forte originale en couleurs de Michel Mathonnat. Bel exemplaire. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Librairie Girard-Talec]
 29.   Check availability:     AbeBooks     Link/Print  

        Thoth Tarot Cards. Box set

      New York: Samuel Weiser. Box set of tarot cards. 78 colour cards in pictorial & printed slipcased-box. Aleister Crowley Thoth Tarot set. 'White Box B,' with the Broadway address for Samuel Weiser. Cards designed by Aleister Crowley and painted by Lady Frieda Harris. Contains the Caliph card and 78 tarot cards complete. Often stated to be 1969, Weiser say these are 1973. The errors on the earliest cards have been corrected. . Near Fine. Box.

      [Bookseller: Fosters' Bookshop]
 30.   Check availability:     Biblio     Link/Print  

        University Art Museum Berkeley.

      Berkeley, Calif.: University Art Museum, 1969.(). Silkscreen print. 77 x 59 cm. One of 200 signed and numbered impressions. Framed in wood and Plexiglas. Reproduced in: Wichmann & Hufnagl, Künstler-plakate, 1991 on p. 254.

      [Bookseller: Wittenborn Art Books]
 31.   Check availability:     Bibliophile     Link/Print  

        John and Yoko (1969): Lithograph Proof From Bag One

      London: Curwen Studio, 1969. Lithographic Print. Good. Lithograph proof from Lennon's Bag One, "John and Yoko (1969)". 61 x 86 cm. 24 x 33 3/4 inches. Method: Hand-Pulled Lithography. Medium: BFK Rives. Printers: Curwen Studio, London. Not signed by Lennon, this appears to be a proof from the Bag One Portfolio (p. 6). Yellow, blue, and orange stripe above a yellow downward triangle. BFK Rives watermark along bottom. Minor dust soiling along left hand edge. Small bump on bottom edge.

      [Bookseller: SequiturBooks]
 32.   Check availability:     Biblio     Link/Print  

        Alice's Adventures in Wonderland

      New York: Maecenas Press - Random House, 1969. Limited Edition. Like New. Signed. Signed by Salvador Dali. Folio. Publisher's leather backed linen clam shell case with perfectly intact leather straps and horn claps. Limited edition, copy #1271 of 2,500, signed by Salvador Dali on the title page, containing twelve color illustrations, each with an original remarque, and a four-colored etched frontis. Fine. Nearly flawless, with clam shell case showing two small stray graphite marks to the leather spine, a tiny stain to the front cover, and a corner of cloth slightly pulled away from the paper-board on the interior tray. Quite an exquisite copy, virtually as new, with leather straps and horn claps in excellent condition. With publisher's mailing box, which is a bit tattered, marked, taped and soiled. The 19th Century surreal fantasy as imagined by the 20th Century's most prominent surrealist.

      [Bookseller: Burnside Rare Books ]
 33.   Check availability:     ABAA     Link/Print  

        Sitte, Willi. - Sich Entkleidende vor Betrachtern.

      - Farblithografie / Pinsellithografie, in Rotbraun & Hellrot, auf hellgelbem Karton, 1969. Von Willi Sitte. 56,4 x 42,5 cm (Darstellung / Druckbild) / 73,5 x 55,5 cm (Blatt). Rechts unten in Bleistift signiert und datiert: "W Sitte 69". - Sehr guter Zustand. Willi Sitte (1921 Kratzau / Tschechien - 2013 Halle / Saale). Deutscher Maler und Grafiker, Vertreter des Sozialistischen Realismus. Gehört neben Werner Tübke, Bernhard Heisig und Wolfgang Mattheuer zu den bedeutendsten bildenden Künstlern der DDR. Ab 1936 Ausbildung zum Textilmusterzeichner an der Kunstschule des nordböhmischen Gewerbemuseums Reichenberg. 1940 Empfehlung an die Hermann-Göring-Meisterschule für Malerei in Kronenburg in der Eifel. 1941 Einberufung als Soldat an die Ostfront. Desertiert 1944 nach Gelbsucht und Versetzung nach Italien, um sich italienischen Partisanen anzuschließen. 1946 nach Rückkehr und Vertreibung aus Böhmen Ansiedlung in Halle an der Saale. 1951 Lehrauftrag, seit 1959 Professur an der Kunstschule Burg Giebichenstein ebenda. Der bekennende Kommunist engagierte sich seit 1964 aktiv politisch, seit 1976 als Abgeordneter der Volkskammer der DDR. 1968 Käthe-Kollwitz-Preis. 1969-91 ordentliches Mitglied der Deutschen Akademie der Künste. 1974-88 Präsident des Verbandes Bildender Künstler der DDR. Sprache: Deutsch [Attributes: Signed Copy; Soft Cover]

      [Bookseller: GALERIE HIMMEL]
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        Marc Chagall Drawings and Watercolours for The Ballet.

      New York. Tudor Publishing Company. 1969. Folio original cloth with dust wrapper. With 68 reproductions in full colour. With an original colour lithograph by Chagall created especially for this edition. A near fine copy in original slightly sunned and faded slipcase. First edition. Contains Chagall's original designs for Aleko, The Firebird, and Daphnis and Chloe. Included are both decors and costumes; sketches for dancers, monsters, peasants, magicians; and the magical sets. From the library of Alicia Markova with her "The Dame Alicia Markova Collection" stamp on the front free endpaper. An important association copy. Markova spent much time working and socializing with Chagall and his beloved wife Bella during the entire creative process for Aleko. The trio would shop the Mexixo City's marketplace together, gathering inspiration from the intense local colours as they scooped up vibrantly dyed fabrics and intricate decorative trims. Bella, an excellent seamstress, would then stitch the various materials together under her husband's direction as he experimented with fanciful layering. Markova also contributed, making exotic armlets and necklaces for her costumes from decorative Mexican gold coins. As the firey gypsy temptress Zemphira, Markova had numerous costume changes, one more exotic than the next, and all covered in layered nettings, fabric flourishes and colorful appliqués. Chagall hand-painted each garment while Markova modeled it, so he could achieve the perfect placement for his symbolic design details. Best known as an exquisitely refined and ethereal classical ballerina - the quintessential Giselle - Markova was a revelation to critics and audiences alike as the perfect embodiment of a "priestess of evil," as one critic remarked. Chagall's costumes went a long way in helping Markova create that acclaimed performance, as dance critic Grace Roberts described: "With sunburnt make-up, wild hair, and a vivid red costume, her very appearance was a shock, though a delightful one. Nothing was left of the familiar Markova but the thistledown lightness, and authoritative dancing style, now turned to the uses of demi-caractère." On the bodice of Markova's first costume, Chagall painted a small red heart just below the ballerina's own, with a tree of life beneath it to illustrate the initial hopefulness of passionate love. Ever after, Chagall signed all his correspondences to Markova with his name inside a heart - not as a token of romantic love - but as a reminder of their happy times working together. The pair would reunite in 1945 for the The Firebird ballet with music by Igor Stravinsky, once again with Markova dancing the lead role. In addition to creating a breathtaking costume for Markova with large beak and real bird-of-paradise plumes, Chagall developed a special body make-up for his fine feathered friend. First a dark brown body-wash was applied to Markova's shoulders, arms, and back, followed by patches of grease. Gold-dust was then sprinkled all over her (or thrown at her, as she liked to say) sticking to any oily surfaces. While dancing the role, Markova's body glistened like a bird's feathers in the sun. Though a magical effect, it took hours in a hot tub to soak off, forcing Markova to leave the theatre many an evening still covered in itchy gold dust. But she said it was always worth it, and she and Chagall remained great friends for life.

      [Bookseller: Henry Sotheran Ltd.]
 35.   Check availability:     Direct From Seller     Link/Print  

        [GERMAINE GREER] Suck: First European Sex Paper. Numbers 1 - 8.

      London and Amsterdam : Joy Publications, 1969-1974. Unbound, folio, illustrated, partly coloured; Number 1 with the original Suck-publishers stamp (change of address), Number 5 with the inserted 4 page comic; some some light staining and spine tears to Number 1, else a near fine set. A publishing landmark of the Sexual Revolution. Suck: First European Sex Paper was founded in 1969 by William Levy, Germaine Greer, Susan Janssen, Lynne Tillman, Heathcote Williams, and Willem de Ridder. The first issue was published in London in 1969, and the remaining seven issues in Amsterdam, between 1972 and 1974. The magazine's content was most definitely not aimed exclusively at a heterosexual readership. Its sexually liberated agenda was to supply, without prejudice, information and uncensored graphic content to readers of all sexual orientations, and its pages include a great deal of content relating to gay and lesbian sex (Number 4 for example, includes an extensive and detailed Gay Guide for Europe), as well discussions of incest and bestiality. '... the English language Suck: First European Sex Paper ... offered erotic stories and images including everything from oral sex to sadomasochism (SM) and bestiality. It had strips, graphic design, close-up shots of female and male genitals, and organised a Wet Dream Festival. [Magazines such as Candy, Chick, Gandalf and Suck] were eagerly embraced by growing parts of the Dutch public while conservative groups protested but were eventually drowned by the erotic flood. These media brought sex into most households.' (Hekma, Gert. A radical break with the puritanical past: the Dutch case. In: Sexual revolutions. London : Palgrave Macmillan, 2014, 67-8). Australian feminist Germaine Greer was one of the magazine's founding editors. She later commented: 'Talking about sex was dangerous in those times. I was called at least once a month to the office of the vice squad' (Ravage#1 10-01-2003). Greer continued as an editor and contributor throughout Suck's existence. Her essays included I am a Whore (Number 6) and Lady Love Your Cunt (Number 2), reprinted in The Madwoman's Underclothes. The magazine also published an explicit photographic portrait of Greer displaying a close-up of her genitals (Number 7). Greer, however, having become disillusioned with the male-oriented direction the publication had taken, resigned from the paper after this issue; her resignation letter, in which she argues that Suck had now become both pseudo- and counter-revolutionary, was published in the final issue, Number 8. OCLC locates only one complete set (New York Public Library).

      [Bookseller: Douglas Stewart Fine Books]
 36.   Check availability:     Direct From Seller     Link/Print  


      Leiris, 1969.(). Portfolio with texte de Michael Leiris. One of 75 sets, signed by artist and author. Lacks the prints except for the 2 color aquatints on the cover. Cramer, 130.

      [Bookseller: Wittenborn Art Books]
 37.   Check availability:     Bibliophile     Link/Print  


      Los Angeles: Black Sparrow Press, 1969. First Edition. Deluxe Issue, one of four copies specially bound and signed by the author and illustrator, this copy marked "Publisher's Copy." Octavo (26cm); half maroon polished calf and salmon printed paper-covered boards, with title label applied to spine; publisher's original acetate dustjacket; 57,[9]pp; illus. Publisher's original prospectus laid in. Some trivial wear to spine ends, with a hint of foxing to upper board edges and upper edge of textblock; Near Fine in a lightly shelfworn, Near Fine dustjacket. Handsome edition of Ashbery's long autobiographical poem, written between December 1964-March 1965. An early collaborative work with Brooklyn artist Alex Katz. Provenance: From the collection of Black Sparrow Press founder John Martin. Morrow & Cooney 68b.

      [Bookseller: Captain Ahab's Rare Books]
 38.   Check availability:     Biblio     Link/Print  



      [Bookseller: Controcorrente Group srl BibliotecadiBab]
 39.   Check availability:     Biblio     Link/Print  

        The Bobwhite Quail slipcase

      RUTGERS UNIVERSITY PRESS, NEW BRUNSWICK NEW JERSEY 1969 - Moderate dust-soiling or foxing to boards. Dustjacket: general wear with foxing and rubbing, . slipcase DATE PUBLISHED: 1969 EDITION: 418 GIFT QUALITY VERY GOOD slipcase [Attributes: Hard Cover]

      [Bookseller: Princeton Antiques Bookshop]
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      Garden City: Doubleday & Company, Inc, 1969. First edition of one of Philip K. Dick's most acclaimed novels. Octavo, original cloth. Signed by Philip K. Dick on the title page. A touch of rubbing, near fine in a near fine dust jacket with light rubbing. Jacket design by Peter Rauch. Rare and desirable signed. Ubik "features the creation of a subjective world by a group of people killed in an accident but restored to a kind of consciousness within a preservative machine, though any final determination of what is real in the book is made superbly problematical" (Clute & Nicholls, 329). "A brilliantly realized science fiction future darkened by Kafkaesque paranoia. As portrayed by Dick, a world in which cryogenic suspension has abolished traditional concepts of death and in which psychics can alter the future by changing the past is one that offers no foundation for objective truth" (Barron, Fantasy and Horror 6-113). It was chosen by Time magazine as one of the 100 greatest novels since 1923.

      [Bookseller: Raptis Rare Books ]
 41.   Check availability:     ABAA     Link/Print  

        Damnation Alley (+ Author Signed 1st edition 1970 paperback of same story)

      New York: G. P. Putnam's Sons(1969). This 2-book package includes the 1st edition/1st printing, G. P. Putnam's Sons, 1969 hardback in dustjacket + the 1970 1st paperback edition (Berkley Medallion Edition, June, 1970, SBN: 425018466). The paperback has been SIGNED by Roger Zelazny on its title page. Will be up to a future owner whether to keep both books together for the signature, or to cut out the signed title page of the paperback to lay into the hardback. The hardback 1st editon/1st printing book is in Fine condition, bound in red cloth with black spine and front panel printing. It is straight, clean, tight (probably unread) with just a touch of cloth softening from shelving to lower spine end and a couple of 'very' tiny flecks (smaller than a very sharp pencil lead) on the page edges. The Near Fine+ dustjacket is crisp, clean, unfaded and price intact. It has a few tiny edge nicks to flap fold ends and upper spine end. A beautiful copy of a hard to find in decent condition 1st edition sci-fi book. The paperback is straight, clean, tight (for sure unread) with what I think were originally yellow page edges that have faded and toned to be almost light tan like the text block paper - and in very small, almost illegible letters (thin outlines only) 'Jun 22 1970' is stamped on the bottom page edges in light green. Aside from the age toning to the text paper and the almost invisible date-stamping, the paperback is in Near Fine condition - no spine creasing, the cover and pages are good but a bit tanned-looking on the page edges, there's a bit of light toning to spine and back panel of the cover - but the title page is not wrinkled (that was me being careful not to stress the spine when I made the image). This story was made into a movie in 1977. The book version is a hard-hitting post-nuclear apocalyptic story that unfortunately for the movie industry's finances was cut and twisted into an unrecognizable mess - but then Star Wars came out in 1977 also so it might not have mattered anyway.; 8-3/16" x 5-3/4"; 157 pages; Signed by Author, 10, 20, 24, F/NF, LOC: 7795238

      [Bookseller: Authors & Artists]
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        Vincennes Psychanalyse Leclaire Séminaires 1969 Centre Universitaire Expérimental De Vincennes Département De Psychanalyse (Envoi À Jacques Lacan de Serge Leclaire)

      Vincennes 1969 - Grd in-8, couverture typographique rouge sur fond de palladium, 146 pp. Edition originale sans justification de tirage. ENVOI AUTOGRAPHE de SERGE LECLAIRE à JACQUES LACAN sur la page de garde - - - Copy signed by S Leclaire to J. Lacan on front-page - Savoir et pouvoir. Sur la fonction du père. Sur la fonction de la mère (quelques questions à propos du corps érogène). De l'intervention psychanalytique dans son rapport au corps érogène. Introduction . [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: LA 42EME LIGNE - LIBRAIRIE-GALERIE]
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        Moshe Dayan

      July 18, 1969. Typed Letter Signed <I>"Moshe Dayan"</I>, in Hebrew, 2 pages, 6.5" X 8.25" and 8.25" X 2.5". Addressed to [a] member of the Knesset Avraham Verdiger. The letter reads: <I>"Minister of Defense, The Kirya (Tel-Aviv), 3rd in the month of Av (July 18,1969), PERSONAL, To member of the Knesset Avraham Verdiger - hello, Unfortunately I did not get a chance to answer your question #8414 that was asked on the parliament's meeting. I am attaching the answer from the general command about the orders for burial of citizens who died in Sinai. Regards, Moshe Dayan, Minister of defense."</I>, Copy: Knesset chairman. [page 2] As follows, our suggestions for your answer: A. IDF is responsible for soldiers' casualties; the police are the ones to take care of citizen casualties B. In this case, it is a citizen who was killed in Sinai, which is not the police jurisdiction. The body was transferred by the army to a hospital in Be'er Sheva. The police were informed of the incident; the police were in charge of the paperwork for releasing the body from the hospital. C. Since the incident, we contacted the bodies who were involved and demanded new orders of operation to be set. It shall be that an announcement of a dead citizen to the police in an occupied area will cause for the police to take all responsibility for the case." Fine with punch holes.

      [Bookseller: University Archives]
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        Christo - America House Wrapped Nr. 181/200

      Fine Art Print Edition / collage (62 x 88 cm) with original fabric as used to wrap the 'America House' in Heidelberg in 1969. The edition is framed in a white wooden frame : 79 x 100 x 3 cm. Numbered 181/200, dated and signed by Christo. In mint condition

      [Bookseller: The land of Nod - art & books]
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