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Displayed below are some selected recent viaLibri matches for books published in 1951

        Le Visage de la Paix

      1951. PICASSO, Pablo. Le Visage de la Paix. By Paul Eluard. With a transfer lithograph by Picasso. Folio, bound loose as issued in the original wrappers. Preserved in a cloth folding box. Paris: Editions Cercle d'art, 1951.|~| One of the 150 copies on Velin pur fil de Johannot with an original lithograph by Picasso from a total edition of 2250. In very fine condition, a clean partially un-opened copy of this last collaborative effort between Picasso and Eluard. Eluard's stanzas and maxims celebrating the virtues of peace are accompanied by 29 illustrations by Picasso depicting a dove enveloping the face of a woman. The frontispiece is an original lithograph dated 1951 in the stone. Goeppert, Pablo Picasso: The Illustrated Books 62.

      [Bookseller: Ursus Rare Books]
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        India & adjacent countries

      1951 Survey of India, [Dehra Dun] 1951 - First edition, very large dissected folding map mounted on linen, as issued, approx. 71" x 64", folding down into an octavo-size red cloth binding with a printed label on the upper cover, on a scale of 40 miles to one inch, printed in color (the map was also available uncolored), with 7 inset maps showing geographical features, average ranfall, isothermic lines, principal industries, orographical features, geology and principal minerals, and population density; generally fine. 3 in OCLC: Michigan and Chicago only in OCLC. [Attributes: First Edition; Hard Cover]

      [Bookseller: Rulon-Miller Books (ABAA / ILAB)]
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        A Collection of Warhol's early Work in Books and Magazines

      1951. AN ARCHIVE -- WARHOL AS BOOK DESIGNER WARHOL, Andy. A Collection of Warhol's Early Work in Books and Magazines. Comprised of 46 books and 10 magazines. Various formats, sizes and bindings, each as originally issued. Each item preserved in new cloth folding box. Various Places: 1951-2004. |~||~||~||~||~| A nearly complete collection of Warhol's work as an illustrator, and as a designer of dust jackets for trade publications, as well as covers for magazines. This aspect of Warhol's creative output is little known, little collected, and the material has been largely ignored. A recent exhibition entitled Reading Warhol at the Brandhorst Museum in Munich brought much of the forgotten material to the attention of Warhol scholars and collectors. However, that exhibition covered only books and ephemera, and did not deal with his magazine covers. The majority of our collection documents Warhol's early work, beginning shortly after he arrived in New York from Pittsburgh in 1949. The importance of these illustrated book and magazine covers is easily understood when one sees how his later style evolved from the imagery seen in these early works. The collection includes 10 magazines for which Warhol designed the covers, including the celebrated cover for Esquire, all 5 issues of Time magazine, and his covers for Vogue, Playboy and Opera News. Lacking only four books listed in Reading Warhol, and not including the seven books published by Warhol himself in small handmade editions. The dust wrappers for the books published in the fifties and sixties are extremely rare and are now virtually impossible to find on the market. See: Reading Warhol, catalogue of exhibition at the Museum Brandhorst, September 18, 2013-January 12, 2014 (Munich: Hatje Cantz, 2013). A complete list of the collection is available upon request. Firbank, Ronald. Three Novels. Norfolk, CT: New Directions, 1951. Stein, Aaron Mark. Pistols for Two. New York: Doubleday, 1951. Hutchins, Maude. Love is a Pie. Norfolk: New Directions, 1952. Vanderbilt, Amy. Amy Vanderbilt's Complete Book of Etiquette. New York: Doubleday, 1952. Charteris, Leslie. The Saint in Europe. New York: Doubleday, 1953. Madrigal, Margarita. Madrigal's Magic Key to Spanish. New York: Doubleday, 1953. Cecil, Henry. According to the Evidence. New York: Harper, 1954. Halsey. Ladies Home Journal Book of Interior Decoration. New York: Doubleday, 1954. Plomer, William. Borderline Ballads. New York: Noonday Press, 1955. Vanderbilt, Amy. Amy Vanderbilt's Everday Etiquette. New York: Doubleday, 1956. Slenczynska, Ruth & Louis Biancolli. Forbidden Childhood. New York: Doubleday, 1957. Best in Children's Books, Volume 5. New York: Doubleday, 1957. Best in Children's Books, Volume 7. New York: Doubleday, 1958. Best in Children's Books, Volume 15. New York: Doubleday, 1958. Best in Children's Books, Volume 21. New York: Doubleday, 1959. Best in Children's Books, Volume 27. New York: Doubleday, 1959. Best in Children's Books, Volume 33. New York: Doubleday, 1960. Alexander, David. Madhouse in Washington Square. Philadelphia: Lippincott, 1958. Ross, Walter. The Immortal. New York: Simon and Schuster, 1958. Steegmuller. Francis. The Grand Mademoiselle. New York: Doubleday, 1960. Stendhal. The Red and the Black. New York: Doubleday, 1960. Neame, Alan. The Adventures of Maud Noakes. New York: New Directions, 1961. Prevost. Manon Lescaut. New York: Doubleday, 1961. Vanderbilt, Amy. Amy Vanderbilt's Complete Cookbook. New York: Doubleday, 1961. Vanderbilt, Amy. Amy Vanderbilt's New Complete Book of Etiquette. New York, 1963. Malanga, Gerald. Screen Tests/A Diary. New York: Kulchur Press, 1967. Warhol, Andy. a. A Novel by Andy Warhol.New York, Grove Press, 1968 Warhol, Andy. Index Book. New York: Grove Press, 1968. Warhol, Andy. Warhol. Stockholm: Moderna Museet, 1968. Warhol, Andy. Blue Movie: a Film by Andy Warhol. New York: Grove Press, 1970. Warhol, Andy. Chic Death. 1971. Warhol, Andy. The Philosophy of Andy Warhol. New York: Harcourt Brace, 1975. Warhol, Andy. Exposures. New York: Grosset, 1979. Stokes, Geoffrey. The Beatles. New York: Rolling Stone, 1980. Warhol, Andy and Pat Hackett. POPism. New York: Harcourt Brace, 1980. Mommsen, Katharina. Who is Goethe? New York: Suhrkamp, 1983. Warhol, Andy. Children's Book. Zurich: Bischofsberger, 1983. Dalton, David and Ron Cayen. James Dean. New York: St. Martin's Press, 1984. Goodenough, Simon. The Greatest Good Fortune. Edinburgh: Macdonald, 1985. Warhol, Andy. America. New York: Harper and Row, 1985. Williams, Tennessee. Collected Stories. New York: New Directions, 1985. Benirschke, Kurt. Vanishing Animals. New York: Springer, 1986. Hesse. Wer lieben kann, ist Gluecklich, uber die Liebe. Frankfurt: Suhrkamp, 1986. Warhol, Andy and Pat Hackett. Andy Warhol's Party Book. New York: Crown, 1988. Warhol, Andy. The Andy Warhol Diaries. New York: Warner Books, 1989. Warhol, Andy. Red Books. New York: Pace Gallery, 2004. Magazines for which Warhol designed the cover: Opera News. December 1, 1958. Time Magazine. January 29, 1965. TV Guide. March 5-11, 1966. Esquire. May 1969. Time Magazine. February 16, 1970. Vogue, Paris. September 1983. Time Magazine. March 19, 1984. Time Magazine. April 1, 1985. Playboy. January 1986. Time Magazine. September 29, 1986.

      [Bookseller: Ursus Rare Books]
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        XXeme Siecle. [Vingtieme Siecle]

      1951. VINGTIEME SIECLE. XXeme Siecle. Serie II: nos. 1-59 (last published), together with all 14 of the special numbers. Illustrated throughout with 163 original graphics. Folio, in wrappers and boards as issued, some wrappers slightly bumped, but overall a fine set. Paris, 1951-1985. A complete set of the second series of one of the greatest periodicals on twentieth-century art, a first series comprising seven numbers had been published from 1938-1939. The publication is perhaps best known for its 163 original prints by almost every major artist of the time, including Arp, Braque, Chagall, Delaunay, De Stael, Dubuffet, Ernst, Giacometti, Indiana, Johns, Kandinsky, Lam, Laurens, Léger, Magritte, Man Ray, Manzu, Marini, Masson, Matta, Miró, Moore, and Tobey. A first series consisting of two volumes was published before the war. The 14 special numbers are devoted to Max Ernst, Esteve, Léger, Matisse, Miró, Moore, Picasso, Chagall, Calder, Chagall Monumental, Marini, Tanning, Kandinsky and Rouault. In number 44 the Rosenquist print is inscribed by Rosenquist. Complete sets are virtually unobtainable.

      [Bookseller: Ursus Rare Books]
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        The Official Encyclopedia of Baseball (Jubilee Edition)

      New York: A.S. Barnes. (1951). Jubilee edition. Fine in a modestly worn, very good or better dustwrapper. Inscribed by Turkin: "To Joe DiMaggio Who is great even without a bat, ball or glove in his hand. Hy Turkin. April 5, 1951." DiMaggio, who is of course cited frequently in the book, announced his retirement from baseball eight months later. With letter of provenance signed by DiMaggio's two granddaughters. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Le Satyricon

      1951. DERAIN, Andre. Le Satyricon. By Petronius Arbiter. With 36 engravings by Andre Derain. Large Folio, loose as issued in the original wrappers and cardboard slipcase. Paris: Privately published, 1951. |~||~||~||~| A monumental publication - one of the many projects undertaken by Ambroise Vollard and then abandoned. Derain executed the engravings in 1934; fifteen years later the project was completed under his supervision. This is one of an edition of 130 copies on Arches. From Manet to Hockney 100.

      [Bookseller: Ursus Rare Books]
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        Großformatige orig. Handzeichnung mit eigenhändiger und signierter Widmung. Größe ca. 43,5 x 28,5 cm. Auf dem Vorsatz von: Luciano Castelli: Arbeiten aus den Jahren 1979 bis 1999. Berlin: Galerie Michael Schultz, 2001

      . fest gebunden. Castelli (geb. 1951), nahm bereits als 21jähriger an der documenta 5 in Kassel teil. Stellte in vielen bedeutenden Galerien in Paris, London, New York, Köln, Lausanne aus und zog nach Berlin und beeinflusste dort die Jungen Wilden und wurde selbst u.a. von Rainer Fettig beeinflusst. Er gründete dort die Performance- und Musikgruppe "Geile Tiere" und zog später weiter nach Paris.

      [Bookseller: Antiquariat Kristen (Dr. Lorenz Kristen)]
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        L'âge du cinéma N°4/5

      L'âge du cinéma 1951 - - L'âge du cinéma, Paris Septembre 1951, 22x16cm, agrafé. - Edition originale imprimée à 200 ex de luxe numérotés et imprimés sur papier rose. Couvertures argentées, premier plat illustré. Contributions de A. Breton, G. Goldfayn, R. Benayoun, Man Ray, B. Péret, J. Schuster, F. Valorbe. Notre exemplaire est enrichi de la signature de tous les contributeurs. Ouvrage bien complet de ses 5 filmomanies symptomatiques. Agréable et rare exemplaire. [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Librairie Le Feu Follet]
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        Peekskill USA

      Civil Rights Congress, 1951. Limited. hardcover. very good(+)/very good(-). Illustrated with black-and-white photographs. 127 pages, 8vo, brown cloth, dust wrapper (worn and chipped along the edges). No place: Civil Rights Congress, 1951. A very good(+) copy in a very good(-) dust wrapper. Limited edition of five hundred specially-bound copies, autographed on the half-title page by Howard Fast, Paul Robeson (to whom the book is dedicated), and William T. Patterson (Executive Secretary of the Civil Rights Congress).

      [Bookseller: Argosy Book Store ]
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        Love is a Pie

      Documented this art work dust jacket as the work of andy warhol but not credited within. General wear and rubbed cover. Tight binding. No bookplate. Pencil markings on front free endpage. White gilt on spine. Faded spine. Tears, creased and faded dust jacket. Dust jacket flap price $3.50. DATE PUBLISHED: 1951 EDITION: 223 [Attributes: Hard Cover]

      [Bookseller: Princeton Antiques Bookshop]
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        Fictions

      First edition of the French translation, one of 44 numbered copies on pure wire, the only major papers. Pleasant specimen. Gallimard Paris 1951 12x19cm broché

      [Bookseller: Librairie Le Feu Follet]
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        Au moment voulu

      First Edition, review copy service. Very valuable and exciting autograph signed by the author to his mother and his sister: "To my very dear, / this book may be dangerous to write / can be dangerous to read / linked because the distance , / in all affection and gratitude / Eze, 24 December 1951. " Marguerite Blanchot, renowned organist Chalon Cathedral, remained all his life in the family home with his mother and aunt. "It will gradually become, for the family, as the memory of origins." Very close to Maurice, she regularly corresponded with the writer who reflects him great recognition for his dedication to their helpless mother. If intense affection Blanchot for his mother and his sister shines in dedications of it, we know almost nothing of their relationship. In the only biographical essay on Blanchot, Christophe Bident reveals, however: "Marguerite Maurice Blanchot worshiped his brother very proud of him, (...) it attached great importance to his political ideas (...) She read a lot (.... .) They phoned corresponded. A distance, they shared the same natural authority, the same concern for discretion. " Blanchot address him indeed many books from his library, now with her continuous intellectual link. As the passion of Blanchot for his mother, it is the turn of his work that we discover the finest examples: "Maybe the power of the mother figure she borrows its brightness to the same power fascination, and one could say that if the mother carries this fascinating attraction is as appearing when the child lives entirely under the gaze of fascination, it concentrates in itself all the powers of enchantment ". Cultivating absolute discretion, Blanchot pushed the art of erasing into his handwritten dedications generally brief and almost always written on cards attached to the rare books he offered his close friends. In contrast, in these precious items to his mother and sister, Blanchot offers in all its fragility and, in the privacy of this correspondence, his work focuses on a previously unknown personal look. Nice copy. Gallimard Paris 1951 12x19cm broché

      [Bookseller: Librairie Le Feu Follet]
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        La flamme

      First edition of the French translation which was not derived great papers. Binding Editor in full carton cream, smooth back, full copy of the illustrated dust jacket which has small tears and minor marginal gaps. Rare autograph dedication signed by the author. Del Duca Paris 1951 13,5x21cm reliure de l'éditeur

      [Bookseller: Librairie Le Feu Follet]
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        La chanson d'un gas qu'a mal tourné

      Edition illustrated with 53 original lithographs Edmond Heuzé and 115 numbered copies printed on vellum Lana.Our copy is exceptionally enriched with four original color drawings of illustrator, four menus illustrated and signed by Edmond Heuzé well as a suite of 27 lithographs in black, most variations of colors.Tiny bites are not serious about the cover boards. Société des amis des livres Paris 1951 23x29,5cm en feuilles sous chemise et étui

      [Bookseller: Librairie Le Feu Follet]
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        Mythologie de crève-coeur

      Original printed edition of 100 copies. Sending the author Robert Kanters. Track transverse fold on the front cover dwindling over the following pages, otherwise nice copy. Rare. Imp. Almadinah Port-Louis 1951 15x21cm broché

      [Bookseller: Librairie Le Feu Follet]
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        Le Rivage des Syrtes

      Original, one of 40 numbered copies on laid Rives Edition, print head.Bound in full blue morocco night guards and contreplats yellow ocher box, gilt fillet on turns, rolls golden head and tail, all edges gilt, covers and spine preserved, lined pouch blue morocco night, binding signed PL Martin , 1958.The novel was awarded the Prix Goncourt but the author refused. Indeed, last year, in the pamphlet Literature stomach, Gracq denounced the trading system of the literature, including literary criticism price.Precious copy of the most famous novels Gracq well established in a sumptuous binding tripled Jansenist Pierre-Lucien Martin.Provenance: bilbliothèque R. and BL with his bookplate. José Corti Paris 1951 In-8 (13x19cm) relié sous étui

      [Bookseller: Librairie Le Feu Follet]
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        Marie qui louche

      First edition, one of 100 numbered copies on pure wire only major papers.Nice copy. Presses de la Cité Paris 1951 12x18,5cm broché

      [Bookseller: Librairie Le Feu Follet]
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        Le ressassement éternel

      Original, one of 990 copies Ghaldwill Edition, only major papers after 10 pure fil.Reliure half maoquin blue, smooth back, when golden tail, covered with marbled paper, guards and contreplats blue paper covers and spine preserved ( slightly back and irradiated with small gaps filled), gilded head, binding signed Goy & Vilaine.Exceptionnel and touching handwritten dedication signed by the author to his mother and to his sister: "To my very dear these pages, alas old well in any condition. Mauritius. / Before the beginning there was the new beginning which is a fascination of light, an image of anything and we empty the heart of the eternal rehashing ".Page false title which include the sending slightly and marginally ombrée.Marguerite Blanchot, renowned organist Chalon Cathedral, remained all his life in the family home with his mother and aunt. "It will gradually become, for the family, as the memory of origins." Very close to Mauritius, she regularly corresponded with the writer who demonstrates her great recognition for his dedication to their helpless mother. If the intense affection Blanchot for his mother and sister shines in dedications of it, we know almost nothing about their relationship. In the only biographical essay on Blanchot, Christophe Bident reveals however: "Marguerite Maurice Blanchot worshiped his brother very proud of him, (...) it attached great importance to his political ideas (...) She read a lot (.... .) They phoned corresponded. Remotely, they shared the same natural authority, the same concern for discretion. " Blanchot address him indeed many books from his library, now with her continuous intellectual bond. As for the passion of Blanchot for his mother, it was the turn of his work that we discover the finest examples: "Maybe the power of the mother figure she borrows its radiance to the same power fascination, and one might say that if the mother carries this fascinating attraction is as appearing when the child lives entirely under the gaze of fascination, it concentrates in itself all the powers of enchantment ".Cultivant absolute discretion, Blanchot pushed the art of erasing into his handwritten dedications generally brief and almost always written on cards attached to rare books which he gave to his close friends. In contrast, in these precious items to his mother and sister, Blanchot offers in all its fragility, revealing a hitherto unknown intimacy. Beautiful specimen fully established. Les éditions de minuit Paris 1951 11,5x18,5cm relié

      [Bookseller: Librairie Le Feu Follet]
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        Petrusmok

      Port-Louis, Ile Maurice, Standard Printing Establishment, 1951. 129 x 176 mm, 579 pp. Manque en pied restauré. EDITION ORIGINALE. Tirée uniquement de 400 exemplaires. ENVOI AUTOGRAPHE signé : "à Rolland de Renéville, Paris, cet évangile de la pierre, Malcolm de Chazal, 23/2/51, Ile Maurice". BEL PROVENANCE.

      [Bookseller: Librairie le pas sage]
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        The Seven-League Crutches

      New York: Harcourt, Brace and Company. (1951). First. First edition. Fine in about fine dustwrapper with slight spine-fading. Inscribed by the author: "To Leonard from Randall." An important collection of poetry. The recipient, Leonard Hurley, the author of a couple of popular English textbooks, was a beloved professor at the Woman's College of the University of North Carolina at Greensboro, where he and Jarrell both taught in the English Department. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Amar fue su Pecado Vintage Poster

      Mexico City, 1951. Offset lithograph, image measuring 28 x 42, linen-backed, with the linen extending beyond the image for two inches in each dimension. Very good; a few small tears around the edges, some very minor touch-up work, but skillfully done and unobtrusive. A typically arresting image from Renau, a.k.a. Josep Renau Berenguer (1907-1982), one of several great poster artists working in exile in Mexico in the 40's and 50's. Professionally mounted on conservation grade linen.

      [Bookseller: John Kehoe, Bookseller ABAA]
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        The State of the Nation. A Broadcast by the Prime Minister . Saturday, 22nd December 1951.

      1951 - 8vo. Original blue wrappers, the upper wrapper titled in white and with a portrait of Churchill; pp. 8 (plus wrappers); slight soiling to wrappers, otherwise a very good copy, preserved in a custom made cloth-covered flapcase with ties and a leather label. First edition. A broadcast by the Prime Minister made shortly after the 1951 General Election. "Tonight, my friends, it is my duty to tell you the broad truths of our national life and policy as they strike me on shouldering the burden again .". [Attributes: First Edition; Soft Cover]

      [Bookseller: Henry Sotheran Ltd]
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        70 Large Broadsides or Posters for The Saturday Evening Post

      [Philadelphia]: The Curtis Publishing Company. 1951-1960. A collection of 70 different broadsides or posters for The Saturday Evening Post. Each measuring 22' x 28". Overall near fine with some scattered bumps and small tears at the edges, with folds as issued. These broadsides were used at newsstands to promote the latest issue of the magazine with text above or below the enlarged image of that week's front cover usually touting one of the cover stories, but occasionally an interior article or a short story. The cover features the talents of a number of popular Post artists such as John Falter, George Hughes, John Clymer, Thornton Utz, Steven Dohanos, Amos Sewell, Constantin Alajalov, and others. They depict American life of the 1950s with a gentle mix of humor (teenage dating, fashion, popular music), social commentary (influence of television, expansion of the highway system, and women in the workplace), and illustrations of rural life. A wonderful collection of images of mid-century American life. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Haiku / [compiled and ed. by] R.H. Blyth - Complete in 4 volumes

      Tokyo : Hokuseido Press, 1951. 1st Edition. Fine cloth copies in near fine, very slightly edge-nicked and dust-dulled dust wrappers, now mylar-sleeved. Remains a particularly and surprisingly well-preserved set; tight, bright, clean and sharp-cornered. Text in English with extracts in Japanese and English translation. Contents; v.1. Eastern culture -- v.2. Spring -- v.3. Summer-autumn -- v.4. Autumn-winter. Subjects; Haiku. Japanese poetry - History and criticism. Illustrated.

      [Bookseller: MW Books Ltd.]
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        The Grass Harp

      Random House 1951 - Near fine in a near fine dust jacket. First Printing stated on the copyright page. Slight darkening on the front free endpaper from something previously laid in paper; very minor tanning to cover edges. Dust jacket is price-clipped. Minor wear and sun-tanning. [Attributes: First Edition; Hard Cover]

      [Bookseller: Bookbid]
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        Hard Not to be Kind

      House of Books, Ltd, New York 1951 - Very good plus book in very good plus two-tissue dust wrapper. Signed limited edition, this is #166 of 300. Blue cloth covered boards with gold text and graphics on front panel and spine. Boards are sunned on spine and panels around the spine edges. Signed by the author on the limited edition. Also signed by Douglas Frost the author's nephew on the front free end-paper, which makes this an association copy. Book is internally clean and tight. Tissue papers are sunned on the spine. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: R & G Bliss Books]
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        A History of the Calico Printing Industry of Great Britain

      Altringham - John Sherratt and Son, 1951 Book. Very Good. Hardcover. First edition. A scarce first edition of Geoffrey Turnball's A History of the Calico Printing Industry of Great Britain. Bound in cloth with gilt lettering. Scarce. First edition. With numerous black and white illustrations. Includes chapters on bleaching, dying and printing, machine printing, design and art, labour, costing etc. Condition: The binding is tight and firm. The inner hinges are slightly strained. There is slight wear to the extremities, including fading to the spine and bumping. Internally the pages are bright and generally clean with ink stamps on the endpapers, title page and occasionally throughout. Overall the condition is very good..

      [Bookseller: Rooke Books]
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        THE CATCHER IN THE RYE

      Little, Brown & Company, 1951, Hardcover, First EditionVery Good in a Very Good- dust jacket. Chip to jacket crown at spine with tear running down from location. Other minimal wear at spine. First Book Club Edition with rare picture of Salinger on rear panel. ; 8vo 8" - 9" tall

      [Bookseller: RareBookCellar.com]
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        Requiem for a Nun.

      Random House, New York, 1951 - Octavo. Original half black cloth, marbled paper boards, titles to spine gilt, blue endpapers. With the original acetate dust jacket. Spine a little faded but an excellent copy in the original acetate. First edition, first printing, limited issue. One of 750 numbered copies specially bound and signed by the author. [Attributes: First Edition; Signed Copy]

      [Bookseller: Peter Harrington. ABA member]
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        The Catcher in the Rye [with Fadiman insert]

      Boston: Little, Brown & Company, 1951 Boston: Little, Brown & Co., 1951. BCE [Book Club Edition]. The BCE with Lotte Jacobi's photo of Salinger on jacket back, with her name credited in small font just above Salinger's name. All other first Book Club points present as well. Clifton Fadiman Insert laid in (see below). Octavo, 277 pp. Black cloth with gilt imprinting; jacket with Michael Mitchell's now- famous carousel-horse pictorial design jacket. A Fine book with just a touch of top page edge dust in a jacket with small-scale wear at spine end and corners, and thin marginal toning at the top inside edges of the flaps; jacket is better than Very Good. Please see scans. Superior condition for the real first BCE of Salinger's famed novel. Laid in is the original pamphlet containing Clifton Fadiman's classic review of Catcher in the Rye for the Book-of-the-Month Club, also in fine condition. Salinger's timeless and classic masterpiece, the chronicle of forty-eight hours in the coming-of-age of a troubled teenager, here in its most collectible form short of the first edition, and the form that probably did more to popularize the novel than the first edition. No recounting needed here; you know the story, and Fadiman's review is better than Cliff Notes anyway. Scarce in this superior condition, rare with the insert. L64

      [Bookseller: Singularity Rare & Fine]
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        Literaturberichte über Wasser, Abwasser, Luft und Boden/ Literaturberichte über Wasser, Abwasser, Luft und feste Abfallstoffe (KONVOLUT aus 29 Bänden) - Bd. 1 (1951) bis Bd. 29 (1981).

      Fischer Verlag; 1951 - 1981.. gebundene Ausgabe. Die hier angebotenen Bände stammen aus einer teilaufgelösten wissenschaftlichen Bibliothek und tragen die entsprechenden Kennzeichnungen (Rückenschild, Instituts-Stempel...). Schnitt und Einband sind etwas staubschmutzig/ berieben; Papier altersbedingt leicht nachgedunkelt; Der Buchzustand ist ansonsten ordentlich und dem Alter entsprechend gut; KOMPLETTPREIS für 29 Bände; bei Versand ins Ausland erfragen Sie bitte zuerst die Versandkosten;

      [Bookseller: Petra Gros - Versandantiquariat]
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        STRANGLER'S SERENADE.

      New York: Rinehart & Company, Inc., [1951]. - First edition. (the letter "R" in a circle) on the copyright page. Fine in dust jacket with light professional restoration to spine ends. The last novel written as William Irish, finds Prescott, the New York detective, visiting a small town when he ran into murder. Then the murders multiplied, five in all, to be exact, and a suicide, all within a matter of days. [Attributes: First Edition; Hard Cover]

      [Bookseller: BUCKINGHAM BOOKS, ABAA, ILAB]
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        Siamese White

      nbsp;London - Faber and Faber, 1951 Book. Very Good. Hardcover. The fascinating biographical accountof a controversial figure, Samuel White, who was appointed a mandarin by the King of Siam in the seventeenth century. New Edition. Featuring four maps, including one folding. Maurice Collis lived in Siam (Thailand) himself, and 'is able to give us a first-hand picture of a fascinating land; of a lovely archipelago, of rivers and rapids, of an immemorial track through jungles haunted by tigers and malaria'. Condition: In a cloth binding with original unclipped dustwrapper. Externally, dustwrapper is sound, lovely and bright, with some chipping and small closed tears. The book is smart with just a very little shelfwear. Internally, firmly bound. Bright and clean throughout. Overall: NEAR FINE with anear finedustwrapper..

      [Bookseller: Rooke Books]
 33.   Check availability:     Biblio     Link/Print  


        Never Leave Well Enough Alone

      New York: Simon and Schuster,, 1951. Octavo. Original black and white laminated boards, spine and front board lettered in white and gilt, red endpapers. With the dust jacket. Bookplate to front pastedown. Tips a little worn, minor stains to boards, laminate lifting slightly. A very good copy in the jacket with toned spine, chips to extremities and 16 cm closed tear to front panel with tape repairs. First edition, first printing of the legendary designer's autobiography. An extremely attractive association copy, inscribed by the author on the front free endpaper: "To Harrison Jones, with high esteem and warm regards. Raymond Loewy. Feb. 20. '51." At the time, Jones was the chairman of Coca-Cola, with whom Loewy and his design team had been working closely throughout the late 1940s, streamlining equipment to develop Coca-Cola's brand identity through the design of coolers - he added the bottle opener with cap-catcher to the front of the machines - soda fountains - the "outboard motor" Dole Deluxe Dispenser - and delivery trucks, with the classic Hobbs truck body. Loewy is often credited with designing the contoured "hobble skirt" Coca-Cola bottle - a design which in fact dates back to 1915, and was (supposedly) mistakenly based on a cocoa pod - what Loewy actually did in 1954 was to "slenderize" the bottle's rather bulbous original silhouette, removing the embossed lettering and adding the vivd white applied colour lettering, creating the immediately recognisable modern Coke bottle. In Loewy's opinion the sinuous bottle shape was "the most perfectly designed package in the world".

      [Bookseller: Peter Harrington]
 34.   Check availability:     Biblio     Link/Print  


        The Dictionary of National Biography

      George Smith, 1951 Book. Very Good. Hardcover. Hardbound volume in blue cloth covered boards. Three volumes in one. Sir Sidney Lee (December 5, 1859 March 3, 1926) was an English biographer and critic. In 1883 he became assistant-editor of the Dictionary of National Biography. In 1890 he became joint editor, and on the retirement of Sir Leslie Stephen in 1891 succeeded him as editor. Lee himself contributed voluminously to the Dictionary, writing some 800 articles, mainly on Elizabethan authors or statesmen. The Dictionary of National Biography (DNB) is a standard work of reference on notable figures from British history, published from 1885. Since the scope included only deceased figures, the DNB was soon extended by the issue of three supplementary volumes, covering subjects who had died between 1885 and 1900 but who had not been included in the original alphabetical sequence, generally because the volume for their name had been among the earlier ones to be published. The supplements brought the whole work up to the death of Queen Victoria on 22 January 1901. Corrections were added. The dictionary was reissued with minor revisions in 23 volumes in 1908 and 1909; a subtitle said that it covered British history from the earliest times to the year 1900. In the words of the 1911 edition of the Encyclopdia Britannica, the dictionary had elucidated the private annals of the British, providing not only concise lives of the notable deceased, but additionally lists of sources which were invaluable to researchers in a period when few libraries or collections of manuscripts had published catalogues or indices, and the production of indices to periodical literatures was just beginning. Throughout the twentieth century, further volumes were published for those who had died, generally on a decade-by-decade basis, beginning in 1912 with a supplement edited by Lee covering those who died between 1901 and 1911. Condition: The binding is tight and firm with all pages securely attached. There is some wear to the extremities including slight bumping to the corners and some small marks to the boards. Internally the pages are clean and bright with the occasional handling mark and odd spot. The spotting is heavier to the front and rear blank end papers. Overall the volume is in very good condition..

      [Bookseller: Rooke Books]
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        Alice in Wonderland

      Racine, Wisconsin: Whitman Publishing Co.,, 1951. A Punchout Book. Folio. Original illustrated printed wraps. Mild wear to extremities, an excellent copy. First edition, first printing. An obscure Disney title which features 8 pages of colour punch outs featuring scenes from the Disney animated film.

      [Bookseller: Peter Harrington]
 36.   Check availability:     Biblio     Link/Print  


        Point de Lendemain.

      - París-Edmond Varel, 1951. 23 cm. 85 pág. + suite de grabados. Con ilustraciones a color de Jean Gradassi. Edición numerada de 100 ejemplares dedicados por el artista que contienen una suite en negro de todos los grabados, reservada a los amigos del editor (ej. XIX). En rama. (9854-1). Bibliofilia.

      [Bookseller: Llibreria Antiquària Casals]
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        GUIÓN. Revista Ilustrada de los mandos subalternos.

      - Madrid. M.º del Ejercito. 27x21 cm. Ofrezco los números y años siguientes: Año X. Enero 1951. Núm. 104. Al Año XXI. Diciembre 1962. Núm. 247. Total 12 años completos encuadernados en 6 Volúmenes, holandesa tela, un tomo difiere de color del lomo. Revista mensual, 12 números por año. Texto a dos columnas, muy ilustrado con fotos, dibujos, mapas, ect. Una media de 30 / 40 págs. por numero. Algunos subrayados en el texto. # revista. militaría. [Attributes: Hard Cover]

      [Bookseller: Librería Torreón de Rueda]
 38.   Check availability:     IberLibro     Link/Print  


        BARBARY SHORE

      Rinehart, New York 1951 - Excellent First Edition of the Author's second book. 8vo., 312pp. A fine, fresh unblemished copy in dustwrapper. Rarely seen as such. The Green & Black variant dustwrapper, a bit more uncommon than the Red & Black. A premium copy better than 99.9% of all copies out there in Mailerland. [Attributes: First Edition; Hard Cover]

      [Bookseller: TBCL The Book Collector's Library]
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        Barbary Shore

      New York: Rinehart & Co. Inc.,, 1951. Octavo. Original black cloth, titles to spine in white. With the dust jacket. Corners and spine ends very lightly rubbed. Otherwise a fine copy in a bright jacket with mildly rubbed and toned extremities. First edition, first printing.

      [Bookseller: Peter Harrington]
 40.   Check availability:     Biblio     Link/Print  


        A King’s Story; the memoirs of H.R.H. the Duke of Windsor K.G

      Cassell and Company Ltd, 1951 - Frontispiece, plates Stain affecting corner of lower cover and dust-wrapper and some of the text block, map end-papers slightly browned, otherwise a nice copy in chipped dust-wrapper. Presentation Copy with, loosely inserted, a signed slip by the author "To Kenneth Smith with best wishes ." dated September 1951 The Duke was to be the guest of honour at the annual dinner of the Book Publishers’ Representatives Association of which Kenneth Smith was President that year but his appearance was cancelled owing to illness. The Duke subsequently invited the committee to a slap-up lunch at Claridges’ during which he presented this copy of the book. [Attributes: First Edition]

      [Bookseller: Bertram Rota Ltd]
 41.   Check availability:     AbeBooks     Link/Print  


        Marilyn Monroe : Home Town Story (1951) Original Photograph

      Metro-Goldwyn-Mayer, 1951. 1st Edition. Original publicity photograph from 'Home Town Story' (1951), an American drama film directed by Arthur Pierson and starring Jeffrey Lynn, Donald Crisp, and Alan Hale, Jr.. The film features Marilyn Monroe in a small, early role. The film was backed by General Motors to promote their perceived virtues of big business. 25 x 20cm. Subjects: Marilyn Monroe -- Movie memorabilia -- Early photographs -- Actors and actresses -- United States -- Hollywood -- Film and cinema. The photograph is in a very good condition, slighty dulled and faded as with age. Remains particularly and surprisingly well-preserved overall.

      [Bookseller: MW Books Ltd.]
 42.   Check availability:     Biblio     Link/Print  


        The Catcher in The Rye

      Boston: Little Brown and Company, , 1951. Octavo. Finely bound by The Chelsea Bindery in crimson morocco, titles to spine black and gilt, pictorial block copied from the jacket to front and back board in black, twin rule to turn-ins gilt, black endpapers, gilt edges. A fine copy. First edition, first printing.

      [Bookseller: Peter Harrington]
 43.   Check availability:     Biblio     Link/Print  


        Erlauterungen zu Holderlins Dichtung

      Frankfurt: Vittorio Klostermann. 1951. Second edition. Paperback. Very Good. Inscribed by the author. Second edition ("Zweite, unveranderte Auflage"), 1951. Softcover, 144 pp., clean unmarked text, Very Good copy, age-toning or discoloration to some pages, some soiling to the covers, a bit of wear to the covers including creasing, tearing, and very minor loss. We have housed the book in protective mylar. Inscribed on the half-title by Heidegger. Uncommon book, very rare signed like this!

      [Bookseller: Caliban Books ABAA-ILAB]
 44.   Check availability:     Biblio     Link/Print  


        Physical Studies of Nucleic Acid. Crystalline Structure of DNA. Nucleic Acid: An Extensible Molecule?" SIGNED BY MAURICE WILKINS. With: Mary J. FRASER & Robert D. B. FRASER: "Evidence on the Structure of Deoxyribonucleic Acid from Measurements with Polarized Infra-red Radiation." Offprint from Nature, Vol. 167, May 12, 1951.

      1951 - 7 pp. Original wrappers. Very Good. First Edition. SIGNED BY MAURICE WILKINS and Signed by Raymond Gosling on the front wrapper. At a meeting of the Faraday Society in May 1950, Rudolf Signer "gave out samples of his best [DNA], and Wilkins took some home to King's. A few days later, he was preparing part of this DNA in highly viscous solution for the ultraviolet studies he was doing. Unexpectedly, he noticed that every time he touched the stuff with the tip of a glass rod and then drew the rod away, 'I had spun a very thin fibre of DNA, almost invisible, like a filament of spider web.' The fibres seemed so perfect and uniform that the molecules in them must have been neatly aligned alongside one another. Examined under a microscope, in polarized light, the fibres behaved as though they were made up of well-ordered crystals. So Wilkins took the fibres to a graduate student in the unit, Raymond Gosling, who was doing the crystallography with rams' sperm and had borrowed the use of an antiquated x-ray apparatus in a lead-lined basement of the chemistry department. Several dozen of Wilkins's fibres had to be bundled together, in a tiny tungsten-wire frame where they could be tightened like a violin bow, to constitute a large enough specimen for the soft focus of the x-ray tube. Wilkins and Gosling remembered that Bernal, fifteen years before, had got the first good x-ray patterns from protein crystals by keeping them wet. Accordingly, they maintained the DNA fibres at high humidity. They got striking patterns, with many spots, sharp and detailed, far better than ever before seen from DNA, and for the first time unmistakably from a substance in crystalline form. . . . That series of diffraction pictures taken in May or June of 1950 provided the one Wilkins showed at the meeting in Naples, a year later, that galvanized Watson's enthusiasm for DNA and x-ray crystallography" (Judson, Eighth Day of Creation, expanded ed., pp. 78-79). Olby, The Path to the Double Helix, pp. 332-35 (including an illustration taken from Wilkins and Gosling's paper). [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Scientia Books, ABAA]
 45.   Check availability:     AbeBooks     Link/Print  

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