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Displayed below are some selected recent viaLibri matches for books published in 1962

        Who's Afraid of Virginia Woolf? (Collection of 14 stills from the 1962 Broadway play)

      New York: Billy Rose Theatre, 1962. Collection of 14 vintage black-and-white single weight still photographs from the original Broadway production of the 1962 play at the Billy Rose Theatre. "Who's Afraid of Virginia Woolf" debuted on Oct. 13, 1962 and ran until May 16, 1964, for a total of 664 performances. The play swept the Tony awards that year, winning Best Play, Best Director, Best Producer, and Best Actor and Actress for Arthur Hill and Uta Hagen. Due to the play's over three hour run time, a second company, featuring Kate Reid, Shepherd Strudwick, Avril Petrides, and Bill Berger, was hired to perform the matinee shows beginning Oct. 27th, 1962, a first for a Broadway production. Photos from both casts are included in this collection, along with one of Uta Hagen with Rochelle Oliver, who took over the role of Honey in May of 1963. 8 x 10 inches (20 x 25 cm). Near Fine, most with stamps from the theater, press representative Howard Atlee, or photographer Alix Jeffry, with holograph notations identifying the actors to the verso. Also included is a single sheet of paper with cast and credits for the play, 8.5 x 11 inches, Very Good plus. Complete collation details available on request.

      [Bookseller: Royal Books, Inc.]
 1.   Check availability:     Biblio     Link/Print  


      London, Jonathan Cape, 1962 (first UK edition) - Octavo; red papered boards, top edge green, with the second-state dustwrapper (unclipped, but the price has the original new bookseller's printed tape label over it, and this has offset very lightly onto the front flyeaf); essentially a very fine copy with the very fine dustwrapper. The rear panel of this dustwrapper carries quotes from five reviews, replacing the 28-line excerpt from the book featured on the first-state dustwrapper. Use [Ask Bookseller a Question] option below to confirm availability.

      [Bookseller: Michael Treloar Booksellers ANZAAB/ILAB]
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        Lord of Thunder.

      New York: Harcourt, Brace & World,, 1962. Octavo. Original orange cloth, titles to spine black. With the dust jacket. Spine gently rolled; an excellent, bright copy in the jacket with a little light rubbing to extremities. First edition, first printing of the sequel to The Beast Master. With an autograph note from Norton laid-in ("John B. Cox - best wishes, Andre Norton").

      [Bookseller: Peter Harrington]
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        Signed 1962 David Hockney Rumpelstiltskin Etching

      1962 - "Rumpelstiltskin" by David Hockney, Signed Etching printed in 1962. The overall is size of the Etching is 15.5 x 22.5 inches. The condition of this piece has been graded as A-: Near Mint, very light signs of handling. Here is some supplemental information about the Etching: Signed, Dated and Labeled an "A.P." (Artist's Proof) in pencil by Hockney. Although not numbered, this is one of only 10 artist's proofs. Etching and aquatint on Crisbrook handmade paper. Printed by Peter Mathews at the Royal Academy of Art, London. Ref: S.A.C. 15. The print is currently framed in a beveled silver wood frame with a .5 inch face profile and 1 inch side profile with plexiglass. Please note: Because the print is framed, additional shipping and handling fees will apply. [Attributes: Signed Copy; Soft Cover]

      [Bookseller: Rare Posters]
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        Opera Omnia, Emendatiora et Auctiora, Ad Optimus Editiones . in decem Tomos distincta. Faksimile Reprint of the Folio Petri Vander edition 1703ff. 10 (bound in 11) vols set.

      London, Gregg Press, 1962 - Folio (40 x 26 cm). Each volume about 1000 to 1200 columns (= together about 6500 pp). *Complete set of the facsimile reprint edition. - A well preserved ex library copy: Cancelled library stamp, else in good condition without using traces. - [Together about 45 kg: higher shipping costs for world]. la Gewicht in Gramm: 45000 [Attributes: Hard Cover]

      [Bookseller: Antiquariat Braun]
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        Carnival Sin; Playpet; Strange Sin; Motel Girl ( Lili St. Cyr Cover on one book)

      USA: USA: Vest Pocket # V-101, V-102, V-103, V-104, 1962, 1st Edition for All, First Printing for All , 1962. -----------4 volumes, small paperbacks, all Very Good+ copies in Very Good+ slipcases, some light rubbing and faint stress marks to some corners from someone putting the books into the slipcases a little bit carelessly (they are a snug fit), amongst the rarest of all vintage paperbacks and the complete run of Vest Pocket publications, consists of 4 half size paperbacks with 2 volumes being housed in each slipcase, making the 2 slipcases the size of a normal paperback, books are about 4.25 x 3.25 inches, slipcases are about 4.25 x 6.75 inches, all 4 books have stunning full colour photo covers of scantily clad models (one being Lili St. Cyr), photo covers are reproduced in black & white on the slipcases to match the respective books, virtually impossible to find, I am sure that very few slipcased sets exist, sleaze from the golden age of ---, any image directly beside this listing is the actual book and not a generic photo. First Edition. Soft Cover. Very Good+. Illus. by Photo Cover.

      [Bookseller: Leonard Shoup ]
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        Ting Ware of the Sung Dynasty Book II

      White Lotus, Hong Kong 1962 - Ting Ware of the Sung Dynasty Book II [Attributes: Hard Cover]

      [Bookseller: SEATE BOOKS]
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        Pale Fire G. P. Putnam's Sons

      New York: G. P. Putnam's Sons, 1962. First Edition. Hardcover. Fine/Fine. First Impression (so stated) of "Nabokov's most perfect novel" (Brian Boyd, "Nabokov: A Centennial Toast"). 8vo: 315,[1]pp. Publisher's back cloth, spine lettered in silver, crimson end papers, top edge stained pink; white dust jacket printed in red, orange, and black, Nabokov's photo on back panel, priced $5.00. Fine (top-stain partially faded), tight, square, and unread; Fine (spine panel faded just a degree), bright and unmarked, without chips or tears. Unusually presentable and increasingly uncommon in such collectible condition. Time 100. No. 53, Modern Library 100 Best Novels. No. 1, 20th Century?'s Greatest Hits: 100 English-Language Books of Fiction. ¶ "A bizarre, three-legged race of a novel, Pale Fire is composed of a long narrative poem followed by a much longer set of footnotes written by an obsessive, increasingly deranged annotator. Charles Kinbote, a gay professor at a small New England college, may or may not be a noble-born expatriate from the exotic Eastern European principality of Zembla. He may or may not have stolen the manuscript he?'s annotating, which he is convinced is really all about him. He is unquestionably, unhealthily obsessed with John Shade, the placid, Robert Frost-like poet who composed the poem. Beyond that all bets are off, and the questions ramify without end. Pale Fire is the kind of novel you can happily get lost in: a house of mirrors with no exit, a labyrinth with no endpoint." (Time 100) N.B. With few exceptions (always identified), we only stock books in exceptional condition, with dust jackets carefully preserved in archival, removable polypropylene sleeves. All orders are packaged with care and posted promptly. Satisfaction guaranteed.

      [Bookseller: Fine Editions Ltd]
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        Signpost to Murder (Original screenplay for the 1964 film)

      Los Angeles: Metro-Goldwyn-Mayer [MGM], 1962. Early Draft script for the 1964 film. A treatment unrecorded in IMDB, as the final rewrite and screen credit went to novelist-screenwriter Sally Benson. A superb, unheralded 1960s thriller in which an innocent man is convicted of murder, spends 10 years in an insane asylum, and at the start of the movie escapes and takes refuge in the home of a married woman whose husband is first thought to be traveling on business, but then turns up dead. Light blue studio wrappers, front wrapper dated December 18, 1962, with credits for screenwriter Ambler and producer Weingarten. 137 leaves, mimeograph on eye-rest green stock. Pages Near Fine, wrapper about Near Fine, bound with two gold brads.

      [Bookseller: Royal Books, Inc.]
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        Five Miles to Midnight [Le couteau dans la plaie] (Oversize double weight press photograph of Anthony Perkins on the set in Paris circa 1962)

      N.p.: N.p., 1962. Vintage oversize borderless double weight press photograph of actor Anthony Perkins on the set of the 1962 film, "Five Miles to Midnight," a thriller directed by Anatole Litvak, shot in Paris. A quite candid, with the actor smiling at his dressing table. An exceptional candid shot that reminds of us of how time has honored the deep subversiveness of Perkins' performances. His seamless blend of boy-next-door charm with deep, unsolvable psychological problems balanced with low affect, was evidenced repeatedly in his 1960s work. Others of same include the cruelly overlooked French thriller "Le glaive et la balance" (André Cayatte, 1963), as well as "Psycho" (1960), "The Trial" (Orson Welles, 1962), and "Pretty Poison" (Noel Black, 1968). 7.75 x 11.75 inches. Near Fine. Grant, p. 143.

      [Bookseller: Royal Books, Inc.]
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        "Molecular Structure of Nucleic Acids: A Structure for Deoxyribose Nucleic Acid; Molecular Structure of Deoxypentose Nucleic Acids; Molecular Configuration in Sodium Thymonucleate."St. Albans: Fisher, Knight & Co., 1953.

      First edition, in the rare offprint form, of one of the most important scientific papers of the twentieth century, which "records the discovery of the molecular structure of deoxyribonucleic acid (DNA), the main component of chromosomes and the material that transfers genetic characteristics in all life forms. Publication of this paper initiated the science of molecular biology. Forty years after Watson and Crick's discovery, so much of the basic understanding of medicine and disease has advanced to the molecular level that their paper may be considered the most significant single contribution to biology and medicine in the twentieth century" (<i>One Hundred Books Famous in Medicine</i>, p. 362). The double helix describing the molecular structure of DNA has not only reshaped biology, it has become a cultural icon, represented in sculpture, visual art, jewellery, and toys. In 1962, Watson, Crick, and Wilkins shared the Nobel Prize in Physiology or Medicine "for their discoveries concerning the molecular structure of nucleic acids and its significance for information transfer in living material."<br/><br/> DNA was first isolated by the Swiss physician Friedrich Miescher in 1869, and over the succeeding years many researchers investigated its structure and function, with some arguing that it may be involved in genetic inheritance. By the early 1950s this had become one of the most important questions in biology. Maurice Wilkins of King's College London and his colleague Rosalind Franklin were both working on DNA, with Franklin producing X-ray diffraction images of its structure. Wilkins also introduced his friend Francis Crick to the subject, and Crick and his partner James Watson began their own investigation at the Cavendish Laboratory in Cambridge, focusing on building molecular models. After one failed attempt in which they postulated a triple-helix structure, they were banned by the Cavendish from spending any additional time on the subject. But a year later, after seeing new X-ray diffraction images taken by Franklin (notably the famous 'Photo 51', which is reproduced in the third paper), they resumed their work and soon announced that not only had they discovered the double-helix structure of DNA, but even more importantly, that "the specific pairing we have postulated immediately suggests a possible copying mechanism for the genetic material." <br/><br/> "Although recognized today as one of the seminal scientific papers of the twentieth century, Watson and Crick's original article in <i>Nature</i> was not frequently cited at first. Its true significance became apparent, and its circulation widened, only towards the end of the 1950s, when the structure of DNA they had proposed was shown to provide a mechanism for controlling protein synthesis, and when their conclusions were confirmed in the laboratory by Matthew Meselson, Arthur Kornberg, and others. <br/><br/> "Crick himself immediately understood the significance of his and Watson's discovery.. Three papers in a single offprint from Nature, Vol. 171, No. 4356, April 25, 1953. 8vo (210 x 140 mm), pp. 7 with two diagrams (including the double helix) and two illustrations from photographs. Stapled in self-wrappers as issued. A very fine and fresh copy

      [Bookseller: Sophia Rare Books]
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        The Holy Gospel According to Matthew, Mark, Luke & John.

      Verona: Officina Bodoni, 1962. No.98 of 320 copies. Title page wood engraving by Reynolds Stone, 114 woodcut illustrations recut by Bruno Bramanti after the original illustrations of 1495 by Bartolomeo di Giovanni. Hand-printed in Giovanni Mardersteig's Zeno type on Fratello Magnani paper. Folio, original burgundy morocco with title in a decorative device blocked in gilt on the upper cover, spine lettered in gilt, top edge gilt, others uncut, in the original patterened paper covered slipcase. A fine copy. The Officina Bodoni was a private press operated by the typographer and printer Giovanni Mardersteig and named after the great typographer Giambattista Bodoni. His illustrated printing of the King James version of the New Testament is one of his greatest pieces of work.

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        Dr. Seuss's Sleep Book

      Random House, New York 1962 - First Edition, First Printing SIGNED by Seuss on a laid in signature. A beautiful copy. This ORIGINAL First Issue dustjacket with the 295/295 publisher's printed price present is vibrant in color with slight wear to the edges. The book is in fantastic shape. The binding is tight with NO cocking or leaning and the boards are crisp. There is NO writing, marks or bookplates in the book. Overall, a superb copy of this TRUE FIRST EDITION in collector's condition. We buy Seuss First Editions. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Quintessential Rare Books, LLC]
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        Lolita (Original three-sheet film poster)

      Los Angeles: Metro-Goldwyn-Mayer [MGM], 1962. Original US three-sheet poster for the 1962 film. An iconic image for an iconic film. Kubrick's rendition of Nabokov's masterpiece is legendary in its own right, a work that stands ten feet above the rhetoric later raised by Nabokov's son and the resulting forgettable 1997 remake. Kubrick's carefully crafted film preserves the mystery, tragedy, and humor of Nabokov's source material, while adding a level of its own perversion--notably with its portrayal of Claire Quilty, represented in a performance by Peter Sellers that according to some sources was mostly improvised. And who could ever best Shelley Winters as Lolita's grasping mother, or James Mason as the long-suffering Humbert? 41 x 81 inches, linen-backed. Near Fine.

      [Bookseller: Royal Books, Inc.]
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        Fire on the Mountain.

      New York: Dial Press, 1962. First Edition. Hardcover. 211pp. Octavo [21 cm.] 1/2 red cloth over yellow boards. Very good/Near fine. Minor rubbing to corners and extremities of the jacket. Signed by the author on the front free endsheet. Abbey's third published novel. The story follows familiar Abbey themes of government intrusion in the West, and the rugged individuals who confront the bureaucratic machine.

      [Bookseller: Ken Sanders Rare Books, ABAA]
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        Gesichter. 10 Original-Lithographien von Thomas Bayrle und Bernhard Jäger.

      Stierstadt. Eremiten Presse. 1962. Auflage 100 Exemplare. Schmal klein 4°. 15 unpaginierte Doppelblatt. OEnglisch-Broschur. Umschlag etwas angestaubt, am Rücken überhalb des Rückentitels kleine, unscheinbare Fehlstelle im Umschlag, untere Falz gering angerissen. Sonst noch sehr gutes Exemplar des empfindlichen Bandes. Nummer 91 von 100 handschriftlich nummerierten und von Bayrle und Jäger signierten Exemplaren. Enthält je 5 teils farbige Originallithographien der beiden Künstler, deren Steine nach Drucklegung abgeschliffen wurden. Die Arbeiten Thomas Bayrles hier noch mit einer informellen Grundhaltung, die aber bereits serielle Ansätze erkennen läßt. Erste Publikation Bayrles ein Jahr nach Beendigung seines Studiums an der Werkkunstschule Offenbach, wo er das Handwerk des radierens und lithographierens erlernte. 1961 gründete er zusammen mit Bernhard Jäger die Gulliver-Presse und betätigte sich zunächst auch als Drucker und Verleger von Künstlerbüchern. [Vgl. Reske 170]. Sehr selten. Versand D: 2,00 EUR 20. Jahrhundert / 20th Century, Deutschland / Germany, Kunst, Signierte Bücher / Signed Books, Künstlerbücher

      [Bookseller: Antiquariat Querido - Kunst und Fotograf]
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        A Clockwork Orange (First UK Edition, inscribed by Burgess to Si Litvinoff, producer of the 1971 film adaptation directed by Stanley Kubrick)

      London: William Heinemann, 1962. First Edition. First Edition. Copy inscribed by Burgess to Si Litvinoff, the single most important catalyst in the transition of Burgess' masterpiece from the literary world to the screen. Litvinoff handled Burgess' little-known attempt at a screenplay adaptation in 1965. After Burgess dropped out, Litvinoff purchased the option for the film rights for $1000, and shepherded filmmaking attempts by several other screenwriters, directors, and actors--including Terry Southern, Nicholas Roeg, and Mick Jagger--until Stanley Kubrick ultimately wrote and directed the now-legendary 1971 film adaptation. With Litvinoff's owner name on the front endpaper, and INSCRIBED to him by Burgess on the title page: "To dear Si / with much affection / John / Anthony." In the wake of Nicholas Roeg's release from directorial duties on "A Clockwork Orange," Litvinoff produced "Walkabout" (1971), then later, "The Man Who Fell to Earth" (1976). In the second issue binding (purple cloth) and second issue jacket (price-clipped, front and rear flaps measuring 8 cm and 10 cm, respectively). Near Fine in a Near Fine dust jacket. Some light foxing to the top page edges, else book is quite clean. Title lettering on the jacket is just a touch faded, else only minute rubbing and a couple of tiny closed tears to note. An attractive copy, and a stunning association.

      [Bookseller: Royal Books, Inc.]
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        The Wolves of Willoughby Chase

      London: Jonathan Cape 1962. 159 pp. tears to the top of jacket, slight rubbing to spine but otherwise cover is bright. Black and white illustrations through out, internally clean. Christmas inscription on front endpaper from 1966. . Very Good. Hardback. First Edition. 1962. 8vo..

      [Bookseller: Fosters' Bookshop]
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        The Spy Who Loved Me

      London: Jonathan Cape, 1962., 1962. FIRST EDITION, State A. Publisher's cloth-effect paper over boards with scarlet endpapers in the pictorial dust-jacket illustrated by Richard Chopping, priced 15s. to the flap. Some trivial wear; wrapper with a few light marks. Remarkably bright; a clean, near fine copy. Gilbert A10a (1.1).

      [Bookseller: Adrian Harrington Rare Books]
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        El Torneo En El Castillo Coster

      Bancroft and Co. ltd., Westminster, London 1962 - Full-color, pop-up scene by renowned Czech artist Vojtech Kubasta. Bound in original pictorial cloth with all pop-ups and moving parts fully functional. 8 pages of text. Very good plus copy. [Attributes: First Edition; Hard Cover]

      [Bookseller: Rob Warren Books]
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        Geh durch den Spiegel.

      Köln, Der Spiegel, 1962 2°, 16 unpag. Textblätter, 5 ganzs. Abb. nach Photographien (im Impressum sind sieben angegeben), 4 farb. Orig. Lithographien (1 mehrfarb. lithogr. Orig.-Umschlag; 2 beiliegend - Format: 37 x 25 cm; 1 Lithographie gefalzt, Format: 76 x 57 cm) und 1 doppelseitige s/w-Lithographie [?], Kart., Min. berieben, tadell. Texte von Lucebert. Bert Schierbeek und Oxenaar. Die Gedichte von André Frénaud sind dem Buch: «Unteilbares Teil» entnommen. Auflage: 350 Expl. Druck der Lithographien bei F. Mourlot. Paris. Druck des Textes bei K. Liebig. Rodenkirchen bei Köln. Offsetverfahren bei Borowsky & Co.. Köln. Die Photographien stammen von Ed. van der Elsken. Versand D: 20,00 EUR Kunst - 20 Jht. nach 1945

      [Bookseller: Antiquariat Peter Petrej]
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      United Artists Corporation, 1962., 1962. Based on the 1959 book of the same name by Richard Condon, the film was directed by John Frankheimer and starred Laurence Harvey, Frank Sinatra, Janet Leigh, Angela Lansbury, Henry Silva, James Gregory, and others. A tiny bit of soiling to bottom edge of unprinted border, else near fine and folded. Suitable to be backed with linen and matted and framed.

      [Bookseller: BUCKINGHAM BOOKS]
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        The Kenya Police

      London: Robert Hale, 1962. First. Hardcover. VG+/VG. 237 pp, ill., text map. Foran's landmark book on the Kenya police from its founding, through its operations during and after the second world war. Consistently in demand. Fascinating reading for anyone interested in East Africa. VG+ in vg (scarce but tape repaired) dj.

      [Bookseller: Trophy Room Books]
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        Dix, Otto. - "Römerin II".

      - Farblithografie / Pinsel- & Kreidelithografie, in 4 Farben, auf Van-Gelder-Zonen-Bütten, 1962. Von Otto Dix. Auflage 60 Exemplare. 57,4 x 36,5 cm (Darstellung / Druckbild) / 65,5 x 45,5 cm (Blatt). Karsch 290 II A/C. Rechts unten in Bleistift signiert: "Dix". - Originalrandiges Exemplar. Sehr guter Zustand. Otto Dix (1891 Untermhaus / heute Gera - 1969 Singen am Hohentwiel). Deutscher Maler und Grafiker, bedeutender Vertreter der Neuen Sachlichkeit. 1909-14 an Königlichen Kunstgewerbeschule in Dresden. 1914-18 Militärdienst als Kriegsfreiwilliger. 1919 Studium an der Dresdner Kunstakademie, Atelier am Antonplatz. Gründungsmitglied der "Dresdner Sezession Gruppe 1919". 1922 Umzug nach Düsseldorf. 1925-27 wohnhaft in Berlin. Seit 1927 Professor für Malerei an der Dresdner Kunstakademie. 1933 wurde er durch die Nationalsozialisten seines Amtes enthoben und als "entartet" diffamiert. 1936 Übersiedlung nach Hemmenhofen. [Attributes: Signed Copy]

      [Bookseller: GALERIE HIMMEL]
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        Geh durch den Spiegel. Folge 29/1962. Katalog zu den Ausstellungen der Galerie Der Spiegel, Köln.

      Köln. Galerie Der Spiegel. 1962. Auflage 350 Exemplare. Groß 4°. 25 Blatt; 3 lose Grafiken. Farbig illustrierter OPappband mit OUmschlag (in Originallithographie). Umschlag marginal berieben, mit zwei sehr kleinen Einrissen am Steg. Stellenweise minimal stockig. Noch sehr gutes Exemplar. Geh durch den Spiegel 29. Enthält neben 5 wiedergegebenen s/w Fotografien von Ed van der Elsken sowie einer doppelseitigen Strichätzung Appels Texte von Lucebert, Schierbeek und Oxenaar. Mit 4 farbigen Originallithographien, davon 2 lose einliegend (25,6 x 37,6 cm), eine gefaltete (77 x 57 cm) sowie den umgefalzten Umschlag. Der Druck der Lithographien erfolgte durch Mourlot. Im Impressum großflächig von Appel handschriftlich signiert. Versand D: 2,00 EUR 20. Jahrhundert / 20th Century, Niederlande / Netherlands, Original Grafik, Gruppe Cobra

      [Bookseller: Antiquariat Querido - Kunst und Fotograf]
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      MONTECARLO , 1962Litografia originale a colori impressa su carta vellina. Tavola fuori testo tratto dal volume "Vitraux pour Jerusalem" dedicato all'opera vetraia eseguita a Gerusalemme da Chagall. Famose in tutto il mondo, queste magnifiche vetrate policrome, della misura di metri 4 per 2,8 circa, sono state realizzate dal grande artista ebreo di origine bielorussa Marc Chagall in due anni di lavoro, tra il 1960 e il 1961, ed installate nel 1962 nella sinagoga del centro medico universitario Hadassah di Gerusalemme. Ogni vetrata, dominata da un colore diverso, è un microcosmo del caratteristico e fantastico mondo di Chagall, dove, tra realtà e immaginazione, egli rappresenta il suo profondo senso di identificazione con la storia e la cultura del popolo ebraico e, ispirato dalle sacre scritture, ritrae, tra simboli e fantasiose figure di fiori e animali, i dodici figli di Giacobbe e le dodici tribù di Israele. L'inizio della produzione litografica di Chagall risale al periodo di Berlino (1922 - 1923) ma fu nel 1946, negli Stati Uniti, che Chagall accettò di illustrare "Le mille e una notte": le tredici tavole del volume segnarono i suoi primi passi nella litografia a colori. Di ritorno a Parigi nel 1950, l'artista si recò dallo stampatore Fernand Mourlot, al quale si deve in gran parte il rilancio della litografia nel dopoguerra. Dal 1950 al 1952 Chagall frequentò assiduamente l'atelier di Mourlot dove imparò tutti i segreti del mestiere. Le prove di quel periodo furono stampate in pochi esemplari o distrutte, poiché lo scopo dell'artista non era quello di realizzare opere finite ma di impadronirsi della tecnica. Tra il 1922 e il 1985 Marc Chagall realizzò 1500 litografie. Molte litografie di Chagall furono realizzate con venti / venticinque colori e testimoniano l'enorme lavoro dell'artista: nessuno prima di lui raggiunse una perfezione tale da associare all'ineguagliabile ispirazione la completa padronanza della tecnica. Chagall fece della litografia non un mezzo per moltiplicare le sue opere, ma uno strumento necessario a una creazione che non poteva essere espressa in alcun altro modo. L'artista non realizzò quasi mai bozzetti preliminari per le sue litografie e da ciò derivano l'incanto e la spontaneità creatrice dei suoi lavori. I quattro volumi "Chagall litographe", da cui è tratto il foglio in esame, furono realizzati da Fernand Mourlot e Charles Sorlier (André Sauret editore) tra il 1960 e il 1974. Ogni volume cataloga le litografie realizzate da Chagall in un determinato periodo temporale ed è arricchito da diverse litografie originali inserite nei volumi come tavole fuori testo. Esemplare in ottimo stato di conservazione, margini editoriali.

      [Bookseller: Herb Tandree Philosophy Books]
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        Golem. Polemik für 9 Vokalsolisten. Partitur.

      O.O.,Vlg.u.J. (ca. 1962). - Folio. IX, 70 S. Halbleinenbd. mit montiertem Deckelschild (Ecken etwas bestossen, VDeckel mit Besitzervermerk und leicht verzogen, Kanten leicht berieben). Partitur, als Typoskript gedruckt. - Hans G. Helms, der heute in Berlin lebt, bietet das eindrucksvolle Beispiel einer Doppelbiografie als Künstler und kritischer Intellektueller. Vom Jazz kommend, hat der frühere Tenorsaxofonist als experimenteller Schriftsteller und Komponist eine allmähliche Entwicklung zum Sozial- und Wirtschaftshistoriker vollzogen. Über Jahre hinweg betreibt er Privatstudien der Sprachwissenschaft, Philosophie und Soziologie bei Roman Jakobson, Theodor W. Adorno, Max Horkheimer, Siegfried Kracauer und Jürgen Kuczynski. Im Kölner Studio für Elektronische Musik führt er Klanganalysen und phonetische Experimente durch und entwickelt in diesem Rahmen enge Verbindungen zu Stockhausen, Boulez, Paik und insbesondere John Cage, für dessen Werk er sich besonders einsetzt. Im Austausch mit György Ligeti, Franco Evangelisti, Wolf Rosenberg und Mauricio Kagel wird Helms schließlich einer der wichtigsten Vertreter der experimentellen Poesie. Sein Werk "Fa:m' Ahniesgwow" (1959) und sprachkritische Kompositionen wie "Golem" haben heute legendären Status. "Der 'Golem' . ist eine Polemik gegen das im Urschlamm sich sielende Philosophieren Martin Heideggers, der einmal die Vernunft zur 'Widersacherin des Denkens' erklärt hat" (Helms). - Die Uraufführung fand 1962 im Sendesaal des Radio Bremen statt. - Aus dem Besitz des Dirigenten Fred Barth, dem Leiter des 1952 von Ellen Widmann gegründeten Kammersprechchors Zürich, mit dessen handschr. Besitzervermerk sowie zahlreichen handschr. Korrekturen und Spiel- und Singanweisungen in Blei- und Buntstift. - Ränder leicht gebräunt. Lang de [Attributes: First Edition]

      [Bookseller: Buch + Kunst + hommagerie Sabine Koitka]
 27.   Check availability:     ZVAB     Link/Print  

        Le piante di Roma - volume I (testo), II e III (tavole)

      Istituto Studi Romani, Roma 1962 - Tre volumi. In 4°, tela ed., pp. 358 con 684 tav. f.t. (alcune più volte ripiegate). Titoli in oro ai piatti e al dorso. Strappi tra le carte di guardia e i risguardi di tutti i volumi (più evidenti al terzo volume). Primo volume con due piccolissimi strappi al margine esterno di 4 pagine. Ampio strappo alla carta di guardia e all'ultima pagina bianca del secondo volume. Minime tracce d'uso ai piatti e al dorso.

      [Bookseller: Libreria Antiquaria Borgolungo]
 28.   Check availability:     AbeBooks     Link/Print  

        Mädchen im Wald. Mischtechnik a. Pavatex.

      1962 1962 - 15 x 40 cm, 35 x 60 cm, Tadell Unten rechts signiert 1500 gr. Schlagworte: Gemälde - Mischtechnik [Attributes: Signed Copy]

      [Bookseller: antiquariat peter petrej]
 29.   Check availability:     ZVAB     Link/Print  

        Peony In A Vase

      1962-06. Oil on canvas. 15" x 20". No Binding.

      [Bookseller: Ken Lopez Bookseller, ABAA]
 30.   Check availability:     Biblio     Link/Print  


      New York: Simon and Schuster,. 1962. cloth.. Lower spine end just a bit soft, touch of rubbing to lower corner. tips, else a fine copy in fine dust jacket with touch of rubbing to. lower edges. A nice copy of a book now difficult to locate in. superior condition. (#140704). First edition. Full-page signed inscription by Bradbury dated 19 May 1989 to "Jack" on the front free endpaper. "... remains the quintessential Bradbury fiction." - Survey of Modern Fantasy Literature IV, pp. 1769-73. Barron (ed), Fantasy Literature 4A-45. Barron (ed), Horror Literature 4-51.

      [Bookseller: L. W. Currey, Inc.]
 31.   Check availability:     Biblio     Link/Print  

        William Burroughs and Anthony Balch at the Beat Hotel, circa 1962 (Original oversize photograph)

      N.p.: N.p., 1962. Vintage double weight silver gelatin photograph, unpublished, from the photo session that would eventually be utilized for the Burroughs profile and review of "Naked Lunch" that appeared in the November 30, 1962 issue of Time magazine (included here). Shot by noted photographer Nicholas Tikhomiroff, who worked on assignment for the project, with his stamp on the verso. The profile/review, an unflattering piece titled "King of the YADS," eventually inspired Burroughs to utilize the issue in which it appeared in his early and important "cut-up," TIME (1965) for Ted Berrigan's "C" Press. With Burroughs met Balch at the Beat Hotel in 1960, embarking on a collaboration that would last until the end of Balch's life. Balch frequently filmed Burroughs in the midst of mundane activities (buying a parrot in Morocco) to more theatrical ones (Burroughs in character as Dr. Benway). The two also worked on several short films together, including "Tower on Fire" (1963), "The Cut Ups" (1967), and "Bill and Tony" (1972). Balch's experimental style heavily influenced Burroughs' own ideas about cut-ups and Balch is given special thanks by Burroughs in his 1963 novel, "The Ticket That Exploded." Balch followed Burroughs throughout the 1960s, moving with him from Paris to New York and then to London, often even living in the same building. The two remained close throughout the 1970s until Balch's premature death from stomach cancer in 1972. One of the earliest images, if not the earliest, of Burroughs with Balch, and one of only a small handful of photos we've seen of the Beat giant with one of his most important collaborators. 9 x 13.5 inches. Near Fine. Maynard and Miles A11.

      [Bookseller: Royal Books, Inc.]
 32.   Check availability:     Biblio     Link/Print  

        Portrait Photographs of Jane Jacobs

      1962. Photograph Photograph. Near Fine. Six original black-and-white photographs, 9-7/8 by 13-1/4 inches to 11 by 14 inches. In 1961, Jane Jacobs, a journalist for Architectural Forum, published The Death and Life of Great American Cities. While she had no formal training in city planning, she was an acute observer of city life and keenly interested in the neighborhoods of New York City. Death and Life was critical of the then-popular vogue for large-scale redevelopment project; Jabobs described a people and neighborhood centered view of planning. Her observations on how neighborhoods and cities really worked shook the planning profession to the core. Death and Life belongs with Silent Spring and The Feminine Mystique as one of the most influential books of the early 1960s, all written by women without formal training in their fields. By 1962, Jacobs was famous enough to be featured in Horizon magazine, which commissioned noted photographer Ruth Orkin to take Jacobs' picture. These are five images from that photo shoot. Orkin photographed Jacobs in her Greenich Village neighborhood (the sign for Bleeker St. is visible in one photograph), with her son, Ned, and her daughter Burgin. Two images with small creases in one corner, but generally fine or nearly so. Five are signed on the back by Orkin; the unsigned image has a Horizon stamp indicating it was published in the magazine.

      [Bookseller: Eureka Books, ABAA]
 33.   Check availability:     IOBABooks     Link/Print  

        Flowers In A Blue Jug

      1962. Oil on canvas. 15" x 20". No Binding.

      [Bookseller: Ken Lopez Bookseller, ABAA]
 34.   Check availability:     IOBABooks     Link/Print  

        Glasmalereien für Jerusalem. Text von Jean Leymarie. [Mit 2 Original-Farblithografien].

      Monte Carlo, Andre Sauret, 1962. 4°. 33 cm. 211 (1) Seiten, 2 Blatt. Original-Leinenband mit Original-Schutzumschlag und Original-Klarsichtumschlag. 1. Auflage. Mit 2 Original-Farblithografien, die Marc Chagall eigens für dieses Buch geschaffen hat und 36 Entwürfen. Die sechsunddreissig Entwürfe übertrug Charles Sorlier auf Stein. Die beiden Originallithographien von Marc Chagall wurden auf den Pressen von Mourlot Freres gedruckt. Umschlag mit 2 kleinen, hinterlegten Einrissen. Buch und Original-Lithografien in sehr gutem, tadellosem Zustand. First edition. With 2 original colored lithographs. Original cloth binding with 2 dust jackets. With many illustrations. Dust jacket with 2 little taped tears, book and lithographs in mint condition. Versand D: 4,90 EUR Künstlerbuch / artist`s book; Original-Lithografie / Original-Lithographie / original lithograph

      [Bookseller: Antiquariat Lenzen GbR]
 35.   Check availability:     Link/Print  

        The Dancers Inherit the Party: Selected Poems

      The Migrant Press, (Worchester, England) 1962 - Second edition. With two woodcuts by Zeljko Kulundzic. Small quarto. 35, [1]pp. Printed stapled green wrappers. Bottom corners bumped, modest age-toning on the wrappers, very good or better. Very scarce. [Attributes: Soft Cover]

      [Bookseller: Between the Covers-Rare Books, Inc. ABAA]
 36.   Check availability:     AbeBooks     Link/Print  

        Being and Time

      SCM Press 1962 - First British edition. (Correct first in the English language.) 589 p. Very Good+ in About Very Good dust jacket. Faint staining to cloth on front cover. Offsetting to rear endpaper, hinge at rear starting. Name on ffep. Jacket spine panel toned, staining near head, chipped at extremities, small faint dampstain to front panel, price intact. [Attributes: First Edition; Hard Cover]

      [Bookseller: Burnside Rare Books]
 37.   Check availability:     AbeBooks     Link/Print  


      Jonathan Cape, [1962]., 1962. First edition. Black cloth with blind stamped Wilkinson dagger with silver gilt blade on front cover, titled in silver gilt on the spine, bright red front and rear endpapers, 221 [3] pp. Dust jacket design by Richard Chopping with Wilkinson dagger, red carnation, burnt paper and burnt matchstick design on front cover, titled in black on front cover and spine, price of 15s on front dust jacket flap. A fine copy in dust jacket, with a bit of light foxing to the rear cover panel. An attractive copy of the first state of the book and dust jacket, and the basis for the movie of the same name that starred Roger Moore as James Bond, Barbara Bach as Major Anya Amasova (Agent XXX), Curd Jurgens as Karl Stromberg, Richard Kiel as Jaws, et al.

      [Bookseller: BUCKINGHAM BOOKS]
 38.   Check availability:     Biblio     Link/Print  


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