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Displayed below are some selected recent viaLibri matches for books published in 1966

        ohne Titel. Nagelreihung. Prägedruck auf Karton. Blattgröße ca. 64 x 53 cm. Unten rechts datiert (66) und signiert

      1966. im Passepartout unter Glas gerahmt - etwas knickspurig und an den Rändern etwas gebräunt - differenzbesteuert, kein Ausweis der Mehrwertsteuer Versand D: 4,80 EUR

      [Bookseller: Antiquariat am St. Vith]
 1.   Check availability:     buchfreund.de     Link/Print  


        Altenbourg, Gerhard. - "Janus im Flüstern Pans".

      - Lithografie / Kreidelithografie, in Schwarz, auf hell-chamoise Karton, 1966. Von Gerhard Altenbourg. Auflage Exemplar Nr. 9/15. 48,0 x 36,0 cm (Darstellung / Druckbild) / 65 x 50 cm (Blatt). Janda L 112. Unterhalb in schwarzer Feder signiert und datiert. Darüber Titel, darunter Blindstempel des Künstlers. Links unten Auflagenbezeichnung. - Ohne Makel. Sehr guter Zustand. Gerhard Altenbourg (1926 Rödichen-Schnepfetal - 1989 Meißen). Deutscher Maler und Grafiker. 1929 Umzug nach Altenburg. 1944-45 Soldat im Zweiten Weltkrieg. 1946-48 als Schriftsteller und Journalist tätig, Zeichenunterricht bei Erich Dietz. 1948-50 Studium an der Hochschule für Baukunst und Bildende Kunst in Weimar bei Hans Hoffmann-Lederer. 1959 Teilnahme an der documenta II in Kassel. 1961 Gastatelier an der Kunstakademie in Westberlin. 1961 Erwerb einiger Arbeiten durch das Museum of Modern Art in New York. 1962-89 Atelier in Altenburg, Annahme des Künstlernamens "Altenbourg". 1966 Burda-Preis für Grafik in München. 1968 Will-Grohmann-Preis in Westberlin. 1970 Mitglied der Akademie der Künste, Berlin. 1977 Teilnahme an der documenta 6 und Mitgliedschaft bei der ?Life Fellow of the International Biographical Association? in Cambridge. In den 1980er Jahren Ausstellungsverbot und Schließung der Ausstellungen, da er sich den offiziellen Kunstauffassungen der DDR widersetzte.Seit 1998 vergibt das Lindenau-Museum in Altenburg aller zwei Jahre den Gerhard-Altenbourg-Preis. [Attributes: Signed Copy; Soft Cover]

      [Bookseller: GALERIE HIMMEL]
 2.   Check availability:     AbeBooks     Link/Print  


        Das uber vier Malefitz-Personen ergangene Justitz-Rad/ als über I. Leopold Fixeln, II. Christoph Kranichfelden, III. Abraham Hoffmann, und IV. Anna Sophia Wanckin. Die alle viere allhier vor Berlin Anno 1725. d. 21. Febr. damit vom Leben zum Tode gebracht wurden, ist mit historischer Beschreibung ihrer an der Damm-Mühle bei Quielitz verübten Frevel-That in Kupfern und Drucke abgebildet.

      Titel in Rot. u. Schwarz, mit 4 Porträt-Kupfertafeln. 128 S. (r. 126 S., Pag. springt von S. 6 auf 9). Umschlag aus Herrnhuter-Papier. 4. Huelke-Etzler 1966. - Mit den Portraits der wegen Raubmordes Verurteilten es gibt wenige Exemplar, die auch ein Frontispiz haben. - Der Verfasser, Prediger zu St. Nicolai in Berlin, erzählt genüsslich die Folterung des Christoph Kranichfeld und sein Bekehrungswerk während dessen.

      [Bookseller: Antiquariat Turszynski]
 3.   Check availability:     booklooker.de     Link/Print  


        Amanita Pestilens (Archive of press material and original photographs from the 1963 film and its production company, Crawley Films)

      Crawley Films Limited, Ottawa, Canada 1966 - Archive of press material and photographs for the 1963 Canadian film, and for the twenty-fifth anniversary of the founding of the production company, Crawley Films.F.R. "Budge" Crawley was Canada's answer to Hollywood's Sam Goldwyn, and he produced hundreds of films during his 40-year career, including the Academy Award-winning 1975 documentary, "The Man Who Skied Down Everest." "Budge" and his wife Judith founded Crawley Films in 1938 and won the first Canadian film award in 1950. Crawley has been referred to as "the Godfather of Canadian cinema," and rightfully so. Included in the archive are 27 film still photographs with mimeo snipes affixed to the versos (several on-the-set images and a few with director Bonnière); a folder containing 25 letters ("to salute 25 Years") from various French, American, British and Canadian film and government associations (including former Canadian Prime Minister Lester B. Pearson, and Eric Johnston, president of the Motion Picture Association of America), all dated 1963 with reproduced signatures for press purposes; a promotional brochure on the "new and improved" Crawley Films Limited; 2-page press memos (19) on Crawley parchment (nearly all flat-signed by the company vice president, Graeme Fraser); 3-page press information on the World's Fair in Montreal; French and English film credits sheets; a "how-to" booklet from Crawley discussing the proper ways to produce one's own motion picture (housed in printed company envelope); 2-page "facts" on Crawley Films' 25th anniversary; a letter from Fraser to Jean Vinant, asking her to be the production company agent; 3-page company property breakdown (camera department, script department, sound stages, etc.); several letters to-and-from studio secretary Maryse Martres, signed by persons involved with the film, including director Bonnière; a 27-page ditto-style mimeograph French version of the script; and various telegrams, receipts, and synopses relating to the film. The film itself was the first Canadian feature to be shot in both French and English using the same actors, the first Canadian film shot in color, and an early career appearance for actress Bujold. A man obsessed with his lawn in the suburbs of Montreal has a surprise awakening when mysterious mushrooms start to grow and become impossible to eradicate. He stops at nothing, including a deadly confrontation with his neighbor, to protect his lawn and his reputation. Shot on location in Quebec. Film still photographs 8 x 9.75 inches (20.25 x 24.5 cm), most mimeo snipes loose but present, and many photographs with tape stains as a result of having been stacked. Letters, press material, interoffice material, and other ephemera varying sizes, with most being 8 x 11 inches (20.25 x 27.5 cm). Full collation details available upon request. [Attributes: Signed Copy; Soft Cover]

      [Bookseller: Royal Books, Inc., ABAA]
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        I postdiluviani

      Edizioni d'Ars, 1966. Fogli sciolti in cartelletta (loose as issued in original portfolio) Poesie di Lamberto Pignotti. Contrappunto ornamentale di Luciano Lattanzi. Ogni tavola è numerata e firmata a matita dai due Autori . 4to (cm 32x23). pp. 4 + 12. Molto Buono (Very Good). Prima edizione di 150 es. numerati. La fascetta in copertina commemora "Firenze 4 novembre 1966", primo disastroso diluvio dell'Italia recente. Da Il Resto del Carlino del giorno dopo Pignotti trasse il materiale per comporre l'opera. "Quel giorno i postdiluviani stavano già guardando alle cose con gli occhi di chi ha doppiato forzatamente gli avvenimenti: la civiltà (. .) sembrava ormai un fatto remoto, da antidiluviani. Il diluvio aveva affogato il benessere, l'Arno era entrato materialmente nei televisori, il fango aveva riempito le lavatrici, la corrente della nafta aveva spinto le auto senza le prestazioni del Tigre. Ma il 5 novembre ai postdiluviani giunsero ugualmente notizie dagli antidiluviani: esse riferirono di un diluvio insolito (Arno, fango, nafta) e di un diluvio solito (patria, sport, elettrodomestici). Ai postdiluviani non restò che fare il confronto (tragico, ironico) tra i due diluvi". Stralci di giornale che affiancavano sarcasticamente il disastro che aveva messo in ginocchio Firenze con pezzi estrapolati dal mondo dei mass-media e del martellamento pubblicitario.\

      [Bookseller: Studio Bibliografico Marini]
 5.   Check availability:     maremagnum.com     Link/Print  


        General Catalog of Duke Ellington's Recorded Music - Inscribed to Ellington by the Author

      Palermo, 1966. Second Edition. Used; Like New/Used; Like New. Luigi Sanfilippo's catalog of Ellington's works, inscribed by the author to Ellington on the half-title: "Friendly a little gift to the great E. K. Ellington." With Sanfilippo's original business card. Few scholars began to work on Ellington's huge musical and cultural output until after his death, but Sanfilippo had begun the mammoth task of cataloging his recorded music in the 1960's. As he writes in the preface, there was a very positive response to his work: "The surprising success of the 1 edition of this book, and above all, the warm encouragement by collectors troughout [sic] the world, have made me decide, after barely one year, to publish a second edition of my modest work." 112 pp. Burgundy leather, stamped in gold; moire endpapers. Area of scuffing to the back cover; light traces of paper to the front cover; edges slightly rubbed; intact and overall in very good condition. 6.5 x 9.75 inches (16.5 x 25 cm). Provenance: Duke Ellington Estate.

      [Bookseller: Schubertiade Music & Arts]
 6.   Check availability:     Biblio     Link/Print  


        OBRAS COMPLETAS de Federico Nietzsche. I. Consideraciones intempestivas. Humano demasiado humano. II. Aurora. Tratados filosóficos. Filosofía general. III. El eterno retorno. Así hablo Zaratustra. Más allá del bien y del mal. IV. La voluntad de dominio. El ocaso de los ídolos. Ecce Homo. V. El origen de la tragedia y obras postumas de 1869 a 1873. La cultura de los griegos. Correspondencia. 6ª edición. Traducción, introducción y notas de Eduardo Ovejero y Maury

      1966 - Buenos Aires. Talleres Gráficos de la Compañía Impresora Argentina. Aguilar, S.A. de Ediciones. 1966-67. Cinco volúmenes. O.C. 4º menor, 699pp-2h, 609pp-1h, 704pp-2h, 728pp-1h, 675pp y vuelta. Tela nueva, tejuelo, cinta punto de lectura, conserva rústica y sobrecubierta del editor, falta sobrecubierta al vol. III. Biblioteca Filosófica. Resto de cinta adhesiva en cubiertas. Muy buen ejemplar, por lo demás, limpio. Friedrich Wilhelm Nietzsche, 1844-1900. [Attributes: Hard Cover]

      [Bookseller: MIMO Libros]
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        Half of Paradise

      New York: Pocket Books, 1966. First Edition. Mass Market Paperback. Fine/"No Dustjacket, As Issued". " In Wraps; Covers are flat and very lightly soiled from age; front cover has a crease at top edge and rear cover has a light vertical crease; upper right corner of front cover is darkened; spine of book has some wrinkling in cover paper but is not creased; edges of spine are rubbed mostly at top and bottom edges; all book edges stained red by publisher. 18mo; 293 pages; book interior is clean and tight; First Pocket Book Edition of author's first book; First Printing September 1966, Published the year after the Houghton Mifflin first edition; Association copy signed and inscribed by author on half title page "to Sister Madeline De Frees...from Hogman Jim Burke (author)..." Sister De Frees is a renowned U.S. poet, a teacher, and winner of the 2002 Lenore Marshall Poetry Prize and a Washington Book Award. She has also received a Gugenheim Fellowship in Poetry and taught at numerous universities and colleges. "

      [Bookseller: Charing Cross Road Booksellers]
 8.   Check availability:     Biblio     Link/Print  


        Giacomo Casanova Chevalier de Seingalt History Of My Life *12 Volumes in 6 Slipcases*

      Harcourt, Brace and World, New York, NY 1966 - (full book description) Harcourt, Brace and World, New York, NY, 1966. 1st Edition 1st Printing, Fine/Fine-, Hard Cover, With Slipcases. Size=5.5"x8.5", 4302pgs(Index). 192 Illustrations. 12 Volumes in 6 in slipcases. Rear cover of Volumes 1-2 slipcase has a few stains, crease on rear cover label of Volumes 11-12 slipcase, o.w. all are clean, bright and tight. No ink names, tears, chips,foxing, etc. First Translated into English in Accordance with the Original French manuscript. Introduction by translator. 20% OFF our regular catalogue price. SELLING WORLDWIDE since 1987. WE ALWAYS PACK WITH GREAT CARE! [Attributes: First Edition; Hard Cover]

      [Bookseller: edconroybooks]
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        Brockhaus Enzyklopädie in zwanzig Bänden Band 1 - 20 (20 Bde )

      Wiesbaden: Brockhaus 1966 - 1974; 20 Bände; ca. 17.000 S.; mit zahlr. SW-Abb., sowie farbigen Tafeln u. Karten; 17., völlig neubearbeitete Aufl. des Grossen Brockhaus. Halbleder. Sehr gut/kein Schutzumschlag. 24,9 cm.

      [Bookseller: Versandantiquariat Rainer Kocherscheidt]
 10.   Check availability:     Biblio     Link/Print  


        [Moïse et l'Ange] And Moses beheld all the worke, and beholde, they had done it as the Lorde had commanded; and Moses blessed them. (Moïse examina tout le travail; et voici, ils l'avaient fait comme l'Eternel l'avait ordonné, ils l'avaient fait ainsi. Et Moïse les bénit) - The Story of Exodus

      Original lithograph in colors, one of the 15 proofs printed on Imperial Japan paper and reserved for the artist and his collaborators, one draw with 20 other japan and 250 Arches paper. unsigned Event, as all races in the series except the frontispiece.Superb test of Japan made especially for The Story of Exodus, published in 1966, Chagall painted the 24 lithographs inset printed by Mourlot.Fernand Mourlot, undoubtedly the best artisan lithographer of the twentieth century, was naturally the printer and the friend of the greatest artists of his time. "Picasso, Matisse, Chagall, Miró, Braque, Dubuffet, Léger, Giacometti ... have enriched their own expressions and contemporary art a new area of ​​research. With Mourlot, and thanks to him, lithography has acquired both personality and future. " (Pierre Cabanne, in fifty years of lithography).Already printer of the two volumes of the Bible illustrated by Chagall, Mourlot contributed to the formation of the artist in the art of lithography in the 1950s it was at this time that Chagall indeed begins to attend workshop Mourlot to learn the lithographic processes and he became friends with the artisans of printing, including Charles Sorlier.So is this the top of his game as Chagall realizes this Exodus story that coincides with the completion of his immense lithographic and pictorial work on the Bible began in 1930 at the initiative of Ambroise Vollard. This decorative cycle entitled Biblical Message T will also behind the creation of the Marc Chagall Museum, originally the National Museum of Biblical Message Marc - Chagall.Extremely rare first test printed on Japan, the best paper and the best for color prints. AMIEL Léon Paris,New-York 1966 36x49.5cm une feuille

      [Bookseller: Librairie Le Feu Follet]
 11.   Check availability:     Direct From Bookseller     Link/Print  


        Australian Dictionary of Biography: 15 Volumes Volume 1 to Volume 12, 1891-1939; Index to Vols 1-12; Volume 13, 1940-1980 A-De; Volume 15 1940-1980 Kem-Pie.

      Carlton, Melbourne University Press, 1966-2000.. First Editions; 15 volumes in total; pp. 578; 634; 516; 494; 467; 463; 647; 660; 677; 680; 677; 611; 326; 626; 611; corrigenda; original cloth, Vols 1- 12 having both dustjackets ie first edition dustjacket and matching later illustrated dustjackets , Vols 13, 15 and index volume having illustrated dustjacket making the set all uniformly fine; minor rubbing to some dustjackets; otherwise a fine set. A work of major importance and massive scholarship.

      [Bookseller: Time Booksellers]
 12.   Check availability:     Biblio     Link/Print  


        "Il balcone". Omaggio a Manet. Sei incisioni di Sergio Minero presentate da Antonio Del Guercio.

      Stamperia del Pino, 1966. In folio, fascicolo di pp. 8 non num. con testo e descrizione delle incisioni, seguono in apposite cartellette le sei acquaf. acquatinte sciolte, num. e firmate a matita. Cartella edit. in similpelle, ediz. tirata a complessivi 70 esempl. numerati di cui X num. romana. L'Artista (1937) incisore, pittore e scultore; ha partecipato a diverse rassegne nazionali e internazionali.(vedi riproduz.)

      [Bookseller: Libreria Antiquaria Prandi s.n.c.]
 13.   Check availability:     maremagnum.com     Link/Print  


        [Le Veau d'Or] Then all the people pluckt from themselves the golden earerings, and they brought them unto Aaron who received at their handes, and fashioned it, and made of it a molten calfe. (Et tous ôtèrent les anneaux d'or qui étaient à leurs oreilles, et ils les apportèrent à Aaron qui les reçut de leurs mains, les façona et fit un veau en or fondu) - The Story of Exodus

      Original lithograph in colors, one of the 15 proofs printed on Imperial Japan paper and reserved for the artist and his collaborators, one draw with 20 other japan and 250 Arches paper. unsigned Event, as all races in the series except the frontispiece.Superb test of Japan made especially for The Story of Exodus, published in 1966, Chagall painted the 24 lithographs inset printed by Mourlot.Fernand Mourlot, undoubtedly the best artisan lithographer of the twentieth century, was naturally the printer and the friend of the greatest artists of his time. "Picasso, Matisse, Chagall, Miró, Braque, Dubuffet, Léger, Giacometti ... have enriched their own expressions and contemporary art a new area of ​​research. With Mourlot, and thanks to him, lithography has acquired both personality and future. " (Pierre Cabanne, in fifty years of lithography).Already printer of the two volumes of the Bible illustrated by Chagall, Mourlot contributed to the formation of the artist in the art of lithography in the 1950s it was at this time that Chagall indeed begins to attend workshop Mourlot to learn the lithographic processes and he became friends with the artisans of printing, including Charles Sorlier.So is this the top of his game as Chagall realizes this Exodus story that coincides with the completion of his immense lithographic and pictorial work on the Bible began in 1930 at the initiative of Ambroise Vollard. This decorative cycle entitled Biblical Message T will also behind the creation of the Marc Chagall Museum, originally the National Museum of Biblical Message Marc - Chagall.Extremely rare first test printed on Japan, the best paper and the best for color prints. AMIEL Léon Paris,New-York 1966 36x49.5cm une feuille

      [Bookseller: Librairie Le Feu Follet]
 14.   Check availability:     Direct From Bookseller     Link/Print  


        AS I OPENED FIRE POSTER TRIPTYCH (CORLETT APP. 5)

      Used; Like New/Used; Like New. Three offset lithographs in colours, each 24.75 x 20.75 in. (63 x 52.5 cm) each , framed in three separate frames, each 25 x 21 1/2. In very good condition, with nearly impercitable light rippling.<br><br><br />This work was conceived in 1966 and published by the Stedelijk Museum, Amsterdam. This piece is from one of several editions of over 3,000 printed after 1966, published by the Stedelijk Museum, Amsterdam.<br><br><br />Depicting a short few seconds during an aircraft battle, the painting is based on three panels of the original narrative which Lichtenstein has altered to improve its formal coherence. Along with Whaam! (the other of his monumental war paintings), this is regarded as the culmination of the dramatic war-comic works of Lichtenstein. Lichtenstein commented on his war imagery: "A minor purpose of my war paintings is to put military aggressiveness in an absurd light. My personal opinion is that much of our foreign policy has been unbelievably terrifying, but this is not what my work is about and I don't want to capitalize on this popular position. My work is more about our American definition of images and visual communication."

      [Bookseller: Schubertiade Music & Arts]
 15.   Check availability:     Biblio     Link/Print  


        Amanita Pestilens (Archive of press material and original photographs from the 1963 film and its production company, Crawley Films)

      Ottawa, Canada: Crawley Films Limited, 1966. Archive of press material and photographs for the 1963 Canadian film, and for the twenty-fifth anniversary of the founding of the production company, Crawley Films. F.R. "Budge" Crawley was Canada's answer to Hollywood's Sam Goldwyn, and he produced hundreds of films during his 40-year career, including the Academy Award-winning 1975 documentary, "The Man Who Skied Down Everest." "Budge" and his wife Judith founded Crawley Films in 1938 and won the first Canadian film award in 1950. Crawley has been referred to as "the Godfather of Canadian cinema," and rightfully so. Included in the archive are 27 film still photographs with mimeo snipes affixed to the versos (several on-the-set images and a few with director Bonnière); a folder containing 25 letters ("to salute 25 Years") from various French, American, British and Canadian film and government associations (including former Canadian Prime Minister Lester B. Pearson, and Eric Johnston, president of the Motion Picture Association of America), all dated 1963 with reproduced signatures for press purposes; a promotional brochure on the "new and improved" Crawley Films Limited; 2-page press memos (19) on Crawley parchment (nearly all flat-signed by the company vice president, Graeme Fraser); 3-page press information on the World's Fair in Montreal; French and English film credits sheets; a "how-to" booklet from Crawley discussing the proper ways to produce one's own motion picture (housed in printed company envelope); 2-page "facts" on Crawley Films' 25th anniversary; a letter from Fraser to Jean Vinant, asking her to be the production company agent; 3-page company property breakdown (camera department, script department, sound stages, etc.); several letters to-and-from studio secretary Maryse Martres, signed by persons involved with the film, including director Bonnière; a 27-page ditto-style mimeograph French version of the script; and various telegrams, receipts, and synopses relating to the film. The film itself was the first Canadian feature to be shot in both French and English using the same actors, the first Canadian film shot in color, and an early career appearance for actress Bujold. A man obsessed with his lawn in the suburbs of Montreal has a surprise awakening when mysterious mushrooms start to grow and become impossible to eradicate. He stops at nothing, including a deadly confrontation with his neighbor, to protect his lawn and his reputation. Shot on location in Quebec. Film still photographs 8 x 9.75 inches (20.25 x 24.5 cm), most mimeo snipes loose but present, and many photographs with tape stains as a result of having been stacked. Letters, press material, interoffice material, and other ephemera varying sizes, with most being 8 x 11 inches (20.25 x 27.5 cm). Full collation details available upon request.

      [Bookseller: Royal Books, Inc.]
 16.   Check availability:     Biblio     Link/Print  


        South Viet-Nam.

      No Place of Publication.: Mike Roberts Color Productions.. 1966.. Color pictorial map poster, sheet 38 x 25 inches, published folded now archivally linen backed, very good condition. The image of an American aircraft carrier, bombers and helicopters just off the coast of South Vietnam and figures of GIs at strategic locations inland are at odds with the otherwise bucolic picture of the country depicted in the pictographs and the selection of color photo illustrations to the left. Text in the decorative cartouche at lower right describes the country as American involvement in the ongoing war there increases: "Here are village governments, each composed of numberous tiny hamlets, for many years almost untouched by any central government and inclined to be opposed to central authority of any kind - government or Viet Cong. Here is a country with its railroads inoperative because of guerilla action, its highways useable only by armed convoys, depending upon airlifts (and oxen) for vital transport. Here is South Viet Nam, a land of gentle, peaceful people - but the battleground where the destiny of hundreds of millions will be determined in the war of Communism against the Free World." An uncommon map. .

      [Bookseller: oldimprints.com]
 17.   Check availability:     Biblio     Link/Print  


        in Russian] We Shall Meet in Orbit.

      1966 - photographic portrait frontispiece, several photographic illustrations, first three chapters with numerous pencil annotations, pp. 228, 8vo, pale green boards, cover lettered in silver, with ascending red star motif, spine lettered in silver and red, dustjacket, clipped, worn at folds, frayed at edges, with short tears at upper edge of front and back covers, very good. The author's own copy, with his lengthy annotations and text corrections in pencil in the margins of 21 pages of the first three chapters. [WITH]: [in Russian] Cosmos: Road Without End. Moscow, 1974, photographic portrait frontispiece, numerous photographic plates, pp. 266, (vi), 8vo, dark blue boards, cover lettered in silver with ascending rocket motif, endpapers illustrated with spangled stars, very good. Both books are signed by Nikolaev on the title-pages [in Russian] 'With Best Wishes, 15.9.97' and include an autograph signed note by the author, briefly describing the book's contents, mounted on the final endpaper of each volume. The first book describes the training, flight and aftermath of the Vostok 3 mission of 1962, in which Nikolaev circled the Earth 64 times in 96 hours and appeared on the first television broadcast from space. Besides the traditional images of free fall training and portraits in various types of space suit, Nikolaev is also pictured on a pedalo and with his wife, Valentina Tereshkova, the first woman in space, on their wedding day. The second was written after the 1970 Soyuz 9 mission in which, though he was suffering from a pike bite from a fishing expedition two days before lift-off, Nikolaev set a new endurance record, 18 days in space. Known by Gargarin as 'the most unflappable man in a crisis I know' and by Titov as 'a man of iron endurance and courageous determination', Nikolaev was inundated with Soviet honours and had a conspicuous lunar crater named after him.

      [Bookseller: Blackwell's Rare Books ABA ILAB BA]
 18.   Check availability:     AbeBooks     Link/Print  


        Unternehmensforschung - Operations Research - Recherche Operationnelle - Band 10 bis 13 - ab dann Zeitschrift für Operations Research (ZOR) - Unternehmensforschung Band / Vol 14 bis 34 (25 BÜCHER)

      Zustand: Gut bis Sehr Gut min. gebräunt (Innen) Von 1966 bis 1990 komplett Bibliotheksex. mit Klebestreifenrest (Außen) Besitzerstempel (Innen) Schnitt wurde mit vielen Stempeln versehen (kann etwas zerstempelt sein) Einband Außen hat geringe Gebrauchsspuren Photo zeigt nur ein der 25 Bücher

      [Bookseller: Gebrauchtbücherlogistik]
 19.   Check availability:     booklooker.de     Link/Print  


        Symbiosion: Tien litho's van Horst Antes en tien gedichten van Hans Andreus. VERY FINE COPY.

      Amsterdam, Galerie d'Eendt, 1966. White cloth-covered boards (hardcover), 41,5 x 47 cms., containing 10 folded sheets loose as issued with 10 poems by Andreus and 10 colour lithographs, all signed in pencil by Antes, printed on 'Hahnemühle bütten' by Piet Clement, this all housed in yellow cloth-covered cardboard slipcase. Design: Wim Crouwel. Copy from an edition of 100, this being numbered '42/100'. SIGNED by both author and artist in colophon.

      [Bookseller: Luïscius Books]
 20.   Check availability:     NVvA     Link/Print  


        Amanita Pestilens (Archive of press material and original photographs from the 1963 film and its production company, Crawley Films)

      Ottawa, Canada: Crawley Films Limited, 1966. Archive of press material and photographs for the 1963 Canadian film, and for the twenty-fifth anniversary of the founding of the production company, Crawley Films.&#11;&#11;F.R. "Budge" Crawley was Canada's answer to Hollywood's Sam Goldwyn, and he produced hundreds of films during his 40-year career, including the Academy Award-winning 1975 documentary, "The Man Who Skied Down Everest." "Budge" and his wife Judith founded Crawley Films in 1938 and won the first Canadian film award in 1950. Crawley has been referred to as "the Godfather of Canadian cinema," and rightfully so.&#11;&#11;Included in the archive are 27 film still photographs with mimeo snipes affixed to the versos (several on-the-set images and a few with director Bonnière); a folder containing 25 letters ("to salute 25 Years") from various French, American, British and Canadian film and government associations (including former Canadian Prime Minister Lester B. Pearson, and Eric Johnston, president of the Motion Picture Association of America), all dated 1963 with reproduced signatures for press purposes; a promotional brochure on the "new and improved" Crawley Films Limited; 2-page press memos (19) on Crawley parchment (nearly all flat-signed by the company vice president, Graeme Fraser); 3-page press information on the World's Fair in Montreal; French and English film credits sheets; a "how-to" booklet from Crawley discussing the proper ways to produce one's own motion picture (housed in printed company envelope); 2-page "facts" on Crawley Films' 25th anniversary; a letter from Fraser to Jean Vinant, asking her to be the production company agent; 3-page company property breakdown (camera department, script department, sound stages, etc.); several letters to-and-from studio secretary Maryse Martres, signed by persons involved with the film, including director Bonnière; a 27-page ditto-style mimeograph French version of the script; and various telegrams, receipts, and synopses relating to the film. &#11;&#11;The film itself was the first Canadian feature to be shot in both French and English using the same actors, the first Canadian film shot in color, and an early career appearance for actress Bujold. A man obsessed with his lawn in the suburbs of Montreal has a surprise awakening when mysterious mushrooms start to grow and become impossible to eradicate. He stops at nothing, including a deadly confrontation with his neighbor, to protect his lawn and his reputation. &#11;&#11;Shot on location in Quebec. &#11;&#11;Film still photographs 8 x 9.75 inches (20.25 x 24.5 cm), most mimeo snipes loose but present, and many photographs with tape stains as a result of having been stacked. Letters, press material, interoffice material, and other ephemera varying sizes, with most being 8 x 11 inches (20.25 x 27.5 cm). &#11;&#11;Full collation details available upon request.

      [Bookseller: Royal Books, Inc. ]
 21.   Check availability:     ABAA     Link/Print  


        Dodici litografie

      Biella, Sandro Maria Rosso, 1966. Cartella editoriale in cartoncino grigio mm. 660x475 contenente 12 litografie in b/n su fondo avorio, firmate e numerate a matita dall'artista. Testo di accompagnamento di Aldo Palazzeschi. Tiratura limitata a 70 esemplari (ns. n° 58). Al margine inferiore timbro a secco dell'editore.

      [Bookseller: Taberna Libraria]
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        Giacomo Casanova Chevalier de Seingalt History Of My Life *12 Volumes in 6 Slipcases*

      New York, NY: Harcourt, Brace and World, 1966. First Edition First Printing. Hardcover. Fine/As New. Size=5.5"x8.5. 192 Illustrations. (full book description) Harcourt, Brace and World, New York, NY, 1966. 1st Edition 1st Printing, Fine/Fine-, Hard Cover, With Slipcases. Size=5.5"x8.5", 4302pgs(Index). 192 Illustrations. 12 Volumes in 6 in slipcases. Rear cover of Volumes 1-2 slipcase has a few stains, crease on rear cover label of Volumes 11-12 slipcase, o.w. all are clean, bright and tight. No ink names, tears, chips,foxing, etc. First Translated into English in Accordance with the Original French manuscript. Introduction by translator. 99% OF OUR BOOKS ARE SHIPPED IN CUSTOM BOXES, WE ALWAYS PACK WITH GREAT CARE!

      [Bookseller: Ed Conroy Bookseller]
 23.   Check availability:     Biblio     Link/Print  


        Every Building On The Sunset Strip.

      (Los Angeles), Edward Ruscha, 1966. Original stiff white wrappers with title printed in silver on spine and front cover, 18 x 14,5 cms., unpaginated (53 pp.), pages accordion-folded panorama folding out to approximately 820 cms. with the extra flap at the end of the fold, featuring two strips of captioned black-and-white photographs, house in original reflective silver mylar slipcase with white paper top and bottom. First Edition, First Issue. Vertical crease on spine, as usual. Otherwise a very fine copy including slipcase. Ruscha, Ed.

      [Bookseller: Luïscius Books]
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        Niemeyer-Holstein, Otto. - "Berge".

      - Zeichnung / Kohlezeichnung, auf festem weißem Zeichenkarton, 1966. Von Otto Niemeyer-Holstein. 36,0 x 48,0 cm (Blatt). WVZ 1729. Rechts unten in Bleistift signiert und datiert. Verso in Faserstift eigenhändig Werk-Nr., weitere Signatur und Jahr sowie Titel: "Werk-Nr. 1729 / ONH 1966 / Berge". - Unscheinbare ältere Montagespuren (Papiergelenkreste) auf der Rückseite. Sehr guter Zustand. Otto Niemeyer-Holstein (1896 Kiel - 1984 Lüttenort). Deutscher Maler und Grafiker. 1914-16 Kriegsfreiwilliger. 1919 Malkurse bei Arthur Segal in Ascona, später in Berlin. 1920 einige Monate in der Kunstakademie in Kassel. 1923 lernt er Paul Klee und Lyonel Feininger kennen. 1924 Gründungsmitglied der Künstlergruppe "Der große Bär" in Ascona. Lebt im 2. Weltkrieg zurückgezogen auf der Insel Usedom. 1953 gerät er zwischen die Fronten der Formalismusdebatte der DDR. 1954 Ausstellung in der Kunsthalle Mannheim, 1961 in der Nationalgalerie Berlin. Zahlreiche Auslandsreisen. 1964 zum Professor berufen. 1969 Mitglied der Akademie der Bildenden Künste Berlin. 1981 Ausstellung in der Kunsthalle Rostock. [Attributes: Signed Copy]

      [Bookseller: GALERIE HIMMEL]
 25.   Check availability:     ZVAB     Link/Print  


        Niemeyer-Holstein, Otto. - "Lissy Halbakt".

      - Radierung / Aquatinta & Strichätzung, auf cremefarbenem J.-Whatman-Büttenkarton, 1966. Von Otto Niemeyer-Holstein. Auflage 20 Exemplare. 14,7 x 19,1 cm (Darstellung / Platte) / 27 x 38,5 cm (Blatt). Schmidt-Sohler-Lau 116. Rechts unten in Bleistift signiert und datiert. - Kleiner Papierfehler im unteren Rand. Sehr guter Zustand. Otto Niemeyer-Holstein (1896 Kiel - 1984 Lüttenort). Deutscher Maler und Grafiker. 1914-16 Kriegsfreiwilliger. 1919 Malkurse bei Arthur Segal in Ascona, später in Berlin. 1920 einige Monate in der Kunstakademie in Kassel. 1923 lernt er Paul Klee und Lyonel Feininger kennen. 1924 Gründungsmitglied der Künstlergruppe "Der große Bär" in Ascona. Lebt im 2. Weltkrieg zurückgezogen auf der Insel Usedom. 1953 gerät er zwischen die Fronten der Formalismusdebatte der DDR. 1954 Ausstellung in der Kunsthalle Mannheim, 1961 in der Nationalgalerie Berlin. Zahlreiche Auslandsreisen. 1964 zum Professor berufen. 1969 Mitglied der Akademie der Bildenden Künste Berlin. 1981 Ausstellung in der Kunsthalle Rostock. [Attributes: Signed Copy]

      [Bookseller: GALERIE HIMMEL]
 26.   Check availability:     ZVAB     Link/Print  


        [Les Plaies d'Egypte] Then Moses stretched foorth his hande towarde heaven, and there was a blacke darkenesse in all the land of Egypt. (Moïse étendit sa main vers le ciel; et il y eut d'épaisses ténèbres dans tout le pays d'Egypte) - The Story of Exodus

      Original lithograph in colors, one of the 15 proofs printed on Imperial Japan paper and reserved for the artist and his collaborators, one draw with 20 other japan and 250 Arches paper. unsigned Event, as all races in the series except the frontispiece.Superb test of Japan made especially for The Story of Exodus, published in 1966, Chagall painted the 24 lithographs inset printed by Mourlot.Fernand Mourlot, undoubtedly the best artisan lithographer of the twentieth century, was naturally the printer and the friend of the greatest artists of his time. "Picasso, Matisse, Chagall, Miró, Braque, Dubuffet, Léger, Giacometti ... have enriched their own expressions and contemporary art a new area of ​​research. With Mourlot, and thanks to him, lithography has acquired both personality and future. " (Pierre Cabanne, in fifty years of lithography).Already printer of the two volumes of the Bible illustrated by Chagall, Mourlot contributed to the formation of the artist in the art of lithography in the 1950s it was at this time that Chagall indeed begins to attend workshop Mourlot to learn the lithographic processes and he became friends with the artisans of printing, including Charles Sorlier.So is this the top of his game as Chagall realizes this Exodus story that coincides with the completion of his immense lithographic and pictorial work on the Bible began in 1930 at the initiative of Ambroise Vollard. This decorative cycle entitled Biblical Message T will also behind the creation of the Marc Chagall Museum, originally the National Museum of Biblical Message Marc - Chagall.Extremely rare first test printed on Japan, the best paper and the best for color prints. AMIEL Léon Paris,New-York 1966 36x49.5cm une feuille

      [Bookseller: Librairie Le Feu Follet]
 27.   Check availability:     Direct From Bookseller     Link/Print  


        Curious George Goes to the Hospital

      Houghton Mifflin, 1966 A fine first edition in a fine dust jacket. 1966 on title page and no mention of later printings on copyright page. Original price of $3.25 on front flap of dust jacket. Lower part of front flap is clipped. Housed in a custom-made collector's slipcase.. 1st Edition. Hardcover. Fine/Fine.

      [Bookseller: Bookbid Rare Books]
 28.   Check availability:     Biblio     Link/Print  


        5 Acqueforti. Presentazione di Fortunato Bellonzi.

      Edizioni Nemo, 1966. 4°; fascicolo di testo pp. non num. 8; seguono sciolte le cinque belle acquef. firmate e numerate a matita. Edizione limitata complessivi 60 esempl. di cui X num. romana f.commercio. Il tutto racchiuso in cartella cartone edit. con titoli al piatto.(vedi riproduz.)

      [Bookseller: Libreria Antiquaria Prandi s.n.c.]
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        THE ALPHABET BOOKâ&#128;¦WWII., A Short History of the Second World War in Two Volumes.

      Providence: , 1966. Two vols. - 13 x 10. 29 leaves of collage printed by silkscreen & letterpress; (34) text pages + 7 full page relief illustrations by letterpress. Each volume in printed cloth ring binder, in matching printed slipcase. A few of spots of color have offset onto 2 facing blanks in Volume I. A fine set. Volume I is "a series of collages that consisted of letters in a variety of fonts for the 26 letters of the alphabet. These designs are concerned not only with letter identity but also with the formal relationships of their distinctive shapes within the geometry of the circle. The point size of these words, their positions and their type faces have no particular significance other than aesthetic and typographical.The dingbat arrows, circles, and other shapes make reference to war maps and troop movements." Volume II is a glossary of the names and terms (from Abwehr to Zyklon-B) found in the first volume, along with 7 striking illustrations. The two-volume format allows one to view the collages and read the text at the same time. No. 17 of 35 signed copies. Feldman, a distinguished artist and art professor, received the Purple Heart in infantry combat during WWII. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Veatchs Arts of the Book, ABAA]
 30.   Check availability:     IberLibro     Link/Print  


        Jahrbuch \'66. Mit 14 signierten Original-Graphiken.

      Köln, Wolfgang Hake Verlag, 1966. 1. Auflage36 nn S., englische Broschur. Texte u.a. von Timm Ulrichs, Horst Bingel, Ernst Jandl, Dieter Hülsmanns, Rolf Dieter Brinkmann und Karl Riha. Nummeriertes Exemplar (37/100). Die 14 ganzseitigen und z.T farbigen Originalgraphiken sind jeweils signiert. Die Künstler: Karl Otto Götz (1914), Axel Knopp (1942, Nr. 37/100), Peter Brüning (1929-19), Gerd Hanebeck, Werner Schreib (1925-1969), Wolff Buchholz (1935-2010), Gernot Bubenik (1942), Pitt Moog (1932), H.P. Alvermann (1931) Manfred Garstka (1937), Kano Nishio (Nr. 37/100), Walter Stöhrer (1937-2000, Nr. 37/100), Lothar Fischer (1932-2004, Nr. 3/35), Johannes Schreiter (1930, Nr. 37/50). Der Einband mit Randeinriss und minimal fleckig sowie etwas aufgebogen, das Papier an den Rändern leicht nachgedunkelt. Insgesamt gutes Exemplar. Sehr selten. Das Foto zeigt die Graphik von Buchholz. Good copy with 14 handsigned originally graphics. Limited for 100 copies. Very rare. Versand D: 5,00 EUR bibliophil, limited, signed, Grafik

      [Bookseller: AS - Antiquariat Schröter]
 31.   Check availability:     buchfreund.de     Link/Print  


        Petite suite en blanche majeur

      Milano , GRAFICA UNO, 1966 - Comprend neuf planches gravées à l'eau-forte et burin par Peverelli (cm 15x27). Ouvrage sur papier Fabriano orné du filigrane de l'éditeur. 9 acqueforti e bulino non inchiostrate. 16mo (cm 16,5x15). pp. 28. Dedica e firma autografe dello stampatore Giorgio Upiglio (Inscribed and signed by the publisher Giorgio Upiglio). Ottimo (Fine). . Edizione originale di 100 es. numerati. [Jentsch, 1993]. Brossura, custodia (wrappers, slip-case) [Attributes: Hard Cover]

      [Bookseller: Studio Bibliografico Marini ALAI - ILAB]
 32.   Check availability:     AbeBooks     Link/Print  


        Sämtliche Werke. Braunschweiger Ausgabe in 26 Bänden.

      Verlag Vandenhoeck & Ruprecht, Göttingen, 1966 bis 1994. 20 in 21 Bänden sowie 5 Ergänzungsbände (komplett), Fast 14.000 Seiten, 8°, gold- u. blaugepr. schwarzes OLn, OU. Vollständige Gesamtausgabe mit 5 Ergänzungsbänden! Im Auftrag der Braunschweigischen Wissenschaftlichen Gesellschaft nach dem Tode von Karl Hoppe besorgt von Jost Schillemeit. Sieben Bände sind in 1. Auflage (Erstausgabe): Band 2, 3, 20 sowie Ergänzungsbände 2 bis 5, 18 Bände sind in 2. Auflage u. Band 8 ist in 3. Auflage. Die 2. u. 3. Auflage wurde stets durchgesehen u. meistens geändert u. zum teil stark erweitert. Band 1: Bearbeitung Karl Hoppe u. Max Carstenn, besorgt von Jörn Dräger, 509 S., 1 Tafel, 2. A., 1980, Band 2: Bearb. Karl Hoppe u. Hans Oppermann, 628 S., 1. A., 1970, Band 3: Bearb. wie Bd. 2, 536 S., 1. A., 1969, Band 4: Bearb. Karl Heim u. Hans Oppermann, 553 S., 2. A., 1969, Band 5: Bearb. Karl Hoppe u. Rosemarie Schillemeit, 530 S., 2. A., 1971, Band 6: Bearb. Hermann Pongs, 545 S., 2. A., 1966, Band 7: Bearb. Werner Röpke, 431 S., 2. A., 1969, Band 8: Bearb. Karl Hoppe, 453 S., 3. A., 1972, Band 9,1: Bearb. Karl Hoppe, Hans Oppermann u. Hans Plischke, 510 S., 2. A., 1974, Band 9,2: Bearb. wie 9.1 sowie Constantin Bauer, 510 S., 2. A., 1976, Band 10: Bearb. Hans Jürgen Meinerts, 518 S., 2. A. 1968, Band 11: Bearb. Gerhart Mayer u. Hans Butzmann, 524 S., 1 Abb., 2. A., 1973, Band 12: Bearb. Hans Butzmann u. Hans Oppermann, 557 S., 2. A., 1969, Band 13: Bearb. Hans Finck u. Karl Hoppe, besorgt von Jörn Dräger, 484 S., 2. A., 1977, Band 14: Bearb. Karl Hoppe, 512 S., 2. A., 1967, Band 15: Bearb. Karl Hoppe, Hans Oppermann u. Kurt Schreinert, 698 S., 2. A., 1979, Band 16: Bearb. Hans Oppermann, 606 S., 2. A., 1970, Band 17: Bearb. Karl Hoppe u. Hans Oppermann, 481 S., 2. A., 1981, Band 18: Bearb. Karl Hoppe, 501 S., 2. A., 1969, Band 19: Bearb. Hans Finck u. Hans Jürgen Meinerts, 483 S., 2. A., 1970, Band 20: Bearb. Karl Hoppe, 537 S., 2 Tafeln, 1. A., 1968, Ergänzungsband 1: Bibliographie, Bearb. Fritz Meyen, 438 S., 2. A., 1973, Erg.-Band 2: Briefe, Bearb. Karl Hoppe u. Hans-Werner Peter, 553 S., 1. A., 1975, Erg.-Band 3: Briefwechsel Raabe - Jensen, Hg. Else Hoppe u. Hans Oppermann, 652 S., 1. A., 1970, Erg.-Band 4: Gespräche, Aphorismen, 2. Fassung des Romans \"Ein Frühling\", Nachlese zur Prosa, Hg. Jost Schillemeit, Bearb. Rosemarie Schillemeit u. Max Carstenn, 406 S., 1. A., 1983, Erg.-Band 5: Ein Frühling - Neufassung 1869/70, Nachlese: Verstreute Prosa, Albumeintragungen, Gelegenheitsprosa, Literarische Notizen, Hg. Jörn Dräger u. Rosemarie Schillemeit, 635 S., 1. A., 1994. Die Bände sind neuwertig erhalten, wirken alle ungelesen, drei Bücher mit min. Randläsur, sehr schöne und wohlfeile, vollständige Ausgabe, die sehr selten komplett angeboten wird. Belletristik, Werkausgaben, Erstausgaben

      [Bookseller: ANTIQUARIAT & kunst Annelore Westerheyde]
 33.   Check availability:     buchfreund.de     Link/Print  


        Handbuch der Vögel Mitteleuropas. Band 1-10 in 12 Bänden ( von insgesamt 15 der in 23 Teilen erschienenen Bänden )

      Akademische Verlagsanstalt; Aula Frankfurt, Wiesbaden 1966 ( Erscheinungszeitraum der vorliegenden Bände 1966 - 1985 ). Vorhanden sind die Bände 1 ( Gaviiformes - Phoenicopteriformes ) / 2-3 ( Anseriformes, Teil 1-2 ) / 4 ( ) / 5 ( Galliformes und Gruiformes ) / 6, 7, 8/1 + 8/2 ( Charadriiformes, Teil 1-3 cpl. ) / 9 ( Columbiformes und Piciformes ) / 10/1 + 10/2 ( Passeriformes, Teil 1-2 cpl. ). Mit zusammen ca. 9500 Seiten sowie sehr zahlreichen Illustrationen, teils auf Tafeln ( darunter auch einigen farbigen ) sowie zahlreichen Verbreitungskarten etc.. Jeweils in goldgeprägten, grünen Oln, Groß8°. Einbände cellophaniert, wenige Bände gering fleckig oder gering angestoßen. Innen Papier teils leicht gebräunt ( Neupreis der teils noch lieferbaren Bände ca. 950 EURO ). Insgesamt wohlerhalten. ( Gesamtgewicht ca. 18000 Gramm ) ( Lagerort LG ) ( Pic erhältlich / webimage available ) Versand D: 5,00 EUR Gaviiformes, Phoenicopteriformes, Anseriformes, Falconiformes, Galliformes, Gruiformes, Charadriiformes, Columbiformes, Piciformes, Passeriformes, Ornithologie, Vögel, Vogel, Vogelkunde

      [Bookseller: Antiquariat Friederichsen]
 34.   Check availability:     buchfreund.de     Link/Print  


        Dal libro di Catullo.

      Bologna, L'Immagine, 1966, 4to cartonato editoriale con sovraccopertina illustrata a colori (litografia di CAssinari numerata e firmata) cofanetto cartonato con piccolo strappo al dorso, pp. 130 stampato su carta forte, esemplare in barbe, con dodici litografie originali a colori di Bruno Cassinari, fuori testo, numerate e firmate a matita dall'Autore. Ciascuna contenuta in apposita busta in carta scura. Stato di nuovo. Tiratura di 165 esemplari numerati, il ns. n. 147.

      [Bookseller: Libreria Piani già' Naturalistica snc]
 35.   Check availability:     Biblio     Link/Print  


        Le Chevalier de la Charrette

      Beaux livres Grands amis 1966 - Nancy, Beaux livres Grands amis, 1966 In-4 (35cm x 26,6cm) de (12)-195-(8) & 17-(22)pp. 22 pointes sèches dont vignette de titres, 5 à double page & 16 à pleine page par Claude Weisbuch. Tirage à 245 exemplaires dont 225 sur Vélin pur fil de Mandeure, 10 Japon Koso & 10 Canton de Richard de Bas. En feuilles, sous couvertures, chemise & étui éditeur. Un des 225 exemplaires sur Vélin pur fil de Mandeure, celui-ci N°H. Enrichi de 3 dessins originaux signés de l'artiste. Le premier (16,8cm x 14,9cm) est contrecollé sur une feuille volante; les deux suivants sont sur le recto et le verso d'une même feuille volante. Très bel exemplaire, chemise & étui en très bon état, la couverture principale est fendue des deux côtés du dos sur 3-4 cm; intérieur très frais. [Attributes: Soft Cover]

      [Bookseller: LIBRAIRIE EPPE FRÈRES]
 36.   Check availability:     AbeBooks     Link/Print  


        WINSTON S. CHURCHILL (15 VOLUMES)

      LONDON HEINEMANN -1979 1966 - FIRST EDITION. THE OFFICIAL BIOGRAPHY. 8 VOLUMES OF THE MAIN BIOGRAPHY PLUS 7 OF THE COMPANION VOLUMES. THE COMPANION VOLUMES ARE: VOL 1 (PARTS 1 AND 2); VOL 2 (PARTS 1, 2 AND 3); VOL 3 (PARTS 1 AND 2); ALL BOOKS ARE IN DUSTWRAPPERS AND ARE IN VERY GOOD CONDITION. POSTAGE AT COST. [Attributes: First Edition]

      [Bookseller: Hawkridge Books]
 37.   Check availability:     AbeBooks     Link/Print  


        Arp

      1966. Gaston Puel, Veilhes 1966, 14x17cm, en feuilles. - Gaston Puel, Veilhes 1966, 14x17cm, en feuilles. - Prima edizione, una delle 50 copie hors commerce numerato Rives velina numerato e giustificato dal dell'autore, testina di stampa. I nostri campioni, come tutte le opere di tirare la testa è piena di 4 incisioni su linoleum originali a colori di Hans Arp. Hans Arp firme su ognuno dei 4 incisioni su linoleum. Firma Gaston Puel alla giustificazione del sorteggio. Copia raro e molto bello. [FRENCH VERSION FOLLOWS] Edition originale, un des 50 ex numérotés hors commerce sur vélin de Rives numérotés et justifiés par l'auteur, tirage de tête. Notre exemplaire, à l'instar de tous les ouvrages du tirage de tête, est bien complet des 4 linogravures originales en couleurs de Hans Arp. Signatures de Hans Arp sur chacune des 4 linogravures et signature de Gaston Puel à la justification du tirage. Rare et très bel exemplaire.

      [Bookseller: Librairie Le Feu Follet]
 38.   Check availability:     maremagnum.com     Link/Print  

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