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Displayed below are some selected recent viaLibri matches for books published in 1960

        Rahab and the Spies of Jericho

      Paris: Mourlot, 1960. Color lithograph. Mourlot, 244. Framed.

      [Bookseller: Alan Wofsy Fine Arts]
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      London: The Holland Press, 1960. decorated paper cover boards, paper spine labels, slipcase. 4to. decorated paper cover boards, paper spine labels, slipcase. lxxii,267; (iv),279 pages. 2 volumes. One of 500 copies. An exact facsimile of the famous Bodoni specimen book - manual originally printed in Parma by the Presso la Vedova in 1818. Slipcase with top and bottom partially detached. Spines of books show some foxing.

      [Bookseller: Oak Knoll Books/Oak Knoll Press]
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        Witebsk 1887 - 1985 Vence). Hiob in der Verzweiflung. Farblithographie aus: Dessins pour la Bible, Paris, 1960. 35 x 26 cm.,

      1960 - Mourlot 254. Gewicht in Gramm: 500

      [Bookseller: Antiquariat Daniel Schramm e.K.]
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        The Strategy of Conflict

      Harvard U.P., Cambridge, MA 1960 - (full book description) Harvard U.P., Cambridge, MA, 1960. 1st Edition 1st Printing, Fine-/Fine-, Hard Cover, DJ with Mylar. Size=6."x9.", 309pgs(Index). DJ very slightly nicked (less than 1/64" nick), very faint light brown scotch tape? 1/2" x 1/2" shadow head & foot of both free endpapers, o.w. clean, tight & bright. No ink names, tears, chips, etc. Price unclipped. Author won 2005 Nobel Memorial Prize in Economic Sciences. Text & cover Like New. 99% OF OUR BOOKS ARE SHIPPED IN CUSTOM BOXES, WE ALWAYS PACK WITH GREAT CARE! [Attributes: First Edition; Hard Cover]

      [Bookseller: edconroybooks]
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        To Kill a Mockingbird

      J. B. Lippincott Company, 1960. Hardcover. Very Good. Boston: Little, Brown and Company, 1960. First Edition, Second Printing. In Good+ condition. Lean to spine, edge wear and light soiling. Pages show a few small sporadic stains. Previous owner name lightly in red pencil to front free end paper. Married to a later, book club dust jacket for display purposes only. The dust jacket is slightly unevenly trimmed, and shows overall wear, though presents well. Rare second printing of the first trade edition.

      [Bookseller: Burnside Rare Books]
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        Summoned by Bells

      John Murray, London 1960 - No. 47 of an edition limited to 125 copies, signed by the author. Full green calf, gilt. TEG. The called for plastic d/w is present in entirely undamaged condition. [Attributes: First Edition; Hard Cover]

      [Bookseller: Leakey's Bookshop Ltd.]
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        Hemingway's last insurance policy for the workers of his beloved Cuban home and boat, "Finca La Vigia" and "Pilar". The policy would renew in August of 1961, by which time Hemingway was dead, and these belongings became property of the Cuban government

      Archive of Ernest Hemingway related documents and a candid photo, 7 pages total, 8.5" x 11", dated August 26, 1960 providing proof of Workers Compensation insurance for ?Finca La Vigia?, Hemingway?s Cuban home. Includes a 1-page cover letter from G. F. Kohly, the insurance agent in Havana, a signed original and a signed file copy of the insurance certificate, the receipt of payment for that year's premium, stamped "cancelado", and an original plus two file copies of a ?Payroll Report?, outlining which employees of Hemingway?s would be covered under this policy. The policy was written by ?The Liverpool & London & Globe Insurance Company Limited, Liverpool England?. The policy ran from August 1, 1960 until August 1, 1961, by which time Hemingway was dead. This item is from the personal property of Roberto Herrera Sotolongo, the personal secretary and friend of Ernest Hemingway. Herrera and Hemingway met in 1942, when Herrera became a crewmember aboard Hemingway?s boat the ?Pilar?, at the heig

      [Bookseller: University Archives]
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        Owls Do Cry

      George Braziller, New York 1960 - Signed on the title page and dated "Jan 1970" by the author. The book was signed by Janet while she was at the Yaddoo estate near Saratoga Springs, where the previous owner, a stationary engineer and book collector worked. Interior is clean, white and bright. Small closed tear on the front edge of the jacket. Chipped corners. Price clipped with original price stamped on the front flap ($8.75). enclosed in a protective wrapper. Light stain on p62. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: FiSHWiSHING]
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        The New American poetry 1945-1960

      Grove Press, New York 1960 - Two volumes, octavo. xxiii, 454 pages (hardcover); xxiii, 454 pages (softcover) One of the most important anthologies of American poetry ever published. * Ad 1: First edition (Softcover issue), THIS COPY SIGNED BY NINE CONTRIBUTORS: ALLEN GINSBERG, JOHN ASHBERY, LAWRENCE FERLINGHETTI, ROBERT CREELEY, KENNETH KOCH, MICHAEL McCLURE, JONATHAN WILLIAMS, GARY SNYDER, AND PHILIP WHALEN. * Ad 1: First edition (Hardcover issue), a rare copy SIGNED BY DONALD ALLEN, the compiler and editor, with an unpublished letter by Allen (photocopy) concerning the publication history of this Anthology and the royalties that each poet received. * "There was no more significant poetry anthology in the second half of the twentieth-century than THE NEW AMERICAN POETRY 1945-1960, edited by Donald M. Allen and published by the Grove Press in 1960. Poised at almost mid-century, it provides a summing up of a very particular situation in poetry as it looks back to the achievements of the 1950s and ahead to the possibilities of the 60s. The goal, according to Allen, was to present one common characteristic: a total rejection of all those qualities typical of academic verse. Allen's anthology was prophetic in another way. It assigned poets to large overall groupings that have persisted for nearly forty years and have entered the critical nomenclature: Black Mountain, San Francisco Renaissance, Beat Generation, and New York Poets - as well as identifying a group of younger poets 'who have been associated with and in some cases influenced by the leading writers of the preceding groups' (p. xiii). When the Allen anthology came out, several of the featured poets had barely been published" (source: 'A Secret Location on the Lower East Side: Adventures in Writing, 1960-1980,' NYPL and Granary Books). * Allen's compilation, with its appended statements on poetry by various literary luminaries, served to define the canon for two generations of readers, scholars, and critics. Olson, Duncan, Ginsberg, Kerouac, Everson / Antoninus, Blackburn, O'Hara. the list goes on and on. Allen introduced countless thousands to new voices, and deepened appreciation for yet others. * The fascinating letter by Allen is dated 10 April 1998 and reads: "The contract I'd signed with Grove Press gave me an advance of only $1,000.00 which did not provide much of a payment to the 44 poets. Robert Duncan had more faith in the success of the anthology and wanted much more. After talking with Denise Levertov about how New Directions paid contributors to their Annuals by pro-rating the royalties earned, I decided to pro-rate two-thirds of the royalties earned annually by THE NEW AMERICAN POETRY to the poets at a rate of so much per page of poetry. And continued pro-rating the royalties until the book went out of print in 1980 and was superseded by THE POSTMODERNS, co-edited with George Butterick." Interestingly, one page of the Ginsberg section (p. 181) is marked up in red pencil, as if it was to be omitted in a reading or later edition. * AN IMPORTANT SET OF BOTH ISSUES OF THE FIRST EDITION, SIGNED BY NINE POETS AND THE COMPILER / EDITOR. Hardcover: dust wrapper slightly torn at head of crown but overall IN EXCELLENT CONDITION, suitable for exhibition. Softcover: spine creased, with minor cracking but AN ATTRACTIVE COPY, suitable for exhibition Original Cloth, original dust-wrappers [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Michael Laird Rare Books LLC]
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        The Country Girls

      London: Hutchinson. 1960. First. First edition. Bound by Bayntun-Riviere of Bath. Half green morocco and cloth. Fine. Signed by the author. Presumably rebound but possibly an issue with which we are unfamiliar. Author's first book. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Rotherham V Shrewsbury Town 1960-61 (league Cup Semi-final) Football Programme

      1960 - Official programme for the 1960-61 League Cup semi-final, first leg. This was the first year of the League Cup and Rotherham reached the final where they lost to Aston Villa over two legs. Fine condition throughout. VERY RARE

      [Bookseller: Sportspages]
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        Plakat - Kunstmuseum Winterthur 3. April - 22. Mai 1960. Buchdruck, Linolschnitt.

      - 100 x 70 cm, Tadellos Vom Künstler num.: 38 / 50, signiert und datiert «Bill - 1960). Von Bill gezeichnet und möglicherweise von ihm selbst in Linol geschnitten. Siehe auch: Niggli Vlg.- Max Bill S. 32. 1100 gr. [Attributes: Signed Copy]

      [Bookseller: antiquariat peter petrej]
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        Gates of Prayer 1845 1960 Congregation Shaaray Tefila

      Congregation Shaaray Tefila, New York 1960 - Limited edition. One of 200 copies. Near fine in soft velvet covers with a gold twisted cord, light fading along the spines, with a mylar wrapper which has a couple of small chips, a portfolio containing an 8 page booklet with drawings of the new synagogue, biography of artist Chaim Gross, officers of the synagogue, etc., and is numbered and signed by Gross, also includes six plates with works by Gross, each signed by him, all housed in a near fine slipcase with light bumps at the corners, a little edgewear. [Attributes: First Edition; Hard Cover]

      [Bookseller: Between the Covers-Rare Books, Inc. ABAA]
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        Faksimile - Chronica ez vilagnac jeles dolgairol [Chronik von den ausgezeichneten Dingen dieser Welt].

      Craccoba, Striykouiai Lazar/ Akademiai Kiado, 1559/1960 - 8°, 4, 237 S.; 1 Beiheft, OLdr. geprägt., Etwas beschienen, schönes Exemplar Faksimile der ungarischen Chronik die 1559 in Krakau gedruckt wurde. Beim Original handelt es sich um das erste in ungarischer Sprache herausgegebene geschichtliche Werk (von Adam und Eva bis in die Zeit Szekels (geb. ca.1510 - ca. 1563). 1526 verlor Ungarn nach der Schlacht bei Mohacs gegen die Türken seine Selbstständigkeit und vermutlich flüchtete Szekel danach nach Krakau wo er ab 1529 die theologische Fakultät der Universität Krakau besuchte. Unter dem Einfluss von Luther und Erasmus öffnete sich die Universität der Reformation. Szekel bekannte sich schon früh zur ihr. Das Faksimile erschien in der Reihe «Bibliotheca Hungarica Antiqua, Bd. III». Herausgeber war Karoly Radnoti. 1100 gr.

      [Bookseller: antiquariat peter petrej]
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        The Caretaker

      London: Methuen & Co.. (1960). First. First Methuen edition, wrappered issue (preceded slightly by an acting edition). A small crease on the front wrap, a little soiling, a pleasing, very good copy in a cloth clamshell case with leather spine label. This is Pinter's own copy, unsigned, but apparently used as either a prompt copy or in revising the play for radio, with corrections (mostly deletions, some of them very substantive on nearly every page). Formerly the property of his first wife Vivien Merchant. The Nobel laureate's own copy of one of his first major works. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Memoirs of an Interglacial Age ["Beat" Artist Robert LaVigne's Copy ]

      Auerhahn Press, San Francisco 1960 - An exceptional association copy of the book. Signed on the colophon page; "for Steve ----/Robert LaVigne, July 31, 1983/ Seattle." The inscription is arranged around a psychodelic design of two words. Included is an early cover design paste up sketch by LaVigne on one page of a four page typesetting of the half title and title pages. Along with a separate holographic sketch of an early type setting of the title [48 pt Garamond Italic] by Dave Haselwood, with a holographic note by LaVigne explaining the origin of the sketch. In all, three separate items, each signed by Robert LaVigne. This publication is listed as #6 in the Auerhahn Bibliography. [Attributes: First Edition; Hard Cover]

      [Bookseller: MPWarner.Books]
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        After a headline-making speech in Phoenix saying Russia?s plan to launch missiles in the Pacific Ocean as ?razen military pressure to force their will,? Truman writes: <I>?Had a hell of a time in Phoenix. 10,000 at the Airport and they bruised me up good ? and as the colored gal said ? I bruses easy.?</I>

      Typed Letter Signed ?Harry,? one page, 7? x 10.5?. Independence, Missouri, January 12, 1960. To John W. Snyder. Fine condition.Truman and John W. Snyder had been close friends since they served together in the U.S. Army Reserves after World War I. Snyder served as Truman?s Secretary of the Treasury from 1946-1953.In full, ?You do not know how very much I appreciated your letter of January 7 and of course, when I get my ducks in a row you can rest assured I will do my level best to make that visit to Vanderbilt. I must have at least twenty invitations from schools at which I want to appear but I have had so much mail during the last thirty days that I have not been able to get to the bottom of it.?I hope you will be in Washington between January 20 and January 23. If so, you and I will see if we can work out a date for Vanderbilt University I have not answered Mr. Booth?s letter because I have been unable to make a firm commitment but I am sure we can work it out

      [Bookseller: University Archives]
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        Call It Sleep. A Novel

      Paterson, NJ: Pageant Books, Inc.,, 1960. With a History by Harold U. Ribalow. A Critical Introduction by Maxwell Geismar and a Personal Appreciation by Meyer Levin. Octavo. Original grey cloth, titles to spine gilt on black ground. With the dust jacket. Lightly rubbed and dulled at extremities, contents faintly toned. An excellent copy in the rubbed jacket with a few nicks and a closed tear to the fold of the front flap. Inscribed by Roth to the author Elizabeth Jane Howard on the front free endpaper, "To Jane Howard, The pleasure of this brief acquaintance was intense and appreciated, Henry Roth". With Roth&#39;s underlining to several lines on page xvii of the "History" of the book, part of the critical matter added to this edition. Originally published in 1934, Roth&#39;s novel underwent a critical reappraisal when it was rediscovered in the 1960s. The novel was hailed as an overlooked Depression-era masterpiece and classic novel of immigration, and is now widely regarded as a masterpiece of Jewish American literature.

      [Bookseller: Peter Harrington]
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      C.J.Bucher Verlag Luzern 1960 - Dt.Erstausgabe. Mit einer Einführung von Alexander Libermann. Acht Kapitel: 1.Französisches Bouquet 2.Picassos Barcelona 3.Italienische Galerie 4.Besuch in Marokko 5.Englische Gesichter 6.Weihnachten in Lucco 7.New Yorker Randbemerkungen 8.Handwerker und Händler. 183 Seiten. Gebunden im Schutzumschlag. Im originalen farbig bedruckten Schuber. Zahlreiche farb- und schwarz-wei? Abbildungen. Sämtliche Seiten (Plates) klar und sauber. Bindung hervorragend intakt. Am Buchrücken sehr minimale gelbfärbung durch Sonne (altersentsprechend). Oberer vorderer Rand des Schutzumschlags ist auf 2 Millimeter etwas bestoßen. Insgesamt neuwertiger Gesamtzustand. [Attributes: First Edition; Hard Cover]

      [Bookseller: Gura]
 19.   Check availability:     IberLibro     Link/Print  

        Dalmatiner mit Picasso. Originalphotographie (Barytabzug).

      um 1960 - 24 x 18 cm, Tadell. Das Bild stammt aus dem Zyklus den Quinn für sein Buch über Picasso «Werke + Tage», Manesse- Vlg, 1959 geschossen, aber nicht verwendet hat. Photo auf Rückseite mit Atelierstempel. Beiliegend das erwähnte Buch: Picasso, Pablo - Edward Quinn. Werke + Tage. Zürich, Manesse, 1965. 4°, o. P. (ca. 150 Bl.), 282 Abb., davon 52 farbig.; Kart. m. Transp.-OU. i. Schuber. Text von Roland Penrose. (Tadell.).Edward Quinn (1920 -1997), irischer Photograph lebte seit den 1950er Jahren an der Côte d?Azur, wo sich in den ?Goldenen Fünfzigern? Stars, Manager, Adel und Künstler trafen.1951 begann seine Freundschaft mit Picasso, die bis zum Tod des Künstlers 1973 dauerte. 2400 gr. [Attributes: Soft Cover]

      [Bookseller: antiquariat peter petrej]
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        The Violent Bear it Away

      New York: Farrar, Straus & Cudahy,, 1960. Octavo. Original grey cloth backed red boards, titles to spine in white and grey, black end papers. With the dust jacket. Boards very lightly rubbed, lower corner bumped, head of spine faded, spine a bit rolled, contents slightly toned. A very good copy in the rubbed, toned, and nicked jacket with a few short closed tears and chips to the upper panel and head of the spine panel affecting both sets of titles. First edition, first impression. Presentation copy inscribed by the author on the half-title "For Louis Dollarhide in appreciation &#150; Flannery O&#39;Connor, Millidgeville, April 8, 1960". Inserted is O&#39;Connor&#39;s calling card on which she has written "I took the liberty of correcting the typographical error on page 242, FOC". On page 242 she has crossed out "to" in line 19 and replaced it with "the". Louis Dollarhide was an English professor at the University of Mississippi who supported O&#39;Connor&#39;s work and corresponded with her between 1957 and 1964. There are two binding variants of this edition, and the other presentation copy we have seen was also in red boards as opposed to the normal brown boards, so these may have been advance copies or produced specifically for the author.

      [Bookseller: Peter Harrington]
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      PAB, Alès 1960 - EDITION ORIGINALE illustrée d'une GRAVURE originale sur celluloïd de Madeleine GRENIER, tirée à pleins bords. Tirage unique à 60 exemplaires justifiés et signés par l'éditeur et l'artiste. JOINT une LETTRE autographe signée et datée 1971de René Char, avec son enveloppe. Le poète y écrit au conservateur du musée du Havre dont Vieira Da Silva lui a .parlé avec chaleur, à propos de l'exposition Grenier en préparation : " Madeleine Grenier peut certes reproduire notre petit PAB en guise de préface. Je le lui écrit par ce même courrier ". ---- Il a été tiré de ce minuscule quelques exemplaires sans la gravure. L'exposition de Madeleine Grenier au Havre en février 1971 évoquée dans la lettre de Char précède d'un mois le décès de son père, Jean Grenier. [Attributes: First Edition; Soft Cover]

      [Bookseller: Librairie-Galerie Emmanuel Hutin]
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        To Kill a Mockingbird

      Heinemann, 1960. Hardcover. Very Good/Very Good. Heinemann, London 1960. First English Edition / First Printing. Stated First Published in Great Britain 1960, no additional printings. Red cloth boards. Jacket priced at 16s at the front flap. Signed by Harper Lee on a First Day of Issue Cover. The Signature is Guaranteed Authentic. Comes with a letter about how the signature was obtained. Book Condition: Very Good+, light shelf wear, age toning. Name at the front endpaper, light spots at the endpaper. Dust Jacket Condition: Very Good, shelf wear, age toning. Short tears repaired with tape at the reverse of the jacket. Wrapped in a new removable mylar cover.

      [Bookseller: 1st Editions and Antiquarian Books, ABA,]
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        A Bear Called Paddington

      Boston: Houghton Mifflin, 1960. First Edition, First Printing, with 1960 on the title page. The jacket is not priced, as there was some sort of tape or sticker to the top edge of the front flap that was pulled up, removing a strip of surface where the price would be. In Near Fine condition, in a Very Good dust jacket. Light foxing or offsetting to end sheets. Previous owner name on front free end paper. Cloth is clean and sharp. The dust jacket has a few short edge tears, light chipping, light soiling, light wear at folds and light rubbing. A lovely copy in a nice dust jacket. A nice copy.

      [Bookseller: Burnside Rare Books]
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      New York: Galerie Chalette, 1960.. Oblong small quarto. Full velveteen stiff wrappers, with onlaid bronze- like metallic figure on upper wrapper. Illustrated throughout with plates and photographs. Fine, in suede covered clamshell box (see below). First edition, deluxe issue of this exhibition catalogue of Arp and Sophie Taeuber-Arp&#39;s works, with Seuphor&#39;s essay printed in both French and English. This is one of thirty numbered copies, specially bound, signed by Seuphor, and housed in the special folding case bearing an original wood- relief by Arp, entitled "améga dans l&#39;oméga," with a limitation statement signed by Arp affixed inside the upper panel. Enclosed in the original board outer case (a bit rubbed). There were also 970 ordinary copies.

      [Bookseller: William Reese Company - Literature ABAA-]
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        RITUAL IN THE DARK. Signed.

      Victor Gollancz, London 1960 - The Victor Gollancz Copy Inscribed By John Braine. 8vo., 416pp. Original cloth, black lettering. Dustwrapper. First edition. Very top of spine slightly faded. Fore-edges slightly browned. Wrapper lightly browned, creased, chipped at head & heel & with short tears. A very good plus copy in a very good dustwrapper. Inscribed on the fixed front endpaper, both sides of the free endpaper & on the half title by the author John Braine to Victor Gollancz: 'Miss Hewitt - Dear V. G., After this, please don't send me any more books for at least a year; I'm not working for you. Ritual in the Dark has, despite all the advice I gave to Colin, at least 1000 ineptitudes; and, despite all these ineptitudes, is still supremely readable. It renews my youth , and makes me remember the London I once knew - the La Vie Boheme London, the (illegible word) alive London of both 1945 and 1951. It's a very bad novel; but I could read it. And if you don't think this high praise then you know nothing at all abou t me - which indeed you don't, - sentimental old bourgeois that you are - or about any kind of mature writing! John Braine.' An important presentation inscription, John Braine being one of the people Colin Wilson acknowledges along with Victor Gollancz himself on the dedication leaf. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: TBCL The Book Collector's Library]
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        Atlas Obratnoj Storony Luny [Atlas of the Far Side of the Moon, in the original Russian] [Obratnoi]

      Izdatel'stvo Akademii Nauk SSSR, Moskva [Moscow] 1960 - Publishers blue cloth, printed black label to front cover with silver and blindstamped lettering, silver spine lettering, text is followed by 18 leaves containing 28 photographs, 2 large folded photographs at rear. Stamped Printed in USSR on FFEP. Laid in is a large folding map. Protected by original unprinted brown dust wrapper (as issued). ; 9" x 11-1/2" (22,9 x 29,2); 149+ pp; Covers with only slight wear at corners, solid binding, slight toning seen at top of front flyleaf, prior owner name stamped to title page, toning seen to fold-outs at rear limited to portions of the reverse (unprinted) side and along top edge of next few photographs (no toning seen on images). Pages otherwise clean and unmarked. Light wear/soiling to wrapper including closed tear along top edge and tiny chip nearby. [Attributes: Hard Cover]

      [Bookseller: Andrew Langer, Bookseller [IOBA]]
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        To Kill A Mockingbird

      London: Heinemann, 1960. First British edition of the author&#39;s Pulitzer Prize winning novel. Octavo. Original cloth. Fine in a near fine dust jacket with only the lightest bit of wear. Signed by Harper Lee on the front free endpaper. Housed in a custom half morocco clamshell box. A superior example. To Kill a Mockingbird became an immediate bestseller and won the 1961 Pulitzer Prize for Fiction. The New Yorker declared it "skilled, unpretentious, and totally ingenious". It has gone on to become of the best-loved classics of all time and has been translated into more than forty languages selling more than forty million copies worldwide. Made into the Academy Award-winning film starring Gregory Peck. Named the best novel of the twentieth century by librarians across the country (Library Journal).

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
 28.   Check availability:     Biblio     Link/Print  

        To Kill a Mockingbird

      Heinemann 1960 - Heinemann, London 1960. First English Edition / First Printing. Stated First Published in Great Britain 1960, no additional printings. Red cloth boards. Jacket priced at 16s at the front flap. Signed by Harper Lee on a First Day of Issue Cover. The Signature is Guaranteed Authentic. Comes with a letter about how the signature was obtained. Book Condition: Very Good+, light shelf wear, age toning. Name at the front endpaper, light spots at the endpaper. Dust Jacket Condition: Very Good, shelf wear, age toning. Short tears repaired with tape at the reverse of the jacket. Wrapped in a new removable mylar cover. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: 1st Editions and Antiquarian Books, ABA,]
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        Mega Anglo-Hellenikon Lexikon, English - Modern Greek Lexicon.

      Odyssey, Athens - Modern Greek. 4 vols. set, complete. 960+930+940+1067pp. 25x17cm. Published in 1960's. Dust jacket with minor shelf wear. Edges slightly dusty. Heavy set, extra shipping charge. [Attributes: Hard Cover]

      [Bookseller: Entaku Bookshop]
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        Typed Contract Signed. [THE WONDERFUL O]

      Kermit Bloomgarten Productions, New York 1960 - From TBCL's Children's Bookcase. Thurber, James. THE WONDERFUL O. Signed Contract. 8" 1/2 x 14", 14 page contract between Thurber and Kermit Bloomgarden Production, [Book not included] July 28, 1960, SIGNED. The contract gives exclusive rights to a "dramatico-musical adaptation" of Thurber's children's classic, THE WONDERFUL O. In near fine condition. James Grover Thurber [1894 - 1961]. American author, cartoonist & celebrated wit best known for his cartoons & short stories, published mainly in The New Yorker then collected in his numerous books. One of the most popular humorists of his time, Thurber celebrated the comic frustrations & eccentricities of ordinary people. An annual award, the Thurber Prize, begun in 1997, honors outstanding examples of American humor. [Attributes: First Edition; Signed Copy]

      [Bookseller: TBCL The Book Collector's Library]
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      Aguilar. 1960/61, Madrid. - Lázaro Ros, Amando (tr.)5 vols. Col. Joya. 16º. Cada volumen su paginación, láminas. Impecable, el anterior propietario ha tachado una firma con rotulador en cada volumen.;LA GESTIÓN DEL CONTRA REEMBOLSO SON 4 EUROS Encuadernación en piel de la editorial. [Attributes: Hard Cover]

      [Bookseller: Palabras & Cosas]
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        Adam and Eve and the Forbidden Fruit

      Paris: Verve, 1960. Color lithograph. From Drawings for the Bible. Mourlot, 235. M. 258 verso.

      [Bookseller: Alan Wofsy Fine Arts]
 33.   Check availability:     Biblio     Link/Print  


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