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Displayed below are some selected recent viaLibri matches for books published in 1968

        "Gorille et mannequin ".

      1968Encre de Chine signée en bas à gauche, 1968, 13.7 x 17.5 cm. Jean GOURMELIN (Paris 1920 - Meudon 2011) s'initie au dessin dés son plus jeune âge, puis travaille avec l'artiste Charles Portel qui lui enseigne la technique du papier-peint, de la gravure sur bois et du pochoir, avec Nobilis. Il complète sa formation à l'Ecole des Arts Décoratifs et a pour maître Othon Friesz. Avec Max Ingrand, maître verrier, il se passionne pour cet art des vitraux et réalise ceux des Châteaux d'Amboise, de Blois, de la Cathédrale de Saint-Malo ... Grâce à Maximilien Vox il revient à l'édition et l'illustation. Sa rencontre avec l'écrivain de science-fiction Jacques Sternberg détermine le début d'une amitié forte avec Louis Pauwels et sa collaboration à la Revue Planète. Ils lançent le mouvement du "Réalisme fantastique" et, selon l'expression de Sternberg, "Où les compositions de Jean Gourmelin brillaient comme des soleils noirs ... Son inspiration, il la puise dans ses terreurs, ses vertiges, ses gouffres métaphysiques, ses fantasmes, son théâtre d'épouvante et ses décors de rêve". Il anime les "Chroniques" de France-Soir. Des affiches pour le cinéma et le théâtre sortent de ses crayons. De nombreuses expositions saluent son talent dans des galeries et musées ( Centre Culturel de Meudon, Musée Georges Pompidou ...). Un gorille, fort et vigoureux, soulève d'une seule main un mannequin en tissu sur un support en bois avec pied tripode. Illustration pour les Chefs d'Oeuvre du dessin.

      [Bookseller: Librairie Chrétien]
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        "La Fête foraine".

      1968Encre de Chine signée en bas à droite, (1968), 20 x 14 cm. Jean GOURMELIN (Paris 1920 - Meudon 2011) s'initie au dessin dés son plus jeune âge, puis travaille avec l'artiste Charles Portel qui lui enseigne la technique du papier-peint, de la gravure sur bois et du pochoir, avec Nobilis. Il complète sa formation à l'Ecole des Arts Décoratifs et a pour maître Othon Friesz. Avec Max Ingrand, maître verrier, il se passionne pour cet art des vitraux et réalise ceux des Châteaux d'Amboise, de Blois, de la Cathédrale de Saint-Malo ... Grâce à Maximilien Vox il revient à l'édition et l'illustation. Sa rencontre avec l'écrivain de science-fiction Jacques Sternberg détermine le début d'une amitié forte avec Louis Pauwels et sa collaboration à la Revue Planète. Ils lançent le mouvement du "Réalisme fantastique" et, selon l'expression de Sternberg, "Où les compositions de Jean Gourmelin brillaient comme des soleils noirs ... Son inspiration, il la puise dans ses terreurs, ses vertiges, ses gouffres métaphysiques, ses fantasmes, son théâtre d'épouvante et ses décors de rêve". Il anime les "Chroniques" de France-Soir. Des affiches pour le cinéma et le théâtre sortent de ses crayons. De nombreuses expositions saluent son talent dans des galeries et musées ( Centre Culturel de Meudon, Musée Georges Pompidou ...). Une jeune-femme est devant un stand de tir et avec un fusil de plomb elle dégomme une tête. Rousseurs éparses n'atteignant pas le dessin.

      [Bookseller: Librairie Chrétien]
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        Soma, divine mushroom of immortality.

      - The Hague, Mouton, 1968. 4to. xiii., 381, [i] pp., two full colour plates (illustrations), 17 tipped in full colour photographic plates (I-XV, XXII; plate VIII with two photos tipped in, the second not counted), and six black and white photos (XVI-XX, and one not numbered), 10 numbered text figures, including one unnumbered text figure - possibly number 8 - tinted with red, three maps (labelled A, B, C), one folded chart. Original blue half calf with gilt border and gilt title on the spine. Fore-edge uncut.= True first, being number 32 of the limited edition, described in the book as follows: "Of this book 680 copies have been made, designed by Giovanni Mardersteig and set in Dante type, of which two are designed A & B and the others are numbered from 1 to 678. The text and the illustrations have been printed by the Stamperia Valdonegga in Verona, except for the two plates in pochoir, which were executed in Paris by Daniel Jacomet et Cie. The paper was made by hand by Fratelli Magnani, Pescia, and the printing was finished in October 1968". This edition was published in the Hague, and is not a New York, NY Harcourt Brace edition, which is the simpler trade edition published after 1969. Oddly, there are New York copies on the market that are supposed to belong to the same limited edition, but in those on the internet the number of illustrations (lower in the New York trade edition), is "wisely" not mentioned. This is Ethno-Mycological Studies I (sometimes, erroneously listed as "Ethno-Mythological Studies"). In this work the writer, ethnomycologist and banker Robert Gordon Wasson (1898-1986), provides ample evidence for the important role that hallucinogenic mushrooms, in particular the ubiquitous mushroom Amanita muscaria (fly agaric), play in various ancient and modern cultures. Slipcase wanting, otherwise a fine, unmarked, spotless copy. Volbracht, 2230. [Attributes: Hard Cover]

      [Bookseller: DIETER SCHIERENBERG BV]
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        Flowers of the Brazilian Forests

      Numbered limited edition, 363 of 500. Quarter bound morocco, hand marbled paper sides, by Zaensdorf. Glassine wrapper, tissue guards to plates, frontispiece guard almost detached. 32 plates

      [Bookseller: Hoeplants Garden Books]
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        Archives de l'Athos - Livraison 4 : ACTES DE DIONYSIOU ------- Volume de Texte + Album de planches

      Lethielleux - Paris 1968. 2 Volumes /2. Reliure éditeur cartonnée , Format in-4°( 28 x 22 cm )( 1470 gr ). ------ Volume de Texte ( XI-250 pages ) + Album de 45 planches. ----- ref 23 [Attributes: First Edition; Hard Cover]

      [Bookseller: Okmhistoire]
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        The Hunting of the Snark. An Agony in Eight Fits. - Die Jagd nach dem Schnark. Agonie in acht Krämpfen. (Deutsche Übersetzung durch Klaus Reichert).

      (Stuttgart), Manus-Presse, 1968. Gr.-4°. Mit 22 (11 farb.) Orig.-Lithographien von Max Ernst. 100 S., 2 Bll., Lose Doppelbogen in illustr. OLwd.-Decke u. OLwd.-Schuber. Erste Ausgabe dieser Edition mit deutsch-englischem Paralleltext. - Nr. 114 von 97 (ges. 130) vom Künstler im Druckvermerk signierten Exemplaren auf Papier Arches. „Die Lithographien wurden von Pierre Chave, Vence, vom Stein gedruckt“. - Enthält 11 farbige Lithographien im englischsprachigen Teil sowie 11 schwarzweiße Lithographien im deutschsprachigen Teil, die mit den Farblithographien korrespondieren. - Schuber u. Decke tlw. leicht berieben. Zu Beginn wenige Bll. mit leichter Knickspur in der rechten unteren Ecke. - Spies/Leppien 124c; Spindler 161, 9; Tiessen III, 122. Versand D: 12,00 EUR Ernst, Max, Carroll, The Hunting of the Snark. An Agony in Eight Fits. - Die Jagd nach dem Schnark. Agonie in acht Krämpfen. (Deutsche Übersetzung durch Klaus Reichert), Pressendruck, Pressendrucke, Künstlerbuch, Künstlerbücher

      [Bookseller: Antiquariat Wolfgang Friebes]
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        Self-service audio visivo. Triennale di Milano 1968. (Serie di 5 fotografie originali di opere di Ugo La Pietra)

      S. e., S. l. 1968 - Serie di 5 fotografie originali vintage in b/n, silver print, cm 30 x 24. Al verso varie annotazioni a matita e timbro del fotografo 'Colore industriale di Alberto Fioravanti, Milano'. Immagini di questa importante installazione (Ambiente audiovisivo) realizzata da La Pietra nell'ambito della Triennale 1968. Proprio in questo anno La Pietra inizia la sua ricerca sulle periferie urbane con espliciti riferimenti Âall'uso di strumenti per la riappropriazione dell'ambiente. Parlando di questi lavori l'artista cosi' racconta: '.IlÂrapporto dell'individuo con nuove tecnologie e con nuove informazioni spettacolari erano le basi su cui facevo nascere le immersioni. Microambienti come quello esposto alla Triennale di Milano: caschi sonori con percezione personale dei suoni, musiche, storie.'. Â(Ugo La Pietra in AA.VV., Ugo La Pietra. La sinestesia delle arti 1960-2000, Milano, Gabriele Mazzotta, 2001; pag. 52). ITA

      [Bookseller: coenobium libreria antiquaria]
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        Fadensonnen

      Frankfurt am Main, Suhrkamp Verlag, 1968 20,8 x 13,3 cm, reliure pleine toile grise d'éditeur, jaquette imprimée, 121 pp., 3 ff. n. ch. Edition originale. Ces poésies seront traduites en français sous le titre de Soleils de filaments. Envoi autographe signé de Paul Celan à Pierre Souvtchinsky : "A Pierre Souvtchinsky, / sincère hommage de / Paul Celan". Parfait état. Musicologue d'origine russe, grand ami de Stravinsky, Pierre Souvtchinsky émigra en France suite à la révolution au début des années 20. Il fréquenta de nombreux artistes et écrivains et devint après-guerre un ami proche de René Char par l'intermédiaire de qui il fit probablement la connaissance de Paul Celan. Extrêmement érudit et cultivé, il parlait parfaitement le français et l'allemand. René Char semble d'ailleurs avoir soumis à Pierre Souvtchinsky la traduction d'"A une sérénité crispée" faite par Celan pour avoir son opinion : "Merci davoir pensé à menvoyer la traduction de À une sérénité crispée. Je la montrerai à Pierre Souvtchinsky et peut-être à Beaufret." (Extrait de la lettre de Char à Paul Celan du [18. 4. 1958]).

      [Bookseller: Librairie Faustroll]
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        Art Tiempo: Revista Mensual de Arte y Espectaculos, Issues 1-6

      Buenos Aires: Horacio Lombardero, 1968-1969. Slightly musty, else near fine in photo-illustrated wrappers. Only one citation in OCLC, in Spain, and seemingly only the first issue.. First Editions. Large quartos. Issues 1-6, presumably all published, of an arts and culture magazine chronicling local and international arts news, edited by Osiris Chierico. The development of the hippie, protest, and sexual revolution movements in the United States and Europe appear to special topics of interest in Argentina, by then itself entering a period of political instability. Each issue contains at least one drawing by the Ralph Steadman-esque cartoonist "Amengual Dixit." With numerous illustrations of exhibitions in Buenos Aires, and interesting classified ads of the period. Glossy color wrappers, black and white with some color within. Spanish text.

      [Bookseller: Harper's Books, Inc.]
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        OUTER DARK

      Random House, New York 1968 - First Printing. Octavo (21cm); gray paper and teal cloth-covered boards, titled and blocked in silver, metallic blue, and black on spine and front cover; gray topstain; dustjacket; 242, [6]pp. Original owners name neatly rubber-stamped to front and rear endpapers, tiny stain at crown, else very Near Fine. Dustjacket is unclipped (priced $4.95), with pinpoint wear to extremities, hint of sunning to spine lettering, with a tiny bump at mid-spine and a single tear to lower edge of rear panel; Near Fine. McCarthy's second novel set in Appalachia - dark, brooding, incestuous, and violent. Though published to great critical reviews both prior to and following publication, the novel sold poorly - a modest 2,705 copies. [Attributes: First Edition]

      [Bookseller: Captain Ahab's Rare Books]
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        The Interpreter's Bible, Deluxe Leather Edition, 12 Volumes

      Nashville, Tennessee: Abingdon Press. Fine. 1968. Full-Leather. Fine set of 12 volumes in a full leather deluxe binding. There is a page with the previous owner's name printed on the page. Very pretty silk endpapers. The set is heavy and will require extra postage. There is no current publication date given, but circa 1968.; 8vo 8" - 9" tall .

      [Bookseller: Elders Bookstore]
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        «Stèles»

      Aquatintes originales en couleurs de Johnny FRIEDLAENDER. Éditions Les Bibliophiles de Provence, 1968. In-4 (16,5x32,5cm), plié à la chinoise, sous couverture estampée de fibres végétales avec dos de parchemin, étui. Édition mise en

      [Bookseller: Librairie Ancienne Quadr'arts]
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        Collection des Chefs-Oeuvre de Dostoïevski: Le joueur - L'idiot - Crime et Châtiment - Les frères Karamazov - L'éternel mari - Les possédés.

      1968Paris, Éditions de L'Odeon & Éditions Andre Vial, 1965-1968. Complet en 11 volumes in-4° de 241 + 345 + 354 + 283 + 276 + 336 + 274 + 313 + 243 +343 + 337 pages, richement illustrés par Cardin-Bogratchew, Grau-Sala, Fontanarosa, Gaston Barret, Edy-Legrand et Michel Ciry (159 illustrations hors-texte + suite en noir). Somptueuse reliure de l'éditeur en plein maroquin à grain Cap, dos à 5 nerfs, titre, auteur et tomaison en lettres dorées, têtes dorées. Plats ornés, premier plat avec le monogramme de Dostoïevski. Ouvrage tiré à 1500 exemplaires, celui-ci l'un des 150 ex. sur vélin Lana avec une suite en noir des illustrations. Les oeuvres présentées dans les deux séries sont les suivantes: Première série: Tome 1 - Le joueur traduction de Sylvie Luneau, Tomes 2 et 3 - L'idiot traduction de G. et G. Arut, Tomes 4 et 5 - Crime et Châtiment traduction d'Elisabeth Guertiuk. Seconde série: Tomes 1, 2 et 3 - Les frères Karamazov traduction d'Elisabeth Guertiuk , Tome 4 : L'éternel mari traduction de Yacha Zwizagora, Tome 5 et 6 : Les possédés, traduction d'Elisabeth Guertiuk. En parfait état sauf dos insolé du tome 4 de la deuxième série.

      [Bookseller: Boutique du Livre]
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        7 Schöpfungstage - Radierungen von Horst Egon Kalinowski - Genesis 1,1-2,4 - Verdeutscht von Martin Buber

      Edition Rothe Heidelberg 1968. 11 Blätter mit 9 Radierungen auf Büttenpapier; im gelben Schuber; limitierte Auflage 9 der insgesamt 11 Blätter sind mit schönen Farbaquatintaradierungen ausgestattet, die vom deutschen Künstler Horst Egon Kalinowski 1967 geschaffen wurden. Auf den gefalteten Rückseiten sind die biblischen Texte der Genesis zu lesen, die auf den Vorderseite entsprechend illustriert werden. Die neun Radierungen legen die unterschiedlichen Phasen der Schöpfungsgeschichte dar – von der Finsternis des Anfangs, über die Trennung von Licht und Dunkelheit, die Schaffung des Himmel, der Pflanzen, der Sterne, der Tieren und der Menschen bis zum Sabbat ist die gesamte Schöpfung dargelegt. Die 11 Blätter mit insgesamt 9 Graphiken sind in einem sehr guten Zustand. Sie werden in einer Leinenmappe im originalen Schuber aus gelbem Leinen geliefert. Dieser ist leicht staubfleckig. Das letzte Blatt ist vom Künstler mit Bleistift nummeriert, signiert und datiert \"46/75, Kalinowski, 67\". Auf der Außenseite dieses Blattes befindet sich ein dezenter Stempel einer Klosterbibliothek, die aufgelöst wurde. Die originale LP \"H. E. Kalinowski spricht zu Illustrationen der 7 Schöpfungstage\" ist unbespielt. Das Gesamtmaß des Schubers beträgt 52 x 39 cm, die einzelnen Blätter messen je 50 x 37,5 cm, das Plattenmaß ist 42,3 x 31,6 cm, auf dem Frontispiz 9 x 10 cm. Versandkostenfreie Lieferung

      [Bookseller: Petra Gros]
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        LESSICO UNIVERSALE ITALIANO

      IST. DELLA ENCICLOPEDIA ITALIANA, 1968. OPERA IN 24 VOLUMI + 2 ATLANTI GEOGRAFICI + 2 AGGIORNAMENTI. Voll. in 4°, legatura editoriale mezza pelle telata verde, con titoli e fregi al piatto e al dorso, buona copia.

      [Bookseller: Hobbylibri]
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        The Double Helix ( Signed By James Watson )

      A First Printing of the First UK edition published by Weidenfeld and Nicholson in 1968.The BOOK is in near FINE condition with no erasures,markings.The purple top-stain has faded to a salmon pink colour but still looks striking The purple boards are very clean.The gilt titling to the spine and the gilt double helix design on the spine are very bright.There is a minimal crease to the spine and very mild browning to the text block.The pages are clean.One small previous penned owner's name to the upper front end paper.The WRAPPER is in near FINE condition with minor rubbing and edge-wear (see photos) .The laminate has gently lifted in places.The wrapper is complete with the correct price of 35s.There is a small closed tear to the lower front panel.The Dorothy Judd designed wrapper looks striking and is protected in a removable Brodart archival cover.Both the book and wrapper together makes this title very attractive in appearance.The wrapper is notoriously fragile for become chipped and marked.This copy has been SIGNED by the Nobel Laureate JAMES D.WATSON to the title page..A ticket for the signing event accompanies this title for provenance.A landmark title and as such extremely scarce with such attributes.

      [Bookseller: Ashtonrarebooks]
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        7 Schöpfungstage - Radierungen von Horst Egon Kalinowski - Genesis 1,1-2,4 - Verdeutscht von Martin Buber

      Edition Rothe Heidelberg 1968 - 11 Blätter mit 9 Radierungen auf Büttenpapier; 9 der insgesamt 11 Blätter sind mit schönen Farbaquatintaradierungen ausgestattet, die vom deutschen Künstler Horst Egon Kalinowski 1967 geschaffen wurden. Auf den gefalteten Rückseiten sind die biblischen Texte der Genesis zu lesen, die auf den Vorderseite entsprechend illustriert werden. Die neun Radierungen legen die unterschiedlichen Phasen der Schöpfungsgeschichte dar – von der Finsternis des Anfangs, über die Trennung von Licht und Dunkelheit, die Schaffung des Himmel, der Pflanzen, der Sterne, der Tieren und der Menschen bis zum Sabbat ist die gesamte Schöpfung dargelegt. Die 11 Blätter mit insgesamt 9 Graphiken sind in einem sehr guten Zustand. Sie werden in einer Leinenmappe im originalen Schuber aus gelbem Leinen geliefert. Dieser ist leicht staubfleckig. Das letzte Blatt ist vom Künstler mit Bleistift nummeriert, signiert und datiert "46/75, Kalinowski, 67". Auf der Außenseite dieses Blattes befindet sich ein dezenter Stempel einer Klosterbibliothek, die aufgelöst wurde. Die originale LP "H. E. Kalinowski spricht zu Illustrationen der 7 Schöpfungstage" ist unbespielt. Das Gesamtmaß des Schubers beträgt 52 x 39 cm, die einzelnen Blätter messen je 50 x 37,5 cm, das Plattenmaß ist 42,3 x 31,6 cm, auf dem Frontispiz 9 x 10 cm. Sprache: Deutsch Gewicht in Gramm: 2900 im gelben Schuber; limitierte Auflage [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Petra Gros]
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        GENIO DEI MACCHIAIOLI.

      Milano 1968. 2 voll ril. in tela, cm 38x30, pp 712, 340 tavv a colori appl., 22 ill. a colori nel t.

      [Bookseller: Editoriale Umbra]
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        MY PEOPLE: THE STORY OF THE JEWS

      Behrman House; Random House, (New York, NY) 1968 - small 4to. half leather, cloth, spine and front cover gilt-stamped, acetate dust jacket, cloth slipcase with paper front cover label. xii, 534 pages. First edition. Limited to 250 copies, signed by the author on colophon. This copy "out of sequence." Foreword by Eban, table of contents, photographic credits, indices of names and subjects. A history of the Jewish people, from the age of the patriarchs to the mid-20th century, by the noted Israeli diplomat, politician, and scholar. Black and white illustrations throughout. half leather, cloth, spine and front cover gilt-stamped, acetate dust jacket, cloth slipcase with paper front cover label [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Oak Knoll Books, ABAA, ILAB]
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        CORPUS DER ITALIENISCHEN ZEICHNUNGEN 1300-1450.

      Berlin 1968. 14 voll ril. in tela, titolo in oro, cm 36x27. Vol. 1-1, Katalog 1-167; Vol. 1-2, Katalog 168-635; Vol. 1-3, Tafelin 1-195; Vol. 1-4, Tafelin 196-443; Vol. II-1, Katalog 636-664; Vol. II-2, Katalog 665-716; Vol. II-3, Tafelin 1-201; Vol. II-4, Taccola 717-719; Vol. II-5, Jacopo Bellini Text; Vol. II-6, Jacopo Bellini Katalog; Vol. II-7, Jacopo Bellini Paris Tafel 1-119; Vol. II-8, Jacopo Bellini London Tafel 120-319. Teil III - Verona Pisanello und seine werkstatt: 1 band: Text. 2. band: Katalog. Ottimo esemplare.

      [Bookseller: Editoriale Umbra]
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        La pêche et les poissons ( lot de 25 années de cette revue, sous classeurs annuels éditeur, du n° 273 de janvier 1968, au n° 571 de décembre 1992 ) : 1968 ; 1969 ; 1970 ; 1971 ; 1972 ; 1973 ; 1974 ; 1975 ; 1976 ; 1977 ; 1978 ; 1979 ; 1980 ; 1981 ; 1982 ; 1983 ; 1984 ; 1985 ; 1986 ; 1987 ; 1988 ; 1989 ; 1990 ; 1991 ; 1992.

      299 numéros in-4 br. couv. ill. couleurs, sous classeurs éditeur verts, photos couleurs ou noir et blanc, La Pêche et les poissons, éditions Presse Professionnelle - Groupe Robert Hersant, 1968 à 1992, env. pp. au total. 25 années quasi complètes (ne manque que le n° 275 de mars 1968). Tous les numéros sont fixés dans les classeurs de leurs années respectives, sauf les premiers numéros de 1968 (la taille de la totalité des classeurs est en effet conçue pour le format plus réduit, en vigueur depuis juin 1968). Liste des années et des plages de numéros correspondantes : 1968 (n° 273 à 283 sauf 275); 1969 (n° 284 à 295); 1970 (n° 296 à 307); 1971 (n° 308 à 319); 1972 (n° 320 à 331); 1973 (n° 332 à 343); 1974 (n° 344 à 355); 1975 (n° 356 à 367); 1976 (n° 368 à 379); 1977 (n° 380 à 391); 1978 (n° 392 à 403); 1979 (n° 404 à 415); 1980 (n° 416 à 427); 1981 (n° 428 à 439); 1982 (n° 440 à 451); 1983 (n° 452 à 463); 1984 (n° 464 à 475); 1985 (n° 476 à 487); 1986 (n° 488 à 499); 1987 (n° 500 à 511); 1988 (n° 512 à 523); 1989 (n° 524 à 535); 1990 (n° 536 à 547); 1991 (n° 548 à 559); 1992 (n° 560 à 572). Etat très satisfaisant (rouss. en int. de couv. de classeurs, qques accrocs en couv. pour 1986 et 1987, bon état par ailleurs) pour ces 25 années d'un magazine de pêche, qui absorba successivement plusieurs de ses concurrents. Ces absorptions expliquent les modifications successives du titre, autour du nom générique de " la pêche et les poissons", qui a perduré. Cet ensemble considérable, qui couvre un quart de siècle, est peu fréquent, surtout avec aussi peu de numéros manquants. Longueur de linéaire : 232 cm ! Poids total de 81 Kg. Prix pour l'ensemble.

      [Bookseller: SARL Librairie du Cardinal]
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        The Pill versus the Springhill Mine Disaster

      Four Seasons Foundation, San Francisco 1968 - First printing. Number 35 of 50 signed copies. Signed by Brautigan on the limitation page. Spine lettered in gilt. Cloth backed brown paper boards. Rare. A beautiful copy. Book is protected in a custom cut clear mylar cover. [Attributes: First Edition; Signed Copy]

      [Bookseller: Cahill Rare Books]
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        The Gospel Singer

      William Morrow January 1968 - Author's first book. Dated (3/14/68) inscription to his dear friends. Covers a tad worn; endpapers somewhat discolored; minor chipping and closed tears to jacket. Overall, a good, solid copy of a very important literary debut. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: A Cappella Books, Inc.]
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        Gegenverkehr e. V., Zentrum für aktuelle Kunst. Katalog 1 / 1968 - Katalog 28 / 1972.

      Aachen. Gegenverkehr e. V. 1968 - 1972. Erste Auflage. 28 Bände. 20 x 21 cm. Jeweils meist 28 unpaginierte S. OKarton. Umschläge teils marginal angestaubt, mit geringen Gebrauchspuren, sonst sehr gutes, frisches Exemplar. Vollständige Folge aller 28 von 1968 bis 1972 im Gegenverkehr e. V., Zentrum für aktuelle Kunst, Aachen in gleichem Format und gleicher Ausstattung erschienenen Kataloge. Die vertretenen Künstler sind in der Reihenfolge des Erscheinens: Peter Brüning, Rupprecht Geiger, Winfred Gaul (signiert), Allan D´Arcangelo (mit beiliegender Einladungskarte), Robert Stanley, Gerhard Richter, Günther Uecker (signiert, datiert und mit beiliegender Einladungskarte), Daniel Spoerri (mit handschriftlicher Widmung, signiert und datiert, mit Einladungskarte), Dieter Krieg (signiert und datiert, mit Einladunsgkarte), Mel Ramos (signiert und datiert, mit Einladungskarte. Ebenfalls von Allen Jones signiert und Mel Ramos gewidmet), Lambert Maria Wintersberger (signiert, mit Einladungskarte), Jos Manders (signiert und datiert), Buthe / Lüpertz / Mields / Päsler / Ullrich, Jan Dibbets (mit Einladungskarte), Gruppe SYN (mit Einladungskarte), Lawrence Weiner, Erich Reusch (mit Einladungskarte), Reiner Ruthenbeck (mit Einladungskarte), Gilbert & George (mit Einladungskarte), Adolf Luther (mit Einladungskarte), Breuste (mit Einladungskarte), Bernd & Hilla Becher, Ferdinand Spindel (mit Einladungskarte), Stanley Brouwn (mit Einladungskarte), Mario Nigro, Hansjoachim Dietrich, Georg Karl Pfahler, Klaus Rinke. 7 Kataloge sind signiert oder mit einer handschriftlichen Widmung versehen. Vielen Katalogen liegen Zettel mit handschriftlichen Notizen von Preisen aller darin gezeigten Kunstwerke bei. In dieser Form als Ensemble selten. Versand D: 2,00 EUR 20. Jahrhundert / 20th Century, Deutschland / Germany, Kunst

      [Bookseller: Antiquariat Querido - Kunst und Fotograf]
 24.   Check availability:     buchfreund.de     Link/Print  


        Souper Dress

      Campbell's Soup Co, 1968. Used; Like New/Used; Like New. "Campbell's Souper Dress, on you, it'll lookâ?¦ M'm ! M'm ! Good !" - CAMPBELL SOUP ADVERTISEMENTScreenprint in colors on a disposable A-line dress made of screen-printed tissue, wood pulp and rayon mesh with binding tape, circa 1965, labeled 'The Souper Dress' at the neck, from the edition of unknown size, vertical and horizontal folds (as issued), wear/losses along parts of several of the folds, but this example, unlike most, does not have the bottom 3-inch hem cut off, and is thus complete. 36½ x 21½ in. (927 x 546 mm.). Beautifully framed in conservation-grade materials under UV-plexi. <br>The  Souper Dress  is a classic example where fashion, art and industry intersect into one image, capturing the vibrant, youthful, optimistic and consumerist zeitgeist of the 1960s in America to perfection.  As art historian Marco Livingstone has stressed, Pop Art was never a circumscribed movement with membership and manifestos. Rather, it was a sensibility emergent in the 1950s and rampant in the 1960s. Andy Warhol (who began his career as a fashion illustrator) had been painting Campbell's soup cans since 1962. Such advertising icons, along with cartoons and billboards, yielded a synthesis of word and image, of art and the everyday and fashion quickly embraced the spirit of Pop, playing an important role in its dissemination. The Souper Dress inspired by the iconic Campbell Soup Cans series,  flame-resistant unless previously washed or cleaned, was imagined and produced by the Campbell Soup Company as a mail order offer and as an effective advertising campaign when paper dresses were all the rage in the 60s. Two labels from any different kinds of Campbell's Vegetable Soups and $1.00 got you the dress.

      [Bookseller: Schubertiade Music & Arts]
 25.   Check availability:     Biblio     Link/Print  


        Litoral. Revista de la Poesía y el Pensamiento. Director: Manuel Gallego Morell. [Números 1 a 36, ambos inclusive: Mayo de 1968 a Enero-Febrero de 1973].

      1968. Málaga, Imprenta Dardo, 1968-1973. Veintitrés volúmenes en 4to. Paginación variable. Cubiertas originales.

      [Bookseller: Hesperia Libros]
 26.   Check availability:     maremagnum.com     Link/Print  


        Dante's Lyric Poetry

      Clarendon Press 1968. 2 volls.. LVI-220 + 392 pages. Hardback. Esemplari in ottimo stato, alcune sottolineature e appunti a matita. Contents: v. 1: The poems: text and translation. v. 2: Commentary.

      [Bookseller: Libreria Medievale]
 27.   Check availability:     maremagnum.com     Link/Print  


        Insolations. No. 1 (June 1968) through no. 3 (December 1968) (all published): I. Tourmente. II. Sorbonne. III. Le Seul Mot de Liberté est Tout ce qui m'Exalte Encore

      A complete run of the three issues of the radical anarchist, situationist, and artistic periodical published at the time of and following the student-led unrest in Paris 1968, each issue presenting collaboratively edited writings and visual art by noted cultural figures, profusely illustrated throughout. Original boards portfolios with original labels, contents loose as issued. Montpellier (Editions Fata Morgana) 1968. Issue #1, 1 of 130 copies; Issue #2 H.C. (200 numbered copies), Issue #3, 1 of 200 copies. An extremely rare cultural document reflecting the free-wheeling spirit of the moment in both content and presentation. The first issue presents 11 poems by Michel Butor, with calligraphy, drawings and prints by Pierre Alechinsky, Jacques Herold, and Bernard Dufour; the second includes contributions by Jean Pierre Faye, Claude Ollier, Maurice Roche, Roberto Matta, and Dufour; the final issue includes texts by Pierre Guyotat, Denis Roche, Romain Weingarten, and Kateb Yacine, with illustrations by Dufour, Wifredo Lam, Francois Lunven, and Ipousteguy. A fine set of a document emblematic of the turmoil of 1968. Very scarce; although scattered single issues and later reprints exist, as of February 2016 WorldCat locates only a single complete and original run in North America.

      [Bookseller: F.A. Bernett Books]
 28.   Check availability:     Biblio     Link/Print  


        Douze meilleurs romans policiers

      Sauret André des douze meilleurs romans policiers Relié 1968 12 volumes in-8 carré, plein cuir moderne noir, sous boites, filet doré, tête dorée, comprenant, Allain, Souvestre : Fantomas ; Conan Doyle : Le chien des Baskerville ; Agatha Christie : le meutre de Roger Ackroyd ; Boileau Narcejac : sueurs froides ; J.H. Chase : Pas d'orchidées pour Miss Blandish ; E. Gaboriau : L'affaire Lerouge ; E. A. Poe : Double assassinat dans la rue Morgue ; P. Cheyney : La môme vert-de-gris, E. Wallace : L'affaire Walton ; G. Leroux : Le mystère de la chambre jaune; D. Hammett : le faucon de Malte ; M. Leblanc : L'aiguille creuse ; tous illustrés de lithographies originales de Buffet, Letellier, Minaux, Guiramand, Cottavoz, Bardone, Carzou, Cueco, Mentor, Brasilier, Garcia-Fons, Genis, un des 3000 exemplaires numérotés sur vélin d'arches, en très bel état. Nos envois des ouvrages de moins de 60 Euros se font par colissimo (tarif de La Poste), et en colissimo Recommandes au-dela sauf avis contraire de votre part.

      [Bookseller: Abraxas-Libris]
 29.   Check availability:     Livre-rare-book     Link/Print  


        «Les amours de Cassandre»

      Illustration de Salvador DALI. Édition ARGILLET 1968. Grand in-4 (30xq40cm) en feuilles, couverture décorée, sous chemise et étui toile vert bronze, orné de fers spéciaux.Édition illustrée de 18 cuivres originaux gravés par DALI «à la pointe-sèche et au rubis». Tirage 229 exemplaires. Toutes les planches de ce très bel ouvrage, aujourd'hui rare et recherché, sont revêtues du cachet de l'éditeur à l'empreinte de DALI.

      [Bookseller: Librairie Ancienne Quadr'arts]
 30.   Check availability:     Livre-rare-book     Link/Print  


        The Year's Work in Modern Language Studies (CONVOLUTE of 30 vols./ KONVOLUT aus 30 Bänden) - Vol. 30 (1968) - Vol. 59 (1997).

      Modern Humanities Research Association; 1968 - 1997. - Die hier angebotenen Bände stammen aus einer teilaufgelösten wissenschaftlichen Bibliothek und tragen die entsprechenden Kennzeichnungen (Rückenschild, Instituts-Stempel.). Schnitt und Einband sind etwas staubschmutzig; Einbandkanten sind leicht bestossen; der Buchzustand ist ansonsten ordentlich und dem Alter entsprechend gut; KOMPLETTPREIS für 30 Bände; bei Versand ins Ausland erfragen Sie bitte zuerst die Versandkosten; ENGLISCH! Sprache: Englisch Gewicht in Gramm: 35000

      [Bookseller: Petra Gros]
 31.   Check availability:     ZVAB     Link/Print  


        Andy Warhol. Moderna Museet, Stockholm, February-March 1968 (The Stockholm Catalogue, First Edition, 1st Printing).

      Stockholm: Moderna Museet, 1968. 4to. Original pictorial wrappers - which a previous owner had protected in seethrough plastic and therefore extremely well preserved. The cover is printed in pink, yellow, orange, and green, lettered in black on spine. (638 pp.). Profusely illustrated with full-page black and white photographs by Billy Name and Stephen Eric Shore among others. Minor creases to cover front and back and first two pages with small tears to edges, nothing missing though. Overall a very well preserved copy, clean and sound. More pictures available upon request. First edition, first printing, of the famous Warhol Stockholm-catalogue. The catalogue for Warhol's first major European retrospective. Illustrated card covers, with a design after Warhol's 'Flowers' silk-screen. 614 black-and-white reproductions, divided into three sections: black-and-white reproductions of Warhol's work, followed by two sections of photographs of Warhol and his associates by Billy Name and Stephen Shore. ""As soon as the Factory opened, it became a hyperactive place. People began flocking there in droves for parties, to interview Andy, to take pictures, to make films, to become a part of it... Billy [Name] ran it like a theatre, vacuuming up after each performance and continually repainting the tinfoiling. He also became the Factory's official recorder when Andy gave him his 35-mm camera and Billy began taking great photographs of the action, which he developed in an impromptu darkroom converted from one of the toilets. These photographs, as collected in the 1968 Moderna Muséet catalogue of Warhol's first European retrospective in Stockholm, constitute the best visual documentary of the Silver Factory." -Voctor Bockris, Warhol: The Biography. Warhol's Moderna Muséet catalog "is a fine example of the catalogue-as-artist's-book, a form that ostensibly began with the Dadaists and Surrealists, and is produced with some of the roughest reproductions ever seen, which are entirely appropriate, and supplemented by a long section of Factory snapshots by Billy Name. The genre was revitalized by the Pop movement, and Warhol in particular, which demonstrates his position as a latter-day Dadaist. The Moderna Museet publication especially had a great influence upon Japanese photography in the late 1960s and 1970s, particularly the photobooks of the Provoke era" (Parr and Badger, Vol II). Published by Moderna Muséet, Sweden, in 1968 as an exhibition catalogue for the show "Andy Warhol" at the Moderna Muséet in Stockholm, February - March, 1968.

      [Bookseller: Kirkegaards Antikvariat]
 32.   Check availability:     Antikvariat     Link/Print  


        BEGINNING OF THE OFFICE OF THE DEAD

      Paris, early 15th century. n. Apart from those relatively few copies with illustrated calendars, the miniatures found in Books of Hours are almost entirely devoted to retrospective Bible scenes that are obviously outside the experience of the illuminator; it is only in the present kind of funeral scene at the beginning of the Office of the Dead that we can see a contemporaneous rendering of a scene from the daily life of the Middle Ages. Miniatures that begin the Office of the Dead vary more in iconographic terms than any of the others that recur in the Book of Hours, and while our painting is typical in subject matter and design, it is noteworthy in at least a couple of ways. The frame and border here are beautifully executed in the style of the Boucicaut Master, with much delicate and very elaborate painting, all of which is shown to good advantage inside unusually comfortable margins. And although the miniature itself shows in general a relatively primitive attempt at perspective (for example, the pews and the altar are steeply raked), the presence of the lovely slender column in the foreground, in concert with the darkened vaulting behind the altar, gives the painting a convincing sense of depth.The work here was done by an artist under Parisian influence, and the developed architecture suggests that the painter was familiar with the Burial Services compositions created by Parisian illuminators in the 1410s. (see Millard Meiss, "French Painting in the Time of Jean de Berry: Boucicaut Master," London, 1968, figs. 135-50 and 172-74). 178 x 125 mm. (7 x 5"). Text in single column (four lines on recto, 15 lines on verso) in an excellent gothic book hand. A FINE SQUARE MINIATURE SHOWING A FUNERAL SERVICE, two priests reciting from an elevated lectern and next to a large draped coffin, mourners in black seated to the left, the activity taking place inside a space enclosed by elegant columns and under a vaulted ceiling, a lovely four-line initial beneath it in burnished gold and several colors, infilled with ivy leaves in white and orange, other one- or two-line initials in blue with red penwork or (on the verso) in burnished gold and colors, THE MINIATURE SURROUNDED BY AN EXQUISITE FULL BORDER OF IVY LEAVES in colors or gold on painted and hairline stems. Remains of mounting hinge at top, a few speckles, a bit of yellowing, and slight wrinkling in margins, but the leaf very well preserved in general, with no significant flaking of paint and with the gold still bright. Apart from those relatively few copies with illustrated calendars, the miniatures found in Books of Hours are almost entirely devoted to retrospective Bible scenes that are obviously outside the experience of the illuminator; it is only in the present kind of funeral scene at the beginning of the Office of the Dead that we can see a contemporaneous rendering of a scene from the daily life of the Middle Ages. Miniatures that begin the Office of the Dead vary more in iconographic terms than any of the others that recur in the Book of Hours, and while our painting is typical in subject matter and design, it is noteworthy in at least a couple of ways. The frame and border here are beautifully executed in the style of the Boucicaut Master, with much delicate and very elaborate painting, all of which is shown to good advantage inside unusually comfortable margins. And although the miniature itself shows in general a relatively primitive attempt at perspective (for example, the pews and the altar are steeply raked), the presence of the lovely slender column in the foreground, in concert with the darkened vaulting behind the altar, gives the painting a convincing sense of depth.The work here was done by an artist under Parisian influence, and the developed architecture suggests that the painter was familiar with the Burial Services compositions created by Parisian illuminators in the 1410s. (see Millard Meiss, "French Painting in the Time of Jean de Berry: Boucicaut Master," London, 1968, figs. 135-50 and 172-74).

      [Bookseller: Phillip J. Pirages Fine Books and Mediev]
 33.   Check availability:     Biblio     Link/Print  


        The Lord of the Rings.

      London: George Allen and Unwin Ltd,, 1968. Finely bound by the Chelsea Bindery in red morocco, titles to spine gilt, raised bands, single rule to front boards gilt with large eye of Sauron motif in gilt, green endpapers, twin rule to turn ins, gilt edges. A fine copy. First one-volume edition. The Lord of the Rings was always intended as a single-volume work, though it was originally published in three volumes in 1954 and 1955, in part due to post-war paper shortages. This edition, originally issued as a paperback, has Tolkien's definitive text, from the second edition of 1966, published in one volume for the first time.

      [Bookseller: Peter Harrington]
 34.   Check availability:     Biblio     Link/Print  


        Three Sketchbooks of Original Art Documenting Construction Projects in Pennsylvania and Maryland

      Maryland and Pennsylvania 1968 - Three 8" x 11" standard-size spiral notebooks containing approximately 425 pages, almost all filled with detailed pencil sketches of construction sites. Photographs and clippings from magazines and newspapers are both laid in and attached to about ten pages. Among the many projects documented in the sketchbooks are work at Gifforf Pinchot State Park, the expressway that would become Interstate 83, the filtering basins for the P. H. Gatfelter Co., the Quarryville Sr. High School, U.S. 30 and 230, Borg-Warner Corporation headquarters, etc. The vehicles and equipment in Karsten's drawings are usually annotated with company, manufacturer, numbering, and/or license information. The sketches and photographs are all in nice shape. The clippings have tape stains. Karsten was a talented artist from York, Pennsylvania whose works have appeared on national magazine covers, juried shows, and in public and private collections. At 22, he earned a Bachelor of Fine Arts degree from the Maryland Institute College of Art in Baltimore with a major in painting with a minor in sculpture and intaglio printmaking. He graduated cum laude, then then earned a master's degree at the Huffberger School of Painting, again majoring in painting and minoring in printmaking. He became an Associate Professor of Art at Louisiana Tech University and taught there from 1968 to 1984 when he relocated to Red Lion, Pennsylvania where he worked as a fine artist and illustrator. His life-long fascination with trucks, trains, and horse racing is evident in much of his work. Karsten released a popular series of truck lithographs based upon his original oil paintings, and he was even more successful with his studies of railroad trains. His works were used as the cover illustrations for two books about the Norfolk & Western Railway and one about the Seaboard Air Line Railroad. Additionally, Karsten was commissioned by a Montgomery, Alabama hobby shop to paint a number famous trains that were turned into an even more successful lithograph series which are now highly sought after by model railroads, "rail fans," and other train aficionados. Karsten never married, and in later years, he was devoted to caring for his elderly mother. Karsten became despondent when his mother died in 1996 and shortly thereafter committed suicide upon being diagnosed with macular degeneration. [Attributes: Soft Cover]

      [Bookseller: Read'Em Again Books, ABAA]
 35.   Check availability:     AbeBooks     Link/Print  


        Corrida

      Electa editrice, 1968. Testo di Luis Miguel Dominguin. Disegni di Pablo Picasso

      [Bookseller: Di Mano in Mano]
 36.   Check availability:     maremagnum.com     Link/Print  


        Georgia O'Keeffe Drawings

      New York: Atlantis Editions. First edition. Original portfolio. Fine. SIGNED LIMITED FIRST EDITION, one of only 230 copies (out of a total edition of 250 copies), complete with 10 very large (approx. 20x26 inches) O'Keeffe lithographs. A fine copy. "In 1968 under Doris Bry's imprint of Atlantis Editions, Georgia O'Keeffe selected ten of her drawings to represent the range and variety of her work in this medium. The portfolio was titled 'Georgia O'Keeffe Drawings' and two hundred and thirty editions were numbered and signed by O'Keeffe. The ten drawings were printed in 300-line screen offset lithography at The Meriden Gravure Co. in Connecticut" (O'Keeffe Museum). With Introduction by Lloyd Goodrich. New York: Atlantis Editions, 1968. Large folio (approximately 20 x 26 inches), plates loose in lettered folders and laid into a folding box (as issued). Nine plates in black-and-white, and the magnificent "Blue Lines" printed in blue. Complete with all drawings and text booklet. A fine copy of a stunning collection. RARE.

      [Bookseller: The Manhattan Rare Book Company]
 37.   Check availability:     Biblio     Link/Print  


        I NEVER SANG FOR MY FATHER

      1968 - ANDERSON, Robert. I NEVER SANG FOR MY FATHER. NY: Random House, [1968]. 8vo., cloth and boards in dust jacket. First Edition. Signed presentation from Anderson on the front endpaper: "Dear Mort- Thank you for investing in `Father' Best, Gil. -And thank you too- Robert Anderson." Near fine; minor wear & soil (few small tears) d/j. $650.00. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Antic Hay Books]
 38.   Check availability:     AbeBooks     Link/Print  


        2001: A Space Odyssey

      New York: New American Library, 1968. First Edition. Hardcover. Very Good. Signed. Signed and from the author's library. First edition, stated first printing. Signed by Arthur C. Clarke on the title page, along with his ownership blindstamp ("From the library of Sir Arthur C. Clarke") to title page, his ownership ink stamp with his Sri Lanka address to dedication page, and trimmed ex-libris label ("Ex-libris Arthur C. Clarke") label to half title page which is covering over a former owner's name. Very Good, with toning to boards at edges and a stain to the top of the rear board, several creased page corners, in a Very Good dust jacket with publisher's price of $4.95 intact and red NAL logo at base of spine, toned and a bit tattered along the top edge with chipping and several tears, and tape repairs made to the verso. A scarce signed copy, stated first printing and from the author's own library.

      [Bookseller: Burnside Rare Books]
 39.   Check availability:     IOBABooks     Link/Print  


        [Geographic Maps of the Kingdom of Saudi Arabia]. [Washington & Jiddah, 1968-1982].

      1968. 21 sheets in full colour, each 101 x 103 to 88 x 63 cm approx., folded in original printed envelopes with individual titles. English and Arabic. Scale 1:500,000; relief shown by hachures and spot heights. Complete collection of the detailed geographical maps ("B" series) of Saudi Arabia (but also covering Bahrain and Qatar) prepared by the U.S. Geological Survey and the Arabian American Oil Company under the joint sponsorship of the Kingdom of Saudi Arabia and the U.S. Department of State. "Although the search for oil, gas and minerals was ultimately to drive geological survey work across the region [...], in its early years it was the need for water that was the catalyst for Saudi Arabia's resource exploration. In 1944 King 'Abd al-'Aziz approached the United States for a technical expert who could assist with the identification and plotting of the kingdom's natural resources, particularly its groundwater reserves [...] By 1954 the Saudi Ministry of Finance, USGS and Aramco were working together to produce the first full series of geographic and geologic maps of the country. The first of their type in the Peninsula, these were published between 1960 and 1963 in both Arabic and English versions, and the information they contained formed the basis of subsequent Saudi national development plans. To this day, all modern maps of the kingdom trace their roots back to these first publications" (Parry). The surveyors divided the Peninsula into 21 quadrangular sections, numbered 200 through 220. Mixed copy conflated from both the U.S. and the Saudi-Arabian series, prefixed "I" and "GM", respectively. Well preserved. James V. Parry, "Mapping Arabia", in: Saudi Aramco World 2004/1, p. 20ff.

      [Bookseller: Antiquariat Inlibris]
 40.   Check availability:     maremagnum.com     Link/Print  


        The Tale of the Big Computer A Vision

      Coward - McCann, Inc., NY 1968 - Blue cloth titled in gilt. Stated first American edition. Top corner slightly softened, spine gilt a bit tarnished else fine condition. Review copy with publisher's slip laid in. DJ in mylar with flap price $4.00 has some rubbing at points. ; 8vo 8" - 9" tall [Attributes: First Edition; Hard Cover]

      [Bookseller: curtis paul books, inc.]
 41.   Check availability:     AbeBooks     Link/Print  


        Museums of the World (36 volumes - complete)

      Kodansha, Tokyo , 1968 Book. Good. Hardcover. Japanese text with table of contents, list of plates and captions of each plate also in english.; Hardcover (white vellum with gilt lettering on spine covered by the dust jacket. In slipcase); 36.3 x 26.3 cm, 2.100 Kg, 184 pages, with colour and black and white plates (each volume); Used books with signs of wear, namely on the slipcases. Some of the dust jacket spines are: slightly faded, chipped, show wrinkles and tears. The interior is in good condition. Each of the slip cases has a sticker with the volume number in the spine, which helps to identify the volume number when the books are in a shelf, as the volume number appears in the front cover.; This 1965-1971 edition set consists of 36 volumes showing illustrations of the main works of art, such as paintings, sculptures, ceramics, etc. from the following museums: Volume 1: Musée du Louvre (I of II); Volume 2: Musée du Louvre (II of II); Volume 3: British Museum (I of II); Volume 4: British Museum (II of II); Volume 5: Egyptian Museum, Cairo; Volume 6: National Archaeological Museum, Athens; Volume 7: Museo Nazionale Romano; Volume 8: Musei Vaticani; Volume 9: National Museum, New Delhi; Volume 10: The Metropolitan Museum of Art; Volume 11: Museum of Fine Arts, Boston, Western Art; Volume 12: Tokyo National Museum (I of II); Volume 13: Tokyo National Museum (II of II); Volume 14: Musée Guimet; Volume 15: Museum of Fine Arts, Boston, Oriental Art; Volume 16: Galleria Degli Uffizi; Volume 17: National Gallery, London; Volume 18: National Gallery of Art, Washington; Volume 19: Museo del Prado; Volume 20: Staatliche Museem Munchen (I of II); Volume 21: Kunsthistorisches Museum (II of II); Volume 22: Rijksmuseum Amsterdam; Volume 23: State Tretyakov Gallery; Volume 24: Musée National D'Art Moderne, Paris; Volume 25: State Hermitage; Volume 26: State Museums of The Moscow Kremlin, State Russian Museum; Volume 27: Staaliche Museen Preussischer Kulturbesitz, Berlin; Volume 28: Art Institute of Chicago; Volume 29: Pinacoteca di Brera; Volume 30: National Museum of Greece; Volume 31: Archaeological Museum of Istanbul; Volume 32: Indian Museum of Calcutta; Volume 33: Kyoto National Museum; Volume 34: Museo Nacional de Antropologia; Volume 35: Freer Gallery of Art (I of II); Volume 36: Freer Gallery of Art (II of II)..

      [Bookseller: Jorge Welsh Books]
 42.   Check availability:     Biblio     Link/Print  

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