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Displayed below are some selected recent viaLibri matches for books published in 1969

        L'Homme et la machine.

      [New York:] printed by davis-Delaunay-Arrow for IBM,, 1969. Oblong quarto. Original charcoal grey cloth, titles to spine and front board in black and white, blue endpapers. No dust jacket as issued. Full-page black and white photographs throughout. Extremities lightly worn, a few minor marks to boards, edges of endpapers slightly toned, two small indentations to front endpapers and first 8 or so leaves. An excellent copy. First edition, first impression, French issue. Inscribed by the photographer on the half-title, incorporating part of the printed title into his inscription: "à Bill, avec ma reconnaissance d'avoir forcé un [Homme] a changer de [Machine] très cordialement, Henri". Simultaneously published in English under the title Man and Machine.

      [Bookseller: Peter Harrington]
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        A document made by Paul Thek and Edwin Klein. + poster in color serigraph issued simultaneously! MINT COPY.

      Amsterdam/Stockholm, Stedelijk Museum/Moderna Museet, 1969. Half vertical stiff white wrappers with letterpress-title (softcover), 41,1 x 30,7 cms., (130) pp. with black-and-white photos by Wim Davits, Edwin Klein, Tom Lenders, Max Natkiet and Jean-Paul Vroom. Big format artist's book, which contains photo-collages of newspaper articles. An important collaborative work was created in 1969 by the American artist Paul Thek (1933-1988) and the Dutch photographer and designer Edwin Klein (1946-) for the Pauk Thek and the Artist's Co-op installations at the Stedelijk Museum, Amsterdam, and the Moderne Museet, Stockholm. LOOSELY ADDED as issued in a very small edition: a pale blue folded poster, 40 x 58 cms. titled: Utställningen pågår den 6 november 1971 - 9 januari 1972 ....Moderne Museet ber att få rikte ett tack till Paul Thek, hans medhjälpare samt den tekniska ..... + numerous b/w illustrations (recto), a salmon pink screenprinted illustration (verso). Extremely rare in this complete and mint condition. Thek, Paul; Klein, Edwin.

      [Bookseller: Luïscius Books]
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        Four One-Page Typed Letters Signed to Michael Perkins (T.L.S.)

      California: Self-Published, 1969. First edition. Loose Sheets. Very Good. Sold here together are four related letters typewritten and signed by Harlan Ellison to fellow writer Michael Perkins - all dated in 1969. All on Mr. Ellison's personal letterhead. As background it should be stated that Mr. Ellison wrote the Afterword for The Tour, a novel by Perkins published by Essex House in 1969. The afterword was very complimentary. The backstory of these letters is that Mr. Ellison writes (in the earliest of these four letters) to ask Perkins if he would like to contribute a story to an antholgy that is being worked on entitled Again, Dangerous Visions. That first letter is dated 25 August 1969 and is quite cordial in tone and is signed off as "Sincerely". By the fourth letter in this sequence, dated only a slender four weeks later (27 September 1969) the tenor of the discourse between the two writers has, let's just say, more than slightly deteriorated. This fourth letter begins "Listen, fuckoff, I am right about that first story, [right being underlined] and what is more, this [again underlined] thing is awful. The letter goes on in what might be characterized as a sarcastic and caustic manner ("I am publishing a Speculative fiction anthology, you gibbering troglodyte, not a college playpen stapled-together-mimeographed-selection of the best of Creative Writing 101" and is signed off as "Challengingly: To be fair, in the final paragraph, Mr. Ellison does offer some constructive ideas as to how Perkins might improve his story. Four entertaining letters from this talented and sometimes controversial writer. No envelopes are present. The letters are stapled together in the top left-hand corner. The letters are otherwise all in very good or better condition.

      [Bookseller: Derringer Books, Member A.B.A.A.]
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        Christian Gotthard Hirsch. Gemälde. Sonnenuntergang im Winter. Rückseitig signiert vom "Meister Gottel" / Künstlername, datiert 29.12.1969. Widmung an einen Freund. Fomat des Bildes 22 x 30 cm. Rahmen 33 x 41 cm. Rahmen und Verglasung vom Künstler selbst ausgewählt.

      Malerhäusel,, Höchenschwand, 1969 - 22 x 30 cm. 1 Blatt ISBN: Keine. Original illustrierter Pappband. /Hard cover. No jacket. Guter Zustand / Good condition. 1. Auflage. Sprache: de. * Versandfertig innerhalb von 20 Stunden! Christian Gotthard Hirsch stammte aus einer bekannten Breslauer Künstlerfamilie. Vita: Volks- und Realschule Breslau und Frankfurt/Oder, Einjähriges, Lehrzeit bei Darmstädter Bank, Breslau // 1910 Studium Kunstschule Breslau (Prof. Siegfried Haertel und Arnold Busch) und Berlin // 1914-1918 Teilnahme am 1. Weltkrieg als Reserve-Offizier // 1919 Fortsetzung des Studiums in Berlin (Prof. Georg Koch) // 1924 Wohnsitz Breslau und Polaun // 1936 Wohnung und Atelier in Berlin // 1942 Erster Aufenthalt in Höchenschwand // 1945 Zerstörung des Ateliers in Berlin // 1946 Vertreibung von Polaun, Zuflucht zunächst in Aisperg und Tiefenhäusern // 1951 Wohnsitz im Eigenheim in Höchenschwand // 1964 Einrichtung der Christian Gotthard Hirsch-Stube durch den LV Badische Heimat im Kurhaus Höchenschwand // 1969 Benennung einer Straße in Höchenschwand nach Christian Gotthard Hirsch // 1974 Ehrenbürger der Gemeinde Höchenschwand // 1981 Einrichtung einer Christian Gotthard Hirsch-Wand mit Porträt, Bildern und Gedichten im Haus des Gastes // 1989 Einrichtung eines Hirsch-Museums im "Malerhäusel" in Höchenschwand. ELo. (Ku). Jpg. [Attributes: Hard Cover]

      [Bookseller: Umbras Kuriositätenkabinett]
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        Geschichte der O - Rückkehr nach Roissy

      Zustand: innen 1-2, aussen 2, mit Schutzumschlag 2-3 dieses Buch von 1969 werde ich per Paket versenden, VERSICHERT !!! Und bitte Altersnachweis angeben oder Verkauf an einer Uni u.a. für ernsthafte hostorische Forschung Versandkostenfrei !!!

      [Bookseller: lucky-wildstar]
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        Cabezas Cortadas (Original screenplay for the 1970 film)

      Spain: Filmscontacto, 1969. Draft script for the 1970 film. Text in Spanish. Laid in is a black and white photograph of the director on the set. Somewhere in an unnamed third world country, Diaz is delirious with the power he once had in Eldorado. All the while, he oppresses the natives, workers and peasants. Working off symbols and superstitions found all around him, he prepares a ceremony representing his own funeral in his castle. Set in the third world, shot on location in Spain. Teal titled wrappers. 59 leaves, with last leaf of text numbered 59. Carbon typescript. Pages Very Good plus, wrapper Very Good plus bound with two gold brads. Oxford History of World Cinema.

      [Bookseller: Royal Books, Inc.]
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        MAN ON THE MOON: A Picture Chronology of Man in Space Exploration

      Galina, Inc., Dallas 1969 - Numerous color photographs. Dallas: Galina, Inc., 1969. Collector's Edition - First Edition. Pictorial history of the U.S. space program, from the establishment of the National Aeronautics and Space Administration (NASA) to the Apollo XI mission. Inscribed to actor Richard Crenna (1926-2003) and his wife Penni by Apollo XII Mission Commander Charles "Pete" Conrad, Jr. and signed by astronauts by Alan L. Bean, Eugene Cernan, Walt Cunningham, Donn Eisele, and Dave Scott on the front flyleaf. Conrad, Bean, Scott, and Cernan are the third, fourth, seventh, and eleventh men to walk on the Moon, respectively. Crenna starred with Gene Hackman and Gregory Peck in the John Sturges film Marooned (1969), which depicted an Apollo Command/Service Module with three astronauts and a space station resembling Skylab. Oblong octavo. Original white buckram binding, with gilt titles. Some mild fading along the extremities of the boards. Better than very good. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: The Book Shop, LLC - ABAA, ILAB]
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        Altenbourg, Gerhard. - "Herauftauchend aus Animas Schoß".

      - Farbholzschnitt, in 4 Farben, auf festem Maschinenbütten, 1969. Von Gerhard Altenbourg. Auflage Exemplar Nr. 35/40. 25,0 x 37,8 cm (Darstellung / Druckstock) / 29 x 41,5 cm (Blatt). Mehnert 241. Rechts unten in Bleistift signiert und datiert. Dazu Prägestempel des Künstlers, Auflagenbezeichnung und Titel. - Papier minimal gegilbt. Im rechten Rand leicht gewellt. Sonst tadellos erhalten. Gerhard Altenbourg (1926 Rödichen-Schnepfetal - 1989 Meißen). Deutscher Maler und Grafiker. 1929 Umzug nach Altenburg. 1944-45 Soldat im Zweiten Weltkrieg. 1946-48 als Schriftsteller und Journalist tätig, Zeichenunterricht bei Erich Dietz. 1948-50 Studium an der Hochschule für Baukunst und Bildende Kunst in Weimar bei Hans Hoffmann-Lederer. 1959 Teilnahme an der documenta II in Kassel. 1961 Gastatelier an der Kunstakademie in Westberlin. 1961 Erwerb einiger Arbeiten durch das Museum of Modern Art in New York. 1962-89 Atelier in Altenburg, Annahme des Künstlernamens "Altenbourg". 1966 Burda-Preis für Grafik in München. 1968 Will-Grohmann-Preis in Westberlin. 1970 Mitglied der Akademie der Künste, Berlin. 1977 Teilnahme an der documenta 6 und Mitgliedschaft bei der ?Life Fellow of the International Biographical Association? in Cambridge. In den 1980er Jahren Ausstellungsverbot und Schließung der Ausstellungen, da er sich den offiziellen Kunstauffassungen der DDR widersetzte.Seit 1998 vergibt das Lindenau-Museum in Altenburg aller zwei Jahre den Gerhard-Altenbourg-Preis. [Attributes: Signed Copy]

      [Bookseller: GALERIE HIMMEL]
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      DE VECCHI, 1969. ITALIANO 0,55 Coperta rigida rossa, sovraccoperta illustrata con lievissimi segni di usura, illustrazioni in nero in pagine in buonissimo stato di conservazione USATO

      [Bookseller: Biblioteca di Babele]
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        'Handwork Brodé Main'. [EAT ART].

      (Rotterdam). Perspex box, 48,5 x 33,5 x 5 cms., containing title-sticker and various objects concerning the art of food/nourishment. During the period 1969-1978 Karla Kaper constructed (objects concerning) eat art. Came into being during early the seventies on the occasion of the exhibition "Sucre d'Art" at Musée Décorative, Paris, in which she showed together with Daniel Spoerri, Claes Oldenburg and Dieter Roth (Rot). Obtained directly from the first owner. Kaper, Karla (Carla).

      [Bookseller: Luïscius Books]
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        U. S. CAMERA

      William Morrow & Company, NY 1969 - 4tos. Variable paginations, largely illustrated from b&w and occasionally color photographs. The first four issues, 1935 - 1939, are spiral bound with printed wrappers. Issues from 1940 to 1964 are bound in the publisher's cloth. From 1965 to 1970, the issues have photo-illustrated wrappers. Several years have the original dust jackets. Some soiling or wear to edges of wrappers. A good to very good set. A complete run in 36 volumes of this annual publication; there was no issue published in 1938. The title became U.S. CAMERA ANNUAL beginning in 1949, and again changed to U.S. CAMERA WORLD ANNUAL in 1966. Some volumes have distinctive titles, such as: "International Edition" 1950, "American-International," 1951, "Pictures that Talk." 1959. Edited by Tom Maloney. The publisher changed in 1950 to U.S. Camera Pub. Corp.An outstanding annual, which included critical, technical and historical articles by the leading writers, with individual images and portfolios by an international array of photographers.Duplicate issues are available. Please inquire. [Attributes: First Edition]

      [Bookseller: Andrew Cahan: Bookseller, Ltd., ABAA]
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        Gli esclusi. Fotoreportage da un'istituzione totale. Fotografie di Luciano D'Alessandro. Presentazione di Sergio Piro. Progetto grafico di Michele Ketoff

      Il Diaframma, Milano 1969 - In-4° (315x245mm), pp. 118 nn., cartonatura editoriale con sovraccoperta fotografica. Interamente illustrato con fotografie in b.n. di Luciano D'Alessandro, struggente documento della malattia mentale e della sua rimozione ed esclusione dal mondo contemporaneo. Grafica di Michele Ketoff. Una firma. Perfetto stato. Prima edizione. Il drammatico reportage, primo documento fotografico italiano della polemica contro i manicomi, è frutto dell'incontro, nel 1965, fra Luciano D'Alessandro e Sergio Piro, direttore del manicomio di Materdomini (Nocera Superiore), fra i protagonisti di quello che diventerà il movimento di psichiatria democratica. D'Alessandro lavorò per tre anni all'interno di tale struttura psichiatrica, alla scoperta della realtà allucinata dell'istituzione totale. A seguito di questa esperienza Piro avviò una comunità terapeutica aperta e, nel 1969, fu licenziato sulla scorta dell'aperta denuncia delle immagini di D'Alessandro. First Edition Italiano [Attributes: Hard Cover]

      [Bookseller: Gilibert Libreria Antiquaria (ILAB-LILA)]
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        The Epileptic Bicycle

      New York: Dodd, Mead & Company, 1969. Livre. Illus. by Edward Gorey. Très bon. Cartonnage Éditeur. Ed. originale. New York, Dodd, Mead & Company, 1969. 24 x 16 cm, 32 ff. n. ch., illustrations en noir, cartonnage jaune de l'éditeur illustré en couleurs sur les deux plats, jaquette illustrée de même. Edition originale et premier tirage (aucune mention de tirage et prix de $3.00 en tête du premier rabat de la jaquette). Jaquette partiellement insolée, sinon très bon. // First edition, first printing (no statement of edition and price of $3.00 printed at top front dustjacket flap). Dustjacket partially sunned, else very good +..

      [Bookseller: Des livres autour (Julien Mannoni)]
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        Old Burma-Early Pagan - 3 Vols -

      ca. 1200 pp Leinen 3 Vols, Folio , Linen without dust jaked, verry fine textclean copys. Vol. 1 Text ( 1969) , Vol. 2 Cataloque of Plates, Indexes ( 1970) -Vol. 3 : Plates ( 1970) . ( Artibus Asiae ,curat editionem New York University , Institute of Fine Arts - Supplementum 25 ) 605

      [Bookseller: Versandhandel]
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        Sonia Delaunay: Tableaux Vivants. VERY FINE COPY.

      Milan (Milano), Edizioni del Naviglio, 1969. Thick glazed illustrated boards (hardcover), 28,5 x 20 cms., (40) pp. executed in leporello, 27 original full-page colour pochoirs printed on 'Chiffon de Mandeure' by Daniel Jacomet. Copy from an edition of 500 (650). Delaunay, Sonia.

      [Bookseller: Luïscius Books]
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      1969. Université de Liège. 1969-1978. In-8.Carré. Broché. Bon état. Couv. légèrement passée. Dos satisfaisant. Intérieur bon état. 9 volumes brochés d'env. 700 pages chacun (Vie Universitaire), et 69 ouvrage brochés dans 8 chemises composant chacune un volume (une année: Horaires et Cours). Etiquettes annotées sur les dos. Quelques couvertures légèrement abîmées. Quelques tampons et annotations. MM. les Recteurs Dubuisson, Welsch. M. l'Administrateur Schlitz... Séances Solennelles d'ouverture des cours. Séances de rentrée académique. Rapports... Introuvable.

      [Bookseller: Le-Livre.Com]
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        Eaux-fortes sur Paris. Présentation par Jean Bouret suivi de: Meryon Charles, eaux-fortier, ex-marin et de: Bref historique de la gravure en creux, par Albert Flocon.

      Club français du Livre, Marigny-le-Châtel, 1969 - 21pages, + 22 planches non liées, dans un portefeuille sous jaquette et un cartonnage. Exemplaire numéroté. Bel exemplaire.

      [Bookseller: Bouquinerie du Varis]
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        Lexicon Nederlandse Beeldende Kunstenaars 1750 - 1950

      Kunsthandel Pieter A. Scheen, 's-Gravenhage 1969 - First edition. Octavo. Near Fine: minor spotting to the edges. Near Fine: minor wear ro the dustjackets. Volume 1: 751 Pages followed by 950 black and white illustrations. Volume 2: 692 Pages followed by 1017 black and white illustrations and the 54 page supplement to the first volume. Text in Dutch. Scarce with the original dustjackets. By far the most important reference work on Dutch painters, sculptors and artists active between 1750 and 1950. [Attributes: First Edition]

      [Bookseller: Meijering Art Books]
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        Salamine de Chypre. 14 volumes (complete set)

      De Boccard, Paris 1969 - Rare complete set of 14 volumes. De Boccard, Paris, 1969-1994. In-4 volumes, mostly in their original brown cloth binding, except for volume IX as well as volume XI and ff. which are in their original softcover binding. Condition: as new. Vol. I. OZIOL & POUILLOUX. I: Les lampes (octobre 1964-mai 1967) - Vol. II: YON (M.) La tombe T.I. du XIe s. Av. J.C. - Vol. III: CALVET (Y.) Les timbres amphoriques (1965-1970) - Vol. IV: COLLECTIF. Anthologie Salaminienne - Volume V: YON (M.) Un dépôt de sculptures archaïques (Ayios Varnavas, site A) - Vol. VI: CHAVANE (Marie José) Les petits objets - Vol. VII: OZIOL (Th.) Les lampes du Musée de Chypre - Vol. VIII: JEHASSE (L.) La céramique à vernis noir du rempart méridional - Vol. IX: DIEDERICHS Céramiques hellénistiques romaines et byzantines - Vol. X: CHAVANE (Marie José) & YON (M.) Testimonia Salaminia I. Première, Deuxième et Troisième parties - Vol. XI: ARGOUD (G.) & CALLOT (O.) & HELLY (B.) Une résidence Byzantine "l'huilerie" - Vol. XII: MONLOUP (Th.) Les figurines de terre cuite de stradition archaïque - Vol. XIII: POUILLOUX & ROESCH & MARCILLET-JAUBERT Testimonia Salaminia II - Vol. XIV. MONLOUP (Th.) Les terres cuites classiques. Un sanctuaire de la grande déesse. [Attributes: First Edition; Hard Cover]

      [Bookseller: Meretseger Books]
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        Calendar 1970

      Tokyo, 1969. First Edition. Stiff Folder. Near Fine. 39 by 29.5 cm folder, with 12 brightly colored monthly plates, 37 by 29 cm. Serizawa (1895-1984) was a much celebrated and decorated fabric and textile designer. In 1956 he was proclaimed by the Emperor "Holder of an Important Intangible Cultural Property", a title known outside Japan as a "Human National Treasure" of Japan. And in 1976 he was appointed Member of the Order of Cultural Merit. He began issuing calendars, each different from the prior ones, in 1946, and continued to do them until his death. The artwork and appearance of the calendars is highly distinctive, with their dazzling colors, their brash, broad-brush typography, their bold, whimsical, folk art-inspired and often playful imagery arranged idiosyncratically. Serizawa was applying his artistic sensibility and technique from textile work onto paper, and the result is unlike virtually anything else one is likely to have ever viewed. Serizawa's technique, known as "Kataezome", was a traditional one that had fallen into disuse. Basically it involved stencils combined with dye-resistent paste. Serizawa also relied on vegetable colors. In reviving Kataezome, Serizawa involved himself in every step of the process. The results bear some kinship to colorful Japanese toy catalogues, but these calendars have an explosion of color and collage-like composition that easily sets them apart from these catalogues all the same. The artwork here proclaims a freedom in so many ways, and yet they are clearly painstaking in their technique and are all of a piece and relate well to one another. Light and smallish dampstain on lower edge of folder front cover. Minor creasing to plates along edges here and there.

      [Bookseller: White Fox Rare Books and Antiques]
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        Le mauvais démiurge

      1969. Gallimard, Paris 1969, 12x19cm, relié. - Gallimard, Paris 1969, 12x19cm, relié. - Edizione per il quale non è stato redatto carta di grandi dimensioni, una copia del servizio stampa. autografo firmato Emil Michel Cioran professor Georges Blin. copia completa della sua preghiera da inserire.   [FRENCH VERSION FOLLOWS] Edition originale pour laquelle il n'a pas été tiré de grands papiers, un des exemplaires du service de presse. Reliure en demi maroquin rouge, dos à cinq nerfs, date en queue, plats de couverture rempliés et dos insolé conservés, tête dorée, reliure signée de Goy & Vilaine. Envoi autographe signé d'Emil Michel Cioran au professeur Georges Blin. Exemplaire complet de son prière d'insérer monté sur onglet en tête de l'ouvrage. Agréable exemplaire élégamment établi.  

      [Bookseller: Librairie Le Feu Follet]
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        Plan for New York City, 1969 : a proposal.

      1969 - 6 volumes, in- folio carré, brochés sous couvertures en couleurs, 180+154+190+170+154+64 pages. Plans en couleurs, cartes simples et 3 cartes grandes cartes volantes repliées. (Land use policy, Neighborhood improvment, Aerial photograph), diagrammes, comptes-rendus, nombreuses reproductions photographiques en noir des célèbres photographes de l'agence Magnum (Helen Levitt, Andre Kertesz, Robert Frank.). 1. Critical issues, 2. The Bronx, 3. Brooklyn.,4. Manhattan, 5. Queens, 6. Staten Island. Cet imposant ouvrage était destiné à la concertation publique avec comme but d'améliorer les infrastructures, les routes, la santé. [Attributes: First Edition; Soft Cover]

      [Bookseller: Librairie Hogier]
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        Les Mots dans la Peinture. VERY FINE COPY/LUXURY COPY.

      Paris, Albert Skira Editeur, 1969. Vellum-backed paper-covered chemise (hardcover), 30 x 24 x 5,4 cms., 181, (5) pp. loose in quires with illustrations and tipped-in color plates printed on 'velin d'Arches', uncut. Copy from an edition of only 25 (apart from 2175 copies of the regular edition) 'reserves aux amis et collaborateurs des Editions Skira' including a double-page color etching and aquatint with relief by Matta, 26,7 x 34 cms., signed and numbered 'XI/XXV' in pencil in the lower left. numbered 'XI/XXV' in stamp in colophon. Matta, Roberto.

      [Bookseller: Luïscius Books]
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        Les métamorphoses érotiques - choix de dessins exécutés de 1940 à 1968.

      A L'Érotiade, [Paris]. 1969 - First edition. No. 99 of 300 numbered copies signed by the artist, this being one of 120 copies printed "sur vélin rives", and with an original drypoint signed by him. With a 2-page Introduction by the artist "Contre la pornographie et l'obscénité pour le dieu Eros et l'érotisme''. Quarto. Loose gatherings in satin boards, as published. The artist gives full rein to the ''critical-paranoid method" in which the imagination takes ''found'' images and pulls from them new meanings. Here for the most part he turns and twists anodyne engravings from nineteenth century catalogues and schoolbooks into obscene and sometimes disturbing forms. Dali defined his paranoid-critical method as, "a spontaneous method of irrational knowledge based upon the critical-interpretive association of delirious phenomena". André Breton hailed this as an ''instrument of primary importance'' for the Surrealist movement.Covers a little bit spotted. Near fine in near-fine cloth slipcase slightly rubbed at the corners. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Peter Ellis, Bookseller, ABA, ILAB]
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        Portnoy's Complaint -- 1/600 copies of the first edition, signed by the author, in special binding

      New York: Random House, 1969. Limited ed. Hardcover. Fine/Near Fine. Number 358 of 600 copies signed by Philip Roth. Hardcover, in special full cloth binding with gilt title and red topstain. An absolutely Fine, tight, clean copy, in a Near Fine dust jacket with light fading along the spine. Includes the original red slipcase, that is in Very Good condition with modest shelfwear. The signed, deluxe edition of Roth's most famous novel.

      [Bookseller: Caliban Books ABAA-ILAB]
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        La spiaggia

      Verona , EDIZIONI DELLA PERGOLA, 1969 - 6 acqueforti originali in nero, titolate, numerate e firmate su foglio e lastra, di Walter Piacesi (da cm 9,2x9 a 13,2x14,2). Uno scritto di Luciano Troisio. 4to. pp. 6 + incisioni. . Ottimo (Fine). . Edizione originale di 50 es. numerati. [La Pergola 1996]. [Attributes: Hard Cover]

      [Bookseller: Studio Bibliografico Marini ALAI - ILAB]
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        La gioventù ha una sola stagione. [Canzone di Musetta da Scene della vita di bohème di Henry Murger]. Presentazione di Enzo Fabiani. Sette acquetinte di Alessandro Nastasio.

      Scuola Grafica Salesiana, 1969. In folio; pp. non num. 2 con il testo di Fabiani e quello di Murger in francese; le sette acquetinte sono sciolte, numerate e firmate a matita su carta della Cartiera Ventura. Brochure edit. con tiotli al piatto. Edizione tirata a soli 50 esemplari numerati.(vedi riproduz.)

      [Bookseller: Libreria Antiquaria Prandi s.n.c.]
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        Good morning city - Bleeding town. Farbserigraphie in 10 Farben. Mit Metallprägung in 8 Farben. Auf Fabriano-Büttenpapier. Am Unterrand mit Signaturstempel, Nummerierung, Datierung und zusätzlicher Signatur Hundertwassers.

      Nummeriertes Exemplar Nr. 3642 aus der Serie *S* einer Gesamtauflage von 10000 Exemplaren. Am linken Außenrand mit 18 quadratischen Farbauszugspunkten und hierunter Auflistung der Varianten. Am unteren weißen Rand mit 4 Prägestempeln vom Drucker und Verleger sowie 2 japanischen Rotstempeln (inkan), Prägestempel "686 Giudecca 1969", sowie signiert und datiert rechts unten mit "Friedensreich am 18. Dezember in Rom". Zusätzlich bei der Nummerierung *3642* von Hundertwasser handsigniert weil die erste Nummerierung unleserlich erfolgt ist und darunterstehend nochmals nummeriert wurde - diese von Hundertwasser eigenhändig signiert. Gedruckt bei Studio Quattro, Campalto - Venedig, in Zusammenarbeit mit dem Drucker Lino Coin, 1969-70. Koordinator des Drucks war Alberto della Vecchia. Blattmaß: 84 x 56 cm ( Höhe x Breite ), unter Glas gerahmt ( Rahmenmaß: ca. 90 x 70 cm ) Das Blatt im weißen Oberrand gering fleckig bzw. fingerfleckig ( aber durch ein Passepartout gut abdeckbar ), ansonsten guter, farbfrischer Zustand. ( Bitte beachten: Hier leider kein Versand möglich - hier bitte nur Selbstabholung in meinem Ladengeschäft / Please notice. Sorry, no shipment possible ) ( Pic erhältlich // webimage available ) ( Lagerort Richey )

      [Bookseller: Antiquariat Friederichsen]
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        Funkamateur - Praktische Elektronik für Alle (1969: Nr. 8 - 12 1970: Nr. 1-12 1971: Nr. 1-11 1972: Nr. 1-9 und 12 1973: Nr. 1-12 1974: Nr. 1-12 1975: Nr. 1-12 1976: Nr. 1-12 1977: Nr. 1-12 1978: Nr. 1-12 1979: Nr. 1-12 1980: Nr. 1-12 1981: Nr. 1-12 1982: Nr. 1-12 1983: Nr. 1-9, 11, 12 1984: Nr. 1-12 1985: Nr. 1-12 1986: Nr. 1-12 1987: Nr. 1-8, 11, 12 1988: 1, 2, 4-12, insgesamt 226 Hefte) Fachzeitschrift für alle Gebiete der Elektronik - Selbstbaupraxis. Zeitschrift des Zentralvorstandes der Gesellschaft für Sport und Technik.

      je ca. 50 S. mit Abb. Heft leichte bis teils deutliche Gebrauchsspuren, die Hefte von 1969 bis 1975 sind gelocht, teils eingerissen, berieben, bei 8/69 fehlt das Cover, die Seiten sind papierbedingt gedunkelt / gebräunt, vereinzelt knickspurig. In dem Konvolut sind die folgenden Hefte enthalten: 1969: Nr. 8 - 12 1970: Nr. 1-12 1971: Nr. 1-11 1972: Nr. 1-9 und 12 1973: Nr. 1-12 1974: Nr. 1-12 1975: Nr. 1-12 1976: Nr. 1-12 1977: Nr. 1-12 1978: Nr. 1-12 1979: Nr. 1-12 1980: Nr. 1-12 1981: Nr. 1-12 1982: Nr. 1-12 1983: Nr. 1-9, 11, 12 1984: Nr. 1-12 1985: Nr. 1-12 1986: Nr. 1-12 1987: Nr. 1-8, 11, 12 1988: 1, 2, 4-12. Insgesamt erhalten Sie 226 Exemplare. Keine Einzelabgabe erwünscht! Die Hefte werden nur komplett abgegeben. Bei Fragen können Sie sich jederzeit an mich wenden.

      [Bookseller: Bücheroase Jens Neumann]
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        Gunnar Widforss: Painter of the Grand Canyon

      Flagstaff, Arizona: Northland Press for Museum of Northern Arizona. Fine with no dust jacket. 1969. Limited/Numbered Edition. Hardcover. A limited edition signed by both authors and numbered 9/100, with a printed sketch on the limitation page by George Collins. Brown patterned paper boards with leather spine and gilt imprint, housed in a matching slipcase. Laid in are two pieces from the publisher, both with color illustrations. One is an order form and another is an exhibit catalog list for an exhibition of Gunnar Widforss, August 17 through September 28, 1969 at the Museum of Northern Arizona in Flagstaff. The catalog has slight creases. Swedish artist Gunnar Widforss (1890-1934) was best known for his watercolors of Grand Canyon and other national parks. Full-page color reproductions of his paintings and personal remembrances of the artist illustrate this work by photographer of the Canyon Bill Belknap and his wife Frances. ; Color Illustrations; 11" x 9 1/2"; 86 pp .

      [Bookseller: Back of Beyond Books, ABAA ]
 30.   Check availability:     ABAA     Link/Print  

        Alice's Adventures in Wonderland

      NY: Maecenas Press - Random House, 1969, 1969. LIMITED SIGNED EDITION. Original tan leather backed clamshell box, gilt lettered spine, with the original leather ties and faux bone clasps, illustrated by Salvador Dali, limited to 2500 numbered copies of which this is #1577, boldly signed by Dali on the title-page, a bright sharp copy in LIKE NEW condition, with the original shipping box, shipping box also in VERY GOOD condition. As nice a copy as you can expect! Without a doubt the finest copy we have ever offered! The shipping box is addressed to Wanamaker's in Philadelphia. It is also marked 8/8 we assume it was one of 8 copies shipped to Wanamaker's.

      [Bookseller: D&D Galleries - ABAA]
 31.   Check availability:     Biblio     Link/Print  


      Schocken Books, 1969-01-01. Paperback. Acceptable. Two volumes. Ex-Library paperbacks with all the usual markings, possible attachments, creases and library wear. A few marks and a sentence or two underlined in Vol.1. Rear cover torn at hinge in Vol.1. Corner bump to Vol.2 otherwise text block clean and unmarked. Tight binding.

      [Bookseller: GuthrieBooks]
 32.   Check availability:     Biblio     Link/Print  

        Tricontinental. 13. / Cartel OSPAAAL.

      OSPAAAL, La Habana 1969 - 1ª ed. 15x23. (cartel 28.5x44). 153pp. 1h. Camisas originales. Ofrecemos uno de los clásicos carteles OSPAAAL dentro de su revista original. Muestra al presidente Richard Nixon que se convierta en jabalí en tres imágenes, según se va desplegando la revista. El cartel, sin firmar, al igual que todos los de estos primeros años, es de Alfredo Rostgaard, director artístico de la revista. La revista contiene artículos sobre Palestina, Laos, etc., propaganda gráfica, un fotomontaje doble en ambas cubiertas. Roces en las cubiertas de la revista, interiores muy bien; el cartel impecable. Envíos para España: el pago contra reembolso conlleva un recargo de 4 Euros.

      [Bookseller: Carmichael Alonso libros]
 33.   Check availability:     AbeBooks     Link/Print  

        THE LETTERS OF CHARLES DICKENS Six Volumes: Pilgrim Edition

      Oxford University Press 1969 - ***NB. VOLUMES 1-6*** All Near FINE hardbacks in Near FINE dustwrappers. Red boards in cream & red wrappers. These 6 volumes cover letters from 1820 through to 1852. Vol.1 1898 Reprint with Corrections. Vol.2 1969 First edition; Vol.3 1974 First edition; Vol.4 1977 First edition, Vol.5 1989 Reprint with corrections; Vol.6 1990 Reprint. Vol.1, 2 & 3 have Una Hobson's neat bookplate to front endpaper. Vol.2 has small bump to top front corner, small closed tears to head & tail of spine & top back corner with neat white reinforcement label to underside at these points and touch of rubbing to top back hinge. Vol.2 & 3 are price clipped. Vol.4 has touch of rubbing to title plate on spine of board. Vol.5 has minor age-yellowing to endpapers. Tiny hint of sunning to spines. Size: 8vo - over 7¾" - 9¾" tall [Attributes: Hard Cover]

      [Bookseller: BADGERS BOOKS]
 34.   Check availability:     AbeBooks     Link/Print  

        Outstanding Apollo XI content Buzz Aldrin letter printed on attractive embossed personal letterhead with an original piece of the Kapton foil from the command module that was flown to the moon

      n.p., n.d.. 8.5" x 11". "Typed Letter Signed, ""Buzz Aldrin"", as Lunar Module Pilot - Apollo XI, 1 page, 8.5"" x 11"", n.d., n.p., to which has been affixed a small fragment of the original Kapton foil that lined the command module. Very fine condition.The letter is titled ""APOLLO 11 'KAPTON' FOIL"" and reads in full: ""On July 20, 1969, mankind's eternal dream of standing on another world was realized as Neil Armstrong and I became the first two human beings in history to walk on the Moon, during the historic voyage of Apollo XI. The spacecraft which carried Neil and me to the Moon was known at the 'Command Module' and bore the symbolic name Columbia. To protect our fragile craft from the extreme environment of deep space, a thin layer of material known as Kapton Foil gold-colored on the front and with a silver backing, was attached to the outside skin of the Columbia. This delicate foil played a critical role by reflecting the sun's intense heat off the ship, helping us to maintain comfortable temperatures within. Because the foil was attached to the outside skin of the Columbia, its gold-colored side was directly exposed to deep space. Due to the extremely fragile nature of the foil, most of it burned off the ship during our fiery 25,000 mph re-entry into the Earth's atmosphere on July 24, 1969. However, a small portion of it survived, salvaged by the North American Rockwell Recovery Team on board the aircraft carrier Hornet, and carefully preserved for posterity. When reflecting on the epochal voyage of Apollo XI, I often think of the plaque left behind on the moon at Tranquility Base. It bears the inscription HERE MEN FROM THE PLANET EARTH FIRST SET FOOT UPON THE MOON. WE CAME IN PEACE FOR ALL MANKIND. JULY 1969 AD. The voyage of Apollo XI was a defining moment in human evolution, when mankind lifted itself from its Earthly cradle, and began its long journey into the universe."" "

      [Bookseller: University Archives]
 35.   Check availability:     Biblio     Link/Print  

        The Americans

      Aperture/Museum of Modern Art, New York, 1969, 1a. pp. 190, 88 foto b/n, cm 21x18, brossura, inglese

      [Bookseller: If Immagine Fotografica Libri]
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      Cooper Union School of Art and Architecture, NY 1969 - Limited to 500 copies. Shallow, white, styrene box measuring 18" square, top cover with black titles, housing five items: single title sheet, introductory text booklet, and three booklets for Projects A, B, and C (varying lengths), illustrated, presenting Hejduk's plans first presented in 1967 at an exhibition at The Architectural League. Styrene box moderately soiled, discolored, cracked or missing slivers at corners. Internal sheets fine. Scarce. [Attributes: First Edition; Hard Cover]

      [Bookseller: Johnnycake Books ABAA, ILAB]
 37.   Check availability:     AbeBooks     Link/Print  

        Terry Southern's Academy Award Nomination plaque for "Easy Rider"

      Los Angeles: AMPAS, 1969. Award plaque issued to Terry Southern, certifying Southern's nomination (along with Peter Fonda and Dennis Hopper) for Outstanding Achievement in Writing the story and screenplay for the 1969 film. Full provenance available on request. Paper laminated onto wood, with gilt outline, 14 x 12 inches. Mounting made by Perma Plaque in Santa Monica, California, with their label and separate gilt stamp on the verso. Small vertical piece of wood sheared from the edge of the verso, else Near Fine.

      [Bookseller: Royal Books, Inc.]
 38.   Check availability:     Biblio     Link/Print  

        Facsimile of Europe: A Prophecy.

      Clairvaux, Jura, France: The Trianon Press for The William Blake Trust, 1969 - Tall quarto. Original brown full morocco, top edge gilt. Housed in the publisher's marbled slipcase. Fine condition. Full page colour facsimile reproduction's of Blake's illuminated illustrations, achieved by collotype an hand-stencil. First edition thus, publisher Arnold Fawcus's copy, number 1 of 480, from a total limited edition of 526 copies on Arches rag paper to match that used by Blake. This copy derives from the archive of the Trianon Press, from the estate of publisher and founder Arnold Fawcus. [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
 39.   Check availability:     AbeBooks     Link/Print  


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