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Displayed below are some selected recent viaLibri matches for books published in 1966

        Magick Lantern Cycle: A Special Presentation in Celebration of the Equinox, Spring 1966

      Film-Makers' Co-Operative / Cinematheque, New York 1966 - 1966. Program for Kenneth Anger's Magick Lantern Cycle, a series of 6 films screened at Jonas Mekas' Film-Makers' Cinematheque in downtown New York. 9 pages in card wraps, all contents loose. This copy lacks the original plastic binder that held everything together. Of the 9 pages 3 have text and the other 6 are b&w photos showing stills from the movies. The rear wrap has a portrait of Anger. Near Fine with minimal handling to the wraps. A classic item from the late '60s New York art scene, complete with Anger's suggestions to drug users as to the perfect timing for taking specific drugs while watching the movies. The 6 films screened were Inauguration of the Pleasure Dome, Prelude -- Anger Aquarian Arcanum, Preview -- Kustom Kar Kommandos, Fireworks, Eaux d'Artifice, Scorpio Rising. [Attributes: First Edition; Soft Cover]

      [Bookseller: Caliban Books Pittsburgh PA, ABAA]
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        Cineraccio.

      Mardersteig per i Cento amici del libro, 1966. Cm. 30, pp. 65 (5). Con 19 acquaforti di Orfeo Tamburi entro e fuori testo. Legatura edit. in cartoncino con titoli impressi. Entro custodia. Perfetta conservazione, in stato di nuovo. Pregevole edizione in tiratura limitata di 118 esemplari numerati e firmati da Sanminiatelli (ns. n. II).

      [Bookseller: Studio Bibliografico Benacense]
 2.   Check availability:     maremagnum.com     Link/Print  


        Rivages

      First edition printed in 75 numbered copies on "pur-fil" paper.Our copy is enriched trade off, as the only copy of the deluxe edition of 20 original drawings by Albert Masri it has signed.Shipments autographs signed by illustrator justifications prints of the illustrations and text.Book illustrated in drawings and Inserts Albert Masri.Rare and pleasant complete copy of its advertising prospectus. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! Imprimerie du Cannau Montpellier 1966 24,5x27,5cm & 24x26cm 3 volumes en feuilles sous chemise

      [Bookseller: Librairie Le Feu Follet]
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        Mani. Travels in the Southern Peloponnese; [with] Roumeli, Travels in Northern Greece

      London: John Murray [through 1966], 1958. First Edition. Hardcover. Near Fine/Near Fine. Two First Impressions of "two of the best travel books of the century." (Financial Times) Octavos in correct pictorial dust jackets by John Craxton. Mani: xiii,[5],320pp, with frontispiece and title-page vignette by Craxton, map of the southern Peloponnese by John Woodcock, and 26 photographs by Joan Eyres Monsell (the author's wife); Mani: Publisher's scarlet cloth, spine and upper cover stamped gilt, price-clipped (rather aggressively, catching just the corner of the final letter of the photographer's name). Near Fine, pages clean and binding secure, neatly erased name from front fly leaf, two corners lightly bumped; Near Fine jacket, spine panel very gently faded and top tip lightly rubbed. Roumeli: viii,248pp, with inserted double-page map of northern Greece on heavy grey stock by Craxton and 20 photographs by Monsell. Publisher's French blue cloth, spine and upper cover stamped gilt, dust jacket priced 30s. Near Fine or better (spine-tip cloth sunned, name neatly inked on front fly leaf ), very lightly read, gilt bright; Near Fine jacket (spine panel moderately tanned, tips lightly rubbed and nicked), front panel still bright and vibrant. All in all, an attractive set. During the Second World War, Leigh Fermor was stationed in Albania, Greece, and occupied Crete, where, disguised as a shepherd in the mountains, he helped organize the resistance. After the War he traveled in the West Indies and then settled in Greece. Mani, an exploration of that country's southernmost promontory, one of the most isolated regions of the world, is considered by some his finest book. ("Almost every page has its own literary tour de force, often with intimidating displays of learning and research mixed with fantasy, imagination and acute descriptions of the scene itself." Robin Hanbury-Tenison, Geographical: 76; pp. 42-49). It was followed by a sequel, Roumeli (the ancient name for the lands from the Bosphorus to the Adriatic and from Macedonia to the Gulf of Corinth) explores Northern Greece and its minority communities, taking the reader among Sarakatsan shepherds, the monasteries of Meteora and the villages of Krakora, among itinerant peddlers and beggars. Leigh Fermor was widely regarded as Britain's greatest travel writer during his lifetime, and he was once described as "a cross between Indiana Jones, James Bond and Graham Greene." N. B. With few exceptions (always identified), we only stock books in exceptional condition, with dust jackets carefully preserved in archival, removable polypropylene sleeves. All orders are packaged with care and posted promptly. Satisfaction guaranteed.

      [Bookseller: Fine Editions Ltd]
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        SEIS POEMAS ESCANDINAVOS

      Private Printing, Buenos Aires 1966 - Original glassine wraps a bit yellowed ; A loose leaf oeuvre of Borges. Including an original couache by the illustrating artist Juan Carlos Benites. SIGNED on copyright page by the printer Alejandro Shaw. ; 4to 11" - 13" tall [Attributes: Signed Copy; Soft Cover]

      [Bookseller: Complete Traveller Antiquarian Bookstore]
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        OSKAR KOKOSCHKA, OCTOBER - NOVEMBER 1966

      New York: Marlborough-Gerson Gallery. Very Good+. 1966. First Edition. Soft Cover. Illustrated front cover. Self portrait 1966. Lithograph on Japanese paper. Printed signature on front cover dated 1966. Edition 70. Hand written signature adjacent to rear covers, 1908 self portrait, "O Kokoschka," Ville Neuve (Vaud) Switzerland. Clean, soft pictorial covers. Text tight clean & intact. A hint of age toned edges. Austrian expressionist, Oskar Kokoschka (1886-1980). One of the leading masters of Modernism. Art Exhibition Catalogue illustrated with examples of color & b/w painting & graphic works. Art Catalogue; Paintings, Graphic Work Color & B/W; Square 8vo 8" to 9" tall; 132 pages .

      [Bookseller: Nick Bikoff, Bookseller]
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        TERRE D'IMAGES.; JOURNAL BIMENSUEL D'INFORMATION DES ARTS ET TECHNIQUES PHOTOGRAPHIQUES

      Paris: Éditions Michel Brient, 1966. First editions. Folios and 8vos, varying paginations from approximately 140 pp. ( Issues 1 -6), 8 pp. to 12 pp. ( Issues 7 - 30) and 50 pp. (Issues 31 - 33), illustrated from b&w photographs. 32 issues as follows:Issue No. 1, Jan/Feb. 1964 through Issue No. 23, 1 April 1966, and Issue No. 25, 6 May 1966 through Issue No. 33, November 1966. A long and nearly complete run, lacking No. 24. Issues 1 - 6 are bound in blue buckram with the original wrappers bound-in. Issues 7 - 30 are tabloid folios which were originally folded in quarters for mailing. Issues 31 - 33 are 8vos. with photo-illustrated stiff wrappers. A good set with moderate soiling to a few wrappers, a faint dampstain along the lower edge of Nos. 26 and 30, and a few creased corners. Founded as by Michel Brient in 1964 with Jean Adhémar, the Chief Curator of the Department of Prints and Photography at the Bibliotheque Nationale de France; by issue No. 7, the editorship passed to J. L. Swiners. With issue No. 30 it became a monthly, and ceased with No. 33.As the title suggests, photojournalistic photographers were largely featured in articles and portfolios. Each issue included brief reviews of major exhibitions and new publications.Issues 1 - 33, lacking only 1 issue.

      [Bookseller: Andrew Cahan: Bookseller, Ltd ]
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        Lettres à Roger Blin

      first edition, one of the review copies service.An autograph signed by Jean Genet to Margaret Bendy.Iconography.Back slightly insolated without gravity. Gallimard Paris 1966 14x20,5cm broché

      [Bookseller: Librairie Le Feu Follet]
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        THE WITCHES OF KARRES

      Philadelphia and New York: Chilton Books, [1966].. Octavo, cloth. First edition. A 1967 Hugo nominee for best novel. Anatomy of Wonder (1987) 3-329. A fine copy in fine dust jacket. A very scarce book in such splendid condition. (#153668)

      [Bookseller: L. W. Currey, Inc.]
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        Time-Life "Seicho no Hanashi [Growth]" (poster, silkscreen)

      1966 - Silkscreen poster for "Seucho no Hanashi [Growth]" of Kazumasa Nagai published by Time-Life in 1966. The poster is intact and keep very good condition. Size: 103 x 73 Cm

      [Bookseller: booksGYOZANDO]
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        NOW WAIT FOR LAST YEAR

      Garden City: Doubleday & Company, Inc., 1966.. Octavo, cloth. First edition. Novel of the future involving drug addiction and travel through time and alternate continuums. Earth under the domination of the Proxmen during the Proxman-Reeg interstellar war. A fine copy in nearly fine dust jacket with touch of rubbing to spine ends and corner tips, touch of shelf wear to upper spine end, and some mild dust soiling to rear panel. (#111895)

      [Bookseller: L. W. Currey, Inc.]
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        Koufax

      New York: The Viking Press, [1966]. First Edition. Hardcover. Very good +/very good +. Octavo, 294pp., plus some extra leaves with Koufax's statistics. A very good or better copy, with some foxing to endapers and page edges, in like dust jacket, foxed internally, with no other flaws. SIGNED on the frontispiece (a great photo of Koufax celebrating a victory). A very nice signed copy, scarce in this condition.

      [Bookseller: Cleveland Book Company]
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        Les dessins de Hans Bellmer

      Denoël 1966 - - Denoël, Paris 1966, 24,5x32cm, reliure de l'éditeur sous étui souple. - Edition originale sur papier courant. Reliure de l'éditeur en pleine toile rose, dos lisse, exemplaire complet de sa jaquette ainsi que de son étui souple. Envoi autographe signé d'Hans Bellmer à monsieur Milla en dessous de la justification du tirage. Abondante iconographie. Petites taches claires sur le second plat de l'étui. Agréable exemplaire. [AUTOMATIC ENGLISH TRANSLATION FOLLOWS] first edition on plain paper. Binding of the publisher in full pink canvas, smooth back, complete copy of its jacket and its soft case. Autographed autograph dedication of the author from Hans Bellmer to Mr. Milla below the justification of the draw. Abundant iconography. Small light spots on the second flat of the case. Pleasant copy. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Librairie Le Feu Follet]
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        VICTORIAN DETECTIVE FICTION

      Bodley Head 1966 - First edition. Number 10 of 25 copies reserved for presentation from a total edition of 500 copies, signed by Greene and Glover as well as John Carter (who contributed an introduction). Further inscribed in Carter's hand "for Mrs Kaye" at the base of the limitation page. Original green cloth in dustwrapper. A fine copy in a fine (price clipped) dustwrapper. The catalogue of a collection of first and early editions of detective fiction put together by Greene and his lover, Dorothy Glover. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Jonkers Rare Books]
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        Many are Called. With an introduction by James Agee

      Boston: Houghton Mifflin Co,, The Riverside Press Cambridge, 1966 - 4to (216 × 178 mm), pp.[xiv], 178. Black-and-white photographs. Cream endpapers. Black cloth-covered boards, spine and front lettered in white; top outer corner lightly bumped. Black-and-white photo-illustrated dust-jacket, text in grey and white; light wear to edges, corners rubbed, light creasing and wear to head and foot of spine, tiny chip to head of spine and fore-edge of lower flap, rubbing to spine and flap-folds. Errata slip tipped on to p.[vii]. Inscribed and signed by Evans in pencil on front free endpaper, with a numerical note in pencil opposite each photograph. Near-fine in an excellent dust-jacket. First edition, a significant association copy of one of Evans’s most important books, inscribed to George Rinhart who purchased several thousand prints from Evans, and introduced his work to Sam Wagstaff amongst others before selling the bulk of the collection to Harry Lunn. The inscription reads: ‘George Rinhart / “Called”? / Walker Evans.’ Sinibaldi, A. and Couturier, J-L., Regards sur un siècle de photographie à travers Le Livre (136); Rathbone, B. and Worswick, C., Walker Evans: The Lost Work; Roth A., The Book of 101 Books: Seminal Photographic Books of the Twentieth Century pp.180-81; Parr, M. and Badger, G., The Photobook: A History vol.I p.253; Roth, A., The Open Book: A History of the Photographic Book from 1878 to the Present pp.218-19; Auer, M. and M., 802 photo books from the M + M Auer collection p.456; North, M., ‘The Significance of Walker Evans’ Many Are Called in Two Distinct Moments,’ The Providence College Art Journal, p.32-45. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Oliver J. Wood]
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        Regards sur la mer

      Vialetay 1966 - Paris, Vialetay, 1966 In-folio (38,5cm x 32,5cm) de 93-(7)pp & in-plano (60cm x 39cm) de (59)ff pour le volume de suites. Tirage à 176 exemplaires numérotés et signés dont 1 exemplaire unique sur Japon nacré, 18 Japon nacré comprenant l’aquarelle originale d’une planche double, un bon à tirer, la décomposition et la gamme montante d’une planche, une suite sur Auvergne et une suite sur Rives, 22 Japon nacre comprenant un dessin original, une suite sur Auvergne et une suite sur Rives, 40 Rives comprenant une suite, 70 Rives sans ajout & 25 hors-commerce réservés aux collaborateurs. 18 lithographies originales dont 11 hors-texte & 7 in-texte par Sarthou ayant nécessité 109 pierres gravées par l’artiste. Plein box vert turquoise, dos lisse orné d’un ensemble de 4 filets de palladium bleu ciel argenté répété trois fois représentant l’ondée de la mer, auteur, titre, illustrateur & date frappés or, plats décorés d’une grande composition abstraite mosaïquée de box de différentes couleurs & d’ensembles de même filets de palladium bleu ciel argenté rappelant l’ondée, tranches dorées, contreplats finement bordés de même box et encadrés d’un filet bleu ciel argenté, contresplats et gardes en daim bleu turquoise, couverture et dos conservés, sous chemise demi box à rabats & étui. (Devauchelle) Plein box vert turquoise, dos lisse orné d’un ensemble de 4 filets de palladium bleu ciel argenté répété trois fois représentant l’ondée de la mer, auteur, titre, illustrateur, date & “suites” frappés or, papier stylise de couleur bleu turquoise contrecollé sur les plats, contre-plats bordés de même box, sous étui. (Devauchelle) Pour le volume de suites. Livre et suites intégralement montés sur onglets. Un des 18 exemplaires du tirage de tête (après l’exemplaire unique) sur Japon nacré comprenant l’aquarelle originale d’une planche double, un bon à tirer, la décomposition et la gamme montante d’une planche, une suite sur Auvergne et une suite sur Rives; celui-ci N°4. Très bel exemplaire, infimes frottements sur la coiffe inférieur du livre, en parfait état par ailleurs; dos de l'étui passé; petit manque sur la coiffe supérieure du volume de suites et dos un peu passé, parfait état par ailleurs. [Attributes: Hard Cover]

      [Bookseller: LIBRAIRIE EPPE FRÈRES]
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        The Reality Dysfunction (and) The Neutronium Alchemist (and) The Naked God (each volume inscribed/signed by the author).

      MacMillan: London 1966-1999 - All three volumes in the sf Night's Dawn trilogy. THE FIRST VOLUME INSCRIBED, SIGNED BY THE AUTHOR AND ALSO SIGNED BY DUSTJACKET ARTIST JIM BURNS: THE SECOND VOLUME INSCRIBED, SIGNED AND DATED BY THE AUTHOR (11/10/97) AT TIME OF PUBLICATION: THE THIRD VOLUME SIGNED AND DATED (16/10/99) BY THE AUTHOR AT TIME OF PUBLICATION. Fine copies in fine dustjackets (as new). [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: COLD TONNAGE BOOKS]
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        The Roxburghe Ballads [Nine Volumes in Eight]

      AMS Press 1966 - New York, 1966. 8vo, publisher's burgundy cloth. Complete in eight volumes. A complete reprint of the nine volume edition published by Hertford, Stephen Austin & Sons in 1871, considered to be the most complete. An important reference. This set was held in a university library and shows all normal marks, though the bindings remain in excellent condition and the contents are bright. Some foxing to tops of pages. Graded good because of the markings but a very usable and sound set. Please contact us for additional pictures or information. [Attributes: Hard Cover]

      [Bookseller: Auger Down Books, ABAA/ILAB]
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        Edouard Vuillard. Douze pastels présentés et commentés par Jacques Salomon

      Övrigt tryckt och skrivet. La Bibliothèque des Arts, Paris 1966. Linneklädd mapp innehållande 12 mycket fina reproduktioner i färg (storlek ca 33x25 cm), monterade på varsitt ark i storlek 46x38 cm. Tryckning Daniel Jacomet. Till varje reproduktion hör en dubbelvikt folder i samma storlek med verktitel och text. Därutöver en textfolder om 3 sidor. Numrerad upplaga, detta ex har nummer 221 av 350. Mappen innehåller följande titlar: I. Les Communs Au Chateau Des Clayes, II. La Chambre De Vuillard Aux Clayes, III. Les Sapins, IV. La Passerelle, V. La Saon Aux Clayes, VI. Dan Le Bois Des Clayes, VII. La Tourelle, VIII. La Parasol Orange, IX. Madame Vuillard A Table, X. Bouquet De Fleurs, XI. Le Square Vintimille, XII. La Vague.

      [Bookseller: Einar Larssons BLÅ KOSSAN]
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        [WARHOL] Aspen : the magazine in a box. Vol. 1, No. 3, 'The Pop Art Issue'

      Cover title: Now Aspen in an all new fab issue. Vol. 1 no. 3. New York : Roaring Fork Press, December 1966. Cardboard box with colour graphic based on Fab laundry detergent, 310 x 230 x 20 mm (a couple of splits to corners)), containing a flip-book of Warhol's film Kiss and Jack Smith's film Buzzards Over Bagdad; a flexidisc (creased) of the John Cale composition Loop by the Velvet Underground and Peter Walker's The White Wind, in an illustrated portfolio with essays by Lou Reed, Robert Shelton and Bob Chamberlain; the newspaper The Plastic Exploding Inevitable, with articles on LSD and marijuana; the portfolio Pop art 12 paintings op art from the Powers' collection; the booklet Season's Greetings, an illustrated essay on the Colorado wilderness house of Chuck and Lydia Rand; a survey promoting the fashion boutique Paraphernalia, titled Are you confused enough for Paraphernalia?; an advertising pamphlet for Vanguard Records; a broadsheet mimicking the New York Times, advertising Aspen; an advertising broadsheet for Guild Musical Instruments, and a ten-trip "ticket book"; original subscription forms,a complete edition, all original, and all contents in good condition. Aspen, published in ten issues between 1965 and 1971, was edited by Phyllis Johnson and featured contributions from many renowned and influential artists. The Pop Art Issue was designed by Andy Warhol and David Dalton. The cover art is reminiscent of Warhol’s Brillo Box works, imitating a brand-name detergent box design on front and back covers. Inside the front cover is a table of contents and contributors and inside the back cover is an advertisement for Verve Records. The portfolio containing The Velvet Underground flexi-disc resembles a contemporary press kit for a rock and roll band. It is highly significant in that it is the first published recording of The Velvet Underground. The portfolio includes three essays claiming to be three independent views on rock and roll: The View from the Bandstand / Life Among the Poobahs by Lou Reed, The View from the Critic’s Desk / Orpheus plugs In by Robert Shelton, and From the Dance Floor / …it’s the only radio station that’s never off the air by Bob Chamnerlain. The twelve cards reproducing paintings in the collection of John G. Powers include commentaries by the artists and collector. The artists represented are James Rosenquist, Bridget Riley, Gerald Laing, Roy Lichtenstein, Kenneth Noland, Andy Warhol, Claes Oldenburg, Larry Poons, Jasper Johns, William de Kooning, Charles Hinman and Ernest Trova. A stapled booklet profiling an owner-built home outside Aspen belonging to the Rands features several black and white and colour photographic reproductions. The cover imitates a 1960s Christmas card with a black and white image of the snow-covered house with a red border and red printed Season’s Greetings in the lower left-hand corner. The newspaper Exploding Plastic Inevitable is the first and only edition, a tabloid style printed newspaper with illustrations, advertisements, cartoons and articles. Contributors include Ron Tavel, Gerard Malanga, John Wilcock, Jonas Mekas and Patricia Oberhaus. The Underground Movie Flip Book is a small two-way flip-book featuring stills from Andy Warhol’s 1963 experimental film Kiss and a preview of Jack Smith’s forthcoming Buzzards over Bagdad. The Berkeley Conference on LSD is a small pink card booklet (stapled) resembling a book of tickets, titled Ten Trip Ticket Book. Each page (ticket) contains excerpts from fourteen papers presented at the Berkeley Conference on LSD, held in 1966. Contributors include Richard Blum, William Frosch, Rolf von Eckartsberg, Frank Barron, Joseph D. Lohman, USCO, Michael Harner, Richard Alpert, Eric Kast, Abram Hoffer, Claudio Naranjo, Paul Lee, Houston Smith and Timothy Leary. Other ephemera in the box includes advertisements in the form of loose sheets: an Aspen Magazine subscription form; a quarter-fold brochure Folk Music on Vanguard (Vanguard Records); an A3 size poster (folded) promoting Paraphernalia, and a slightly larger than A4 size sheet advertising Guild Musical Instruments. Each issue of Aspen was published as a box containing ephemeral material, and was designed by various important experimental artists. The Warhol issue, with its vivid pop cover, is the most sought after, and is scarce complete. A single complete run of Aspen is recorded in Australian collections (National Gallery of Australia Research Library).

      [Bookseller: Douglas Stewart Fine Books]
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        Collection des Editions Lettrisme et Hypergraphie (E.L.H.) créée par R. Sabatier et R. Spacagna. Série de 10 fascicules.

      Paris, E.L.H., 1966. - 13,5 x 10,5 cm. 10 vol. brochés, couv. illustrées. Edition originale, 10 volumes parus sur les 15 annoncés (dont 4 non parus) : n°1, Roland Sabatier, Lettrie de chambre / n°3, Jacques Spacagna, Lettrines I. de A à M / n°4, Collectif, Lettries & Hypergraphies, Lettries et dessins reproduits de Isidore Isou, Micheline Hachette, Roberto Altmann, etc. / n°5, Roland Sabatier, Œuvres aphonistes / n°7, Aude Jessemin & Jacques Spacagna, Lettries érotiques et leurs images / n°8, Micheline Hachette, Intervalle / n°10, Roland Sabatier, Oméga 3 Ballet ciselant / n°13, P. A. Gette, Morphomythologie / n°14, Collectif, Hypergraphies comparées. Catalogue de l’exposition Hachette, Jessemin, Sabatier et Spacagna à la Galerie Simone Loliée à Paris, en nov/déc. 1966 / n°14bis, Alain Satier Superstrat.- Les volumes : 6 (Spacagna), 9 (Roland Sabatier), 11 (Spacagna) et 15 (De La Tour) n’ont pas été publiés.- On joint Salle lettriste et hypergraphique, Musée national d'Art moderne, 1968, 16 p., ill. [Attributes: First Edition; Soft Cover]

      [Bookseller: SOLSTICES RARE BOOKS]
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        Everything That Rises Must Converge

      London: Faber & Faber. (1966). First. Uncorrected Proof of the first English edition. Two tiny staple holes on the front wrap else fine in unprinted wrappers. A desirable advance state of this classic collection of short stories, the scarcity of which can be judged by the fact that only 2000 copies of the trade edition were printed. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Sweet life.

      Amsterdam, De Bezige Bij, 1966. Square folio (29. 3 x 29.4 cm). Frontispiece, title page, [lvii] pp. [text], 179 pp. [photographic images], Publishers full, printed, cloth with title on the spine and author's autograph as vignette on the front board. Pictorial endpapers. In original pictorial dust jacket.= "Sweet Life" is the result of a 14 month-long world journey that the Dutch photographer and filmmaker Ed van der Elsken (1925-1990) made in 1960-1961, covering West Africa, the Malay Peninsula, The Philippines, Hong Kong, Japan, the United States and Mexico. It is widely regarded as Van der Elsken's magnum opus. "At the suggestion of Dutch photographer Emmy Andriesse (1914-1953) [Van der Elsken] moved in 1950 to Paris. He was employed in the darkrooms of the Magnum photography agency, printing for Henri Cartier-Bresson (who was impressed with his street photography), Robert Capa and Ernst Haas. There he met (and in 1954 married) fellow photographer Ata Kandó (b. 1913 Budapest, Hungary), twelve years his senior, living with her three children among the 'ruffians' and bohemians of Paris from 1950 to 1954" (Wikipedia). Provenance: gift from Van der Elsken to his wife, the photographer Gerda van der Veen (1934-2006) (inscribed on the endpapers). Two small tears in the margins of the dust jacket, otherwise a very good, unique copy.

      [Bookseller: Antiquariaat Schierenberg]
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        OCTOPUSSY AND THE LIVING DAYLIGHTS

      London: Jonathan Cape, 1966. Copyright date is 1966, This is the first edition (published posthumously) of Fleming's final entry into the James Bond series. Both "Octopussy" and "The Living Daylights" were adapted into films; the former in 1983 (starring Roger Moore) and the latter in 1987 (starring Timothy Dalton). The handsome volume features a well-preserved original dust jacket, with a price sticker reading "16s net / IN UK ONLY / 80p net" pasted over the original price. This vintage volume is solidly bound in the publisher's cloth covers with reflective lettering on the spine and front cover. The book shows very mild shelf wear at the edges, and contains decorative marbled endpapers. The pages are clean with occasional light marginal toning. The illustrated dust jacket is well preserved, with clipped flaps (the pasted-on price sticker appears on the front flap). Text is bright and clean, secure binding a solid collectible book . First Edition. Hardcover. near Fine/near Fine. 7¾" - 9¾" Tall. Collectible Fiction.

      [Bookseller: Mclin Haven]
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        The Homecoming

      New York: Grove Press, (1966). New York: Grove Press. (1966). First. First American edition, hardcover issue. Fine in fine dustwrapper. Initialed by Pinter on the half-title. The Homecoming won the Tony Award for Best Play in 1967. Probably the Nobel Prize-winning playwright's best-known and commercially most successful drama. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Ecrits

      - Seuil, Paris 1966, 14x20,5cm, broché. - Genuine Edizione originale per la quale non è stato redatto grandi giornali. Torna leggermente rugosa come di solito. - [FRENCH VERSION FOLLOWS] Véritable édition originale pour laquelle il n'a pas été tiré de grands papiers. Dos légèrement ridé comme généralement.  

      [Bookseller: Librairie Feu Follet]
 26.   Check availability:     maremagnum.com     Link/Print  


        Le arti e gli stili in ogni tempo e paese

      Milano, Fabbri, Elite - Le arti e gli stili in ogni tempo e paese 1966 - Collana completa di n. 60 volumi, con illustrazioni a colori. Il Luigi XV - La pittura cinese - Le porcellane europee - Antiche giade - Lo smalto in Europa - Arte dell'Oceania - Gli avori in occidente - Tappeti d'oriente - Terrecotte precolombiane - Il Luigi XVI - Maschere africane - Gli arazzi - La Pop art - Bronzi cinesei - Maioliche dal Rinascimento ad oggi - Gli strumenti musicali nell'arte - L'oreficeria medioevale - Il tessuto nell'arte antica - La miniatura indiana - Dai Nuraghi agli etruschi, la scultura minore nell'Italia preromana - Gli argenti inglesi - Dal Direttorio all'Impero - I bronzetti del Rinascimento - Il ferro battuto - L'oreficeria nell'arte classica - Tappeti d'occidente - La decorazione rinascimentale - Ville antiche - La miniatura gotica - Il Rococò - L'arte del vetro dall'antichità al Rinascimento - Giardini d'occidente e d'oriente - Lacche orientali - Maioliche dell'Islam e del Medioevo occidentale - Ceramica greca - Gli orologi - La miniatura rinascimentale - Il peltro - I manifesti - L'arte del vetro dal Rinascimento ai giorni nostri - Ville moderne - Armi in occidente - Oreficieria dal Rinascimento al Liberty - La decorazione nell'età barocca - Lo stile1925 - Gli ebanisti del Luigi XV - Ceramiche e porcellane cinesi - L'arredamento spagnolo - Gli argenti italiani - Arredamento moderno - Gli ebanisti del Luigi XVI - Scultura lignea nel mondo latino -Miniatura romanica - Armi in oriente - Scenografia italiana dal Rinascimento all'età romantica - Scultura lignea nel mondo nordico - Il Luigi XIV - Gli ebanisti del XIX secolo - Metalli islamici. 16mo. pp. 158 ogni volume. . Ottimo (Fine). . . . [Attributes: Hard Cover]

      [Bookseller: Studio Bibliografico Marini ALAI - ILAB]
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        Wide Sargasso Sea.

      London: Andre Deutsch, 1966. First edition this "tour de force" (New York Times Book Review). Octavo, original cloth. Signed by Jean Rhys. Fine in a near fine dust jacket with a touch of rubbing. Introduction by Francis Wyndham. Jacket design by Eric Thomas. Rare and desirable signed. Wide Sargasso Sea, a masterpiece of modern fiction, was Jean Rhys's return to the literary center stage. She had a startling early career and was known for her extraordinary prose and haunting women characters. With Wide Sargasso Sea, her last and best-selling novel, she ingeniously brings into light one of fiction's most fascinating characters: the madwoman in the attic from Charlotte Bronte's Jane Eyre. This mesmerizing work introduces us to Antoinette Cosway, a sensual and protected young woman who is sold into marriage to the prideful Mr. Rochester. Rhys portrays Cosway amidst a society so driven by hatred, so skewed in its sexual relations, that it can literally drive a woman out of her mind.

      [Bookseller: Raptis Rare Books]
 28.   Check availability:     Biblio     Link/Print  


        Ponte sulla Dora di Val Ferret.

      1966. Olio su tavoletta di cm. 15 x 23. Firma sul retro.

      [Bookseller: Libreria Cicerone M.T.]
 29.   Check availability:     maremagnum.com     Link/Print  


        The Roxburghe Ballads [Nine Volumes in Eight]

      AMS Press. Hardcover. New York, 1966. 8vo, publisher's burgundy cloth. Complete in eight volumes. A complete reprint of the nine volume edition published by Hertford, Stephen Austin & Sons in 1871, considered to be the most complete. An important reference. This set was held in a university library and shows all normal marks, though the bindings remain in excellent condition and the contents are bright. Some foxing to tops of pages. Graded good because of the markings but a very usable and sound set. Please contact us for additional pictures or information. . Good. 1966.

      [Bookseller: Auger Down Books ]
 30.   Check availability:     ABAA     Link/Print  


        Art international. Volume III, 1/2 1959 - Volume 10 / 1966.

      Zürich. Art international. 1959-1966. - 35 x 25 cm. Ca. 6000 S. OBroschur in OLeinen-Schuber. Von ausgezeichneter , frischer Erhaltung. Sammlung von 8 Jahrgängen der internationalen, aufwändig gestalteten Kunstzeitung für die Moderne und Avantgarde mit Texten in Deutsch, Französisch und Englisch. Enthalten ist in vollständiger Folge Jg. 3 / 1959, Heft 1/2 - 10 [9 Hefte]; Jg. 4 / 1960, H 1 - 10 [9 Hefte]; Jg. 5 / 1961, H.1 -10 [9 Hefte]; Jg. 6 / 1962, H. 1 - 10 [9 Hefte]; Jg. 7 / 1963, H. 1 - 10 [10 Hefte]; Jg. 8 / 1964, H.1 - 10 [9 Hefte]; Jg. 9 / 1965, H. 1 - 10 [9 Hefte]; Jg. 10 / 196, H.1 - 10 [10 Hefte] in zusammen 74 Heften, alle mit den Originalumschlägen in der Gestaltung der Künstler, in einheitlichen grauen Original-Leinen-Schubern. "Art international" ist nicht nur hinsichtlich der Berichterstattung in diesen Jahren mit einer Balance zwischen Tachismus, Informel und Pop Art, Nouveaux Realisme sowie Zero und teils frühen Beiträgen unter anderem über Yves Klein, Cy Twombly, Andy Warhol, Roy Lichtenstein, Claes Oldenburg, Louis Morris, Jasper Johns, Robert Motherwell, Jean Tinguely, Daniel Spoerri bis hin zu Gerhard Richter von großer Bedeutung für die damalige Kunstszene: Die unzähligen, oft ganzseitigen Anzeigen namhaftester Galerien wie Schwarz, Blu, Janis, Sonnabend, Clert, Castelli, Sperone, Schmela etc. verweisen auf frühe Ausstellungen u.a. von Warhol, Lichtenstein, Oldenburg, Johns, Klein, Twombly etc. Ein umfangreicher Beitrag von Paul Wember berichtet von der ersten institutionellen Ausstellung Yves Kleins in Krefeld, frühe, auch internationale Galerieausstellungen von Warhol und Lichtenstein werden besprochen. In dieser Dichte der wichtigsten Jahre und vor allem nahezu neuwertigen Erhaltung selten. [Attributes: Soft Cover]

      [Bookseller: Antiquariat Querido - Frank Hermann]
 31.   Check availability:     ZVAB     Link/Print  


        Historisch-biographisches Lexikon der Tonkünstler (7 Teile in 4 Bänden)

      Akademische Druck- u. Verlagsanstalt Graz Erste Auflage dieser Ausgabe 25,7 cm Leinen 1966 - 1977; 4 Bände; Bd. I: (Altes) Historisch-biographisches Lexikon der Tonkünstler (1790 - 1792) Teil 1: A - M, XIV, 992 Spalten u. Teil 2: N -Z, 860 Sp., Anhang: XVI, 85 S.; Bd. II: Neues Historisch-biographisches Lexikon der Tonkünstler (1812 - 1814), Teil 1: A - D, XXXII, 974 Sp. u. Teil 2: E- J, VI, 824 Sp.; Bd. III: dto., Teil 3: K - R, VI, 942 Sp. u. Teil 4: S - Z, 844 Sp.; Bd. IV: Ergänzungen, Berichtigungen, Nachträge, VI, 400 S.; herausgegeben von Othmar Wesseley; nach den Ausgaben Leipzig bzw. Berlin 1790, 1793, 1812 -1814; Bibliotheksabgang; jew. Reste der Rückensignatur, fliegender Vorsatz, Titelblatt verso, Vorderschnitt u. rückwärtige Innendeckel mit Bibliotheksstempeln; aus Präsenzbestand Sehr gut Versand D: 5,50 EUR

      [Bookseller: Versandantiquariat Rainer Kocherscheidt ]
 32.   Check availability:     buchfreund.de     Link/Print  


        Death of a Naturalist

      Faber, 1966. Hardcover. Fine. A first edition, first printing published by Faber in 1966. A fine book with a little spotting to the top edge and a gift inscription to the front endpaper - no annotations. In a very good unclipped wrapper. A little fading to the spine. Some very shallow chipping to the spine tips. A few light stains to the rear panel. Scarce

      [Bookseller: John Atkinson Books]
 33.   Check availability:     Biblio     Link/Print  


        VENERIE Préface par le Duc de Brissac Avec 17 Lithographies originales en couleurs De Jean Commère. Un des quelques ex. nominatifs Imprimé pour Henri Guillard et enrichi de 3 planches.

      1966 - Bièvres Pierre de Tartas 1966 in-folio en feuilles sous Couverture rempliée à incrustation de végétaux et Emboitage de toile brun foncé. Edition illustrée de 15 lithographies originales en couleurs Dont 7 à double-page. Tirage limité à 301 ex. numérotés Et signés par l?Artiste et l?Editeur. Exemplaire imprimé pour Henri Guillard enrichi de 3 planches sous feuillet à part et serpentes. PARFAIT EXEMPLAIRE [Attributes: Hard Cover]

      [Bookseller: NADINE LIVRES]
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        Sweet Life.

      Amdterdam, De Bezige Bij, 1966 - Amdterdam, De Bezige Bij, 1966. Cloth-covered boards (hardcover), illustrated dustjacket (with protective mylar), 29 x 29 cms., (32) pp. text in Dutch + 179 fine black-and-white plates in photogravure, text and design Ed van der Elsken. Three small tears to front dustjacket, small part missing of rear front jacket, upper and lower spine of d/j slightly rubbed, but still a fine copy. [Attributes: Hard Cover]

      [Bookseller: Luiscius Books]
 35.   Check availability:     AbeBooks     Link/Print  


        I postdiluviani

      Milano: Edizioni d'Ars, , 1966. Fogli sciolti in cartelletta (loose as issued in original portfolio). Molto Buono (Very Good). Poesie di Lamberto Pignotti. Contrappunto ornamentale di Luciano Lattanzi. Ogni tavola è numerata e firmata a matita dai due Autori. 4to (cm 32x23). pp. 4 + 12. Molto Buono (Very Good). Prima edizione di 150 es. numerati. La fascetta in copertina commemora "Firenze 4 novembre 1966", primo disastroso diluvio dell'Italia recente. Da Il Resto del Carlino del giorno dopo Pignotti trasse il materiale per comporre l'opera. "Quel giorno i postdiluviani stavano già guardando alle cose con gli occhi di chi ha doppiato forzatamente gli avvenimenti: la civiltà (. .) sembrava ormai un fatto remoto, da antidiluviani. Il diluvio aveva affogato il benessere, l'Arno era entrato materialmente nei televisori, il fango aveva riempito le lavatrici, la corrente della nafta aveva spinto le auto senza le prestazioni del Tigre. Ma il 5 novembre ai postdiluviani giunsero ugualmente notizie dagli antidiluviani: esse riferirono di un diluvio insolito (Arno, fango, nafta) e di un diluvio solito (patria, sport, elettrodomestici). Ai postdiluviani non restò che fare il confronto (tragico, ironico) tra i due diluvi". Stralci di giornale che affiancavano sarcasticamente il disastro che aveva messo in ginocchio Firenze con pezzi estrapolati dal mondo dei mass-media e del martellamento pubblicitario.

      [Bookseller: Studio Bibliografico MArini]
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        Du Royaume de Siam. Amsterdam, Abraham Wolfgang, 1691. 2 volumes bound as 1. 12mo. With the same woodcut printer's device on both title-pages, 2 folding engraved maps, 17 double-page engraved plates with printed music, Siamese alphabets, inhabitants etc., 21 full-page engraved plates, engraved headpiece and several woodcut illustrations in text. Contemporary vellum.

      STCN (6 copies); Walravens 92; cf. Lach & Van Kley III, pp. 1194-1196; Wyatt, "Introduction" in: A new historical relation of the Kingdom of Siam (1966). Second edition, published in the same years as the first, of a comprehensive work on the history of the kingdom of Siam, "Universally regarded as the finest work on seventeenth-century Thailand" (Wyatt). The French diplomat Simon de La Loubère (1642-1729) was appointed as Louis XIV's envoy extraordinary to the court of Siam, and while he stayed in Siam for only three months he diligently and systemically asked questions, "probably stimulated by the Jesuit scientists who accompanied the mission to take more than a passing interest in Siamese cosmology, astronomy, and mathematics" (Lach & Van Kley). Loubère compensated his short stay with a thorough study of earlier writers, referring to twenty-three European authors from Pinto to Gervaise in the first volume and collecting French translations of native works in the second. Besides presenting information on Siam itself, Loubère also incorporates information on India and China and their influence on Siam's past.With the armorial bookplate of Anton Ernst Burckhard van Birckenstein (active 1686-1744) on paste-down. Very good copy.

      [Bookseller: ASHER Rare Books (Since 1830)]
 37.   Check availability:     NVvA     Link/Print  


        Goethes Buch Suleika, gefolgt vom Schenkenbuch. Dem Westöstlichen Divan entliehen und mit vierzehn auf den Stein gezeichneten Farblithographien versehen von Max Peiffer Watenphul. Ein Liebhaberbuch.

      Frankfurt am Main, Ars Librorum / Gotthard de Beauclair, (1966). . Nr. 175 von 370 Exemplaren im großzügigen Druck auf Velin d'Arches (GA: 380), im Druckvermerk vom Künstler und vom Buchgestalter signiert. Der Satz erfolgte nach den Angaben von Gotthard de Beauclair; die Textfassung hält sich - bis auf die vorsichtig modernisierte Interpunktion - an die Große Weimarer Ausgabe von 1888. - "Goethes Buch Suleika" war das erste einer Reihe von Pfeiffer Watenphul und de Beauclair lang geplanten gemeinsamen künstlerischen Projekte, denen zwischen 1967 und 1969 noch drei lithographische Mappen folgen sollten. - Zwischen S. 12 u. 13 ein bei dem Gedicht "Gingo Biloba" eingelegtes Ginkgo-Blatt, das auf beiden Seiten im Bund einen ganz leichten Abklatsch hinterläßt. Unteres Kapital ganz leicht sprenkelfleckig. Sehr schönes Exemplar.

      [Bookseller: Antiquariat Reinhold Pabel]
 38.   Check availability:     IOBABooks     Link/Print  


        Oeuvres poétiques. Lithographies originales de Jansem.

      Paris: Club du livre - Philippe Lebaud, 1966. Livre. Illus. by Jean Jansem. Très bon. reliure éditeur. Signé par l'illustrateur. In-4. Paris, Club du livre - Philippe Lebaud, 1966. 33 x 26 cm (R), in-4, 236 (6) pp., 20 lithographies originales en noir hors texte (comprises dans la pagination) dont 3 à double page, reliure de vachette maroquinée noire incrustée de trois larges plaques colorées au palladium formant un décor fleuri, titre et auteur au palladium ou dos, tête argentée, chemise de demi-vachette maroquinée à bandes et étui bordé (reliure d'édition exécutée par Jacques Ebrard d'après une maquette de Henri Mercher). Tirage à 325 exemplaires, tous signés par Jansem au colophon. Celui-ci l'un des 54 sur Auvergne (n° 51), enrichi d'une DOUBLE SUITE à part des illustrations, l'une sur Japon nacré, l'autre sur Rives. Les suites sont présentées sous portefeuille et étui séparés. Somptueuses lithographies. Rare avec les suites et dans cette intéressante reliure d'édition. Bel exemplaire. (MONOD, 11299) (Prévoir des frais de port pour 8 kg).

      [Bookseller: Des livres autour (Julien Mannoni)]
 39.   Check availability:     IOBABooks     Link/Print  

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