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Displayed below are some selected recent viaLibri matches for books published in 1959

        West African market literature: A collection of 30 examples

      [Mostly Onitsha]: Various Publishers, 1959-1970s. Uniformly very good or better in stapled, printed wrappers.. Various printings. 30 slim octavo pamphlets. An excellent, representative sampling of the popular literature that flourished in West African market stalls in the 1960s and 70s, most of it characterized by sensational (and even slightly prurient) content, rustic production values, and a disarmingly naive (to an American reader's eyes at least) approach to its subject matter. More information on request.

      [Bookseller: Harper's Books, Inc.]
 1.   Check availability:     Biblio     Link/Print  

        West African market Literature: A collection of 30 examples

      [Mostly Onitsha]: Various Publishers 1959-1970s - Various printings. 30 slim octavo pamphlets. An excellent, representative sampling of the popular literature that flourished in West African market stalls in the 1960s and 70s, most of it characterized by sensational (and even slightly prurient) content, rustic production values, and a disarmingly naive (to an American reader's eyes at least) approach to its subject matter. More information on request. Uniformly very good or better in stapled, printed wrappers.

      [Bookseller: Harper's Books, ABAA]
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        Arabian Sands (Signed By The Author)

      The First UK Printing published by Longmans (UK) in 1959. The BOOK is in near FINE condition. Light pushing to the spine ends. Mild toning to the spine. The usual light offsetting and spotting to the prelims and rear end papers. Text-block lightly toned. Christmas gift inscription to the front end paper. The recipient being Robin Hodgkin, the noted Educationalist and Mountaineer. Pages remain clean. Map present and complete in the rear end pocket as called for. The WRAPPER is complete and is in Very Good++ condition. Mild edge-wear with some creasing and rubbing along the folds and edges in places. Slight dulling of the red titling to the spine but much better than usually encountered. Light soiling to the rear panel. The wrapper looks very attractive in the removable Brodart archival cover. The book has been Signed without dedication to the title page by the author. This was Thesiger's first book and 'and, in his opinion, his finest' (ODNB). Scarce with such attributes.

      [Bookseller: Ashtonrarebooks]
 3.   Check availability:     PBFA     Link/Print  

        Raise High the Roof Beam, Carpenters and Seymour An Introduction

      Little, Brown & Co, New York 1959 - Quality copy of this reclusive author's fourth book. 8vo 5.25" x 8" pp. [2] 3-248. Includes the misspelling of "Sey-more: for Seymour on page 173 that was identified in the Little Brown proof copy and was supposed to be corrected in the second printing of the First Edition. This book has the dedication page tipped in after copyright page and before the title page for "Raise High the Roofbeams." though copyright page says (1957, 1959) book actually came out in 1963. Author's last published authorized book in his lifetime. Previous owner name in pen on FFE, DJ has minute spot on front cover, chipping of beige color at top of spine. If you cannot own a FE of "Catcher in the Rye", then this book will bring great cache to your shelf. "My last guest had evidently let himself out of the apartment. Only his empty glass, and his cigar end in the pewter ashtray, indicated that he had ever existed. I still rather think his cigar end should have been forwarded on to Seymour, the usual run of wedding gifts being what it is. Just the cigar in a small, ice box. Possibly with a blank sheet of paper enclosed, by way of explanation," (p 107]. Dark gray cloth with gold on spine having minimal fading [Attributes: First Edition; Hard Cover]

      [Bookseller: Montgomery Rare Books & Manuscripts]
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        But He Doesn't Know the Territory

      G.P. Putnam's Sons, New York 1959 - SIGNED AND INSCRIBED BY AUTHOR on front endpage -" For Kent Cooper- My dear friend- the kind of friendship it is always rewarding to meditate on. affectionately Meredith Wilson (followed by Wilson's hand-drawn bar of music) Nov. 4th, '59 ". A wonderful inscription and Association Copy, Kent Cooper is best known for transforming the Associated Press ( where he served as general manager and executive director in a career spanning over 40 years) into the world’s largest international news cooperative. A shrewd and innovative journalist, Cooper pioneered many of the publishing techniques that are still used today. Very Good Plus, endpages lightly foxed and age toned, in a Very Good dustjacket, tiny hole at front spine fold, small chips and tears at spine and flap folds, bottom corner front flap price-clipped. . [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Dale Steffey Books]
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        Costruire - Anno I - n. I Rivista di architettura e tecnica

      Edizioni Andil, ROMA 1959 - ITALIANO Brossura editoriale in cartoncino flessibile plastificato. Copertina illustrata. Pagine in buonissimo stato. Ricco di fotografie a colori e in nero e planimetrie in nero, nel testo e fuori. [Attributes: Soft Cover]

      [Bookseller: Biblioteca di Babele]
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        Voyelles, 5 incisioni di Luigi Veronesi

      Milano Dante Bertieri 1959 in-folio en feuilles Milano, Dante Bertieri, 1959. 39,5 x 27,5 cm, in-folio, 1 f. bl. - 5 ff. n. ch. portant 5 gravures en couleurs à pleine page - 1 f. bl. , en feuilles sous couverture beige imprimée et illustrée. Tirage unique à 300 exemplaires, tous sur papier des papeteries Filippo Milano à Amalfi (n° 127). De la bibliothèque rimbaldienne de Claude Jeancolas, avec son ex-libris collé au premier feuillet blanc et deux autres ex-libris volants. Le peintre, cinéaste expérimental et décorateur de théâtre milanais Luigi Veronesi (1908-1998) fit partie de la première génération des peintres abstraits italiens. Il adhéra dès 1934 au groupe "Abstraction-Création" puis, après guerre, au groupe "MAC - Movimento Arte Concreta" de Milan. Le texte et le poème de Rimbaud sont en français, non traduits. Mouillure au milieu du dos de la couverture, également partiellement brunie, légères ombres des gravures. (inconnu de Monod) Bon

      [Bookseller: Julien Mannoni livres anciens]
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        The Menace from Earth.

      New York: The Gnome Press, Inc., 1959 - Octavo. Original black cloth, titles to front board in yellow, to spine in silver and yellow, yellow endpapers. With the pictorial dust jacket. Contents toned, jacket with two tiny nicks to top edge, otherwise a fine copy. First edition, first printing, signed by the author on the front free endpaper, of this collection of eight of Heinlein's science fiction short stories. The first UK edition was not published until 1966. Rare signed. [Attributes: First Edition; Signed Copy]

      [Bookseller: Peter Harrington. ABA member]
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        Starship Troopers

      G.P. Putnam's Sons 1959 - G.P. Putnam's Sons, New York 1959. First Edition / First Printing. Dated 1959 with no additional printings. Blue cloth boards. Rare Book. Book Condition: Very Good+, sunning at the spine, spots on the boards. Name and address stamped at the endpaper. The dust jacket is not present. [Attributes: First Edition; Hard Cover]

      [Bookseller: 1st Editions and Antiquarian Books]
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        France [10 lithographies originales hors texte de Carzou]

      Paris: Joseph Foret, 1959. Livre. Illus. by Jean Carzou. Très bon. En Feuilles. Edition originale. In-folio. Paris, Joseph Foret, 1959. 41,5 x 33,5 cm, in-folio, 98 (5) pp. - 10 lithographies originales en couleurs hors texte, en feuilles sous couverture blanche illustrée de la signature de Carzou, chemise et étui de l'éditeur. Edition originale du texte de Maurois et premier tirage des lithographies de Carzou. Tirage à 237 et quelques exemplaires, celui-ci l'un des 50 sur Rives B. F. K. accompagnés d'une SUITE en couleurs sur Auvergne à la main (n° 50). Superbes lithographies tirées par Mourlot. Bel exemplaire (étui légèrement affaissé). (MONOD, 7964).

      [Bookseller: Des livres autour (Julien Mannoni)]
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        Satorial Hints for Lunching à la Rose

      N.p.: N.p., 1959. Original illustrated humorous essay by Terry Southern and William Pene Dubois, satirizing (or perhaps elucidating) the dress habits of their distinguished friend, American screenwriter William Rose.Southern and Dubois met in the late 1950s, both under the tutelage of William Styron, while both of them were associated with The Paris Review. During this time William Rose wrote his most famous screenplay, "The Ladykillers" (1955) as well as the British classic, "The Maggie" (1954). He would go on to win an Academy Award for his original screenplay "Guess Who's Coming to Dinner" (1967). 3 leaves, 8 x 10 inches. Ink and colored pencil.

      [Bookseller: Royal Books, Inc. ]
 11.   Check availability:     ABAA     Link/Print  

        Arabian Sands

      London: Longmans, Green and Co, 1959. First edition of the author's masterpiece. Octavo, original cloth. Signed by Wilfred Thesiger on the title page, with a contemporary signature. An excellent example in a near fine dust jacket with some rubbing to the extremities. Map unopened in the inside pocket of the rear pastedown. Though educated at Eton and Oxford, Wilfred Thesiger was repulsed by the softness and rigidity of Western life-"the machines, the calling cards, the meticulously aligned streets." In the spirit of T. E. Lawrence, he set out to explore the deserts of Arabia, traveling among peoples who had never seen a European and considered it their duty to kill Christian infidels. His now-classic account is invaluable to understanding the modern Middle East. "Following worthily in the tradition of Burton, Lawrence, Philby and Thomas, [Arabian Sands] is, very likely, the book about Arabia to end all books about Arabia" (The Daily Telegraph, London).

      [Bookseller: Raptis Rare Books]
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        François d'Assise

      1959. Flammarion, Paris 1959, 12x19cm, broché. - Flammarion, Paris 1959, 12x19cm, broché. - Edizione di carta corrente. Eccezionale dedica autografa firmata dall'autore, a piena pagina, al suo amico Maurice Martin du Gard. Nizza copia. [FRENCH VERSION FOLLOWS] Edition originale sur papier courant. Exceptionnel envoi autographe signé de Joseph Delteil, à pleine page, à son ami Maurice Martin du Gard. Bel exemplaire.

      [Bookseller: Librairie Le Feu Follet]
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        Los Jefes

      Rocas, Editorial, Barcelona 1959 - PRIMERA EDICIÓN Y PRIMER LIBRO DEL AUTOR. FIRST EDITION & FIRST BOOK OF AUTHOR. Prólogo de Juan Planas Cerda. Colección "Leopoldo Alas" núm 10. Premio "Leopoldo Alas" 1958. MUY BUEN ejemplar, los laboratorios Galup que se encargaron de distrbuirlo en ese mismo año. NO PRESENTA SELLOS NI MARCAS (raro en esta edición pues galup sello la tirada en su distribución). 132pp + ínidce [Attributes: First Edition; Soft Cover]

      [Bookseller: 101PoE]
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        Milano, Italia

      Lerici, 1959. In-4° (292x250mm), pp. 159, (5), cartonatura editoriale con sovraccoperta figurata. Interamente illustrato con 135 fotografie in b.n. di Mario Carrieri, selezionate fra le 3500 scattate entro la cinta daziaria di Milano fra il gennaio e l'agosto del 1958, su pellicola rapidissima 35 millimetri. Ottimo stato. Prima e unica edizione. Direzione grafica di Giulio Confalonieri e Ilio Negri, schema di impaginazione di Giuseppe Trevisani. "At the time he made Milano Carrieri was associated with the italian neo-realist photographers, such as Cesare Columbo and Mario di Biasi, before he went on to become a distinguished photographer of sculpture. He made books of other cities, but none this extreme. Its concentration on the seamier side of life makes Milano one of the most important works of the neorealist tendency of the 1950s" (Parr / Badger). "Volevo produrre una città non riprodurla. Niente "battute fotografiche". Niente formalismo. Niente inchieste. Solo scelta di un linguaggio e di un racconto che stiano al di là della realtà oggettiva: e vengano proposte da una particolare regia, in immagini meno lente possibili. All'origine una sorta di rabbia nei confronti di ciò che è scontato. Il mito della metropoli. Rabbia di fronte alle parvenze e rabbia anche per ciò che già sapevo sulle "tecniche di ripresa" (dal risvolto di sovraccoperta). Parr / Badger, The Photobook: A History, I, p. 214. Italiano

      [Bookseller: Libreria Antiquaria Galleria Gilibert]
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        Mondsand. Gedichte und 7 Originalradierungen (von der ungestählten Platte).

      Neske, Pfullingen: 1959 - Pfullingen: Neske 1959. Lex.-8°. 37 ungez. Bl., Leinen in Schuber (im Impressum signiert; gut erhalten) Vorliegend Nr. 108 von 333 gedruckten Exemplaren. (im Impressum signiert; gut erhalten) [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Bücher Eule]
 16.   Check availability:     ZVAB     Link/Print  

        La Pittura Cinese.:

      No.371 of an edition limited to 750., [Rome]: Istituto Poligrafico dello Stato 1959 - First edition Two volumes, folio, pp.viii, 337; 588 plates.

      [Bookseller: John Randall (Books of Asia), ABA, ILAB]
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        Dents de lait, dents de loups.

      Paris Pierre de Tartas 1959 1 in-folioParis, Pierre de Tartas, 1959, in-folio, en feuilles, sous couverture, étui toilé beige. Le peintre-graveur Jacques VILLON illustre de compositions sur cuivre ces poèmes d'Henri Pichette. Ce livre, d'Henri Pichette, est une invitation à mordre la vie à pleine dents. La rime finale du poème "Vivre" martèle "Oh ! La la ! Faisons risette ! Esclaffons-nous ! Montrons les dents ! Mourons de rire !" Le tirage des compositions de Jacques VILLON, gravées sur cuivre par l'artiste en collaboration avec Fiorini, a été confié à Georges Leblanc. Le texte a été composé à la main en Garaldus de corps vingt par André Dérue qui en assura le tirage sur ses presses. Ouvrage orné de 13 gravures (dont la couverture), 4 sont sur double page dont 2 sont en couleurs. Edition originale et premier tirage. Tirage limité à 211 exemplaires numérotés. Exemplaire justifié par l'artiste, l'auteur et l'éditeur. Dans la suite des 13 planches, 11 sont sont vélin d'Arches et 2 sur vélin nacré. Petites usures et salissures à l'emboîtage, infimes salissures internes (Monod 9096).

      [Bookseller: Librairie Chrétien]
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        El albergue de la sexta felicidad (La historia heroica de Gladys Ayward)

      G.P, 1959. Paperback. Used; Acceptable. Paperback; Spanish language; a worn but readable copy; text in Spanish; spine torn along bottom; cover torn along inside edge. Your book will be securely packed and promptly dispatched from our UK warehouse. All international orders are sent Royal Mail airmail.

      [Bookseller: Sunrise Books Ltd]
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        The Heart of Hebrew History (Eleventh Printing)

      Hardcover. B008G2TNIE HB, 1959, 11th print. Ships next day. Book is in fair shape, no tears or highlighting, has a little stain on the cover and right edge, has a little pencil marking, a little general wear, from a smoke-free environment. Items are typically shipped in a plastic bag, in a cardboard cradle, in a manila envelope. Most of my customers rave about my packaging. All US items are shipped with delivery confirmation, if you require this, please let me know. . Fair.

      [Bookseller: Tulsabookfinder]
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        The Case of the Waylaid Wolf (Inscribed Association copy)

      New York: William Morrow & Co, 1959. First Edition. Hard Cover with Dust Jacket. Fine/Fine. Octavo. Gardner's 100th book! SIGNED AND INSCRIBED BY ERLE STANLEY GARDNER TO HIS NIECE NORDIE "WITH ALL THE BEST FROM UNCLE ERLE" ON THE FEP. Fine in a fine pictorial dust jacket, by H. Lawrence Hoffman. 247 pp.

      [Bookseller: Charles Parkhurst Rare Books, Inc. ]
 21.   Check availability:     ABAA     Link/Print  

        Cider with Rosie

      London: Hogarth Press, 1959. First issue, containing the passage describing the local fire-prone piano works (p. 272), subsequently supressed. [4] blank, [1] half-title, 284 pp. 1 vols. 8vo. Green cloth. Fine in pictorial dust jacket designed by John Ward. First issue, containing the passage describing the local fire-prone piano works (p. 272), subsequently supressed. [4] blank, [1] half-title, 284 pp. 1 vols. 8vo. The first volume of Lee's autobiographical trilogy.

      [Bookseller: James Cummins Bookseller]
 22.   Check availability:     Biblio     Link/Print  


      Simon and Schuster, New York 1959 - First edition, inscribed by Avedon to his apprentice Ann Marie O'Connor facing the title page. The slipcase is a bit worn and rubbed at the edges. but overall very good. Some spotting to the boards and the edges lightly rubbed, the contents is fine. A scarce signed copy of Avedon's landmark work. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Broadford Books]
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        Observations Comments by Truman Capote

      Simon & Schuster. Very Good with no dust jacket. 1959. First. Hardcover. Boards very clean, corners sharp and inner pages unmarked. Acetate cover in fair condition, 2" tear to upper rear cover, 1" at bottom rear cover, small closed tears to flap ends. Slipcase shows 1/2" crack to upper rear corner. Light shelfwear to remaining corners, light rubbing and soiling to front and back. Bright, clean Gravure plates featuring: Pablo Picasso, Andre Gide, The Duke and Dutchess of Windsor, J. Robert Oppenheimer, Alfred Hitchcock, Jean Cocteau, Mae West, Marilyn Monroe. Please Note: This is a large, heavy volume and will require extra postage for international delivery. ; 14.90 X 11 X 1 inches; 152 pages .

      [Bookseller: Books On The Boulevard]
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        Les femmes et l'amour

      - Le livre contemporain, Paris 1959, 14,5x22cm, en feuilles sous chemise et étui. - Prima edizione, uno dei 100 numerate su carta di lusso, solo carta di grandi dimensioni. indietro insolated della camicia, bella copia. - [FRENCH VERSION FOLLOWS] Edition originale, un des 100 exemplaires numérotés sur papier de luxe, seuls grands papiers. Dos de la chemise insolé, agréable exemplaire.

      [Bookseller: Librairie Le Feu Follet]
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        Live and Let Die

      London: Jonathan Cape. 1959 - Hardcover reprint. AN INSCRIBED ASSOCIATION COPY. Publisher's black, gilt-embossed cloth-effect paper over boards, in purple dustwrapper. Minor wear, a little bumped, jacket with some wear to extremities, rubbed to joints. Very good. SIGNED by the author to the flyleaf. This copy is from the library of Stan Meyer, with his ownership plate to the endpaper. Meyer was the film producer responsible for 'Dragnet', the most successful police series on US television, and had an interest in acquiring the early James Bond titles for the big screen. Fleming first met him in August 1954 and presented an inscribed American first edition of Casino Royale (this copy previously sold through our offices). Although no film deal was forthcoming, the pair became friends and a character in the third book 'Moonraker' (Drax's card-playing partner Max Meyer), was named in his honour. They kept in contact and Meyer received several signed Fleming titles over the next few years. An important copy. See Gilbert, Jon; Ian Fleming: The Bibliography, pages 47, 90, 666. [Attributes: First Edition; Hard Cover]

      [Bookseller: Adrian Harrington Ltd, PBFA, ABA, ILAB]
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      London: Weidenfeld and Nicolson, , 1959. Octavo. Finely bound by The Chelsea Bindery in black morocco, titles and decoration to spine gilt, raised bands, single rule to boards, twin rule to turn-ins, burgundy endpapers, gilt edges. A fine copy. First UK edition.

      [Bookseller: Peter Harrington]
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        Bouts de Bois II. Les livres de Louis Jou.

      Les Baux de Provence, 1959 (achevé en 1960) ; in 4° en feuilles sous couverture beige rempliée, titre gravé sur fond de feuillage tiré en noir et ocre-jaune, second plat : marque de Louis Jou ; dos : titre en long, tiré en rouge, étui ; 22 cahiers, soit 88 feuillets dont 22 pages avec une gravure, 30 avec deux gravures, 7 avec trois gravures, 13 avec quatre gravures, soit cent cinquante cinq bois gravés, tiré recto seul ; titre, faux titres, Préface et colophon illustrés, les deux premiers et les deux derniers feuillets blancs. Edition originale avec un envoi autographe signé de l'auteur, tirage à 55 exemplaires dont 5 sur Japon à la forme, celui-ci N°6 des 50 sur vergé de Montval. "Deuxième recueil de bois gravés : recherches, essais et planches non retenues. On remarquera plusieurs études pour le Saint François alors en gestation, ainsi qu'un très bel autoportrait" (André Feuille - 123). Egalement une suite de gnomes, un usurier méfiant, et quelques curieux Christ. Bel exemplaire. On ajoute le feuillet de souscription avec en-tête, un autoportrait de Louis Jou gravé sur bois.

      [Bookseller: Librairie Ancienne Clagahé]
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        Air France. Rome

      Perceval. Paris. 1959. - Color poster, lithograph, 39 1/4 x 24 3/4 inches (100 x 63 cm). Professionally mounted on linen. A few edge tears at top up to 1 1/2 inches, now all minimized. Striking, surreal image with brilliant color by Nathan. Printed by Perceval.

      [Bookseller: old imprints ABAA/ILAB]
 29.   Check availability:     AbeBooks     Link/Print  

        Air France. near east.

      Air France. 1959. - Vintage lithographic color poster, 39 1/4 x 24 1/4 inches. Professionally conserved with all short edge tears now mended and minimized, one to two pinholes in each corner, some soft creases from rolling, horizontal crease to lower edge just below title; very good, bright condition. A wonderful decorative poster by Eric featuring an image of a hookah, in the main part of which is a Middle Eastern collage view of mosques etc. "Ref. 21344/P.6-59" printed at lower left corner, "Bedos & Cie-Imp-Paris" printed at mid lower edge, "Printed in France" at lower right corner. [Attributes: Soft Cover]

      [Bookseller: old imprints ABAA/ILAB]
 30.   Check availability:     AbeBooks     Link/Print  

        Anni Albers, »Runner«.

      - Ein fantastisches Sammlerstück für Ihr Zuhause: Visuell und haptisch ein herrliches Stück, stammt die Komposition »Runner« aus der Hand der sicherlich berühmtesten Textilkünstlerin und Protagonistin des Alltagsdesigns im 20. Jahrhundert, Anni Albers. Ursprünglich im Jahr 1959 als Tischläufer konzipiert, ist die Umsetzung als Wollteppich grandios gelungen! In enger Zusammenarbeit mit der Anni und Josef Albers Stiftung und durch diese authorisiert, wurde das Werk, welches Anni Albers' Drucktätigkeit der späteren Jahre anklingen lässt, in das Medium Teppich überführt. Überaus akribisch wurde an der Übereinstimmung mit dem Original gearbeitet, um eine höchst mögliche Übereinstimmung zu gewährleisten, die Limitierung auf 150 Exemplare kommt dem ebenfalls entgegen. Die manuelle Produktion des Teppichs in Indien, Nepal oder Pakistan erfolgte unter besonderem Augenmerk auf ethische Grundsätze, vor allem in Hinsicht auf Arbeitsbedingungen, Entlohnung und Kinderschutz in den traditionellen Knüpfbetrieben der jeweiligen Region und in den beteiligten Familien. Es versteht sich von selbst, dass das Material vollkommen unbelastet ist und die Wolle nur mit Pflanzen gefärbt wurde. Ein wertiges und einnehmendes Stück angewandte Kunst, ein kleiner, privater Kunstgenuss für jeden Tag! 275 x 75 cm, 100% Wolle handgeknüpft, limitierte Edition (150 Expl.), mit Echtheitszertifikat, aufwändig verpackt, mit »Care & Fair«-Label.

      [Bookseller: Frölich und Kaufmann]
 31.   Check availability:     ZVAB     Link/Print  


      London: Jonathan Cape, 1959. - First Impression, First Issue, Binding A. Octavo, pp.318. Publisher's black cloth-effect paper over boards with 'skull' design stamped to upper, in original pictorial dust-wrapper designed by Richard Chopping. The EARLIEST STATE of the binding blocked with extra detail to the skull. Housed in a quarter leather box. An exquisite copy, in truly fine condition. Gilbert A7a (1.1) [Attributes: First Edition; Hard Cover]

      [Bookseller: Adrian Harrington Ltd, PBFA, ABA, ILAB]
 32.   Check availability:     IberLibro     Link/Print  


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