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Displayed below are some selected recent viaLibri matches for books published in 1951

        THE IMAGIST THEORY OF STYLE: AN ESSAY IN THE TRANSMIGRATION OF IDEAS. Signed Typescript.

      K.M., n.p. n.d. [Univ. Of Michigan] 1951 - His doctoral thesis "COLERIDGE AND THE INWARD EYE" was submitted in 1951 at the University of Michigan. [PHD 1951]. This piece [Macdonald/Miller at his scholarly best] is from the same period submitted and graded by Dr. Thorpe and signed as Kenneth Miller & Ross Macdonald in blue ink at the top of the first page. In very good condition. 31 Xerox pages in very good condition. Rare. [Attributes: First Edition; Signed Copy]

      [Bookseller: TBCL The Book Collector's Library]
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        Requiem for a Nun

      Random House, New York 1951 - Copy #208 of 750 signed copies of the limited edition. Light fading to the spine, otherwise fine. This work was a sequel of sorts to Sanctuary, continuing the story of Temple Drake, and was Faulkner's first publication after winning the Nobel Prize. It was later translated into French by Albert Camus. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Sanctuary Books, A.B.A.A.]
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        Den knutna näven. Andra upplagan.

      [ENGLISH: With a holograph quotation written by the author on first page. Swedish writer Pär Lagerkvist was awarded the Nobel prize for Literature in 1951. Inscribed books by him are scarce, holograph letters very rare.] - Häftad, tryckta omslag. Ouppskuren, fint skick. Med egenhändigt skrivet citat av Lagerkvist ur boken: »Anden är inte maktlös - fast man så gärna vill tro det! Dess näve är bepansrad såväl som våldets. Och till sist är den den starkaste av de två. Pär Lagerkvist». Stockholm, Albert Bonniers förlag, 1936. 128 s.

      [Bookseller: Hatt Rare Books]
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        Comment voudriez-vous voir R. L. Dupuy

      1951. Cloth. Near Fine/Very Good. Unique collection of 74 watercolors, ink drawings, collages and mixed media playful caricatures of a Parisian advertising executive, presumably by members of his creative staff. Most of the individual send-ups are imaginative and amusing; the cumulative effect, though, is truly extraordinary in the sheer variety and range of the works. As a whole the album honors not merely a particular individual, but the human creative spirit! Thus we have a Soviet Dupuy, an angelic Dupuy, an overworked Dupuy, a gaucho Dupuy, a scout Dupuy, a wandering eye Dupuy, a lolling Dupuy; he is depicted as a painter, a mariner, a general, and on and on. These various roles assigned to him scarcely suggest the richness of ideas of the particular artwork. In just one drawing, showing the executive in a bathtub, we see floating atop the water the names of products, presumably ones he promoted, and other names spraying over him from the showerhead. Dupuy, based on the wealth of images we have of him, was a quintessential Frenchman in his appearance; we can also surmise that he was beloved, if not also feared a bit, and certainly, he had to have had a charisma, for few businessmen have probably ever received such an effortful and remarkable tribute as represented by this manuscript. The folio measures 33 by 28 cm, 13 by 11 inches. With a dust jacket that at its center has a cameo relief of Dupuy himself. The DJ, now protected with mylar, has use creases, minor spotting and toning. The leaves are all clean, and the album is tight.

      [Bookseller: White Fox Rare Books and Antiques]
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        C. 1951-1954 Photographic Album Recording the Building of a Western-Engineered Milling Facility in Egypt With Many Pictures Identified and Depicting Social, Sporting, Political Activities in Cairo and Alexandria Egypt During the Nasser Era.

      Cairo 1951 - Album with approxmately 280 + photographs; mounted with photo-corners only, not glued down; many with identifiers on back, dating the photograph and naming the participants; many photographs of social activities, state and company dinners, tennis matches, other sporting activities where apparently these people went to be entertained in Cairo and Alexandria, Egypt; a mixing of Middle-Eastern and Western-style events, with some military and political leaders socially melding with the engineers and workers on this project; with views of the Egyptian countryside as well as of the plant; (with) a book in Arabic, evidently promoting the new facility, with black and white photographs; also including about 30-40 photographs of family outings, evidently in Europe, Italy and other places where family and friends may have had leave from building the project; various formats, mostly snapshot size, however there are many 3" x 5" and larger, even a couple of 7"x 9" size; all contained in a faux leather album, with a very worn spine and coming disbound; photographs clear, well-taken and very well preserved, recording a little-known aspect of Western business and industrial development in the Middle East, with the participation of wives and families while a project was being completed and during the Nasser revolutionary era; We note that some of the equipment, possibly for power generation, bears the Babcock & Wilcox name, and also equipment from Kohorn, who were textile equipment manufacturers; these names are visible on the apparatus pictured in the accompanying brochure. [Attributes: Hard Cover]

      [Bookseller: Certain Books, ABAA]
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        [Original Art and Proof for]: The Enchanted Castle

      Boston: Barry Humphries. 1951. Original pencil and gouache artwork accompanied by two cover proof sheets and a first edition of the book. The art, which measures 20"x 26", is painted directly onto an illustration board with the spine panel painted separately and applied to the board. Near fine plus with a few rubbed spots, tape remnants, and ink marks. The two color cover proofs are near fine with a few creases, and the book is fine in near fine dustwrapper with a bit of wear at the extremities and some sunning to the spine. Neff (1902-1993) was a painter, muralist, illustrator, and printmaker who worked with the Treasury Relief Art Project and briefly served as Director of the Federal Arts Project in Cleveland in 1937. In addition to working as a commercial artist and book illustrator, he gained some national recognition as chairman of the Cleveland Ufology Project lecturing on UFO phenomenon and exposing fraud when he found it. While Neff is not credited on the published dustwrapper, as he is on the original art, the rear flap copy is entirely (and strangely) devoted to "The Decorative Jacket" with four paragraphs describing the joint effort made by the writer and artist to develop a compelling cover concept. The text explains that the illustration depicts the battle between good and evil as shown by "Satan's insidious attack on the vulnerable castle, supported by his host of red demons conjured up from the shadows" and "the Good Fairy's valiant defense, aided by her kindly elves born of the bright sunshine and blue sky" which have "identical counterparts in the flesh-and-blood characters of the modern mansion of the actual story." The art for an obscure but interesting book from an equally obscure but interesting artist, representing a much closer collaboration than is usually found between author and jacket illustrator. OCLC locates no copies of this book. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Blueprints for Living

      (Woodland Hills CA): (The Author). (1951). First. First edition. 66pp. Stapled self-wrappers. Lightly edgeworn, very good plus. A small self-help pamphlet, Inscribed by Henry Miller to his second wife, June Mansfield: "June -- To read in quiet moments, Henry 10/16/56." June Mansfield was by all accounts the inspiration for much of Miller's major writing and they remained friends for several decades after their divorce in 1934. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        BETWEEN PLANETS

      New York: Charles Scribner's Sons,. 1951. Octavo,. cloth.. Small black spot on top edge of text block, a fine copy in fine first. printing dust jacket ($2.50 printed price) with a touch of rubbing at. extremities. A sharp copy. (#129686). First edition.

      [Bookseller: L. W. Currey, Inc.]
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        From Here to Eternity [SOLD WITH] 12 typed, signed letters by various Hollywood fat cats congratulating Buddy Adler on sweeping the Oscars with "From Here to Eternity"

      Charles Scribner's, New York 1951 - First Edition, later state without the "A" on the copyright page, in a first issue dust jacket, priced $4.50. Briefly inscribed by James Jones. A fine copy in an unusually bright example of the dust jacket, showing a light vertical crease near the spine on the front panel, but otherwise mint. Seldom seen thus, and uncommon to find inscribed. Sold with 12 typed, signed letters by various Hollywood fat cats congratulating Buddy Adler on sweeping the Oscars with "From Here to Eternity," dated 1954. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Sanctuary Books, A.B.A.A.]
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        Les constructeurs.

      Mourlot, Paris 1951 - Lithographie originale en 5 couleurs. Format 75 X 52 cm, tirage limité à 800 exemplaires.

      [Bookseller: La Basse Fontaine]
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        Bestie del 900.

      - Firenze, Vallecchi, 1951, in-8, mezza tela editoriale, con sovraccoperta. Con 30 incisioni originali su linoleum di Mino Maccari, a colori fuori testo e 16 in nero, di varie dimensioni, nel testo, più altre 4, a colori, ai due piatti e alla sovraccoperta. Edizione originale. (Meloni - Mino Maccari. Catalogo ragionato delle incisioni, nn. 439 a 486). [Attributes: First Edition; Hard Cover]

      [Bookseller: Libreria Oreste Gozzini snc]
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        OTTANTOTTESIMA MOSTRA DEPERO: ROVERETO 11 AGOSTO - 11 SETTEMBRE 1951. Pittura e arte applicata 1915 - 1951. Prima presentazione di pittura nucleare.

      Arti Grafiche Manfrini 1951 In - 8 p. (mm. 226x156), bross. orig. in rosso e nero, pp.nn. 64 + 10 di Indice (delle ill. e delle Mostre), con 33 ill. in tavv. in b.n. f.t. (1 a colori) che riproducono per lo più dipinti e disegni dell?artista (1892 - 1960). Catalogo di questa importante Mostra che esponeva 300 opere divise in 5 sezioni. In appendice Manifesto della pittura e plastica nucleare. Con dedica autografa di Depero, datata maggio 1959 - Rovereto. Pagg. ingiallite per la qualità della carta ma ben conservato.

      [Bookseller: Libreria Antiquaria Malavasi]
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        This is War! A Photo Narrative in Three Parts

      New York: Harper, 1951. First edition of the photographer's first book. Quarto. Signed "David Douglas Duncan New York" on the title page. An excellent copy in a very good dust jacket with light wear to the extremities. American journalist David Douglas Duncan has influenced the photography of the 20th century with his trademark dramatic combat photographs. His photos during WWII were thought so impressive that after the war he was hired by Life to join their staff. During his time with Life he covered many events including the end of the British Raj in India and conflicts in Turkey, Eastern Europe, Africa, and the Middle East.

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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        Fifty Years of the McCloud River Club

      San Francisco: Privately Printed [by the Westgate Press], 1951 - Finely printed history of this small fishing club on the Shasta River, with a typed letter, signed, from the author thanking the recipients for their assistance First edition, one of 150 copies. 4to. Illustrated with a large folding map of the Mt. Shasta region and a sketch of the Middle Cottage by the author as tail-piece. Text printed with ornamental borders. [20] pp. Bound in quarter black cloth and decorated blue paper over boards. Slightest traces of rubbing at corners, else fine copy. Bruns, p. 481; Heller 756 [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: James Cummins Bookseller, ABAA]
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        SIDDHARTHA. Inscribed By Henry Miller to June [Miller]

      New Directions Books, New York 1951 - Hesse, Hermann. SIDDHARTHA. Signed. New York: New Directions Books, 1951. First American Edition. Exquisite Presentation Copy. Translated from the German by Hilda Rosner. First English language Trade Edition, preceded only by a New Direction's slipcased limited edition & here issued as No. 34 in the New Classics Series. The second Issue, with William Carlos Williams's collection 'Paterson' spelled correctly in the list of New Classics Series titles on the verso of the half-title. Small 8vo, [6], 153 [1]pp. A fine copy in a very good Alvin Lustig designed dustwrapper with a 1" 1/4 x 1/2" chip at the bottom of the back panel & a short closed tear at the top of the front panel. An exceptional copy none-the-less, inscribed by Henry Miller to his ex wife: "For June / - to read in / moments / of despair / Henry / 10 /16 /56". It was Miller's custom to send books to June & Siddhartha was Miller's favorite & he probably sent her at least 2 copies of Siddhartha over the years. Rarely do these books surface but they on occasion do. Often thought of as a Sixties book, Siddhartha was actually a decade early; a precursor to the major societal & philosophical changes to follow & a cardinal influence during the Sixties & beyond. An important book. Custom TBCL 'Sculpted' Collector's Clamshell Case. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: TBCL The Book Collector's Library]
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        La Satyricon DE LUXE Copy with 2 Extra Suites

      Ambroise VOLLARD, Paris 1951 - Unbound portfolio WITH illustrations created / engraved by DERAIN Illustrated with 33 original etchings on Arches + a suite of 36 etchings (the 33 + 3 unused) on Arches + 43 in texte woodcuts + a suite of the 43 woodcuts in black on Lana paper) LIMITED : to 280 copies, this one bears n° 137 and is a DELUXE COPY (one the 30 copies reserved to the Vollard estate) SIZE : 13"1/2 x 18" YEAR : 1951 PUBLISHER : initiated by VOLLARD in 1934, this portfolio was published after WWII by an amator (Colonel Sickles) in 1951 CONDITION : very good condition REFERENCES : Monod 9049 ASK FOR EXTRA PICTURES [Attributes: First Edition; Hard Cover]

      [Bookseller: Artfever]
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        THE PREPARATION OF PROGRAMS FOR AN ELECTRONIC DIGITAL COMPUTER, with Special Reference to the EDSAC and the Use of a Library of Subroutines

      Cambridge, Mass: Addison-Wesley, 1951 A Pioneering Book From The Dawn Of The Computer Age. A Review Copy in Dustwrapper Of The First Practical Text Book On Digital Computing. First Edition. An especially Fine Copy in a previously unrecorded dustwrapper. Tall 8vo., pp [14] incl. 2 full-page, photo illus. before title-page (one on back of half-title), 167, [3]. Light, red RSM diagonally across half-title 'BOOK REVIEW COPY'. Original brown cloth. Light-brown, plain dustwrapper which, due to its minimal wear, slight browning & exact fit, has all the appearances of having been issued with the book, allowing the covers of the book to have been preserved in 'as-new' condition. A narrow section of the dustwrapper spine-panel has been removed, presumably to allow the book to be identified without removing the plain unprinted dustwrapper & discarding it which was likely the case in every case. Internally fresh & clean. Excellent fine copy. Remarkable as this title ended up primarily in libraries to be marked stamped, coded & pocketed accordingly. The first generally published text on computer programming. Refs: (Williams, Hist. Computing Technology, p. 337; see also pp. 331-38). Lee, Computer Pioneers, pp. 730-35. OOC/Origins of Cyberspace 1030. Working with the EDSAC at Cambridge, Wilkes used a symbolic assembly language [Assembler] which was further developed by Wheeler under Wilkes' management in 1949. With Gill, they developed the concept of subroutines in programs to create reusable modules & as a team produced the first textbook on "The Preparation of Programs for an Electronic Digital Computer". This breakthrough was seminal to the very conceptualization of formalized "software" development; a term that was just a spec of dust on the horizon.. 1st Edition.

      [Bookseller: TBCL The Book Collector's Library]
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        Ensemble de 3 Suites et d'un dessin pour Le Satyricon

      Aux Dépens D'Un Amateur, Paris 1951 - In folio sous chemises et étui comportant : Une suite sur Auvergne des 36 cuivres gravés, une suite sur Malacca des 43 bois tirés en gris, une suite sur Malacca de 8 bois non utilisés et un grand dessin au feutre non retenu.

      [Bookseller: La Basse Fontaine]
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        André DERAIN. Le Satyricon I. (Burin Original signé / original Etching signed).

      - Burin original / original etching, 1951. Planche 45 x 33,5 cm - illustration 28,5 x 23,5 cm. Rare planche d'atelier signée par l'artiste (SIGNED by the artist) extraite de la suite de 36 cuivres gravés, à la demande d'Ambroise Vollard, en 1938 et publiée à 280 exemplaires (on cite aussi 550 exemplaires!) en 1951. Très bel exemplaire encadré (petites trace sur le cadre) / Very fine copy framed (slight traces of wear on the frame). (Envoi en colissimo suivi sous emballage cartonné). [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Frederic Dorbes - TOBEART]
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        CAT MORGAN INTRODUCES HIMSELF

      Faber Book News 1951 - Two pages of electrostencilled publicity mailing. The first page being an introduction (almost certainly written by Eliot) and the second page containing the poem, "Cat Morgan Introduces Himself". The extremely rare first appearance of Cat Morgan Introduces Himself, which was incorporated into "Old Possum's Book of Practical Cats" as the final poem from the 1953 (11th impression) edition onwards. The two page flyer was issued with Faber's Autumn and Winter Catalogue for 1951. The introductory page states, "The front cover of Faber & Faber's new Autumn and Winter catalogue bears an attractive drawing by Margaret Wolpe of the portico of 24, Russell Square. On the back cover you will find a [picture of a black cat] approaching. He is advancing to take up his favourite seat, cuddled up against and protected by the door-scraper. Morgan, for that is his name, is the Faber & Faber cat. We were astonished to find the biographical note written in verse, but perhaps this is not surprising if one considers the literary atmosphere in which he has passed so much of his life." The following poem carries the footnote to the effect that it may be reproduced without permission, and was according to Gallup "widely reprinted in various newspapers". It was issued under Eliot's name in the Animal's Magazine, and subsequently as a broadside by Donald Gallup entitled "Cat Morgan's Apology" in 1953, in an edition of 30 copies. Not listed in Gallup though referred to E2g (Gallup's 1953 Broadsheet). Copies of the poem are present in the British Library and as part of the Hayward bequest in King's College, Cambridge, though both seem to lack the introductory page. [Attributes: Soft Cover]

      [Bookseller: Jonkers Rare Books ABA ILAB]
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        CATCHER IN THE RYE

      Boston: Little, Brown and Company, 1951. First edition and First Printing. 8vo, publisher’s original black cloth, lettered in gilt on the spine and in the original dustjacket featuring Salinger’s photo on rear cover credited to Lotte Jacobi and $3 price correctly positioned on front flap. 277 pp. A good and honest copy showing some use, but otherwise well preserved. The dustjacket with some evidence of age-wear at the extremities and with a chip at the bottom of the spine panel, the bottom of the dustjacket sometime trimmed slightly to clean the bottom edge. FIRST EDITION, FIRST PRINTING OF AN AMERICAN ICONIC WORK AND A 20TH CENTURY LITERARY CLASSIC. J.D. Salinger’s first and still, most famous work.. Salinger tapped into a common and necessary theme in American literature with his unhappy teenage character, Holden Caulfield, who runs away from his boarding school as part of his disgust with 'phoniness'. Caufield's feelings and the idiom in which he communicates them have made the book a symbol of purity and sensitivity to generations of readers and has insured that it will remain a particularly coveted title in modern literature.

      [Bookseller: Buddenbrooks, Inc.]
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        Catcher in the Rye, The

      London: Hamish Hamilton, 1951. First Impression. Hardcover. Near Fine/Near Fine+. First UK Edition (First published in Great Britain 1951) of the author's masterwork. 8vo; 254pp. Publisher's French blue cloth, the spine lettered silver; in Fritz Wegner's pictorial dust jacket priced on the front flap 10s/6d. A Near Fine copy with just a shade of fading to the spine (but the lettering undiminished), a bit of speckling to the top edge, and a short closed tear (text completely untouched) and associated creasing to the top edge of two pages; in a Near Fine or better jacket, bright and vibrant, the the spine's crown lightly rubbed, the back panel dust-soiled with several dime-sized pink stains. Even after more than fifty years The Catcher in the Rye speaks to readers through the freshness of Holden's voice. . . . [Salinger's] words even have the power to transfigure some readers' lives, at least once with horrible consequences. On 8 December 1980 Mark David Chapman associated Holden's view of “phonies” with John Lennon. After assassinating the former Beatle across the street from Central Park, Chapman sat down, pulled out a copy of Catcher and waited for the police to arrive." (Literary Encyclopedia) Note: Yet another example of the value to be found in the graphically superior designs of most UK editions of American authors' works (our specialty). With few exceptions (always identified), we only stock books in exceptional condition, with dust jackets carefully preserved in archival, removable polypropylene sleeves. All orders are packaged with care and posted promptly. Satisfaction guaranteed.&

      [Bookseller: Fine Editions Ltd]
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        Departure Pamphlets: I Six Women Poets

      (Oxford: Departure). [circa 1951]. First. First edition. Stapled wrappers. (8)pp. Fine. Very uncommon little pamphlet featuring six women poets, issued at Merton College. Includes a contribution from Adrienne Rich, published the same year as her first book as an adult. In addition to Rich, the authors represented are Elizabeth Jennings, Lotte Zurndorfer, Jenny Joseph, Gillian Craig, and Marion Smith. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Kentemata kai phoresies Dodecanesou

      Athens: [ ], 1951 [Embroideries and Costumes of Dodecanesus, Greece]First edition. In greek. Soft cover, 29 cm, 144 pp., ill.FREE SHIPPING WORLDWIDE. The cost automatically charged by the system will be erased at confirmation of the order.

      [Bookseller: DEMETRIUS SIATRAS]
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        The Wonderful Farm

      Harper & Brothers, N Y 1951 - (VII), 182 pp. Translated from the French by Norman Denny. Illustrated with In-text and Full Page Black & White Drawings by Maurice Sendak. Red Cloth Hardcover. BINDING FINE, interior some age-toning, tiny bookseller's label & 1 small mark on FFEP otherwise CLEAN. DUST JACKET/VERY GOOD. Copywright page states: First Edition I-.A Dust Jacket price. $2.50 LAID IN IS A BOOKPLATE SIGNED BY SENDAK Hanrahan A2 Size: 8vo - over 7¾" - 9¾" tall [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: The Book Store at Depot Square]
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        [Radio script]: Hamlet. Adapted for Radio by John Gielgud

      [No place]: United States Steel Corporation presents The Theatre Guild on the Air. 1951. First. Marked "First [struck through] Second Revise." Quarto. Stapled mimeographed leaves printed rectos only. 107pp. Some foxing and moderate wear on the first and last leaves, very good. An adaptation of the famous play, with the ownership signature and extensive corrections in the hand of the director Homer Fickett. The Theatre Guild on the Air began as an hour long dramatic series on radio and later for television (from 1953 to 1963) sponsored by the United States Steel Corporation. OCLC locates two copies of an adaptation of Hamlet by Gielgud, at a slightly later date. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Siqueiros. Por La Via de Una Pintura Neorrealista o Realista Social Moderna en Mexico :: Sur La Route D'Une Peinture Neo-Realiste Ou Realiste Social Moderne Au Mexique :: Through The Road of a Neo-Realism or Modern Social Realistic Painting in Mexico (Inscribed Presentation Copy)

      [Instituto Nacional de Bellas Artes], Mexico City 1951 - The most substantial monograph on Siqueiros' work published during his lifetime. This a major presentation copy, to the Polish-American painter and printmaker Ira Moskowitz, best-remembered for his long residency in Taos, New Mexico where he produced a large body of work documenting lives of Native Americans and Mexican-Americans. Siqueiros, second in prominence only to Diego Rivera among the great Mexican muralists, was a lifelong Marxist and a committed revolutionary. He was an instrumental member of the Stalinist plot to assassinate Leon Trotsky, personally participating in an unsuccessful machine-gun attack on Trotsky's house in 1940. Large quarto (32cm). Original blue cloth boards; unpaged. Presentation copy, warmly inscribed by Siqueiros on second blank: "Para el Sr. Ira Moskowitz, hombre de letras en artes plasticos, que ama y comprende la pintura de Mexico, con la amistad de JDA Siqueiros," dated August, 1959. A tight, square copy of the book; cloth a little faded and soiled at spine and extremities; lacking dustwrapper; Very Good. [Attributes: First Edition]

      [Bookseller: Lorne Bair Rare Books, ABAA]
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        The Rose Tattoo

      New Directions 1951 - The first edition, published by New Directions in 1951. This copy has been signed by Tennessee Williams - and then ( in a different ink ) inscribed ; ' To Phoebe Binganon, Cordially Tenn. Williams '. A near fine example of the book with just a trace of toning to the pastedowns in a very good dust jacket with chips to the spine ends and the lower tips. The jacket bears a quarter inch strip absent along the upper fore edge of the front panel. Uncommon signed by Tennessee Williams. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: The Reluctant Bookseller]
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        Eigenh. Brief mit U. ("Zedlitz").

      Wien, 7. XI. 1951 od. 1853. - 3 SS. auf Doppelblatt. Gr.-8vo. An eine Dame: "[.] Vor Allem freut es mich über Ihr und der Ihrigen Befindenaus Ihrem Schreiben alles Gute entnehmen zu können [.] In Betreff der [.] Angelegenheit von Ruff bin ich sehr gern erbötig, wenn er seine Statuette einschickt sie selbst an den Kaiser [.] so wie in die Ausstellung zu bringen. Für den Erfolg kann ich nicht einstehen, glaube aber nach dem Talent was Ruff besitzt gewiß eine sehr gute Aufnahme auguriren zu können [.]". - Nachdem Zedlitz, der Sohn eines fürstbischöflichen Amthauptmanns, die militärische Laufbahn eingeschlagen und als Oberleutnant und Ordonnanzoffizier u. a. 1809 an den Schlachten von Regensburg, Aspern und Deutsch Wagram teilgenommen hatte, quittierte er auf Wunsch seiner Familie seine militärische Laufbahn, ging zur Bewirtschaftung der eigenen Güter nach Ungarn, kehrte 1810 aber als Kammerherr nach Wien zurück und verkehrte dort in literarischen Zirkeln. 1836 verfaßte der u. a. mit Grillparzer befreundete Zedlitz den Text für die Kaiserhymne auf Ferdinand I., im Jahr darauf trat er in den Dienst der Staatskanzlei, verfaßte österreichfreundliche Artikel für die "Augsburger Zeitung" und war in diplomatischer Mission tätig. Sein literarisches Schaffen umfaßt neben Lyrischem vorwiegend Dramen. - Mit kleineren Randläsuren.

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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        THE DARK CHATEAU AND OTHER POEMS.

      Sauk City, Wisconsin: Arkham House, 1951 - Octavo, cloth. First edition. Presentation copy with signed inscription by Smith to A. Langley Searles on the front free endpaper: "For A. Langley Searles, / with compliments of / Clark Ashton Smith / Dec. 12th, 1951." 563 copies printed. A selection of forty poems, ably showing off his brand of the fantastic, which was heavily influenced by the French Decadents. His sixth collection of poems and the first of three issued by Arkham House. "Lyric poetry offered Smith (as it did Lovecraft and, arguably Poe, as well) a purer form for the expression of his chief literary genius, which was the painting of fantastic tableaus, vignettes and landscapes with little need for character, dialogue or action." - Robert Eldridge. Mild bumps to spine ends, mild tanning to paste-downs, else a fine copy in nearly fine dust jacket with mild age-darkening to spine lettering and touch of rubbing to spine ends and corner tips. Quite a nice copy. Signed or inscribed copies of this book are very uncommon. (#132269) [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Currey, L.W. Inc. ABAA/ILAB]
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        The Grass Harp

      Random House 1951 - NF/VG First issue in rough beige cloth, SIGNED on the ffe by the author. Pages a bit toned, a bit of soiling to the fore-edge and a couple of page corners lightly creased, else near fine in a price-clipped dj, chipped and sunned along spine. Scans on request. Fiction [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Book 'Em]
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        Thomas Tompion His Life and Work

      B.T Batsford, London 1951 - 320 pages, 272 plates + 2 folding plates, first edition, 1951. The deluxe edition, printed on handmade paper, top edge gilt, limited to 350 copies, burgundy half calf binding and gilt lettering, with red cloth covered slipcase. This copy number 275, but as with several others I have handled, is not signed by the author. An important book about England's most famous clock and watch maker. A very good copy with good slip case (the case edges now reinforced with tape). [Attributes: First Edition; Hard Cover]

      [Bookseller: Jeffrey Formby Antiques]
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        Thomas Tompion: His Life & Work 1639-1713

      B.T. Batsford, Ltd., London 1951 - #119 OF 350 COPIES SIGNED BY AUTHOR R.W. SYMONDS on the limitation page. A handsome copy to boot of the 1951 true 1st edition. Well-preserved and solidly VG+ in its half-morocco over matching red cloth. Gilt-decorated front panel, bright gilt-lettering to spine. Quarto, 320 pgs., top-edge gilt, crisp black-and-white plates thruout. Light fading along spine, otherwise clean as could be. Elegant monograph on England's pre-eminent clockmaker of the 17th century. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: APPLEDORE BOOKS, ABAA]
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        L'Histoire Naturelle de Georges-Louis LeClerc, comte de Buffon, illustre par Germaine de Coster

      Germaine de Coster. Very Good. 1951. Signed by author B0010000DG Very Good. (Binding: Hardcover, Jacket: No Jacket) Portfolio. Copy number 3 of 115, includes 3 original paintings . B0010000DG .

      [Bookseller: Moe's Books]
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        L'homme Au Vélo.

      Musée d'Art Moderne De La Ville De Paris, Mourlot - Paris 1951 - Lithographic poster - Affiche lithographique. Lithographie en 3 couleurs exécutée pour l' exposition des Peintres Témoins de Leur Temps " Le Travail" au Musée d'Art Moderne dfe la Ville de Paris. Format: 77 X 52 cm .

      [Bookseller: La Basse Fontaine]
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        The Caine Mutiny

      Garden City: Doubleday. 1951. First. First edition, in first issue jacket. Fine in just about fine, first issue dustwrapper with a tiny tear and a little rubbing at the spine. Winner of the Pulitzer Prize and a Burgess 99 title, a story of cowardice and manipulation during WWII. Splendidly adapted first to the stage and then to film with Oscar-worthy performances by Humphrey Bogart, Jose Ferrer, and Fred MacMurray. The first issue jacket is exceptionally scarce, particularly in collectible condition. A much nicer than usual copy. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        The Caine Mutiny (SIGNED Plus SIGNED MOVIE TIE-INS)

      Doubleday, New York 1951 - 1st Edition/1st Printing. Scarce 1st Issue Jacket (with blurb on rear about 'The City Boy') & price of $3.95 present. 494 pages. SIGNED by Herman Wouk on a bookplate decal on half-title page (signature only). Light page edge browning and light bumping to spine ends. DJ has some fading and light rubbing; some shelf edge wear and tiny chip on rear bottom. DJ has tape reinforcement on obverse. Also includes laid-in a color photo of old movie promotional poster which is SIGNED by actor VAN JOHNSON (played Lt, Steve Maryk in 1954 movie adaptation of novel). Also includes laid-in a card SIGNED and inscribed by famed writer-director STANLEY KRAMER, who produced the movie. Also includes laid-in bookplate SIGNED by actor JOHNNY DUNCAN (played sailor in film). Also laid-in is a 6"x5" photo SIGNED and inscribed by actress MAY WYNN (she played May Wynn in film- she previously used her real name of Donna Lee Hickey but changed it to May Wynn after film). Also comes with an unsigned copy (condition Good) of the 1st Dell printing paperback edition (Sept. 1963) of "The Caine Mutiny'. Also includes laid-in a 2012 New York Times interview with Wouk entitled "At 97, He has a Book or 2 Left". Unique copy with signed movie tie-ins for the 'Mutiny' fan or collector. Pulitizer Prize winning novel. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Daniel Montemarano]
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        CARTEL DE HOGUERAS DE SAN JUAN - ALICANTE 1951 - ILUSTRADO POR OTILIO - ENMARCADO

      Alicante 1951 - Cartel de Hogueras de San Juan/ Alicante 1951/ Ilustrado por Otilio/ Enmarcado/ Tiene unas pequeñas roturas y le faltan unos pequeños trozos de papel como se puede apreciar en la imagen adjunta/ A/ TC Size: 68x100

      [Bookseller: Libreria Raices]
 38.   Check availability:     AbeBooks     Link/Print  

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