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Displayed below are some selected recent viaLibri matches for books published in 1962

        Collection of 79 Installments of Presage

      Liechtenstein / Paris / Switzerland: Egaserp Établissements / Société d'Éditions de Mode / Studio Galfetti - Fontana, 1962-1978. Installments range in condition from fine to very good, bound in boards and wrappers.. First Editions. Quartos.& Collection of 79 installments of Presage, published between 1962 and 1978. A leading quarterly in haute couture from 1961 through 1987, Presage seamlessly combined art, fashion, and design in colorful issues on current trends, providing an alternative to the stark commercial fabric catalogues of the day. Created in Paris and marketed to an American audience, each issue sought to predict the upcoming seasons' styles through a selection of fabric swatches, photo illustrations, patterns, and fashion design sketches for men, women, and children. The staggering subscription fee of $750 abetted the journal's lavish production, which incorporated unusual materials such as foil, lace, styrofoam, and cloth, among other media, into its variously sparse, Pop, and postmodern designs. Under the leadership of designer Rosita Fanto, who directed the journal after its third issue, Presage also acted as a working tool for members of the specialized fashion industries; the typical volume was divided into six sections, each devoted to a distinct facet of the business and published under the titles Les Coloris (Color), Les Lainages (Wool), Les Tissés (Woven), Jersey Façonnes Dentelles (Jersey Brocade Lace), Les Imprimés (Print), and Sketch Future (Future Sketch). A noteworthy experiment in graphic design and book arts and important document of the evolution of late twentieth century fashion, the quarterly belongs to several museum and library collections, including the Yale University Library, the Victoria and Albert Museum, the Metropolitan Museum of Art, and the Centre Pompidou. Due to the extensive volumes created during the journal's 26 years of publication, complete sets are exceedingly rare.

      [Bookseller: Harper's Books, Inc.]
 1.   Check availability:     Biblio     Link/Print  

        High Latitude

      Melbourne: Melbourne University Press 1962, 1st Edition. () xvi,292pp. Very good in poor dust jacket. Octavo. Original green cloth. Boards slightly bowed and worn. Dust jacket very worn and torn missing a large piece front the rear panel. Plates (including frontispiece portrait) from photos and 6 illustrations (maps) in text. Contents clean. Rosove 88.A1.b; Spence 355. H.W. Tilman's copy with his signiture on the front endpaper and dated Nov. 1963. John King Davis' biographical account of his part in several major Antarctic expeditions, including Shackleton's first expedition, 1907-09. Mawson's 1911-14 expedition, and he led the expedition to retrieve the Ross Sea members of Shackleton's "Endurance" expedition. Books from Tilman's library are very scarce. H.W. Tilman's Copy.

      [Bookseller: Aquila Books]
 2.   Check availability:     Biblio     Link/Print  

        THE SITUATIONIST TIMES. Vol. 1-6. (All published).

      Edit. by Jacqueline de Jong. Hengelo, Copenhagen, Paris 1962-67. Richly illustr. and with 33 orig. lithographs by Jorn, Alechinsky, L. Castro, K. Geissler, M. Henry de Jon, W. Lam, R. Matta, A. Saura, A. Segui, Topor, J. Voss among others. 56 + 63 + 96 + 184 + 220 + 33 pp.. International political and artistic movement which was founded 1957 in Italy. It concisted of several small art-groups: Internationale Lettrister, London Psychogeographical Association and Bauhaus Imaginiste, and the movement was further more influenced by thoughts from CoBrA, Dada, surrealism and Fluxus. The Frenchman Debord was, together with Asger Jorn, the most prominent members but the movement existed only a few years because the difference of opinions was to big among the members; Jorn and Debord e.g., disagreed about the significance of art in the relation to the revolutionary political ideals of the movement. Printed in 1000-2500 copies. Text mainly in English and French. With textcontributions by Alechinsky, N. Arnaud, Max Bucaille, Debord, G. Fazakerley, A. Gagnaire, Jorn and others

      [Bookseller: Peter Grosells Antikvariat]
 3.   Check availability:     Antikvariat     Link/Print  

        The New Jazz Book. A History and Guide

      New York: Hill and Wang,, 1962. Translated by Dan Morgenstern. Octavo. Original light grey cloth, titles to spine in purple. With the dust jacket. 32 pages of plates from photographs. Spine rolled, a few tiny spots to cloth. An excellent copy in the price-clipped jacket with a few small chips and short closed tears. First English language edition, first printing, originally published in Germany in 1959. Presentation copy inscribed by the translator on the front pastedown, "To a good guy, Dan, 1963" and by jazz pianist Teddy Wilson on the front free endpaper, "To Harvey with best wishes, Teddy Wilson". Wilson (1912–1986) was "the definitive swing pianist" (Songwriters Hall of Fame biography) who played with many of the greats, including Louis Armstrong, Lena Horne, Billie Holiday, Ella Fitzgerald, and Benny Goodman. He was one of the first black musicians to play with whites and later taught at Julliard. Wilson is mentioned numerous times in this volume, for instance, on page 182 Berendt writes that, "In the field of the real Swing style of the thirties the Earl Hines direction is embodied first of all in Teddy Wilson. He connects it with the format of the great coloured Swing soloists and with the elegance and affability which Benny Goodman brought to the jazz of that day. It is this connection which has led to a point – twenty-five years later – at which one seems to be hearing Teddy Wilson in every other cocktail pianist. Teddy Wilson, as a member of the Goodman combos and as leader of his own ensembles, participated in some of the best and most representative combo recordings of the Swing era. During the thirties he influenced almost every pianists…".

      [Bookseller: Peter Harrington]
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        Man Ray, exposition de l'oeuvre photographique *

      Bibliothèque Nationale, Paris 1962. - Broché 27 x 21, couverture rouge titrée en blanc & illustrée. Petite déchirure sans perte en bord et menus défauts compensés par une page de faux-titre intégralement recouverte de notes et croquis d'un visiteur enthousiaste et un peu allumé. Très rare catalogue d' exposition présentant 76 oeuvres et document décrits, tiré sur papier vergé aux seuls recto des 19 feuillets, vraisemblablement ronéotypés. La photo figure Mer Woodman au repos, cool, between Ms Bol & Ms Pyramide.

      [Bookseller: Librairie Oh 7e Ciel]
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        R. Th. Bosshard *

      Au Verseau, Lausanne printemps 1962. - Relié 32 x 23, couverture illustrée, rhodoïd imprimé. Nickel. Ouvrage fondamental abordant peintures, dessins, poèmes et textes, certains reproduits en fac-similé. Bien complet du précieux fascicule volant comprenant le catalogue des peintures de l'artiste (1080 numéros). Préface de Romain Goldron.Le plus beau livre sur le peintre, qui en aborde le plus globalement les multiples talents.Avec un petit croquis original à la mine de plomb, tiré de ses carnets, avec tampon d'atelier. Édition originale. L'un des 536 exemplaires numérotés sur vergé, après 64 Arches avec dessin original, lithographie, page manuscrite et flacon !

      [Bookseller: Librairie Oh 7e Ciel]
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        Casey at the Bat - The Story of My Life in Baseball

      New York: Random House, 1962. Inscribed By Casey Stengel. Hard Cover. Very Good/Nearly Very Good. Illus. by Illustrated from Photographs. 8vo - over 7¾" - 9¾" tall.

      [Bookseller: Brooklyn Books]
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      Manila, Philippines: Regal Books/Erewhon Bookshop Distributors, 1962. First Edition. First Printing.. Hardcover. Fine/Fine Dust Jacket.. Manila, Philippines: Regal Books/Erewhon Bookshop Distributors, 1962. Hardcover. Fine/Fine. First Edition/First Printing. 120 pages. The author&#39;s debut novel. One of the greatest novels of the 20th century. The First Edition. Precedes and should not be confused with all other subsequent editions. Published in a very small and limited first print run as a hardcover original only. There is no ISBN. The First Edition is now very rare. Presents Kerima Polotan&#39;s first and only novel. It is important to keep in mind that at the time of its publication, the Philippines was one of the most prosperous nations in Asia, a vibrant democracy that enjoyed unprecedented economic growth, American financial largesse to its former colony and Workl War II ally, and an elite culture that encouraged Philippine writing in English. The external factors that help make a masterpiece possible cannot be overestimated precisely because the latter comes into being to challenge a modernizing nation&#39;s intrinsic soul. Once compared to Sartre (wrongly) and Heinrich Boll (rightly), Polotan is an original: Going against the Romantic grain, she wrote un-sentimentally, scathingly, and pitilessly about love, the impossible demands it makes on human beings, and its fundamental incompatibility not just with personal ambition but with the harsh realities of life. For Polotan, love is the sole reason for being. It&#39;s what we&#39;re here for. Its enemy, whose hand prevails in the end, is life itself. By all means, one should seize whatever saving grace life has to offer, be it the glory of literature; the pleasures of art; the consolation of religious faith; and most tangible of all, measurable, worldly success. Life is essentially a trade-off, and one must never ever have any illusions about the trade-offs one makes. Polotan saves her most withering words (in passages of great descriptive power) for those who think they can have it all. The bleakness of Polotan&#39;s vision is somewhat relieved by the generosity of her spirit. She cares about her characters, mourning rather than condemning their failings. Whereas almost everyone else writes in the "Creole" style (the flowery Philippine language infused with Spanish Baroque), her lean and elegant prose makes Polotan the greatest stylist in English the Philippines has ever produced. "Her searingly honest voice is without parallel. Like a diamond: Sharp, brilliant, cutting through the dross of hypocrisy. Tough exterior, generous heart" (Rowena Torrevillas). Polotan&#39;s tough-minded yet generous writing exposes the mediocrity of contemporary writing for what it is: Sterile prose, undergraduate philosophizing, Marvel Comics fantasy-narratives. "A man follows something more urgent than himself" (Kerima Polotan). Kerima Polotan died on August 19, 2011. She will not be replaced. An absolute "must-have" title for Kerima Polotan collectors. <b><i> This title is a modern classic. As far as we know, this is the only copy of the First Edition/first Printing available online and despite its imperfection (closed and open tears on DJ; slight fading on DJ spine) is still in fine condition: Clean, crisp, and bright, a beauty. Copies that occasionally turn up online have sold for $1000. A rare copy thus. </b></i> The greatest Philippine writer of the 20th century. A fine collectible copy. (SEE ALSO OTHER KERIMA POLOTAN TITLES IN OUR CATALOG).

      [Bookseller: Modern Rare]
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        Who&#39;s Afraid of Virginia Woolf?

      New York: Atheneum, 1962. First edition. Octavo, original cloth. Inscribed by the author in the year of publication on the front endpage, "For _____, ______ & ______ _______ Edward Albee Dec. 7. 1962 N.Y.C." Octavo, original boards. Fine in an excellent near fine dust jacket with some wear to the crown and foot of the spine. A nice copy, uncommon inscribed in the year of publication. The Village Voice calls Albee&#39;s play "[a]n irreplaceable experience&#133;a crucial event in the birth of contemporary American theater!" Who&#39;s Afraid of Virginia Woolf? went on to win the 1963 Tony Award for Best Play and the New York Drama Critics&#39; Circle Award for Best Play. Basis for the 1966 film adaptation directed by Mike Nichols that starred Richard Burton and Elizabeth Taylor."Albee can&#133;be placed high among the important dramatists of the contemporary world theatre" (New York Post).

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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        Who&#39;s Afraid of Virginia Woolf (Signed First Edition)

      New York: Atheneum, 1962. First edition. Hardcover. First printing. One of the best known plays from this three time winner of the Pulitzer Prize in Drama. Basis for the Mike Nichols directed movie with Elizabeth Taylor and Richard Burton. A fine copy in a very near fine dust jacket with some slight rubbing to the spine ends and rear panel and a few very slight scratches to the rear panel. Signed and dated by Albee on the half title page in 2007. A lovely copy.

      [Bookseller: Jeff Hirsch Books, ABAA]
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      New York Harper & Row 1962 - First edition. Original black quarter cloth over grey boards with gilt title to the spine in (supplied) dustwrapper. Author's presentation copy, inscribed to friend and fellow author, Elizabeth Taylor, on the front end paper, "Elizabeth love and a Merry Christmas Katherine and Andy / North Blooklin, Maine". A very good copy, with a faded spine which has a couple of internal repaired closed tears to the joints and a little wear to the spine ends. In a very good dustwrapper. Elizabeth Taylor, the critically regarded British novelist, described by Kingsley Amis as "One of the best English novelists born this century", whose writing career was forced into relative obscurity as a consequence of coinciding with the rise of her more famous namesake, the American actress. Her style was in the mould of Ivy Compton-Burnett, Barbara Pym and Elizabeth Bowen, and has only recently been recognised as one of the important authors of the twentieth century. She wrote twelve novels and a clutch of story collections, most of which were originally published in, The New Yorker, where E.B.White's wife was her first editor. Taylor rarely travelled to American so did not often meet White but they became good friends via a long and frequent correspondence. [Attributes: First Edition; Hard Cover]

      [Bookseller: Jonkers Rare Books ABA ILAB]
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        American Folk Blues Festival, Original, Vintage, 1962 German Concert Poster By Gunther Kieser

      American Folk Blues Festival Concert Poster, Auditorium Max,[Hamburg], Oct. 18,[1962], produced by Lippmann & Rau; designed by Gunther Kieser with the Michel + Kieser imprint to bottom centre right, inside the guitar margin. A1 Format, 23.25" by 33" (59 cm. by 83.8 cm.), in fine condition, bright, unmarked, with crisp factory folds. The American Folk Blues Festival was the brainchild of German concert promoters, Horst Lippmann and Fritz Rau, who had been successfully presenting jazz concerts in Germany since the mid - 1950&#39;s. The first AFBF was held in 1962, for which this poster was designed, and working with the well-connected Chicago bluesman, composer and bassist Willie Dixon, L&R were able to present a who&#39;s who of American urban and country blues artists for the first time to European audiences. Exposure to these great American blues musicians inspired and influenced a generation of British musicians, including future rock stars Mick Jagger, Eric Clapton and Steve Winwood, all of whom played an important role in the blue-based British Invasion of the 1960&#39;s. AFBF continued until 1972 with a series of highly successful concerts in Germany, France and England, after which the festivals were terminated for an eight year hiatus before resuming in 1980 for another five years. The posters created exclusively for the German AFBF festivals were designed by the eminent graphic designer Gunther Kieser and are representative of some of his finest music poster designs. A significant blues poster for the first presentation of the influential American Folk Blues Festival, in collector&#39;s condition. J1750 . First Edition. Fine.

      [Bookseller: JazzFirst Books]
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        Noces. Le vent à Djémila *

      École Estienne, Paris 1962. - Relié 28 x 20, premier plat décoré. L'un des 40 exemplaires numérotés sur Rives, signés par l'artiste, seul et unique tirage. Ouvrage tout à fait méconnu, truffé d'un petit billet autographe signé du Maître Jacno à un "cher légionnaire" au sujet de ce travail d'élèves: "celui (là) je suis sûr que vous ne l'avez pas déjà !".Soufflé !

      [Bookseller: Librairie Oh 7e Ciel]
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        Oeuvres complètes, 7 tomes (complet)

      1962. Garbell (16), Pelayo (16), André Masson (12 dont 2 en double-page) , Guiramand (16), Cavaillés (16), Borès (18), Carzou (16),. . aux Editions André Seuret, 1962-1965 broché, couverture rempliée, in 4 (28 x 21 cm), 450 + 324 + 465 + 405 + 345 + 490 + 373 pages Illustration de 110 lithographies en couleurs tirées par Mourlot Frères de Garbell (16), Pelayo (16), André Masson (12 dont 2 en double-page) , Guiramand (16), Cavaillés (16), Borès (18), Carzou (16),. sous chemise et emboîtage à dos bleu orné de petits fers dorés, titre doré. Tirage limité à 5000 exemplaires : 200 exemplaires numérotés de 1 à 200 sur Vélin d&#39;Arches enrichis d&#39;une suite en couleurs des illustrations et une lithographie originale signée par l&#39;auteur, 4800 exemplaires sur Vélin d&#39;Arches numérotés de 201 à 5000. Exemplaire 228 sur papier Vélin d&#39;Arches filigrané Albert Camus. Oeuvres complètes en 7 volumes comprenant : L&#39;étranger, La Peste, La Chute, Noces, L&#39;été, L&#39;exil et le royaume, L&#39;envers et l&#39;endroit, Le mythe de Sisyphe, L&#39;homme révolté, Discours de Suède, Actuelles, Lettres à un ami allemand, Caligula, Le malentendu, L&#39;état de siège, Les justes, Esprits, La dévotion à la croix, Le chevalier d&#39;Olmedo, Requiem pour une nonne, Les possédés, Carnets (mai 1935 - mars 1951) - Très bon état intérieur, couvertures, emboîtages avec quelques petits frottements, Bon exemplaire d&#39;une façon générale

      [Bookseller: LES TEMPS MODERNES]
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        Force of Circumstance and Other Poems

      Published by Routledge & Kegan Paul, Limited, Broadway House, 68-74 Carter Lane, London First Edition 1962. London 1962. First edition hard back binding in publisher&#39;s original light yellow paper covered boards, black title and author lettering to the spine and to the upper panel. 8vo. 9&#39;&#39; x 6&#39;&#39;. Contains [x] 54 printed pages of text. Prynne suppressed this book, his first volume of poetry. A little foxing to the end papers. Very Good condition book in Very Good condition dust wrapper with just a little tanning of the paper to the spine and edges, not price clipped 12s 6d. Dust wrapper supplied in archive acetate film protection, this preserves and prolongs the life of the paper, it is not adhered to the book or to the dust wrapper. Member of the P.B.F.A.

      [Bookseller: Little Stour Books PBFA]
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        Duerme Usted, Señor Presidente? (Poesía)

      El Techo De La Ballena, Caracas, Venezuela 1962 - Prólogo Adriano González León. Sin Paginar, Aproximadamente 30Pp. Cubiertas Rojas, Sobrecubierta Negra Pegada Al Lomo Con Ilustraciones Características De El Techo De La Ballena, Cubierta Y Sobrecubierta En Muy Buen Estado, Sobrecubierta Trasera Con Pequeño Daño En Esquina. Interior Con Pequeñas Manchas De Óxido. Ilustrado Con Grabados Antiguos En Hojas Rojas. [Attributes: Soft Cover]

      [Bookseller: Guido Soroka Bookseller]
 16.   Check availability:     AbeBooks     Link/Print  

        Ship Of Fools

      Boston & Toronto: Little, Brown and Company,, 1962. Octavo. Original yellow cloth, titles to spine and upper board in red, red patterned endpapers. With the dust jacket. An excellent copy in the very lightly rubbed jacket with slightly faded spine panel. First edition, first printing. Inscribed by the author on the half-title "For Samuel S. Goldberg, Katherine Anne Porter".

      [Bookseller: Peter Harrington]
 17.   Check availability:     Biblio     Link/Print  

        Travels with Charley: In Search of America

      New YorK: The Viking Press, 1962. First Printing of First Edition. Publisher's original binding and dust jacket, octavo, 246 pages. Book in fine condition, with minimal wear; in dust jacket with slight tanning to spine and cover margins, and mild edge wear, else in fine condition. An excellent copy. . First Edition. Hard Cover. Fine/Near Fine.

      [Bookseller: Idler Fine Books]
 18.   Check availability:     Biblio     Link/Print  

        [Frost, Robert] In the Clearing

      NY: Holt Rinehart and Winston, (1962). First edition of Frost&#39;s last published collection. One of 1,500 copies signed by Frost. Printed by the Spiral Press. This collection contains "The Gift Outright," the poem that Frost recited at John F. Kennedy&#39;s inauguration, and the poem that he composed especially for the occasion, "For John F. Kennedy His Inauguration." Very fine in lightly scuffed publisher&#39;s slipcase.

      [Bookseller: Bromer Booksellers]
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        Fight for Freedom: The Story of the NAACP

      New York: W. W. Norton and Co., Inc., 1962 First edition. Signed and inscribed by Hughes in the year of publication: "For Helen Burrell,/ Sincerely/ Langston Hughes/ Sept. 30,/ 1962." A near fine book in a jacket with some wear to the spine ends, a couple short tears and a chip to the lower edge of the front panel.. Inscribed by Author(s). First Edition. Hard Cover. Very Good.

      [Bookseller: B & B Rare Books, Ltd., ABAA]
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        Calixto suivi de Contrée.

      Gallimard 1962 - - Gallimard, Paris _1962, 14,5x21cm, broché. - Edition en partie originale, un des 42 ex numérotés sur pur fil, seuls grands papiers. Très bel exemplaire. [Attributes: First Edition; Soft Cover]

      [Bookseller: Librairie Le Feu Follet]
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        Summer Brave & Eleven Short Plays

      New York: Random House 1962 - Small 8vo., cloth lettered in gilt; dust jacket, a lovely copy. First edition, first printing. Inscribed by Inge to Dr. William Podlich, longtime professor at Arizona State University, and his wife; laid-in is an autograph card from Inge to Podlich. [Attributes: Hard Cover]

      [Bookseller: North Star Rare Books & Manuscripts]
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        Chagall Lithographe III. 1962-1968

      - Catalogue et notices Fernand Mourlot. Charles Sorlier. André Sauret, Éditeur 1969. 181 pp. 2 original lithographs including cover. Publisher`s cloth with cover and mylar cover in original slip case. 32,5 x 25 cm.[#31624] [Attributes: Hard Cover]

      [Bookseller: Antiquaria Bok & Bildantikvariat AB]
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        Le Totémisme Aujourd&#39;hui

      Paris: Presses Universitaires de France,, 1962. Octavo. Original wrappers printed in red and black with photographic designs. Library withdrawal stamp to half-title. Wrappers rubbed, slight wear to ends of spine. An excellent copy. First edition, first impression. Inscribed by the author on the half-title, "To Raymond Firth, this preface to a second book, coming out soon. Cordially, Levi-Strauss". Firth (1901&#150;2002) was a prominent New Zealand anthropologist and student of Bronislaw Malinowski, whom he succeeded as Professor Anthropology at the London School of Economics in 1944, remaining there for twenty-four years. The second book mentioned by Lévi-Strauss in the inscription is likely his most famous work, La Pensée Sauvage, published in the same year as the present volume.

      [Bookseller: Peter Harrington]
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        Revolutionary Road

      New York: Bantam Books, 1962. First paperback edition. Paperback. Paperback. First paperback edition. The first paperback edition of Yates&#39; first and classic novel. A very good copy with creasing to the front cover and wear at the extremities. Pages are browned. Scuffing to the rear cover. Significantly, this copy is signed and inscribed by the author. The inscription reads: "For Barry & Joyce --------:With thanks for a good evening and best wishes. Richard Yates. 11/29/75." Signed copies of early printings of Revolutionary Road are quite scarce.

      [Bookseller: Sawtooth Books]
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        My Land and My People

      London: Weidenfeld and Nicolson, 1962. First edition. Octavo, original black cloth with titles to the spine in gilt. Signed by His Holiness the Dalai Lama on the title page. A near fine copy in a excellent dust jacket that is lightly rubbed. Housed in a custom quarter morocco clamshell box. A very sharp copy, uncommon signed. Recognized at the age of two as the reincarnation of the Thirteenth Dalai Lama, Tenzin Gyatso was brought to Lhasa, the capital of Tibet, and enthroned two years later as the fourteenth Dalai Lama. In 1959, following the Chinese suppression of the Tibetan national uprising, he was forced to seek asylum in India. As Tibet&#39;s leader-in-exile, he has worked tirelessly not only on behalf of the Tibetan people but as a voice for human rights worldwide. "My Land and My People is, without a doubt, one of the most moving memoirs I have ever read." (Stanley Gosh, Saturday Review)

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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      Éditions Fernand Mourlot 1962 - Paris, Éditions Fernand Mourlot, 1962 &#150; Sous emboitage cartonné, en feuilles sous couv. rempliée, 28 cm x 33,5 cm, 84 pages, 22 planches illustrées dont 6 lithographies originales couleurs dont 1 en frontispice et 9 lithographies en un ton, Tiré à 850 ex. (n°101) num. et signé par l&#146;artiste &#150; Texte de Christine Gleiny, portrait photographique de Mühl par Jacqueline Turpin, envoi de Mühl &#150; Très bon état [Attributes: Hard Cover]

      [Bookseller: Librairie Sedon]
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        Karel Appel, Painter (Signed)

      Amsterdam: Strengholt, 1962 Book. Fine. Hardcover. Signed by Author(s). large 4to. Pictorial boards with transparent plastic dustjacket with printed title in white. Dustjacket slightly chipped and creased. Color tipped in plates. Black and white photographs by Ed van der Elsken. Typography by Wim Crouwel. From the deluxe edition of 250 numbered copies signed by Karel Appel and Hugo Claus. With the original colored lithograph signed and dated (&#39;60) in pencil by Karel Appel. Including the loosely inserted "to the reader" 4 pp..

      [Bookseller: Concept Books]
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        Water Street

      New York: Atheneum, 1962. First edition. Hardcover. Fine/very good +. A Fine copy of the first edition, first printing (light rubbing to spine lettering), in a Very Good + dust jacket (short tears to the front panel&#39;s upper left corner, small chip to the rear panel&#39;s upper right corner, slight loss at the spine head); James Merrill&#39;s third book of Poetry and his scarcest trade publication. The book was simultaneously issued in hardcover and in paperback, with the hardcover copies being by far the scarcer of the two. Copies of the hardcover edition in a condition as nice as is this copy are quite scarce. An altogether Near Fine copy of James Merrill&#39;s scarcest trade publication. QUITE SCARCE INDEED.

      [Bookseller: Allington Antiquarian Books, LLC]
 29.   Check availability:     IOBABooks     Link/Print  

        Eleven Kinds of Loneliness

      New York: Atlantic Little Brown, 1962 First USA Edition. A very good to near fine book, with sunning to the spine and board tips, in a near fine price clipped jacket, with some wear to the corners, but no chips or tears. A full page inscription by Yates on the front free endpaper, which reads in part- "For Paul Bartel: I can&#39;t imagine where you found a copy of this antique book, but its very pleasing to know you made the search. These were the stories i wanted most to keep, after many years of trial and error" Over 80 words in total in Yates hand, signed and dated in 1980. Yates first book of stories, and second book after Revolutionary Road. . Signed by Author. First Edition.

      [Bookseller: MDS Books]
 30.   Check availability:     Biblio     Link/Print  

        IL VERRI - 1962-1968 - rivista dil letteratura - direzione LUCIANO ANCESCHI ed editore FELTRINELLI - TUTTO IL PUBBLICATO IN 38 NUMERI, Milano, Feltrinelli, 1962

      Questa IMPORTANTISSIMA RIVISTA DI AVANGUARDIA E DI SPERIMENTAZIONE LETTERARIA viene fondata a Milano nel tardo 1956 da Luciano Anceschi e riunirà attorno a sè i più importanti letterati e poeti italiani (Arbasino, Umberto Eco, Gillo Dorfles, Eugenio Montale,Sanguineti, Vittorini, A. Giuliani, Nanni Balestrini, A, Guglielmi, Pontiggia, Renato Barilli, Leo Pollazzi e tanti altri. Il Verri ha contribuito a fondare una vera e propria CORRENTE DI PENSIERO. Questa terza serie prosegue la grande azione culturale iniziata nel 1956 con la prima e seconda serie TERZA SERIE formato 13 x 21 FELTRINELLI ANNO SESTO - SETTIMO 1962 num. 1 febbraio pp.156 num. 2 aprile pp.152 num. 3 agosto pp.154 num, 4 ottobre pp. 155 num. 5 dicembre pp. 155 num. 6 LA CONDIZIONE ATOMICA - SPECIALE - pp. 190 ANNO OTTAVO 1963 num. 7 febbraio pp.148 num, 8 giugno pp.152 num, 9 agosto pp.155 num.10 ottobre pp.153 num.11 dicembre pp.149 num,12 DOPO L'INFORMALE - SPECIALE - pp.136 ANNO NONO 1964 num.13 febbraio pp.155 num,14 aprile pp.158 num,15 giugno pp.174 PSICOPATOLOGIA DELL'ESPRESSIONE num.16 agosto pp.153 num.17 ottobre pp.149 num,18 dicembre pp.154. ANNO DECIMO 1965 num.19 febbraio pp. 238 num. 20 aprile pp.175 num, 21 giugno pp.188 num. 22 agosto pp.188 L'ARTE PROGRAMMATA num,.23 ottobre pp.187 num. 24 dicembre pp.114 LO STRUTTURALISMO LINGUISTICO QUARTA SERIE formato 14 x 22,5 FELTRINELLI PERIODO DAL 1966 AL 1972. num. 25 pp. 149 TEATRO COME EVENTO num. 26 pp.139 CELINE num. 27 pp.150 num. 28 pp.127 PSICOANALISI E POESIA num. 29 pp.169 BURROUGHS num. 30 pp. 169 NUOVA MUSICA num. 31 pp. 225 POESIA E FILOSOFIA num. 32 pp. .157 PAULHAN O DEL TERRORE num. 33-34 pp.355 LUCINI E IL FUTURISMO num. 35-36 pp.306 LE ISTITUZIONI E LA RETORICA. num. 37 pp.159 ROGNONI PESTALOZZA . ROSSINI. num. 38 pp.175 DAUMAL. -M A N C A N T E num. 39-40 pp.262 NIETZSCHE ultimo numero della serie è uscito nel 1972

      [Bookseller: Livres anciens et modernes Gilles Hassan]
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        Liebesgedicht *

      A. & P. Gonin, Lausanne 15.5.1962. - En feuilles 27 x 38, couverture muette rempliée de papier japon à fibre grossière. Plaquette softement érotique au tirage restreint pour amants bibliophiles orientaux. Édition originale. L'un des 10 exemplaires de tête de tête numérotés sur japon nacré avec suite signée, comme l'est cette publication par l'auteur et l'éditeur, avant 190 Arches et 35 hors commerce.

      [Bookseller: Librairie Oh 7e Ciel]
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        Zum Lobe des Bilderhändlers Otto Lutz.

      Hatje,, Stuttgart, Bad Cannstatt, 1962 - Stuttgart, Bad Cannstatt, Hatje, 1962. 8°. 22,0 x 16,5 cm. 90 Seiten. Original-Karton. Erste Ausgabe. Spindler 119,26. Eins von 500 Exemplaren. Herausgegeben von Margot Fürst. Mit 42, davon 38 Original-Grafiken, teils mehrfarbig von: Erich Heckel, HAP Grieshaber, Emil Kiess, Hans-Martin Erhardt, Horst Antes, Max Ackermann, Camille Graesser, Georg Muche, Emil Schumacher, Zao Wou-Ki, Walter Stöhrer u. a. "Freunde von Otto Lutz und seiner Galerie feiern seinen 60. Geburtstag am 23.4.62 mit diesem Almanach.Die graphischen Blätter wurden zu diesem Anlaß gemacht." Der blaue Pergamin-Umschlag und die Original-Radierung von Trökes fehlt. Gutes bis sehr gutes Exemplar. [Attributes: First Edition; Hard Cover]

      [Bookseller: Antiquariat Lenzen GbR]
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        THE SIRENS OF TITAN (First British Edition with Original Publisher&#39;s Wraparound band)

      London: Gollancz, 1962. Vonnegut, Kurt. THE SIRENS OF TITAN. London: Gollancz, 1962. First British Edition. A FINE copy (feels unread) in a NEAR FINE priced original yellow dust jacket (just a tiny bit dust-soiled around the edges) complete with the publisher&#39;s original wraparound band. Preceded by the 1959 paperback published by Dell and the 1961 First American Edition published by Houghton Mifflin (but perhaps may be the most hard-to-find of these three in superb condition). Especially desirable with the wrap band. . First English Edition. Hard Cover. Fine/Near Fine.

      [Bookseller: Lakin & Marley Rare Books ]
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        ANTIKE PLASTIK : Lieferung I-XVIII Herausgegeben im Auftrage des Deutschen Archäologischen Institutes von Walter Herwig Schuchhhardt.

      Berlin Verlag Gebr.Mann 1962-1979. . An unbroken run of the first 18 volumes together with "Register Lieferungen 1-X" all in publishers bindings as issued. Text in German English & Greek. Superbly illustrated and finely printed in Letterpress & Gravure with the smaller halftone plates tipped-in. Various contributors from around the world. An invaluable contribution to the literature of classical archaeology.Officially de-accesioned from Liverpool Reference Library with their heraldic bookplate to the pastedown of each volume but no other markings. The early volumes have been protected with plastic covers, unfortunately attached with cellotape, leaving the occaisional ugly tape residue marks to the boards otherwise a very good set.

      [Bookseller: John L. Capes (Books Maps & Prints)]
 35.   Check availability:     Booksatpbfa     Link/Print  

        Johann Melchior Dinglinger: Der Goldschmied des Deutschen Barock, Zwei Bände (Two Volume Set)

      Gebr. Mann Verlag, Berlin, 1962. Volume I and II; 1 to 300 and 301 to 432 pages, 453 black and white illustrations throughout. Minor fading to the dustjacket covers spines, otherwise fine. Minor wear and discoloration to the cardboard slipcase. Text is in German. Deutscher Verein für Kunstwissenschaft E.V.. Anhang, Urkunden, Bildnisse, Werke. Quellen, Personenverzeichnis, Abbildungsnachweis und Stammtafel.. Cloth with Board Slipcase. Fine Condition/Near Fine.

      [Bookseller: Exquisite Corpse, Booksellers]
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        Metafisikal Translations. Signed Copy

      Kelpra Studio, London 1962 - [46]p.45 pages of black and white screenprints.300mm x 210mm (12" x 8").The first book by British sculptor, collagist, printmaker, writer, and one of the founders of the British pop art movement. Printed for the artist by the Kelpra Studio. The Kelpra Studio was pivotal in the development of the screenprinting medium throughout the 1960s and 1970s, and worked with other artists including Richard Hamilton, Patrick Caulfield and Peter Blake. From the library of the late Robert Lenkienwicz. G : in good condition. Card covers with some minor marks and creases. Sellotape and numbered label (private library) to bottom of spine. Contents very clean and binding sound. Pencil signature of the artist to ffep dated London 1962 White laminated card covers with red screen printed title

      [Bookseller: Barter Books Ltd]
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        Papers of the Bibliographical Society of Canada/Cahiers de la Societe Bibliographique du Canada

      Toronto: The Bibliographical Society of Canada/La Societe bibliographique du Canada 1962-2010. 66 vols.: 1: 56, [12]; 2: 86; 3: 62, 34; 4: 89, 23, 15; 5: 105, 28; 6: 31, 52; 7: 60; 8: 85; 9: 76; 10: 99; 11: 100; 12: 125; 13: 133; 14: 150; 15: 98; 16: 84; 17: 107; 18: 126; 19: 125; 20: 93; 21: 108; 22: 136; 23: 120; 24: 123; 25: 190; 26: 211; 27: 145; 160; 28: 135; 29/1: 69; 29/2: 88; 30/1: 93; 30/2: 76; 31/1: 116; 31/2: 76; 32/1: 80; 32/2: 81-199; 33/1: 104; 33/2: 105-225; 34/1: 104; 34/2: 105-221: 35/1: 136; 35/2: 137-238; 36/1: 84; 36/2: 152; 37/1: 96; 37/2: 97-104; 38/1: 149; 38/2: 142; 39/1: 123; 39/2: 125; 40/1: 111; 40/2:140; 41/1: 150; 41/2: 118; 42/1: 115; 42/2: 109; 43/1: 105; 43/2: 121; 44/1: 141; 44/2: 112; 45/1: 134; 45/2: 232; 46/1: 139; 46/2: 269; 47/1: 142; 47/2: 226 p. 22 cm. Hundreds of photos, tables, charts, maps, pages from printed books, etc. Nos. 1 (1962) to 46 (2008) complete. Also nos. 47/1 (2009) and 48/1 (2010). Also includes a copy of Colloquium III (1978). Soft covers have a little light soiling and thumbing. A few sunned spines on later coloured volumes. Nos. 5 & 28 have ink notations on spine, no. 7 has dark marks on front cover, red print on cover of no. 27 appears to have "bled" a little, no. 41/1 has especially soiled rear, no. 42/2 has pages a little bent at top. Pencil note 30/1 p. 93. Otherwise, insides pristine. Contains the Constitution of the Society, meeting minutes, directories of members, articles on the tribulations of biblographers, the teaching of bibliography, bookbinding, printing, the book trade, book reviews, and items on such authors as Mark Twain, Charles Darwin, Louis Hemon, Stephen Leacock, Catharine Parr Traill, Pauline Johnson, L. M. Montgomery, Lewis Carroll, George Orwell, Alice Munro, etc. Contributors include Carl Spadoni, Marie Tremaine, Elizabeth Hulse, Joan Winearls, J. M. S. Careless, Samuel Trosow, etc.

      [Bookseller: Attic Books]
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        The Tin Drum

      New York: Pantheon, 1962. First American edition of the author&#39;s first novel. Octavo, original red cloth. Signed by the author. Slip laid in from the publisher, "with our compliments", most likely a review copy. Fine in a near fine dust jacket with just a touch of wear to the extremities. A very sharp copy. When Günter Grass published "The Tin Drum" in 1959 it was as if German literature had been granted a new beginning after decades of linguistic and moral destruction. Within the pages of this, his first novel, Grass recreated the lost world from which his creativity sprang, Danzig, his home town, as he remembered it from the years of his infancy before the catastrophe of war. Here he comes to grips with the enormous task of reviewing contemporary history by recalling the disavowed and the forgotten: the victims, losers and lies that people wanted to forget because they had once believed in them. At the same time the novel breaks the bounds of realism by having as its protagonist and narrator an infernal intelligence in the body of a three-year-old, a monster who overpowers the fellow human beings he approaches with the help of a toy drum. The unforgettable Oskar Matzerath is an intellectual whose critical approach is childishness, a one-man carnival, dadaism in action in everyday German provincial life just when this small world becomes involved in the insanity of the great world surrounding it. It is not too audacious to assume that "The Tin Drum" will become one of the enduring literary works of the 20th century" (The Swedish Academy).

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
 39.   Check availability:     Biblio     Link/Print  


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