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Displayed below are some selected recent viaLibri matches for books published in 1949

        Flagrant délit. Rimbaud devant la conjuration de l'imposture et du truquage

      Thésée, 1949. - Thésée, Paris 1949, 19x24cm, broché. - Edizione stampato su alfa. Illustrato libro sul coperchio di una riproduzione di una litografia di Henri Rousseau. autografo firmato André Breton professor Georges iscriversi: "... in altissima stima e amicizia ..." Indietro scolorito, bella copia.   - [FRENCH VERSION FOLLOWS] Edition originale imprimée sur alfa. Ouvrage illustré en couverture d'une reproduction d'une lithographie du Douanier Rousseau. Envoi autographe signé d'André Breton au professeur Georges Blin : "... en très haute estime et amitié..." Dos décoloré, agréable exemplaire complet de son feuillet d'errata.  

      [Bookseller: Librairie Le Feu Follet]
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      New York: The Viking Press, 1949. Hardcover. Near fine/near fine. New York: The Viking Press, 1949. First edition. Signed by the author on the title page. Book near fine on account of a previous owner's name written on the first blank, otherwise a lovely copy. With the correct date ("1949") on the title page, although the type is breaking on the final "9". In a near fine, price-clipped dust jacket, with the spine a trifle faded and light wear at the spine ends and corners. In all, a very presentable copy of a book that is relatively uncommon in anything approaching fine condition. Arthur Miller's 1949 play - one of the towering classics of the American stage. "Death of a Salesman" follows the trials of Willy Loman, the quintessential American tragic hero. The play won a Tony Award, the Pulitzer Prize, and the New York Drama Circle Critics' Award, becoming the first play to win all three prizes. It was also adapted into a 1951 film directed by Stanley Roberts.

      [Bookseller: The Book Shop, LLC]
 2.   Check availability:     Biblio     Link/Print  


      STAR 1949 - RO20203837: 105 pages en feuillets - 18 LITHOGRAPHIES DONT FRONTISPICE EN COULEURS COLLATIONNEES - sous-chemise cartonnée - sous emboitage cartonné tres abimé, desolidarisé mais conservé - EXEMPLAIRE N°41 / 500 SUR VELIN BLANC PUR FIL DE JOHANNOT + 18 lithographies en couleurs identiques à celles dans l'ouvrage supplementaire hors texte - 8 photos disponibles. DIX-HUIT LITHOGRAPHIES ORIGINALES D'OTHON FRIESZ In-Folio En feuillets. Bon état. Couv. convenable. Dos satisfaisant. Intérieur frais Classification Dewey : 90-Livres rares [Attributes: Soft Cover]

      [Bookseller: Le-Livre]
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        Correspondence archive.

      Pacific Palisades, Los Angeles, New York, 1945-1949. - 3 TLS by Thomas Mann. 27 Aug. 1946; 1 Nov. 1946; 21 March 1948. Together 3 pp. 4to. Includes: 1 ALS by Katia Mann (1883-1980). 29 Aug. 1946. 1 p. 4to. 1 ALS (18 March 1948; draft; 2½ pp. on 2 leaves, 8vo) and 1 TL (16 Oct. 1946; carbon; 1½ pp., 4to) by Doris Dana (1920-2006) to Thomas Mann. 3 ALS by Monika Mann (1910-1992). 3 June 1948; 29 June 1948; 15 Oct. 1948. Together 5 pp. with 3 envelopes. 4 TMs with autogr. corrections by Monika Mann (1910-1992). N. p. o. d. Together 29 pp. 4to. Also includes collection of Thomas Mann ephemera: 1) Ticket stub for a lecture by Thomas Mann at the Hunter College Assembly Hall (New York, 20 Jan. 1945). 2) Printed program "Dinner in Honor of Dr. Thomas Mann. On the Occasion of his Seventieth Birthday. Waldorf-Astoria Hotel. New York. Auspices: The Nation Associates. Monday Evening, June 25, 1945". (8) pp. Printed wrappers. Oblong 4to. 3) Typed seating list for the Dinner in Honor of Thomas Mann. 4 pp. Folio. 4) Receipt for small gift box from The Old Mexico Shop in Santa Fe, NM, for Katia Mann (15 Aug. 1946). 1 p. Oblong 8vo. 5) Autogr. lecture notes by Doris Dana taken at a Thomas Mann lecture given in 1947. 4½ pp. Small 8vo. 6) Two copies of a flyer for the Thomas Mann lecture "Goethe and Democracy" (Hunter College Assembly Hall, New York, 7 May 1949). 7) Autogr. lecture notes by Doris Dana taken at this lecture. 8 pp. 4to and 8vo. Interesting Thomas Mann correspondence and ephemera archive compiled by Doris Dana, the long-time companion of poet, educator, feminist, Nobel laureate and Chilean diplomat Gabriela Mistral (i. e., Lucila de María del Perpetuo Socorro Godoy Alcayaga, 1889-1957), several of whose poems Dana translated and edited. The present collection documents the friendship which Dana entertained with the Mann family in the late 1940s, frequently touching upon her friendship with Gabriela Mistral. In the first correspondence document, written on August 27, 1946, Thomas Mann thanks "Miss Dana" for her "touching letter of August 15th" (not preserved here) and for the "hours we spent with you. - Particularly, I want to express to you, though belatedly, my appreciation of the excellent English translation of the article by Gabriela Mistral. I was deeply moved and surprised about the truly generous warm-heartedness with which this woman comments on my work and existence. Strangely enough: nowadays it is not seldom that people write about me in this tone and style to which I formerly was hardly used. It proves that one only has to persist long enough and people will begin to realize what one means to them." In an autograph letter written two days later, Katia Mann adds her thanks for a set of César Franck records, as well as for "the lovely little Mexican box which arrived two days ago" (receipt included in ephemera coll.). A few months later, Dana sends the Manns an album of Carol Bruce singing Gustav Mahler's "Songs of a Wayfarer" (letter dated. Oct. 16, 1946) and comments on the War Department's plans to translate and reprint her story, "My Soul To Take", in the "'Neue Auslese', a magazine published in Germany and circulated through all four zones of Germany, and Austria, as part of the reeducation program for the occupied areas [.] It is an immense satisfaction and privilege for me to be given a hearing in this way [.] - particularly since it stresses for me the functional aspect of writing [.] Thank you particularly for your appreciation of the article by Gabriela Mistral. To translate such an article was a privilege for me [.], and also a vicarious way of expressing my own feeling on your existence, your work and the things you represent." Mann answered on Nov. 1: "It is amazing that Mahler's musical personality is so completely expressed in these early compositions. The reproduction is excellent, and even the German pronunciation of the singer leaves hardly anything to desire [.] I am working hard on my novel [i. e, Doktor Faustus] which, if I stay well, I hope to finish in [Attributes: Soft Cover]

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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        Pas d'orchidées pour Miss Blandish

      1949. Gallimard, Paris 1949, 11,5x18cm, broché. - Gallimard, Paris 1949, 11,5x18cm, broché. - Nuova edizione della traduzione francese di Marcel Duhamel perché non era derivato grande papiers.Rare invio autografo firmato di testa auteur.Un piccolo intoppo leggermente rugosa. [FRENCH VERSION FOLLOWS] Nouvelle édition de la traduction française établie par Marcel Duhamel pour laquelle il n'a pas été tiré de grands papiers. Rare envoi autographe signé de James Hadley Chase. Un infime accroc en tête du dos légèrement ridé.

      [Bookseller: Librairie Le Feu Follet]
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      London : Secker and Warburg. 1949. First edition, first printing. First edition, first printing. Original green cloth with red titles to the spine, in the green dustwrapper. Purple top-stain. An excellent near fine copy, the binding clean with a slight lean. The contents are clean throughout, without previous owner?s inscriptions or stamps but with a small bookseller?s label to the front pastedown and light spotting of the text block edge. Complete with the price-clipped dustwrapper which is a little rubbed and nicked with a few short closed tears to the extremities An attractive example, without repair or restoration, of a notoriously fragile book. The first printing of Nineteen Eighty-Four was published on 8th June 1949 and issued in two states of dustwrapper. Both are identical in all but the background colour of the upper panel and spine, one being green, the other maroon. No precedence has been established. [Fenwick A.12a] Further details and images for any of the items listed are available on request. Lucius Books welcomes direct contact with our customers.

      [Bookseller: Lucius Books]
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        Martin. Geschichten aus einer glücklichen Welt.

      Vereinigung Oltner Bücherfreunde, Olten 1949 - Olten, Vereinigung Oltner Bücherfreunde 1949. 8°. 100 S. mit Zeichnungen im Text und einem zusätzlich miteingebundenen signierten Originalaquarell von Eva Kausche-Kongsbak Originallederband in grünem Oasenziegenleder mit goldgeprägtem Rücken- und Deckeltitel, Rückenvergoldung, einfacher Deckel- Steh- und Innenkantenfiletierung, Kopfgoldschnitt in Schuber. (Willy Schaffner, Rheinfelden)- "41. Veröffentlichung der Vereinigung Oltner Bücherfreunde". - Laut Wilpert-G. erschien die Erste Ausgabe im gleichen Jahr im Angelsachsen Verlag in Bremen. - Nr. XVIII von 33 römisch numerierten Exemplaren der Luxusausgabe auf Van Gelder, mit einem Originalaquarell eine 2seitigen handschriftlichen Gedicht von Manfred Hausmann, signiert. - Vorsätze mit leichten Leimschatten, sonst neuwertig. Sprache: Deutsch [Attributes: First Edition; Signed Copy]

      [Bookseller: Daniel Thierstein]
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        La fable du monde.

      Lausanne, André et Pierre Gonin, 1949. - In-folio, 76p. Edition de luxe au tirage limité et numéroté 1/140 exemplaires sur Rives pur chiffon (après 20 exemplaires de tête sur Japon). Illustré de lithographies en couleurs de Jean Lurçat, dont 5 reproduites sur double page et rehaussées à la main par l'artiste. Toutes les pierres ont été poncées après le tirage. Tous les exemplaires sont signés par Pierre Gonin et Jean Lurçat à la justification. en feuilles sous jaquette rempliée, chemise et étui illustrés.

      [Bookseller: Le Cabinet d'Amateur]
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        The World's Wanderer trilogy: The Primitive. The Brother. The Giant

      Garden City, N.Y.: Doubleday & Co, 1949. First edition, 8vo, generlly fine copies in almost fine dust jackets. Each book is warmly inscribed to Manfred's editor at the Webb Publishing Co. in St. Paul, Paul Hillestad, where his first two books were published. The Giant also has a typed copy of a letter from Manfred to the Library of Congress about his real name (Frederick Feikema Manfred) and his pen name (Feike Feikema) and the pronunciation thereof. Mulder & Timmerman A5, A6, and A7.

      [Bookseller: Rulon-Miller Books]
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        60 jours de prison

      L'Elan, 1949. - L'Elan, Paris 1949, 15x20cm, 2 volumes brochés sous chemise et étui. - Prima edizione, una delle 75 copie su BFK Rives, la nostra appositamente stampato per Jacques Mazet, un magistrato a Parigi. Firmato autografo Sacha Guitry a Jacques Mazet sulla prima guardia del primo volume che è parzialmente ombreggiato. Bella copia. - [FRENCH VERSION FOLLOWS] Edition originale, un des 75 exemplaires sur B.F.K. de Rives, le nôtre imprimé spécialement pour Jacques Mazet, magistrat à Paris. Envoi autographe signé de Sacha Guitry à Jacques Mazet sur la première garde du premier volume qui est partiellement ombrée. Agréable exemplaire.

      [Bookseller: Librairie Le Feu Follet]
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      Amsterdam, Contact, 1949. 1st edition, first printing. Original illustrated publisher?s boards in the extremely rare dustjacket. Small 8vo, 64 pages. Published 2 years after the famous diary. Designed and illustrated by Kees Kelfkens. Rare first edition of this collection of simple stories and fairy-tales for Dutch children, written by Anne Frank at the age of 14, while in hiding. Primo Levi suggested that Anne Frank is frequently identified as a single representative of the millions of people who suffered and died as she did because "One single Anne Frank moves us more than the countless others who suffered just as she did but whose faces have remained in the shadows. Perhaps it is better that way; if we were capable of taking in all the suffering of all those people, we would not be able to live. " Otto Frank, Anne?s father spent the remainder of his life after publication of the Diary as custodian of his daughter's legacy, saying, "It's a strange role. In the normal family relationship, it is the child of the famous parent who has the honor and the burden of continuing the task. In my case the role is reversed. " An outstanding copy, in the exceedingly rare 1st edition dust jacket, which has a dime-size spot of damage on the spine (no text affected) , and a touch of edgewear. A very nice copy. (kh-2-12)

      [Bookseller: Dan Wyman Books LLC]
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        Die Musik in Geschichte und Gegenwart : allgemeine Enzyklopadie der Musik / unter Mitarbeit zahlreicher Musikforscher des In- und Auslandes herausgegeben von Friedrich Blume - Complete in 14 volumes

      Kassel ; Basel : Bärenreiter (1949-1951), 1949, Hardcover, 1st edition. Very good copies all in the original gilt-blocked, fine-ribbed cloth. Spine bands and panel edges slightly rubbed and dust-toned only, as with age. Remains a particularly well-preserved set overall; tight, bright, clean and strong. Physical description; 14 v. (plates) : ill., facsims., music, ports. ; 28cm. Notes bibl; index. Subjects; Music - History and criticism - Dictionaries. Language; German. Inventory No: 231715. 1st edition

      [Bookseller: MW Books Ltd.]
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        I Capture the Castle

      London: Heinemann. (1949). First. First English edition, preceded by the American edition. Small spots of sunning on the spine ends, else near fine in attractive, very good dustwrapper (with wraparound jacket art) with a couple of tiny nicks at the spine ends, and a couple of short tears and scuffs on the front panel. A handsome copy of a cheaply made book. Smith's first novel, a bestseller by an Englishwoman living in the U.S., and one of the most beloved 20th Century romances, about an eccentric family living in the ruins of an old castle, and the trials and tribulations of the two daughters of the family. Basis for an enjoyable 2003 film directed by Tim Fywell, with interesting performances by Romola Garai, Bill Nighy, and Rose Byrne. An exceptionally uncommon title, seldom found in useful condition. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Death of a Salesman

      The Viking Press, New York 1949 - First Edition, First Printing SIGNED by Arthur Miller on a tipped in page. A stunning First Issue dustjacket that has minor wear to the spine and edges. This ORIGINAL dustjacket is vibrant in color and has the $2.50 price printed on the front flap. The book is wonderful shape. The binding is tight with NO cocking or leaning with minor wear to the edges. The pages are clean, with NO marks or bookplates in the book. A superb copy in collector's condition. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Quintessential Rare Books, LLC]
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      New Directions / James Laughlin, N.P. 1949 - (1949). 4to. LIMITED SIGNED EDITION. One of 190 copies (of 200 total). With 12 original lithographs, with one lithograph in color SIGNED by Campigli. Some toning and wear to decorative paper of covers. Boards bowed at bottom forecorners, affecting leaves. Dampstaining to edges of leaves. Heavy darkening and soiling to spine, with 1' tear to cloth at tail. Internally bright and clean. VG/--. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Strand Book Store, ABAA]
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        Sixth Column A science fiction of a strange intrigue

      Gnome Press Publishers, New York 1949 - First Edition, First Printing SIGNED by Robert A. Heinlein on a laid in signature. A beautiful copy. This ORIGINAL dustjacket is vibrant in color with slight wear to the edges. The book is in fantastic shape and appears UNREAD. The binding is tight with NO cocking or leaning and the boards are crisp. The pages are exceptionally clean with NO writing, marks or bookplates in the book. A superb copy signed by the author. We buy SIGNED Heinlein First Editions. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Quintessential Rare Books, LLC]
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        Haggadah Shel Pesach/Passover Haggadah.

      28 pp. non-traditional Haggadah, containing contemporary texts and interesting reproduction illustrations on every page after ink and graphite drawings. 8vo. Orig. illustrated wrpps., some minor pen notations to cover. Haifa (Association of Jewish Scouts in Israel, Guides Group A) 1949.

      [Bookseller: F.A. Bernett Books]
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      Bordeaux [France]: S. I. P, 1949. Original Wraps. 8vo. 11, [1] pages. 25 cm. First edition. In French. 'Memorial Ceremony; Eternal Memory! For the Martyrs 1940-1944'. With two full page illustrations (wall memorial in Bordeaux, for those who perished 1940-1944; photograph of the minute of silence held during the memorial ceremony) ; contains an introduction, and the content of memorial speech given by Rabbi Joseph Cohen to survivors of the Bordeaux Jewish community. Subjects: Holocaust, Jewish (1939-1945) - France - Bordeaux - Sermons. OCLC lists only one copy worldwide (HUC) . Light soiling to wraps, light soiling to margins, otherwise fresh. Good + condition. Rare early Bordeaux Holocaust imprint. (HOLO2-117-3)

      [Bookseller: Dan Wyman Books LLC]
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        Nothing More Than Murder (First Edition, author's copy)

      New York: Harper and Brothers, 1949. First Edition. First Edition. Author's copy, with his ownership name and notation on the front endpaper: "Jim Thompson / RARE COPY / PLEASE RETURN." Remnants of Thompson's previous address label on same, as well as an attempted erasure of his old telephone number in holograph ink. From the estate of Jim Thompson, and with a letter of provenance from Thompson's daughter Sharon Reed-Thompson. The author's third and final novel to be published in hardcover, followed by a career of paperback originals. About Very Good in a Very Good dust jacket.

      [Bookseller: Royal Books, Inc.]
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        George Washington; A Biography (Seven Volume Set, complete)

      New York: Charles Scribner's Sons, 1949-1957. First Edition. Hardcover Hardcover. Near Fine. Seven Volume Set: 549, 463, 600, 736, 570, 529, 729 pages. Volume One: Young Washington; Volume Two: Young Washington; Volume Three: Planter and Patriot; Volume Four: Leader of the Revolution; Volume Five: Victory With the Help of France; Volume Six: Patriot and President; Volume Seven: First in Peace. Winner of the Pulitzer Prize for biography in 1958, Freeman's second prize, awarded posthumously. He died while working on the seventh and final volume, which was completed by two other historians. First edition (first printings, with A on copyright page in all volumes). A remarkably nice set, with all volumes in near fine condition. The first six volumes are housed in four matching slipcases, without dust jackets, as issued. The seventh volume was issued in a slipcase and a jacket, both of which are missing.

      [Bookseller: Eureka Books, ABAA]
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        EVIDENCES, 1949-1962, 77 NUMEROS (INCOMPLET)

      1949. American Jewish Committee. 1949-1962. In-4.Carré. Broché. Etat d'usage. Couv. légèrement passée. Dos frotté. Intérieur acceptable. 77 numéros d'env. 50 pages chacun. 20 numéros manquants (année 1959 manquante). Certains numéros illustrés de nombreuses photos en noir et blanc. Texte sur 2 colonnes. Tampons et annotations de bibliothèque sur les 1ers plats et en 1res pages. Quelques couvertures abîmées. Du n° 0, mars 1949, au n° 95, 15e année, jan.-fév. 1963. Sommaire du n° 0, mars 1949: Primauté de la loi, René Cassin. Les chances d'une entente entre Juifs et Arabes, Aubrey Eban. L'American Jewish Committee, Maurice Hano. L'oubli, c'est la honte, Emile Buré. Les menaces ne sont pas mortes, David Rousset. Dessins d'une Résurrection, Germaine Beaumont. Projet de la Constitution d'Israël, Rémy Roure. Sur les traces de Chateaubriand, Max Gallai. Sartre existe-t-il ?, Harold Rosenberg. Un mois d'histoire, Nicolas Baudy. Les Livres, Jacques Calmy. L'exode continue. Le 'Mea Culpa' hongrois. Le sort des 'Otages' en Egypte. Les Lieux-Saints dans la bataille de Palestine, etc. Sommaire du n° 96, avril-mai 1963: Il y a 20 ans, Varsovie, Chroniques et documents inédits, T. Bozynowski, W. Szlengel, J. Kermisz, M. Lévy. Toulouse en l'An Quarante, Claude Vigee. Sur Esaü et le Droit d'Aînesse, Emmanuel. Le Juif des Bois, S. Vicenz. L'illuminisme de Guillaume Postel, Fr. Secret. Microcosmes de Bresdin, C. Roger-Marx. Le style national dans l'art israélien, Ch. Spencer. Fragments autobiographiques, par Martin Buber... Introuvable.

      [Bookseller: Le-Livre.Com]
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        A Writer's Notebook

      Heinemann, London 1949.. Signed Limited Edition, 1000 copies. 8vo., pp. 349. Partially uncut. Publisher's quarter vellum binding with blue cloth boards, gilt label. Top edge gilt. A fine copy, in the fragile original glassine jacket, a little worn to spine, now protected under loose plastic wrap.

      [Bookseller: Adrian Harrington Rare Books]
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      1949. BIBLIAMIS. 1949-1950-. In-Folio.Carré. En feuillets, Sous emboîtage. Etat d'usage. Couv. convenable. Dos satisfaisant. Intérieur frais. 3 volumes / Tome I : 118 + 159 esquisses (en feuillets) + 2 dessins originaux (Exemplaire N°12) + Tome II : 113 pages (Exemplaire N°19) + Tome III : 113 pages (Exemplaire N°179) / Chaque Tome orné d'un frontispice et de nombreux dessins dans le texte -/ Chaque volume présenté d'une sous chemise grise souple et d'une chemise toilée rigide grise / Quelques rousseurs en début et fin d'ouvrage sans conséquence sur la lecture / Emboitages pour chacun des volumes toilé gris défraichis. Préface de Pierre Mornand / Ces éditions ont été tiré à 20 exemplaires sur Velin d'Arches, numérotés de 1 a 20, / 20 exemplaires sur Velin d'Arches numérotés de 21 a 40 / 30 exemplaires sur Velin d'Arches numéroté de 41 a 7 / 130 exemplaires sur Velin d'Arches numérotés de 71 a 200.

      [Bookseller: Le-Livre.Com]
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      Carlo Bestetti, Edizioni d'Arte - Galleria dell'Obelisco,, Il Cerchio, 1949. Brossura, camicia, custodia (wrappers, chemise, slip - case) Testo originale inglese, versione francese di Stéphane Mallarmé, introduzione di Emilio Cecchi. Con 5 acqueforti di Dario Cecchi, di cui 3 a doppia pagina e 2 a piena pagina (cm 32,5x48, 32,5x24). 4to. pp. 36 in quartini sciolti. Ottimo (Fine). Edizione originale di 125 es. numerati. "Omaggio a Poe" in occasione del centenario della morte.

      [Bookseller: Studio Bibliografico Marini]
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        A une courtisane

      aux dépens de quelques amateurs, 1949. - aux dépens de quelques amateurs, Paris 1949, 17,5x25,5cm, en feuilles sous chemise et étui. - Edition illustrée de 18 burins originaux in-texte de Tavy Notton, un des 130 exemplaires numérotés sur Auvergne, le nôtre un des quelques hors commerce. Quelques piqûres sur les gardes. Il s'agit d'une supercherie littéraire de Pascal Pia. - [FRENCH VERSION FOLLOWS] Edition illustrée de 18 burins originaux in-texte de Tavy Notton, un des 130 exemplaires numérotés sur Auvergne, le nôtre un des quelques hors commerce. Quelques piqûres sur les gardes. Il s'agit d'une supercherie littéraire de Pascal Pia.

      [Bookseller: Librairie Le Feu Follet]
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        The Strange Will.

      Ward Lock & Co., London,, 1949. Octavo. Original red cloth, titles to spine in black. With the pictorial dust jacket. Endpapers a little tanned but an exceptional copy in the slightly rubbed dust jacket. First edition, first impression. With both authors' signed joint presentation inscription to the front free endpaper, "To Countess de Valance de la Barre from the authors Hazel Goodwin Keeler and Harry Stephen Keeler April 1950".

      [Bookseller: Peter Harrington]
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        Les 24 heures du Mans Histoire d'une grande bataille pacifique et sportive (signé par Géo Ham)

      Automobile-Club de l'Ouest, Le Mans - Imprimerie Beuchet & Vanden Brugge de Nantes, 1949. Vom Illustrator Geo Ham mit einer persönlichen Widmung signiertes Exemplar. Fliegender Vorsatz mit einem eingeklebten originalen Presseausweis des Le Mans-Rennens 1953. Großformatige französischsprachige Originalbroschur mit Fadenbindung, 468 Seiten mit sehr zahlreichen farbigen Illustrationen. Umschlag beschädigt, Deckel gelockert, sonst gutes und innen sauberes Exemplar. Beiliegend diverse alte Pressefotos zum Thema.

      [Bookseller: ANTIQUARIAT WEBER GbR]
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      New York, Israel Anniversary Committee, 1949. 1st edition. Original illustrated paper covers, 4to, 48 pages.  Numerous photographic illustrations. Testimonials from leading American politicians and many other public figures. Short historical essays.  Also contains numerous ads, including one from W. K. Kellogg, founder of the Kellogg's Cereal Company: ?I wish to take this means of expressing to our Jewish friends and to all the Jewish people of America our heartiest congratulations?It is my earnest wish and hope that Israel will flourish and prosper in the years to come. A comparable copy sold for over USD 600 at auction in 2015. Institutional stamp on title page, faint dampstain to upper margin, light wear to covers, about Very Good- Condition. (zion-9-15)

      [Bookseller: Dan Wyman Books LLC]
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        Death of a Salesman

      Viking Press, 1949 First Edition, First Printing, SIGNED by Arthur Miller on a tipped-in page. A beautiful First Issue dustjacket that has light wear to the spine ends and edges. This original dustjacket is vibrant in color and has the $2.50 price printed on the front flap. The book is solid. The boards are bright and sharp. The pages are clean, with no writing, marks or bookplates in the book. Overall, a sharp clean copy of this TRUE FIRST EDITION SIGNED by the author. Housed in a custom-made collector's slipcase.. Signed by Author(s). 1st Edition. Hardcover. Near Fine/Near Fine.

      [Bookseller: Bookbid Rare Books]
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        E. Othon FRIESZ Dix Estampes Originales présentées par Maximilien GAUTHIER.

      Edition Rombaldi - Coll. "Les Maîtres De L 1949 - In-4 ( 390 x 295 mm ), non paginé. En feuilles sous chemise rempliée et sous coffret-portefeuille d'éditeur.Femme assise lithographiée en en-tête du texte et Nu couché lithographié en cul de lampe.10 estampes noir et blanc et couleurs de E. Othon FRIESZ : I. Nu de Dos, lithographie en sanguine, signée. II. Nu Couché, eau forte. III. Paysage africain, lithographie, signée. IV. Femme Endormie, lithographie, signée. V. Maison dans le Lot, lithographie en deux tons. VI. Arbres, lithographie en couleurs. VII. Enfants, lithographie en deux tons. VIII. Nu Assis, eau-forte. IX. Visage d'Enfant, lithographie en deux tons. X. Nu allongé de dos, lithographie. Toutes sont justifiées mais pas nécessairement signées, l'éditions du présent album n'étant pas achevé à la mort du peintre. Rousseurs claires à l'intérieur de l'étui. Tirage limité et numéroté à 100 exemplaires sur pur fil à la forme de Lana. Exemplaire n15. edition-originale Peinture Gravure Beaux-arts Lithographie [Attributes: Signed Copy]

      [Bookseller: Tiré à Part]
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        Komposition in Fisch. Oel auf Karton.

      1949 - 1949. Bildgrösse: 45x35 cm. Unten links signiert. Rückseitig signiert und datiert. In Rahmen montiert 60x50 cm. [Attributes: Signed Copy]

      [Bookseller: Biblion Antiquariat]
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        Bartholomew and the Oobleck

      Random House, 1949 A near fine first edition in a near fine dust jacket (blue boards, blue jacket, with original price of 200/200 still on front flap). Prior owner's name and address written on a preliminary leaf. Housed in a custom-made collector's slipcase.. 1st Edition. Hardcover. Near Fine/Near Fine.

      [Bookseller: Bookbid Rare Books]
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      New York: Alfred A. Knopf, 1949. First Edition. First Printing. Octavo (19.5cm); terracotta cloth, with titling and decorations stamped in dark green on spine and front cover; red topstain; dustjacket; [6], 245, [5]pp. Cloth lightly sunned at spine, a few scuffs and a small spot of discoloration to boards, with a small patch of wear along lower edge of front board and a small stain to right edge of textblock; topstain is bright and even; Very Good+. Dustjacket is unclipped (priced $2.50), slightly dusty and gently spine-sunned, with light wear to extremities, several tears, and a few tiny nicks; still a presentable, Very Good+ example. The first of Macdonald's Lew Archer novels, a Haycraft-Queen cornerstone title, and basis for Jack Smight's 1966 film Harper, starring Paul Newman and Lauren Bacall. Bruccoli A5.1.a.

      [Bookseller: Captain Ahab's Rare Books]
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        One Way Street (Original screenplay for the 1950 film noir)

      Universal City, CA: Universal Pictures, 1949. Final Shooting script for the 1950 film noir, here under the film's working title, "Death on a Side Street." That title has been struck through in black marker, with the film's final title, "One Way Street," written just above it. In this key film noir, James Mason reprises in spirit his role from the British film noir, "Odd Man Out," made three years before, as a criminal who steals from the mob and is forced to go on the lam, with mob boss Dan Duryea in no mood for forgiveness. The first American film to be directed by Argentinian import Hugo Fregonese. The AFI Catalog notes that Mexican Vice Consul Ernesto Romero acted as technical advisor, and according to studio production notes, an entire Mexican village was built on the Universal-International lot. Rodolfo Acosta, Emma Roldan and Margarito Luna were all Mexican actors. Finally, popular character actor James Best made his debut in "One-Way Street," appearing briefly in an uncredited role as a "Driver." Red titled wrappers, noted as Final Shooting Script on the front wrapper, rubber-stamped production No. 7684, dated October 15, 1949. Title page present, noted as Final Screenplay, with credit for screenwriter Kimble. 119 leaves, mimeograph, with blue and pink revision pages throughout, dated variously between 10-21-49 and 11-12-49. Pages Near Fine, wrapper Near Fine, bound with two gold brads. Grant, p. 480. Selby Canon, p. 91. Silver, p. 219. Spicer, p. 416.

      [Bookseller: Royal Books, Inc.]
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        Death of a Salesman

      Viking Press, 1949 SIGNED First edition book, Published BY THE VIKING PRESS, INC. IN MARCH 1949, stated on the copyright page. First issue dust jacket with $2.50 flap price. SIGNED on a tipped-in page by the author. Also signed on the half title page by Herb Leder, movie and TV producer. Book very good, spine and edges slightly faded, minor water staining along bottom edges of covers, minor rubbing along top and bottom egdes. Dust jacket very good, some wear along edges; tape at top of inside spine; closed small tear at middle of spine at hinge to back panel. Comes in a custom-made slipcase. We will provide a certificate of authenticity.. Signed by Author(s). 1st Edition. Hardcover. Very Good/Very Good.

      [Bookseller: Bookbid Rare Books]
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        THISTLY B

      - TUDOR,TASHA. THISTLY B. NY: Oxford University Press 1949 (1949). Square 8vo, red boards, pictorial paste-on, near FINE in dust wrapper (dw sl. soiled with a few margin rips). 1st edition first printing. The story of a canary was written by Tudor and illustrated by her in color on every other page. [Attributes: First Edition; Hard Cover]

      [Bookseller: Aleph-Bet Books, Inc. - ABAA]
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        Le Paradoxe d'Aytré, manuscrit original et tapuscrit

      S.n, 1949. - S.n., s.l. 1949, 8 feuillets in - 8 (13,5x21,5) et 11 feuillets in - 4 (21x27cm). - Primo nuova versione del manoscritto autografo di 17 pagine, scritto nel 1935. Manoscritto di scrittura molto denso, pieno esclusi gli ultimi 13 righe di testo stampato, con molte cancellature, correzioni e aggiunte. Dattiloscritto completo con alcune variazioni rispetto al manoscritto e una copia della edizione originale pubblicato nel 1947 e, infine, pubblicato nel 1950 è allegato. Nel 1935, Blanchot ha lavorato per tre anni a Thomas the Obscure (ha completato nel 1940), quando interrompe la sua scrittura "che non stop" per scrivere l'ultima parola, un racconto che descrive come "un tentativo di aggirare un altro libro in corso per superare la interminabile e ottenere una narrazione più lineare, ma dolorosamente complesso, una decisione in silenzio ... ". Nel 1983 Blanchot riferendosi alle motivazioni di questo "testo innocente dove gli assassini presagi di tempo risuonavano futuro", può non dire "come è scritto e come sconosciuti requisito, esso ha la risposta." "Non è stato un testo per la pubblicazione," dice nella postfazione del senno di poi. L'ultima parola sarà infatti pubblicato 12 anni dopo in 550 esemplari della collezione età d'oro (anche se andò in bancarotta, allo stesso tempo, il libro sarà in vendita nel 1950) . Così la prima storia si intende subito l'ultima parola e il rifiuto della sua inaugurazione. "Sicuramente iniziare a scrivere immediatamente per raggiungere alla fine (...), questo significa almeno spero di non fare carriera e trovare il percorso più breve per finire presto." In questa "Apocalypse" Blanchot porta il suo romanzo essendo scritto: Thomas, l'eroe, ed è ironicamente chiamato il nuovo potere in altro modo senza espressa "cosa è successo a lui [che] dicendo: non è successo niente ". Ma se, iniziando con l'ultima parola, Blanchot segna la fine della scrittura, è un fine che rimane inedito. E quando il libro viene finalmente pubblicato, sarà più di un lavoro già notevole: Thomas the Obscure, Amminadàb, gaffe, l'Altissimo, Death Sentence e la quota del fuoco. Pertanto, l'ultima parola non è "rinuncia sia Maestro e Giudice", ma una rinuncia scritta di questa "si invano." Non può più essere "la risoluzione insolita per privare [Lingua] per sostenere (...), vale a dire più di linguaggio", ma, come parte del lavoro, c'è una "parola da dire e non dire. ". Una parola riscritto dallo scrittore divenne trasformata dalla scrittura e dalla guerra. Questa è la versione inaugurale, prima bozza di trenta giovane Blanchot, vi presentiamo qui e C. Bident suo biografo, pensiero "Probabilmente non sapremo mai." Fondazione narrativa, la scrittura di base, molti studiosi hanno studiato l'ultimo uomo ", dolorosamente complicato", come anche l'autore, ma che chiama un paio di pagine "profetici", una riflessione sul linguaggio (e, attraverso di lui, totalitarismo), che segna la seconda parte del secolo. Ora vi presentiamo il manoscritto nel 1935 e fino ad allora sconosciute, differisce notevolmente dalle seguenti due versioni del 1947 e del 1983. Scritte in terza persona (il più tardi saranno loro, homodiégétiques) la storia è molto più lungo. Esso contiene le descrizioni e le cui molte scene tagliate, che verranno rimossi nelle versioni pubblicate: "Il sole bagnata [piazza] una luce di fuoco di grandi specchi, posti ai quattro angoli, essere preso a calci in un labirinto di colori . "" Una nube fu presto elevato al soffitto, nube nera attraversata da piccole chiazze incandescente. "" Sono preoccupato, ha detto. Ho sbagliato lasciare prima questa casa quando torno a casa, circondata da fiaccole sono spente ad una ad una. Cosa trovo adesso? Come vivere senza di I linea guida? Puoi dirmi qualcosa? "" Alcuni bambini, testa annerito carbone, rimosso la sabbia in cui sono stati sepolti, e cercando di raggiungere con piccole pietre bianche che traevano dalla tasca, insultarono nella loro lingua incomprensibile. "" Approfittando della tregua, i cani dal loro buco, come se fossero stati segretamente eccitato da un maestro, si precipitarono alla dormiente tirando loro link. Hanno cercato di destra, sinistra, poi scoprendo sotto le coperte, sono scivolato malamente, prima in piccolo, poi il grosso cane, come un gruppo vizioso di bambini. "" L'ebbrezza di stare insieme avendo perso più giovane li ha spinti nella propria casa come se avesse cessato di essere loro, e si gettò grida di veglia gli intrusi dalle loro case. "Ma questo manoscritto offre l'esegeta soprattutto dimostrative alcuni passaggi che forniscono chiarimenti sul significato della storia:" Fino a quando non è un modo indifferente per il passato e il futuro. Se si intende estendere un velo su quale approccio, se un collegamento tra, da repulsione reciproca, momenti di tempo separato risulta da qualcosa, qualcosa d'altro non è mostrato, tuttavia, che tale limite. "" Hanno cui nulla è stato proibito di parlare e che conosceva, si comportava come se la loro conoscenza fosse stato a rompere con la lingua. "" Il discepolo su questa ammissione, l'adorazione raddoppiata, si danno colpi che li trasformano in quello che può essere. In un primo momento l'inganno comune, correvano, uno da un mondo animale, l'altra ad un se stesso ribattuta uno schiavo. "" Volevano a ridere senza senso, sta torturando una bugia, ma, non avendo altra via di presentarsi come l'apoteosi, hanno perso di vista il loro reciproco desiderio di morte e beatamente apprezzato l' riposare. "Una chiave di lettura di questi cambiamenti addizione preziose che riflettono cambiamenti reali dell'autore. Se la più importante è, naturalmente, la scelta della prima persona nelle versioni successive, alcune varianti lessicali sono anche molto significativo. Così: «Offro lo spettacolo dei miei vizi" nel manoscritto e dattiloscritto 1935 diventa: "Offro lo spettacolo dei miei errori" nella versione pubblicata della stessa nel 1947 "Questo è un estratto dal discorso. la terza città "diventa" Questo è un estratto del discorso sul terzo allo Stato terzo "; "Un rumore (...) è stato un colpo tutta la città" diventa "è stato un colpo tutte le persone" e "... su un ponte di onomatopea" diventa "... un farneticante gateway." Infine, si tratta di una Blanchot lirica che rivela questa "improvvisa chiamata del linguaggio": "Aveva i capelli appendere queste ampie ali di velluto sono una promessa di trasformazione." "... Quando il sole getta la sua luce splende contro gli specchi ovunque, si fermò sopra la spianata e udì questa voce, privato misteriosamente le vocali e le consonanti, che annuncia la condivisione degli spazi" "Esclamazioni di: la folla è venuto e ha portato chiede un disagio immenso. "" Ha funzionato sul libro e morse i denti, come se avesse fatto insensibile, nonostante l'amarezza di quelle vecchie pagine. ". Col senno di poi Blanchot esitate a commentare, tuttavia, che questo testo prevede la terza volta e si prese cura di rivedere ancora una volta, a 50 anni dalla sua prima release. Tuttavia, porta alcuni pezzi di spiegazioni che rivelano l'importanza di questa piccola storia nella vita e l'opera di uno dei più misteriosi scrittori del ventesimo secolo: "L'ultima parola deve raccontare linea principale, come aventi invece, il naufragio totale, la narrazione in sé non può quindi essere conservato, e impossibile o assurdo, a meno che non dovrebbe pretendere profetico, annunciando un futuro in passato già lì o dicendo che ci sempre quando non c'è niente: o non portare nulla ed evitare l'annientamento che non può sfuggire al suo processo a lungo termine che viene rimasticare e l'eternità. " - [FRENCH VERSION FOLLOWS] Manuscrit autographe de l'auteur de 16 pages in - 8 publié dans le numéro 9 (juin 1946) des Temps modernes et repris, légèrement retouché, dans La Part du Feu (1949). Manuscrit recto - verso complet, à l'écriture très dense, comportant de nombreux ratures, corrections et ajouts. On joint le tapuscrit complet avec corrections autographes à l'encre noire.     « Le Paradoxe d'Aytré » est le premier texte de Maurice Blanchot que Jean - Paul Sartre publie dans les pages des Temps modernes, fer de lance de la littérature engagée. Trois autres suivront jusqu'en 1952 (« Le roman, œuvre de mauvaise foi », « A la rencontre de Sade » et « L'art, la littérature et l'expérience originelle »), tous de grande importance. Poursuivant sa réflexion entamée depuis plusieurs années sur le combat de l'écrivain avec le langage et sa relation au silence (notamment dans son article « Le Mythe d'Oreste »), Blanchot appuie ici sa démontsration sur Aytré qui perd l'habitude de Jean Paulhan - influence majeure - qui lui fournit notamment le titre de son article : « De ce petit récit, il ne résulte pas que la littérature ne doive logiquement commencer qu'avec le crime, ou à défaut, avec le vol. Mais qu'elle suppose un écroulement, une sorte de catastrophe initiale et le vide même que mesurent l'anxiété et le souci, c'est ce qu'on peut être tenté de voir. Or, remarquons - le, cette catastrophe ne s'exerce pas seulement sur le monde, les objets qu'on manie [...] ; elle s'étend aussi et en même temps au langage, à la possibilité des mots. C'est là le paradoxe d'Aytré. » Et d'ajouter : « L'écrivain ne débute pas toujours avec le sang d'un fait divers ou l'horreur d'un crime qui lui ferait sentir l'instabilité et le vide du monde, mais il ne peut guère songer à commencer autrement que par une certaine incapacité de parler et d'écrire, par une perte de mots, par l'absence même des moyens dont il surabonde. Ainsi lui est - il indispensable de sentir d'abord qu'il n'a rien à dire. » Jean Paulhan, donc, mais aussi Franz Kafka, Herman Melville ou Stéphane Mallarmé, autant d'écrivains admirés par Blanchot, se sont confrontés au paradoxe d'Aytré, au silence, à l'effondrement du langage. Et le critique de conclure : « [...] le silence du langage créateur, ce silence qui nous fait parler, n'est pas seulement une absence de parle, mais une absence tout court, cette distance que nous mettons entre les choses et nous, et en nous - mêmes, et dans les mots, et qui fait que le langage le plus plein est aussi le plus poreux, le plus transparent, le plus nul, car il laisse infiniment fuir le creux même qu'il enferme, sorte de petit alcarazas du vide. »   Très beau texte sur le silence du langage, publié par Jean - Paul Sartre dans Les Temps Modernes.  

      [Bookseller: Librairie Le Feu Follet]
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        La vie filtrée

      Gallimard, 1949. - Gallimard, Paris 1949, 14,5x21cm, broché. - Prima edizione, uno dei 13 esemplari numerati sul filo puro solo maggiori testate. copia rara e piacevole. - [FRENCH VERSION FOLLOWS] Edition originale, un des 13 exemplaires numérotés sur pur fil, seuls grands papiers. Rare et agréable exemplaire.

      [Bookseller: Librairie Le Feu Follet]
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      London : Secker and Warburg. 1949. First edition, first printing. First edition, first printing. Original green cloth with red titles to the spine, in the maroon dustwrapper. Purple top-stain. An excellent near fine copy, the binding clean with a slight lean. The contents are very clean throughout and without previous owner?s inscriptions or stamps. Complete with the unfaded maroon dustwrapper which is a little rubbed and nicked with a few short closed tears to the extremities and a small blemish to the spine. Not price-clipped (correctly priced 10s net to the front flap). A very attractive example, without repair or restoration, of a notoriously fragile book. The first printing of Nineteen Eighty-Four was published on 8th June 1949 and issued in two states of dustwrapper. Both are identical in all but the background colour of the upper panel and spine, one being green, the other maroon. Although no precedence has been established, the maroon is scarcer and considered more desirable, but being exceptionally prone to fading bright examples, as here, are of undoubted rarity. [Fenwick A.12a] Further details and images for any of the items listed are available on request. Lucius Books welcomes direct contact with our customers.

      [Bookseller: Lucius Books]
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        C'est à St - Paul de Vence

      Paris, La Nouvelle édition, 1949. in - 8 carré de 94 et (2) pages exemplaire broché, couverture illustrée en couleurs 1949, 1949, , in - 8 carré de 94 et (2) pages, exemplaire broché, couverture illustrée en couleurs, Edition originale avec un envoi autographe de Prévert à Paul Grimault, "pour Paul Grimault", enrichi d'un cœur tracé au feutre noir et colorié en rouge. Touchant envoi de Prévert à son ami Paul Grimault alors que les deux artistes sont en pleine réalisation de la première version du futur "Le Roi et l'Oiseau" (1980), La Bergère et le Ramoneur (1950) d'après un conte éponyme d'Andersen. Grimault, pour les dessins, et Prévert, pour le texte, travaillèrent près de 4 ans (1946 - 1950) à la réalisation de ce film d'animation. Primé en 1951 à la XIIIe biennale de Venise, le film sera commercialisé en 1953. Les auteurs furent mécontents du montage imposé par la production. Ainsi, en 1967, Grimault récupéra les droits de l'œuvre et les négatifs du film, réécrit quelques scènes et remonta le film sous le nom de "Le Roi et l'Oiseau"

      [Bookseller: Librairie Alain Brieux]
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      New York: Harcourt, 1949. Cloth and boards. First edition. Signed by the author on the title-page. A fine copy in dust jacket. POLK A7:1.

      [Bookseller: William Reese Company - Literature ABAA-]
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