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Displayed below are some selected recent viaLibri matches for books published in 1957

        "Sabbataï Zevi, le Faux Messie" Fresque lyrique en 1 Prologue et 4 Actes de Nathan Bistritzky Rédaction pour chant et piano Durée: env[iron] 2'h. 15.'' Piano-vocal score of the opera. Autograph musical manuscript signed in full and dated on the last page of music "Paris, 1958"

      Folio (349 x 270 mm). Unbound. 6 signatures of 6 bifolia and 1 signature of 4 bifolia wrapped in another bifolium protected by onionskin paper, all wrapped in blank bifolium of 20-staff music paper. 1f. (title), [i] (second title, cast list, and contents), [i] (historical background), 180, [iv] (blank) pp. Notated in blue and black ink on pre-printed 16-staff music paper with blindstamp of Edition Max Eschig, Paris. Marks in blue ink written over (i.e., reinforced) in black ink in front matter and through p. 11; only blue ink from p. 12. Date to upper right corner of p. 1: "1957-58." Date and signature to end of score: "Alexandre Tansman Paris 1958." Durations marked throughout. The overall duration as given on the title (repeated on the second title and at the end of the score) is to be read as "2 hours 15 minutes." Autograph corrections, some major, in both ink and pencil. Directions to engraver in pencil. Performance-related annotations in various hands in red, blue, and graphite pencil. Cues for entrances of characters and chorus marked in red pencil. Slightly worn; occasional staining, especially to p. 162. Together with: Sabbataï Zevi, le faux Messie. ChÂœurs (chantés et parlés). [Choral score.] Large folio (375 x 278 mm). Stapled. 17, [iii] (blank) pp. Facsimile of autograph manuscript. Copyright note of Editions Max Eschig, Paris, dated 1961, to foot of first page. Creased; rippled; frayed at upper edge. . Sabbataï Zevi is the fourth of Tansman's seven operas. The opera received a concert performance on March 3, 1961, at the Théâtre des Champs-Élysées in Paris, but has apparently never been staged. Max Eschig, Paris, published a piano-vocal score in 1966. The choral score accompanying the present autograph was most probably created for the 1961 production of the opera. The composer considered Sabbataï Zevi the best of his operas. Like many of Tansman's later works it is based on a distinctly Jewish subject. "... Tansman was a French composer and pianist of Polish birth... Disappointed with his reception in Poland, he moved to Paris, giving a début recital in February 1920. Soon after his arrival, he became friendly with Stravinsky and Ravel, both of whom encouraged and advised him... Acquainted with many leading musical figures in Paris during these years, Tansman was part of the circle of foreign musicians, known as the Ecole de Paris, that included Martin , Alexander Tcherepnin, Conrad Beck and Marcel Mihalovici. While his music retained many distinctively Polish features, such as Mazurka rhythms and Polish folk melodies, and while he wrote collections of Polonaises, Nocturnes, Impromptus, Waltzes and other Chopinesque miniatures, neo-classical traits appear in works [from about 1925]... Although he never completely abandoned a diatonic framework, critics of the 1920s and 30s described his harmony at times as Scriabinesque and atonal... Tansman was quick to achieve international success... He settled in Los Angeles in 1941 where he became acquainted with Schoenberg, renewed friendships with other European émigrés, including Milhaud and Stravinsky, and composed a number of film scores. He returned to Paris in 1946." Caroline Rae in Grove Music Online. "Tansman was as adept at writing in C major as he was at composing serially and he made use at different times of atonality and polytonality. The music of his opera Sabbataï Zevi (1953-9), which tells of the rise and fall of the 17th-century mystic, is post-tonal in style." Anne Giradot and Richard Langham Smith in the New Grove Dictionary of Opera.

      [Bookseller: J & J Lubrano Music Antiquarians LLC]
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        Theory and History: An Interpretation of Social and Economic Evolution

      New Haven: Yale University Press, 1957. First Edition. Hardcover. Very Good. First edition. 384 p. Navy cloth with gilt lettering on spine.. Near Fine in Good dust jacket. Light soiling to top edge, wear to tips. Jacket price-clipped, chipped at head, lightly toned at spine panel, insect nibbled along edges (especially back panel fore edge). An uncommon work from the Austrian philosopher and economist.

      [Bookseller: Burnside Rare Books]
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        The Albatross

      New York: Coward-McCann. (1957). First. First edition. Ownership signature on the foredge and corners bumped, thus very good in very good dustwrapper with small chips and tears. Warmly Inscribed by the author in the year of publication. A reasonably nice copy of a book notorious for its poor condition. A classic collection that includes a novelette and nine stories. Very uncommon signed. Queen's Quorum. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Sammlung naturkundlicher Tafeln. 7 Kassetten und ein Leinenband: Kräuter und Stauden, Bäume und Sträucher, Säugetiere, Insekten, Vögel, Pilze, Mineralien (komplett).

      Hamburg, Kronen-Verlag.. Hier das vollständige Werk in sehr gutem Zustand. Die Kassetten enthalten lose Tafeln mit hervorragenden Abbildungen und erläuterndem Text auf der Rückseite. / Kräusel, Merxmüller, Nothdurft: Mitteleuropäische Pflanzenwelt, Kräuter und Stauden (2. Auflage 1957). 168 Tafeln in 6 - 8farbigem Offsetdruck, Textheft (32 Seiten). / Kräusel, Merxmüller, Nothdurft: Mitteleuropäische Pflanzenwelt, Sträucher und Bäume (2., unveränderte Auflage 1960). 144 Tafeln in 7 - 9farbigem Offsetdruck, Textheft (24 Seiten). / Mohr, Haltenroth: Säugetiere (2., unveränderte Auflage 1958). 192 Tafeln in 7 - 8farbigem Offsetdruck, Textheft (19 Seiten). / Engel, Brandt, Engelhardt, Forster, Francke-Grosmann, Franz, Kühlhorn, Weidner: Mitteleuropäische Insekten, anhangsweise Spinnentiere und Tausendfüssler (2., veränderte und verbesserte Auflage 1961). 192 Tafeln in 7 - 9farbigem Offsetdruck, Textheft (36 Seiten). / Heinroth, Steinbacher: Mitteleuropäische Vögel (1. Auflage 1962; ersetzt die Ausgaben der "Mitteleuropäischen Vogelwelt" dieser Reihe, aus der nur wenige Tafeln übernommen wurden). 208 Tafeln in 6 - 8farbigem Offsetdruck, Textheft (24 Seiten), Namenverzeichnis (11 Seiten). / Poelt, Jahnr: Mitteleuropäische Pilze (1. Auflage 1963). 188 Tafeln in 6 - 8farbigem Offsetdruck, Textheft (72 Seiten). / Schröcke, Weiner: Mineralien (1. Auflage 1969). 162 Tafeln in 7 - 9farbigem Offsetdruck, Textheft (71 Seiten) und Schröcke, Weiner: Mineralien. Ergänzender Textband zum Tafelwerk (1. Auflage 1972). V + 309 Seiten mit 165 Abbildungen im Text. Format aller 8 Teile: Ca. 29 cm x ca. 21 cm, zusammen ca. 47 cm stark, ca. 19 kg schwer. Einheitliche dunkelgrüne Leineneinbände mit goldgeprägtem Rückentitel.. Sehr schöne Exemplare: nahezu nicht berieben oder bestoßen. Keine Einträge. Papier nicht gebräunt, keine Flecken. Bindung sehr gut und fest (Texthefte, Leinenband). Zustand I (deutsche Schulnotenskala), nahezu neuwertig. Auf Wunsch senden wir Ihnen gerne per E-Mail Fotos des Werkes zu.

      [Bookseller: Antiquariat Lycaste]
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        España Tipos y Trajes. Con 280 láminas en huecograbado y 34 planchas en color.

      1957. Ed. Publicaciones Ortiz Echagüe. 1957 - Imp. Huecograbado Arte/La Editorial Vizcaína. Bilbao. Décima edición. 1 Vol. . 274 lám. Folio. Plena Piel. Folklore / Etnografía / Indumentaria , Local España (España) . Edición del propio José Ortiz Echagüe realizada en 1957 que se acompañó de fotograbados impresos y cuatricomías fuera de texto. Algunos ejemplares fueron encuadernados artesanalmente en el taller de Messeguer de Barcelona, con una decoración de abanicos y dorados en ambos planos, como es el presente. .

      [Bookseller: Librería Anticuaria Astarloa]
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        El Fantasma

      Buenos Aires, Argentina:: Sociedad De Bibliófilos Argentinos,, 1957.. Edition of 10. 9.25 x 12.25"; 76 pages. Illustrated with four color lithographs by Raoul Veroni. Printed in the Francisco Colombo publishing house. Letterpress printed on Charter Eggshell. Text in Spanish. Paper wraps. Ral Veroni: "The fifth volume of the series edited by the Argentine Society of Bibliophiles. This one is unnumbered as it is one in Raoul Veroni's personal collection." Roberto Jorge Payró was a writer and journalist from Argentina. This is a reprint of "The Ghost," a short story from his series of accounts published under the name of Pago Chico.

      [Bookseller: Vamp & Tramp, Booksellers, LLC]
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        Chagall

      CHAGALL by Lassaigne. Paris, Maeght, 1957 Volume In-4°, First Edition. With 15 original lithographs in color and black & white, including cover, title page, and 4 double pages fold-out, all printed by Mourlot. Text in French, the book also includes many color reproductions and drawings in facsimile. In very good condition, complete of original protective glassine. Ref: Cramer 34

      [Bookseller: Marninart, Inc (ABAA-ILAB)]
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        Through the Gates of Splendor

      New York: Harper & Brothers, 1957. First edition of the author's classic first book. Signed by Elisabeth Elliot on the title page. Octavo, original half cloth. Near fine in very good dust jacket with some wear and tear. Uncommon signed. The title of the book is derived from the fourth stanza of the hymn "We Rest on Thee". This hymn was famously sung by the missionaries before the men left for Huaorani territory in January 1956. The lines read: "We rest on Thee, our Shield and our Defender. Thine is the battle, Thine shall be the praise; When passing through the gates of pearly splendor, Victors, we rest with Thee, through endless days.

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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        From Russia, With Love (a James Bond novel)

      London: Jonathan Cape. 1957,, 1957. FIRST EDITION, First Impression, Binding A. Pp.253. Publisher's cloth-effect paper over boards in pictorial dust-wrapper illustrated by Richard Chopping. A used copy but with no significant defects; jacket darkened to spine, rubbed to joints with some chips and tears. Preserved in a clamshell box. This is the personal copy of John Alden, founder and chairman of The Alden Press (Oxford) Limited and is accompanied by a statement to this effect signed by his son and heir. A fine association. Provenance: William Alden, by descent. This is one of a small collection of Alden-printed titles offered directly to Adrian Harrington in late 2012. Gilbert A5a (1.1).

      [Bookseller: Adrian Harrington Rare Books]
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        VØLVENS SPAADOM. Gendigtet fra oldnordisk af Thøger Larsen.

      Kbhvn. 1957. Folio. Med træsnit af Sigurd Vaasegaard. Indbundet ubeskåret i originalt halvlæder af ufarvet nigerskind. Overtrækspapir af klistermarmor udført af Viggo Madsen. Publisher's halfleather, minor defect on dustwrapper nicely restored.. Vasegaard's main work. Limited to 250 copies signed by the artist. The woodcuts are printed directly from the blocks. With the original dust wrappers, minor defect restored in the original slip case. As book artist Vasegaard (1909-67) must be placed among the greatest of his contemporaries. One of the finest illustrated Danish books from the 20th century

      [Bookseller: Peter Grosells Antikvariat]
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        The Picture Story of a Memorable Visit

      [N.p., Washington DC?]: , 1957. Folio (510 × 358 mm). Spiral bound within original green cloth-backed printed buff boards. Profusely illustrated from black and white photographs, text and captions in Arabic and English, title page and section titles - printed on coloured washi paper - in Arabic alone The boards somewhat rubbed and soiled, corners bumped, some chipping at edges, contents clean and sound. First and only edition of this commemorative pictorial souvenir of King Sa'ud ibn 'Abd al-'Aziz Al Sa'ud's official visit to America. Extremely uncommon, just ten locations on OCLC, all in the United States. "The following pages present a photographic portrayal of the visit to the United States of America by His Majesty, King Sa'ud ibn 'Abd al-'Aziz Al Sa'ud at the invitation of President Dwight D. Eisenhower. The visit was prompted by the earnest desire of the two leaders, as men of peace and honor, to agree upon programs and policies which would foster harmony among nations, and serve the well-being of peoples … His Majesty and his party were in the United States only eleven days. But, these were busy, fruitful days, from the morning of January 29, 1957, when a squadron of United States Air Force jet aircraft flew out to sea to meet the liner Constitution, until the morning of February 9, when the President's personal airplane soared away from Washington National Airport … The camera has recorded the highlights of the memorable visit: the full military honors accorded to King Sa'ud upon his arrival in New York, the unprecedented personal welcome by the President in Washington, the meetings at the White House, the conferences with Secretary Dulles and other officials, the discussions with diplomats and statesmen of the Arab countries, the expressions of hospitality - these and other events …" The other officials and dignitaries referred to included Richard Nixon as Vice President, Secretary of State, John Foster Dulles, Charles E. Wilson, Secretary of Defense, Dag Hammarskjold, Secretary General of the United Nations, Krishna Menon, India's permanent representative at the UN, Abdul Khalek Hassuma, Secretary General of the Arab League, Crown Prince Abd-al-llah of Iraq, and the UN General Assembly, and Dr. Ahmad Husain, the Egyptian ambassador. Sa'ud's trip included visits to the Naval Academy at Annapolis, Arlington Military Cemetery, the Washington Islamic Center, and a banquet hosted by Fred A. Davies, chairman of Aramco. The visit was a key element in America's political manoeuvring following the Suez Crisis, designed in large part to prevent Soviet Russia from replacing French and British influence in the region. Sa'ud was persuaded to accept the Eisenhower Doctrine, and $250,000,000 towards his defence budget, and in so doing found himself at odds with the rise of Arab nationalism, and a target for Nasserist calls from Egypt for the removal of the Arab monarchies. Following worsening conflict with his brother Faisal over his indebtedness, and his court's refusal to keep pace with the modernisation of other Arab nations, Sa'ud was forced to abdicate in 1964, going into exile in Geneva. Publication is usually attributed to the US government, but the awkwardness of the English, and the care in the presentation of the Arabic captioning and titles, suggest that it may have been produced in Saudi Arabia with American backing, positive spin at home for a less than triumphant diplomatic foray.

      [Bookseller: Peter Harrington]
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        Five Modern No Plays

      New York: Alfred A. Knopf,, 1957. Translated from the Japanese by Donald Keene. Octavo. Original black cloth-backed red boards, titles to spine in metallic purple, titles, floral decoration and rules to front board in blind, top edge yellow. With the dust jacket. 8 black and white plates. A couple of minor spots to top edge; an excellent copy in the slightly rubbed jacket with a few nicks to extremities. First edition, first printing. Signed by the author on the front free endpaper in English and Japanese.

      [Bookseller: Peter Harrington]
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        Marly-le-Roi

      1957. Oil on canvas, signed "Bemelmans" (lower right); captioned by the artist on verso of canvas. 35 x 26 in. Framed. Oil on canvas, signed "Bemelmans" (lower right); captioned by the artist on verso of canvas. 35 x 26 in.

      [Bookseller: James Cummins Bookseller]
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        The Selected Letters

      New York: McDowell, Obolensky,, 1957. Octavo. Original dark red cloth-blacked off-white boards, titles to spine gilt on dark red ground, white endbands, top edge dark red, buff endpapers. Housed in an off-white slipcase with mounted paper label as issued. Very light scuffing to boards and spine. An excellent copy. Specially bound limited edition, numbered 42 of 75 copies and signed by the author on the limitation page, though the slipcase has number 41: probably a mistake, though it is still possible that the slipcase has been supplied from the preceding copy.

      [Bookseller: Peter Harrington]
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        The Principles and Art of Plastic Surgery

      LITTLE, BROWN & CO, BOSTON/TORONTO 1957 - books in great condition. very good binding. 2 large volumes, bright covers, clean and unmarked, numerous black & white pics, few color pics. Reinforced Slipcase significant wear has clear packing tape on all edges, , creased, worn extremities. Additional shipping will be required. It is historically a very important text He was brilliant for his era and the working conditions he had .and there is NO question he was a pioneer and thoroughly inspired generations of surgeons to follow him. His name would be known by every plastic surgeon on the planet .and his principles SHOULD be know and practised by every plastic surgeon on the planet. He was however a pioneer and achieved a lot. He represents one of the milestones in plastic surgery history. His principles still are relevant today and are still spoken of. They are naturally applied in a different manner given the different knowledge and technology we have. None of his techniques would be directly relevant today !!!! principles and his spirit. Plastic surgeons themselves have a tendency to reflect on the history of their own specialty. DATE PUBLISHED: 1957 EDITION: FIRST ED 652+317 [Attributes: First Edition; Hard Cover]

      [Bookseller: Princeton Antiques Bookshop]
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        Moderne Zeiten" originales Aquarell auf Bütten-Papier ca. 48x31cm; unten rechts monogrammiert und datiert "(19)49"

      - Hermann Schütte, ein zu unrecht Vergessener. Er war Maler, Graphiker und Schriftsteller. Ein junger Wilder, Dadaist, Phantastischer Realist, Surrealist. Mit vielen Großen seiner Zeit bekannt, mit Kurt Schwitters und Heinrich Vogeler befreundet. Zeitlebens ein Schaffender - creo ergo sum! Er rang mit sich und der Kunst, suchte immer neue Gestaltungsmöglichkeiten und -formen. Ein experimentierfreudiger und unabhängiger Geist, nicht trotz, sondern wegen seiner beruflichen Tätigkeit. Der erfolgreiche - wie man heute sagen würde - mittelständische Unternehmer - scherte sich nicht um Zeitgeist und mainstream. Er mußte weder sich, noch seine Kunst vermarkten. Er suchte und strebte nach Kunst, nicht nach Anerkennung. Seine Eigenwilligkeit scheint ihm der öffentliche, staatliche Kunstzirkus und Museumsbetrieb nicht vergessen zu haben und straft ihn deshalb mit weitgehender Mißachtung. Hermann Schütte war eben frei nach Karl Kraus unbequem und Sand im Getriebe der Welt. Ich möchte Hermann Schütte die Anerkennung zollen, die ihm zukommt und deshalb freue ich mich, einige seiner Arbeiten anbieten zu können. Möge aus dem fast Vergessenen wieder ein guter Bekannter werden. Klassische Moderne Kunst auf diesem Preisniveau ist nicht nur eine Kaufempfehlung, sondern ein echtes Muß! Zur genaueren Orientierung über Schüttes Leben und Schaffen mögen ein Zeitungsartikel anläßlich seiner Ausstellung in der Hamburger Kunsthalle 1957 und die Kopie eines Ausstellungs-Faltblattes dienen.

      [Bookseller: Antiquariat Niederbayern]
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        Room at the Top.

      Eyre & Spottiswoode 1957 - FIRST EDITION, PROOF COPY pp. 256, foolscap 8vo, original mid green boards, gilt lettered backstrip with fading to extreme tail edge, usual light browning to endpapers in part, dustjacket with rubbing to head of backstrip panel, bookplate on half-title, very good. The author's first book and the appearance of hero, Joe Lampton. Eyre & Spottiswoode compliment slip loosely inserted.

      [Bookseller: Blackwell's Rare Books ABA ILAB BA]
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        ROOM AT THE TOP

      Eyre & Spottiswoode, London 1957 - First Impression. Octavo; hunter green paper-covered boards, with titles stamped in gilt on spine; dustjacket; 256pp. Faint foxing to text edges, with upper right corner of front board gently tapped (though still sharp); Very Good+ to Near Fine. Dustjacket is price-clipped, lightly edge-rubbed, with a few short tears and some faint foxing to verso; Near Fine. With the original publishers wraparound band, lightly sunned at spine and flap folds, with a single closed tear. Braine's first book, a classic "angry young man" novel centered on the rags-to-riches journey of Joe Lampton. Basis for Jack Clayton's Oscar-winning 1959 adaptation starring Laurence Harvey and Simone Signoret, and a more recent BBC production. [Attributes: First Edition]

      [Bookseller: Captain Ahab's Rare Books]
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        Gespenst" originale Holzplastik (Laubsägearbeit auf schwarzer Holzplatte ca. 51x61cm) verso signiert betitelt und datiert "(19)59"

      - Hermann Schütte, ein zu unrecht Vergessener. Er war Maler, Graphiker und Schriftsteller. Ein junger Wilder, Dadaist, Phantastischer Realist, Surrealist. Mit vielen Großen seiner Zeit bekannt, mit Kurt Schwitters und Heinrich Vogeler befreundet. Zeitlebens ein Schaffender - creo ergo sum! Er rang mit sich und der Kunst, suchte immer neue Gestaltungsmöglichkeiten und -formen. Ein experimentierfreudiger und unabhängiger Geist, nicht trotz, sondern wegen seiner beruflichen Tätigkeit. Der erfolgreiche - wie man heute sagen würde - mittelständische Unternehmer - scherte sich nicht um Zeitgeist und mainstream. Er mußte weder sich, noch seine Kunst vermarkten. Er suchte und strebte nach Kunst, nicht nach Anerkennung. Seine Eigenwilligkeit scheint ihm der öffentliche, staatliche Kunstzirkus und Museumsbetrieb nicht vergessen zu haben und straft ihn deshalb mit weitgehender Mißachtung. Hermann Schütte war eben frei nach Karl Kraus unbequem und Sand im Getriebe der Welt. Ich möchte Hermann Schütte die Anerkennung zollen, die ihm zukommt und deshalb freue ich mich, einige seiner Arbeiten anbieten zu können. Möge aus dem fast Vergessenen wieder ein guter Bekannter werden. Klassische Moderne Kunst auf diesem Preisniveau ist nicht nur eine Kaufempfehlung, sondern ein echtes Muß! Zur genaueren Orientierung über Schüttes Leben und Schaffen mögen ein Zeitungsartikel anläßlich seiner Ausstellung in der Hamburger Kunsthalle 1957 und die Kopie eines Ausstellungs-Faltblattes dienen.

      [Bookseller: Antiquariat Niederbayern]
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        The Cat in the Hat.

      New York: Random House, 1957 - Small quarto. Original non-laminated pictorial paper-covered boards. With the pictorial dust jacket. Housed in a turquoise quarter morocco solander box by the Chelsea Bindery. An excellent copy in the jacket that is just a little rubbed at the extremities. Illustrated throughout by the author in two colours. First edition, first printing, first issue, with the price code on the jacket 200/200 and the boards not laminated as in later issues. Inscribed by Dr. Seuss on verso of front endpaper, "for Brent, best wishes, Dr. Seuss."

      [Bookseller: Peter Harrington. ABA member]
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        S. Bernardi opera. ad fidem codicum recensuerunt. J. Leclercq ... Vol. 1 ; Sermones super Cantica canticorum : 1 - 35 Vol. 2 ; Sermones super Cantica canticorum : 36 - 86 Vol. 3 ; Tractatus et opuscula Vol. 4 ; Sermones ; 1 Vol. 5 ; Sermones ; 2 Vol. 6,1 ; Sermones ; 3 Vol. 6,2 ; Sermones ; 3 Vol. 7 ; Epistolae ; 1. Corpus epistolarum 1 - 180 Vol. 8 ; Epistolae ; 1. Corpus epistolarum 181 - 310.

      Romae : Ed. Cistercienses 1957 - 1977.. 8 Bände (in 9) [komplett] LXVII, 261 S. XXXV, 327 S. XXXIV, 532 S. XVI, 496 S. XVII, 451 S. 411 S. 303 S. XXVI, 408 S. XVIII, 524 S. in lat. und frz. Sprache. 27 cm, Ln mit Rückenvergoldung , Bd.1: WaV, mit geringfügigen Gebrauchsspuren,sehr guter Zustand.. POSTSTREIK: Wir versenden so weit wie möglich (90%) ünter Umgeheung der Deutschen Post und der DHL. Nähere Informationen auf unserem eigenen Internetauftritt.

      [Bookseller: Antiquariat Redivivus]
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        From Russia with Love

      Jonathan Cape, London 1957 - A near fine plus first printing copy. ("First published 1957") The only flaw is a touch of foxing to endpages and a tiny spot to top textblock edge. The jacket is unclipped. The jacket in mylar is toned to spine and rubbed a bit, and has some shallow chips. A tight square unmarked copy in very nice jacket. ; 8vo 8" - 9" tall [Attributes: First Edition; Hard Cover]

      [Bookseller: curtis paul books, inc.]
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        LES MAGICIENNES (DOUBLE DECEPTION) - REVIEW COPY, INSCRIBED TO ALEXANDRE VIALATTE

      Paris: Denoël, 1957. First French Edition. First Printing. Near Fine in illustrated wrappers, a lovely copy of the French crime fiction duo's sixth book. Light rubbing along the hinges, a few glue ridges along the spine panel, and a some light browning to the text edges. This is a French Review Copy, with the requisite "PRESSE" punch at the upper left corner of the rear panel. A superb association copy inscribed to author Alexandre Vialatte on the front free endpaper: "à Alexandre Vialatte - en toute sympathie - Boileau-Narcejac." No date present, though the copy was likely signed after Boileau's death in 1989. Until Narcejac's death in 1998, he would sign books as "Boileau-Narcejac," in honor of his long-time friend and co-author. Basis for the 1960 suspense film "Double Deception," directed by Serge Friedman and starring Jacques Riberolles, and twins Alice and Ellen Kessler. Scarce in any condition, let alone inscribed, with a nice association between the two French authors.

      [Bookseller: Captain Ahab's Rare Books]
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        Blumenwiese mit grünem Lurch" originales Aquarell auf dünnem Malkarton ca. 47x42cm; signiert und datiert "(19)34" Das herrlich expressive Blatt etwas wellig.

      - Hermann Schütte, ein zu unrecht Vergessener. Er war Maler, Graphiker und Schriftsteller. Ein junger Wilder, Dadaist, Phantastischer Realist, Surrealist. Mit vielen Großen seiner Zeit bekannt, mit Kurt Schwitters und Heinrich Vogeler befreundet. Zeitlebens ein Schaffender - creo ergo sum! Er rang mit sich und der Kunst, suchte immer neue Gestaltungsmöglichkeiten und -formen. Ein experimentierfreudiger und unabhängiger Geist, nicht trotz, sondern wegen seiner beruflichen Tätigkeit. Der erfolgreiche - wie man heute sagen würde - mittelständische Unternehmer - scherte sich nicht um Zeitgeist und mainstream. Er mußte weder sich, noch seine Kunst vermarkten. Er suchte und strebte nach Kunst, nicht nach Anerkennung. Seine Eigenwilligkeit scheint ihm der öffentliche, staatliche Kunstzirkus und Museumsbetrieb nicht vergessen zu haben und straft ihn deshalb mit weitgehender Mißachtung. Hermann Schütte war eben frei nach Karl Kraus unbequem und Sand im Getriebe der Welt. Ich möchte Hermann Schütte die Anerkennung zollen, die ihm zukommt und deshalb freue ich mich, einige seiner Arbeiten anbieten zu können. Möge aus dem fast Vergessenen wieder ein guter Bekannter werden. Klassische Moderne Kunst auf diesem Preisniveau ist nicht nur eine Kaufempfehlung, sondern ein echtes Muß! Zur genaueren Orientierung über Schüttes Leben und Schaffen mögen ein Zeitungsartikel anläßlich seiner Ausstellung in der Hamburger Kunsthalle 1957 und die Kopie eines Ausstellungs-faltblattes dienen.

      [Bookseller: Antiquariat Niederbayern]
 24.   Check availability:     IberLibro     Link/Print  


        Rahel Varnhagen - The Life of a Jewess. [Inscribed / Signed / Association copy]

      London, Leo Baeck Institute, 1957.. First Edition. 8°. XIV, 222 pages. Hardcover / Original cloth with dustjacket in protective Mylar. The cloth-volume a little strangely stained on the spine and around the boards. The dustjacket in very good condition with only few signs of wear but a hint of a coffee-cup circle to front cover. The volume overall very firm and strong and inside in very good+ condition. Inscribed by Hannah Arendt on the front free endpaper to Judaica-Expert and Brandeis Professor Harry Zohn: "For Harry Zohn - Cordially. Cambridge, April 6, 1967 - Hannah Arendt". Nice association copy - Arendt and Zohn worked together on numerous occasions - so for example on Walter Benjamin's translation of "Illuminationen". [Publication of the Leo Baeck Institute of Jews from Germany]..

      [Bookseller: The Time Traveller's Bookshop Ltd.]
 25.   Check availability:     ZVAB     Link/Print  


        Yang Chuan (updated version)(Chinese Edition) YANG ZHEN NING CHUAN ( ZENG DING BAN )

      Joint Publishing Pub. Date :2011-09-01 version 1. paperback. New. Ship out in 2 business day, And Fast shipping, Free Tracking number will be provided after the shipment.Pages Number: 493 Publisher: Joint Publishing Pub. Date :2011-09-01 first edition in 1957. Yang and Lee as parity violation contribution to the theory. become the first Chinese who won the Nobel Prize. In 1982. Taylor. the father of the hydrogen bomb that the United States. Yang since the creation of Yang-Mills gauge field theory. should be re-awarded the Nobel Prize. In 1999. the famous physicist. Dyson praised Yang is the second Einstein. Dirac established after the style of 20th century ph... Satisfaction guaranteed,or money back.

      [Bookseller: cninternationalseller]
 26.   Check availability:     Biblio     Link/Print  


        Amerika : Roman.

      Frankfurt am Main : Fischer-Taschenbuch-Verlag, 1957.. 63. - 87. Tsd. 235 S. ; 18 cm Taschenbuch Gut erhaltenes Buch, Seiten alters- und papierbedingt etwas gebräunt, Einband mit leichten Gebrauchsspuren, K11261.

      [Bookseller: Antiquariat Buchhandel Daniel Viertel Ei]
 27.   Check availability:     ZVAB     Link/Print  


        Schwarze Bäume" originale Buntstift-Tuschezeichnung auf Malkarton ca. 29,5x40cm; signiert, betitelt und datiert "(19)59" [Das eindrucksvolle Blatt etwas wellig.]

      - Hermann Schütte, ein zu unrecht Vergessener. Er war Maler, Graphiker und Schriftsteller. Ein junger Wilder, Dadaist, Phantastischer Realist, Surrealist. Mit vielen Großen seiner Zeit bekannt, mit Kurt Schwitters und Heinrich Vogeler befreundet. Zeitlebens ein Schaffender - creo ergo sum! Er rang mit sich und der Kunst, suchte immer neue Gestaltungsmöglichkeiten und -formen. Ein experimentierfreudiger und unabhängiger Geist, nicht trotz, sondern wegen seiner beruflichen Tätigkeit. Der erfolgreiche - wie man heute sagen würde - mittelständische Unternehmer - scherte sich nicht um Zeitgeist und mainstream. Er mußte weder sich, noch seine Kunst vermarkten. Er suchte und strebte nach Kunst, nicht nach Anerkennung. Seine Eigenwilligkeit scheint ihm der öffentliche, staatliche Kunstzirkus und Museumsbetrieb nicht vergessen zu haben und straft ihn deshalb mit weitgehender Mißachtung. Hermann Schütte war eben frei nach Karl Kraus unbequem und Sand im Getriebe der Welt. Ich möchte Hermann Schütte die Anerkennung zollen, die ihm zukommt und deshalb freue ich mich, einige seiner Arbeiten anbieten zu können. Möge aus dem fast Vergessenen wieder ein guter Bekannter werden. Klassische Moderne Kunst auf diesem Preisniveau ist nicht nur eine Kaufempfehlung, sondern ein echtes Muß! Zur genaueren Orientierung über Schüttes Leben und Schaffen mögen ein Zeitungsartikel anläßlich seiner Ausstellung in der Hamburger Kunsthalle 1957 und die Kopie eines Ausstellungs-Faltblattes dienen.

      [Bookseller: Antiquariat Niederbayern]
 28.   Check availability:     AbeBooks     Link/Print  


        Svet v dzhunglyah Zametki kinooperatora [Light in the jungle Camera-man?s notes]

      Moscow: Sovetsky pisatel?, 1957 Inscribed and signed by author: To ZhenyaDolmatovsky friend, brother, very dear personRoma Carmen Moscow June 1947. YevgeniiDolmatovsky ?" Russian poet and song lyricist.Roamn Carmen - one of the most influential figuresin documentary film making not only in SovietRussia. They called him "the Soviet equivalent ofLeni Riefenstahl"This book was published after Karmen visitedVietnam where he filmed "Vietnam"(1955) duringeight monthes in 1954.OCLC locates four copies only, two in USA , one inGerman and one in Sweden.

      [Bookseller: Biblionne]
 29.   Check availability:     Biblio     Link/Print  


        On the Road

      New York: Viking (1957) - First Edition. Octavo. The seminal novel, travelogue, blueprint, and treatise of the Beat movement in American literature; not to mention the defining book of its era. The tiniest of spots to the front board, else a sharp, fine copy with vibrant top stain, in as close to a fine jacket as I have seen, itself with a tiny corresponding spot at the verso, a hint of wear to the spine head and front flap fold, and a few tiny handling creases. There might be a nicer copy out there, but I haven't seen it. [Attributes: First Edition; Hard Cover]

      [Bookseller: Harper's Books]
 30.   Check availability:     IberLibro     Link/Print  


        ATLAS SHRUGGED (Inscribed First Edition)

      New York: Random House, 1957. First edition. Very Good +/Very Good +. Inscribed by the author: "To John Muir - Cordially - Ayn Rand 4/14/71." Muir was a well known collector in Austin Texas, who passed away in June of 2014. A Very Good+ copy of the book in like dust jacket. The book has a few light spots on the cloth, the spine label is a trifle rubbed, and the hinges are a bit loose, but internally in excellent condition. In a dust jacket with a small chip at the crown and one short tear, otherwise a decent example. The jacket retains the critical $6.95 and 10/57 date code, essential for the first issue jacket. Rand's magnum opus, where she develops her objectivist theory and explores the question, "what if society's genius goes on strike?" Rand considered the book "not about the murder of man's body, but about the murder and rebirth of man's spirit." "Atlas Shrugged" has remained one of the most popular and influential books written in the twentieth century; one survey in 1991 finding it second only to the Bible in having the greatest impact upon its readers. The book would also place first on Modern Library Reader's Poll of the Top 100 novels of the 20th century. "...the reader will stay with this strange world, borne along by its story and eloquent flow of ideas." (Contemporary Newsweek Review). Very Good + in Very Good +. dust jacket.

      [Bookseller: Whitmore Rare Books]
 31.   Check availability:     Biblio     Link/Print  


        Contro lo stile. Contre le style. The end of style

      Milano , MOVIMENTO ARTE NUCLEARE, 1957 - Secondo manifesto del Movimento Arte Nucleare che, dopo l'affermazione della volontà di combattere ogni accademismo, risalente al primo manifesto, afferma ora l'irripetibilità dell'opera d'arte. Testo in italiano, francese e inglese, stampato fronte retro su foglio di cartoncino ripiegato in tre parti, da un lato con scritte gialle su fondo nero e dall'altro lato con scritte nere su fondo grigio. Copertine di velina azzurra. Il manifesto è firmato da Armand, Enrico Baj, Bemporad, Gianni Bertini, Jaques Calonne, Stanley Chapmans, Mario Colucci, Danerlo, Enrico De Miceli, Reinhout D'Haese, Wout Hoeboer, Hundertwasser, Yves Klein, Théodore Koenig, Piero Manzoni, Nando, Joseph Noiret, Arnaldo Pomodoro, Giò Pomodoro, Pierre Restany, Saura, Ettore Sordini, Serge Vandercam, Angelo Verga / The second manifesto of the Arte Nucleare Group. Folded card sheet, printed in black and yellow on heavy black card within printed turquoise tissue wrapper. 4to (cm 30,5x17). . . Ottimo (Fine). . . . Foglio ripiegato in più parti (Folded sheet) [Attributes: Hard Cover]

      [Bookseller: Studio Bibliografico Marini ALAI - ILAB]
 32.   Check availability:     AbeBooks     Link/Print  


        Dali

      Paris, Les Editions Du Chene, 1957., 1957. INSCRIBED BY DALI. Folio. Publisher's paper covered boards with colour plate onlaid to upper. Numerous colour and black and white photographs and reproductions of paintings. Internally fine; covers with some tiny creased areas, a small scratch and slight browning to edge of spine, near fine. The inscription in blue ball point covers the entire front free end paper: "Pour Madame Boauer, Hommage de Dali, 1959." Written in Dali's characteristically bold and fluid hand. He has also added his signature ant motif to the top of the title page.

      [Bookseller: Adrian Harrington Rare Books]
 33.   Check availability:     IOBABooks     Link/Print  


        Love's Labour's Lost. 1598. Shakespeare Quarto Facsimiles No. 10. [Introduction by W.W. Greg]. NEAR FINE COPY IN DUSTWRAPPER

      Clarendon Press, Oxford, 1957. Sm. 4to., First Edition thus, with 76pp of facsimile; blue coarse-grain cloth, gilt back, a near fine copy in price-clipped dustwrapper. Twelve copies of the 'newly corrected' Quarto are known. This fine facsimile is from the BM copy (Heber-Daniel) C.34. l.14. EXTREMELY SCARCE IN THIS CONDITION. . Catalogs: literature.

      [Bookseller: Island Books [formerly of Devon]]
 34.   Check availability:     Biblio     Link/Print  


        SARTRE - DRAMEN

      . Deutsch. Z 2; gut erhalten.. Sartre, Jean Paul: Dramen. Hamburg. Rowohlt 1957. 32.-36. Tausend. Kartoniert, Schutzumschlag, 8°; 358 Seiten. Umschlag m. marginalen Gebrauchsspuren, gut u. sauber erhalten.

      [Bookseller: vorZeiten-Versandantiquariat (Inh. Dr. H]
 35.   Check availability:     ZVAB     Link/Print  


        There Is A Happy Land (Inscribed To The Critic Frank Kermode By The Author)

      The First UK printing published by Michael Joseph in 1957.The BOOK is in VERY GOOD++ or better condition.Slight dulling of the gilt titling.Mild pushing at the corners.Offsetting to the end papers with toning and a little dustiness to the text block.The book has a mild lean.The WRAPPER is complete and is in near FINE condition.A small closed tear to lower front spine fold.Mild soiling to the rear cover but far less than usually encountered.Few minor nicks in places.The William Belcher wrapper design looks very attractive in the removable Brodart archival protector.The book has been Inscribed and Signed by the Author.The inscription reads 'For Frank Kermode, 'Perhaps you would rephrase the question', Keith Waterhouse'.The book is accompanied by some typed notes - The notes relate to the works of Waterhouse and John Wain, Kermode's friend from his days at Reading University, and were possibly made by Kermode several years after the publication of this book, mentioning as they do both Billy Liar (1959) and Jubb (1963).With the publication date (31.3.57) pencilled to front free endpaper.Sir John Frank Kermode FBA (29 November 1919 ?" 17 August 2010) was a British literary critic best known for his work 'The Sense of an Ending: Studies in the Theory of Fiction', published in 1967 (revised 2000), and for his extensive book-reviewing and editing.He was the Lord Northcliffe Professor of Modern English Literature at University College London and the King Edward VII Professor of English Literature at Cambridge University.Kermode was known for many works of criticism,and also as editor of the popular Fontana Modern Masters series of introductions to modern thinkers.He was a regular contributor to the 'London Review of Books' and 'The New York Review of Books'.The author's first novel and a scarce book with such a fine association.ashtonrarebooks welcomes direct contact.

      [Bookseller: Ashtonrarebooks]
 36.   Check availability:     Biblio     Link/Print  


        L'ingénieux hidalgo Don Quichotte de la Manche (4 Tomes - Complet) [ Livre signé par Henry Lemarié ]

      Editions d'Art Les Heures Claires 1957 - Exemplaire d'artiste signé par Henry Lemarié, sur Rives non numéroté, 4 vol. in-4 en feuillet sous chemise gaufrée, chemise cartonnée et étuis ornés, Editions d'Art Les Heures Claires, Paris, 1957-1960 Magnifique édition ayant exigé la gravure de 3500 bois, nécessaires "à la parfaite reproduction des 92 miniatures de Henry Lemarié". Bon exemplaire (dos des étuis lég. passés, parfait état par ailleurs) pour cet exemplaire d'artiste signé par Henry Lemarié. Langue: Français [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Librairie du Cardinal]
 37.   Check availability:     AbeBooks     Link/Print  


        Atlas Shrugged

      Random House, New York 1957 - First edition, first printing, green cloth with gilt and dark topstain. PO stamp to front pastedown. Bottom corners just a bit softened. The first issue jacket in mylar has the correct 10/57 to bottom front flap, price of $6.95, chipped at spine ends and rubbed at edges, tiny closed tear to top front panel. A tight square first edition copy. ; 4to 11" - 13" tall [Attributes: First Edition; Hard Cover]

      [Bookseller: curtis paul books, inc.]
 38.   Check availability:     AbeBooks     Link/Print  


        ATLAS SHRUGGED Tenth Anniversary Edition Limited Edition [In the Original clear plastic Dust Jacket and Slipcase]

      New York:: Random House,, 1957. Fine. SIGNED BY AYN RAND ON COLOPHON PAGE without personalization. A Fine hardback Ninth Printing Tenth Anniversary Edition LIMITED EDITION OF 2000 SIGNED COPIES. THIS IS No. 526. In the original clear plastic Dust Jacket and Near Fine original paper covered slipcase with mild sunning. 8vo. viii, 1168 pp.

      [Bookseller: By The Book, LC ABAA-ILAB]
 39.   Check availability:     Biblio     Link/Print  


        The Cat in the Hat

      New York: Random House, 1957. First Edition. Hardcover. Very Good. New York: Random House, 1957: First Edition, First Printing with matte boards and single signature binding. In an original, first issue dust jacket with price of 200/200 intact. In Good Plus condition. Pages show evidence of erased, but once bold pencil markings, with some wear to the printing from the erasure. Boards are edge worn, with a bump at the top edge of the top board. Light soiling. The dust jacket shows chipping with loss at the spine ends, as well as some inexpert repairs done with tape; light white out repair done from verso. First issue of this beloved classic, complete with the first issue dust jacket.

      [Bookseller: Burnside Rare Books]
 40.   Check availability:     IOBABooks     Link/Print  


        Atlas Shrugged

      Random House, New York 1957 - First Edition, First Printing SIGNED by Ayn Rand on a laid in signature. This ORIGINAL dustjacket is rich in color with slight wear to the edges. This First Issue dustjacket has the 10/57 code present on the bottom flap. The book is in great condition. The binding is tight with minor wear to the edges. The pages are clean with NO writing, marks or bookplates in the book. Overall, a wonderful copy SIGNED by the author housed in a custom clamshell slipcase for preservation. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Quintessential Rare Books, LLC]
 41.   Check availability:     AbeBooks     Link/Print  


        Lettre autographe signee adressee a l'ecrivain et journaliste Madeleine Chapsal.

      [Paris], 20. XI. 1957.. 1 p. in-8vo a l'en tete de la NRF.. Belle lettre dans laquelle Camus, recent prix Nobel, evoque son etat d'esprit. Il decline une proposition d'interview et explique: "Je desire surtout que le bruit fait par ce Nobel s'eteigne rapidement et je voudrais 'disparaitre' pendant quelque temps. Je vous suis cependant tres reconnaissant de ce que vous me dites a propos de certains articles. Ils ne m'ont pas blesse: depuis quelques annees, je suis vaccine. Et puis il faut bien vivre, et avec le sourire si on peut, au milieu de ses contemporains. Mais, voyez-vous, notre societe intellectuelle, qu'elle soit de droite ou de gauche, est presque toujours affreuse a force de mesquinerie et de mechancete. Ce serait un signe bien sur de decadence, s'il n'y avait de chaleureuses exceptions. Je vous remercie de m'aider a croire que ces exceptions sont, en somme, assez nombreuses [...]". - On joint une L.T.S. egalement adressee a M. Chapsal. 24 mars 1958. 1 p. in-8 a l'en-tete Librairie NRF Gallimard. Camus reaffirme: "[...] non, je n'ai pas change d'avis et mon desir de retraite est au contraire de plus en plus fort [...]".

      [Bookseller: Antiquariat Inlibris, Gilhofer Nfg. GmbH]
 42.   Check availability:     ZVAB     Link/Print  


        Annals of Physics.

      New York, Academic Press (später Elevier), 1957-2002.. Bände 1 - 296 in 209 Bänden und 2 Heften. 8° Schwarze Halbleinen- und Leineneinbände.. ISSN: 0003-4916. Titel rückseitig gestempelt, ansonsten sauberes Exemplar in festen Einbänden.

      [Bookseller: Antiquariat Trageser]
 43.   Check availability:     ZVAB     Link/Print  

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