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Displayed below are some selected recent viaLibri matches for books published in 1960

        Johann Sebastian Bach - Band 1 und 2 komplett -Nachdruck der 1. - Ausgabe Leipzig 1873 und 1880 (BV 921)

      Breitkopf & Härtel, 1960. 1898 Seiten Gebundene Ausgabe ohne Schutzumschläge, Artikel stammt aus Nichtraucherhaushalt! EG3374 Versand D: 7,50 EUR Musik / Musikwissenschaft / Film, Kunst & Kultur / Musiknoten

      [Bookseller: Versandantiquariat Felix Mücke]
 1.   Check availability:     buchfreund.de     Link/Print  


        Aurélia.

      Monaco, Club International de Bibliophilie, [1960]. 154 S., 5 Bll. Mit 34 (11 ganzs.) OFarbradierungen von Léonor Fini. Fol., roter Maroquinband der Zeit mit mont. Deckelillustration, in OLwd.-Schuber \"Livres de Peintres Contemporains\", II. - Monod 8634. Strachan S. 331. - Eines von 250 num. Ex. (GA 300) auf Vélin pur fil à la forme de Rives. Druckvermerk von der Künstlerin signiert. Versandkostenfreie Lieferung

      [Bookseller: Antiquariat Galerie Joy]
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        SRID PA'I 'KHOR LO: THE WHEEL OF EXISTENCE. A Hand-Painted Tibetan Thangka.

      No place, likely Tibet or Nepal, no date, ca. [1960-70's].. Cloth,hand-painted color, 57 x 73 cm., minor surface scuff &. bends which mean a loss to some small lines in the painting,. over all, bright, solid work, painted with a fine hand.. A GENUINE TIBETAN THANGKA ON CLOTH A fine work, illustrated by a skilled & experienced painter. A very close example to ours is published in David Jackson TIBETAN THANGKA PAINTING: Methods and Materials, p.39. For a more exhaustive essay, see P. Kvaerne; THE BON RELIGION OF TIBET, p.143-146. This subject is standard for Tibetan Budd- hist iconography, in the "Wheel of Existence" or in Sanskrit bhavacakra, illustrating the six realms of birth, death and rebirth of sentient beings. This example is different from the Bonpos, which have their own version of the "Wheel of Existence." The basic lay-out of the this example is resting upon a great tiger, with an external circle showing the various postures of people as they join the "Wheel." The five central pie-cuts show the realms of birth, rebirth and death. The next semi-circle shows a group of human figures, half clothed, half naked. The center circle shows a bird, snake & boar. At the top central position shows the face of the tiger. There are two Buddhist icons in the upper corners & a pair of red clawed feet at the bottom. A stylized cloud pattern surrounds the whole work. Painted with much detail & skill, with gilt high-lights. A partial color scan can be sent by email. Images displayed may not always be the exact photo of the copy in stock for sale at any given time. If you want to see the exact image of the book or edition in stock today, please request this by email. . Photos of most of our books are posted to our .

      [Bookseller: Rare Oriental Book Company, ABAA, ILAB -]
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        DESSINS POUR LA BIBLE

      PARIS: VERVE, 1960 ILLUSTRATED BOARDS. FIRST EDITION OF CHAGALL'S SECOND SERIES OF ILLUSTRATIONS FOR THE BIBLE, WITH 96 B&W HELIOGRAVURES, AS WELL AS 24 ORIGINAL COLOR LITHOGRAPHS PREPARED BY CHAGALL ESPECIALLY FOR THIS BOOK AND PRINTED BY MOURLOT FRÈRES. INTRODUCTION BY GASTON BASCHELARD. TEXT IN FRENCH. WEAR TO SPINE EDGE.

      [Bookseller: ANTHOLOGY BOOKSELLERS]
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        Dessins pour la Bible.

      éditions de la Revue Verve,, Paris, 1960 - Paris, éditions de la Revue Verve, 1960. 2°. Mit 96 schwarz/weiss Reproduktionen und 24 Farblithographien. Pappbd. unter Verwendung einer Farblithographie, die speziell für diese Ausgabe verfertige wurde. Verve. Revue artistique et littéraire, vol. X, nos. 37 et 38. - Enthält die Zeichnungen zu biblischen Themen, entstanden 1958-59, die Chagal in seiner Bibel (Verve Nr. 33/34) nicht behandelt hatte. Mit einführendem Text von Gaston Bachelard und Legenden zu den schwarz/weiss Tafeln am Schluss. - Schönes Exemplar. Sprache: Deutsch / German Pappbd. unter Verwendung einer Farblithographie, die speziell für diese Ausgabe verfertige wurde. [Attributes: Soft Cover]

      [Bookseller: EOS Buchantiquariat Benz AG]
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        Die Reichskanzlei 1933 - 1945 : Anfang u. Ende d. Dritten Reiches.

      Frankfurt a.M. : Verl. Frankfurter Bücher, 1960 - 448 S. : mit Abb. ; gr. 8 Seiten alters- und papierbedingt gebräunt, Original Schutzumschlag dieser jedoch mit Mängeln, sonst antiquarisch gut erhaltenes Exemplar, K13757 Sprache: Deutsch Gewicht in Gramm: 804 [Attributes: Hard Cover]

      [Bookseller: Antiquariat Buchhandel Daniel Viertel]
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        Facciamo assieme un libro da leggere. Alfabetiere secondo metodo attivo.

      Torino, Einaudi, (1960). 4to. Orig. decorated wrappers. Illustr. c. 32 p.*1st edition of this fine typographic publication for childeren and their parents. - With inserted on blue paper a text (also in Italian) by Munari, dated July 15th, 1960. - In very good condition.

      [Bookseller: André SWERTZ B.V.]
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        Gesammelte Werke in 12 Bänden.

      Ffm. S. Fischer, (1960 (1-12) und 1974 (13). + Band 13 Nachträge in 13 Büchern. 8°. Zus. über 10000 S. Grüne OLederbände mit rotem, goldgeprägtem, montierten, Rückenschildchen. Kopfgoldschnitt. Band 13 mit Klarsichtschutzumschlag und Schuber. Die Rücken wie immer durch Lichteinwirkung z.T. in helles Braun verfärbt. Sonst ausgesprochen schönes Exemplar mit minimalsten Gebrauchsspuren. Erste Ausgabe. * Band 1: Buddenbrooks. Verfall einer Familie; Band 2: Königliche Hoheit. Roman. Lotte in Weimar. Roman; Band 3: Der Zauberberg. Roman; Band 4: Joseph und seine Brüder (Teil 1); Band 5: Joseph und seine Brüder (Teil 2); Band 6: Doktor Faustus. Das Leben des deutschen Tonsetzers. Adrian Leverkühn erzählt von einem Freunde; Band 7: Der Erwählte. Roman. Bekenntnisse des Hochstaplers Felix Krull. Der Memoiren erster Teil; Band 8: Erzählungen. Fiorenza. Dichtungen; Band 9: Reden und Aufsätze (Teil 1); Band 10: Reden und Aufsätze (Teil 2); Band 11: Reden und Aufsätze (Teil 3); Band 12: Reden und Aufsätze (Teil 4); Band 13: Nachträge. Versand D: 4,90 EUR Literatur 20. Jahrhundert, Werkausgaben, Gesamtausgaben, Bibliophile Ausgaben

      [Bookseller: Antiquariat Jürgen Fetzer]
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        The Maximus Poems

      New York: Jargon/Corinth Books, 1960. The limited edition of the first combined edition of these poems, Number 75 of 75 numbered copies. Designed and edited by Jonathan Williams. 159, [1] pp. 1 vols. 8vo. Brown cloth with inset paper illustrations. Very fine. The limited edition of the first combined edition of these poems, Number 75 of 75 numbered copies. Designed and edited by Jonathan Williams. 159, [1] pp. 1 vols. 8vo. GREAT POEM.

      [Bookseller: James Cummins Bookseller]
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        Rabbit, Run (The First Rabbit Book)

      Alfred A. Knopf, New York 1960 - Very good in light blue paper-covered boards stramped in silver with a green cloth spine stamped in silver and gold. Very clean and tight throughout. With a touch of sun-fading to the outer edges of the boards. In a complete, first issue dust jacket with the 16-line blurb on the front inside flap and with the price of "$4.00" at the top of the flap. Photo of a young Updike on the rear inside flap. With light wear and chipping to the top and bottom of the spine ends and a touch of fading to the horizontal stripes at the bottom of the jacket spine. A handsome, collectible copy. Updike's most famous work is his Harry "Rabbit" Angstrom series (the novels Rabbit, Run; Rabbit Redux; Rabbit Is Rich; Rabbit At Rest; and the novella "Rabbit Remembered"), which chronicles Rabbit's life over the course of several decades, from young adulthood to his death. Both Rabbit Is Rich (1981) and Rabbit At Rest (1990) received the Pulitzer Prize. Updike is one of only three authors (the others were Booth Tarkington and William Faulkner) to win the Pulitzer Prize for Fiction more than once. He published more than twenty novels and more than a dozen short story collections, as well as poetry, art criticism, literary criticism and children's books. Hundreds of his stories, reviews, and poems appeared in The New Yorker, starting in 1954. He also wrote regularly for The New York Review of Books. (Wikipedia) First Edition with "First Edition" stated on the copyright page [Attributes: First Edition; Hard Cover]

      [Bookseller: Brainerd Phillipson Rare Books]
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        La route des Flandres

      Les éditions de minuit 1960 - - Les éditions de minuit, Paris 1960, 14x19,5cm, broché. - Edition originale, un des 87 exemplaires numérotés sur pur fil, seuls grands papiers. Bel exemplaire. [AUTOMATIC ENGLISH TRANSLATION FOLLOWS] First edition, one of 40 numbered copies on Auvergne vellum, ours one of 15 reserved to the Club of the first edition, deluxe edition. Nice copy wide-margined. [Attributes: First Edition; Soft Cover]

      [Bookseller: Librairie Le Feu Follet]
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        TYPED LETTER SIGNED (TLS)

      23 September 1960, Rutherford, NJ - Fine Typed Letter on personal stationery SIGNED as "Bill" to Wesleyan librarian Wayman Parker. In part: "'A Dream of Love' is a script that I have had to revise. A corrected version of it will appear in the next few months." Williams tells Parker that it would be useless for him to print this piece again as it will appear along with four other plays under the imprint of New Directions. He concludes on a personal note: "Your father was one of my closest friends during the last years of his life and your mother as her own end approached. They were people whom I love and admired, a breed of men close to my heart." [Attributes: Signed Copy]

      [Bookseller: Charles Agvent, est. 1987, ABAA, ILAB]
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        Moses #3

      ca. 1960. Color silkscreen (serigraph) on Rives BFK paper, 30 x 23", 26 x 19" in plate. Artist's proof of ltd. ed. of 275, signed & titled by artist in pencil below the image. Marginal creasing & small tears, else very good.

      [Bookseller: Alan Wofsy Fine Arts]
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        LA FLEUR DE BARBE

      Imprimerie Duval 1960 - Présentation sous forme de 8 feuilles flottantes, pliées en deux. Quatre planches (sur une pleine page) illustrant chacune une « Barbe », signées et datées 59 dans la composition et une cinquième planche de composition abstraite au verso du frontispice. Non paginé. Texte calligraphié en majuscules par l'artiste, très gros caractères. Les feuilles ouvertes mesurent environ 49 x 64 cm, donc les pages 49 x 32 cm. Folio. Sous couverture souple, rempliée, lettrage sur le 1er plat et sur le dos, entourée d'un papier pergamine de protection. Emboîtement semi-rigide, gris anthracite, muet, environ 50 x 33 cm. Le texte, le frontispice et les quatre barbes faits par l'auteur à l'encre de chine ont été reproduits par phototypie et tirés sur les presses de l'imprimerie Duval, en mars 1960, à 500 exemplaires sur vélin d'Arches, numérotés 1 à 500 ; notre exemplaire est marqué manuellement, en couleur, 498. L'artiste Jean Dubuffet (1901-1985) fait actuellement l'objet d'une exposition à la Galerie Beyeler à Bâle, en ce début d'année 2016. Etat : Bon état. Emboîtement : assez bon, ombres de salissures et frottement. Couverture : bon, accident sur le papier pergamine (petit manque en bas à gauche du 1er plat), sinon couverture très propre. Intérieur : très bon, infimes frottements. 49.2 x 32.5 x 1.5 cm 1480g. [Attributes: Soft Cover]

      [Bookseller: ABC - Eric Girod]
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        Enormous Signed Color Artwork

      - Original black and white poster, ca. 1960, with hand gouache coloring by the unidentified artist, signed in blue ink by Louis Armstrong, probably one of the largest signatures he ever signed and almost certainly the largest signed portrait of the great Satchmo in existence! Apparently obtained at the Morris Civic Theatre in South Bend, IN in 1963. In a large recent wood frame under UV-plexiglass. Some creases to the poster, but really in great shape overall. About 36 x 30 inches without the frame! The artwork is very likely the work of celebrated jazz illustrator David Stone Martin. His work graced many of the Verve, Mercury, Clef etc. covers of the 1950s and the present example, though apparently not from a published album, is highly reminiscent of those Martin designed for Lionel Hampton, Billie Holiday, Count Basie.

      [Bookseller: Schubertiade Music]
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        L'Ingénieux Hidalgo Don Quichotte de la Manche.

      Editions d'Art "Les Heures Claires", Paris 1960 - First French edition in four volumes with wonderful miniature colour illustrations to accompany the famous Spanish story about Hidalgo Don Quichotte of La Mancha and his extraordinary adventures. Small 4to, 19,7 x 24,2 cm, unbound pages in decorated soft covers, kept in red/black/gold ornamented card board sleeves and housed in likewise slip cases as originally issued. All volumes contain around more or less 220 pages with altogether 92 colour illustrations in-text by Henry Lemarié, engraved in wood and printed in a decorative framing on the pages. Limited edition to 2900 copies, this copy n°1130 is printed on "vélin de Rives" and needed 3500 wood-cuts (blocks) to achieve a perfect reproduction of the 92 illustrations, realised 1957-1960, by Raymond Jacquet, Dominique Darr and Jean Taricco, thereafter printed by Paul Massin and Roger Fontaine. All slip cases show light soiling on edges with minor splits and rubs to extremities. The edges of the card board sleeves, that form the spines of the slip cases, show some small rubs, tiny scratches and more or less light discolouring because of age. The soft covers of the books are clean with faint browning on 1st. panels, internal pages clean, bright and crisp, as near new. A complete set in very good condition. Shipping for the 4 vol. will demand higher charges. Ref : Monod "Livres illustrés" 2449. [Attributes: First Edition; Soft Cover]

      [Bookseller: Librairie Imago Libri]
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        Enormous Signed Color Artwork

      Original black and white poster, ca. 1960, with hand gouache coloring by the unidentified artist, signed in blue ink by Louis Armstrong, probably one of the largest signatures he ever signed and almost certainly the largest signed portrait of the great Satchmo in existence! Apparently obtained at the Morris Civic Theatre in South Bend, IN in 1963. In a large recent wood frame under UV-plexiglass. Some creases to the poster, but really in great shape overall. About 36 x 30 inches without the frame!The artwork is very likely the work of celebrated jazz illustrator David Stone Martin. His work graced many of the Verve, Mercury, Clef etc. covers of the 1950s and the present example, though apparently not from a published album, is highly reminiscent of those Martin designed for Lionel Hampton, Billie Holiday, Count Basie.

      [Bookseller: Schubertiade Music & Arts]
 17.   Check availability:     Biblio     Link/Print  


        Das Evangelium nach Matthäus. Luther-Übersetzung revidiert 1956. Mit der Vorrede zum Neuen Testament aus dem Jahre 1546. Originallithographien Otto Dix. [Nummerierte Ausgabe].

      Käthe Vogt Verlag,, Berlin, 1960 - Berlin, Käthe Vogt Verlag, 1960. 4°. 29,5 cm. 104 Seiten. Original-Leinenband mit Original-Schutzumschlag im Original-Pappschuber. Nummer 976 von 1600 (gesamt 2000) nummerierten Exemplaren. Druck von der Westkreuz-Druckerei in Berlin, im Korpus-Grad der Folio-Grotesk, die 33 Original-Lithographien von der Firma Klibor, Lithographische Anstalt ebenfalls Berlin. Umschlag und Gestaltung besorgt durch Reinhart Braun. Sehr gutes Exemplar. Number 976 of 1600 (total 2000) copies of the limited edition. With 33 original lithographs by Otto Dix. Original cloth binding with dust jacket and slipcase. Fine condition. Original-Leinenband mit Original-Schutzumschlag im Original-Pappschuber. [Attributes: First Edition; Hard Cover]

      [Bookseller: Antiquariat Lenzen GbR]
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        In My Fashion

      - New York: David McKay, 1960 [1960]. 8vo, original black cloth with spine stamped in purple. Autobiography of the former editor of Vogue, with firsthand accounts of life among fashion icons both in New York and the fashion centers of Europe, including Coco Chanel and Babe Paley. Light wear and rubbing to board edges and spine tips; upper front corner very lightly bumped, light wear to corners with loss of color to small sections of cloth, outermost margin of two pages lightly crimped, but a clean copy internally and externally. In a bright, VG example of the jacket, with light soiling and spotting to jacket verso, a few dark marks to spine, light wear and chipping to spine tips and corners with minor loss, minor chipping to very bottom of front spine joint, but with price of $4.50 intact, a nicer than usual copy of a scarce title. [Attributes: First Edition; Hard Cover]

      [Bookseller: Marc J Bartolucci]
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        Head study of a falcon.

      [London, c. 1960]. - Watercolour, signed at bottom right "Haywood". [Attributes: Signed Copy]

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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        Robert Wise and Jerome Robbins working together on the set of "West Side Story" (Original photograph)

      Los Angeles: The Mirisch Corporation / United Artists, 1960. Vintage oversize double weight glossy photograph of director Robert Wise and director-playwright Jerome Robbins working in dual directors' chairs, both happy and beret'd, on the set of their 1960 film, "West Side Story." Shot by noted photographer Ernst Haas. Production of the film took place between August 1960 and February 1961, and based on its known history, this photograph was surely taken toward the beginning of that period, likely in the late summer or early fall of 1960. Jerome Robbins' 1957 Broadway musical, based on Shakespeare's "Romeo and Juliet" became the target for a deluxe film musical, to be shot in Panavision 70 and in blazing color. The new and very interesting twist was that the film would be shot on location in New York City. Veteran director Robert Wise was chosen as the director and producer because of his familiarity with urban New York dramas, such as "Odds Against Tomorrow." Wise had never directed a musical before and when it was suggested that Jerome Robbins, who had directed his own stage version, be brought in to handle all the music and dance sequences, Wise agreed. After about one-third of the movie had been shot, the Mirisch Company, which had become increasingly concerned that the production was over-budget, fired Robbins, who, according to Saul Chaplin in his autobiography, nearly suffered a nervous breakdown during the time he worked on the film. The remaining dance numbers were handled by Robbins' assistants. However, because of his great creative contribution to the film, Wise agreed Robbins be given co-directing credit, even though Wise directed the majority of the film himself. The ending title sequence was created by Saul Bass, who is also credited as "visual consultant" on the film. Despite production troubles, "West Side Story" was a huge success, both with critics and audiences, and became the second highest grossing film of 1961 in the United States. It won ten Academy Awards out of its nominated eleven categories, more than any other film musical in history. In a custom museum-quality frame, archivally mounted, with UV glass. 14 x 11.25 inches. Near Fine.

      [Bookseller: Royal Books, Inc.]
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        Penck, A.R. - Dame mit Hut vor liegendem Akt.

      - Zeichnung / Federzeichnung, in schwarzer Tusche, auf festem Papier, 1960. Von A.R. Penck. 25,0 x 33,5 cm (Darstellung / Blatt). Verso Sammlungs-Stempel Böttcher, von Hand nummeriert. - Provenienz: Sammlung Agathe Böttcher, Dresden. Seit 2009 Privatbesitz, Leipzig. Mit Zertifikat. - Verso weitere Federzeichnung mit sitzender Frau. - Sehr guter Zustand. A.R. Penck (1939 Dresden - lebt und arbeitet in Dublin). Eigentlich Ralf Winkler. Deutscher Maler und Grafiker, Vertreter der gestisch-abstrakten Malerei. Gehört zu den bekanntesten Namen der neueren internationalen Kunstszene. 1954 Lehre als Werbezeichner, erste Arbeiten, Holzschnitte und Porträts. 1955 Ablehnung an den Akademien in Dresden und Ost-Berlin. 1960/61 Bewerbung bei der Volksarmee wird abgelehnt. 1963-65 Auseinandersetzung mit Mathematik, Kybernetik und theoretischer Physik. Seit 1968 Verwendung des Pseudonyms 'A.R. Penck' - später weitere Pseudonyme wie 'Mike Hammer' oder 'T.M.'. 1974 Umzug nach Dresden. 1975 Verleihung des Will-Grohmann-Preises. 1976 Ausstellung mit Joerg Immendorff. 1980 Ausbürgerung aus der DDR und Umzug nach Kerpen bei Köln. 1982 documenta in Kassel. 1983 Umzug nach London. 1988 Berufung als Professor an die Kunstakademie Düsseldorf. Seit 1991 Atelier in Berlin. 1992 documenta in Kassel. 1988 Retrospektiven in der Nationalgalerie Berlin und im Kunsthaus Zürich. 2003 Retrospektive im Museum Küppersmühle, Duisburg.

      [Bookseller: GALERIE HIMMEL]
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        For Your Eyes Only

      Johnathan Cape, London 1960 - Jonathan Cape, London, 1960. hardcover. Book Condition: fine. Dust Jacket Condition: near fine. First. The dust wrapper has the 15s price, and is very lightly yellowed, with no chips or other flaws. 8vo, black cloth, spine lettered in gilt, white eye on front cover. An exceptional copy. [Attributes: First Edition; Hard Cover]

      [Bookseller: Morshead Books]
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        FOR YOUR EYES ONLY

      JONATHAN CAPE 1960 - First Edition, First Printing Crisp near fine book, with a bright vibrant unrestored dust jacket. The book is in beautiful near fine condition with crisp black covered boards with a stamped eye to the front of the boards. Bright unfaded gilt titles to spine. The boards have sharp corners and no edgewear. No dry nor splitting spine. The binding is tight and square. The end papers are clean with no owner names, no inscriptions, no book plates and no bookstore stamps.The internal pages are clean, bright and flat with No handling marks, No stains, No bent pages and No foxing. Beautiful clean book, internally appearing as unread. Please see images for details. The unrestored original dust jacket is in great condition with just a bit of nicking at the spine and corner tips. The dust jacket is clean and bright with a slight bit of rubbing to the bottom edge and with the typical fading of the titles to the spine. Otherwise the dust jacket has No edgewear, No tears, No rips, No chips, No rubbing, No fading and No foxing. the dust jacket is NOT price clipped and has a stated price of 15s net. The dust jacket is protected in a new clear removable archival cover. Please see images for more details. Near fine, clean beautiful book in highly collectible example of this title at a great price with an original unclipped first edition jacket in great condition! ADDITIONAL IMAGES AVAILABLE UPON REQUEST. Please see our Abe store for other Fleming/Bond titles [Attributes: First Edition; Hard Cover]

      [Bookseller: Meier And Sons Rare Books]
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        Manuale tipografico

      [London]: [Holland Press]. [1960]. "Edition limited to 500 copies, 2 volumes, tall 4to; frontispiece portrait; grey and blue patterned paper-covered boards with paper label on spine in matching slipcase; a very handsome, fine set. Facsimile of Bodoni's original edition of 1818. "

      [Bookseller: Rulon-Miller Books]
 25.   Check availability:     Biblio     Link/Print  


        TO KILL A MOCKINGBIRD (1st Edition 2nd Printing)

      New York: J. B. Lippincott. 1960. First Edition; Second Printing. Hardcover. Copyright page states "Second Impression." in a the scarce original dust jacket. Second Printing stated on the front flap with the $3.95 price and lacks the Pulitzer Prize seal found on later printings. The dust jacket is in good condition. Wear to the front panel and spine with soiling to the rear panel. A fair sized chip is missing from the front panel, partly affecting the title. Chips and creasing to the edges of the front panel and spine, affecting the author and publisher's name. Small stains present at the edge of the front panel and spine on the verso of the jacket. The original price of $3.95 is present on the front flap. The book is in good condition. The brown cloth boards are very well preserved with firm edges. Theboo is cocked. Previous owner's inscription inked out on the front paste-down. Paper adhesion on the front endpaper. Foxing to the fore-edge of the textblock. Toning and foxing to the endpapers, paste-downs, preliminary, and terminal pages. The boards are cracked at the hinges, exposing the webbing underneath. The textblock is largely clean with some light scattered spotting throughout. ; ; 8vo 8" - 9" tall .

      [Bookseller: Rare Book Cellar]
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        Penck, A.R. - Hinrichtung (Guillotine).

      - Zeichnung / Federzeichnung, in brauner Tusche, laviert, auf Zeichenkarton, um 1960. Von A.R. Penck. 18,4 x 28,5 cm (Darstellung / Einfassungslinie). Verso Stempel der Sammlung Agathe Böttcher Nr. P 27. Diverse Annotationen in Bleistift. - Auf der Rückseite weitere Federzeichnung eines Frauenkopfes in schwarzer Feder, seitlich beschnitten. - Papier mit kaum merklichen Lagerspuren. Insgesamt sehr gut erhaltenes Blatt. A.R. Penck (1939 Dresden - lebt und arbeitet in Dublin). Eigentlich Ralf Winkler. Deutscher Maler und Grafiker, Vertreter der gestisch-abstrakten Malerei. Gehört zu den bekanntesten Namen der neueren internationalen Kunstszene. 1954 Lehre als Werbezeichner, erste Arbeiten, Holzschnitte und Porträts. 1955 Ablehnung an den Akademien in Dresden und Ost-Berlin. 1960/61 Bewerbung bei der Volksarmee wird abgelehnt. 1963-65 Auseinandersetzung mit Mathematik, Kybernetik und theoretischer Physik. Seit 1968 Verwendung des Pseudonyms 'A.R. Penck' - später weitere Pseudonyme wie 'Mike Hammer' oder 'T.M.'. 1974 Umzug nach Dresden. 1975 Verleihung des Will-Grohmann-Preises. 1976 Ausstellung mit Joerg Immendorff. 1980 Ausbürgerung aus der DDR und Umzug nach Kerpen bei Köln. 1982 documenta in Kassel. 1983 Umzug nach London. 1988 Berufung als Professor an die Kunstakademie Düsseldorf. Seit 1991 Atelier in Berlin. 1992 documenta in Kassel. 1988 Retrospektiven in der Nationalgalerie Berlin und im Kunsthaus Zürich. 2003 Retrospektive im Museum Küppersmühle, Duisburg.

      [Bookseller: GALERIE HIMMEL]
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        Brasilia Vive!

      Rio de Janiero: Livraria Kosmos Editoria 1960 - First Edition. Square spiral-bound quarto. Photographs by Peter Scheier. Essay by John Knox, in Portuguese and English. Organized by Peter Scheier and Stefan Geyerhahn. Foldout list of plates in rear. 72 pages of black and white images charting the birth of Brasilia. While mostly architectural, the photographs document the nascent beginnings of Brazil's modern capital city. Excellent design with many compelling images. (The Latin American Photobook, p. 83). Very close to fine in photo-illustrated spiral-bound wrappers. Uncommon. [Attributes: First Edition]

      [Bookseller: Harper's Books, ABAA]
 28.   Check availability:     AbeBooks     Link/Print  


        The Encyclopedia of Islam. New edition. Vol. 1-12 + Index [13 vols].

      Brill Leiden/ Luzac London, - 13857 S. 1960-2009. Covers with rests of removed back labels. With b/w photos and maps. Vol.1: Spine and front cover partly loose. Vol.2: Upper spine with small tear. Vol.3+4: one map creased. Guter Zustand/ Good Bibl-Ex. Stamped edges. Sprache: Englisch Gewicht in Gramm: 2100 [Attributes: Hard Cover]

      [Bookseller: Antiquariat Thomas Haker GmbH & Co. KG]
 29.   Check availability:     ZVAB     Link/Print  


        Collected Poems

      London: Faber and Faber, 1960 - First Edition. Some foxing; very good. Presentation copy; inscribed by the author, "Autographed for James Jones by Lawrence Durrell. Paris 1960." With the recipient's pencil signature. [Attributes: First Edition; Signed Copy]

      [Bookseller: Peter L. Stern & Co., Inc., A.B.A.A.]
 30.   Check availability:     IberLibro     Link/Print  


        Kapstadt - Der Tafelberg. Cape town - The Table mountain: Acryl und Öl auf Leinwand / Acryl and oil painting on canvas.

       Bildmaß: 64,5 x 98,5 cm ( Höhe x Breite ) , gerahmt. ( Rahmenmaß 69 x 104 cm ). Acryl bzw. Mischtechnik auf Leinwand. Links unten mit *Unger* signiert, undatiert. Von guter Erhaltung, der Rahmen gering bestoßen. Wohl um 1960 - 1970 gemalt, ( nähere Informationen zu dem Künstler liegen mir nicht vor - für Hinweise wäre ich dankbar ). ( Bitte beachten: Hier aufgrund der Größe kein Versand, hier nur selbst organisierter Abtransport / No shipment possible ). ( Pic erhältlich // webimage available ) Versandkostenfreie Lieferung Cape town, South Africa, Südafrika, Tafelberg, Gemälde, Ölgemälde, Table mountain, Unger, Oil painting, Acryl, Google, Kapstadt

      [Bookseller: Antiquariat Friederichsen]
 31.   Check availability:     buchfreund.de     Link/Print  


        Les Tiroirs de l'inconnu -

      Gallimard 1960 -, Paris - 1 volume. In-8 268 pp. Reliure demi-maroquin Lavallière à coins. Dos à 4 nerfs sautés. Tête dorée. Couverture et dos conservés. Intérieur très frais. Parfait exemplaire élégamment relié. EDITION ORIGINALE. Un des 50 exemplaires de tête sur Hollande. Envoi autographe signé sur le faux-titre : pour le Docteur Fleury / en témoignage d'amitié / Marcel Aymé. [Attributes: Hard Cover]

      [Bookseller: Librairie KOEGUI]
 32.   Check availability:     AbeBooks     Link/Print  


        Autograph letter signed.

      "On board the flying Viking Ship", [May 15 or 16, 1960]. - 8vo. 4 pp. on double leaf. With autogr. envelope. To the Swedish film director Ingmar Bergman and his wife, the concert pianist Käbi Laretei (1922-2014): "Ich hätte 10 Minuten länger bleiben können. Ganz dumm habe ich auf dem Flugplatz gestanden [.] Bitte, bitte tuen Sie nichts mit Amerika [.] Vergessen Sie nie das Sie Amerika nicht brauchen. Amerika braucht Sie!! Und, bitte, verfügen Sie über mich! Ich kann meine Verehrung für Sie doch nicht sagen - weil es zu dumm klingt [.] Dank und wieder Dank für so Vieles, das Sie mir schon gaben ohne es zu wissen und für heute | Marlene". - On stationery with printed SAS letterhead.

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
 33.   Check availability:     ZVAB     Link/Print  


        Michelangelo Antonioni and Jeanne Moreau on the set of "La notte" (1961)

      N.p.: N.p., 1960. Vintage oversize double weight borderless photograph from the 1961 film. A candid, on-the-set photograph of director Michelangelo Antonioni, cinematographer Gianni Di Venanzo, Jeanne Moreau, and others working on a balcony shot, part of the long party sequence that makes up the last third of the film. The second film in the trilogy that begins with "L'Avventura" (1960) and ends with "L'Eclisse" (1962). Shot on location in Milan. Probably no one has ever said it better than Bosley Crowther, who reviewed the film for the New York Times in 1961: "Too sensitive and subtle for apt description are [Antonioni's] pictorial fashionings of a social atmosphere, a rarefied intellectual climate, a psychologically stultifying milieu-and his haunting evocations within them of individual symbolisms and displays of mental and emotional aberrations. Even boredom is made interesting. There is, for instance, a sequence in which a sudden downpour turns a listless garden party into a riot of foolish revelry, exposing the lack of stimulation before nature takes a flagellating hand. Or there's a shot of the crumpled wife leaning against a glass wall looking out into the rain that tells in a flash of all her ennui, desolation and despair." In a custom museum-quality frame, archivally mounted, with UV glass. 9 x 12 inches. Near Fine. Criterion Collection 678. Eureka Masters of Cinema 61.

      [Bookseller: Royal Books, Inc.]
 34.   Check availability:     Biblio     Link/Print  


        The Birds of Borneo

      Oliver & Boyd, Edinburgh 1960 - 561 pp. folding map, 50 col. ill. plates, 49 photographic plates. [Attributes: Hard Cover]

      [Bookseller: Trophy Room Books]
 35.   Check availability:     AbeBooks     Link/Print  


        MUTINY ON THE BOUNTY...

      [Culver City]: Metro-Goldwyn-Mayer, 1960. Quarto. Mimeographed typescript, printed on rectos only of canary, salmon and blue stock. Bradbound in mimeographed wrappers. Denoted "Temporary Complete" on upper wrapper. Residue of label and adhesive along spine edge of upper wrapper, title hand lettered on spine, lower wrapper matches, but may have been supplied from another copy or script, pencil name and light discoloration at top edge of upper wrapper, otherwise very good. Copy #111 of this unspecified but heavily revised "rainbow" script of this readaptation of Nordhoff and Hall's novel. Lederer received screen credit, but Eric Ambler, Ben Hecht and several others made uncredited contributions. Lewis Milestone directed the November 1962 release, starring Marlon Brando, Trevor Howard, Richard Harris, and many others. It garnered seven Oscar nominations, including Best Film. Laid in are three casting call sheets for days of shooting in January 1961.

      [Bookseller: William Reese Company - Literature ABAA-]
 36.   Check availability:     Biblio     Link/Print  


        [Archive]: Kerista Commune

      San Francisco. 1960s-2000s. A collection of 62 pamphlets, journals, periodicals, and other related ephemera from the Kerista Commune produced between 1976 and 2006. All items are about fine with only modest age toning to the tabloid periodicals as typically found. An interesting collection of a material from an experiment utopian community that managed to melded progressive ideas about race and gender equality with libertarian socialism while confronting the accepted societal norms that defined monogamy. A detailed list is available upon request. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
 37.   Check availability:     Biblio     Link/Print  


        Gesammelte Werke in 12 Bänden.

      Ffm. S. Fischer, (1960 (1-12) und 1974 (13). - Erste Ausgabe. * Band 1: Buddenbrooks. Verfall einer Familie; Band 2: Königliche Hoheit. Roman. Lotte in Weimar. Roman; Band 3: Der Zauberberg. Roman; Band 4: Joseph und seine Brüder (Teil 1); Band 5: Joseph und seine Brüder (Teil 2); Band 6: Doktor Faustus. Das Leben des deutschen Tonsetzers. Adrian Leverkühn erzählt von einem Freunde; Band 7: Der Erwählte. Roman. Bekenntnisse des Hochstaplers Felix Krull. Der Memoiren erster Teil; Band 8: Erzählungen. Fiorenza. Dichtungen; Band 9: Reden und Aufsätze (Teil 1); Band 10: Reden und Aufsätze (Teil 2); Band 11: Reden und Aufsätze (Teil 3); Band 12: Reden und Aufsätze (Teil 4); Band 13: Nachträge. Sprache: Deutsch Gewicht in Gramm: 10001 8°. Zus. über 10000 S. Grüne OLederbände mit rotem, goldgeprägtem, montierten, Rückenschildchen. Kopfgoldschnitt. Band 13 mit Klarsichtschutzumschlag und Schuber. Die Rücken wie immer durch Lichteinwirkung z.T. in helles Braun verfärbt. Sonst ausgesprochen schönes Exemplar mit minimalsten Gebrauchsspuren. [Attributes: First Edition]

      [Bookseller: Antiquariat Jürgen Fetzer]
 38.   Check availability:     ZVAB     Link/Print  


        The Country Girls

      London: Hutchinson & Co, 1960. First edition of Edna O'Brien's groundbreaking first novel, the story of two provincial girls in Dublin, described by O'Brien as "my experience of Ireland and my farewell to it." Banned for its sexual content, The Country Girls was burned in O'Brien's village churchyard by her family's parish priest, but is now considered a classic of modern Irish fiction. "The black underwear was Baba's idea. She said that we wouldn't have to wash it so often; and that it was useful if we ever had a street accident, or if men were trying to strip us in the backs of cars. Baba thought of all these things. I got black nylons too. I read somewhere that they were 'literary' and I had written one or two poems since I came to Dublin. I read them to Baba and she said they were nothing to the ones in mortuary cards." A near-fine copy, signed by O'Brien on the title page. Octavo, original black cloth, pale blue title block lettered in gilt, original clipped pictorial dust jacket. Lightest rubbing and edgewear to jacket, with a few tiny chips and closed tears.

      [Bookseller: Honey & Wax Booksellers]
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        Früchte-Stilleben. links unten mit J. Borelli signiert.

       Schönes Früchtestillleben des im XX. Jahrhunder tätigen Künstlers. Unten links signiert - undatiert ( ca. um 1960 ). Gezeigt werden Trauben, eine Birne, Äpfel im Korb sowie Kräuter. Bildmaß: 28 x 38,5 cm, Öl auf Leinwand, alt unter Glas aufwendig gerahmt. ( Rahmenmaß: 49 x 59,5 cm ). Der Rahmen gering bestoßen, sonst guter Zustand. ( Bitte beachten. Aufgrund der Bildgröße und Bruchgefahr hier nur ausgerahmter Versand ohne Rahmen oder aber Selbstabholung des Bildes in meinem Ladengeschäft ). ( Pic erhältlich // webimage available ) Versandkostenfreie Lieferung Früchte, Frucht, Stilleben, Stillleben, Borelli, Google

      [Bookseller: Antiquariat Friederichsen]
 40.   Check availability:     buchfreund.de     Link/Print  


        Holzschnitte, Ätzungen und drei Erzählungen.

      Darmstadt: Die Villa 1960. - OBrosch mit Orig.-Holzschnitt-Einbandillustration. 22 S., 1 Bl. Mit 10 Orig.-Holzschnitten und 3 Ätzungen sowie mit einem lose beiliegenden, doppelblattgroßen, monogram. Orig.-Farbholzschnitt. Gr.-4° (36 x 29 cm). Einband stellenweise gering berieben und schwach bestoßen. Gut erhaltenes, sauberes Exemplar. - Die wohl aufwendigste Veröffentlichung des Darmstädter Pressendruck-Verlages. Selten. - Enthält die Erzählungen "Besuch bei Picasso", "Heiteres Andalusien" und "Bildhauer Jurda". Einzige Ausgabe. Spindler 4,6. - Villa-Druck 5. - Nr. 51 von 150 Exemplaren. Von Eberhard Schlotter im Impressum eigenhändig signiert. "Die Erzählungen sind Reise-Erlebnisse des Malers" und "werden hier erstmals veröffentlicht". [Attributes: Signed Copy; Soft Cover]

      [Bookseller: Antiquariat Knöll]
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        The praying Hiob Original lithograph.

      Paris, Paris 1960 - Original Lithograph in colours published in his series (Verve 37/38) of the bible lithographs in Paris. Edition 6000 unsigned and unnumbered copies. In excellent condition.

      [Bookseller: Antiquariat Reinhold Berg eK]
 42.   Check availability:     ZVAB     Link/Print  


        INTERPRETACIÓN DEL CODEX (códice) BODLEY 2858

      PARA CELEBRAR NUESTRO 25 ANIVERSARIO APLICAMOS UN 10 % DE DESCUENTO EN TODOS NUESTROS ARTICULOS ( DESCUENTO YA APLICADO AL PRECIO QUE FIGURA EN EL ARTICULO ). - México. Sº Mexicana de Antropología. Edit. Libros de México. 1960. Edic. de 600 ejem. 33x24 cm. 85 págs. texto a dos columnas, papel Córsican Antique, intonso, + 8 ilust. + 6 grandes Cuadros plegados. Tela edit. deslucida por efecto de la humedad sin afectar al interior + El facsímil del Códice a color en ambos planos, por Foto-Ilustradores, S.A. de 672 x 28 cm. plegado. todo conservado en caja de madera con el lomo en piel, título y filigranas dorados. Con señales de humedad. # América [Attributes: Soft Cover]

      [Bookseller: Librería Torreón de Rueda]
 43.   Check availability:     IberLibro     Link/Print  


        The Violent Bear it Away

      New York: Farrar, Straus & Cudahy,, 1960. Octavo. Original red marble-patterned boards, grey cloth backstrip lettered in white, black endpapers. Spine negligibly sunned at head, upper outer corners of boards very lightly bumped. An excellent copy in the price-clipped dust jacket with a few small nicks at joints. First edition, first printing, scarce in the dust jacket.

      [Bookseller: Peter Harrington]
 44.   Check availability:     Biblio     Link/Print  

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