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Displayed below are some selected recent viaLibri matches for books published in 1969

        His Photographs and Notes. Afterword by Lincoln Kirstein.

      New York: An Aperture Monograph, 1969 - Square octavo. Original printed wrappers. Joints a little rubbed, crease at top fore-corner of front and rear wrapper. A very good copy. Monochrome illustrations throughout. First edition, first printing, of this "Special Museum of Modern Art Edition". Presentation copy from the photographer, inscribed at the head of the title page: "To Eva -- Let us be dedicated in not taking the past as proof against the future. Gene". [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
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        Still Life with Raspberry or The Bumper Book of Steadman.

      London: Rapp & Whiting Limited, 1969 - Quarto. Original brown boards, titles to spine gilt, brown illustrated endpapers. With dust jacket designed by Ralph Steadman and Lawrence Edwards. Edges lightly foxed; an excellent copy. Illustrated throughout by Ralph Steadman. First edition, first impression. A unique and stunning copy, with the jacket customised by Steadman, who was clearly not an admirer of the typography on the original jacket. Steadman has rebacked the jacket with cream card, removed the lower and upper portion of the front panel to redesign title and his signature, and added his trademark ink splashes to the rear panel. Signed and with an original drawing by Steadman in orange and red ink to the title page. [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
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        Les metamorphoses erotiques. Choix de dessins executes de 1940 a 1968. Beinhaltend auch 10 Tafeln: Planches extraites d'un traite des systemes erotiques et des mille facons masturbatoires des Romains a Dali.

      A L'Erotitiade 1969. - Vitri8 Gr.-4° ( 33,0 x 25,8 cm). Roter Original-Leinenband mit Deckeltitel in Goldprägung. 60, (4) Seiten als lose Doppelblatt mit zahlreichen Abbildungen, teils montierten Tafeln sowie 10 Extratafeln in Umschlag mit Betitelung der Tafeln. Die umlaufenden Ränder (nur wenige Millimeter) der ersten und der letzten Seite durch die roten Leineninnenkanten etwas rötlich gefärbt. Sehr schönes Exemplar, nahezu tadellos erhaltenes, schneeweißes Exemplar. Vorliegend Nummer 342 von 900 numerierten Exemplaren auf Zerkallpapier einer Gesamtauflage von 1200 Ex. 1900

      [Bookseller: Antiquariat und Buchhandlung Carl Wegner]
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        Rauschenberg

      New York , ABRAMS, 1969 - Monograph designed in collaboration with the artist, including notes, autobiography, bibliography and 153 illustrations on plates (circa 33 in fine colour). 4to. pp. 230. . Molto buono (Very Good). . Prima edizione (First Edition). . [Attributes: Hard Cover]

      [Bookseller: Studio Bibliografico Marini ALAI - ILAB]
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        Radierungen zu den Songs der Dreigroschenoper von Bertolt Brecht

      Darmstadt Wissenschaftl Buchgesellschaft 1969 - , O.Leinenmappe, 40 x 36,5 cm. Nr.10 von 70 Exemplaren, 10 einzeln hs.signierte u. numerierte O.Radierungen

      [Bookseller: Jürgen Noffz]
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        Femme tenant le voile. (Woman Holding Veil.)

      Paris: Graphik Europa Anstalt,, 1969. Hand coloured drypoint etching on Japon nacré paper. Plate size: 31.5 x 23.5 cm. Sheet size: 38.5 x 28.5 cm. Excellent condition. Edition of 145. Signed in pencil lower right by Dali, numbered lower left. Dali blindstamp to lower right. One of 16 prints from the Vénus aux Fourrures portfolio.

      [Bookseller: Peter Harrington]
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        America house wrapped 1969. Siebdruck.

      Heidelberg, Edition Tangente, 90 x 62,5 cm, Tadell. Nr. 33 von 200 Exemplaren. Mit aufmontiertem Verhüllungsstoff. Vom Künstler signiert und datiert. Rückseitig gestempelt: Edition Tangente. Heidelberg. Heidelberg im Mai 1969: Für drei Tage spielte die Kunst die Hauptrolle in der idyllischen Neckarstadt. Über 80 Künstler hatten die Veranstalter Klaus Staeck. heute Präsident der Berliner Akademie der Künste. und Jochen Goetze. emeritierter Professor des Geschichtlichen Seminars der Universität Heidelberg. zu \"intermedia ´69\" eingeladen. Das Fluxusfestival lockte etwa 5.000 Zuschauer mit Aktionen. Happenings. Filmvorführungen. Konzerten und Performances: Christo verpackte in einer legendären Aktion das Amerika-Haus. Daniel Spoerri kochte Transsylvanisches Gulasch in der Studentenmensa. die Lidl-Akademie turnte für die kommende Olympiade. Jochen Gerz verteilte Flugblätter. die Guru Guru Groove-Band heulte Dada-Rock. Klaus Rinke errichtete eine Wasserfontäne. Michelangelo Pistoletto ließ es auf der Bühne krachen. Tony Morgan verarbeitete Blumen zu Kunst. Das Publikum war nachhaltig irritiert. denn \"intermedia 69\" platzte in eine politisch hochexplosive Zeit. Einer zunehmend verunsicherten bürgerlichen Öffentlichkeit standen protestierende Studenten gegenüber. die mit Wucht an den bestehenden Verhältnissen rüttelten. Die Feindbilder waren deutlich und die Fronten klar abgesteckt. als sich die Kunst in Form von \"intermedia 69\" wie ein Keil zwischen diese beiden Parteien schob. Ablehnung kam von beiden Seiten. Die bürgerliche Öffentlichkeit fand die Aktionen einfach nur chaotisch. radikale Studenten verurteilten sie als unpolitisch und damit konventionell. Versand D: 20,00 EUR Grafik - nach 1945

      [Bookseller: Antiquariat Peter Petrej]
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        The Engineering of Consent

      Norman, OK, U.S.A.: University of Oklahoma Press. Hardcover. 246 pages. Index. Third printing of the 1955 first edition. "A well-planned public relations program, says Edward L. Bernays, U.S. Publicist Number 1, is executed in accordance with scientific principles. This book is based on the findings of social scientists, whose dispassionate approach and methods may be likened to those of the engineering professions... A systematic presentation of the principal organizational problems in any public relations undertaking." - from dust jacket of first edition (not included with this copy). Average wear to navy blue cloth-covered boards. Usual library markings. Binding intact. A worthy early printing of this public relations classic. . Good. 1969. Third Printing.

      [Bookseller: RareNonFiction.com]
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        Midpoint and Other Poems

      New York: Alfred A. Knopf. 1969. First. First edition. Fine in fine dustwrapper. Nicely Inscribed by Updike at a later date as a Christmas gift, with a drawing of Santa Claus. A nice copy of the author's third poetry collection. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        You've Had It, Charlie Brown: A New Peanuts Book

      New York: Holt, Rinehart and Winston, (1969). First Edition. Trade Paperback Trade Paperback. Very Good. Unpaginated. A collection of daily cartoons from 1968 and 1969. First edition (first printing). Very good in wrappers (paperback), beginning to fade at the spine. A nicely inscribed copy with a full-page drawing of Snoopy. The inscription on the half-title reads, 'For __, with every best wish--Sparky. Come & see us again. You're always welcome.' Opposite the inscription is a drawing of Snoopy, signed 'Schulz.' The drawing measures 4 by 5-1/2 inches. The recipient was the long-time partner of Rod McKuen, a hugely popular poet and songwriter at the time. He composed the title song for the 1969 feature film, A Boy Named Charlie Brown. The Schulz inscription likely dates from that time. Schulz inscriptions aren't rare, but he only signed his name Sparky with people he knew, and truly friendly inscriptions do not surface very often.

      [Bookseller: Eureka Books, ABAA]
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        Falkenbuch Kaiser Friedrichs II. - Signatur: Pal. Lat. 1071 - Biblioteca Apostolica Vaticana (Vaticanstadt, Vaticanstadt)

      Akademische Druck- u Verlagsanstalt (ADEVA) - Graz 1969 - Faksimile des Originals Falkenbuch Kaiser Friedrichs II. mit der Signatur Pal. Lat. 1071 - Biblioteca Apostolica Vaticana (Vaticanstadt, Vaticanstadt), auch bekannt als De Arte Venandi cum avibus *** Arte de cetrería de Federico II *** Falkenbuch Friedrichs II. *** Die Kunst mit Falken zu Jagen von Kaiser Friedrich II. *** Falkenbuch Kaiser Friedrichs II. - De arte venandi cum avibus *** Emperor Frederick II – The Art of Falconry. Daten des Originals: 36.0 x 25.0 cm, 222 Seiten. Rotunda (Süditalien) oder Neapel (Italien), Um 1258-1266. Buchschmuck: 170 menschlichen Figuren, mehr als 900 Vogelarten, 12 Pferde und 36 andere Tiere sowie alle Utensilien, die für die Falknerei erforderlich sind. Mit dem Werk verbundene Namen: Emperor Frederick II von Hohenstaufen (1194 - 1250) and his son Manfred, Author: Frederick II von Hohenstaufen (1194 - 1250) *** Faksimile: Vollfaksimile des Originaldokuments (Umfang, Farbe und Größe). Limitierung: 1000 Exemplare. . Kommentar: 1 Band. Alle Preise inkl. gesetzlicher Mehrwertsteuer. Die AGB und Widerrufsbelehrung finden Sie unter „Anbieter- & Zahlungsinformationen". Innerhalb Deutschlands und der Europäischen Union versenden wir generell versandkostenfrei.*** Besuchen Sie uns in der Altstadt von Regensburg *** Wir bieten mehrere Hundert verschiedene Faksimile-Ausgaben an. Bitte kontaktieren Sie uns bei Fragen oder Wünschen - wir helfen gerne!

      [Bookseller: Ziereis Faksimiles]
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        Allgemeines Handwörterbuch der philosophischen Wissenschaften nebst ihrer Literatur und Geschichte (5 Bände KOMPLETT)

      Frommann/ Holzboog; 1969. Faksimile-Neudruck der zweiten, verbesserten und vermehrten Auflage Leipzig 1832 - 1838; insgesamt ca. 4700 Seiten; Gebundene Ausgabe Bei dem hier angebotenen Werk handelt es sich um ein Exemplar aus einer teilaufgelösten Bibliothek mit den entsprechenden Kennzeichnungen, wie Rückenschild, Bibliotheksstempel usw. Der Erhaltungszustand ist ansonsten ordentlich; Schnitt/ Einband leicht staubschmutzig; KOMPLETTPREIS für 5 Bände; bei Versand ins Ausland erfragen Sie bitte zuerst die Versandkosten; Versandkostenfreie Lieferung mfb

      [Bookseller: Petra Gros]
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        Le Piéton de Paris

      Robert Léger 1969 - Un volume in-folio (30 cm x 30,5 cm), 232-(8) pp. Illustré de quinze lithographies originales en couleurs de Michel de Gallard. Un des 135 exemplaires numérotés sur Vélin d'arches Arjomari signé par l'Illustrateur et l'Editeur. En feuilles sous couverture rempliée et coffret illustré de l'éditeur.Le texte de l'édition originale de 1932 avec une préface d'Armand Lanoux. Pour accéder à la totalité de notre offre, consultez notre site Paris-Libris. [Attributes: Hard Cover]

      [Bookseller: PARIS-LIBRIS]
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        EL INGENIOSO HIDALGO DON QUIJOTE DE LA MANCHA. Ilustrado por GREGORIO PRIETO. 2 tomos

      Biblioteca Nueva 1969 - 1970, Madrid - 25x32 Revisión y notas de Federico de Onis y Antonio G. Solalinde 495 pp.; 549 pp. Cervantismo Libro firma antiguo dueño en ambos tomos. Excelente estado

      [Bookseller: Librería Salambó]
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        The Godfather

      New York: G.P. Putnam's Sons, 1969. First edition. Octavo, original half black cloth. Inscribed by the author, "For Nancy With my very best wishes Mario Puzo." Erasure mark on the half title page, very good in a very good price-clipped dust jacket. Housed in a custom half morocco clamshell box. A searing novel of the Mafia underworld, The Godfather introduced readers to the first family of American crime fiction, the Corleones, and the powerful legacy of tradition, blood, and honor that was passed on from father to son. "A voyeur's dream, a skillful fantasy of violent personal power" (New York Times).

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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        Slaughterhouse Five, Or The Children?s Crusade.

      New York: Delacorte Press, 1969. First edition. Octavo, bound in full blue morocco, titles to the spine, gilt tooling to the front and rear panels, raised bands, all edges gilt, marbled endpapers. Boldly signed by Kurt Vonnegut on the half title page. "Slaughterhouse-Five, perhaps Vonnegut's most powerful novel, presents two characters who can see beneath the surface to the tragic realities of human history but make no attempt to bring about change The central event is the destruction of Dresden by bombs and fire storm—a catastrophe that Vonnegut himself witnessed as a prisoner of war" (Vinson, 1414-15). "Kurt Vonnegut knows all the tricks of the writing game. So he has not even tried to describe the bombing. Instead he has written around it in a highly imaginative, often funny, nearly psychedelic story. The story is sandwiched between an autobiographical introduction and epilogue" (The New York Times).

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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        Die Kartause von Parma

      Rütten und Loening, Berlin 1969 - Buch gut erhalten, Buchrücken leicht ausgeblichen und weist einen Minifleck auf, Farbkopfschnitt Hinweis: Wir versenden als Brief im Luftpolsterumschlag, bzw. Päckchen/Paket. Auf Wunsch verschicken wir als Büchersendung (bis 500g 1,50 Euro, bis 1000g 2,20 Euro in Deutschland), allerdings kann hier die Laufzeit bis zu 2 Wochen betragen. deutsch 767 pages. 8 [Attributes: Hard Cover]

      [Bookseller: Der Bücherhof]
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        Altenbourg, Gerhard. - Zu Johannes Bobrowski. - "Nachtweg".

      - Farblithografie / Kreide- & Pinsellithografie, in zwei Farben, auf festem Papier, 1969. Von Gerhard Altenbourg. 44,0 x 34,0 cm (Darstellung) / 52 x 38 cm (Blatt). Janda L 132. Außerhalb der Darstellung unten mittig in Bleistift signiert und datiert. - Aus der Mappe "Über dem Strom ein Gezweig, Blätter zu Bobrowski" mit insgesamt 12 Arbeiten. - Papier etwas gegilbt und leicht knickspurig. Guter Gesamtzustand. Gerhard Altenbourg (1926 Rödichen-Schnepfetal - 1989 Meißen). Deutscher Maler und Grafiker. 1929 Umzug nach Altenburg. 1944-45 Soldat im Zweiten Weltkrieg. 1946-48 als Schriftsteller und Journalist tätig, Zeichenunterricht bei Erich Dietz. 1948-50 Studium an der Hochschule für Baukunst und Bildende Kunst in Weimar bei Hans Hoffmann-Lederer. 1959 Teilnahme an der documenta II in Kassel. 1961 Gastatelier an der Kunstakademie in Westberlin. 1961 Erwerb einiger Arbeiten durch das Museum of Modern Art in New York. 1962-89 Atelier in Altenburg, Annahme des Künstlernamens "Altenbourg". 1966 Burda-Preis für Grafik in München. 1968 Will-Grohmann-Preis in Westberlin. 1970 Mitglied der Akademie der Künste, Berlin. 1977 Teilnahme an der documenta 6 und Mitgliedschaft bei der ?Life Fellow of the International Biographical Association? in Cambridge. In den 1980er Jahren Ausstellungsverbot und Schließung der Ausstellungen, da er sich den offiziellen Kunstauffassungen der DDR widersetzte.Seit 1998 vergibt das Lindenau-Museum in Altenburg aller zwei Jahre den Gerhard-Altenbourg-Preis. [Attributes: Signed Copy]

      [Bookseller: GALERIE HIMMEL]
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        Elegie des alizés.

      Paris, Editions du Seuil 1969 - 29 x 23 cm, 25 p., frontispice est une col. lithographie de Marc Chagall, N°. 223 de 420 num. ex. sur Velin D' Arches pur chiffon filigrane, Klarsicht - SU zerrissen,

      [Bookseller: Antiquariat A. Wempe]
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        Good morning city - Bleeding town. Farbserigraphie in 10 Farben. Mit Metallprägung in 8 Farben. Auf Fabriano-Büttenpapier. Am Unterrand mit Signaturstempel, Nummerierung, Datierung und zusätzlicher Signatur Hundertwassers.

      Studio Quattro Venedig 1969 Nummeriertes Exemplar Nr. 3642 aus der Serie *S* einer Gesamtauflage von 10000 Exemplaren. Am linken Außenrand mit 18 quadratischen Farbauszugspunkten und hierunter Auflistung der Varianten. Am unteren weißen Rand mit 4 Prägestempeln vom Drucker und Verleger sowie 2 japanischen Rotstempeln (inkan), Prägestempel \"686 Giudecca 1969\", sowie signiert und datiert rechts unten mit \"Friedensreich am 18. Dezember in Rom\". Zusätzlich bei der Nummerierung *3642* von Hundertwasser handsigniert weil die erste Nummerierung unleserlich erfolgt ist und darunterstehend nochmals nummeriert wurde - diese von Hundertwasser eigenhändig signiert. Gedruckt bei Studio Quattro, Campalto - Venedig, in Zusammenarbeit mit dem Drucker Lino Coin, 1969-70. Koordinator des Drucks war Alberto della Vecchia. Blattmaß: 84 x 56 cm ( Höhe x Breite ), unter Glas gerahmt ( Rahmenmaß: ca. 90 x 70 cm ) Das Blatt im weißen Oberrand gering fleckig bzw. fingerfleckig ( aber durch ein Passepartout gut abdeckbar ), ansonsten guter, farbfrischer Zustand. ( Bitte beachten: Hier leider kein Versand möglich - hier bitte nur Selbstabholung in meinem Ladengeschäft / Please notice. Sorry, no shipment possible ) ( Pic erhältlich // webimage available ) ( Lagerort Richey ) Versandkostenfreie Lieferung Hundertwasser, Friedensreich Hundertwasser, Good morning city, Bleeding town, Serigraphie, Farbserigraphie, Metallfoliendruck, signiert, nummeriert, Studio Quattro, Alberto della Vecchia, Lino Coin, Google

      [Bookseller: Antiquariat Friederichsen]
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        Black Mountain Review Numbers 1-7

      AMS Press, New York 1969 - First edition thus. Three hardcovers. A reissue/reprinting of this important and highly influential literary journal. Special "historical introduction" by editor Robert Creeley. Contributions by Paul Blackburn, Larry Eigner, William Bronk, Charles Olson, Kenneth Rexroth, Creeley, Joel Oppenheimer, Paul Carroll, Denise Levertov, Franz Kline, Jess Collins, Louis Zukofsky, Jonathan Williams, Aaron Siskind, James Purdy, Paul Goodman, Robert Duncan, Philip Guston, Lorine Niedecker, Fielding Dawson and numerous others. All three volumes in near fine condition in green cloth bindings with some slight wear and faint foxing to the page edges. Original order form laid in. A very nice set. [Attributes: Soft Cover]

      [Bookseller: Jeff Hirsch Books, ABAA]
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        Tabularium Casinense. Tomus I. Codex diplomaticus Cajetanus. Pars I (Pars II, Pars III (I), Pars III (II)

      Tipografia editrice M. Pisani (Parti I e II) e Typis Archicoenobii Montis Casini (Parte III) 1969 (Parti I e II in ristampa anastatica), 1958-1960 (Parte III), Isola del Liri (Parti I e II) e Montecassino (Parte III) - Legature in mz. tela con angoli e titolo oro su tassello in pelle al ds. Eccellente esemplare. Opera rara. 4to (cm. 33,5), 4 Voll., XIV-426 pp. con 6 tavv.; 480 pp. con 5 tavv.; XIX-313 pp. con 1 tav. rip.; XV-245 pp. con 6 tavv. [Attributes: Hard Cover]

      [Bookseller: Libreria Ex Libris ALAI-ILAB/LILA member]
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        Dokumentation Arbeitsprozesse,

      Zürich, ETH (= Arbeitsberichte der Architekturabteilung, Eidgenössische Technische Hochschule, Zürich, Bd. A1.), 1969,. Erstausgabe, 26 x 45 cm, 207 nicht paginierte Blatt (die ersten drei Bl.: Titelbl., ganzs. Illustr. des Projekts, Einleitung Prof. B. Hoesli am 12.2.1969), mit zahlreichen, häufig ganzseitigen, s/w-Abbildungen, Grafiken und Karten, Loseblattsammlung im illustr. original Pappschuber, die Stehkanten des Schubers oben und unten mit verblasstem handschriftl. Vermerk 'Katalog L. Kahn', Ecken der ersten drei Blätter teils minimal bestossen, Blatt 1 (Titelbl.) oben mit kleiner Randfehlstelle (12mm x 4mm), Blatt 2 unten mit kleiner Randfehlstelle (1cm x 3mm), vereinzelte Blätter mit einem minimalen, winzigen Eselsohren, sonst sehr gutes, sauberes Exemplar (RG1) Hinweis zur Kollationierung: Uns liegen 207 einzeln gezählte Blatt vor. Die Niedersächsische Staats- und Universitätsbibliothek gibt "[ca. 210] Bl." an. Dementgegen gibt die Bibliothek der Technischen Universität Berlin "[212] Bl." an. Dieser Arbeitsbericht entstand in der Zeit vom 20. Januar bis 10. Februar 1969 im Anschluß an die Vorarbeiten zur Ausstellung 'Louis I. Kahn - Dokumentation von Arbeitsprozessen'. Diese wurde von der Architekturabteilung der ETH Zürich im Februar 1969 gezeigt. Sinn der Dokumentation sei "unseren Studenten das Material der Ausstellung in bleibender Form zugänglich zu machen" (Titelblatt). "Visionary architect, expert manipulator of form and light, highly complex individual, Louis Kahn (1901-1974) is one of the most influential architects of the mid-twentieth century." (designmuseum.org, Design Museum London)

      [Bookseller: Antiquariat Orban & Streu GbR]
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        The Greatest Game of All. My Life in Golf with Herbert Warren Wind. Foreword by Robert Tyre Jones, Jr.

      New York: Simon and Schuster, 1969 - Octavo. Original brown cloth, titles to front board and spine gilt, mustard endpapers. With the dust jacket. A bright copy in the price clipped dust jacket with wear to flap folds and ends of spine, chip to rear panel top edge, shalow chipping to corners. A very good copy. With black and white photographs. First edition, first printing. Signed by Jack Nicklaus on the frontis. [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
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        L¿Encyclopédie, ou Dictionnaire Raisonné Des Sciences, Des Arts et des Métiers, . (Compact Edition, 5 volumes set)

      Readex/Pergammon Press 1969 - 5 volumes, illustrated, 1969. A facsimile reprint, photographically reduced to about half original size, of the first Paris edition of this famous encyclopaedia produced between 1751 and 1772. Four reduced facsimile pages of the original appear on one folio-sized page (39.5 x 25 cm) of this printing. The printing quality is excellent and all text and diagrams are very legible. The encyclopaedia contains a wealth of information; over 75,000 entries and over 2,500 plates. A fine copy with a few minor marks to the covers. [French language] This book weighs over 30 kg when packed so additional shipping will be required. The original work consisted of: 17 text volumes produced between 1751and 1765 (in compact edition volumes 1, 2 & 3) 11 plate volumes produced between 1762 and 1772 (in compact edition volume 4) And the Supplement: 4 text volumes produced between 1776 and 1777 (in compact edition volume 5) 1 plate volume produced in 1777 (in compact edition at the end of volume 4) And the Tables: 2 volumes produced in 1780 (in compact edition volume 5) The Tables are an invaluable reference to the articles and plates contained in all 28 volumes of the Encyclopaedia and the 5 volumes of the Supplement, making 35 volumes in all (including the 2 volumes of Tables). The writers of the encyclopaedia saw it as a vehicle to access human knowledge and to guide opinion. It was a summary of thought and belief of the Enlightenment period and also a vast compendium of the technologies of the period, describing the traditional craft tools and processes. The encyclopaedia had a major impact on French society at the time and played an important role in the intellectual ferment leading to the French Revolution. The work is still much studied today, especially for its wealth of information on the tools and technologies of the period. Many clock enthusiasts will be aware of the 64 plates on horology; there are also plates on astronomy, astronomical instruments, dialling, mechanics, hydraulics, optics, turning, surveying, hydraulics, medical instruments and many other subjects. [Attributes: Hard Cover]

      [Bookseller: Jeffrey Formby Antiques]
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        CASIDAS.

      - Introducción de Gerardo Diego. Madrid. Edic. Arte y Bibliofilia. Col. Tiempo para la alegría. Dirigida por Rafael Casariego. Imp. Sáez. 1969. 1ª edic. de 198 ejem. numerados, nº 19. 47x37 cm. s/p. texto a dos tintas + 10 Litografías, estampadas a mano, directamente realizadas sobre la piedra, firmadas y numeradas por Manuel Viola. Folios en rama y sin desbarbar. Carpeta en tela e ilust. # arte [Attributes: Soft Cover]

      [Bookseller: Librería Torreón de Rueda]
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        Elles

      London: Toulouse-Lautrec Circle, 1969. First edition thus. Limited edition.. Hardback. Large Folio. (22.5 x 17.5 inches). Limited to 1250 copies, this being 872. pp.41. 11 lithographs, each numbered in pencil next to a blind stamp, with the extra lithograph "Clownesse au Moulin Rouge", loosely inserted, which is No.676 of an edition limited to 5000 copies). Portfolio is complete, with original buyer's Certificate with typed owner's name (available on request). Bound in original Zaehnsdorf quarter black leather with yellow illustrated boards in fine condition. All lithos numbered in pencil also fine. A handsome collection, housed in the original matching yellow slip-case, somewhat worn and faded. Contents Fine. Slipcase Very Good. We reduce the default shipping charge for lighter books or use it for a tracked service if books are expensive or uncommon. We pack books securely in boxes, or corrugated card or cardboard, and protect corners with bubble-wrap.

      [Bookseller: John Taylor Books P.B.F.A.]
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        Happy Sunday (WITH THE SLIPCASE)

      Luzern and Frankfurt am Main: Verlag C. J. Bucher, (1969) - Folio (349 × 269 mm), pp.[120]. Black-and-white photographs. Plain endpapers. Orange wibalin-covered boards, titles to spine and front in gilt; light spotting to endpapers, spine-ends gently tapped. Colour photo-illustrated boards, text in black; light creasing to spine-ends, light wear to edges. Publisher’s card slipcase; one corner lightly bumped, light toning to bottom and fore-edge. Near-fine in a very good example of the scarce original slipcase. First edition. Karl de Haan was born in 1929 in Java, Indonesia to a Dutch father and Austrian. He lived and worked in the Netherlands, South Africa, the USA and St. Maarten, beginning his career in advertising and display before starting his own studio for fashion and commercial photography in 1965. He toured Rhodesia extensively between 1966 and 1968 and opened a studio in Brussels in 1969 before returning to Johannesburg, where he had settled in the 1950s. Happy Sunday contains a series of erotic photographs of a girl named Sue. [Attributes: First Edition; Hard Cover]

      [Bookseller: Oliver J. Wood]
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        Alfred Hrdlicka. Randolectil., Mit einem Werkkatalog sämtlicher Radierungen 1947 bis 1968.

      Wien und München, Edition Tusch im Schroll Verlag, 1969,. - 101 S., 1 Bl., Gr.-8°, Illustrierte OBroschur (Rücken verblichen, Kanten berieben) im OPapp-Schuber. 201 s/w-Abbildungen im Text und auf Tafeln. Vorliegend: die auf 200 (GA 1200) Exemplare limitierte Vorzugsausgabe mit 4 (davon 2 kolorierte) signierten Original-Radierungen von Hrdlicka (1928-2009). Lewin 270-273. Arntz I,55. Österreichische Druckgraphiker der Gegenwart, Band 1. Vollständiges Ouevre-Verzeichnis. Four handsigned etchings by the artist. Fine copy. Sprache: Deutsch Gewicht in Gramm: 1000 [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Uta-Janine Störmer]
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        ROY LICHTENSTEIN: PAPER PLATE MULTIPLE - ARCHIVALLY FRAMED IN A PLEXIGLAS BOX

      (LICHTENSTEIN, ROY). Lichtenstein, Roy. ROY LICHTENSTEIN: PAPER PLATE MULTIPLE - ARCHIVALLY FRAMED IN A PLEXIGLAS BOX. New York: On First (Roy Lichtenstein & Bert Stern), 1969. First Edition. 4to. Printed Paper Plate in a Box. Artist's Multiple. Fine. One 10 1/4" diameter paper plate screenprinted in primary blue, red and yellow inks. Stated on verso "Roy Lichtenstein © On 1st Inc. 1969" - unsigned as issued. This is the striking Pop Art tableware that Roy Lichtenstein produced at the height of his powers for the groovy sixties shop, On First. Located on First Avenue in New York, the store was the brainchild of noted fashion and advertising photographer Bert Stern who opened it with the idea that they would sell objects for the home designed by artists, fashion designers, etc. However, the store closed very shortly after this item was commissioned, and most of these plates were neither distributed, nor seen again. A brand new, most handsome example of this charming ephemeral multiple - as bright and fresh as the day it was printed - beautifully presented in a 12 x 12 x 4" archival Artservices sixties-style Plexiglas display box / frame that can be hung on a wall or laid flat on a table. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight and value - we will inform you of the applicable amount at time of purchase. Inventory Number: 024660

      [Bookseller: Arcana: Books on the Arts]
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        El ingenioso hidalgo Don Quijote de la Mancha ( 2 Vols)

      Biblioteca Nueva, Madrid 1969 - Idioma español. Dos volúmenes. Encuadernación de tapa dura en plena tela con estuche. Ilustrado por Gregorio Prieto. Revisión y notas de Federico de Onis y Antonio G. Solalinde. Ejemplar en muy buen estado. Paginación: Tomo I: XIX+495 - Tomo II: 549 pp. [Attributes: Hard Cover]

      [Bookseller: Librería Antonio Azorín]
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        Archive of letters, postcards, photographs, and notes from Crosby to songwriter Jimmy Van Heusen

      v.p., chiefly Hollywood and Palm Desert, California 1969 - Includes 3 page Autograph Manuscript of Crosby's biographical notes for Rotary Club luncheon honoring Van Heusen and material relating to the luncheon, 1 page Autograph lyrics, 3 Typed Letters Signed ("Bing") to Van Heusen, Western Union telegram, 2 Autograph Postcards Signed ("Bing"), 3 photographs of Crosby, Bob Hope and others, and other material, detailed below, including copy of 2 page Typed Letter from Van Heusen to Crosby detailing wild night out with Sinatra and 1 page fragment of Typed Letter from Crosby congratulating Van Heusen on his marriage. Various formats. On Friendship, Clam Bakes, Sinatra, and Boozin'. Composer Jimmy Van Heusen (1913-1990) won four Academy Awards and one Emmy in a long career that included such hits as "High Hopes" and "Love and Marriage." Teamed with lyricists Sammy Cahn and Johnny Burke, Van Heusen wrote more than 70 songs performed by Sinatra or Crosby. Van Heusen also composed the title song to THE BING CROSBY SHOW, and worked with Crosby in HIGH TIME, ROAD TO MOROCCO and ROAD TO HONG KONG. As this correspondence demonstrates, Crosby and Van Heusen remained close over many decades of working together.1. 3 pg. MS on spiral-bound ruled notepaper: Crosby's handwritten notes for a speech given at a Rotary Club luncheon honoring Van Heusen, May 2, 1958. Crosby details Van Heusen's many achievements and awards, and supplies some personal commentary: "A visit to his home is an experience. It's a combination of the early days of the Wild West and the last days of Pompeii." And, "His best friends [are] Sinatra and Crosby. One as a stimulant, the other a depressant. We won't tell you which is which." 2. 1 pg. carbon: Van Heusen's Rotary Club luncheon acceptance speech, in which he excuses his voice: "If you think I speak badly . .Wait until you hear me sing . "3. 1 pg. TN on Van Heusen stationery: "Parody sung at the Rotary Club Luncheon." Includes such lines as "May I say Van Heusen enjoys his noontime boozin'." And concludes, "I'm glad Crosby made me move here / my thanks I must convey / The Rotary Club's a killer / And the luncheon's been a thriller / All the way, all the way"4. 1 pg. AN in blue pen on Crosby stationery: Lyrics, in Crosby's hand, titled "Added Patter." Humorous lines about drinking and clam digging: "We burrow for the bivalve down in Plumper Bay / Scratch and Claw and sift the silt the Kwatna way / At Nimkish we don't seek fish but the juicy clam / If all we get is empty shells - who gives a damn". With some pencil corrections and notes. Very likely lyrics to the "official song" mentioned in item 6 below.5. 1 pg. TLS (April 26, 1957) on Crosby stationery with 1 pg. TL draft (April 19, 1957) on Capitol Records stationery with Crosby's corrections in pencil: Crosby thanks Van Heusen for playing his latest, "Seven Nights a Week" and "Man on Fire," and adds this bittersweet note: "In the waning years of what has been an enormously lucky and gratifying career it's nice to know I can still capture some audience interest." The draft is a form letter, most likely written by a secretary at Capitol Records. Crosby cuts most of the letter's generic sentiments and fills the bottom margin with his pencilled substitutions. "Seven Nights a Week" was Crosby's attempt to appeal to a younger, rock-and-roll audience.6. 1 pg. TLS (December 12, 1960) on Crosby stationery: letter concerning "the official Clam organization," a list of members ("There's you and I, Crowley and Morrow, Fiorini and Rosenberg, Harris and Collier, Sindeman, and Max Bell.") and progress on the club's "official song." Undoubtedly a reference to the "Crosby Clambake" held at Pebble Beach, the first pro-am golf tournament.7. 1 pg. TLS (January 26, 1967) on Crosby stationery: Crosby acknowledges receipt of "the cast album," possibly to Van Heusen's musical WALKING HAPPY.8. 1 pg. Western Union telegram (December 7, 1953): Crosby informs Van Heusen that he is leaving his house, "Your place is free now in case of any of your pals o [Attributes: Signed Copy]

      [Bookseller: James Cummins Bookseller, ABAA]
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        Chagall Lithograph

      Andre Sauret, Monte Carlo, 1969. Hardcover (Original Cloth). As New/Fine. CAIN, JULIEN. Chagall Lithograph, Monte Carlo: Andre Sauret, 1969. Folio, German language edition, pp. 179, 1 (note), gray cloth boards with black stamped lettering on spine and upper panel, dust jacket and frontispiece lithographs created by Marc Chagall at the Mourlot Freres studio in Paris, with original acetate wrapper. Volume 3 of the 6-volume Chagall lithograph catalogue raisonne. The German edition is scarce in any condition; especially so in fine quality. Condition of this book: Faint age-toning to jacket edges, a few small cracks in acetate wrapper, else fine. Size: Large Folio (bigger than A3). Text is in German. Text body is clean, and free from previous owner annotation, underlining and highlighting. Binding is tight, covers and spine fully intact. All edges clean, neat and free of foxing. Quantity Available: 1. Shipped Weight: 2-3 kilos. Category: Art & Design; 1960s; German Language; Reference. Pictures of this item not already displayed here available upon request. Inventory No: 52924. .

      [Bookseller: Rarities etc.]
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