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Displayed below are some selected recent viaLibri matches for books published in 1964

        Charlie and the Chocolate Factory

      Knopf 1964 - First Edition, First Printing, with 6 lines printed on the colophon page located on the last page of the text. This beautiful dustjacket has minor wear to the spine and panels. Otherwise, this original dustjacket has the $3.95 price present on the front flap and the colors are still vibrant without the fading on the spine. The book is in nice shape. The binding is tight, and the pages are clean with no writing, marks or bookplates in the book. Overall, a sharp copy of this this true first edition with the original dustjacket with all the First Issue points. [Attributes: First Edition; Hard Cover]

      [Bookseller: Quintessential Rare Books, LLC]
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        Charlie and The Chocolate Factory

      Alfred A. Knopf, New York,, 1964. Octavo. Finely bound by The Chelsea Bindery in purple morocco, titles to spine, decorative multi-coloured title onlay to upper board, twin rule to turn-ins, dark green coated endpapers, gilt edges. A fine copy. First edition, first printing with the six line colophon on the last page. This was cut to five in all subsequent printings. This US edition precedes the English by three years.

      [Bookseller: Peter Harrington]
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        Charlie and the Chocolate Factory

      Knopf 1964 - Illustrated by Joseph Schindelman. New York: Alfred A. Knopf, [1964]. The true first edition (preceding the UK edition by three years), first issue, with six lines of printing information (instead of five) on the final page. Octavo (9 3/16 x 6 1/8 inches; 233 x 155 mm). [12], 161, [1], [1, blank], [1, colophon] pp. Black and white text illustrations. Publisher's original red cloth with covers stamped in blind. Spine stamped and lettered in gilt. Top edge stained chocolate. Mustard endpapers. In the original color pictorial dust jacket. Near fine in a very good dust jacket. "The adventures of four nasty children and our hero with Mr. Willy Wonka and his famous candy plant"(from the jacket). Housed in a custom-made collector's slipcase. [Attributes: First Edition; Hard Cover]

      [Bookseller: Bookbid]
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      Alfred A. Knopf 1964 - Scarce First State of the First Edition of CHARLIE AND THE CHOCOLATE FACTORY by Roald Dahl, published by Alred A. Knopf, New York, 1964.True First State of this title with the requisite 6 line colophon located on the last page in the 'About The Author' Section. The book has crisp red cloth boards with an embossed title image to front. Gilt titles to spine. The boards are in clean condition with sharp corners and no edgewear. The binding is tight and square. The mustard colored end papers are in perfect condition with one small owner name, otherwise no inscriptions, no bookstore stamps and no bookplates. The internal pages are bright, and clean for this title with 3 pages with very faded handling marks. Otherwise no writing, no marks, no scribbles, no stains, no bent pages, no age toning and no foxing. Beautiful copy of a childrens book in hard to find condition! The original first edition, first state dust jacket is in beautiful condition having benefited from very slight restoration by an expert paper conservator and presents as a near fine example. The jacket has the no ISBN to the rear panel as required for the first state of this title. The jacket has strong vibrant colors with no stains, no rips, no chips, no edgewear, no rubbing, and no foxing. The jacket has slight toning to the rear white panel which is otherwise typical for this title.The jacket is NOT price clipped and the stated price of $3.95 on the inner front flap. Please see images A very handsome copy of this title, presenting well on the shelf.ADDITIONAL IMAGES AVAILABLE UPON REQUEST. Please see our Abe store for additional rare children's titles [Attributes: First Edition; Hard Cover]

      [Bookseller: Meier And Sons Rare Books]
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        Charlie and the Chocolate Factory

      Knopf 1964 - First Edition. First Printing with the six line colophon on the last page. Blind-stamped burgundy red cloth, top edge stained chocolate. Mustard endpapers, no ISBN. $3.95 jacket price not clipped. Jacket has some short tears and is not as bright and crisp as one might wish. Previous owner's name on fixed endpaper mostly covered by jacket flap. Contents are clean and unmarked. This book will be shipped with a fresh mylar dust jacket protector. [Attributes: First Edition; Hard Cover]

      [Bookseller: Page Books]
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        Das Hohe Lied.

      Zürich, Flamberg, 1964 - 4°, o. P. (24 Bl.), 22 farb. Orig.-Holzschnitte (davon 1 auf Titelblatt u. 9 als Vollbilder), Priv.-HPgt. m. gold. Rückentitel, Tadellos. Ex. ohne Nr. (wohl ein Ex. hors commerce), mit detaillierten handschriftlichen buchbinderischen Angaben (Buchblockbreite, Vorsatz, Falz) «Im Auftrag des Zwingli-Verlages und des Künstlers von Max Caflisch (Signatur)» - wohl für eine Folgeausgabe - auf fliegendem Vorsatz. 1100 gr.

      [Bookseller: antiquariat peter petrej]
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        Representation of a function by its line integrals. Two parts (complete). In J. Appl. Phys 34-35

      1964. Mathematical Theory behind the CT Scanner-Beginnings of Digital Image Processing <p>Cormack, Allan M. (1924-98). (1) Representation of a function by its line integrals, with some radiological applications. In J. Applied Physics 34 (1963): 2722-27. Whole number. 2535-2922pp. Text illustrations. (2) Representation of a function by its line integrals, with some radiological applications. II. In J. Applied Physics 35 (1964): 2908-13. Whole number. 2789-3102pp. Text illustrations. The two numbers bound together in library buckram, original front wrappers present. Light toning, otherwise very good. Library stamps of the Lawrence Livermore Laboratory on front wrappers.</p><p>First Edition. Cormack&#39;s two-part paper, published in the early 1960s, set forth the mathematical theory of axial tomography, the method by which the varying X-ray absorption rates of tissues in the human body can be used to construct a detailed picture of the organs and soft tissues. For this achievement Cormack shared the 1979 Nobel Prize in physiology or medicine with Godfrey Hounsfield, who in 1973 invented the first practical computer-assisted tomography (CT) scanner. "This was the first time that researchers trained not in the medical sciences but in mathematics and engineering received the Nobel Prize in Medicine" (Grolier Medical Hundred, p. 365).</p><p>Cormack, who was educated as a physicist, first became interested in axial tomography in 1956, when, as the only nuclear physicist in Cape Town, S.A., he was asked to spend several hours each week supervising the use of radioactive isotopes at the Cape Town hospital. He became interested in determining values of attenuation coefficients for X-rays, realizing that these values could be displayed as a gray-scale image of internal anatomy. "Recognizing the problem as a mathematical one, [Cormack] produced a solution, using a desktop calculator, and was able to conduct experiments in which he reconstructed accurate cross sections of an irregularly shaped object. His reconstructions were, in essence, the first computed tomograms, but though he realized that his method could be used to produce cross-sectional X-ray images, no working machine designed for such a purpose was attempted, probably because of the limitations of the computers of the early 1960s" (Magill, The Nobel Prize Winners: Physiology or Medicine, III, 1325). Cormack&#39;s paper is a foundation document of digital image processing. Grolier Medical Hundred, 100(n). </p>

      [Bookseller: Jeremy Norman's]
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        Lorri. Original Illustrations to 4 poems by George Macbeth.

      Galleria Arco d'Alibert, Rome 1964 - Folio.Original red cloth, with two mounted panels. Contains 4 original colour lino paintings by Lorri, each one signed in the margin of the image by Lorri in pencil and additionally signed and dated out-side the image. No.1/24 copies, signed and dated by Lorri, additionally signed in ink by Macbeth on the front-endpaper. Sewn, the sewing now perished and the block detached, covers and end-papers affected by damp with some mottling and discolouration. The boards are somwhat warped also as a result of damp. The lino paintings are all in fine condition. Lorri, born in Australia in 1927, studied sculpture at Technical College in Melbourne, and exhibited there and in London, before moving to Roma in 1955, where she began to paint. She has married to the writer B. R. Whiting. She has been living in Orbetello since 1992.Born in Australia but an inhabitant of Italy for the past fifty years, she has worked principally of the sea (she is a passionate sailor) which are astonishly powerful and evocative and quite unlike that of any other artist one can think of. Words are often inadequate to describe the emotions or explain the power of visual art and Lorri is the first to believe her work should speak for itself, rather than be wrapped up in mystifying language, as it was when she first exhibited in London in 1961. Trained as a sculptor, much influenced by futurists and the ideas of Buckminster Fuller, her work has remained consistent in both its themes and methods. Unlike the collage of, say, Kurt Schwitters, with his use of found objects, or the Czech artist Jiri Kolar, with his playful reworking of photographs, Lorri remains, like so many twentieth century painters, concerned with the ambiguity of the painting as both object and window. Paper is first painted or printed, then torn into triangular strips, the reassembled, to produce jagged images at once abstract in their appeal and discernably figurative in their content, arresting the eye by the surface texture, then drawing the viewer inwards, perhaps towards a boat dwarfed by a huge sky or a flock of flying seabirds, yet also conveying through the uninhibited use of colour (principally blues and reds) a raw emotional power. Lorri&#146;s work is demonstrably the product of great thought and feeling, harnessed to a technique sufficiently adaptable to convey just what she wishes us to see and feel, without the onlooker ever thinking he is being manipulated, and surely that is what we both desire and expect of the best art. Michael Estorick (Chairman, Estorick Collection of Modern Italian Art, London)Solo exhibitions1959 Galleria Schneider, RomeNew Vision Centre, London1961 Grosvenor Gallery, LondonTrabia Gallery, New YorkGalleria Minima (Toninelli), Milan1963 University of Exeter, England1964 Arco d&#146;Alibert, Rome1965 Institute of Contemporary Art, London1968 Galleria Il Segno, Rome1969 Galleria dell&#146;Oca, Rome1970 Grosvenor Gallery, London1972 Galleria dell&#146;Obelisco, Rome1974 Institute of Contemporary Art, London1978 Fiera di Levante, Bari1980 Galleria Incontri, Taranto1981 The Gallery, New South Wales House, London1982 Luton Museum, England1983 Galleria Toninelli, Rome1990 Casa della Città, Rome1996 Mc Clelland Gallery, Victoria2000 Museo del Frontone di Talamone, OrbetelloGroup exhibitions1958 Galleria Ferro di Cavallo, Rome1959 Salone d&#146;Estate, Rome1960 Festival dei Due Mondi, SpoletoRedfern Gallery, LondonInternazionale d&#146;Arte Astratta, Prato1961 Calder/Hoflehner/Lorri/Moore/Newcombe, Grosvenor Gallery, LondonRedfern Gallery, London1962 Sevenarts, LondonThe H. M. Roland Collection Exhibition, Manchester Museum, England1963 Mostra Mercato, Palazzo Strozzi, FlorenceRedfern Gallery, LondonRassegna Roma-Lazio, Rome1964 Mostra per Anna Frank Homes, RomeFestival of Plastic Arts, Côte d&#146;AzurMostra Mercato, EUR, Rome1965 Mostra 12 Painters, Galleria 88, RomePicture of the week, Libreria Feltrinelli, RomeLino-Paintings for Poems from "Curtmantle" by Christofer Fry, Grosvenor Gallery, London1966 [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Roe and Moore]
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        Die antiken Gemmen.

      Verlag Hakkert - Otto Zeller. 1964-65., Amsterdam- Osnabrueck. - Volumi 3, In-4°, legat. in tutta tela con tit. in oro ai dorsi e ai piatti, Volume 1, pp. XVI, seguono 67 tavole fuori testo con centinaia di gemme riprodotte in leggero colore azzurro. Voll. II-III, di testo, pp.(8)-330, (14)-464, con centinaia di figure intercalate nel testo.

      [Bookseller: Daris s. r. l.]
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        Bright November. Poems

      The Fortune Press, London [1964]. - The second, unauthorised edition of the author's uncommon first book. 32pp. Asparagus-coloured boards lettered in gold at spine. A tiny hint of wear to head of spine and upper board lifting just a fraction. Corner of front endpaper clipped, presumably to remove a former owner name. A lovely crisp copy, internally flawless bar the aforementioned clipping. Housed in thin paper dust wrapper with the 12'6 price sticker to front flap. Wrapper tanned at spine panel, a little chafed at rear flap joint, with some light sunning to some extremities and two areas of loss from spine panel. Thirty-one poems. "The renown of the author prompted Caton to produce this second edition, but his omission to inform [Amis] of the existence or to benefit him from its sales must be construed as being rather more than forgetful-ness" - Timothy d'Arch Smith, 'R.A. Caton and the Fortune Press'. [Attributes: Hard Cover]

      [Bookseller: Clearwater Books]
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        The Physical Review / Second Series / Volume 134 / Number 3B / 11 May 1964. James B. Hartle - 2 scattering papers; Daniel Z. Freedman (Nucleon and Baryon Regge Trajectories); Sidney Coleman and S.L. Glashow (Departures from the Eightfold Way: Theory of Strong Interaction Symmetry Breakdown); Bose, S.K. (Determination of Pion-Nucleon S-Wave Scattering Lengths by the N/D Method)

      American Institute of Physics (for the American Physical Society), Lancaster, PA and New York 1964 - Lancaster, PA and New York: American Institute of Physics (for the American Physical Society), 1964. First Edition thus. 11 May 1964 issue. Quarto, light blue printed adhered wraps, pp B 481 through B 704 for the series are in this volume. Very Good plus. Original owner's name penned at top. No interior markings. See rear cover scan for the rich contents of this issue, but some include: James B. Hartle - 2 scattering papers; Daniel Z. Freedman (Nucleon and Baryon Regge Trajectories); Sidney Coleman and S.L. Glashow (Theory of Strong Interaction Symmetry Breakdown); Bose, S.K. (Determination of Pion-Nucleon S-Wave Scattering Lengths by the N/D Method) L5000-5 [Attributes: First Edition; Soft Cover]

      [Bookseller: Singularity Rare & Fine]
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        Derrière Le Miroir N° 147. Chagall.

      Maeght 1964 - In folio en feuilles. 2 lithographies originales en couleurs dont 1 en double page. Première et unique édition , bel exemplaire. Cramer " Chagall, Les livres illustrés" N° 59.

      [Bookseller: La Basse Fontaine]
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        Histoire de L&#39;Orfèvrerie du Languedoc Généralités de Montpellier et de Toulouse. Répertoire des Orfèvres Depuis Le Moyen-Age Jusqu&#39;au Début du XIX Siècle. 2 Volumes. A à C; D à L. Limited Edition

      Paris: Théo & Florence Schmied. VG : in very good condition without dust jacket. 1964. Limited Edition 246/500. Green hardback cloth cover. 270mm x 210mm (11" x 8"). xv, 547pp; xv, 473pp. Tissue guarded b/w plates. Volume II published 1966. .

      [Bookseller: Barter Books Ltd]
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      Paris Dalloz 1964 et s. - , 37 années en 36 vol., rel. toile bleue (sauf 2000 en fasc).

      [Bookseller: La Memoire du Droit]
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        Oeuvres complètes.

      Nice, Le Chant des sphères, 1964-1965-1966 - 5 volumes Vol.1: 3 feuillets, 162p., 6 feuillets, 7 planches couleurs avec serpentes hors texte dont 1 frontispice double page; Vol.2: 143p., 3 feuillets, 6 planches hors texte couleurs avec serpentes; Vol.3: 179p., 1 feuillet, 6 planches hors texte couleurs avec serpentes; Vol.4: 198p., 4 feuillets, 6 planches hors texte couleurs avec serpentes; Vol.5: 148p., 6 planches hors texte couleurs avec serpentes, 23 feuillets, 2 planches couleurs, 34 feuillets dont 31 planches sépia (dont 1 sur double page); dans chaque volume, lettrines couleurs, culs-de-lampe (dorés, rouges, verts, orangés ou bleus selon les volumes), pages encadrées d'une petite frise (rouge, bleue, ocre brun, verte ou orangée selon les volumes); et une planche couleurs sous cadre. Bon état (très légères traces de frottement aux coiffes; petites épidermures aux nerfs du 3è volume; petite tache brune en coiffe de queue du 4è). Luxueuse édition des oeuvres de François RABELAIS (1494?-1553), illustrée de 31 planches couleurs de JEHAN DE GENIE, pseudonyme de Jean GRADASSI; complète en 5 volumes: 1/"Gargantua", 2/"Pantagruel", 3/"Le Tiers livre", 4/"Le Quart livre", 5/"Cinquiesme livre", texte suivi d'un glossaire, de 2 dessins couleurs originaux et d'une suite sépia (reliée dans le volume) des 31 planches. Tirage sur vélin de Docelles à 2500 exemplaires; 1 des 100, justifié n°60, avec 2 dessins originaux couleurs signés par l'artiste, une suite en sépia des 31 hors texte, et une reproduction couleurs de l'une des planches, sous cadre (après 16 exemplaires de tête, davantage enrichis). Bel exemplaire bien complet des 31 planches couleurs, des 2 dessins originaux et de la suite reliés dans le 5è volume, et de la reproduction d'un dessin sous cadre. Livres Reliure éditeur plein maroquin fauve gaufré; dos ornés de 3 petits médaillons ornés de petits motifs dorés et à froid, auteur et titre inscrits entre doubles faux nerfs; plats encadrés d'une frise en double encadrement doré et ornée de petits motifs floraux dorés angulaires; motif central au 1er plat à petits ornements dorés, encadré d'une frise à 8 têtes inscrites dans une couronne dorée; têtes dorées; gardes de suédine brique; en étuis imitant un bois clair. [Attributes: Hard Cover]

      [Bookseller: PAROLES]
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        Oeuvres Complètes : Tome I. Gargantua - Tome II. Pantagruel - Tome III. Le Tiers Livre - Tome IV. Le Quart Livre - Tome V. Le Cinquiesme Livre (5 volumes).

      - Editions Le Chant des Sphères, Nice, 1964-66, 5 volumes de 205x255 mm environ, 162, 143, 179, 198, et 148 pages, reliure plein maroquin caramel de l'éditeur avec décor à la plaque de motifs d'inspiration celtique au centre du premier plat encadré d'une frise en relief et de filets dorés, dos à nerfs portant titres dorés tranches de tête dorées, gardes en suédine caramel, texte encadré d'une frise à chaque page, chaque volume sous étui en imitation bois clair, numéroté sur vélin de Docelles. Très bel ouvrage magnifiquement illustré de planches hors-texte sous serpentes du miniaturiste Jean GRADASSI, lettrines, culs-de-lampe. Superbe qualité des tirages, couleurs réhaussées au pochoir, dans les Ateliers d'Art Ryp à cannes. Excellent état de cet ensemble complet en cinq volumes.

      [Bookseller: Déjà Jadis]
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        Hap Grieshaber , Der Holzschneider

      Stuttgart , Germany: Buchergilde Gutenberg, 1964 1st.ed. only 1964 , Hardcover with an paper illusted dust cover with a 28 page text catalogue laid in a pocket in the back cover with an introd. essay ,Bio. Chronology, notes, and list of illustrations ,murals , portfolios , and graphic illustrations, 75 plates full page and double page of wood cuts,by Grieshaber from the 1930s to 1963 including 10 repod. in color and 13 original lithographs ,some color with some double paged foldouts. Text in German , A very scarce book on this artist . Condition : Very Fine / DJ is Fine with very small closed rips at the edges. and some light shelf rubs.. 1st Edition. Hardcover. Very Fine/Fine. Illus. by Hap Grieshaber. Folio - over 12" - 15" tall. Book.

      [Bookseller: GibbsBooks]
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        Ioannis Dlugossii Annales, seu, Cronicae incliti Regni Poloniae. [Annalen oder Chroniken des berühmten Königreiches von Polen]., Liber Primus. Liber Secundus (1 Vol.)

      Varsaviae, Pánstwowe Wydawn Naukowe, 1964 - Umschlag leicht berieben, sonst gutes Exemplar. Papierbedingt leicht gebräunt. - Text lateinisch. Jan Dlugosz (Dezember 1, 1415 - Mai 19, 1480), alias Joannes, Ioannes oder Johannes Longinus oder Dlugossius, war ein polnischer Chronist, Diplomat, Soldat und Sekretär des Bischofs Zbigniew Cardinal Olesnicki von Kraków. Sein Hauptwerk ist Annales seu cronici incliti regni Poloniae (die Annalen von Jan Dlugosz), das die Ereignisse im südöstlichem Europa, aber auch in Westeuropa, von 965 bis 1480 schildert. Sein Werk wurde zum ersten Mal 1701-1703 gedruckt. - &#132;. annalium rerum Polonicalium ce-terarumque gencium Polonis vicinarum memoriam, res pace et bello gestas com-plexus, literis mandandam suscepi, sopitis hominum cineribus diuturnaque concretis caligine largiturus nocionem et memoriam, et singulis lectoribus et auditoribus eorum representaturus acciones: non in-genii fretus potenciis (tenue enim illud et aridum extat et ad lucubrandum opus presens, ut heroum illustria facta insignes-que victorie extolli adomarique potuissent, languidum et parum sufficiens) nee scri-bendi arte rudern veterum superaturus narracionem, sed quia multa preclara et superiorum et nostrorum temporum acta nocione digna in perpetuam oblivionem iri dolebam." Sprache: la Gewicht in Gramm: 1550 466 S., Originalleinen mit Schutzumschlag. [Attributes: Hard Cover]

      [Bookseller: Fundus-Online GbR Borkert SchwarzZerfaß]
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      The Viking Press, New York 1964 - 341 pages. First edition, first printing. Dust jacket design by Mel Williamson. Signed by Bellow on the first sheet. His sixth novel and National Book Award winner in 1965. The story of Moses E. Herzog, a confused intellectual suffering from the breakup of his second marriage, the failure of his life and the specter of growing up Jewish in the 1950's. Fine book in a fine dust jacket. A beautiful copy! [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Fireproof Books]
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        Camden Fourth Series

      00 - London - Offices of the Royal Historical Society 1964 - An impressive set of this interesting and important series. All are published by the Royal Historical Society under the heading of the 'CamdenFourth Series'; the second series to be produced after the merger of the original Camden Society - a text publication society founded in London in 1838 to publish early historical and literary materials - with the Royal Historical Society,the foremost society in the United Kingdom for the promotion and defence ofthe scholarly study of the past. Consisting of a total of 38 volumes, being I to XIII, XV to XXI, XXIII to XXXV, and XXXVII to XL; or, volumes 1 through 40 with volumes 14, 22 and 36 absent, with an additionalduplicate of volume 8. Present are:1. Miscellany, Vol. XXII (1969)2. Documents illustrating the rule of Walter de Wenlok, abbot of Westminster, 1283-1307, ed. Barbara F. Harvey, (1965)3. The early correspondence of Richard Wood, 1831-1841, ed. A. B. Cunningham,(1966)4. Letters from the English Abbots to the chapter at Citeaux, 1442-1521, ed. C. H. Talbot, (1967)5. The Papers of George Wyatt, ed. D. M. Loades, (1968)6. The Records of the Trial of Walter Langeton, ed. A. Beardwood, (1969)7. Miscellany, Vol. XXIII, (1969)8. Documents Illustrating the British Conquest of Manilla, 1762-1763, ed. N. P. Cushner (1971) [Two copies]9. Miscellany, Vol. XXIV, (1972)10. Herefordshire Militia Assessments of 1663, ed. M. A. Faraday (1972)11. The Early Correspondence of Jabez Bunting, ed. W. R. Ward (1972)12. Wentworth Papers, 1597-1628, ed. J. P. Cooper, (1973)13. Miscellany, Vol. XXV (1974)15. Sidney Ironworks Accounts 1541-1573, ed. D. W. Crossley, (1975)16. The Account Book of Beaulieu Abbey, ed. S. F. Hickey, (1975)17. Western Circuit Assize Orders, 1629-1648: A Calendar, ed. J. S. Cockburn, (1976)18. Four English Political Tracts of the Later Middle Ages, Tractatus De Regibus;De Quadripartia Regis Specie; Tractus de Regimine Principum Ad RegemHenricurn Sextum; The III Considercacions Right Necesserye to the GoodGovernaunce of a Prince; ed. J. P. Genet, (1977)19. Proceedings of the Short Parliament, ed. E. S. Coope and W. H. Coates,(1977)20. Norwich heresy Trials in the Diocese of Norwich, 1428-1431, ed. Norman P. Tanner, (1977)21. Edmund Ludlow: A Voyce from the Watch Tower: Part V, 1660-1662, ed. A. B. Worden, (1978)23. The Letters of Third Viscount Palmerston to Laurence and Elizabeth Sulivan,1804-1863, ed. K. Bourne, (1979)24. Documents Illustrating the Crisis of 1297-1298 in England, ed. M. Prestwich, (1980)25. The Diary of Edward Goshcen, 1900-1914, ed. C. H. D. Howard, (1980)26. English Suits before the Parlement of Paris, 1420-1436, ed. C. T. Allmand andC. A. J. Armstrong, (1982)27. William Cavendish, Fourth Duke of Devonshire, Memoranda on State of Affairs,1759-1762, ed. P. D. Brown and K. W. Schweizer, (1982)28. Barrington Family Letters, 1628-1632, ed. A. Searle, (1983)29. Miscellany, Vol. XXVIII, (1984)30. Gentlemen of Science: Early Correspondence of the British Association for theAdvancement of Science, ed. J. Morrell and A. Thackray, (1984)31. Reading Abbey Cartularies I, ed. B. R. Kemp, (1986)32. Letters of the First Viscount Harding of Lahore, 1844-1847, ed. B. S. Singh, (1986)33. Reading Abbey Cartularies II, ed. B. R. Kemp, (1987)34. Miscellany, Vol. XXIX, (1987)35. The Short Parliament (1640) Diary of Sir Thomas Aston, ed. Judith D. Maltby,(1988)37. Thomas Starkey: A Dialogue between Pole and Lupset, ed. T. F. Mayer, (1989)38. The Minutes of the Rainbow Circle, ed. Michael Freeden, (1989)39. Miscellany, Vol. XXX, Cambridge University Press (1990)40. The Parliamentary Diaries of Sir John Trelawny, 1858-1865, ed. T. A. Jenkins, (1990)With institutional markings from Queen Mary and Westfield College, University of London. Condition: In handsome cream bindings with black and gilt detailing to the spines. Externally, rather smart with minor shelfwear only and some occasional marks to boards. 23 out of 38 backstrips have either small library markings or evidence of their [Attributes: Hard Cover]

      [Bookseller: Rooke Books PBFA]
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      Austin: University of Texas Press,, 1964. Octavo. Original black cloth, titles to spine in bronze, pictorial endpapers. With the dust jacket. Illustrated by Antonio Frasconi. A fine copy in the superb dust jacket. First US edition, first printing. Signed by Borges on the half title page.

      [Bookseller: Peter Harrington]
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        You Only Live Twice

      Jonathan Cape, London 1964 - FIRST EDITION of the twelfth novel in the James Bond series, recounting Bond's harrowing Japanese adventure. Housed in beautiful custom silk box. London : Jonathan Cape , (1964). Octavo, original black cloth with silver lettering, original dust jacket; custom silk box. First state, with "First Published 1964" on title verso. Book near-fine with a few light scratches to cloth, dust jacket with discreet bookseller's stamp on back of flap and a hint of wear at top of spine. A beautiful, vibrant copy. [Attributes: First Edition; Hard Cover]

      [Bookseller: Manhattan Rare Book Company, ABAA, ILAB]
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        Une ravissante idiote [The Ravishing Idiot] (Original French Film Poster)

      Seven Arts Pictures 1964 - Original French "affiche" poster the 1964 film comedy, "Une ravissante idiote " (released in the US and UK as "The Ravishing Idiot"), based on the novel by Charles Exbrayat and starring Brigitte Bardot and Anthony Perkins. Near Fine condition, 47 x 63 inches, on linen.

      [Bookseller: Royal Books, Inc., ABAA]
 23.   Check availability:     AbeBooks     Link/Print  


      JACQUES TRINCKVEL, PARIS 1964 - 5 volumes in-4 avec 2 tomes dans chaque à savoir : 1 de texte et 1 pour les suites , dans une reliure éditeur plein chagrin bleu , têtes dorées , plats estampés avec motifs floraux dorés , dans les boites de protection éditeur , illustrations d' Yvonne DEBEAUVAIS , tirage à 1000 ex. numérotés , 1 des 40 ( n° 62 ) contenant une miniature originale in-texte ( volume 5 ) , une suite en couleurs et une suite en bistre , très bons exemplaires .

 24.   Check availability:     AbeBooks     Link/Print  

        Marching with Custer ; the Equestrian Custer

      The Arthur H. Clark Co. 1964 - Limited edition. One of 300 copies. One faint bump on top, else like new condition. A prospectus, original invoice, and letter from Arthur H. Clark are laid in the front. Also an extra print of Custer's Last Charge laid in. Printed on beautiful Andorra deckle-edged paper. A very attractive volume. Almost all the volumes we received in this Custer collection are in fine, like new condition. ; Oblong 4to [Attributes: Hard Cover]

      [Bookseller: Book Gallery // Mike Riley]
 25.   Check availability:     AbeBooks     Link/Print  

        Untitled [ Four Flowers], Original Serigraph By Andy Warhol

      Andy Warhol, New York Circa 1962 - 1966 1964 - Image size approximately 29 1/2" x 7" (oblong), consisting of four characteristic yellow Warhol flowers in a line, the two center flowers a little smaller and higher than the two outer flowers, with a little lighter green shading to the flowers, on a background of an abstract bright green design over a black background; the left two flowers are nearly but not exact mirror images of the right two flowers. Signature of Warhol below image at lower left, probably in the serigraph. A rare image, not in the catalogue raisonne of Warhol prints, and without the [later] Warhol "factory" stamp. This was obtained by the original owner from a Southern California [Beverly Hills] gallery in the 1960's [as best I remember the gallery name was a woman's, and it was on La Cienega]. Professionally dismounted from backing board [it was originally sold mounted and framed], cleaned and de-acidified with archival materials by a museum-experienced conservator. [Attributes: First Edition; Signed Copy]

      [Bookseller: Arroyo Seco Books, member IOBA]
 26.   Check availability:     AbeBooks     Link/Print  

        A Moveable Feast

      New York: Charles Scribner&#39;s Sons. (1964). First. Uncorrected long galley proof. Folded leaves printed rectos only. Publisher&#39;s label covers the first few lines of text, else just about fine. Vignettes inspired by the author&#39;s profound nostalgia for the halcyon days of his early career. Rare in this format. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
 27.   Check availability:     IOBABooks     Link/Print  


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