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Displayed below are some selected recent viaLibri matches for books published in 1969

        Elf Lithografien zu Luis Gongora y Argote Soledades (Zusammen mit der Buchausgabe in einer Kassette)

      Buchausgabe in Halbpergamin gebunden, 8, 161 S., 1. Auflage, aus dem Spanischen bersetzt von Erich Arendt, mit den elf Reproduktionen nach den Lithographien, Auflagenhhe 150 Exemplare, die elf Lithographien, (hier dieNummer 101), sind smtlich signiert (Hermann Naumann, 1969) und numeriert, Gre 360 x 490 mm im Passepartout Guter Zustand

      [Bookseller: Antiquariat Zinnober]
 1.   Check availability:     booklooker.de     Link/Print  


        The Loss of El Dorado - SIGNED and Inscribed and not price clipped

      Andre Deutsch, 1969 A first edition, first printing published by Andre Deutsch in 1969. A very good+ book with some foxing to the page edges and the top edge. No inscriptions. SIGNED and INSCRIBED on the title page (for Helen Tilson London March 11 1970). In a very good+ unclipped wrapper (showing 35s net/£1.75p). ALL copies of this book had their dust wrappers price clipped by the publishers. This is unclipped and SIGNED by the Author and is very rare indeed.[removed][removed]

      [Bookseller: John Atkinson Books]
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        PoemsandnbspTranslated and with a note by Anthony Kerriganandnbsp

      

      [Bookseller: Maggs Bros. Ltd.]
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        The Saturnalia Records of Civilization Sources & Study Translated with an Introduction and Notes by Percival Vaughan Davies Number LXXIX of the Records of Civilization

      Titel ist vergriffen und erscheint voraussichtlich nicht wieder Translated with an Introduction and notes by Percival Vaughan Davies. - Sauberes Exemplar, Seiten ohne Markierungen. Jedoch: Ex libris mit den üblichen Bibliotheksaufklebern und Stempeln Number LXXIX of the Records of Civilization, Columbia University Press 1969

      [Bookseller: MaryKay]
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        X-Ray and Electron Probe Analysis in Biomedical Research (Progress in Analytical Chemistry)

      105 Seiten 22,9 x 15,2 x 0,6 cm, Taschenbuch Auflage: 1969 / Sofort verfügbar / Rechnung mit ausgewiesener MwSt. liegt bei / daily shipping worldwide with invoice /

      [Bookseller: Mosakowski & Stiasny GbR]
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        Do Androids Dream Of Electric Sheep? | UK First Edition

      Rapp & Whiting. Hardcover. 1969, UK first, hardback in jacket, 210 pages | very lightly read copy - clean and bright, sound spine, stands square; pages show minimal yellowing and this copy is free of name, notes etc; creasing and slight irregularity to page edge finish in upper right corner front free endpaper - faint impress of crease continues on to half-title page and title page - believed to be a publisher's flaw rather than the result of any misuse | IMPORTANT; the green board covers have been bound UPSIDE DOWN in relation to the text block - ie if you open the book in the usual way, and then look at the spine, you will see the publisher's name upside down at the head of the spine, and the title lettering reading upwards from the tail of the spine - please see images; as far as I know, a rarity for this edition; if you decide to buy, it would be great if you could message to say you have understood about the upside-down-factor, just to avoid any possible disappointment | fine dust jacket - clean and bright, with minimal edge wear and not price clipped | professional booksellers based in the UK | we package with great care and usually dispatch within 24hrs, always within two working days | please request scans or further information on any of our listings, which are all in stock and ready to be dispatched

      [Bookseller: *bibliosophy*]
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        Slaughterhouse-Five, or The Children's Crusade

      New York: Seymour Lawrence/ Delacorte Press, 1969. FIRST EDITION of one of the most influential works of twentieth-century American literature. Vonnegut "deserves full canonical marks for this kaleidoscopic koan of a novel about Billy Pilgrim, a man who has 'become unstuck in time.' Pilgrim ricochets helplessly from decade to decade, living the episodes of his life in no particular sequence, not excluding his own death, his capture by aliens called Tralfamadorians, and his traumatic service in World War II, when he lives through the firebombing of Dresden. Slaughterhouse-Five is a cynical novel, but beneath the bitter, grim-jawed humor is a desperate, painfully honest attempt to confront the monstrous crimes of the 20th century" (Lev Grossman, Time Magazine's 100 Best Novels, 1923-Present)."Slaughterhouse-Five arrived in the bookstores in 1969. Amid the disenchantment surrounding the Vietnam War, this tale of the innocent but decidedly unheroic World War II GI, Billy Pilgrim, hit a nerve and soared to the top of the sales lists. Approaching fifty years of age, Vonnegut became a household name, a rumpled, cigarette-wielding prophet to the younger generation" (American National Biography).New York: Seymour Lawrence/ Delacorte Press, 1969. Octavo, original blue cloth, original dust jacket. Book near-fine with a hint of toning at edges; dust jacket bright and clean with (what appears to be) some white-out on verso, not visible from the outside. Very Good / Very Good.

      [Bookseller: The Manhattan Rare Book Company]
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        España. Grand Tarde. Fiesta. Vaya con Dios

      Kyuryu-Do, 1969. Completamente illustrato con bellissime fotografie in bianco e nero di Ikko Narahara, stampate in photogravure, molte in tavole ripiegate. Allegato libretto in brossura con testo giapponese (The Promised Journey) e inglese (Grand Tarde Fiesta Vaya con Dios) di Ikko Narahara. 4to. pp. 244 + 44. Ottimo (Fine). Custodia impercettibilmente rovinata lungo bordi (Slip-case imperceptibly damaged at the edges). Prima edizione (First edition).

      [Bookseller: Studio Bibliografico Marini]
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        Supein Idanaru Gogo Espana Grand Tarde Fiesta Vaya Con Dios

      

      [Bookseller: Maggs Bros. Ltd.]
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        Strip-street

      Editions Agentzia, 1969. Libro d'artista. Tavole fotografiche in bianco e nero accompagnate da testi dell'artista. 8vo (cm 20x10,5). pp. 104. Ottimo (Fine). Edizione originale di 500 esemplari.

      [Bookseller: Studio Bibliografico Marini]
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        Agatha Christie Crime Collection. The complete set, including the short stories, bound in 24 volumes

      Agatha Christie Crime Collection. The complete set, including the short stories, bound in 24 volumes. Hamlyn, 1969 - 1972 (1st Ed thus) A smart looking set in decorative black cloth bindings with unclipped dustwrappers, originally issued on a subscription basis by the publisher and not available through bookshops. Complete sets are scarce, as many subscribers dropped out over the four years of publication. Decorative black cloth boards: fronts and spines blocked and lettered in gilt on red with a golden dagger through letters A C. Top edges and endpapers coloured red. . Each DJ features an illustration symbolising one of the stories in that volume; the fold-overs feature the 'blurb' for each of the three stories contained therein; stories are as follows. 1: The Murder of Roger Ackroyd, They do it with Mirrors, Mrs. McGinty's Dead (1969) | 2: Cards on the Table, N or M, A Murder is Announced (1969) | 3: Appointment with Death, Crooked House, Sad Cypress (1969) | 4: 4.50 from Paddington, Lord Edgware Dies, Murder in Mesopotamia (1969) | 5: Murder on the Orient Express, Death in the Clouds, Why didn't they ask Evans (1969) | 6: The Murder on the Links, A Pocket Full of Rye, Destination Unknown (1969) | 7: The Hollow, The Moving Finger, Three Act Tragedy (1969) | 8: Mystery of the Blue Train, The Listerdale Mystery (short stories), Murder at the Vicarage (1970) | 9: Murder is Easy, Dead Man's Folly, The Man in the Brown Suit (1970) | 10: The Mirror Crack'd from Side to Side, They came to Baghdad, The ABC Murders (1970) | 11: Ordeal by Innocence, One Two Buckle my Shoe, Adventure of the Christmas Pudding (1970) | 12: Cat among the Pigeons, The Labours of Hercules, Hickory Dickory Dock (1970) | 13: The Mysterious Affair at Styles, Ten Little Niggers, Dumb Witness (1970) | 14: The Pale Horse, The Big Four, The Secret Adversary (1970) | 15: Peril at End House, The Body in the Library, Hercule Poirot's Christmas (1970) | 16: Death on the Nile, Towards Zero, After the Funeral (1970) | 17: Sparkling Cyanide, The Secret of Chimneys, Five Little Pigs (1970) | 18: Evil Under the Sun, Death Comes as the End, The Sittaford Mystery (1970) | 19: A Caribbean Mystery, Taken at the Flood, The Seven Dials Mystery (1971) | 20: By the Pricking of my Thumbs, The Mysterious Mr. Quin, Endless Night (1971) | 21: Hallowe'en Party, Passenger to Frankfurt, The Thirteen Problems (1971) | 22: The Clocks, Third Girl, Murder in the Mews (1971) | 23: Partners in Crime, At Bertram's Hotel, The Hound of Death (1972) | 24: Nemesis, Parker Pyne Investigates, Poirot Investigates (1972). A heavy set; please contact us with your post code/zip code for a shipping quote. Bookseller Inventory # 110

      [Bookseller: RMJ Books]
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        Cher Antoine ou l'amour raté

      First edition, one of 17 numbered copies on Japon, tirage de tête.Spine and covers lightly and insignificantly sunned, some edges partly faded, otherwise good copy with edges preserved.Rare. La table ronde Paris 1969 19,5x20,5cm broché

      [Bookseller: Librairie Le Feu Follet]
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        The Granjon Arabesque. Thirty Arrangements of the Ornaments with Type.

      Northampton: Rosemary Press, 1969. 8 x 10. vi, 30, (1) pages. Bound by Arno Werner in quater morocco & Arno's marbled paper over boards. No. 2 of 250 (actually 225) signed copies. Werner bound the first 50 copies. An exquisite book printed in various colors throughout. Quotations from printers are incorporated into the ornament arrangements. There is an historical introduction by Offner, and a list of the faces used.

      [Bookseller: The Veatchs Arts of the Book]
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        Der Herr der Ringe, 3.Bde. (DEUTSCHE ERSTAUSGABE), Bd.1=Die Gefährten, Bd.2=Die zwei Türme, Bd.3=Die Rückkehr des Königs

      Klett-Verlag 1969. 1379 S. gebundene Ausgabe Gebundene Ausgabe MIT Schutzumschlag, Klett-Verlag, jeweils deutsche Erstauflagen, anno 1969 (Bd.1), anno 1970 (Bd.2-3), 1379 Seiten (= 491+406+482 S.), Rosa Farbkopfschnitt, Pro Band mit 1 Faltkarte hinten im Buch, Erstaunlich guter Gesamt-Zustand, Der Text aller 3 Bände sauber und ohne Flecken od. Eintragungen, Mängel: Vorsatz in Bd.1 mit Widmung v. 1969, Kopfschnitt v. Bd.1 verblichen, Zwischen Karte und Buchdeckel in Bd.2 heller Fleck, Schutzumschlag v.Bd.3 stärker gebraucht und an 1 Stelle mit kleinem Stück Tesa geklebt. ** Ansonsten alle 3 Bde. im Vorsatz lediglich minimal nachgedunkelt und sonst insgesamt eher noch in sehr gutem Zustand mit nur geringen Gebrauchsspuren. (intern: 1F/GRAU/FANTASY/GSU-3)

      [Bookseller: Lydia & Hubert Lohmaier GbR]
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        BREVE STORIA DELLA FILOSOFIA vol. 1 ANTICHITA' E MEDIOEVO

      LATERZA, 1969. ITALIANO 0,41 Pagine brunite da fattore tempo, fioritura ai tagli, coperta morbida bianca con titoli incorniciati bordeaux, con lievi segni di usura, ingiallita e con fioritura USATO

      [Bookseller: Biblioteca di Babele]
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        Das graphische Werk.

      Worpswede: Worpsweder Kunsthalle,, [1969]. Octavo. Original pictorial wrappers lettered and illustrated in blue, light brown speckled endpapers. With the two signed lithographs affixed to rear endpaper. Black and white and colour plates throughout. Light staining to rear wrapper and spine, repaired tear to fore edge of [pp. 51-52], an excellent copy. First and limited edition, one of 1,000 copies. Published to coincide with the exhibition of his prints at the Worpsweder Kunsthalle, this edition includes a preface by Jacques Putnam and two fold-out four colour lithographs signed by the artist. By 1969 van Velde's work had been exhibited three times at the Galerie Knoedler in New York to critical acclaim.

      [Bookseller: Peter Harrington]
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        WILD BUNCH, THE (1969)

      Warner Brothers 1969 - Vintage original 81 x 41" (206 x 104 cm.) three sheet poster, USA. William Holden, Ernest Borgnine, Robert Ryan, dir: Sam Peckinpah; Warner Brothers. An aging group of outlaws try for one big final score in an American West which is fast-changing into a modern world which they do not understand -- in one of the classic (and ultra-violent) Western films. This three sheet, in brilliant, unused condition, is probably the best of all the posters made for this film. Folded, with minor stains on back in one small place (not showing through), minor occasional creases, JUST ABOUT FINE

      [Bookseller: Walter Reuben, Inc.]
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        Journal d'un astronaute millénaire

      First edition, printed in 1,215 copies on vélin d'Arches paper, one of the 55 first copies numbered and justified by the publisher.This copy, as stipulated in the justification, retains its 2 frontispiece original lithographs by Max Ernst, signed by the artist.With 50 reproductions of works by Max Ernst.Printed ex libris to head of one endpaper.A fine copy. Alexandre Jolas Paris 1969 25x22cm broché

      [Bookseller: Librairie Le Feu Follet]
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        Slaughterhouse-Five, or The Children's Crusade

      Delacorte Press, New York 1969 - Near fine and appears to be unread in a near fine unclipped dust jacket. No flaws to speak of. [Attributes: First Edition; Hard Cover]

      [Bookseller: James Graham, Bookseller, ABAA, IOBA]
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        ORIGINAL DRAWING used on page 80 of THE SECOND BARREL

      [1969] 1969 - An 11" x 15" pen-and-ink drawing by Sloane used in his book THE SECOND BARREL. SIGNED and INSCRIBED by the artist in green ink at the bottom to Howard Wolf and dated 1971. The subject of the drawing is "When Corn Was King" and depicts a corn crib, cob handles, a corn broom, a cob pipe, harvest garlands, corn dolls, a knife-and-pail corn-sheller, a cob loom-spool, and a corn stopper. A faint printer's notation of "40% off" in green at the upper margin. Nicely matted to an overall size of 17" x 21" ready to be framed. Near Fine, attractive, and scarce [Attributes: Signed Copy]

      [Bookseller: Charles Agvent, est. 1987, ABAA, ILAB]
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        Huit Jours à Trèbaumec. Paris. Henri Mercher 1969. 39,5 x 18 cm. 92 Seiten. Originalbroschur im Originalschuber.

      Henri Mercher, 1969. Originalausgabe. The open book, Seite 250 und 251. Nr. 18 von 102 numerierten und sowohl von Hugnet als auch vom Verleger signierten Exemplaren. Die 82 abgebildeten Photocollagen aus den Dreißiger Jahren wurden von Hugnet nach dem Zweiten Weltkrieg zu einer imaginären erotischen Reise komponiert. Schönes Exemplar. Sehr selten.

      [Bookseller: Antiquariat Günter Linke]
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        Murder in Mount Holly.

      London: Alan Ross, 1969. FIRST EDITION: Publisher's red cloth boards in original pictorial dustwrapper. Both book and jacket in fine condition. The American travel writer and novelist's fourth book, a thriller which was only ever published in the UK and consequently is very SCARCE indeed.

      [Bookseller: Adrian Harrington]
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        Marquee. The Journal of the Theatre Historical Society

      Theatre Historical Society, IL. - A rare and quite remarkable archive of 32 issues of the wonderful theatre magazine "Marquee" that has been published since 1969 and focuses on the history of the golden age of the movie palace in the United States. Rich with articles and photographs that sadly document the criminal destruction of the great movie palaces big and small that once flourished in every city and town of the country. All of the issues are in fine condtion and date from the mid 70's to the mid 80's. Also included are 13 special annuals that focus on individual theatres and are remarkable in their focus on each theatre. There are also indexes and several programs that were not published by the society including a souvenir program from Grauman's Chinese Theatre in L.A. All in all a rare and special archive. Sold as a collection only. One issue has minute water staining, otherwise the collection is vg+-Fine. [Attributes: First Edition; Soft Cover]

      [Bookseller: Ira Joel Haber - Cinemage Books]
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        Das Lied der Lieder von Salomo. Numeriert und signiert ! Druck 7 der Reihe Studio.

      11 doppelseitige faltbare Tafeln nach Zeichnungen von Ernst Degasperi im Litho-Verfahren gedruckt, die Worte der Bibel in hebräisch und deutsch von Friedrich Neugebauer handgeschrieben und faksimiliert, dazu 3 Falttafeln Text. Die Tafeln aus Spezial Opalim Karton befinden sich in einer von Lore Bujatti in indischer Seide handgebundenen und mit goldgepr. Rückenschild betitelter Orig.-Mappe im Orig.-Plexiglas-Schuber, Nummer 49 von 50 numerierten und SIGNIERTEN Exemplaren, beiliegend 2 Seiten Text über das Werk Degasperis - Schuber mit leichten Gebrauchsspuren, sonst sehr guter Zustand - 1969. E 17 Buchversand erfolgt aus Deutschland.

      [Bookseller: Antiquariat Kirchheim]
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        Der Herr der Ringe, 3.Bde. (DEUTSCHE ERSTAUSGABE), Bd.1=Die Gefährten, Bd.2=Die zwei Türme, Bd.3=Die Rückkehr des Königs

      1379 S. gebundene Ausgabe Gebundene Ausgabe MIT Schutzumschlag, Klett-Verlag, jeweils deutsche Erstauflagen, anno 1969 (Bd.1), anno 1970 (Bd.2-3), 1379 Seiten (= 491+406+482 S.), Rosa Farbkopfschnitt, Pro Band mit 1 Faltkarte hinten im Buch, Erstaunlich guter Gesamt-Zustand, Der Text aller 3 Bände sauber und ohne Flecken od. Eintragungen, Mängel: Vorsatz in Bd.1 mit Widmung v. 1969, Kopfschnitt v. Bd.1 verblichen, Zwischen Karte und Buchdeckel in Bd.2 heller Fleck, Schutzumschlag v.Bd.3 stärker gebraucht und an 1 Stelle mit kleinem Stück Tesa geklebt. ** Ansonsten alle 3 Bde. im Vorsatz lediglich minimal nachgedunkelt und sonst insgesamt eher noch in sehr gutem Zustand mit nur geringen Gebrauchsspuren. (intern: 1F/GRAU/FANTASY/GSU-3)

      [Bookseller: Lydia und Hubert Lohmaier GbR]
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        Flashman - The Complete Set of First Editions

      Jenkins, Harvill, Collins, 1969 All twelve first editions in wrappers published by Jenkins/Collins and Harvill between 1969-2005. Flashman (1969) A very good+ book (one name and date to half-title), in a very good slightly faded unclipped wrapper; Royal Flash (1970) A very good+ book with one gift inscription to the ffep, in a good+ wrapper which has loss to the bottom of the spine and sporadic chipping, but is not price clipped; Flash for Freedom! (1971) A very good+ book with some foxing and a little staining to the bottom of the page edge, in a very good+ clipped wrapper; Flashman at the Charge (1973) A near fine book with one previous owners bookplate to the rear of the half-title in a near fine unclipped wrapper; Flashman in the Great Game (1975) A very good book with gift inscription to half-title, in a very good+ faded wrapper which is clipped; Flashmans Lady (1977) A very good book with large gift inscription to half-title in a very good wrapper which is unclipped and has one closed tear to the fore-edge; Flashman and the Redskins (1982) A near fine copy in a like clipped wrapper; Flashman and the Dragon (1985) A near fine copy with some foxing to the top edge in a near fine faded wrapper with some spotting to the end-flap; Flashman and the Mountain of the Light (1990) A fine book in a fine unclipped wrapper; Flashman and the Angel of the Lord (1994) A fine book in a fine unfaded wrapper; Flashman and the Tiger (1999) A fine book in a fine unclipped wrapper; Flashman on the March (2005) A fine book in a fine unclipped wrapper.

      [Bookseller: John Atkinson Books]
 26.   Check availability:     Biblio     Link/Print  


        Collection of Ku Klux Klan Ephemera

      Group of approximately 46 items related to the KKK, dating to the 1920s through 1980s, with several specifically regarding the role of women in the Klan, including: nine issues of the journal The Fiery Cross, 1969-1972; six issues of The Thunderbolt, 1982; a single issue of The Klansman from 1986; a copy of the sheet music for Ku Klux Kismet from 1924; a group of assorted fliers and booklets including introductions to the Klan, an order form for robes, a blank applications for citizenship in the Invisible Empire Knights of the Ku Klux Klan, a small booklet The Kreed of the Klansman, pamphlets on the attitude of the Klan towards Jews and immigration, and a blank Fiery Summons; and items regarding women's membership including a booklet Constitution and Laws of the Women of the Ku Klux Klan, an application for admission to the Second Degree, Invisible Empire, Women of the Ku Klux Klan, and two blank certificates for Klanswomen, one signed by the Imperial Commander. Some items with illustrations. Various sizes, mostly 8vo., 4to., and small folio. Loose as issued. Various cities, 1920s-1980s. The Ku Klux Klan has had three major iterations since its founding, the first flourishing in the Southern United States from the 1860s to the 1870s; the second flourishing in the 1910s and 1920s, primarily in the urban Midwest and in opposition to Catholic and Jewish communities; and the third emerging after 1950 in opposition to the Civil Rights Movement, with current membership estimated at between 3,000 and 6,000, compared to an estimated 6 million in the 1920s. By the 1920s, a women's auxiliary had developed in the KKK, with chapters in many areas of the United States. The female Klan members participated in parades, cross lightings, lectures, rallies, and boycotts of business, and were active in promoting prohibition, distributing Bibles in public schools, and petitioning for the dismissal of Roman Catholic teachers.

      [Bookseller: F.A. Bernett Books]
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        Nightfall and Other Stories

      Doubleday 1969-03-01. HardCover. New. NEW BOOK

      [Bookseller: Outletzon]
 28.   Check availability:     Biblio     Link/Print  


        La ronde de nuit

      First edition of which there were no large paper copies, an advance (service de presse) copy.Rare autograph inscription signed by Patrick Modiano to Geneviève Dormann on this, his second work.Spine slightly sunned, two clear stains to lower cover. Gallimard Paris 1969 12x19cm broché

      [Bookseller: Librairie Le Feu Follet]
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        The Crime Collection. The Works include: Murder on the Orient Express, Evil Under the Sun, Death on the Nile, etc.

      London: Paul Hamlyn, 1969. 24 volumes; 8vo. (21 x 86 cm). Elegantly bound in half dark blue calf with raised bands, cloth boards, gilt decoration to spine. Internally clean, externally fine. The only major collection of Christie's novels to date, presented in an attractive recent leather binding. Known originally as one of four Queens of Crime, Christie's prominence has grown to the point where to many she is simply the Queen. This collection includes many novels that changed the face of the crime genre, and are regarded as masterpieces of fiction. The titles included are: The Murder of Roger Ackroyd, Murder on the Orient Express, Murder at The Vicarage, A Murder is Announced, Murder is Easy, The ABC Murders, Murder in The Mews, Murder in Mesopotamia, Murder on the Links, Lord Edgeware Dies, Mrs McGinty's Dead, Dead Man's Folly, The Hound of Death, Appointment with Death, Death on The Nile, Death in The Clouds, Death Comes as the End, Peril at End House, Crooked House, The Adventure of the Christmas Pudding, Poirot's Christmas, Poirot Investigates, Parker Pyne Investigates, They Do it with Mirrors, The Mirror Crack'd, The Clocks, The Seven Dials Mystery, The Listerdale Mystery, The Sittaford Mystery, A Carribean Mystery, The Mystery of The Blue Train, The Mysterious Affair at Styles, Ten Little Niggers, Five Little Pigs, Third Girl, The Big Four, The Thirteen Problems, Towards Zero, Three Act Tragedy, The Hollow, The Moving Finger, 4.50 From Paddington, Passenger to Frankfurt, Evil Under the Sun, At Bertram's Hotel, Why Didn't They Ask Evans, Dumb Witness, Taken at The Flood, They Came to Baghdad, Sparkling Cyanide, The Secret of Chimneys, After the Funeral, The Body in The Library, Halloween Party, The Plae Horse, The Secret Adversary, By the Pricking of My Thumbs, The Mysterious Mr Quin, Endless Night, The Man in The Brown Suit, Ordeal by Innocence, One, Two Buckle my Shoe, Cards On the Table, N or M?, Cat Among the Pigeons, The Labours of Hercules, Hickory Dickory Dock, Partners in Crime, Sad Cypress, Nemesis, A Pocketful of Rye and Destination Unknown.

      [Bookseller: Adrian Harrington]
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        Sans

      Les éditions de minuit. First edition printed in 742 copies on vélin cuve B.F.K. de Rives paper, this one of 100 hors commerce copies. Autograph inscription signed by Beckett to Ludovic (Janvier). Upper cover and spine very slightly sunned at head, but not significantly. Les éditions de minuit Paris 1969 14,5x19,5cm broché

      [Bookseller: Librairie Le Feu Follet]
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        The Iron Man A Story in Five Nights Illustrated by George Adamson

      

      [Bookseller: Maggs Bros. Ltd. ]
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        Forty Years On

      

      [Bookseller: Maggs Bros. Ltd. ]
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        Otto Dix. Das Werkverzeichnis der Zeichnungen und Pastelle. 8 Bde.

      3500 S., Abb. Kart. *verlagsneu*. Der in Gera geborene Künstler Otto Dix (gestorben 1969 in Singen) hat neben seinem bedeutenden malerischen Werk auch ein umfangreiches graphisches Erbe hinterlassen. Das vorliegende Werkverzeichnis der Zeichnungen und Pastelle von Otto Dix ist die einzige vollständige Darstellung der rund 6300 zeichnerischen Werke des Künstlers in Bild und Wort. Grundlage des Verzeichnisses ist das von Otto Dix während seines letzten Lebensjahrzehnts angelegte Werkarchiv, das nach seinem Tod von der Otto Dix Stiftung Vaduz fortgeführt wurde. Durch umfangreiche Recherchen in Museen, Galerien und Auktionshäusern sowie in europäischen und amerikanischen Privatsammlungen konnten in den vergangenen Jahren eine Vielzahl großartiger Blätter ermittelt werden. Ein gänzlich neues Kapitel schließlich sind die Skizzenbücher des Nachlasses, die ungefähr ein Viertel des erhaltenen Gesamtbestandes ausmachen. Die inhaltliche Systematik enthält neben stilkritischen Wertungen, der Beachtung des Zeichenstils und Zeichenmittels auch biographische, zeitgeschichtliche und kunsthistorische Hintergründe. Diese gedruckte Fassung des digitalen Werkverzeichnisses umfasst 8 Bände und wird on demand hergestellt.

      [Bookseller: Bergische Bücherstube]
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        The New Universal Solar Calendar

      NY: George Maciunas, [1969]. 20.5 x 23.5 inches. Black calligraphy printed on white stock, folded as issued. Slight tanning overall with some light wear at the folds, else very good. Lengthily inscribed and by MacLise thus: well baby here it is as last the long/ awaited trove trickster's paradise text and time table/if you can line up some orders-$3.00 apiece, it/will make it all seem worthwhile!!!/(Also enclose ""writ"' for you-available at $2.50/am coming out with a record soon (Poedisk label)/is called " The Gold Mountain"/can also take advance orders on it ($7.00-double album)/ to soon appear: book of collected poems/calligraphies; mythic terrains, hyperspace star/charts; ($7.50 " The Ninefold Schema" On another flap signed by MacLise thus: New Universal Solar Calendar/ Angus Maclise/ Dreamweapon/ New York, 1969. Similar to MacLise's renaming of the days in the earlier 'Year' , 'The Universal Solar Calendar' renames the days of the year, but in this format prints the phrases in his characteristic calligraphic hand, producing a full artwork that actually seems to take itself a bit more seriously than most of the multiples produced by Macianus at the time. Fluxus Codex page 398. OCLC locates only one example, included in the Angus MacLise papers held by Columbia University.

      [Bookseller: Kenneth Mallory, ABAA]
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        Signed Postcard Photograph

      Used; Like New/Used; Like New. Evocative postcard photograph of the innovative trumpeter and composer who earned a place among the most influential figures in the history of jazz, boldly signed by Davis across the image. The 1969 photograph by Guy Le Querrec depicts Miles onstage at the Salle Pleyel in Paris in loose clothes and a long scarf, holding his trumpet with one hand pointed at the camera. 10.5 x 15 cm.

      [Bookseller: Schubertiade Music & Arts]
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        Ode to LA while thinking of Brian Jones, deceased.

      Los Angeles; Western Lithograph Co. [?] for J.D.Morrison. [July] 1969. FIRST EDITION (and the only separate edition). 500 copies only, privately distributed to concert-goers. Bifolium, 4-page pamphlet, (unpaginated). Pale yellow textured paper, printed in dark green, unbound as issued. Approx. dimensions 9.5 x 6 inches. With Linweave Textra watermark, 'Made in USA'. A near fine copy, with soft vertical fold and annotations to rear from original owner listing the The Doors' opening songs that evening 'Back Door Man / Break on Through / Soul Kitchen.' The third of four self-published poetry titles by Jim Morrison [1943-1971], after 'The Lords: Notes on Vision' (April 1969), 'The New Creatures' (April 1969), and followed by 'An American Prayer' (1970), and is his only work that was devoted to a single poem. The edition comprised 'vermutlich 500' copies (Gerstenmeyer), which were handed out at the two performances The Doors gave at the Aquarius Theatre, Hollywood (both 21st July 1969). By one account the theatre floor was littered with these leaflets after the show (Humphreys), so most would have been swept up and thrown out with the garbage; in fact the present copy only escaped as it's recipient tossed it in her handbag instead of the floor. Extremely scarce thus. 'Brian Jones' is a chilling meditation on the recent death of Lewis Brian Hopkin-Jones (Brian Jones) [1942-1969], founder and deposed leader of the Rolling Stones' and the 'first martyr of rock and roll', who, two weeks earlier, had been found dead in his swimming pool at Cotchford Farm, Sussex, former home of A.A.Milne. The circumstances of his death remain one of rock's greatest mysteries. Two years later, aged 27 (the same age as Jones lived to), Morrison himself would become an infamous rock'n'roll fatality. Heinz Gerstenmeyer; The Doors [No.4], Kerry Humphreys; The Doors Collector Magazine 'most fans trashed their gift without even reading it... many who attended confirm that these sheets littered the floor and filled almost every trash bin'. PROVENANCE; Originally the property of Michelle Straubing, attendee and journalist for 'Creem' music magazine.

      [Bookseller: Adrian Harrington]
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        Essay und Werkkatalog.

      (Vienna): Jugend & Volk Wien Verlag, (1969). Oblong quarto. 210pp. One of 99 copies, signed and numbered by the artist, Wolfgang Hutter. Bound-in are three original lithographs, also signed and numbered by Hutter. An essay on the style of the Austrian neosurrealist artist, followed by a catalog of his works. Brilliant colors and the superimposition of vegetable/human motifs characterize Hutter's stylized, erotic works. It could be said that his style was part of the post-war reaction against the Nazi regime's censorship of Surrealism. Illustrated throughout with vibrant color and black & white reproductions of Hutter's works. Extremely fine in vellum; housed in a cloth slipcase decorated with one of the artist's fantasy illustrations.

      [Bookseller: Bromer Booksellers]
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        A DRUNK MAN LOOKS AT THE THISTLE.

      Falkland: Duval & Hamilton, 1969. 7 1/2 x 11 1/2. 145 pages. Initials in blue. Quarter vellum & patterned boards,top edge gilt. As new in slipcase. One of 160 copies signed by Masereel, MacDiarmid, and Mardersteig. Printed in Dante types on Amalfi handmade paper. Schmoller 165.

      [Bookseller: The Veatchs Arts of the Book]
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        Superficie bianca

      Il Nuovo Torcoliere, 1969. Impressione a secco originale, firmata e numerata a matita dall'Artista, realizzata per la cartella "Grafica 69", con opere di Baj, Bruni, Castellani, Ceroli, Guerreschi, Morlotti, Pozzati, Saroni, Steffanoni, Turcato. Testi di G. Giuffrè . Cm 45 x 60. . Ottimo (Fine). Tiratura 100 + 33 +7 esemplari.

      [Bookseller: Studio Bibliografico Marini]
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        I CAN LICK 30 TIGERS TODAY

      1969. SEUSS, DR.. SEUSS,DR. I CAN LICK 30 TIGERS TODAY. NY: Random House (1969). 4to, (8 1/4 x 11 1/4"), pictorial cloth, covers lightly toned else Fine (no dust wrapper as issued). 1st edition. THIS COPY IS SIGNED BY SEUSS! Starring the Cat In The Hat and brightly illustrated in color on every page. A signed first edition are scarce. Younger / Hirsch 38.

      [Bookseller: Aleph-Bet Books, Inc. ]
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        Sans

      Les éditions de minuit. First edition, one of 100 hors commerce numbered copies on BFK de Rives paper, the only large paper copies with 642 other copies on BFK de Rives paper.Precious copy inscribed and dated January 1970 by Beckett to his friend the painter Geer (Van Velde) and his wife Lise.Nice copy."What to say of the sliding planes, the shimmering contours, the cut-out figures in the fog, the balance that any little thing can break, breaking and re-forming themselves under our very eyes? How to talk about the colors that breathe and pant? Of the swarming stasis? Of this world without weight, without force, without shadow? Here everything moves, swims, fells, comes back, falls apart, re-forms. Everything stops, non-stop. One would say it's the revolt of the internal molecules of a stone a split second before its disintegration. That is literature" (The van Veldes' Art, or the World and the Trousers, in Cahiers d'Art n°11-12, Paris 1945).Beckett here is not talking - despite how it may appear - about his literary oeuvre, but about the paintings of Geer Van Velde, going on to add a few lines later "[Bram] Van Velde paints distance. G[eer] Van Velde paints succession." This elegy, published on the occasion of the double exhibition of the Van Veldes (Geer at Maeght's and Bram at the Galerie Mai) is the first important text on these painters, more or less unknown to the public at the time: "We've only just started spouting nonsense about the Van Velde brothers, and I'm the first. It's an honor." This is also the first critical text written directly in French by a young Irish writer who had not, as yet, published anything in France.Thus, the first and most important of Beckett's writings on art, composed at the dawn of his literary career, establishes - right from the start - a fundamental relationship between his developing work and his friends' art: "Thus this text has often been read in a hollow or in the mirror, as one of the rare designations of Beckett's poetry (to come) by the man himself, a sort of anamorphic program of writing," (Un pantalon cousu de fil blanc : Beckett et l'épreuve critique by Pierre Vilar).A real statement of dramaturgical intent, this fundamental text whose introspective value Beckett lays out from the introduction on ("one does nothing but tell stories with words") ushers in the writer's most fruitful creative period. In essence, like Apollinaire and Cendrars, Beckett draws from the artistic problems of his contemporaries the catalyst of his own future writing through "the deepest questioning of narrative, figurative or poetical presuppositions" (Pascale Casanova in Beckett l'abstracteur).The major influence of modern painting on the narrative structure - or destructuring - of Beckett's drama and novels would be pointed out and examined by a number of thinkers, among them Gilles Deleuze, Julia Kristeva and Maurice Blanchot. It was, in fact, with the art of the Van Veldes (first Geer then Bram) that Beckett began to formalize this desire to translate the pictorial question into dramaturgical terms. Thus it was that he rejected Nicolas de Staël's set design for Godot, since: "the set must come out of the text without adding anything to it. As for the visual comfort of the audience, you can imagine how much I care. Do you really think you can listen with the backdrop of Bram's set, or see anything other than him?" (Letter to Georges Duthuit, 1952).When he met Geer in 1937, "Beckett was going through a major existential crisis and had just been reworking his first novel, Murphy, which had been rejected by a great many publishers. He was lost in alcohol, leaving Ireland and moving once and for all to Paris" (Le Pictural dans l'œuvre de Beckett, Lassaad Jamoussi). He returned from a long artistic journey in Germany, where he was marked by classical works as well as contemporary art - it was during this journey that he discovered Caspar David Friedrich's Two Men Contemplating the Moon, his source for Waiting for Godot.Art was thus at the heart of his creative thinking and the friendship that would tie him to Geer and later his brother Bram and their sister Jacoba (with whom his relationship may have been more than merely friendly), and which would profoundly influence his life and writing. His first writing on art is a short piece on Geer Van Velde, whose works he pressed on his new lover Peggy Guggenheim when she set up her new London gallery. Despite the relative failure of the exhibition (which followed Kandinsky's), he got his friend a one-year scholarship from Peggy. James Knowlson even thinks that "if Beckett maintained close links with Peggy for a long time, it was first and foremost because she could be convinced to give his artist friends a serious helping hand, starting with Geer Van Velde" (in Beckett, p. 474). Enigmatic, the little piece that Beckett wrote at the time at Peggy's request already contained a dramaturgical kernel of thought: " Believes painting should mind its own business, i.e. colors. i.e no more say Picasso than Fabritius, Vermeer. Or inversely."   Slower to develop, his friendship with Bram and interest in the latter's painting slowly changed Beckett's outlook on Geer's art and when, ten years after his first meeting the brothers, he wrote The World and the Trousers,  Beckett brought up to date a duality symbolized by the title, taken from an anecdote given as a legend to the article. The world is the "imperfect" work of God, made in six days, to which the tailor compares the perfection of his trousers, made over six months.The link between this anecdote and the Van Velde brothers is perhaps to be found in the second essay Beckett devoted to them, in 1948, Peintres de l'empêchement [Painters of the Problem] (Derrière le miroir n° 11/12) : "One of them said: I cannot see the object in order to represent it because I am who I am. There are always two sorts of problems - the object-problem and the 'eye-problem... Geer Van Velde is an artist of the former sort... Bram Van Velde of the latter."Resistance of the object or impotence of the artist, this tale, the "true primary narrative core in kôan zen form," (P. Vilar) would later find itself scattered throughout Beckett's work and would more specifically take centre stage in Endgame, whose similarity, by the by, with the art of Geer Van Velde was noted by Roger Blin. "At the time, he was friends with the Dutch brothers Geer and Bram Van Velde, both painters. Geer was a painter in the style of Mondrian. I have the feeling that Beckett saw Endgame as a painting by Mondrian with very tidy partitions, geometric separations and musical geometry," (R. Blin, Conversations avec Lynda Peskine in Revue d'Esthétique).    Beckett's growing affinity for Bram Van Velde's work and the energy he put into promoting his work, especially to the galerie Maeght or his friend the art historian Georges Duthuit, was no doubt to the detriment of his relationship with Geer. Nonetheless, despite some misunderstandings, their friendship remained unbroken; as did the silent but anxious dialogue that the writer maintained with the art of the younger Van Velde brother, two of whose large canvases he owned. "The big painting by Geer finally gave me a sign. Shame that it should have turned out so badly. But perhaps that's not true after all" (letter to Georges Duthuit, March 1950). "Geer shows great courage. Ideas that are a little cutting, but maybe only in appearance. I have always had a great respect for them. But not enough, I think" (letter to Mania Péron, August 1951)The death of Geer Van Velde in 1977 affected Beckett deeply and coincided with a period of intense nostalgia during which the writer decided to give himself over to "a great clear-out" of his house so as to live between "walls as grey as their owner." Confiding his state of mind to his friend, the stage designer Jocelyn Herbert, Beckett bore witness to the indefatigable affection he had nurtured for the painter over forty years: "more canvases on display, including the big Geer Van Velde behind the piano."A precious witness to the friendship of these fellow travelers who had, ever since checking the veracity of the game of chess played by Murphy and Mr. Endon for Beckett's first novel, tackled together the great challenges of modernity: "It's that, deep down, they don't care about painting. What they're interested in is the human condition. We'll come back to that" (Beckett on the Van Velder brothers in The World and the Trousers).Spine lightly sunned as usual for Molloy and L'Innomable, a tiny tear (not serious) to foot of spine of the latter.  Les éditions de minuit Paris 1969 14,5x19,5cm broché

      [Bookseller: Librairie Le Feu Follet]
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        Schriften der Familie Freudenberg in Weinheim nach alten und neuen Berichten. 3 Bände (vollständige Ausgabe). Band I - Schriften der Familie Freudenberg in Weinheim nach alten und neuen Berichten / Band II - Carl Johann Freudenberg (1819 - 1898) und die Seinen (Briefe und Blätter) / Band III - Hermann Ernst Freudenberg (1856 - 1923). Herausgegeben von Karl Joh. Freudenberg.

      Als Manuskript gedruckt / Nicht im Handel,, 1969. Privatdruck. Heidelberg, Als Manuskript gedruckt / Nicht im Handel, 1969 - 1971. Gross - Oktav - Format. Paginierung: Band I - 171 Seiten mit zahlreichen photographischen Abbildungen / Band II - 376 Seiten mit vielen Abbildungen und Tafeln / Band III - 335 Seiten mit vielen Abbildungen und einem gemeinsamen Register fuer alle drei erschienenen Baende. Original Hardcover / Alle Baende in originalem Ganzleder. Very rare complete set of this important and well researched Family History of the Founders of the Freudenberg Group / Guter Gesamtzustand mit vereinzelt staerkeren Stockflecken. Sehr selten ! Noch seltener sind alle drei Baende zusammen verfuegbar ! / Als Zugabe (Festschrift "100 Jahre Carl Freudenberg)). Eine der umfangreichsten Monographien einer Unternehmerfamilie Deutschlands. Stark bebildert und wunderbar recherchiert. / nHistory of the Ancestry of the german Freudenberg Industrial Family.nnEnthält unter anderem die folgenden Kapitel: nnJugend und Lehrzeit / Die Lackleder und die Lage des Geschäftes in 1865 - 1880 von Friedrich Carl Freudenberg / Die Lehrzeit in Weinheim / Erster Aufenthalt in den Vereinigten Staaten (USA) 1874 - 1876 / Die Familien Siegert und de Haen / Haus Babo / Hermannshof / Des Vaters Briefe an Hermann / Briefe und Blätter bis zum Tode der Lisette Martenstein (April 1862) / Briefe bis zu Hermanns Rueckkehr aus Amerika im Maerz 1876 / bis zum Tode der Sophie Freudenberg 1904 etc. etc. Stammtafeln / etc.nnThe Freudenberg Group is a German family-owned diversified group of companies whose products include housewares and cleaning products, automobile parts, textiles, building materials, and telecommunications. Its headquarters are in Weinheim, Baden-Württemberg, and it has production facilities and markets in Europe, Asia, Africa, Australia, and the United States. The parent company was founded in 1849 as a producer of leather goods.nThe company was founded in 1849 by Carl Johann Freudenberg, the son of a wine merchant,[2] and his partner, Heinrich Christoph Heintze; the two took over a tannery at Weinheim. For the next 80 years, the company produced leather products exclusively. Hurt by the worldwide economic depression that began in 1929, and by shortages during World War II, it diversified into seals for motors made first of leather and later of artificial rubber (the Simmerring, named for an engineer called Walther Simmer), which led to fabrics and to cleaning fabrics and tools when it was noted that the company's cleaning ladies were using discarded scraps of the experimental fabrics. Vileda (from German: wie Leder, "like leather") window-cleaning cloths were first marketed in 1948.nnIn the mid-1990s the company reorganized with a "highly decentralized organizational structure": it has 16 divisions or areas of business incorporating 430 independent units. Three-quarters of its business is as a supplier to other companies. In 2004 Freudenberg had employees in 43 countries. Recently it has focused attention on markets in China and Japan; for example, it provided the floor coverings for the Shanghai Metro stations.nnIn 2002 the company closed its last leather tannery, marking the effective end of the leather industry in Germany. However, today Vileda is a market leader in Europe. All German cars contain parts made by another Freudenberg subsidiary, and German-made outdoor clothing contains fibers made by yet another.[4] Almost all major airports have flooring made by another Freudenberg subsidiary. In 2015 the group was a 7,5 billion euro business with more than 40,000 employees, approximately 11,000 in Germany. Revenues rose from 7 billion euros in 2014 to 7.572 billion in 2015. (Wikipedia)nn_______________nnCarl Johann Freudenberg und sein Partner Heinrich C. Heintze übernahmen 1849 eine Gerberei im Müllheimer Tal vor Weinheim. Das Unternehmen wuchs aufgrund des Exports seiner innovativen Produkte wie Lack- und Satinleder in alle Welt. Der Sohn des Unternehmensgründers, Hermann Ernst Freudenberg entwickelte zwischen 1900 und 1904 als erster in Europa ein Verfahren zur Gerbung mit Chrombrühe statt mit pflanzlichen Stoffen. So verkürzte sich die Produktionszeit um Monate, und Freudenberg wurde eine der größten Gerbereien in Europa.nnDas Unternehmen wurde durch den Ersten Weltkrieg, die Inflation und die Weltwirtschaftskrise 1929 hart getroffen, denn bis zu diesem Zeitpunkt wurde etwa 60 bis 70 Prozent des fertigen Leders exportiert, was nun nicht mehr möglich war. Aus diesem Grund entwickelten die Enkel des Firmengründers, Hans Freudenberg als Ingenieur, Richard Freudenberg als Verantwortlicher für Personal und Finanzen, Otto Freudenberg als Zuständiger für den Verkauf und Walter Freudenberg für den Einkauf, eine neue Strategie. Zunächst begann man, Lederreste zu verwerten und Ersatzstoffe zu entwickeln. Daraus gingen ab 1929 Dichtungen aus Leder und von 1936 an Radialwellendichtringe mit einer Dichtlippe aus Kunstkautschuk Perbunan hervor, die unter dem Namen Simmerringe ein Begriff wurden.nnDie Chemiker und Ingenieure bei Freudenberg entwickelten aus dem Kunstkautschuk Buna S und Buna N Dichtungen und Fußbodenbeläge. Aber auch Vliesstoffe, die als Trägermaterial für das später gefertigte Kunstleder entwickelt wurden, erlangten bald eine eigenständige Nutzung als Ersatz und Erweiterung gewebter Stoffe. Durch die vielseitige Einsetzbarkeit der Vliesstoffe wurden sie bald sehr bekannt.nnEs gibt seit 1948 Einlagestoffe aus Vliesstoffen unter dem Namen Vlieseline und Haushaltsprodukte der Marke Vileda. Seit 1957 gibt es ein immer weiterentwickeltes Programm von Filtern für Industrie und Konsum mit der Marke Viledon. Dichtungen und Formteile werden schon seit 1934 für die Kunden maßgerecht konstruiert.nnNach dem Zweiten Weltkrieg konnte man während des Wiederaufbaus von neuem im Ausland investieren. Bereits vor dem Krieg gab es schon Produktionsstandorte in Österreich, der Schweiz, Frankreich und Großbritannien. Ab 1951 wurden Vliesstoffe in den USA zusammen mit einem amerikanischen Partner produziert. Von 1955 an gab es eine Fabrik für Formteile, und ab 1968 beteiligte man sich an einem Dichtungshersteller.nnZudem wurde parallel weiter in Europa investiert. Es wurden Beteiligungen und eigene Werke in Großbritannien, Frankreich, Spanien, den Niederlanden, Italien und anderen europäischen Ländern aufgebaut. 1960 kamen dann Investitionen in Japan hinzu. Von 1970 bis 1989 baute Freudenberg ein weltweites Netz von Produktions- und Vertriebsstandorten auf, zu dem Nord-, Mittel- und Südamerika, Australien, Südafrika und Ostasien gehören.nnWährenddessen wurde auch die Produktpalette erweitert. Von 1962 bis 1965 wurde die Technik zur Herstellung von Spinnvliesstoffen entwickelt, die heute in der Medizin, der Landwirtschaft und der verarbeitenden Industrie verwendet werden. Der Schmierstoffhersteller Klüber Lubrication wurde 1966 erworben, und man wagte ab 1982 mit den japanischen Partnern zusammen den Einstieg in die Produktion von flexiblen Leiterplatten.nnDer erste Sprecher der Unternehmensleitung, der nicht der Familie Freudenberg angehörte, wurde 1997 Peter Bettermann (bis 2012). 2003 kaufte Freudenberg den Gleitringdichtungs-Hersteller Burgmann Industries aus Wolfratshausen auf. Mit der ebenfalls zu Freudenberg gehörenden Firma Eagle aus Japan bildet Burgmann die Allianz EagleBurgmann Industries.nn2007 verkaufte Freudenberg den Bereich Bausysteme und Schuhkomponenten an ein Konsortium. Das Unternehmen firmiert seitdem unter nora systems GmbH. 2008 verkaufte Freudenberg die Freudenberg Produktionsservice KG und die Freudenberg Gebäudeservice KG an die Johnson Controls Global WorkPlace Solutions. Dieses Unternehmen firmiert seit dem 1. April 2009 unter Johnson Controls Industrial Services. Im Jahr 2010 hat Freudenberg Chemical Specialities das Oberflächentechnik-Unternehmen SurTec International GmbH mit Hauptsitz in Zwingenberg übernommen. SurTec bietet Produkte und Lösungen für Oberflächenbehandlung und Galvanotechnik, beispielsweise für das Reinigen, Entlacken, Färben, Beschichten und Galvanisieren von Oberflächen aus Metall und Kunststoff.nnDes Weiteren wurde im Jahr 2010 das Joint-Venture-Unternehmen Freudenberg Schwab GmbH, welches 1999 in Kooperation mit der Schweizer Schwab AG gegründet wurde und zu 50 % der Freudenberg Gruppe angehörte, vollständig aufgekauft und zum Teilkonzern vergrößert. Freudenberg Schwab stellt schwingungstechnische Lösungen für Schienenfahrzeuge, Industrie sowie Land- und Baumaschinen her. 2012 wurde das Joint-Venture Unternehmen TrelleborgVibracoustic GmbH gegründet, welches zu 50 % zur Freudenberg Gruppe gehört.nnIm Januar 2013 nahm das Unternehmen im Ranking der 500 größten deutschen Familienunternehmen der Zeitschrift Wirtschaftsblatt Platz 23 ein. Der Global Family Business Index der Universität St. Gallen führt das Unternehmen auf Platz 201 der größten Familienunternehmen weltweit. (Wikipedia)nnn

      [Bookseller: The Time Traveller's Bookshop ]
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        Biological Journal of the Linnean Society.

      8vo. 103volumes in more than 400 parts, plus indices for all volumes except 1-3, 17, 72, 73; original publisher's paper wrappers; Volume 10, Number 4 signed by the editor R.J. Berry; very slight browning to some of the earlier volumes, otherwise fine. A complete run of this august and important publication from the library of its former editor R.J. Berry. Berry, Emeritus Professor of Genetics at University College London, has had a long and distinguished career as an academic. He has written some of the most sought after volumes in the New Naturalist series, including The Natural History of Orkney and The Natural History of Shetland, as well as numerous academic papers and books. As a practising Christian he is also interested in the ramifications of Darwinism upon religious belief, and has written a number of works in support of the idea of evolutionary creationism, including God's Book of Works: The Nature and Theology of Nature, the text of his 1997-8 Glasgow Gifford Lectures. The Journal is the oldest biological journal in the world, having evolved out of the Linnean Society's Transactions in 1791. It was the only dedicated biological journal for many years and was the first organ to publish Darwin and Wallace's theories of natural selection in 1858. It was relaunched in a new format in 1969 and it is a complete run of the modern form of the Journal that is presented here. R.J. Berry's profound interest in genetics and evolution led him to fix decisively the direction of the Biological Journal. Berry made clear the distinctions between the Biological Journal and the Linnean Society's parallel Botanical and Zoological journals in a flier issued upon his becoming editor: "the Zoological and Botanical Journals have a proper and continuing morphological and taxonomic basis; it is our understanding and intention that the Biological journal should have a special emphasis on organic evolution in the broadest sense - from observation and theory to experiment and inference, including history and conservation. This will be firm editorial policy in the future". He assumed the editorship in September 1978 (Volume 10, Number 3) and carried on until April 1990 (Volume 39, Number 4), during which time the journal adopted the subtitle and focus that it has maintained to this day as 'A Journal of Evolution' (starting with Volume 33, Number 1). He has continued as an associate editor since stepping down. The breadth and depth of the learning displayed in these volumes is too great to be discussed in detail here; each issue contains valuable articles, arguments and controversies. It is worth highlighting a couple of issues, though, which bring the focus of the Journal on to Charles Darwin, the father of the evolutionary movement. Volume 17, Number 1 (February 1982) is devoted to commemorating the centenary of Darwin's death and shows the stamp of Berry's Christian perspective by including an article by the Bishop of Salisbury on the impact of evolutionary science on our understanding of Man's place in nature. Other pieces include a biographical article by R.B. Freeman, Darwin's bibliographer, J.R. Moore on the controversy surrounding Darwin's interment in Westminster Abbey and a prefatory paper by Berry himself. Volume 21, Numbers 1 & 2 (January/February 1984, published in one part) are devoted to the Galapagos Islands. Frank J. Sulloway contributes a piece on Darwin and the Galapagos, while the other articles show how modern naturalists have built on Darwin's work in the region. This is just a small glimpse into the range of expertise and approach displayed in this set of volumes. It represents the most intellectually rigorous and exhaustive body of work in evolutionary science over the last forty years and stands as a tribute to the vision of the editor from whose collection it has come.

      [Bookseller: Henry Sotheran Ltd.]
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        A Separate Peace

      First Printing New York Macmillan 1969 First Printing (so stated). 8vo; [6], 186pp. Publisher's grey coarsely woven cloth, the spine and upper board lettered in black, in the second-issue typographic dust jacket priced at $3.50. (The first issue jacket was suppressed, supposedly after the author objected that the illustration's schematic figures and flat primary colors made the book seem a children's title.) A just about Fine copy (slightly cocked) of Knowles's classic first book, square, tight and only lightly read, in a Near Fine jacket, bright and unfaded, that has had professional restoration to the spine ends, which remain slightly creased and lightly soiled. A collectible copy of this high spot of twentieth-century American literature.Fine Note: With few exceptions (always identified), we only stock books in exceptional condition, with dust jackets carefully preserved in archival, removable polypropylene sleeves. All orders are packaged with care and posted promptly. Satisfaction guaranteed.

      [Bookseller: Fine Editions Ltd.]
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        MAN ON THE MOON: A Picture Chronology of Man in Space Exploration

      Dallas: Galina, Inc., 1969. First Edition. Hardcover. Very good. Numerous color photographs. Dallas: Galina, Inc., 1969. Collector's Edition - First Edition. Pictorial history of the U.S. space program, from the establishment of the National Aeronautics and Space Administration (NASA) to the Apollo XI mission. Inscribed to actor Richard Crenna (1926-2003) and his wife Penni by Apollo XII Mission Commander Charles "Pete" Conrad, Jr. and signed by astronauts by Alan L. Bean, Eugene Cernan, Walt Cunningham, Donn Eisele, and Dave Scott on the front flyleaf. Conrad, Bean, Scott, and Cernan are the third, fourth, seventh, and eleventh men to walk on the Moon, respectively. Crenna starred with Gene Hackman and Gregory Peck in the John Sturges film Marooned (1969), which depicted an Apollo Command/Service Module with three astronauts and a space station resembling Skylab. Oblong octavo. Original white buckram binding, with gilt titles. Some mild fading along the extremities of the boards. Better than very good.

      [Bookseller: The Book Shop, LLC ]
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