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Displayed below are some selected recent viaLibri matches for books published in 1959

        The Americans

      Grove Press 1959 - First edition, first printing. About Near Fine with light rubbing to title stamping on spine, light spotting to top edge of page block, light toning to pages and rear free end paper uncut along top edge and thus attached to the paste down, in a Very Good price clipped dust jacket with several small chips and light edge wear and toning; foxing and a small black area of bleeding to the verso. An outsider's nuanced view of American society, as seen through the Swiss-born photographer's lens. [Attributes: First Edition; Hard Cover]

      [Bookseller: Burnside Rare Books]
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        Goldfinger.

      First edition, first issue. 8vo. 318 pp. Publisher's black cloth gilt, gilt lettered to the spine, the blindstamped design of a skull to the upper board featuring twin gilt blocked coins to the eyes, neat ownership inscription dated 1959 to the front free endpaper, dust jacket, not price clipped. Map at p. 246. The jacket spine slightly tanned, a few light marks plus some wear to the head of the spine and corners, else very good.

      [Bookseller: Bow Windows Bookshop]
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        "La Vraie Histoire du Jazz" - Autograph Book Manuscript

      Used; Like New/Used; Like New. Autograph manuscript of the influential French critic, historian, and record producer's book Histoire du vrai jazz (Robert Laffont, 1959), under its previous title of La Vraie Histoire du Jazz. Approx. 620 pp., of which 12 are typewritten with corrections, in 16 heavy paper folders, inside a very handsome custom archival box designed to resemble a parcel bound with string. 9 x 4 x 11.5 inches (23 x 10 x 29 cm). One dent and light shelf wear to the box; some light toning and foxing to the manuscript leaves; overall in fine condition.<br style="">Panassié traces the evolution of jazz, from its origins in New Orleans to the 1950's. A short introduction explains (translated from the French): "Why 'true'? Because so many articles and books have been written confusing authentic jazz with false jazz, and relating the history of jazz so inexactly, that it is important to get things straight. This book is not about the history of what too many badly-informed people believe to be jazz, which has only the most superficial connection to the music, but rather the history of true jazz, the music of black Americans. [...] Jazz is the musical language of another race. We others, whites, can understand it, even speak it, provided that we take pains to learn it, to assimilate ourselves. It was through contact with black people that I learned what real jazz is. My conception of jazz is theirs..." Throughout the manuscript, corrections and changes have been made to the text, frequently including alternate titles for the chapters. The first page shows several possible variations on the book's title: "Histoire du vrai jazz," "La veritable histoire du jazz," and "La vraie histoire du jazz." Each chapter's folder includes a small covering leaf in another hand, summarizing the chapter.<br style="">The work comprises the following chapters:  I. Les Origines du Jazz; II. Naissance du jazz à la Nouvelle-Orléans; III. Où l'on voit le jazz grandir [several other possible titles struck through]; IV. Chicago; V. Louis Armstrong; VI. Harlem; VII. Duke Ellington; VIII. Les années 1930-1936; IX. La période "swing" ou L'ère du swing; X. et XI. La Période Swing (II) et (III); XII. Le Be-bop n'est pas du jazz; XIII Renaissance Nouvelle-Orléans; XIV. Le jazz en France (partially typed); XV. Le Jazz des années 1950 ["Le Jazz d'aujourd'hui" struck through].<br style="">An important manuscript from the the founding president of the Hot Club de France (1932), the man almost solely responsible for bringing jazz to France. In a changing world of jazz, Panassié was an ardent exponent of traditional jazz â?? strictly Dixieland â?? and famously dismissed bebop as "a form of music distinct from jazz." He harbored a particular love of style similar to that of Louis Armstrong from the 1930s and criticized West Coast jazz as inauthentic, partly because most musicians were white and also "sounded white."  Despite his traditionalist views on the art form, his influence on the reception of jazz in France, and in shaping the cross-cultural dialogue between American and French musicians, cannot be overstated. 

      [Bookseller: Schubertiade Music & Arts]
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        The Menace from Earth

      New York: The Gnome Press, Inc.,, 1959. Octavo. Original black cloth, titles to front board in yellow, to spine in silver and yellow, yellow endpapers. With the pictorial dust jacket. Leaves toned, jacket with two tiny nicks to top edge, otherwise a fine copy. First edition, first printing, signed by the author on the front free endpaper, of the collection of eight of Heinlein's science fiction short stories. The first UK edition was not published until 1966. Rare signed.

      [Bookseller: Peter Harrington]
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        Dents de Lait Dents de Loup.

      Paris, Pierre de Tartas, Editeur d'Art, 1959, 1 volume in-folio de 390x300 mm environ, 65 pages, en feuillet sous couverture illustrée et coffret pleine toile de l'éditeur avec intérieur suédine. Exemplaire spécialement imprimé à l'intention de Florence de Tartas, sur Japon nacré, non justifié, illustré de compositions de Jacques Villon. Edition originale de ce recueil. Toile du coffret décolorée par endroit, sinon bon état. Henri Pichette, né à Châteauroux (Indre) le 26 janvier 1924 et mort à Paris le 30 octobre 2000, est un écrivain, poète et dramaturge français.Jacques Villon, né Gaston Émile Duchamp à Damville (Eure) le 31 juillet 1875 et mort à Puteaux (Hauts-de-Seine) le 9 juin 1963 (à 87 ans), est un peintre et graveur cubiste français. Merci de nous contacter à l'avance si vous souhaitez consulter une référence au sein de notre librairie.

      [Bookseller: Librairie Diogène]
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        LA BRIERE - AQUARELLES DE JEAN PIERRE REMON.

      DOMINIQUE VIGLINO 1959 - R300148501: 264 pages - ouvrage illustré de 40 aquarelles peintes par Jean Pierre Rémon (collationnées) - envoi de Jean Pierre Rémon sur la page de titre "Pour le Docteur Pierre Champagne." - ouvrage sous chemise cartonné rige et sous emboitage cartonné rigide en bon état - 8 photos disponibles. Préface de Maurice Genevoix - EXEMPLAIRE N°40/75 SUR PAPIER VELIN D'ARCHES. In-Plano En feuillets. Bon état. Couv. convenable. Dos satisfaisant. Intérieur frais Classification Dewey : 96-Livres remarquables par leur illustration, leur papier [Attributes: Soft Cover]

      [Bookseller: Le-Livre]
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        Rome

      Feltrinelli, 1959. Rilegato tela, sovracoperta (cloth, dust jacket) Fotografie in bianco e nero a piena pagina di William Klein. Testo francese . 4to. pp. 190. Molto Buono (Very Good). Sovracoperta leggermente sciupata ai margini con piccolissime mancanze in corrispondenza del dorso (Some chipping around top and bottom of dust jacket). Prima edizione (First Edition).

      [Bookseller: Studio Bibliografico Marini]
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        THE KILGOUR COLLECTION of Russian Literature 1750-1920. With Notes on Early Books and Manuscripts of the 16th and 17th Centuries.

      Harvard College Library, Cambridge, Massachustts, 1959. 4°, 1323 paginated columns + 16 pages Bookplates + 13 pages Index, publisher's red cloth, one small tear (8 mm) on top of spine, no dustjacket, else a very good copy. 16031437

      [Bookseller: Andersens Antikvariat]
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        Marchand du sel, écrits de Marcel Duchamp. Ecrits réunis et présentés par Michel Sanouillet. Bibliographie de Pupard- Lieussou. Collection "391".

      Le Terrain Vague ., Paris 1959 - 8vo. Original card covers. 145x190mm. B/w plates. Uncut. One of 2000 copies of the ordinary edition. From the library of the English based Surrealist J.B.Brunius. From the library of the English Surrealist writer and bibliophile John Lyle with his bookplate. Covers lightly rubbed, lacking the plate mounted on the front end-paper. With two contemporary colour postcards of works from the Arensberg collection, acutting from the Radio Times June 16 1966 with a listing for 'New Release' A topical magazine of the arts featuring "Rebel Ready-Made Marcel Duchamp" and a typewritten note 'M.Brunius, Facilities for viewing "New Release": Thursday, 23rd June. A Viewing room has been booked at Broadcasting House for "New Release" from 8.45-9.30 p.m. The room is LG 11. Please would you call at Main Reception to collect a pass. Mr Piper will be viewing there also.' From the library of the English Surrealist writer and bibliophile John Lyle with his bookplate. [Attributes: First Edition; Soft Cover]

      [Bookseller: Roe and Moore]
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        (Blick auf Homburg, den Kallmuth und Triefenstein),

       1959. Blick entlang des Mainufers flußaufwärts auf Homburg, seine Weinlage Kallmuth und auf der anderen Uferseite Triefenstein. Großformatige Bleistiftzeichnung von Willi Greiner, re. u. monogr. \"GW\" und dat. 6. IV.(19)59. Ca. 34 c 48 cm. - Unter Glas mit Passepartout staubdicht neu gerahmt. Etwas wellig, aber sauber. - Die Rahmung im Preis inbegriffen. - Klar strukturierte Zeichnung mit breitem und weichem Stift. Versand D: 5,50 EUR Handzeichnung, 20. Jahrhundert, Deutschland, Franken, Homburg, Greiner

      [Bookseller: Antiquariat Tobias Müller]
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        The Hustler (Signed)

      Harper & Brothers, 1959. First Edition, 1st Printing. Hardcover. . Very good condition./Very good lightly edgeworn and lightly chipped dust jacket. . Inscribed by author. (To Buz, With affection and respect Walter Tevis). Marion (Buz) Wyeth was an editor at Harper Bros. and may have been the editor of this book. The story of Fast Eddie Felson played by Paul Newman in the movie.

      [Bookseller: Harvest Book Co]
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        Ekonomicheskii raschet nailuchshego ispolzovaniia resursov [The Best Uses of Economic Resources]

      First edition. Limited to 3.000 copies.Translated in English in 1965.L. Kantorovich (1912-1986) – prominent Russian mathematician and economist. He shared Prize in Economic Sciences in Memory of Alfred Nobel with T. Koopmans in 1975 "for their contributions to the theory of optimum allocation of resources". In this work, L. Kantorovich developed his method of linear programming he first made public in 1939. L. Kantorovich started as great mathematician but interested in economics since 1939. He worked a lot and wrote a lot through wartime for economics. Amongst other works, he wrote this book in 1942.Kantorovich’s conclusions made about the role of prices in planned economy were very dangerous for his further academic career and possibly life in Stalin era. So he returned to study math after WWII was finished. Then he worked in Soviet nuclear project. After Stalin’s death, the role of economy in Russia was recognized more important than earlier. In 1958 Kantorovich founded first faculty for mathematical economics in Russia and in 1959 he published this work for the first time. It is just for this work L. Kantorovich became Nobel laureate.

      [Bookseller: Biblionne]
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        Photograph signed ("C. G. Jung") and inscribed "Arcana publicata vilescunt". N. p., [1959].

      1959. 225 x 185 mm. Framed and glazed. Showing him in conversation with Hugh Burnett, the plinth of a bust showing behind him, at a tea-table. - The haunting phrase "Arcana Publicata Vilescunt", which may roughly be translated as "secret knowledge when published is made profane", is to be found on the title-page of the first edition of the "Chemical Wedding" of Christian Rosenkreutz (1616), an alchemical allegory by the early Rosicrucian and later Silesian father, Johann Valentin Andreae, and edited by the aptly-named Johann Friedrich Jung. The teasing inscription on this photograph refers to the fact that it was Hugh Burnett's programme, "Face to Face", that brought Jung into contact with a mass audience for the first time. One of the viewers of the programme, Wolfgang Foges, contacted Burnett's interviewer, John Freeman, and asked him to contact Jung to sound him out about the possibility of writing a book explaining his views for the intelligent general reader rather than the specialist. Freeman conducted two interviews to this end with Jung, but was met with a firm but polite refusal. Jung then had a dream in which he was speaking in a public forum to 'a multitude of people who were listening to him with wrapt attention and understanding what he said'. When asked by Foges if he would reconsider, Jung agreed, on the condition that it consisted not just of his own writings but included essays by his closest followers, and was to be edited by Freeman. The result, which was to appear after Jung's death, was "Man and His Symbols", 1964 (cf. Deirdre Bair, Jung: A Biography [2004], pp. 619-620).

      [Bookseller: Antiquariat Inlibris]
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        Madeline and the Gypsies

      Viking Press, 1959 A fine first edition in a fine price-clipped dust jacket signed by Bemelmans on the half-title page. Housed in a slipcase.. Signed by Author(s). 1st Edition. Hardcover. Fine/Fine.

      [Bookseller: Bookbid Rare Books]
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        Portrait photograph of Carson McCullers

      New York, 1959. Reproduced (from this print) in PORTRAITS: the Photographs of Carl Van Vechten (1978), edited by Saul Mauriber. Half-length portrait of the author, seated with arms folded, laughing. 1 vols. 25 x 20 cm. (approx 9-7/8 x 7-7/8 inches). Fine. Verso docketed with holograph notations in pencil, giving the name of the sitter, date of the photograph, and Van Vechten's reference to negative and print ("xv - qq - 11"). Reproduced (from this print) in PORTRAITS: the Photographs of Carl Van Vechten (1978), edited by Saul Mauriber. Half-length portrait of the author, seated with arms folded, laughing. 1 vols. 25 x 20 cm. (approx 9-7/8 x 7-7/8 inches).

      [Bookseller: James Cummins Bookseller]
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        Goodbye, Columbus

      Houghton Mifflin, 1959 First edition, fine in a very good first issue dust jacket. With original price of $3.75 still on front flap and First Printing stated on the copyright page. Small chip in jacket at top of spine. Housed in a custom-made collector's slipcase.. 1st Edition. Hardcover. Fine/Very Good.

      [Bookseller: Bookbid Rare Books]
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        Le livre à venir

      - Gallimard, Paris 1959, 13,5x19,5cm, broché. - Edition originale, un des exemplaires du service de presse. Très précieux et émouvant envoi autographe signé de Maurice Blanchot à sa soeur : "Pour ma chère Marguerite qui porte maintenant (mot illisible) le poids de mon affection. Maurice." Agréable exemplaire. - [FRENCH VERSION FOLLOWS] Edition originale, un des exemplaires du service de presse. Très précieux et émouvant envoi autographe signé de Maurice Blanchot à sa soeur : "Pour ma chère Marguerite qui porte maintenant (mot illisible) le poids de mon affection. Maurice." Agréable exemplaire.

      [Bookseller: Librairie Le Feu Follet]
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        Autograph letter signed. Paris, 20. I. 1959.

      1959. Oblong small 4to. 2 pp. To the Belgian author, filmmaker and documentarist Henri Storck, who apparently had asked him some advice about the XXe arrondissement in Paris; Alechinsky outlines the real estate situation in his district: "Cher Henri, ce serait merveilleux de vous revoir en voisin ; voilà la situation : A ne pas acheter avant d'être fixé sur les intentions du ministre de la Reconstruction, il y a dans l'air des projets d'aménagement du XXe, et notre rue pourrait bien être un jour livrée aux architectes. Donc, à ne pas acheter pour le moment. A ne pas conseiller à un ami. Les Qu* [illegible] en veulent 4.000.000, mais ils n'ont pas trouvé d'acheteur... Un voisin vient de vendre 3.300.000 le même genre d'appartement. Bon. Il serait préférable, et je pense que les Qu* seraient intéressés, de louer au mois. Je sais que s'année dernière ils louaient 40.000 frcs/mois meublé, avec chauffage central en état. Aujourd'hui, je ne sais pas si les meubles restent, et le chauffage central (la chaudière) est claquée. Voilà la situation. [...]". - On headed paper "Telegram"; small damage to edges, and slightly dust-soiled.

      [Bookseller: Antiquariat Inlibris]
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        The Borrowers Afloat

      Harcourt Brace 1959 - First American edition. Blue cloth in dust jacket, signed by the author on the title page in the year of publication. Some fade to spine, pages lightly toned, possible hinge repair, else nearly fine, in nearly fine dust jacket that has had top corner clipped but price (at bottom) intact. A lovely copy, uncommon signed. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Book 'Em]
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        But He Doesn't Know the Territory

      G. P. Putnam's Sons, New York 1959 - Inscribed by author to ffep. Corners/spine ends mildly softened. Slight foxing/offset to endpages. No additional printings listed. A tight, square unmarked copy. The unclipped ($3.50) jacket in mylar is in fine condition. ; 8vo 8" - 9" tall; Signed by Author [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: curtis paul books, inc.]
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        "Emmanuel Chabrier". Autograph manuscript, signed twice. N. p., 1959.

      1959. Title page, 23 numbered pp. on 23 ff; half-title, pp. 24-78 on 55 ff. Blue ink on one-sided checked paper; proof reader's corrections in pencil. Spiral-bound cardboard wrappers, inscribed "Francis Poulenc I - Chabrier". Small 4to. One of only a few literary manuscripts by the eminent French composer, extremely rare in trade. In this paper, which appeared in 1961 at La Palatine publishers, Paris-Genève, Poulenc compresses, as he writes in the preface, "une véritable passion" that he felt from adolescence onwards for Chabrier's music, into a memorial full of warmth, enthusiasm, and linguistic beauty. - The present ms. comprises the preface, the introduction "Portrait de Chabrier", and Chapters I and II (cf. pp. 1-78 in the printed version); Chapters III and IV (in the book pp. 80-119) might have filled another, clearly thinner quarto issue, the whereabouts of which are unknown today and are not established by MGG or New Grove.

      [Bookseller: Antiquariat Inlibris]
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        'The Birthday Party' SIGNED

      An exceptionally rare first edition of Pinter's second full-length play, published in limited numbers by Encore Publishing in 1959. This edition is signed on the title page by the author, with a personal dedication to the actress Margery Withers - the second actress to play the part of 'Meg' (and the first to do so on television). - - - - - - - - - - The Birthday Party was first staged in the spring of 1958 at the Arts Theatre in Cambridge, before playing in Oxford and Wolverhampton. It opened in London, at the Lyric Theatre, Hammersmith, in May 1958 and infamously closed after only eight performances. It's failure is said to have caused Pinter to consider ending his ambition to be a playwright but subsequent revivals have cemented it's status as a classic. In 1959 the play received it's first such re-evalution when it was performed by the Tavistock Repertory Company at the Tower Theatre in Islington, London. This production provides the cover photograph of Encore's first edition. Pinter, who lived locally, saw the production and attended some rehearsals (although he was not directly involved in the production). The company, run by non-professionals, were the first to stage the play after it's 1958 opening. [Tower Theatre archive: http://www.towertheatre.co/plays/1959/p5906.htm] This copy of the book belonged to Margery Withers, the actress who played 'Meg' in the Tavistock Rep Company production. It is personally signed by Pinter with the following message: "To Margery, I shall always remember your wonderful performance as Meg. You were the one and only belle of the ball. Love Harold." It is dated, by Pinter,  'Dec. 59'. The quote 'the one and only belle of the ball' is taken directly from the play itself. - - - - - - - - - - In 1960 Margery was offered to reprise the role in the world's first television production of the play. At the time she was working at the BBC and could not get permission to appear in the ITV drama - emboldened and encouraged by Pinter she quit her job to become an actress full-time. She made her professional debut in the ITV television version of this play and subsequently appeared in numerous British television series and films over the next 40 years, including parts in Coronation Street, Z Cars, The Bill, Casualty and Mike Leigh's Secrets and Lies. She died in 1999. Harold Pinter went on to become one of Britain's most celebrated playwrights, screenwriters, actors, poets and theatre directors. In 2005 he won the Nobel Prize for Literature. He died in 2008. Condition: This was Margery's personal copy and has suffered a little wear to the edges. The front page with the signature has been secured to the front cover with sellotape at some point. This doesn't impinge on the signature and with a bit of careful restoration a better job could be made of this. There's also a small corner of the title page missing, but otherwise the book is complete with no other lose pages and no major defects. The binding now is tight. Pinter signatures from the 1950s are also incredibly rare. This is a first edition of Pinter's first published play, signed and dated by the author with a personal message to his leading lady.

      [Bookseller: John Atkinson Fine & Rare Books]
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        The Birthday Party (Signed By The Author)

      The First UK Printing published by Encore Publishing Co.Ltd. in 1959.This edition was published solely as a wraps edition.The BOOK is in Very Good++ or better condition.A little creasing along the spine and a small crease at the upper front cover adjacent to the spine.The book remains tight and is free from erasures, inscriptions and markings. The book has been simply Signed without dedication on the title page by Harold Pinter. The Birthday Party was first staged in the spring of 1958 at the Arts Theatre in Cambridge, before playing in Oxford and Wolverhampton. It opened in London, at the Lyric Theatre, Hammersmith, in May 1958 and infamously closed after only eight performances. It's failure is said to have caused Pinter to consider ending his ambition to be a playwright but subsequent revivals have cemented it's status as a classic. In 1959 the play received it's first such re-evalution when it was performed by the Tavistock Repertory Company at the Tower Theatre in Islington, London. This production provides the cover photograph of Encore's first edition. Pinter, who lived locally, saw the production and attended some rehearsals (although he was not directly involved in the production). The company, run by non-professionals, were the first to stage the play after it's 1958 opening. A rare first edition of Pinter's second full-length play (Having only been preceded by a student production play in 1957), published in limited numbers by Encore Publishing in 1959. Pinter went on to become one of the 20th century's greatest playwrights and was awarded the Nobel Prize for literature in 2005. An exceptionally scarce title to find signed by the Nobel Laureate.

      [Bookseller: Ashtonrarebooks]
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        Art in Posters: The Complete Original Posters of Braque, Chagall, Dufy, L_ger, Matisse, Mirã, Picasso

      New York: George Brazier, 1959. 1st. Very Good/Good. Georges Braque, Marc Chagall, Raoul Dufy, Fernand L_ger, Henri Matisse, Joan Mirã, Pablo Picasso. Intro by Fernand Mourlot & end catalogue of each poster Large, beautiful book containing 102 color, lithographically printed, post-war exhibition posters printed (mainly) by Mourlot Freres - Renowned Parisian fine art publisher - for Georges Braque, Marc Chagall, Raoul Dufy, Fernand LÕ©ger, Henri Matisse, Joan MirÕ_, and Pablo Picasso <p>""Each image is sumptuously reproduced photolithographically here in miniature by Mourlot, creating essentially one hundred and two original graphics A strikingly handsome example in dust jacket""-{Arcana Books}</p>1959 George Brazier, Publisher New York Printing in France 1st Edition Book & DJ in good condition including acetate wrapping (acetate wrapping on back cover has open tear, 2""H x 6""L) NOT EX-LIBRARY First American Edition Know, notoriously as being fragile & poorly-bound This copy has all pages still attached but beginning to come loose <br />There are signs of visible wear which may include rubbing, bumping, small tears, non-major spine or binding defects but book is still wholly intact

      [Bookseller: Hideaway Books]
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        The Old Man and the Boy

      Holt, NY 1959 - 303 pp, ill. Ruark's famous book about growing up. Very good in vg (chipped) dj and dated and inscribed. DJ is chipped on spine extending down to last tine of title. Ruark inscribed books are rare. [Attributes: Hard Cover]

      [Bookseller: Trophy Room Books]
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        Gabriele D'Annunzio Alcyone, Il piacere, La figlia di Iorio, Contemplazione della Morte; e brani tratti da: Primo vere, Canto novo, Intermezzo di riMe, La Chimera, L?Isottèo, ELEGIE ROMANE; POEMA PARADISIACO; ODI NAVALI; Maia, Elettra, Merope, Asterope; Terra vergine, Le nov

      Arnoldo Mondadori Editore-Verona, VERONA 1959 - I diamanti ITALIANO Bel cofanetto ottimamente conservato, composto da custodia in cartone rigido patinato, alcune macchie, ammaccatura, spigoli poco usurati e volume. Sovraccoperta originale in acetato con bordo poco consunto e lacerazione, coperta in cartone rigido, eleganti caratteri dorati in bassorilievo su piatto anteriore e dorso, cima, piede, punte e bordo appena consunti, tagli e pagine come nuovi. Fa parte della collana I diamanti. I edizione. La libreria offre per un periodo limitato uno sconto del 15% su tutti i suoi libri. Il prezzo originale dell'articolo era 999,00 euro.

      [Bookseller: Biblioteca di Babele]
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        IL MENABO' di letteratura 1959-1967 - Tutto il pubblicato - 10 volumi, Torino, Einaudi, 1959

      - Ogni volume in 8o,alcuni titoli sulle copertine, brossura rigida, bs. pp. da 125 a 350 per ogni vol. Periodico letterario che ha particolarmente inciso nella cultura degli anni '50 e '60 presentando molti testi della "nuova letteratura", con poesie, saggi, racconti , polemiche e discussioni sui testi pubblicati. Vi sono opere importanti di Calvino, Vittorini, Mastronardi, Veneri, Ottieri, Manganelli, Guglielmi, Crovi, Fortini, Roversi, Sanguineti, C.E. Gadda, Pasolini e tanti altri ed anche di autorevoli autori stranieri. La collezione, a fascicoli sciolti ed in buone condizioni, viene offerta a

      [Bookseller: Ferraguti service s.a.s. - Rivisteria]
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        Milano, Italia

      C. M. Lerici Editore, 1959. Numerosissime riproduzioni di fotografie in bianco e nero f.t. di Mario Carrieri. Forma - vita 3

      [Bookseller: Di Mano in Mano]
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        Presentation Album of 12,000 BBC employee autographs to Sir Ian Jacob, Director General of the BBC

      An album presented by the BBC to Sir Ian Jacob when he retired as Director-General in 1959. The album contains approximately 12,000 signatures of BBC members of staff from all departments from Sound Broadcasting to Programme Correspondence, including all the Regions and Overseas Offices. A mammoth undertaking that seems unimaginable in these times. The album measures 10¼ x 8¼ and is approximately 2½ thick, bound in full crimson morocco with gilt edges and the BBC coat of arms embossed in gold in the centre of the front cover. The inner edges of the binding are tooled in gilt and the endpapers are of white silk. The whole is contained in a specially made matching fold-over lined box which also bears the BBC coat of arms. Signatures include Hugh Carleton Greene, Harman Grisewood, John Snagge, Val Gielgud, Donald MacWhinnie, Louis McNeice, Laurence Gilliam, Douglas Cleverdon, Nesta Pain, Brian Johnston, Sandy McPherson, Grace Wyndham Goldie, Huw Wheldon, Eric Maschwitz, Denis Norden, Dennis Main Wilson, Stuart Hood, Gerald Priestland, Kenneth Kendall, Richard Baker, Godfrey Talbot, Tangye Lean, Charles Curran, Martin Esslin, Douglas Birkinshaw..... The condition of this unique item is excellent. Sir Edward Ian Claud Jacob GBE CB, served as Military Assistant Secretary to Winston Churchill's War Cabinet. In 1951 he became Chief Staff Officer to Churchill who was both Prime Minister and also Secretary of State for Defence. In 1952 he became Director General of the BBC, a post he held until 1959 Complete with fold-over lined presentation box

      [Bookseller: David Maynard]
 29.   Check availability:     PBFA     Link/Print  


        Physis. 1959-1976

      Brossura (wrappers) Fondata nel 1959 dalla "Domus Galileana" di Pisa (1959-1976), dall"'Istituto e Museo di Storia della Scienza" di Firenze, dal "Museo Nazionale della Scienza e della Tecnica" di Milano, dal "Gruppo Italiano di storia della Scienza" e dalla Casa Editrice Leo S. Olschki. Diretta da V. Cappelletti, L. Cavini, F. Ogliari e V. Ronchi. Annate complete dall'anno I (1959) all'anno XVIII (1976). 65 volumi. 8vo. pp. circa 120/volume. Ottimo (Fine). . Prestigiosa rivista di storia della scienza che ha fra i suoi collaboratori G. Abetti, G. Arrighi, I. Bernard Cohen, Alistair C. Crombie, L. Geymonat, V. Somenzi, Dereck John de Solla Price, L. Belloni e tanti altri importanti scienziati italiani e mondiali.

      [Bookseller: Studio Bibliografico Marini]
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        Autograph Letter Signed [ALS] on the meaning of The Old Man and the Sea

      San Francisco de Paula, Cuba: np. FIRST EDITION. no binding. Very Good. AN OUTSTANDING AND IMPORTANT AUTOGRAPH LETTER SIGNED BY HEMINGWAY ON THE NATURE OF THE STRUGGLE AND THE ULTIMATE MEANING OF THE OLD MAN AND THE SEA. The letter, written on Hemingway's Finca Vigia (Cuba) letterhead and dated April 19, 1959, is Hemingway's response to an inquiry from an Israeli boy, Tsur Bernstein, who asks Hemingway to settle a disagreement between him and his scoutmaster. Bernstein writes, in part: Dear Mr. Hemingway. I am writing to you, to ask you to be a judge between me and a friend of mine. We have had an argument about The Old Man and the Sea, and were not able to come to any conclusion. I am a member of the Scout movement in Israel... The two main points which [my scoutmaster] emphasizes are socialism and natural life. My scoutmaster is quite literary and he talked about "The Old Man and the Sea as an example of a struggle against nature." He wanted to show the struggle of the idealized Old Man as a symbol of an ideal struggle. He then concluded that the ideal man, and the ideal struggle, are to be found only when fighting against natural forces. To this point I objected. I did not agree with him that the fish symbolizes merely a natural force. I said that the fish represents anything which man fights against, no matter where it is. The main point is not the thing one fights against but the struggle itself, and there-fore it is not important if it is against nature, or anything else. We argued and argued, and at last came to a point at which we both had said all that we had to say, and we were both still unmoved. Therefore I have decided to ask you, as a dependable source, to decide who, if any of us, is right. I realize how busy you are, but would be grateful if you could take the time to answer this letter... To which Hemingway responds: Dear Mr. Bernstein: About the Old Man and the Sea you are correct. The scoutmaster has a point though because that is what it seems. But it goes far beyond that and means the fight as a fight. Thank you for writing. Your friend Ernest Hemingway [signed] Note: Bernstein's letter, as well as the original envelope Hemingway addressed to Berstein (postmarked "Habana, Cuba") are included. One 8.5x11 in. sheet on Hemingway's onion-skin "Finca Vigia" letterhead. San Francisco de Paula, Cuba: April 19, 1959. Regular mailing folds, otherwise fine. WITH: Tsur Bernstein's original letter and the original envelope addressed and sent by Hemingway. Housed in custom folder. Hemingway letters commenting on the meaning of his own work are EXTREMELY RARE.

      [Bookseller: The Manhattan Rare Book Company]
 31.   Check availability:     Biblio     Link/Print  


        Autograph letter signed ("Miró"). New York, 6. IV. 1959.

      1959. 4to. 1 p. With envelope. To Nelson Fuqua: "Mon cher ami, Je suis profondément touché pour toutes les démarches que vous avez faites pour nous à Chicago. J'ai été tellement bouleversé par ce séjour en Amérique et débordé par tout, que vous avons fais le projet de rester à New York cette fois-ci et de revenir l'hiver prochain pour voyager. A ce moment nous viendrons à Chicago ma femme et moi. Nous espérons avoir le plaisir de vous rencontrer à Paris au début juin. Merci encore de tout cœur; Avec tout ma plus sincère amitié [...]". - On headed paper of Gladstone, New York.

      [Bookseller: Antiquariat Inlibris]
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        Inventario privato

      Veronelli Editore,, I gemelli, 1959. Brossura (wrappers) Prefazione di Giacomo Zanga. Con 5 disegni su fondo seppia di Alberto Casarotti. 8vo. pp. 50. Ottimo (Fine). Prima edizione (First Edition).

      [Bookseller: Studio Bibliografico Marini]
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        Dents de lait Dents de Loup

      P. Pierre de Tartas 1959. In-folio en feuilles sous chemise et étui de l'éditeur. 13 gravures sur cuivre dont une sur la couverture et 2 en couleurs de Jacques VILLON. Tirage limité à 200 exemplaires. Un des 50 sur grand vélin de Rives avec une suite des 2 doubles planches.

      [Bookseller: Librairie In-Quarto]
 34.   Check availability:     Livre-rare-book     Link/Print  


        A Medicine for Melancholy

      Doubleday & Company, Inc. New York 1959 - First Edition, First Printing with the words "First Edition" printed on the copyright page. This book is SIGNED and INSCRIBED by Ray Bradbury on the front endpaper. A wonderful copy. This ORIGINAL First Issue dustjacket has the publisher's $3.75 printed price present on the front flap with minor wear to the edges. The book is in excellent condition. The binding is tight with NO cocking or leaning and the boards are crisp. The pages are clean with NO writing, marks or bookplates in the book. A superb copy SIGNED by the author. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Quintessential Rare Books, LLC]
 35.   Check availability:     AbeBooks     Link/Print  


        Joan Miró.

      Lund Humphries, London 1959. 159 pp.+ 68 colourplates, richly illustrated in colour and b/w, with 8 mounted colour plates, bound in nice brown half morocco, signed Petersen & Petersen. Artistic dedication to Niels Randkaer from Joan Miro on flyleaf. 16071439

      [Bookseller: Andersens Antikvariat]
 36.   Check availability:     Antikvariat     Link/Print  


        Autograph postcard signed and 2 postcards signed. Cortona and Venice, 1959-1967.

      1959. Oblong 8vo. Altogether 3 pp. With one envelope. To Mr. and Ms. Julien Cain: "Bien à vous. Merci à bientôt | Marc Chagall", followed by some autogr. lines and signature of Aimé Maeght and his wife (Venice, [12. IX. 1960]. - The two other cards were written and signed by Vava, and signed by Chagall ("Marc").

      [Bookseller: Antiquariat Inlibris]
 37.   Check availability:     maremagnum.com     Link/Print  


        Hawaii [Limited Edition, Signed]

      New York: Random House, [1959]. First Edition. Limited to 400 copies of which this is no. 228. Thick octavo (22.25cm.); original brown cloth, gilt-lettered spine, pink topstain, in tan paper-covered slipcase, printed paper labels mounted to both panels and spine; [12],937pp.; color map endpapers, genealogical chart provided at end. Front hinge starting to crack, minor wear to preliminaries, else Very Good to Near Fine. Slipcase a bit shelf-worn and slightly soiled, else Very Good. Signed by the author on colophon.

      [Bookseller: Lorne Bair Rare Books]
 38.   Check availability:     Biblio     Link/Print  


        Hawaii

      New York: Random House, 1959 - First Edition; limited issue; one of 400 numbered copies signed by Michener. Fine in original acetate dust jacket and in the publisher's slipcase, which is stained. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Peter L. Stern & Co., Inc., A.B.A.A.]
 39.   Check availability:     AbeBooks     Link/Print  


        Spleen et idéal

      Paris, Vialetay, 1959 In-4 (39cm x 28,5cm) de [6ff.], 192pp. 15 gouaches originales peintes hors-texte et 20 in-texte par Dan Solojoff. Ouvrage tiré à 67 exemplaires dont un unique sur parchemin, 10 sur Japon, 39 sur Rives, 10 destinés aux collaborateurs et 7 aux bibliophiles étrangers. En feuilles, sous couverture illustrée, rempliée et emboîtage. Un des 10 exemplaires destinés aux collaborateurs (N°VI), enrichi d'une belle aquarelle originale de l'artiste avec dédicace : "Hommage de l'artiste [Signature]" Bel exemplaire, frottements épars sur l'emboîtage dont la face avant est passée, couverture en bel état, intérieur en très bel état, frais.

      [Bookseller: Librairie Eppe Frères]
 40.   Check availability:     Livre-rare-book     Link/Print  

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