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Displayed below are some selected recent viaLibri matches for books published in 1967

        Ed. Rhabanus Haacke. Corpus Christianorum, Continuatio Mediaevalis, 7, 9, 21, 22, 23, 24, 29.

      Turnhout, Brepols, 1967-79.. Gr.-8°. XXI, 456 S. Hldr. (Orig.-Umschl. eingebunden). (verso gest./ St. a. Titelrückseite - aus aufgelöster Klosterbibliothek - sonst sehr guter Zustand). CCCM 7, 9, 21, 22, 23, 24, 29.. Vol 7: Liber de divinis officiis. 1967 - Vol 9: Commentaria in Evangelium sancti Iohannis.1969 - Vol. 21: De sancta trinitate et operibus eius I.1971 - Vol 22: De sancta trinitate et operibus eius II.1972 - Vol 23: De sancta trinitate et operibus eius III. 1972 - Vol 24: De sancta trinitate et operibus eius. De operibus spiritus sancti. 1972 - Vol 29: De gloria et honore filii hominis super Mattheum. 1979 (es fehlt der 1974 ersch. Band 26: Commentaria in Canticum canticorum. 1974 - Bd. 28: Opera apologetica. ist vom Verlag für 2013 angekündigt

      [Bookseller: Antiquariat Clemens Lehmann-Dronke (Vers]
 1.   Check availability:     ZVAB     Link/Print  


        Stamped Indelibly

      1967. [POP ART]. Stamped Indelibly. Edited by William Katz. With fifteen rubber-stamp prints by various artists including Robert Creeley, Allen Ginsberg, Robert Indiana, Andy Warhol, and Tom Wesselmann among others. 4to., bound in original linen. New York: Indianakatz, 1967. |~||~||~||~||~| William Katz wanted to create a book using as modest and simple a technique as possible. He asked his Pop artist writer friends to design commercially made rubber stamps which he then hand printed to create this book. The book consists of a title-page and 15 rubber-stamped images printed in color and black-and-white. Each print is signed and dated by the artist except for the prints by Grooms, Koch, and Warhol which are signed in rubber stamps. One of 225 copies signed by William Katz on the colophon page. An immaculate copy of what is now a very scarce book. Printed Art: A View of Two Decades 19. Books as Art 90. The American Livre de Peintre 51.

      [Bookseller: Ursus Rare Books]
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        A Human Cardiac Transplant: An Interim Report of a Successful Operation Performed at Groote Schuur Hospital, Cape Town. [Offprint from: "S.A. Medical Journal", Vol. 41, 30 December 1967, pages 1271-1274].

      (Cape Town, 1967). 4to. Bound with the original printed wrappers in very nice full burgundy cloth with gilt lettering to front board. Signed by the author on the front wrapper ("Chris Barnard"). A very nice, clean, and fresh copy. Pp. 1271-1274.. First printing in the very rare offprint, signed by the author, of this milestone paper of modern medicine, describing for the first time one of the most important medical performances in the course of history - "the most publicised event in world medical history", namely the first human heart transplant. This medical breakthrough introduced to the world a way to prolong life that would become of seminal importance to modern man."Christiaan (Chris) Barnard was born in 1922 and qualified in medicine at the University of Cape Town in 1946. Following surgical training in South Africa and the USA, Barnard established a successful open-heart surgery programme at Groote Schuur Hospital and the University of Cape Town in 1958. In 1967, he led the team that performed the world's first human-to-human heart transplant. The article describing this remarkable achievement was published in the South African Medical Journal just three weeks after the event and is one of the most cited articles in the cardiovascular field. In the lay media as well, this first transplant remains the most publicised event in world medical history. Although the first heart transplant patient survived only 18 days, four of Groote Schuur Hospital's first 10 patients survived for more than one year, two living for 13 and 23 years, respectively. This relative success amid many failures worldwide did much to generate guarded optimism that heart transplantation would eventually become a viable therapeutic option. This first heart transplant and subsequent ongoing research in cardiac transplantation at the University of Cape Town and in a few other dedicated centres over the subsequent 15 years laid the foundation for heart transplantation to become a well-established form of therapy for end-stage cardiac disease. During this period from 1968 to 1983, Chris Barnard and his team continued to make major contributions to organ transplantation, notably the development of the heterotopic ( 'piggy-back') heart transplants; advancing the concept of brain death, organ donation and other related ethical issues; better preservation and protection of the donor heart (including hypothermic perfusion storage of the heart; studies on the haemodynamic and metabolic effects of brain death; and even early attempts at xenotransplantation." (Cardiovasc J Afr. 2009 Jan-Feb; 20(1):31-5.)Garrison&Morton: 3047.12 ("First cardiac homotransplant in man.")

      [Bookseller: Lynge & Søn A/S]
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        Autograph letter signed.

      Pacific Palisades, 14. II. 1967. - Large 4to. 2 pp. To a photographer named Bishop: "Got your letter and samples of photo experiments. You must not think because I used 'glum + sombre' that I was disparaging your work. It's simply that I can't stand the 'sad gorilla' aspect of myself which I often see in photos. Of the hundreds of photos people have taken from me there are only about a half-dozen I really like (when you come again I'll show you my favourite one). In general photography leaves me cold. I never used a camera in my life. Nor will I in the future. Now and then in magazines I find photos I like - could be in a good or cheap magazine. These experimental ones you just sent - I must confess they too leave me cold. Too slick for my taste. Too commercial. But I'm prejudiced - so don't take it hard. I hung out with advertising men, salesmen and artists both, when in my twenties - and became thoroly [!] disgusted with everything which they found exciting [.]". - On stationery with printed letterhead. [Attributes: Soft Cover]

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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        Varieties of The Japanese Print, Volume 1

      Private Printing, Tokyo 1967 - Signed by the artist in English and Japanese on the title page. Decorated paper covered boards with cloth label, purple silk cord tie. In slipcase. 20 hand-printed woodblocks, each design is unique and they are printed on 12 different types of paper. Only volume one was printed. Toshi Yoshida (1911-1995), was a Japanese printmaking artist associated with the sosaku-hanga movement, and son of shin-hanga artist Hiroshi Yoshida. From as early as the age of three, Toshi Yoshida showed exceptional talent in woodblock print design, amazing and delighting his father. Together father and son traveled widely in East Asia, completing sketching tours of India, Burma, and Ceylon by the time the younger Yoshida was twenty. As with the work of his father Hiroshi Yoshida, Toshi Yoshida's woodblock prints are not only treasured in Japan, but have an international reputation for excellence, hanging in the permanent collections of the world's leading museums, including the New York Museum of Modern Art and the Boston Museum of Fine Arts. . Brief gift inscription on title page, and very faint sunning to purple silk tie, else the volume is in perfect, pristine condition, unmarked, tight, square and clean. Slipcase has a tiny dent on the back cover. NEAR FINE. . Varieties of The Japanese Print Series. Vol. 1. Hand Printed Woodblocks. Oblong 8vo 8" to 9" tall. Signed by Artist [Attributes: First Edition; Hard Cover]

      [Bookseller: Round Table Books, LLC]
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        A leather watch band once owned by Jimi Hendrix, from the estate of his longtime friend and Woodstock rhythm guitarist, Larry Lee

      Nashville, Tennessee, 1967. 10.5" x 1.5", 3.5" x 2.25". "A thick, leather watch band, 10.5"" long and 1.5"" wide, with a brass buckle and riveted mount given by Jimmy Hendrix to Lawrence ""Larry"" Lee (1943-2007) who accompanied Hendrix at Woodstock in August 1969. Offered together with a partly printed Document Signed, ""Lawrence Lee"" 1p. 3.5"" x 2.25"" Nashville, 1967, being Lee's membership card for the Nashville Association of Musicians, additionally signed by the local's president: ""R.T. Payne Pres"" The watch band bears some mounting remnants on verso, expected wear including some fraying at the buckle end, else very good. The union card bears some light marginal wear and soiling, else very good. Lawrence ""Larry"" Lee was a student at Tennessee State University, writing songs for Stax records on the side, when he first encountered Hendrix with Billy Cox at the Del Morocco, a Nashville nightclub. At first, Lee thought Hendrix to be ""the worst guitar player I had ever heard."" (John McDermott, Interview with Larry Lee, Guitar World, October 2005) Looking for someone to practice with, Lee thought Hendrix a perfect fit: ""I was just happy I wasn't the worst guitar player in Nashville."" As it turned out, Hendrix had been playing a very mediocre guitar and even worse amplifier. Lee encountered Hendrix a few weeks later and was thunderstruck. Jimi had acquired a new guitar, ""and man did he surprise me! His ideas were different from other players-but he was good! Once he got that guitar, he was always great."" The pair played together with Joe Fisher and the Barnevilles and other acts (including the King Kasuals with Billy Cox). In late 1963, the pair parted: Jimi for the East Coast and Lee was drafted into the Army and spent some time in Vietnam where he was wounded. Lee hadn't been discharged for more than two weeks in mid July-1969 when he received a call from Billy Cox asking him to come and play with Jimi and him - Jimi was then forming a new group to replace the Jimi Hendrix Experience. Lee accepted the invitation, and he, together with Cox on bass, Mitch Mitchell on drums, Juma Sultan on percussion and Jerry Velez on congas, formed The Gypsy Sun & Rainbows. They spent the balance of July and early August rehearsing at an eight-bedroom house that Hendrix's management had rented for him for the summer near Shokan, New York. They most famously performed at Woodstock on August 18, 1969. The combo only performed again live once, at a street festival in Harlem in September 1969 before disbanding. The same month, Lee left New York for Memphis where he established himself as a session guitarist and band director, most notably for Al Green's touring band appearing on Johnny Carson and television specials worldwide. Provenance: Lawrence Lee 1943-2007; Lee Family; Sotheby's, New York, December 17, 1991, Lot 461A. The watch band was part of a larger collection of Hendrix memorabilia obtained by Lee during the 1960s. Images and copies of the other pieces in the collection, together with the original typed notes, are included for reference."

      [Bookseller: University Archives]
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        Andy Warhol's Index Book

      New York Random House 1967 - Pap., 28 x 23 cms, lavishly illustrated. Details: pop-up castle complete; accordion complete (but silent); plane pop-up complete; Chelsea girls wheel on spring complete; Lou Reed record complete; rainbow nose complete; Hunt's Tomato Can pop-up complete all eight tear-offs on the 'In for a big surpise' page complete; balloon stuck between two pages, as usual. A very good copy of this legendary, but vulnerable, artist book. For a large set of pictures, see our website.

      [Bookseller: Prentwerk Art Books]
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        Altenbourg, Gerhard. - "Versuch einer Beziehung".

      . Holzschnitt, auf hellem glattem Papier, 1967. Von Gerhard Altenbourg. Auflage Exemplar Nr. 9/40. 22,7 x 12,1 cm (Darstellung / Druckstock) / 24,7 x 13,5 cm (Blatt) / 30 x 21 cm (Trägerblatt). Mehnert 234. In schwarzer Feder rechts unten signiert und datiert. Links eigenhändige Auflagenbezichnung. Unten mittig Prägestempel des Künstlers. Auf dem Trägerpapier darunter bezeichnet: "Versuch einer Beziehung (vielleicht an einem untauglichen Objekt?)." - Ausgezeichnet erhalten. Gerhard Altenbourg (1926 Rödichen-Schnepfetal - 1989 Meißen). Deutscher Maler und Grafiker. 1929 Umzug nach Altenburg. 1944-45 Soldat im Zweiten Weltkrieg. 1946-48 als Schriftsteller und Journalist tätig, Zeichenunterricht bei Erich Dietz. 1948-50 Studium an der Hochschule für Baukunst und Bildende Kunst in Weimar bei Hans Hoffmann-Lederer. 1959 Teilnahme an der documenta II in Kassel. 1961 Gastatelier an der Kunstakademie in Westberlin. 1961 Erwerb einiger Arbeiten durch das Museum of Modern Art in New York. 1962-89 Atelier in Altenburg, Annahme des Künstlernamens "Altenbourg". 1966 Burda-Preis für Grafik in München. 1968 Will-Grohmann-Preis in Westberlin. 1970 Mitglied der Akademie der Künste, Berlin. 1977 Teilnahme an der documenta 6 und Mitgliedschaft bei der ?Life Fellow of the International Biographical Association? in Cambridge. In den 1980er Jahren Ausstellungsverbot und Schließung der Ausstellungen, da er sich den offiziellen Kunstauffassungen der DDR widersetzte.Seit 1998 vergibt das Lindenau-Museum in Altenburg aller zwei Jahre den Gerhard-Altenbourg-Preis.; 940.

      [Bookseller: Galerie Himmel]
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        Trout Fishing in America

      San Francisco: Four Seasons. 1967. The true first edition of Brautigan's breakthrough book, which established his unique writing style and sensibility and for the first time earned him a wide audience. Issued as "Writing 14" in the Four Seasons Foundation publishing series and preceding the Delta edition. Don Allen of Four Seasons picked up Trout Fishing after Grove Press dumped Brautigan when A Confederate General from Big Sur failed to meet sales expectations when it was published in 1964. With virtually no advertising or promotion, Trout Fishing went through multiple printings, sold 35,000 copies -- an unheard of number for any Four Seasons Foundation publication -- and made Brautigan one of the key writers of his generation. The book has sold two million copies in all its editions. The first edition of Trout Fishing is one of the most elusive of the key books of the 1960s. Reportedly its first printing was, like several other Four Seasons Foundation books, 1000 copies (2000 has also been stated); but copies of Trout Fishing turn up with markedly less frequency than his other Four Seasons Foundation titles, In Watermelon Sugar and The Pill versus The Springhill Mine Disaster: currently, one online site has listings for 14 copies of the Four Seasons edition of Watermelon and 20 copies of The Pill; the only copies of Trout Fishing listed are third and fourth printings or heavily worn ex-library copies. Often when copies do turn up, their condition is poor from having been read and re-read and, often, passed around. We could find records of only four copies appearing at auction, and three of those copies had pages detached. This copy has a coffee stain on the rear cover, light reading creases to the spine, and pages 9-18 detached. A good copy in wrappers only, but an extraordinary rarity in the first printing. First Edition. Softcover.

      [Bookseller: Ken Lopez Bookseller, ABAA]
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        Picnic at Hanging Rock

      Melbourne: F. W. Cheshire, 1967. First Australian edition. First Australian edition. A near fine book in a near fine dust jacket. Some foxing to the top edges of the book. Creasing to the rear flap, closed tear at the top of the rear panel. The story of school girls who vanish from an Australian women's college in 1900 who vanish at hanging rock. It was later made into a successful filrm by Australian director Peter Wier.

      [Bookseller: Sawtooth Books]
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        Simplicissimus - Illustrierte Wochenschrift. 9. Okt. 1954 - 3. Juni 1967, 23 Bände komplett.

      München, Simplicissimus Verlagsgesellschaft, 1954-, 1967. - circa 37,5 x 28 cm. Mit Tausenden von farbigen Abbildungen Illustriertes schwarzes Original-Leinen mit Deckelillustration (bzw. 1x Original-Halbleder) Die vollständige Nachkriegsserie des Simplicissimus, von dem 1946-50 bereits unter dem Titel "Simpl" eine schwächere Wiederbelebung erschienen war. Hier das komplette Set der von Iversen herausgegeben Folge. - Ein Band (1960, I. Halbjahr) hier in der Vorzugsausgabe in Halbleder mit rotem Rückenschild, alle anderen in schwarzem Leinen mit dem Hund auf dem Vorderdeckel. - Gut erhalten und sauber, nur der Halblederband etwas berieben. Schöne Reihe. - Sehr schwer! Kein Versand ausserhalb der EU, kein Versand in die Schweiz!!. [Attributes: Hard Cover]

      [Bookseller: Antiquariat Thomas Rezek]
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        A Historical Collection of the Several Voyages and Discoveries in the South Pacific Ocean. Volume 1/2.:

      Bibliotheca Australiana No.11., Amsterdam Da Capo Press 1967 - Reprint Two volumes in one, pp.xxx, 204, 224, 20, [60], 4 folding maps, illustrations.

      [Bookseller: John Randall (Books of Asia), ABA, ILAB]
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        Group of Eleven A.L.S., with envelopes, nine 4to; two 8vo; one 12mo, Saint Louis, MO, 1967-1971

      - Letters sent to Lola Pergament in NY about art items popularized by comic characters (roll paper, watches, postages), which Trova was interested to buy for his collection. Letters sigined in full, "Ernest Trova." " Thanks for informing me of the Mickey+Donald wall paper. Could I have a roll of each?" The letter on personal stationery, dated on Oct 12, 1971 reads, "Any way I do hope you will let me know if you can find me also items, movie star jewelery, rings, bracelets, necklaces of Frank Sinatra, Elvis Presley etc?."; The letter dated on Oct 22, 1967 reads, " I am interested in buying Mickey Mouse watches, Shirley Temple wrist watch?"; Letter of March 29, 1968 reads, "?I will wait till you find the radio items to complete my collection?"; Letter on Nov 13, 1967 reads, " Thank you for Buck pin? I do want the Duck Tracy pin?"; Letter on Nov 2, 1967 reads, "?I would also be interested in a Tom Mix ring and other small items popularized by comic characters of the 1930's?"; Letter dated July 22, 1968 reads, "Thank you for informing me of the Mickey + Donald wall paper. Could I have a roll of each?"; Letter of Dec 4, 1968 reads, "Dear? thank you for writing. I do have these two rolls but I will use them for trade include $ 12.00 + postage?". Some of Trova's first art was acquired by the collections of the Guggenheim Museum and the Museum of Modern Art in New York City, as well as by the St. Louis Art Museum in his hometown and by the Tate Gallery in London.

      [Bookseller: Schulson Autographs]
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        Citoyens de Beaute. Poemes.

      Editions Subervie, 1967.. 8°. 77 pages. Edition originale, broche / Softcover. Tres bon etat. Envoi dedicace et autographe signe de Jean Senac a poete cubain Fayad Jamis.. Jean Senac, ne a Beni-Saf en Oranie (Algerie1) le 29 novembre 1926 et assassine a Alger le 30 aout 1973 (sans que l'affaire ne soit elucidee), est un poete chretien, socialiste et libertaire2. Il a rejoint des 1955 la cause de l'independance algerienne (Wikipedia) Fayad Jamis (1930-1988) was a Cuban poet, painter, designer, journalist and translator. He was born in Zacatecas, Mexico to a Lebanese-Cuban father and a Mexican mother. Moving to Cuba at the age of six, Jamis trained at the San Alexandro Academy before gaining renown as an abstract painter. He was a member of the modernist group of Cuban painters known as "Las Once" ("The Eleven"). Jamis lived in Paris in the 1950s, and attended the Sorbonne. The surrealist writer Andre Breton was a supporter of his work, and he co-exhibited with the sculptor Agustin Cardenas. Jamis returned to Cuba in 1959 and became involved in a wide range of activities including teaching, painting, and writing. He served as cultural attache in the Cuban embassy in Mexico for over a decade. Jamis received the Casa de las Americas prize for his book Por Esta Libertad (For This Liberty). His paintings can be seen in collections in Cuba and abroad. He often used pseudonyms such as Fernando Moro, Onirio Estrada or the initials F.J.N. Jamis died in Havana in 1988. A bookshop is named after him in Calle Obispo in Havana Vieja. (Wikipedia) Jean Senac (1926-1973) was an Algerian author. Born of an unknown father in Beni Saf in the Oran region of Algeria, the "poet who signed with a sun", was murdered in Algiers on August 30, 1973. His murder remains unsolved. Besides his poems and writings, he was renowned for a long-running relationship and correspondences with Albert Camus. A portion of his papers are stored at the City Archives in Marseille, France. Jean Senac was an Algerian francophone poet who remained strongly attached to his Algerian nationality despite the French exodus from Algeria in the aftermath of the war of liberation. His poems were largely songs of revolution, which he hoped would help create a world of beauty and brotherhood in an Algeria that was open to all cultures. His own struggles were strongly linked with his quest to better Algeria through poetry: a profound search for identity, both personal and cultural and his struggle to find acceptance in his homosexuality plagued him throughout his life; "This poor body also/ Wants its war of independence", he once wrote. Senac was a great admirer of the work of such poets as Gerard de Nerval, Arthur Rimbaud, Antonin Artaud and Jean Genet. Jean Senac had a long-running friendship with French Algerian-born writer and Literary Nobel Prize laureate Albert Camus that lasted from 1947 to 1958. The contents of the letters remain mostly unknown, although Hamid Nacer-Khodja published a few and wrote about the history of the friendship in his essay Le Fils rebelle. many correspondences are of a literary nature, but some also discuss the independence movement in Algeria. In April 1958 he broke relations with Albert Camus on a sour note blaming him for not supporting the plight of an Algerian student named Taleb executed for his political activities against the French. He did not communicate further with Camus from that day on until Camus' death early 1960. (Wikipedia)

      [Bookseller: The Time Traveller's Bookshop Ltd.]
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        Hell?s Angels: A Strange and Terrible Saga of the Outlaw Motorcycle Gangs.

      Random House, New York 1967 - First edition of the author’s first book. Octavo, original black cloth. Fine in a fine dust jacket. Boldly signed by Hunter S. Thompson on the half-title page. A superior example of this title. Thompson, the creator of Gonzo jornalism, writes with energy and brutal honesty, and with a nuanced and incisive eye, as The New Yorker stated, "For all its unihabited and sardonic humor, Thompson’s book is a thoughtful piece of work." He captures in Hell’s Angels a singular moment in American history, when the biker lifestyle was first defined, and when such countercultural movements were electrifying America. "He has presented us with a close view of a world most of us would never encounter. His language is brilliant, his eye remarkable" (The New York Times Book Review). [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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        PAPA OMO. DIREKTE KUNST. DIRECT ART. materialaktion 3.

      (Wien, Institut für Direkte Kunst / Vienna Institute for Direct Art) 1967.. Schmal 4°. 18 S. (= 18 Blatt) und Siebdruckplakat Zock Festival (gelb). OBr.. Deckelaufdruck: Direkte Kunst / Direct Art / PAPA OMO/ materialaktion / 3 / ZOCK PRESS 67. Enthält hektographiert '100 schweine', brief an KNORR, action für 5 justizwachebeamte, leichen aufschlichten, action lionsclub, muttertag, OMO SUPER weisheit u.a. - Eines von 50(?) auf dem Deckel rot numerierten Exemplaren. - Sehr gut erhalten.

      [Bookseller: Georg Fritsch Antiquariat]
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        Andy Warhol's Index (Book)

      New York: Random House, 1967. Fine copy in 3-D overlaid paper-covered illustrated boards.. First Edition. Quarto. SIGNED by Warhol. The quintessential sixties Pop Art Book, complete with disjointed black and white images (some by Stephen Shore), popups, fold-outs, bags, disks, balloons, records, and other cultural detritus manufactured at Warhol's Factory. While the book may seem like a well-staged child's joke, it is no coincidence that this volume and Warhol's Stockholm catalogue were spied at the offices of the Japanese group Provoke. Warhol's influence, both as an artist and an innovator in the growing world of mechanical reproduction, had repercussions in the growing world of Japanese photography. (Roth 188-189).

      [Bookseller: Harper's Books, Inc.]
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        Calling Life's Signals + 42 player & coach signatures 1968 Shriner East West Game + 1968 Street & Smith's Official Yearbook

      Zondervan, Michigan 1967 - The first part of this 3-part package is 2 sheets of 3-ring binder type lined paper found in the back of the below Sloan book contains 42 signatures of coaches and football players from the 1968 Shriner East West Football game. I've done nothing with the sheets as far as framing; they are currently just protected in an acid-free plastic bag. The sheets are in very good condition, with some aging and 'limpness' to the paper, one tear through one of the 3-ring binder holes, and non-instrusive to the signatures fold lines (one each horizontal and vertical), from where they had been folded and placed in Mr. Sloan's book. My football-fanatic brother and various football fan friends (some of whom I owe a great deal to as they're very familiar with many of the signatures on these sheets and could also give me some background on the players and coaches) have identified all but one of these signatures (a prize to any of you who can identify the one unknown!). They are, for the Western team: (Eugene) Mercury Morris, Al Brenner, Jim Seizemore, Charles H. Rosenfelder, Gene Huey, Roger Wehrli, Bill Earthquake Enyart, Edd Hargett, Terry Brown, Paul Gipson, Jon Kolb, Bill Bradley, John Zook, Jim Anderson, Mike Montler, Al Worley, James Mitchell, Pepper Rodgers, Keith Christensen, Jack O'Malley, Mike Schwier, Joe Paterno (coach, then at Penn State), Malcolm Soveron, Bobby Douglass, Jon Sandstrom and Jerry LeVias. For The Eastern team, they are: C. Rip Engle, Coach Paul Dietzel (then at So. Carolina), Ben Johnson, John Shiners, Charlie Jarvis, Dave Bradley, Bobby Campbell, Vince Dooley (coach, then at Georgia), Coach Jim Root (then at NH), Marti Stewart, Pay Dyer, Dave Foley, Gene Ferguson, Mike Hall, and Jack Rudnay. Plus the unknown is on one of the Eastern sheets: Julian (could I suppose be John, though it has that dotted 'i') Nurcenalson (or Rurcenalson, or something similar; I was unable to find such a name in the 1968 College Football Magazine that is another part of this package). Of course huge scans on request, so you can see the signatures. The second part of this package is an excellent condition Street and Smith's Official Yearbook College Football 1968 magazine (lots about O. J. Simpson in it). The magazine is bright and crisp without any handwriting in it. The spine is uncreased, but very slightly slanted forward. There is one short closed tear upper back binding, the upper back binding corner tip has a small fold crease, and there's just a bit of browning to the white background along the upper and spine edges. Tons of information about that year's college teams and coaches, and the players who have signed the above sheets. The last part of this package consists of a 1st edition/1st printing book by Steve Sloan titled Calling Life's Signals published by Zondervan Publishing House in 1967, containing an Introduction by Paul W. (Bear) Bryant. The book is signed and inscribed "To Marc, Best Regards, Steve Sloan (Phil.1:21)" on the front end page (I believe this may be inscribed to Marc Lyons, another football player). The book is straight, clean and tight with no other handwriting in it, with slight edgewear from shelving. The price intact dustjacket is clean, crisp and bright with some fading to the spine and some small edge chips and tears. Steve Sloan is himself a continuing part of college football history (as are several others who signed the sheets). Mr. Sloan was inducted into the Tennessee Sports Hall of Fame in 2000. Steve Sloan's biography, from an internet page about him: In both 1960 and 1961, Steve Sloan was selected to the All-State football and basketball teams. In 1961, he signed with the University of Alabama, where he enjoyed an outstanding career earning All-American honors in 1965 and guided his team to a national title. That same year, he earned Southeastern Conference MVP honors and was an Academic All-American. His first head coaching position was with Vanderbilt University (1973-74), earning him SEC Coach of [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: AAABOOKS (Authors & Artists)]
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        Cien Años de Soledad (One Hundred Years of Solitude).

      Editorial Sudamericana, Buenos Aires 1967 - First edition of the author's masterpiece. Octavo, original illustrated wrappers. Inscribed by Gabriel Garcia Marquez on the dedication page. In very good condition with the usual creasing to the spine and some rubbing to the front and rear panels. Housed in a custom half morocco case. "One Hundred Years of Solitude chronicles the life of Macondo, a fictional town based in part of Garcia Marquez's hometown of Aracataca, Columbia, and seven generations of the founding family, the Buendias. He creates a complex world with characters and events that display the full range of human experience. For the reader, the pleasure of the novel derives from its fast-paced narrative, humor, vivid characters, and fantasy elements. In this 'magic realism', the author combines imaginative flights of fancy with social realism to give us images of levitating priests, flying carpets, a four-year-long rainstorm, and a young woman ascending to heaven while folding sheets" (NYPL Books of the Century 31). At the conclusion of the 1970's this book was voted by the editors of The New York Times Book Review to be not only the best book published in the last ten years but the book most likely to still be read one hundred years from then. [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
 19.   Check availability:     IberLibro     Link/Print  


        Poontang and Other Poems

      Crescent City, FL: New Athenaeum Press, 1967. First Edition. Paperback. Very Good. Printed green stapled wraps. Near Fine. Tiny stain to front cover, light edge wear. One of 500 copies privately printed by the author.

      [Bookseller: Burnside Rare Books]
 20.   Check availability:     Biblio     Link/Print  


        Orlando furioso. Introduzione di Riccardo Bacchelli. Tavole illustrative di Fabrizio Clerici

      Electa, Milano 1967 - Ns. esemplare n. 170. Perfetto stato di conservazione Tirsatura limitata di 350 esemplari. XVIII + 340 + (8) con ill.nt.t. e 158 tavv.litografiche f.t. di Clerici p. 3 voll in-folio

      [Bookseller: Libreria Antiquaria Giulio Cesare]
 21.   Check availability:     AbeBooks     Link/Print  


        Fuck the System [Abbie Hoffman's First Published Work]

      Privately Printed, New York 1967 - A Very Good copy of the first edition, first printing, of Abbie Hoffman's first published work, in the Publisher's original illustrated stapled wrappers measuring approximately 6 inches x 3 1/2 inches and published by Hoffman pseudonymously as George Metesky, a convicted bomber (better known as the "Mad Bomber") who, for a period of 16 years -- during the 1940s and 50s -- terrorized New York with home-made explosives planted by him in public venues such as theaters, terminals, libraries, offices, phone booths, and storage lockers, and in the restrooms of Grand Central Terminal, Pennsylvania Station, Radio City Music Hall, the New York Public Library, the New York City Subway. While showing some wear, the booklet remains in surprisingly good condition for such an uncommon ephemeral item. The wrappers show some creasing at the corners and minor loss to the rear wrapper's upper left corner (with a further incipient chip secured by a tiny piece of archival binder's tape applied to the wrapper's verso). The spine shows a split at the bottom third and a small split to the top, and a prior owner has written her name and address to the inside of the front wrapper. The pages are surprisingly clean and without tears or stains. Over the course of 30 pages, Hoffman offers the reader information on how to use the "system" to one's own benefit and obtain items such as alcohol, food, flowers, and pets at little to no cost, with the front wrapper bearing the text "Take what you want / Take what you need / There is plenty to go around / Everything is free. // George Metesky". Copies of this piece of Yippie ephemera are quite scarce, and are especially so when in a condition as nice as is this copy. QUITE SCARCE INDEED. [Attributes: First Edition; Soft Cover]

      [Bookseller: Allington Antiquarian Books, LLC (IOBA)]
 22.   Check availability:     AbeBooks     Link/Print  


        Globifigur aus Silber auf Holzsockel (22 cm).

      Zürich, 1967 - Zürich, 1967. Abschiedsgeschenk an J.K. Schiele bei der Pensionierung am 14. Dezember 1967.

      [Bookseller: EOS Buchantiquariat Benz AG]
 23.   Check availability:     AbeBooks     Link/Print  


        WODWO

      London:: Faber & Faber. (1967).. First edition. Prize-winning poet Anthony Hecht's copy with his ownership signature on the front endpaper. A PRESENTATION COPY, INSCRIBED by Hughes, "To Tony/ in Memoriam/ from Ted/ 13 July 1967." This was Hughes first book of poems after wife Sylvia Plath's death from suicide in 1963 -- we assume the "in Memoriam" is for her, as she and Hecht were very close friends, which is clearly indicated by her intimate letters to him. Plath and Hecht met while both were teaching at Smith College (1956-1962), where Hughes also taught. After Plath's death, Hughes and Hecht continued to be friends and each man went on to win numerous awards and to become the Poet Laureate of their country. Ted Hughes was known to greatly admired Hecht, calling him "one of the most accomplished of his extremely accomplished generation." The book is crisp and fine with only very minor wear; in a near fine, lightly age-toned dust jacket with slightly darkened spine and a few tiny nicks. An early, important association copy between two poets who went on to become highly esteemed in each other's countries as well as their own. .

      [Bookseller: Quill & Brush]
 24.   Check availability:     Biblio     Link/Print  


        The Master and Margarita

      London: Collins and Harvill Press,, 1967. Translated from the Russian by Michael Glenny. Octavo. Original green and black boards, titles to spine gilt. With the dust jacket. Spine gently rolled; an excellent, fresh copy in the unclipped jacket with very mild toning to edges and a nick to head of front flap. First Glenny edition, first impression. Although the Glenny translation was beaten to the press by Mirra Ginsburg's translation earlier the same year, Ginsburg had taken as her copy text the heavily bowdlerized Soviet version. This version is complete and remains the standard English translation of one of the 20th century's literary masterworks. The Russian text was first published (albeit in censored form) in two issues of the journal Moskva in November 1966 and January 1967; the full text in Russian was not published until 1969.

      [Bookseller: Peter Harrington]
 25.   Check availability:     Biblio     Link/Print  


        Charlie And The Chocolate Factory

      London, George Allen and Unwin Ltd. 1967, 1967. FIRST BRITISH EDITION: octavo, Illustrated by Faith Jaques. Publisher's laminated pictorial boards as issued; a very slight rolling to the spine, corners and edges good, colours bright and unfaded. A very good copy indeed of a children's classic.

      [Bookseller: Adrian Harrington Rare Books]
 26.   Check availability:     Biblio     Link/Print  


        Collected Pruse

      Gibbon and Kee, (London) 1967 - First edition. Fine in a slightly soiled near fine dustwrapper. A nice copy of a scarce title. See this book in 3D on our site. [Attributes: First Edition; Hard Cover]

      [Bookseller: Between the Covers-Rare Books, Inc. ABAA]
 27.   Check availability:     AbeBooks     Link/Print  


        DIALOGUE. Journal des Livres et des Idées, No. 3.

      Lausanne September 1967 - single folded sheet, portraits of Pound by Gaudier-Brzeska and Jean Cocteau, pp. [4], folio, original self wrappers printed on all sides, light overall toning, quarter-folded with horizontal points starting, from the library of actor Douglas Fairbanks Jr. with his loose bookplate in separate envelope, very good condition. Inscribed warmly to Pound by Piero Sanavio, an Italian who wrote on Pound and translated him into French: 'To Ezra for a happy new year. Piero Sanavio'. Pound himself has signed his name, followed by two exclamation marks, at the side of Gaudier-Brzeska's portrait of him on the front. The entire issue is dedicated to Pound, with Sanavio contributing as lead article the case for Pound winning the Nobel Prize - further tributes come from George Seferis, Eugenio Montale, Hemingway, Wyndham Lewis, Eliot, Edith Sitwell, as well as Pound himself (a translation of Canto LXXIX by Denis Roche). A scarce item, not recorded in Gallup's bibliography of Pound, although he does record Eliot's contribution - 'Sur Ezra Pound', a French translation taken from his Literary Essays - in his bibliography of the latter as D163b.

      [Bookseller: Blackwell's Rare Books ABA ILAB BA]
 28.   Check availability:     AbeBooks     Link/Print  


        Oiseau Solaire, Oiseau Lunaire Etincelles

      New York City: Pierre Matisse Gallery, 1967. Limited. edition - number 922 of 1200 copies. Superb oversize catalog published in conj. with an exhibition by the great artist. Includes the color pochoir covers, along with 3 mounted color silkscreens (2 are printed on sandpaper); 2 color lithographs; 2 photogravures; and 23 other b/w images. Elegant and beautifully printed by Daniel Jacomet;. The color pictorial wrappers have die-cut oval window. lacking the folding pochoir tryptich. Very fine and pristine copy. Uncommon. . Limited Edition. Oversize Paper W. Die-cut Cvs..

      [Bookseller: Cinemage Books]
 29.   Check availability:     Biblio     Link/Print  


        Werke und Briefe. Historisch-kritische Gesamtausgabe. Im Auftrag des Ministeriums für Wissenschaft, Forschung und Kunst Baden-Württemberg u. i. Zusammenarbeit m. d. Schiller-Nationalmuseum Marbach a. N. hrsg. v. Hubert Arbogast, Hans-Henrik Krummacher, Herbert Meyer u. Bernhard Zeller. 18 in 24 Bänden (alles bis 2015 Erschienene v. geplanten 20 in 29).

      Stuttgart, Klett-Cotta, 1967-2009,. 4to. Grüne OLwd. m. RSchild. sowie Orig.-Schutzumschlag.. Vorhanden sind Band 1,1; 3; 4; 5; 6 (in 2); 7; 8 (in 3); 9 (in 3); 10; 11; 12; 13; 14; 15; 16; 17; 18; 19 (in 2). - Die fehlenden 5 Bände sind noch nicht erschienen. - Geringe Lagerspuren, die zuerst erschienenen 6 Bde. am Schnitt etw. stockfleckig, sonst frische Bände (Neupreis EUR 1891,- bei Subskription, diese kann übernommen werden).

      [Bookseller: Antiquariat Düwal]
 30.   Check availability:     ZVAB     Link/Print  


        CHANG DAI-CHIEN'S PAINTINGS. With 130 Reproductions of the Master's Paintings Since 1944

      The East Society. PAPERBACK. B001TAE4R0 East Society; Hong Kong, 1967. Softcover. First edition. A Near Fine copy, light creasing to spine/light moisture rippling to first few pages, in illustrated paper wraps, includes a slightly rubbed but torn original clear plastic protector. Edited and published by Kao Ling-mei, English text by Yao Hsin-nung. Complete with 130 paintings. 4to[quarto or aprx 8 x 11 inches], 130pp., one two pp colour illustration,the rest b&w illustrations. We pack securely and ship daily with delivery confirmation on every book. The picture on the listing page is of the actual book for sale. Additional Scan(s) are available for any item, please inquire. . Very Good.

      [Bookseller: Mark Lavendier, Bookseller]
 31.   Check availability:     Biblio     Link/Print  


        Aniara. En Revy Om Manniskan I Tid Och Rum

      Bokforlaget Aldus/ Bonniers, 1967. Paperback. Used; Acceptable. Paperback; Swedish language; a fair reading copy; text in Swedish; 2nd edition, 1967; inscription on first page in red ink. Your book will be securely packed and promptly dispatched from our UK warehouse. All international orders are sent Royal Mail airmail.

      [Bookseller: Sunrise Books Ltd]
 32.   Check availability:     Biblio     Link/Print  


        Screen Tests / A Diary

      New York: Kulcher Press, 1967. First edition. Stiff Wraps. Orig. photo-illustrated card covers. Near fine. 54 pages printed verso only. 25.8 x 19.3 cm. 54 black and white photographs printed on translucent paper, Warhol's photographic portraits of visitors to the Factory -- near fine copy of this fragile, and one of his scarcest books, collecting Warhol's best work on film. Each of the 54 sitters, including Edie Sedgwick, Lou Reed, Salvador Dali, and Nico, was asked to sit still, in front of the camera for four minutes with each plate featuring two to three images of the sitter. Malanga, a Bronx born poet was introduced to Warhol by his English professor at Wagner College -- In June 1963, he went to work for Andy Warhol as "a summer job that lasted seven years," as he likes to put it. Slight spine crease.

      [Bookseller: Royoung bookseller, Inc.]
 33.   Check availability:     Biblio     Link/Print  


        3 typed manuscripts signed Gerard Malanga

      UNBOUND. 3 poems on 5... 8 1/2 x 11 sheets one side each of the poems signed by Gerard Malanga in ink. Dated 1967, 1973 and 1972 The three poems are entitled: The Day I Didn't Stop for Allen Ginsberg (32 lines) paperclip rust mark; In Search of America for Allen Ginsberg (12 lines); The Delhi-Madras Express Illusion Is Reality for Allen Ginsberg (79 lines) 3 pages stapled. All in very good condition. Other photos available. Poetry. Signed. Rare books make Fine Gifts. Free tracking USA. Quality, Value, Experience. . Very Good.

      [Bookseller: Robinson Street Books, IOBA]
 34.   Check availability:     IOBABooks     Link/Print  


        Blanche ou l'oubli EDITION ORIGINALE Tirage de tête

      Paris: Gallimard, 1967. Fine. Gallimard, Paris 1967, 14x21cm, broché. - First Edition, one of 60 numbered copies on Holland paper, leading copy. Bookplate pasted on the flyleaf, very nice copy. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! - [FRENCH VERSION FOLLOWS] Edition originale, un des 60 exemplaires numérotés sur Hollande, tirage de tête. Ex-libris encollé sur la page de garde, très bel exemplaire.

      [Bookseller: Librairie Le Feu Follet]
 35.   Check availability:     Biblio     Link/Print  


        ROYAL ROAD TEST - SIGNED BY EDWARD RUSCHA

      Self-Published, Los Angeles. 1967 (1980). - np (60pp), 35 b&w photographs. In a protective clear acetate dustwrapper. What happens when Ed Ruscha, Mason Williams and Patrick Blackwell perform and document a Consumer Reports-style crash test involving a Royal manual typewriter ejected from a 1963 Buick LeSabre traveling at ninety miles per hour along US Highway 91.? "Royal Road Test" - a must-have artists' book for road-trip and Conceptual Art enthusiasts alike! An exceptionally bright, glossy example of the 1980 fourth edition (entry B6 in Siri Engberg's "Edward Ruscha: Editions 1959-1999" which is also cited on pages 198-201 of The Hasselblad Center's "The Open Book") limited to one thousand, five hundred unnumbered copies issued without glassine wrapper additionally BOLDLY SIGNED "Ed Ruscha" in black ink on the front free endpaper. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. [Attributes: Signed Copy; Soft Cover]

      [Bookseller: Arcana: Books on the Arts]
 36.   Check availability:     AbeBooks     Link/Print  


        Calling Life's Signals + 42 player & coach signatures 1968 Shriner East West Game + 1968 Street & Smith's Official Yearbook

      Michigan: Zondervan. NF/VG. 1967. 1st Edition. Hardcover; 1st Printing. The first part of this 3-part package is 2 sheets of 3-ring binder type lined paper found in the back of the below Sloan book contains 42 signatures of coaches and football players from the 1968 Shriner East West Football game. I've done nothing with the sheets as far as framing; they are currently just protected in an acid-free plastic bag. The sheets are in very good condition, with some aging and 'limpness' to the paper, one tear through one of the 3-ring binder holes, and non-instrusive to the signatures fold lines (one each horizontal and vertical), from where they had been folded and placed in Mr. Sloan's book. My football-fanatic brother and various football fan friends (some of whom I owe a great deal to as they're very familiar with many of the signatures on these sheets and could also give me some background on the players and coaches) have identified all but one of these signatures (a prize to any of you who can identify the one unknown!). They are, for the Western team: (Eugene) Mercury Morris, Al Brenner, Jim Seizemore, Charles H. Rosenfelder, Gene Huey, Roger Wehrli, Bill Earthquake Enyart, Edd Hargett, Terry Brown, Paul Gipson, Jon Kolb, Bill Bradley, John Zook, Jim Anderson, Mike Montler, Al Worley, James Mitchell, Pepper Rodgers, Keith Christensen, Jack O'Malley, Mike Schwier, Joe Paterno (coach, then at Penn State), Malcolm Soveron, Bobby Douglass, Jon Sandstrom and Jerry LeVias. For The Eastern team, they are: C. Rip Engle, Coach Paul Dietzel (then at So. Carolina), Ben Johnson, John Shiners, Charlie Jarvis, Dave Bradley, Bobby Campbell, Vince Dooley (coach, then at Georgia), Coach Jim Root (then at NH), Marti Stewart, Pay Dyer, Dave Foley, Gene Ferguson, Mike Hall, and Jack Rudnay. Plus the unknown is on one of the Eastern sheets: Julian (could I suppose be John, though it has that dotted 'i') Nurcenalson (or Rurcenalson, or something similar; I was unable to find such a name in the 1968 College Football Magazine that is another part of this package). Of course huge scans on request, so you can see the signatures. The second part of this package is an excellent condition Street and Smith's Official Yearbook College Football 1968 magazine (lots about O. J. Simpson in it). The magazine is bright and crisp without any handwriting in it. The spine is uncreased, but very slightly slanted forward. There is one short closed tear upper back binding, the upper back binding corner tip has a small fold crease, and there's just a bit of browning to the white background along the upper and spine edges. Tons of information about that year's college teams and coaches, and the players who have signed the above sheets. The last part of this package consists of a 1st edition/1st printing book by Steve Sloan titled Calling Life's Signals published by Zondervan Publishing House in 1967, containing an Introduction by Paul W. (Bear) Bryant. The book is signed and inscribed "To Marc, Best Regards, Steve Sloan (Phil.1:21)" on the front end page (I believe this may be inscribed to Marc Lyons, another football player). The book is straight, clean and tight with no other handwriting in it, with slight edgewear from shelving. The price intact dustjacket is clean, crisp and bright with some fading to the spine and some small edge chips and tears. Steve Sloan is himself a continuing part of college football history (as are several others who signed the sheets). Mr. Sloan was inducted into the Tennessee Sports Hall of Fame in 2000. Steve Sloan's biography, from an internet page about him: In both 1960 and 1961, Steve Sloan was selected to the All-State football and basketball teams. In 1961, he signed with the University of Alabama, where he enjoyed an outstanding career earning All-American honors in 1965 and guided his team to a national title. That same year, he earned Southeastern Conference MVP honors and was an Academic All-American. His first head coaching position was with Vanderbilt University (1973-74), earning him SEC Coach of the Year honors his second year. He then became head coach of Texas Tech University (1974-77), and was named Southwest Conference Coach of the Year in 1976. He later had head coaching stints at the University of Mississippi and Duke University. Sloan served as athletic director at the University of Alabama from 1987-89, and served in that capacity at the University of Central Florida in Orlando and finally at UT-Chattanoo ga before retiring from football in 2006. A fine package of late 1960s football history and a unique grouping of football player and coach signatures.; Signed by Author .

      [Bookseller: Authors & Artists]
 37.   Check availability:     Biblio     Link/Print  


        Fuck the System [Abbie Hoffman's First Published Work]

      New York: Privately Printed, 1967. First edition. Wrappers. Very Good. A Very Good copy of the first edition, first printing, of Abbie Hoffman's first published work, in the Publisher's original illustrated stapled wrappers measuring approximately 6 inches x 3 1/2 inches and published by Hoffman pseudonymously as George Metesky, a convicted bomber (better known as the "Mad Bomber") who, for a period of 16 years -- during the 1940s and 50s -- terrorized New York with home-made explosives planted by him in public venues such as theaters, terminals, libraries, offices, phone booths, and storage lockers, and in the restrooms of Grand Central Terminal, Pennsylvania Station, Radio City Music Hall, the New York Public Library, the New York City Subway. While showing some wear, the booklet remains in surprisingly good condition for such an uncommon ephemeral item. The wrappers show some creasing at the corners and minor loss to the rear wrapper's upper left corner (with a further incipient chip secured by a tiny piece of archival binder's tape applied to the wrapper's verso). The spine shows a split at the bottom third and a small split to the top, and a prior owner has written her name and address to the inside of the front wrapper. The pages are surprisingly clean and without tears or stains. Over the course of 30 pages, Hoffman offers the reader information on how to use the "system" to one's own benefit and obtain items such as alcohol, food, flowers, and pets at little to no cost, with the front wrapper bearing the text "Take what you want / Take what you need / There is plenty to go around / Everything is free. // George Metesky". Copies of this piece of Yippie ephemera are quite scarce, and are especially so when in a condition as nice as is this copy. QUITE SCARCE INDEED.

      [Bookseller: Allington Antiquarian Books, LLC]
 38.   Check availability:     IOBABooks     Link/Print  


        Le lettrisme devant Dada et les nécrophages de Dada ! EDITION ORIGINALE Tirage de tête ENVOI AUTOGRAPHE

      Paris: Centre de créativité, 1967. Fine. Centre de créativité, Paris 1967, 14,5x22,5cm, broché. - First Edition, one of 50 copies numbered on Arches paper leading copy. Our copy is full of original signed drawing by Maurice Lemaître. Rare and beautiful copy. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! - [FRENCH VERSION FOLLOWS] Edition originale, un des 50 ex numérotés sur Arches, tirage de tête. Notre exemplaire est bien complet du dessin original signé par Maurice Lemaître. Rare et bel exemplaire.

      [Bookseller: Librairie Le Feu Follet]
 39.   Check availability:     Biblio     Link/Print  


        THE MATCHMAKER'S LAMENT., Poems by Leonard Nathan -- Drawings by Leonard Baskin.

      Northampton: Gehenna Press, 1967. - 8 x 11. (25) pages illustrated throughout. Specially bound by Kim O'Donnell at her Garthegaat Bindery, in full black morocco with onlays of gray, orange, purple, and red morocco, in morocco and board tray case. Colophon signed by Baskin and by O'Donnell. One of 400 copies, this not numbered. Printed in Arrighi type on Arches paper. Kim O'Donnell studied binding with Gray Parrot for 5 years, and worked with local printers & artists in the Pioneer Valley. Her Garthegaat Bindery was active for 15 years. She is presently Senior Rare Book Conservator with Etherington Conservation Services. [Attributes: Signed Copy]

      [Bookseller: Veatchs Arts of the Book, ABAA]
 40.   Check availability:     AbeBooks     Link/Print  


        Dommen og andre Fortællinger. Redigeret af Villy Sørensen. (Samlede Fortællinger I.)

      Gyld. Bekkasinbøger, 1967. 243 sider. Heftet.. Med det stribede omslag af Autin Granjean. Let slid langs kanterne. Af indhold: Dommen. Forvandlingen. I fangekolonien. En landlæge. Koksspandsrytteren. En sultekunstner. Noget gulnet bind og navn på fortitelbladet.(Porto kr. 40,- på brevforsendelser i Danmark)

      [Bookseller: Bøger & Kuriosa]
 41.   Check availability:     Antikvariat     Link/Print  


        GRANDE DIZIONARIO ENCICLOPEDICO UTET. Fondato da P. Fedele.

      U.T.E.T. 1967-1985 (Codice CU / 1390) In 4° - 25 volumi 900 pp. per vol. ca. Autorevole e stimata opera di consultazione, tuttora valida e apprezzata. Con ricchissimo corredo iconografico: migliaia di illustrazioni n.t. e centinaia di tavv. fuori testo a colori. Indice generale e atlante. Terza edizione interamente rifatta e aggiornata. Completissima con i volumi: "Appendice 1979", "Appendice 1985", "Cronologia Universale", "Gli strumenti del sapere contemporaneo: Vol. I. Le discipline, Vol. II. I concetti". Solida e elegante legatura edit. m. pelle avorio, tasselli e tit. oro, piatti in tela (ancora con le sovracc. trasparenti). Ottimo e fresco esemplare. Euro 625.00 ~~~ SPEDIZIONE IN ITALIA SEMPRE TRACCIATA

      [Bookseller: Bergoglio Libri d'Epoca]
 42.   Check availability:     maremagnum.com     Link/Print  


        The writer of "The Postman Always Rings Twice" and "Double Indemnity" recalls books he read when he was young, especially "Alice in Wonderland" - "a little girl who followed a white rabbit down his hole ? those pitfalls for every writer ? Whenever I feel an impulse to be important, I remind myself of Alice, and get rid of that impulse, quick?"

      Hyattsville, Maryland, Aug 11 & Nov 22, 1967. 8.5" x 11". "Comprises:(1) Typed Letter Signed ""James M. Cain,"" 2p, 8.5"" x 11"", separate sheets. Hyattsville, Maryland, August 14, 1967. To Miss Evelyn P. Byrne, The Bronx, N.Y. With original envelope. Fine condition.In part, ""When I was young I read endlessly, particularly novels, and some of those I enjoyed were THE THREE MUSKETEERS, TWENTY YEARS AFTER, THE COUNT OF MONTE CRISTO, THE LAST OF THE MOHICANS, THE DEESLAYER [sic], THE VIRGINIANS, VANITY FAIR, TREASURE ISLAND, and THE JUNGLE BOOK. At the age of twelve, I wanted to read THE BLACK TULIP, but when I got it out of the college library (my father was a college president), it was in French, and I taught myself French to read it. But of all the books from those years, the one I remember best, and the one that has remained with me, to be part of my life and be reread at least once a year since, is ALICE IN WONDERLAND, with of course it's back-to-back companion-piece, THROUGH THE LOOKING GLASS...""I try to remind myself it is about a little girl who followed a white rabbit down his hole -- about as unpretentious an idea as could well be imagined. It is, so far as I see now, devoid of any big significance, any lesson to be imparted, any wisdom -- those pitfalls for every writer, especially elderly writers, like me. Whenever I feel an impulse to be important, I remind myself of Alice, and get rid of that impulse, quick. My last book, one I finished last week, was about a little girl who by a sufficiently credible account was given a tiger to raise, a baby tiger no bigger than a squirrel -- but he grew. He didn't eat her, but I think a fairly amusing tale grew out of it...""On November 15, 1967, Miss Byrne sent a typescript of Cain's August 14th letter to him (present), asking for ""permission to reprint your gracious letter in book form..."" An unsigned carbon of Byrne's November 15th letter is also present. Cain's reply:(2) Typed Letter Signed ""James M. Cain,"" 1p, 8.5"" x 11"". Hyattsville, Maryland, November 22, 1967. To Miss Evelyn P. Byrne, New York, N.Y. With original envelope. Fine condition.In part, ""Including me in your anthology is fine, but I make one small cut on your Xerox -- an illusion to a story about a tiger I had in works when I wrote you. I have had to shelve it in favir of something more pressing..."" Cain has crossed out the last 53 words beginning with ""My last book, one I finished a short time ago...""From 1966 to 1970, Evelyn Byrne ran a program at New York City's Elizabeth Barrett Browning Junior High School where she asked major literary and artistic figures of the time to write back with their recollections of what books inspired them while they were teenagers. An assortment of their responses were published in the book Attacks of Taste, printed in 1971 by Gotham Book Mart. "

      [Bookseller: University Archives]
 43.   Check availability:     Biblio     Link/Print  

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