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Displayed below are some selected recent viaLibri matches for books published in 1966

        Les Plaies d'Egypte] Then Moses stretched foorth his hande towarde heaven, and there was a blacke darkenesse in all the land of Egypt. (Moïse étendit sa main vers le ciel; et il y eut d'épaisses ténèbres dans tout le pays d'Egypte) - The Story of Exodus

      AMIEL Léon 1966 - - AMIEL Léon, Paris, New-York 1966, 36x49.5cm, une feuille. - Lithographie originale en couleur, une des 15 épreuves imprimées sur papier japon impérial et réservées à l'artiste et à ses collaborateurs, seul tirage avec 20 autres japon et 250 Arches. Epreuve non signée, comme toutes les épreuves de cette série, hormis le frontispice. Superbe épreuve sur Japon réalisée spécialement pour The Story of Exodus paru en 1966, dont Chagall réalisa les 24 lithographies hors-texte imprimés par Mourlot. Fernand Mourlot, incontestablement le meilleur artisan lithographe du XXeme siècle, fut naturellement l'imprimeur et l'ami des plus grands artistes de son temps. "Picasso, Matisse, Chagall, Miró, Braque, Dubuffet, Léger, Giacometti.ont enrichi leurs expressions propres et l'art contemporain d'un domaine de recherches nouveau. Avec Mourlot, et grâce à lui, la lithographie a acquis à la fois une personnalité et un avenir." (Pierre Cabanne, in Cinquante années de lithographie). Déjà imprimeur des deux volumes de la Bible illustrée par Chagall, Mourlot contribua à la formation de l'artiste à l'art de la lithographie dans les années 1950. C'est à cette époque que Chagall commence en effet à fréquenter l'atelier de Mourlot afin d'apprendre les procédés lithographiques et qu'il se lie d'amitié avec les artisans de l'imprimerie, notamment Charles Sorlier. Ainsi est-ce au sommet de son art que Chagall réalise cette histoire de l'Exode qui coincide avec l'achèvement de son immense travail lithographique et pictural sur la Bible entamé en 1930 à l'initiative d'Ambroise Vollard. Ce Cycle décoratif intitulé Le Message Biblique sera d'ailleurs à l'origine de la création du Musée Marc Chagall, originellement Musée national du message biblique Marc-Chagall. Rarissime épreuve originale imprimée sur Japon, le plus beau papier et le meilleur pour les gravures en couleur. [AUTOMATIC ENGLISH TRANSLATION FOLLOWS] Original lithograph in colors, one of the 15 proofs printed on Imperial Japan paper and reserved for the artist and his collaborators, one draw with 20 other japan and 250 Arches paper. unsigned Event, as all races in the series except the frontispiece. Superb test of Japan made especially for The Story of Exodus, published in 1966, Chagall painted the 24 lithographs inset printed by Mourlot. Fernand Mourlot, undoubtedly the best artisan lithographer of the twentieth century, was naturally the printer and the friend of the greatest artists of his time. "Picasso, Matisse, Chagall, Miró, Braque, Dubuffet, Léger, Giacometti . have enriched their own expressions and contemporary art a new area of research. With Mourlot, and thanks to him, lithography has acquired both personality and future. " (Pierre Cabanne, in fifty years of lithography). Already printer of the two volumes of the Bible illustrated by Chagall, Mourlot contributed to the formation of the artist in the art of lithography in the 1950s it was at this time that Chagall indeed begins to attend workshop Mourlot to learn the lithographic processes and he became friends with the artisans of printing, including Charles Sorlier. So is this the top of his game as Chagall realizes this Exodus story that coincides with the completion of his immense lithographic and pictorial work on the Bible began in 1930 at the initiative of Ambroise Vollard. This decorative cycle entitled Biblical Message T will also behind the creation of the Marc Chagall Museum, originally the National Museum of Biblical Message Marc - Chagall. Extremely rare first test printed on Japan, the best paper and the best for color prints. [Attributes: First Edition]

      [Bookseller: Librairie Le Feu Follet]
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        AFRICAN ART IN AMERICAN COLLECTIONS

      New York 1966 - 238 pages (text in English and French), 347 photographs. Cloth cover. From the library of famed Africanist, Robert Plant Armstrong, and bears his signature on the frontis. [Attributes: Hard Cover]

      [Bookseller: Ethnographic Arts Publications]
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        Origami

      Japan 1966 - tall 8vo hardcover, Very Good plus off white cloth with japanese text on spine and front cover. japanese text through-out, 209 pages, illustrated, small sticker from Origami center in NYC at bottom of copyright page,scarce work by Buddhist scholar. [Attributes: Hard Cover]

      [Bookseller: Bristlecone Books RMABA]
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        Organic Syntheses

      Wiley-Blackwell, 1966. Collective Volume 4. Hardcover. New. SKU: MM-60139587; EAN: 9780471704706

      [Bookseller: Media Mall]
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        Handbuch der Vögel Mitteleuropas. Band 1-10 in 12 Bänden ( von insgesamt 15 der in 23 Teilen erschienenen Bänden )

      ( Erscheinungszeitraum der vorliegenden Bände 1966 - 1985 ). Vorhanden sind die Bände 1 ( Gaviiformes - Phoenicopteriformes ) / 2-3 ( Anseriformes, Teil 1-2 ) / 4 ( ) / 5 ( Galliformes und Gruiformes ) / 6, 7, 8/1 + 8/2 ( Charadriiformes, Teil 1-3 cpl. ) / 9 ( Columbiformes und Piciformes ) / 10/1 + 10/2 ( Passeriformes, Teil 1-2 cpl. ). Mit zusammen ca. 9500 Seiten sowie sehr zahlreichen Illustrationen, teils auf Tafeln ( darunter auch einigen farbigen ) sowie zahlreichen Verbreitungskarten etc.. Jeweils in goldgeprägten, grünen Oln, Groß8. Einbände cellophaniert, wenige Bände gering fleckig oder gering angestoßen. Innen Papier teils leicht gebräunt ( Neupreis der teils noch lieferbaren Bände ca. 950 EURO ). Insgesamt wohlerhalten. ( Gesamtgewicht ca. 18000 Gramm ) ( Lagerort LG ) ( Pic erhältlich / webimage available )

      [Bookseller: Antiquariat Friederichsen]
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        [La marche des Hébreux sous la nuée divine] For the cloude of the Lorde was upon the Tabernacle by day, and fire was in it by night, in the sight of all the house of Israel thorowout all their journeys. (La nuée du Seigneur était de jour sur le tabernacle; et de nuit, il y avait un feu, aux yeux de toute la maison d'Israël, pendant toutes leurs marches) - The Story of Exodus

      Original lithograph in colors, one of the 15 proofs printed on Imperial Japan paper and reserved for the artist and his collaborators, one draw with 20 other japan and 250 Arches paper. unsigned Event, as all races in the series except the frontispiece.Superb test of Japan made especially for The Story of Exodus, published in 1966, Chagall painted the 24 lithographs inset printed by Mourlot.Fernand Mourlot, undoubtedly the best artisan lithographer of the twentieth century, was naturally the printer and the friend of the greatest artists of his time. "Picasso, Matisse, Chagall, Miró, Braque, Dubuffet, Léger, Giacometti ... have enriched their own expressions and contemporary art a new area of ​​research. With Mourlot, and thanks to him, lithography has acquired both personality and future. " (Pierre Cabanne, in fifty years of lithography).Already printer of the two volumes of the Bible illustrated by Chagall, Mourlot contributed to the formation of the artist in the art of lithography in the 1950s it was at this time that Chagall indeed begins to attend workshop Mourlot to learn the lithographic processes and he became friends with the artisans of printing, including Charles Sorlier.So is this the top of his game as Chagall realizes this Exodus story that coincides with the completion of his immense lithographic and pictorial work on the Bible began in 1930 at the initiative of Ambroise Vollard. This decorative cycle entitled Biblical Message T will also behind the creation of the Marc Chagall Museum, originally the National Museum of Biblical Message Marc - Chagall.Extremely rare first test printed on Japan, the best paper and the best for color prints. AMIEL Léon Paris,New-York 1966 36x49.5cm une feuille

      [Bookseller: Librairie Le Feu Follet]
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        Signed "Life" Magazine Cover - FRAMED

      Used; Like New/Used; Like New. Original doublewide (foldout) cover of the April 15, 1966 issue of Life Magazine (Volume 60, no. 15) with a fantastic image of the great Satchmo, signed and inscribed "Best Wishes To Tammy / Satchmo - Louis Armstrong." Approx. 19.5 x 13 inches, elaborately framed in a playful tri-color wood inlay frame to 22.5 x 15.75 inches.  The complete magazine issue is included in a pocket on the frame verso, and features extensive 19-page article with numerous photos of Armstrong. <br style="">Light handling wear with a few margin creases and 1/8" spine split at top and slight remnant of a mailing label on the cover. Overall in fine condition with very fine signature. 

      [Bookseller: Schubertiade Music & Arts]
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        Du miel aux cendres

      1966. Plon, Paris 1966, 15,5x24cm, broché. - Plon, Paris 1966, 15,5x24cm, broché. - Edizione per la quale non è stata redatta grandi giornali. L'invio autografo firmato da Claude Lévi-Strauss in inglese a Raymond Firth. Bella copia, rassegna stampa allegata. [FRENCH VERSION FOLLOWS] Edition originale pour laquelle il n'a pas été tiré de grands papiers. Envoi autographe signé de Claude Lévi-Strauss en anglais à Raymond Firth. Agréable exemplaire, coupures de presse jointes.

      [Bookseller: Librairie Le Feu Follet]
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        Vision + Value Series: Education of Vision - Structure in Art and in Science - The Nature and Art of Motion - Module, Proportion, Symmetry, Rhythm - The Man-Made Object - Sign Image Symbol

      New York: George Braziller, 1966. First editions (three stated First Printings). One jacket with a small stain and short closed tear, others near fine with only minor shelf wear. Together 6 volumes, large 4to. Original cloth; dust jackets. "A groundbreaking compilation of essays from artists, designers, architects, and scientists exploring new directions in education, art, science, and visual communications" (MIT). This important series in the annals of modern design included contributions by Dore Ashton, Max Bill, John Cage, R. Buckminster Fuller, Bruno Munari, Paul Rand, Sir Herbert Read, Ad Reinhardt, I.A. Richards, Victor Vasarely, and others. The aim of the series was to "…to stimulate the circulation of ideas, to find channels of communication that interconnect various disciplines and offer us a sense of structure in our 20th century world…"

      [Bookseller: Riverrun Books & Manuscripts]
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        Sweet Life. [VERY] FINE COPY.

      Amsterdam, De Bezige Bij, 1966. Cloth-covered boards (hardcover), illustrated dustjacket (with protective mylar), 29 x 29 cms., (32) pp. text in Dutch + 179 fine black-and-white plates in photogravure, text and design Ed van der Elsken. Generally a fine copy in fine dustjacket, which shows 2 tiny tears and slight wear to top of spine. RARELY SEEN in this condition. Housed in protective mylar. Cover design Wim Crouwel. Elsken, Ed van der.

      [Bookseller: Luïscius Books]
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        Porträt César. - Originalfoto auf Agfa Brovira.

      (ca. ) 1966 - 18 x 24 cm. Schönes Porträt des ca. 40jährigen Künstlers, sitzend auf einem von ihm selbst gefertigten Sessel. Rückseitig mit dem Stempel "Photo Christer Christian". - Christer Strömholm (1918 - 2002) lebte nach dem Ende des 2. Weltkrieges die meiste Zeit in Paris. Berühmt wurde er in den 50er und 60er Jahren mit seinen Fotografien der Transsexuellen an der Place Blanche in Paris.

      [Bookseller: Daniel Thierstein]
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        Vuillard Douze Pastels

      La Bibliotheque Des Arts, Paris 1966 - 3 pages in text. Folio, 46 x 38 cm. Limited edition, copy 324 of 350. Twelve mounted color lithographs printed by Daniel Jacomet, titled as follows -- I: Les Communs Au Chateau Des Clayes, II. La Chambre De Vuillard Aux Clayes, III. Les Sapins, IV. La Passerelle, V. La Saon Aux Clayes, VI. Dan Le Bois Des Clayes, VII. La Tourelle, VIII. La Parasol Orange, IX. Madame Vuillard A Table, X. Bouquet De Fleurs, XI. Le Square Vintimille, XII. La Vague. Front cover of portfolio lettered in brown.Clean, fresh copy. Contents lose as issued in orig. beige pebbled grain linen portfolio with linen ties. Near fine [Attributes: First Edition; Hard Cover]

      [Bookseller: Royoung Bookseller, Inc. ABAA]
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        SPECIMEN PAGES OF KOREAN MOVABLE TYPES: Collected and Described by Melvin McGovern

      Los Angeles: Dawson's Book Shop, 1966. First Edition. Hardcover. Near fine. Foreword by Kim Chewon, Director, National Museum of Korea. Los Angeles: Dawson's Book Shop, 1966. First edition, a limited edition of 300 copies, 95 of which (copies I-XCV) are the Primary Edition, the remaining are numbered 96 through 300. This is copy #167. It contains eleven original tipped-in specimens printed from movable type, dating from 1604 to 1858, and eleven facsimile specimen pages of movable type dating between 1420 and 1858. Regarded as tour de force of cultural and printing history. It not only portrays the development of movable type in Korea before Gutenberg but also serves as a catalog of movable type technology on the Korean peninsula over a period of over 400 years. Folio. The patterned yellow paper covering the boards was made by Kim Dong-kyu, the only man in the Republic of Korea who still worked at the craft at the time of publication. The traditional blocks used to create the paper are now substantially in museums and private collections. The boards and the white cloth spine with a gilt-stamped black cloth spine label are quite vibrant, and still protected by the original plain paper dust jacket and housed in the publisher's slipcase. Near fine. Betty Hessel.

      [Bookseller: The Book Shop, LLC]
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        Vuillard Douze Pastels

      Paris: La Bibliotheque Des Arts, 1966. First edition. Hardcover. Contents lose as issued in orig. beige pebbled grain linen portfolio with linen ties. Near fine. Vuillard, Edouard. 3 pages in text. Folio, 46 x 38 cm. Limited edition, copy 324 of 350. Twelve mounted color lithographs printed by Daniel Jacomet, titled as follows -- I: Les Communs Au Chateau Des Clayes, II. La Chambre De Vuillard Aux Clayes, III. Les Sapins, IV. La Passerelle, V. La Saon Aux Clayes, VI. Dan Le Bois Des Clayes, VII. La Tourelle, VIII. La Parasol Orange, IX. Madame Vuillard A Table, X. Bouquet De Fleurs, XI. Le Square Vintimille, XII. La Vague. Front cover of portfolio lettered in brown. Clean, fresh copy.

      [Bookseller: Royoung bookseller, Inc.]
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        SPECIMEN PAGES OF KOREAN MOVABLE TYPES: Collected and Described by Melvin McGovern

      Dawson's Book Shop, Los Angeles 1966 - Foreword by Kim Chewon, Director, National Museum of Korea. Los Angeles: Dawson's Book Shop, 1966. First edition, a limited edition of 300 copies, 95 of which (copies I-XCV) are the Primary Edition, the remaining are numbered 96 through 300. This is copy #167. It contains eleven original tipped-in specimens printed from movable type, dating from 1604 to 1858, and eleven facsimile specimen pages of movable type dating between 1420 and 1858. Regarded as tour de force of cultural and printing history. It not only portrays the development of movable type in Korea before Gutenberg but also serves as a catalog of movable type technology on the Korean peninsula over a period of over 400 years. Folio. The patterned yellow paper covering the boards was made by Kim Dong-kyu, the only man in the Republic of Korea who still worked at the craft at the time of publication. The traditional blocks used to create the paper are now substantially in museums and private collections. The boards and the white cloth spine with a gilt-stamped black cloth spine label are quite vibrant, and still protected by the original plain paper dust jacket and housed in the publisher's slipcase. Near fine. Betty Hessel [Attributes: First Edition; Hard Cover]

      [Bookseller: The Book Shop, LLC - ABAA, ILAB]
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        Notari. Dodici litografie

      Cavallino, 1966. Quartini sciolti in cartelletta (loose as issued in original portfolio) Testo di Toni Toniato. 12 litografie originali firmate di Notari applicate su cartoncino (6 in nero e 6 a due colori, cm 17x16,5) . Cm 26x29. pp. 12+12 litografie. Ottimo (Fine). Prima edizione di 50 es. numerati.

      [Bookseller: Studio Bibliografico Marini]
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        La Giammuffa

      Scalabrini, 1966. Rilegato mezza pelle, custodia (half-leather binding, slip-case) A cura di Beniamino Dal Fabbro. Con 8 acqueforti originali, numerate e firmate, di Guido Somarè (cm 15,3x9). Disegni al tratto dell'Artista. 8vo. pp. 40. Perfetto (Mint). Edizione originale di 74 es. numerati.

      [Bookseller: Studio Bibliografico Marini]
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        THE HEIBONSHA SURVEY OF JAPANESE ART. Complete set including the index volume, in all 31 volumes. By Katsuichiro Kamei, Seiichiro Takashi, Ichimatsu Tanaka et al.

      - Heibonsha/Wetherhill, Tokyo/New York 1966-80, 1st print. Large 8°, profusely illustrated in colour and b/w, bound in publ.'s fine paperbinding , in dustjackets, (weight, app. 20 kg). A major reference resource on all Japanese Art Subjects. [Attributes: Hard Cover]

      [Bookseller: Andersens Antikvariat]
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        Oeuvres de Charles Fourier. 12 Bände (vollständig).

      éditions anthropos, Paris, Faksimile-Nachdruck 1966 - 12 Bände in blauem Leinen mit Klarsichtschutzumschlägen, die Umschläge wellig, die Einbanddeckel zum Teil sehr leicht gebogen, Kopfschnitte etwas grau [Attributes: Hard Cover]

      [Bookseller: Winfried Scheffler]
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        Programma n°

      L'Immagine, 1966. Rilegato, custodia (hard cover, slip-case) Sei litografie originali di Emilio Scanavino, numerate e firmate, sciolte in apposite cartellette cucite al volume (cm 30x23). cm 25x35. pp. 72+inserti. Ottimo (Fine). Alcune lito presentano leggere fioriture. (Si notano in tutte le copie di quest'opera, dovute al tipo di carta usata) (Lightly yellowed). Prima edizione di 135 es. numerati.

      [Bookseller: Studio Bibliografico Marini]
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        Norwood (First Edition)

      New York: Simon and Schuster, 1966. First Edition. First Edition. Portis' first book, a poignant and side-splitting comedy about an southerner who journeys from Arkansas to New York City under orders to retrieve a used automobile. Basis for the 1970 film starring Glen Campbell, Kim Darby, Joe Namath and Dom DeLuise. An exceptional copy. Fine and unread in an about Fine dust jacket. Lacking the yellow remainder spray dot that curses nearly every copy of this book, extremely scarce thus.

      [Bookseller: Royal Books, Inc.]
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        Entretiens avec Eugène Ionesco

      1966. Pierre Belfond, Paris 1966, 11x18cm, broché. - Pierre Belfond, Paris 1966, 11x18cm, broché. - Edizione originale per il quale non è stato redatto grandi giornali. Autografo Precious firmato da Eugene Ionesco Raymond Queneau: "Per Raymond Queneau, il satrapo con la mia ammirazione affettuosa (e come mi piacerebbe vedere più di tanto in tanto) Eugène Ionesco .." Torna un po 'scolorito come generalmente. [FRENCH VERSION FOLLOWS] Edition originale pour laquelle il n'a pas été tiré de grands papiers. Précieux envoi autographe signé d'Eugène Ionesco à Raymond Queneau : "Pour Raymond Queneau, le Satrape, avec mon admiration affectueuse (et que tant je voudrais revoir plus que de temps à autre). Eugène Ionesco." Dos légèrement décoloré comme généralement.

      [Bookseller: Librairie Le Feu Follet]
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        Petite suite en blanche majeur

      Grafica Uno, 1966. Brossura, custodia (wrappers, slip-case) Comprend neuf planches gravées à l'eau-forte et burin par Peverelli (cm 15x27). Ouvrage sur papier Fabriano orné du filigrane de l'éditeur. 9 acqueforti e bulino non inchiostrate. 16mo (cm 16,5x15). pp. 28. Dedica e firma autografe dello stampatore Giorgio Upiglio (Inscribed and signed by the publisher Giorgio Upiglio). Ottimo (Fine). Edizione originale di 100 es. numerati.

      [Bookseller: Studio Bibliografico Marini]
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        TOPOLINO - annata completa 1966 (formato libretto).

      Mondadori, 1966. (Codice RG/2855) ANNATA COMPLETA 52 numeri, ossia dal 527 al 578. Numeri provenienti da unica collezione. Brossura originale, tutti completi delle belle copertine illustrate, in ottimo stato (praticamente come nuovi). PREZZO DELL'ANNATA Euro 780.00 ~~~ SPEDIZIONE IN ITALIA SEMPRE TRACCIATA

      [Bookseller: Bergoglio Libri d'Epoca]
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        Aid the End of Marijuana Prohibition" - 1966 Concert Poster

      - Original flyer for the 1966 benefit concert for the legalization of marijuana, an early show for the recently-formed San Francisco bands The Grateful Dead and The Charlatans. Sponsored by LeMar, the first marijuana reform advocacy group, the show took place at California Hall in San Francisco on May 29, 1966. The nineteenth-century-styled poster, printed in green with very classy typography, quotes A Midsummer Night's Dream ("What fools these mortals be") at the head. Light creases, toning, wear to the edges, and one small tear at the upper edge; overall in very good condition. 8.5 x 11 inches (21.6 x 28 cm).

      [Bookseller: Schubertiade Music]
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        "Aid the End of Marijuana Prohibition" - 1966 Concert Poster

      Used; Like New/Used; Like New. Original flyer for the 1966 benefit concert for the legalization of marijuana, an early show for the recently-formed San Francisco bands The Grateful Dead and The Charlatans. Sponsored by LeMar, the first marijuana reform advocacy group, the show took place at California Hall in San Francisco on May 29, 1966. The nineteenth-century-styled poster, printed in green with very classy typography, quotes A Midsummer Night's Dream ("What fools these mortals be") at the head. Light creases, toning, wear to the edges, and one small tear at the upper edge; overall in very good condition. 8.5 x 11 inches (21.6 x 28 cm).

      [Bookseller: Schubertiade Music & Arts]
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        Uten en tråd. Skrevet av en av Norges mest kjente forfattere. 1. opplag.

      Oslo, Scala Forlag 1966. 176 s. Orig. rødt helshirtingbd. m. illustr. vareomsl. Rifter i omslag. Pen. Bilagt med: "Ordre om Ransaking og beslag" m. kvittering på baksiden for at 1. eksp. av "Uten en trad" mottatt 11/10 - 66.

      [Bookseller: Norlis Antikvariat]
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        Sugai ou la tension maxima

      Grafica Uno, 1966. Cartella con 10 acqueforti acquetinte a colori di Kumi Sugai, numerate e firmate a matita dall'Artista (cm 60x50). Testo di Alain Jouffroy . cm 60x50. pp. 8 + incisioni. Ottimo (Fine). Prima edizione di 50 + X es. numerati.

      [Bookseller: Studio Bibliografico Marini]
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        Existence of Competitive Equilibria in Markets with a Continuum of Traders'. Pp. 1-17 in: Econometrica, Vol. 34, No. 1, Jan., 1966.

      1966 - Entire issue offered. Original printed wrappers. Near Fine. The Sveriges Riksbank Prize in Economic Sciences in Memory of Alfred Nobel 2005 was awarded jointly to Robert J. Aumann and Thomas C. Schelling 'for having enhanced our understanding of conflict and cooperation through game-theory analysis.' 'In Neo-Walrasian theory, Robert Aumann is perhaps best known for his theory of core equivalence in a 'continuum' economy. Aumann introduced measure theory into the analysis of economies with an infinite number of agents &#150; formalizing the 'perfectly competitive' scenario. In his classical 1964 paper, Aumann proved the equivalence of the Edgeworthian core and Walrasian equilibrium allocations when there are an uncountable infinite number of agents &#150; thereby providing the limit case for future work on core convergence. In order to prove this result was not vacuous, Aumann went on to prove the existence of equilibrium (1966) in this 'perfectly competitive' scenario. On his way, he contributed to mathematics itself by providing a definition of the 'integral' of a correspondence (1965), which was previously absent' (www [dot] newschool [dot] edu/nssr/het/profiles/aumann [dot] htm). 'In order for the economy to be in a stable situation the prices must be such that the total demand equals the total supply. That is the Walrasian competitive equilibrium. That it exists and is well defined in markets with a continuum of traders was shown by Aumann in 1966' (Sergiu Hart & Abraham Neyman, eds., Game and economic theory: selected contributions in honor of Robert J. Aumann, 1995, p. 3). [Attributes: First Edition; Soft Cover]

      [Bookseller: Ted Kottler, Bookseller]
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        Svalbards historie . 1-3.

      Oslo 1966. Stor 8vo. 1525 s. Illustrert. Originale skinnbind. Pent sett!

      [Bookseller: Adamstuen Antikvariat]
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        Arp

      First Edition, one of 50 copies hors commerce numbered on Rives vellum numbered and justified by the author, print head. Our specimen, like all works of leading copies is full of 4 original color linocuts of Hans Arp. Hans Arp signatures on each of 4 linocuts. Signature Gaston Puel to the justification of the draw. Rare and very nice copy. Gaston Puel Veilhes 1966 14x17cm en feuilles

      [Bookseller: Librairie Le Feu Follet]
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        JOHANN ADAM KLEIN (1792 - 1875). Ein berittener Gendarm hält einen Bauernwagen und einen Handwerksburschen an. Im Hintergrund die Silhouette von München.

      - Aquarell über Bleistift und Feder, rechts unten signiert, 16,7 x 19,7 cm. Thieme-Becker Bd. XX, S. 440; vgl. Schwemmer, Johann Adam Klein. Ein Nürnberger Meister des 19. Jahrhunderts. Nürnberg 1966. - Dieses reizende kleinformatige Aquarell zeugt von der künstlerischen, an Wilhelm von Kobell geschulten, Qualität Kleins und ist typisch für seine Darstellungen von Pferden, Landleuten und Uniformen. Die Begegnung findet auf einer Anhöhe bei Sendling statt: der berittene Gendarm hält ein Schriftstück in seiner rechten Hand, von dem er offensichtlich behördliche Bestimmungen abliest, wie man aus der fragenden Gestik des wandernden Handwerksburschen und dem fragenden Blick des kutschierenden Bauern auf dem zweispännigen Karren schließen kann. Sehr fein ist die Stadtsilhouette von München links am Rand wiedergegeben. Das malerisch überaus feine Blatt zeigt das sichere Empfinden des Künstlers für Tiere und Menschen, geprägt vom zeichnerischen Realismus des Biedermeier. Auch seine frühe Schulung an Wilhelm von Kobell kommt hier zum Ausdruck. Bei dem Nürnberger Kunsthändler Frauenholz hatte der junge Klein Aquarelle Kobells gesehen, die ihn beeindruckten und die er kopieren durfte. Auch sein Lehrer Ambrosius Gabler hatte früh seine Begabung für die Tierzeichnung erkannt und schickte ihn studienhalber oft auf Viehmärkte. Nach Nürnberg, Wien und Rom war München die letzte Lebensstation Kleins. Im Jahr 1839 war er hierher übersiedelt. Die Stadt und ihre Umgebung boten dem Künstler eine reiche Auswahl an typischen Motiven für seine zahlreichen Radierungen. Bis 1854 fertigte er 24 Blätter, die weite Verbreitung fanden. Originale von dieser Qualität gehören heute zu den großen Seltenheiten, insbesondere als Monacensium. - Mit schwarzem Tuschrand, abgesehen von winzigen Fleckchen im Himmel sehr gut erhalten. [Attributes: Signed Copy]

      [Bookseller: Peter Bierl Buch- & Kunstantiquariat]
 32.   Check availability:     ZVAB     Link/Print  


        ohne Titel. Nagelreihung. Prägedruck auf Karton. Blattgröße ca. 64 x 53 cm. Unten rechts datiert (66) und signiert

      1966. im Passepartout unter Glas gerahmt - etwas knickspurig und an den Rändern etwas gebräunt - differenzbesteuert, kein Ausweis der Mehrwertsteuer Versand D: 4,80 EUR

      [Bookseller: Antiquariat am St. Vith]
 33.   Check availability:     buchfreund.de     Link/Print  


        Altenbourg, Gerhard. - "Janus im Flüstern Pans".

      - Lithografie / Kreidelithografie, in Schwarz, auf hell-chamoise Karton, 1966. Von Gerhard Altenbourg. Auflage Exemplar Nr. 9/15. 48,0 x 36,0 cm (Darstellung / Druckbild) / 65 x 50 cm (Blatt). Janda L 112. Unterhalb in schwarzer Feder signiert und datiert. Darüber Titel, darunter Blindstempel des Künstlers. Links unten Auflagenbezeichnung. - Ohne Makel. Sehr guter Zustand. Gerhard Altenbourg (1926 Rödichen-Schnepfetal - 1989 Meißen). Deutscher Maler und Grafiker. 1929 Umzug nach Altenburg. 1944-45 Soldat im Zweiten Weltkrieg. 1946-48 als Schriftsteller und Journalist tätig, Zeichenunterricht bei Erich Dietz. 1948-50 Studium an der Hochschule für Baukunst und Bildende Kunst in Weimar bei Hans Hoffmann-Lederer. 1959 Teilnahme an der documenta II in Kassel. 1961 Gastatelier an der Kunstakademie in Westberlin. 1961 Erwerb einiger Arbeiten durch das Museum of Modern Art in New York. 1962-89 Atelier in Altenburg, Annahme des Künstlernamens "Altenbourg". 1966 Burda-Preis für Grafik in München. 1968 Will-Grohmann-Preis in Westberlin. 1970 Mitglied der Akademie der Künste, Berlin. 1977 Teilnahme an der documenta 6 und Mitgliedschaft bei der ?Life Fellow of the International Biographical Association? in Cambridge. In den 1980er Jahren Ausstellungsverbot und Schließung der Ausstellungen, da er sich den offiziellen Kunstauffassungen der DDR widersetzte.Seit 1998 vergibt das Lindenau-Museum in Altenburg aller zwei Jahre den Gerhard-Altenbourg-Preis. [Attributes: Signed Copy; Soft Cover]

      [Bookseller: GALERIE HIMMEL]
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        Das uber vier Malefitz-Personen ergangene Justitz-Rad/ als über I. Leopold Fixeln, II. Christoph Kranichfelden, III. Abraham Hoffmann, und IV. Anna Sophia Wanckin. Die alle viere allhier vor Berlin Anno 1725. d. 21. Febr. damit vom Leben zum Tode gebracht wurden, ist mit historischer Beschreibung ihrer an der Damm-Mühle bei Quielitz verübten Frevel-That in Kupfern und Drucke abgebildet.

      Titel in Rot. u. Schwarz, mit 4 Porträt-Kupfertafeln. 128 S. (r. 126 S., Pag. springt von S. 6 auf 9). Umschlag aus Herrnhuter-Papier. 4. Huelke-Etzler 1966. - Mit den Portraits der wegen Raubmordes Verurteilten es gibt wenige Exemplar, die auch ein Frontispiz haben. - Der Verfasser, Prediger zu St. Nicolai in Berlin, erzählt genüsslich die Folterung des Christoph Kranichfeld und sein Bekehrungswerk während dessen.

      [Bookseller: Antiquariat Turszynski]
 35.   Check availability:     booklooker.de     Link/Print  


        Amanita Pestilens (Archive of press material and original photographs from the 1963 film and its production company, Crawley Films)

      Crawley Films Limited, Ottawa, Canada 1966 - Archive of press material and photographs for the 1963 Canadian film, and for the twenty-fifth anniversary of the founding of the production company, Crawley Films.F.R. "Budge" Crawley was Canada's answer to Hollywood's Sam Goldwyn, and he produced hundreds of films during his 40-year career, including the Academy Award-winning 1975 documentary, "The Man Who Skied Down Everest." "Budge" and his wife Judith founded Crawley Films in 1938 and won the first Canadian film award in 1950. Crawley has been referred to as "the Godfather of Canadian cinema," and rightfully so. Included in the archive are 27 film still photographs with mimeo snipes affixed to the versos (several on-the-set images and a few with director Bonnière); a folder containing 25 letters ("to salute 25 Years") from various French, American, British and Canadian film and government associations (including former Canadian Prime Minister Lester B. Pearson, and Eric Johnston, president of the Motion Picture Association of America), all dated 1963 with reproduced signatures for press purposes; a promotional brochure on the "new and improved" Crawley Films Limited; 2-page press memos (19) on Crawley parchment (nearly all flat-signed by the company vice president, Graeme Fraser); 3-page press information on the World's Fair in Montreal; French and English film credits sheets; a "how-to" booklet from Crawley discussing the proper ways to produce one's own motion picture (housed in printed company envelope); 2-page "facts" on Crawley Films' 25th anniversary; a letter from Fraser to Jean Vinant, asking her to be the production company agent; 3-page company property breakdown (camera department, script department, sound stages, etc.); several letters to-and-from studio secretary Maryse Martres, signed by persons involved with the film, including director Bonnière; a 27-page ditto-style mimeograph French version of the script; and various telegrams, receipts, and synopses relating to the film. The film itself was the first Canadian feature to be shot in both French and English using the same actors, the first Canadian film shot in color, and an early career appearance for actress Bujold. A man obsessed with his lawn in the suburbs of Montreal has a surprise awakening when mysterious mushrooms start to grow and become impossible to eradicate. He stops at nothing, including a deadly confrontation with his neighbor, to protect his lawn and his reputation. Shot on location in Quebec. Film still photographs 8 x 9.75 inches (20.25 x 24.5 cm), most mimeo snipes loose but present, and many photographs with tape stains as a result of having been stacked. Letters, press material, interoffice material, and other ephemera varying sizes, with most being 8 x 11 inches (20.25 x 27.5 cm). Full collation details available upon request. [Attributes: Signed Copy; Soft Cover]

      [Bookseller: Royal Books, Inc., ABAA]
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