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Displayed below are some selected recent viaLibri matches for books published in 1949

        UPPER FOURTH AT MALORY TOWERS

      Methuen & Co. Ltd. 1949 - 1st 1949. Slightly better than very good condition in a nearly fine dustwrapper. Yellow cloth, red titles and vignette. Pink pictorial endpapers. B/w illustrations. SIGNED by the author to front endpaper (Best wishes from Enid Blyton). Spine slightly bumped. Pale spotting to edges of front cover and to top of spine. Contents are fine. Dustwrapper is just a tiny bit edge rubbed/nicked with very minimal loss at corners. An exceptional copy of this scarce book with the added bonus of being signed by the author. This copy would make a wonderful gift. [R] [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Stella & Rose's Books, PBFA]
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        Rare signed music contract from the vaults of Hometown-Village Music

      New York, 1949. unbound. 1 page, 11 x 8.5 inches, Hometown Village Music, 1619 Broadway, New York City, July 29, 1949, whereby Fred Wise and fellow Hall-of-Fame songwriters Al Frisch and Sid Prosen agree to assign their composition titled "The Longer We're Together" to the Robert Music Corporation, with the understanding that they will abide by the regulations set forth by the SPA. All three have boldly signed this contract (in full) under the caption: "We are the composers." Fred Wise and Al Frisch were a successful songwriting team in the 1940s and early 1950s. Despite their immense success, they are both virtually unobtainable in autographic material. Boldly signed, natural folds, very good condition. American Hall-of-Fame songwriter who wrote top hits for Frank Sinatra, Perry Como, Tony Bennett, and other big names before becoming one of the most prolific songwriters for Elvis Presley. He contributed heavily to Presley's movie soundtracks and provided over 30 songs used in "King Creole," "Wild in the Country," "Follow that Dream," "Kid Galahad," "This is Living," "Fun in Acapulco," "Kissin' Cousins," and "Roustabout." He also wrote the song "Wooden Heart" which Elvis sang in the film "G.I. Blues." Wise, a longtime sufferer of depression, is sadly remembered for committing suicide at the kitchen table of his home in front of his wife and children. He was 50 years old.

      [Bookseller: Argosy Book Store]
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        THOSE DREADFUL CHILDREN

      Published by Lutterworth Press, 1949. 1st edition.. Hardback. Very Good/Very Good. Illustrated by Lodge, Grace. Very good condition in a very good dustwrapper. Beige cloth, dark title to spine. Colour frontis. B/w illustrations. 176 pages. SIGNED by the author to front endpaper (Wendy, Love from Enid Blyton). Foxing to contents which are otherwise clean. Spine is slightly bumped. Some very slight darkening to cover edges. Dustwrapper is just ever so slightly edge rubbed. A lovely copy of quite a scarce title with added bonus of being signed. This copy would make a wonderful gift. [R]

      [Bookseller: Stella & Rose's Books]
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        SEQUENZE - QUADERNI DI CINEMA - 1949-1950

      1949 - Raccolta dei primi 12 fascicoli dei soli 14 pubblicati, l'insieme è stato elegantemente rilegato in un volume in mezza tela dorata al dorso con tasselli con titolo e anni. La raccolta analizza a fondo i vari settori della cultura cinematografica italiana e straniera. Il direttore era Luigi Malerba con il valido contributo del segretario Giuseppe Calzolari. Ogni fascicolo è arricchito da foto e disegni (anche di Maccari che ha illustrato anche alcune copertine). Tra i collaboratori, oltre ai curatori dei vari volumi monografici, firme assai autorevoli quali Sadoul, SALVATORE QUASIMODO, Lamberto Sechi, C. Alvaro, Antonioni, Pasinetti, Luchino Visconti, Marcel Carnè, Laurence Olivier, Luigi Chiarini, Von Stroheim, Corrado Terzi; poi vari registi del cinema europeo, ed ancora Massimo Mila, Roberto Paolella, Diego Fabbri, Antonio Covi, A. Arnoux, Cesare Zavattini, Bruno Barilli, Ungaretti, Pancrazi, Soldati ecc. ecc. Ogni fascicolo è monografico. Fasc. 1 sett. '49 - Il colore del film (Guido Aristarco) pp.48 " 2 ott. '49 - I registi parlano del film (Malerba Luigi) pp. 48 " 3 nov. '49 - Il cinema sovietico - 1a parte (Glauco Viazzi) pp. 50 " 4 dic. '49 - Il cinema italiano del dopoguerra (Aristarco) pp. 50 " 5-6 g-feb '50 - Il film comico (Mario Verdone) pp. 80 " 7 marzo '50 - Cinema e cattolicesimo pp. 50 " 8 apr. '50 - Nascita del cinema (Antonio Marchi) pp. 50 " 9 magg '50 - Letterato al cinema (Attilio Bertolucci) " 10 -11 giu-lug '50 - Il divismo (Fausto Montesanti) pp. 80 ". 12 ago '50 - Il cinema sovietico - 2a parte (Glauco Viazzi) pp. 50. Raccolta rara in più che ottime condizioni. [Attributes: Hard Cover]

      [Bookseller: Libri Antichi e Rari di A. Castiglioni]
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        Face to Face

      Johannesburg South Africa Silver Leaf Books 1949 - First Edition of this scarce book.VG in repaired,priceclipped and chipped DW with small pieces missing. [Attributes: Hard Cover]

      [Bookseller: barnoble-books]
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        BELINDA BEAR

      Published by The Bodley Head, 1949. 1st edition.. Hardback. Good/Fair/Poor. Illustrated by Cam, . Almost very good condition in a dustwrapper in fair condition. Small, thin format. Pictorial boards. Colour illustrations throughout and printed on coloured paper. Title-strip is worn and chipped with some loss. Small splash mark (coffee?) to front cover. A couple of hinges are pulled causing contents to be a little loose. Dustwrapper is almost in two pieces (very worn to spine with some loss. Further slight loss at edges and tears to corners with a large tear to top spine corner of rear panel. Lower 2" section of rear flap has been torn off. Still quite a decent copy of a scarce little book. [R]

      [Bookseller: Stella & Rose's Books]
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        Geschlechter-Reihen St. Laurentii-Föhr: Teil I- Ia - II. Zusammen 3 Bände.

      ( Nachdruck der ursprünglich 1949 gedruckten Ausgabe ): Teil I+Ia mit XXIV und zusammen 564 Seiten sowie einigen wenigen Abbildungen und Illustrationen (teils auf Tafeln) , 17 Seiten /Teil II mit 1142 Seiten, 1 Blatt. Jeweils in Ohldr (bzw. OHalbkunstleder) mit goldgeprägtem Einbandrücken, 4 ( 28 x 19 cm ). Neben einer minutiösen Beschreibung des Kirchspiels St. Laurentii auf Föhr sowie von Föhr im Allgemeinen finden sich Ahnenlisten zu Lorenz K. Braren - Lisbet Piper. / Teil Ia mit umfangreichen Namenslisten gegliedert in Männer und Frauen / Im zweiten Teil dann die genealogischen Angaben zu den im Band Ia angeführten Namenslisten. Einbände minimal fleckig, innen teils Anstriche und einige Unterstreichungen in Kugelschreiber. Insgesamt guter Zustand. - sehr selten - ( Gesamtgewicht 2900 Gramm ) ( Pic erhältlich // webimage available )

      [Bookseller: Antiquariat Friederichsen]
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        Art daujourdhui. 1949 - 1952 Revue Mensuelle / 1953 - 1954 Revue dArt Contemporain.

      2 Bände. 31 x 24 cm. ca. 1100 S. Farbige OUmschläge (meist in Siebdruck) in einfachem schwarzen Leinen mit goldenem Rückentitel. Sehr gutes Exemplar (ohne die Beilagen). 35 in 29 Heften, mit den Originalumschlägen [zwei Hefte nur mit den vorderen Umschlägen] eingebunden in zwei schwarze Leinenbände mit Rückentitel. Vorhanden sind in Band 1 in der Reihenfolge der Bindung [!]: No 3, Octobre 1949 / No 8, Octobre 1952 / Serie 2, No 1, Octobre 1950 Serie 2, No 2, Novembre 1950 No 7 - 8, Mars 1950 No 10 - 11, Mai - Juin 1950 / Serie 3, No 1, Decembre 1951 Serie 3, No 2-3, Janvier - Fevrier 1951 Serie 2, No 4, Mars 1951 Serie 2, No 5, Avril - Mai 1951 Serie 2, No 6, Juin 1951 Serie 2, No 7, Juillet 1951 Serie 2, No 8, Octobre 1951 / Serie 3, No 2, Janvier 1952 [Serie 2. No 3 - 4, Mars - Avril 1952?] Serie 3, No 5, Juin 1952 Serie 3, No 6, Aout 1952. In Band 2 enthalten sind die Jahrgänge Serie 4 / 1953 und Serie 5 / 1954 vollständig: Serie 4, No 1, Janvier 1953 No 2, Mars 1953 No 3-4, Avril - Mai 1953 No 5, Juillet 1953 No 6, Aout 1953 No 7, Octobre - Novembre 1953 No 8, Decembre 1953 / Serie 5, No 1, Fevrier 1954 No 2 - 3, Mars - Avril 1954 No 4-5, Mai - Juin 1954 No 6, Septembre 1954 No 7, Novembre 1954 No 8, Decembre 1954. Die Jahrgänge 1951, 1953 und 1954 sind vollständig mit allen Umschlägen vorhanden. Eine der wichtigsten Zeitschriften zur abstrakten Kunst ihrer Zeit mit Textbeiträgen (in Französisch) bedeutender Kritiker und Kunsthistoriker wie Michel Seuphor, Herta Wascher, Roger Bordier, John Antony Thwaites, Daniel Henry Kahnweiler, Herbert Read etc. Einige Umschläge in Siebdruck u.a. von Magnelli, Poliakoff, Palazuelo, Arp, Bertling, Sonia Delaunay, Leppien, Bloc, Leger, Robert Delaunay. Auf den letzten Seiten und den Umschlagrückseiten sind zahleiche Werbungen namhafter Galerie abgedruckt, u.a. Denise Rene, Colette Allendy, Paul Facchetti , Berggruen, Jeanne Bucher etc. Die behandelten Künstler bilden ein Who is Who der Zeit. Inzwischen über Einzelhefte hinausgehend selten.

      [Bookseller: Antiquariat Querido]
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        Die Taube. Lithographie von Picasso.

      Im Stein signiert. Auf festem Velin. 51 x 65 cm. Papier: 61 x 75 cm. Diese Lithografie entstand 1949 nach einer Zeichnung des Künstlers für ein Plakat für den Weltfriedenskongress in Paris. Verso mit dem Stempel "Diffusion / Nouvelles Images" - Außenkante schwach angestaubt bzw. minimal gebräunt.

      [Bookseller: Kunstantiquariat Joachim Lührs]
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        Schweizerisches Archiv für Volkskunde / Archives suisses des Traditions populaires. 3. Jhg. 1899 bis 46. Jhg. 1949 fast kmpl. es fehlen die Jhge. 16, 17 u. 20 sowie 10 Einzel-Nummern [= 34 vollst. Jhge. u. 7 unvollst. Jhge.]. Vierteljahrsschrift. Mit Gesamt-Register.

      Je Jhg. ca. 250-350 S., oft mit Textabb u. Taf. (tls. eingefaltet oder farbig), tlw. auch Noten, Gr.-8, Illus. O-Karton (Hefte) Fast komplett die ersten 46 Jhge. mit den nützlichen Register-Bänden, welche 1949 veröffentlicht wurden u. ein "Gesamtregister für die Bände 1-45 des [vorl. Archivs], 1-38 der Schweizer Volkskunde u. 33-38 von Folklore Suisse" enthalten (erstellt von Robert Wildhaber) sowie ein Orts- u. Verfasser-Register. Die Hrsg. wechselten über die Jahre, beteiligt waren neben Hoffmann-Krayer (1864-1936), dem Begründer der Gesellschaft, auch: Jules Jeanjaquet, Maxime Reymond, Arthur Rossat, Jean Roux, Hanns Bächtold-Stäubli, Paul Geiger, R.-O. Frick, J.-B. Bertrand, Rob. Wildhaber. - Es fehlen neben den ersten beiden die Jhge. 16 (1912), 17 (1913) u. 20 (1916) sowie Jhg. 14 (1910), Nr. 2 u. 4 / 18 (1914), Nr. 2 / 26 (1925), Nr. 1 / 30 (1930), Nr. 2 u. 3 / 35 (1936), Nr. 4 / 42 (1945), Nr. 2 / 46 (1949), Nr. 3 u. 4. - Bsp. aus dem Inhalt: Luzerner Akten zum Hexen- u. Zauberwesen Volkstümliches aus dem Frei- u. Kelleramt Chants patois jurassiens Volksmedizinisches Allerhand Aberglauben aus dem Kanton Bern Les Paniers Die Hauszeichen u. Tesslen der Schweiz Les "Fôles" Die Klettgauer- oder Hallauertracht des Kantons Schaffhausen Die Einsiedler Wallfahrts-Andenken einst u. jetzt Marques Vaudoises Aus dem Volksleben des Züricher Unterlandes Sagen aus Rohrbach Totentanzlieder Heilige Längenmasse Le Théâtre populaire en Valais Volkstümliche Musikinstrumente in der Schweiz Sprichwortstudien Contes fantastiques du Jura bernois Die neuere Entwicklung der Fastnacht in Basel-Land (die überwiegenden Beiträge sind auf deutsch). - Daneben auch immer wieder Bibliographie, Buchbesprechungen, Mitgliederverzeichnis u. jeder Bd. mit Jhgs.-Titel u. Register. - Überwiegend gute Expl., ab u. an etwas stärkere Gebrauchsspuren an den Einbänden innen immer gut erhalten, meist noch garnicht aufgeschnitten, tlw. papierbedingt leicht gebräunt. Die Einbände überwiegend in der dtsch. Variante, manche auch mit dem franz. Titel (der Inhalt ist bei beiden Varianten gleich).

      [Bookseller: Versandantiquariat Hans-Jürgen Lange]
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        LAS CANTIGAS ESTUDIO ARQUEOLOGICO DE SUS MINIATURAS

      Madrid. Consejo Superior de Investigaciones Científicas. 1949. Premio "Raimundo Lulio" 1946. Tela. 433Pág+212 Bellíssimas láminas. 32X22. Obra fundamental, una de las Obras medievales mas importantes. Buen ejemplar. Ref 6.3 Biblioteca A.

      [Bookseller: Libreria Anticuaria Marc & Antiques]
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        gedanken und farbe. erzählt / geformt. [Manuskript].

      16 x 15 cm. 45 unpaginierte Blatt. Leinenmape mit Farbflächen in Öl handbemalt. Papierbedingt gebräunt, teils etwas brüchig. Von Herkunft und Alter her gut und sauber erhalten. Buchmanuskript mit Text und Bildmontagen. Enthält einen mittels montierter Fotos von Werken gegebenen Überblick zum Werk Streubels ab etwa 1949 bis 1960 sowie Gedichte und Texte. Die Anordnung muss in der vorliegenden Form nicht stimmen, da die Blätter, meist in Doppelbögen, nicht nummeriert sind und sich nur durch Datierungen der Bilder erschließen. Die Texte wirken in ihrer Stilistik fragmentarisch und sind daher schwer zusammen zu führen, wie überhaupt die Diktion Streubels sehr dadaistisch - surreal anmutet. An Expressionismus und Bauhaus geschult sind die wiedergegebenen Arbeiten meist figürlich expressiv oder geometrisch abstrakt. Neben dem Buchmanuskript liegt ein Textmanuskript von 3 Blatt DIN A4 vor - "Der Redner" . Ferner dabei zwei handschriftliche und ein maschinenschriftlicher Brief (dieser vom 18.2.1962 bezieht sich auf das Buchmanuskript, das Streubel einem befreundeten Sammler in Düsseldorf hat zukommen lassen, wohl auch um es aus der DDR zu bringen). Dabei ferner ein Weihnachts- und Neujahrsgruß, handschriftlich auf Klappkarte mit einer voll ausgeführten abstrakten Gouache auf der Innenseite. Zusammen in Papp-Kassette. Kurt W. Streubel, geboren 1921 in Starkstadt / Böhmen, gestorben 2002 in Weimar. Nach Wehrdienst und Kriegsgefangenschaft nahm Streubel 1946 ein Studiums an der Staatlichen Hochschule für Baukunst und bildende Kunst Weimar bei Hanns Hoffmann-Lederer, später bei Albert Schaefer-Ast auf. Er lebte seit 1945 überwiegend in Gotha. Streubel fiel auf Grund seiner Haltung und seiner abstrakt - konstruktiven Malgeste dem Formalismusvorwurf der verantwortlichen Kulturhüter der DDR zum Opfer (er hatte eine umfangreiche Stasi-Akte) und wurde gesellschaftlich ausgegrenzt. Er operierte im Geheimen und fand in dem Komponisten Siegfried Geissler einen Gönner und Mäzen, der auch seine "antioper" komponierte (1970), die aber nie zur Aufführung gelangte. Gelegentlich gelangten Bilder Streubels auf den Sekundärmarkt, Ausstellungsbeteiligungen waren rar, seine teils dadaistisch anmutenden Gedichte und Texte fanden bislang ebenfalls nur wenig Beachtung - Grund genug, sich dem widerspenstigen und unbequemen Künstler zu nähern.

      [Bookseller: Antiquariat Querido]
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        Marius - Fanny - Cesar.

      Monte-Carlo, Editions du Livre 1949. 3 volumes in-8° plein maroquin bleu, dos à larges faux nerfs ornés de frises dorées, plats ornés d'un encadrement doré, dentelles intérieures dorées, couvertures en couleurs conservées. 66 hors-texte en couleurs dont 4 à double page et de 75 dessins en noir dont 1 hors-texte d"Albert DUBOUT. Exemplaire à l"état de neuf, numéroté sur grand Vélin. Bel exemplaire joliement relié.

      [Bookseller: Librairie In-Quarto]
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        Marius - Fanny - César.

      Lausanne, Henri Kaeser, 1949.3 volumes brochés grands in-8 de 280 | [2]-228-[2]-284-[2] pages, couvertures imprimées rempliées, respectivement brune, bleue et rouge-framboise. Légers plis aux dos, tête et queue un brin fatigués, mais très bel état général tout de même. Nombreuses lithographies hors-texte en couleurs de Dubout, tirées par Mourlot. Et de Dubout encore, nombreuses illustrations en noir in-texte. Un mélange Pagnol/Dubout parfaitement réussi.

      [Bookseller: La Librairie Ancienne Alexandre Illi Bom]
 14.   Check availability:     Livre-rare-book     Link/Print  


        Marius ; Fanny ; César.

      Monte-Carlo Editions du Livre, 1949. 3 volumes in-8° carrés, brochés, couvertures rempliées, chemise, étui. 279 pp. ; 227 pp. ; 283 pp. Edition illustrée par DUBOUT de cette célèbre trilogie marseillaise avec 68 compositions en couleurs dont quatre sur double page et 74 en noir dont une à pleine page. Ex. numéroté sur grand vélin blanc.Etui défraichi. Très bon état intérieur.

      [Bookseller: Librairie Blomet]
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        Les Plus Belles Images du Cinema

      Unpaginated (ca. 76 pp.) collection of iconic still images drawn from classic films of the early 20th century, including a preface by Jacques Kupissonoff and 75 plates categorized by themes including "composition," "poésie," "mouvement," "temoinages," "visages," etc. 4to. Illus. wrpps. in protective glassine sleeve, extremities rubbed, otherwise excellent condition. Paris (Éditions du Chêne) N.d. (ca. 1949.).

      [Bookseller: F.A. Bernett Books]
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        Ulalume. Testo originale inglese. Versione francese di Stéphane Mallarmé. Introduzione di Emilio Cecchi. Acquaforti di Dario Cecchi

      Collezione dell'Obelisco Carlo Bestetti, Roma 1949 - Cartella editoriale in-4° (345x250mm) di 36 pp. a quartini sciolti con 5 acqueforti originali di Dario Cecchi f.t. protette da velina muta, di cui 3 su doppia pag., il tutto entro brossura incamiciata a sua volta conservata entro camicia cartonata figurata ed entro ulteriore astuccio. Perfetto stato. Tiratura di complessivi 125 esemplari su carta Morella (esemplare per Carlo Alberto Petrucci dei soli 5 ad personam). Le acqueforti furono stampate presso la Calcografia Nazionale di Baldassarre Barrovecchio e Michele Gnocchi, mentre la parte tipografica fu eseguita da Enzo Pinci in Roma. Rara cartella edita per il centenario della morte di Poe. Italiano [Attributes: Soft Cover]

      [Bookseller: Gilibert Libreria Antiquaria (ILAB-LILA)]
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        FUMETTI 01-10

      FUMETTI Mensile di racconti e illustrazioni nn. 1-10 serie completa Editoriale Subalpino, poi Edizioni G.A.C., poi Edizioni Alpe 1949-50 spillato 18 x 25 cm b/n Stato di conservazione: BUONO! Il numero 1 ha la copertina rovinata ed è privo di retro. Copertina usurata nel n. 3: strappo lungo il dorso e rinforzo con nastro adesivo nello spigolo superiore. Bruniture nel retro. Mancanza di un frammento nella copertina del n. 6. Macchie in copertina e mancanza di un piccolo frammento nel retro nel n. 10. Collana contenitore: nei primi numeri propone soprattutto materiale francese (Cité), che poi viene gradualmente sostituito da riedizioni di Saetta, Aquila Rossa e da racconti provenienti da precedenti collane della casa editrice (Gli Albi di Graziella, Albi Ardimento)

      [Bookseller: Supergulp di Rem Srl]
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        Fernand Leger et le nouvel espace. Traduction de l´anglais par Francois Lachenal.

      Geneve. Editions des Trois Collines. 1949. Premiere edition. 25 x 20 cm. 194 S. OKarton mit OUmschlag. Umschlag am Rücken etwas Feuchtigkeitsrandig, stellenweise gering fleckig und leicht berieben, sonst sehr gutes Exemplar. Exemplar der Normalausgabe mit einer handschriftlichen Widmung Fernand Legers auf dem Zwischentitel, die in eine kleine Zeichnung übergeht (Das \"r\" aus Leger geht über in eine Dampfwolke, ausgestoßen von einer Eisenbahn mit 4 Wagons und Schweizer Flagge am letzten Wagon). Die Widmung ist als Erinnerung an eine gemeinsame Zugfahrt aus der Schweiz entstanden. (Zeichnung 12,5 x 5 cm). So selten. Versand D: 2,00 EUR 20. Jahrhundert / 20th Century, Frankreich / France, Kunst, signierte Bücher, Widmungsexemplare

      [Bookseller: Antiquariat Querido - Kunst und Fotograf]
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        Las catacumbas Pequena guia de los museos y de la galerias de Roma

      Edizioni PUTU, 1949. SPAGNOLO 0,02 pubblicazione in brossura con legatura spillata, copertina in cartoncino stampato USATO

      [Bookseller: Biblioteca di Babele]
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        Journal. Dernières pages 1942-1947.

      Lausanne, Mermod, 1949.Petit in-8 en feuilles de 147-[2] pages, sous couverture blanche imprimée à rabats. Nom de possesseur sur garde, infime accroc en tête, pour le reste en très belle condition. Edition originale tirée à 3045 exemplaires, celui-ci un des 5 exemplaires sur Chine justifiés A à E (le nôtre porte la lettre B), parmi 15 exemplaires sur ce papier.

      [Bookseller: La Librairie Ancienne Alexandre Illi Bom]
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        The Sheltering Sky (With The Scarce Promotional Band)

      A First Printing published by John Lehmann in 1949. The BOOK is in VERY GOOD + condition. It shows signs of edge-wear and rubbing. The boards are bumped at the corners and the spine ends are mildly pushed. The spine is a little cocked. There is some fading of colour to the lower spine and less so to the upper spine. The text block is spotted and lightly encroaches on to the page margins in places , the fly papers and first few leaves. This post war production was renowned for using cheap quality paper and it is inevitable that there is the presence of some spotting. The WRAPPER is complete and is in near FINE condition. The rear panel is only lightly marked and spotted. The wrapper has benefitted from some expert professional restoration to the spine ends and upper rear cover edge - This is not noticeable from the front and in fact the restoration appears seamless. The white panels on the spine are only mildly toned. All in all a very attractive wrapper with the Fred Uhlman design looking striking in the removable Brodart archival cover. The very scarce 'Evening Standard Book Of The Month' Promotional Band is also present and is complete. It is in near Fine condition. One of only 4,000 copies printed. Bowles' epic first novel, a keystone of Beat literature, in its sought-after original British publication. Named by Time magazine as one of the 100 Best English-language Novels from 1923-2005. Extremely scarce to find in such collectible condition.

      [Bookseller: Ashton Rare Books ABA PBFA]
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        A WRITER'S NOTEBOOK

      Garden City, NY: Doubleday, 1949. Limited Edition. Hardcover. Near fine in very good clear wrapper in very good slipcase.. First American signed limited edition #230/1000, issued same month as first edition. 4to (10 in. tall). First edition stated. Signed by Maugham on limitation page. Publisher's red buckram beveled binding, clear wrapper and slipcase. Top edge gilt. Portrait. Spine faded, tail with crease, else fine exterior; fine interior. Very good clear wrapper with fore-edge corners chipped. Very good slipcase with two corner tears; two corners lightly bumped. "From 1892, when he was eighteen, until 1949 when this book was first published, Somerset Maugham kept a notebook." Maughamiana 58.

      [Bookseller: EXCELSA SCRIPTA Rare & Collectible Books]
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        Fernand Leger et le nouvel espace. Traduction de l anglais par Francois Lachenal.

      Editions des Trois Collines., Geneve. 1949 - Premiere edition. Geneve. Editions des Trois Collines. 1949. 25 x 20 cm. 194 S. OKarton mit OUmschlag. Umschlag am Rücken etwas Feuchtigkeitsrandig, stellenweise gering fleckig und leicht berieben, sonst sehr gutes Exemplar. Exemplar der Normalausgabe mit einer handschriftlichen Widmung Fernand Legers auf dem Zwischentitel, die in eine kleine Zeichnung übergeht (Das "r" aus Leger geht über in eine Dampfwolke, ausgestoßen von einer Eisenbahn mit 4 Wagons und Schweizer Flagge am letzten Wagon). Die Widmung ist als Erinnerung an eine gemeinsame Zugfahrt aus der Schweiz entstanden. (Zeichnung 12,5 x 5 cm). So selten. Umschlag am Rücken etwas Feuchtigkeitsrandig, stellenweise gering fleckig und leicht berieben, sonst sehr gutes Exemplar. [Attributes: First Edition; Hard Cover]

      [Bookseller: Antiquariat Querido - Frank Hermann]
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        THE GLASS MENAGERIE

      New Directions (1949), (New York) - This high spot of twentieth century drama was first published in 1945 and is published here with illustrations from the film starring Gertrude Lawrence, Kirk Douglas, Jane Wyman, and Arthur Kennedy. This edition also contains production notes of the play by Williams as well as an essay by him reprinted from THE NEW YORK TIMES. Nicely SIGNED by the author on the front endpaper and rather uncommon as such. The dustwrapper was designed by Alvin Lustig. Near Fine in a price-clipped, Near Very Good dustwrapper with a few small chips and lightly soiled [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Charles Agvent, est. 1987, ABAA, ILAB]
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        MARIUS. FANNY. CESAR. ILLUSTRATIONS DE DUBOUT.

      MONTE-CARLO. EDITIONS DU LIVRE. 1949.3 VOLUMES IN-8 (1,5 X 23,5 X 14 CENTIMETRES ENVIRON), RELIURE D'EPOQUE PLEIN MAROQUIN BRUN, BLEU ET ROUGE, DOS A CINQ NERFS ORNE DE FLEURONS DORES, PLAT SUPERIEUR ORNE DE FILETS DORES AVEC FLEURON CENTRAL DORE, TITRE ET TETE DORES, SOUS ETUI BORDE. ILLUSTRE DE 66 COMPOSITIONS EN COULEURS HORS TEXTE, DONT 4 A DOUBLE PAGE ET DE 75 DESSINS EN NOIR DONT 1 HORS TEXTE. TIRAGE LIMITE A 5000 EXEMPLAIRES NUMEROTES, TOUS SUR GRAND VELIN BLANC, CELUI-CI PORTANT LE NUMERO 3138.DOS UNIFORMEMENT PASSES, SINON TRES BEL EXEMPLAIRE, RARE DANS CETTE CONDITION.

      [Bookseller: Librairie du Château de Capens]
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        Art d aujourd hui. 1949 - 1952 Revue Mensuelle / 1953 - 1954 Revue d Art Contemporain.

      Art d aujourd hui., Paris. 1949 - 2 Bände. Paris. Art d aujourd hui. 1949-1954. 31 x 24 cm. ca. 1100 S. Farbige OUmschläge (meist in Siebdruck) in einfachem schwarzen Leinen mit goldenem Rückentitel. Sehr gutes Exemplar (ohne die Beilagen). 35 in 29 Heften, mit den Originalumschlägen [zwei Hefte nur mit den vorderen Umschlägen] eingebunden in zwei schwarze Leinenbände mit Rückentitel. Vorhanden sind in Band 1 in der Reihenfolge der Bindung [!]: No 3, Octobre 1949 / No 8, Octobre 1952 / Serie 2, No 1, Octobre 1950; Serie 2, No 2, Novembre 1950; No 7 - 8, Mars 1950; No 10 - 11, Mai - Juin 1950 / Serie 3, No 1, Decembre 1951; Serie 3, No 2-3, Janvier - Fevrier 1951; Serie 2, No 4, Mars 1951; Serie 2, No 5, Avril - Mai 1951; Serie 2, No 6, Juin 1951; Serie 2, No 7, Juillet 1951; Serie 2, No 8, Octobre 1951 / Serie 3, No 2, Janvier 1952; [Serie 2. No 3 - 4, Mars - Avril 1952?]; Serie 3, No 5, Juin 1952; Serie 3, No 6, Aout 1952. In Band 2 enthalten sind die Jahrgänge Serie 4 / 1953 und Serie 5 / 1954 vollständig: Serie 4, No 1, Janvier 1953; No 2, Mars 1953; No 3-4, Avril - Mai 1953; No 5, Juillet 1953; No 6, Aout 1953; No 7, Octobre - Novembre 1953; No 8, Decembre 1953 / Serie 5, No 1, Fevrier 1954; No 2 - 3, Mars - Avril 1954; No 4-5, Mai - Juin 1954; No 6, Septembre 1954; No 7, Novembre 1954; No 8, Decembre 1954. Die Jahrgänge 1951, 1953 und 1954 sind vollständig mit allen Umschlägen vorhanden. Eine der wichtigsten Zeitschriften zur abstrakten Kunst ihrer Zeit mit Textbeiträgen (in Französisch) bedeutender Kritiker und Kunsthistoriker wie Michel Seuphor, Herta Wascher, Roger Bordier, John Antony Thwaites, Daniel Henry Kahnweiler, Herbert Read etc. Einige Umschläge in Siebdruck u.a. von Magnelli, Poliakoff, Palazuelo, Arp, Bertling, Sonia Delaunay, Leppien, Bloc, Leger, Robert Delaunay. Auf den letzten Seiten und den Umschlagrückseiten sind zahleiche Werbungen namhafter Galerie abgedruckt, u.a. Denise Rene, Colette Allendy, Paul Facchetti , Berggruen, Jeanne Bucher etc. Die behandelten Künstler bilden ein Who is Who der Zeit. Inzwischen über Einzelhefte hinausgehend selten. Sehr gutes Exemplar (ohne die Beilagen). [Attributes: Hard Cover]

      [Bookseller: Antiquariat Querido - Frank Hermann]
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        10 Photographs

      1949 - STETTNER, Louis. 10 Photographs". Introduction by Brassaï. Paris and New York: Two Cities Publications, (1949). Slim folio, six loose sheets and ten duotone plates in original heavy tan wrappers. Housed in a custom clamshell box. $4500.Limited first edition, number 30 of only 265 copies, of this revealing selection of ten Paris and New York street images by Brooklyn-born Louis Stettner"""consummate street photographer in the Cartier-Bresson tradition."Praised by Brassaï as a photographer who reveals the world "with utmost accuracy and the simplicity of great art" (Early Joys), Brooklyn-born Louis Stettner is "a consummate street photographer in the Cartier-Bresson, Atget and, well, Weegee tradition" (New York Times). This impressive group of ten Stettner duotones provides memorable views of empty Paris street corners juxtaposed with high-contrast portraits of individuals on the street. As a realist, Stettner "renounces his personality, his "˜I' with its little fads and immense pretensions. Henceforth he will live under the authority of reality and will dedicate his existence to the cult of its images." Text by Brassaï in French and English translation. Plates fine, original wrappers and loose sheets with expert repairs to folds. A near-fine copy. [Attributes: First Edition; Soft Cover]

      [Bookseller: Bauman Rare Books]
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        Max Ernst 30 years of his work. About Max Ernst : poems and comments. Paramyths, new poems and collages by Max Ernst.- Exposition à Beverly Hills, California, The Copley Galleries, 10 janvier - 20 février 1949. Avec un envoi de l'artiste.

      Beverly Hills, William Nelson Copley, Copley Galleries, 1949.

      [Bookseller: Solstices Rare Books]
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        Enciclopedia italiana di scienze, lettere ed arti.

      Istituto della enciclopedia italiana fondato da Giovanni Treccani, Roma. 1949 - SPEDIZIONE GRATUITA IN ITALIA (SONO 6 PACCHI DI CA. 30 KG CADAUNO). Legature originali in mz. pelle con titoli e impressioni in oro. La presente edizione, la cui pubblicazione è iniziata nel 1949, comprende la ristampa integrale (fotolitica) dei trentacinque volumi pubblicati fra il 1929 e il 1936; Un volume di Indici (1952); Appendice I (1950); Appendice II, 1938-1948 (2 volumi); Appendice III, 1949-1960 (2 volumi). Formato: 41 v. di oltre 1000 p., 31 cm, m.p. editoriale. Buono, ordinari segni d'uso e del tempo, piccola spellatura al dorso del X volume. La libreria offre per un periodo limitato uno sconto del 15% su tutti i suoi libri. Il prezzo originale dell'articolo era 950.00 euro.

      [Bookseller: Studio Bibliografico Adige]
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        Wednesday Club Verse: An Anthology of Honor Poems from the Annual and Special Poetry Contests of the Wednesday Club of St. Louis

      St. Louis: The Wednesday Club. [1949]. First. First edition. Octavo. Quarter cloth and printed paper over boards. Near fine with a small smudge to the back panel. Includes a trilogy of poems entitled "Sonnets for Spring" by Williams, published under the name Thomas L. Williams. In 1936, the poems were awarded the $25 first prize in the poetry contest sponsored by the Club. Crandell B20. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        En Provence avec le peintre Seyssaud.

      S.l., Edition réalisée par la collaboration des Auteurs et techniciens de l'ouvrage et à leurs dépens, s.d. (1949).Grand in-4 en ff. sous couverture lithographiée et rempliée, chemise et étui (dos de la chemise passé, étui un peu frotté sans gravité). L'ouvrage comprend deux beaux textes sur le peintre et la Provence : l'un sur le peintre et son

      [Bookseller: Librairie d'Âpre-Vent]
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        TALES OF THE SOUTH PACIFIC

      The Macmillan Company, New York 1949 - Tenth printing of Michener's first book, winner of the Pulitzer Prize. INSCRIBED and SIGNED by the author to the actor who created the role of Capt. George Brackett in the original Rodgers and Hammerstein Broadway musical: "To Martin Wolfson,/In a character that does/not appear in this book, you/catch the precise & wonderful/spirit of what I was trying to/do. I have been deeply impressed/by your art & your sympathetic/understanding. It's been great/fun knowing you & watching your/performances./Your admirer, /James A. Michener." Michener's inscription takes up most of the front endpaper, but just above it is another inscription to Wolfson that we surmise is by the actor William Tabbert who played Lieutenant Joe Cable in the original production and who shared several scenes with Wolfson: "To Martin/In appreciation of his/splendid performance which/added much strength and/reality to the whole production/from his friend/Bill." SOUTH PACIFIC, the musical, won its own Pulitzer Prize, a New York Drama Critics Circle Award, and nine Tony Awards. Its memorable hits include "Some Enchanted Evening," "Bali Ha'I,"There is Nothing Like a Dame," "I'm in Love With a Wonderful Guy," and "I'm Gonna Wash That Man Right Out-a My Hair." It is rare to find copies of this book inscribed by Michener to original cast members of this historic American musical. Some light spotting to the cloth. Very Good, lacking the dustwrapper, with a great inscription [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Charles Agvent, est. 1987, ABAA, ILAB]
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        Enchiridion de Statibus perfectionis. Vol. I Documenta ecclesiae sodalibus instituendis

      OFFICIUM LIBRI CATHOLICI, 1949. LATINO 1,2 Volume I della collana. Mezzalegatura con titoli al dorso color oro. Pagine lievemente brunite ai bordi. USATO

      [Bookseller: Biblioteca di Babele]
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        Autograph letter signed. With Viva Zapata Screenplay

      1949 - (ZANUCK, Daryl) STEINBECK, John. Autograph letter signed. Pacific Grove, California: November 4, 1949. WITH: Viva Zapata! Screenplay. WITH: John Steinbeck and Twentieth Century-Fox Film Corporation". Legal Department. New York: Twentieth Century-Fox Film, 1949, 1951. Three items. Single original leaf (8-1/2 by 11 inches) of onionskin letterhead in manuscript on the recto. WITH: Quarto (8-1/2 by 11 inches), mimeograph manuscript in typescript on rectos only, original printed yellow wrappers, bound with brads as issued. WITH: Ten leaves of facsimile (8-1/2 by 11 inches) loose. Together housed in a custom folding chemise and slipcase. $8000.November 4, 1949 autograph letter signed by Steinbeck to film producer Daryl Zanuck, reporting Steinbeck's optimism at the progress of his original screenplay for the film Viva Zapata!, Steinbeck's letter in this rare collection with a May 16, 1951 original final shooting screenplay for the film, which premiered in 1952 starring Marlon Brando and directed by Elia Kazan, with Steinbeck's Oscar-nominated script hailed as a "towering achievement". unquestionably his finest work in the genre," housed together with ten loose leaves of facsimile documenting Steinbeck's legal contracts on the film with Twentieth Century-Fox Film, in a handsome custom folding chemise and half morocco slipcase."Steinbeck's towering achievement in film is most embodied by Viva Zapata!, a film Robert Morseberger regards as 'unquestionably his finest work in the genre". When Viva Zapata! finally appeared on the screen in 1952, it was the culmination not only of 20 years of study, but also Steinbeck's apprenticeship in writing for Hollywood".Unlike F. Scott Fitzgerald, William Faulkner or Ernest Hemingway". Steinbeck had great successes on the big screen". Over the course of his career, Steinbeck was three times nominated for the screenwriting Academy Award, while his films, more generally, garnered 25 Academy Award nominations, ultimately winning four". On the film's release, with Marlon Brando in the lead, Viva Zapata! electrified audiences. It earned Steinbeck an Academy Award nomination for best story and screenplay; Marlon Brando earned an Oscar nomination for best actor, while Anthony Quinn actually won the Oscar for best supporting actor. Indeed, Morseberger ranks Viva Zapata! as one of the four 'most memorable films". placing it in the elite company of High Noon, Singin' in the Rain, and The Quiet Man" (Price, "Champion of the Common Man," in Bloom, John Steinbeck, 47-48). The very scarce autograph letter in this collection, entirely in Steinbeck's hand, is dated three years before the film's 1952 premiere and many years after he began work on the screenplay. The letter""included with the "shooting final" screenplay of Viva Zapata! in the original wrappers of Twentieth Century-Fox Film Corporation""captures his near elation at this turning point in the project that consumed so many years of his life. Steinbeck, who "had been reading about Emiliano Zapata since the early 1930s," here writes Fox producer Daryl Zanuck with evident relief about his screenplay (Railsback and Meyer, 411). The letter is on a single leaf of onionskin personal letterhead with his Pacific Grove address: "John Steinbeck, 147 Eleventh Street, Pacific Grove, California." It reads: "November 4, 49, Dear Daryl: It was a brilliant thing to send me Jules Buck. He is a hell of a man. We work well together, are going very fast and I think a good script is coming out of it. I am extremely pleased. Just a note, John Steinbeck." Together with Steinbeck's letter and the screenplay are ten loose facsimile leaves, the file copies of legal agreements between Steinbeck and Twentieth Century-Fox Film Corporation, including a four-page, "Modification Agreement" dated "November 23, 1949" and a six-page "Assignment," with the date of "February 5, 1951." "The idea for a screenplay on the life of the Mexican revolutionary Emiliano Zapata came to Steinbeck in the [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Bauman Rare Books]
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        Farewell to Arms (Latvian)

      1949 - HEMINGWAY, Ernest. Ardievas Ierociem (Farewell to Arms). (Örebro, Sweden): Parnass, (1949). Octavo, original paper wrappers, uncut and unopened. $3500.First Latvian edition of A Farewell to Arms, Hemingway's own copy, warmly and humorously inscribed on the half title, "For Fraser Bragg Drew, from his friend Ernest Hemingway (Read this for home-work) EH."Hemingway inscribed this volume to his friend Professor Fraser Drew. As a young teacher, Drew wrote a letter to which Hemingway responded with uncharacteristic kindness, signing six of Drew's books and presenting him with six more "as an act of contrition" for taking so long to return the books. Hemingway then invited Drew to visit, and on April 8, 1955, one year after Hemingway won the Nobel Prize, they spent a long afternoon discussing literature, later recounted by Drew in his article "Unedited Notes on a Visit to Finca Vigia" (in Bruccoli, Conversations With Ernest Hemingway, 89-98). At the end of Drew's visit Hemingway said "Let's go up to the house and sign those books of yours." Hemingway inscribed all the books Drew had brought with him and presented him with many others from his own collection, many of which were foreign translations; this volume is undoubtedly from that visit. A Farewell to Arms first published in 1929; this first Latvian edition was translated by Dzintars Sodums. Grissom, 714. Bookplate of Fraser Drew.Interior fine, only light wear to paper wrappers. A near-fine volume with a wonderful Hemingway inscription. [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Bauman Rare Books]
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        Typed letter signed

      1949 - WEIZMANN, Chaim. Typed letter signed. [Jerusalem]: March 19, 1949. Original letter, one leaf of presidential stationary, measuring 6-1/2 by 9 inches, typewritten on recto. $9000.Extraordinary letter typewritten in Hebrew and signed by Israel's first president, Chaim Weizmann. Written and signed in Hebrew.The letter, written in Hebrew on the official stationery of the president of Israel, reads: "State of Israel. Office of the President. 18 Adar 5709. March 19, 1949. Dr. Chaim Weizmann. [To] Member of Knesset Dr. Zerah Wahrhaftig. Tel Aviv. Dear Member of Knesset. I thank you from the bottom of my heart for your best wishes. The Zionist Organization and the People of Israel have blessed me with a high and lofty position and a great honor. This honor, though, is a weighty one at my age and in view of the state of my health. I pray in my heart that I may be worthy of the position, and that history will keep me from any quarrels and internal strife, which, most unfortunately, are frequent in postwar countries. With great appreciation, [signed] Chaim Weizmann. President of Israel. Copy: Secretariat of the Knesset."Chaim Weizmann's importance in bringing about the establishment of the state of Israel cannot be overestimated. He was one of Israel's most important statesmen, having used his skills in diplomacy to convince British Prime Minister Balfour of the importance of Palestine as a Jewish homeland, which resulted in the Balfour Declaration. "The Declaration, which was Weizmann's primary achievement, was a turning point in modern Jewish history. The idea of restoring Jewish political nationhood had passed from fantasy into the world of politics. A leading diplomatic historian has described Weizmann's role as "˜the greatest act of diplomatic statesmanship of the First World War". The spectacular nature of his achievement had made him the central figure in the public life of the Jewish people; he was recognized as such by Jews and non-Jews alike. His position in international life even conveyed a premonition of Jewish sovereignty. Heads of state, ministers, and high officials, behaved toward him as though he were already president of a sovereign nation equal in status to their own. He and they knew that this was not strictly true; but something in his presence and in their own historic imagination forbade them to break the spell." In addition, "President Truman, in direct response to Weizmann's letter, had authorized the recognition of Israel by the United States," immediately after it had declared its independence on May 14, 1948, ensuring that many others in the United Nations would do so. Due to these, and numerous other diplomatic achievements on behalf of Israel, "in February 1949, the first elected parliament of Israel, meeting specially in Jerusalem, elevated Weizmann from the presidency of the Provisional State Council to the title of president of the State of Israel." (Encyclopedia Judaica). Weizmann official assumed office on February 17, 1949. This letter, composed scarcely one month later, was printed so soon after the founding of the state of Israel that the official stationery lacks the familiar official emblem of the state of Israel (a menorah and olive branches) that would adorn all later stationery. Unfortunately, the concerns about his health that Weizmann voices in this letter would prove to be well-founded; he passed away in 1952, before the completion of his term of office. Weizmann wrote this letter to one of the Knesset's most distinguished statesmen and intellectuals. Legal and religious scholar Rabbi Dr. Zerah Wahrhaftig emigrated to Israel in 1947, and very quickly became a political leader. He was one of the original signers of the Israeli Declaration of Independence, served in the Knesset from the founding of the State of Israel until 1981, served as Minister of Religions in the Prime Minister's cabinet, led the National Religious Party, was a lecturer at Hebrew University, and helped to found Bar Il [Attributes: Signed Copy]

      [Bookseller: Bauman Rare Books]
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        "Etude de personnages".

      1949Dessin à l'encre de Chine signé en bas à droite, (1950), 15 x 22.3 cm. Jacques VILLON (1875-1963) est un peintre, graveur et dessinateur français qui se rallia au cubisme, et travailla comme illustrateur pour des revues comme "L'Assiette au beurre", "Cocorico", "Frou-Frou", "Le Cri de Paris"... (Osterwalder, I, 1094).

      [Bookseller: Librairie Chrétien]
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        The Sheltering Sky.

      New York: New Directions,, 1949. Octavo. Original buff cloth, title to spine black on blue ground. With the dust jacket. Faint mark to fore edge; an excellent copy in the jacket with some loss to head of spine, short closed tear to centre of spine panel, nick and short closed tear to foot of spine. First US edition, first printing. Inscribed by the author on the half-title, "Paul Bowles. Tangier, April 1985." American-born Bowles moved to Tangier in 1947, where he lived until his death in 1999. Tangier was the setting of this, his first novel, a key title in the development of Beat literature. It was first published in September 1949 in the UK, after Doubleday rejected the manuscript; the first US edition followed a month later. Norman Mailer commented that with this title, Bowles "opened the world of Hip. He let in the murder, the drugs, the incest, the death of the Square ... the call of the orgy, the end of civilization". Uncommon inscribed, with just two copies appearing at auction.

      [Bookseller: Peter Harrington]
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        TEATRO COMICO DI BURATTINI

      - PUPPETS. TEATRO COMICO DI BURATTINI DI ZIO ROLLI (pseud. of Gero Rolf). Published in 1949 by Arnoldo Mondadori. Oblong folio ( 14" wide x 9 3/4 high), 45ff, pictorial wraps, Fine and unused in dust wrapper that when removed unfolds into a giant poster (repaired at folds). First edition. Illustrated with bold primary colors, the book includes pages to create 27 puppets operated by hand including Punch, as well as 7 plays and accessories needed to create a puppet theatre (stage, backdrops, tickets, etc.). [Attributes: First Edition; Hard Cover]

      [Bookseller: Aleph-Bet Books, Inc. - ABAA]
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        Le Cantique des Cantiques . Illustrations de André -E. Marty. Gravés sur bois par Angiolini.

      P., Fernand Hazan, 1949, In-4, en feuillles, sous chemise et étui de l'éditeur, 83 pp. Tirée à 587 exemplaires numérotés, sur vélin pur Chiffon d'Arches. Avec 36 compositions en couleurs dont 9 hors-texte.

      [Bookseller: Librairie Pages Volantes]
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        L'Été de la Saint-Martin. Esquisse.

      Paris (Imp. à Villiers-le-Bel), La Tour du Guet, (1949) ; in-16 (170 x 110 mm), br. ; 63, (1) pp., couverture en rouge et noir. EDITION ORIGINALE enrichie de 16 AQUARELLES ORIGINALES de Jean-Pierre Rémon, toutes signées, accompagnées d'un chaleureux ENVOI AUTOGRAPHE SIGNÉ "Pour Guillaume de Laroche, cet exemplaire unique, car peint à la main, retrouvé avec beaucoup d'émotion chez un homme sensible ; Mon livre ne pouvait pas rencontrer meilleures mains... Fidèlement. J.P. Rémon Barneville-Carteret 21.7.90". Artiste peintre, Jean-Pierre Rémon a exposé dans le Cotentin et depuis 1993 à Chamonix, où il vit l'hiver et où il a rencontré un grand succès ; il a également illustré une cinquantaine de livres et publié lui-même une quinzaine d'ouvrages. Bel exemplaire.

      [Bookseller: Librairie Ancienne Clagahé]
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        Sequenze Quaderni di Cinema Year I, No 1 (September 1949) through Year II, No 13-14 (January-June 1951) (all published)

      A complete run of 14 issues in 11 volumes of the Italian film journal, under the editorial direction of Luigi Malerba, featuring in-depth analysis of various aspects of Italian and foreign film, each issue with its own editor and focused on delving into a specific topic including color film, Soviet film, post-war Italian film, comedy, the birth of film, and film and Catholicism. Scattered illustrations. 8vo. Orig. illustrated wrpps. Parma 1949-1951. Highly respected writers and film critics contributed to this journal during its two years of publication, including Cesare Maccari, Giuseppe Calzolari, Massimo Mila, Roberto Paolella, Diego Fabbri, Guido Aristarco, Glauco Viazzi, Mario Verdone, Antonio Marchi, Attilio Bertolucci, Salvatore Quasimodo, Michelangelo Antonioni, Charlie Chaplin, Walt Disney, Georges Sadoul, Gabrielle d'Annunzio, Alberto Moravia, Frank Capra, Mary Pickford, Samuel Goldwyn, and many others. Scarce; as of November 2016, WorldCat locates three holdings in North American institutions.

      [Bookseller: F.A. Bernett Books]
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        Lettres ouvertes à un Mythe ou les enfantillages d'un amoureux transi.

      Chez L'auteur / Genève 1949. In-8 broché en feuilles. Infime tirage sur Auvergne. Etat superbe de fraicheur. Rarissime édition originale.Port gratuit pour la France ( En raison des nouvelles normes postales, les livres dont l'épaisseur dépasse les 3 cm seront expédiés obligatoirement en Colissimo avec un forfait ajouté de 5 € ) Port à la charge de l'Acheteur pour le reste du monde. Pour destinations extra-planétaire s'adresser à la NASA. Membre du Syndicat Lusitanien Amateurs Morues - Vente exclusivement par correspondance ! Le libraire ne reçoit que sur rendez-vous. Il est préférable de téléphoner avant tout déplacement.

      [Bookseller: Librairie Victor Sevilla]
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        Autograph letter signed and autogr. quotation signed. Los Angeles, 15. V. 1949.

      1949. Altogether (1+1 =) 2 pp. on 2 ff. Oblong small 8vo (letter) and 8vo. With autogr. envelope. To the writer Eaghor Kostetzky, i.e. Ivan Merzliakov (1913-1983), apologizing for having inscribed the accompanying album leaf so oddly, which is only due to his attempt not to damage the printed portrait that was included. - Together with an article of Kostetzky's about Schönberg (carbon copy) and the facsimile of the final page of a thank-you letter from Schönberg. Letter and envelope mounted on backing paper.

      [Bookseller: Antiquariat Inlibris]
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        SEQUENZE - QUADERNI DI CINEMA - 1949-1951 - TUTTO IL PUBBLICATO fascicoli sciolti dal n. 1 al n.13/14.-, Parma, Fresching - Maccari Cesare, 1949

      - 17 x 24. brossura, bs.Collezione in eccellenti condizioni, come viene evidenziato nella bella foto inserita nel sito www.ferraguti.it Straordinaria collezione fine anni '40, che analizza a fondo i vari settori della cultura cinematografica italiana e straniera. Il direttore era Luigi Malerba con il valido contributo del segretario Giuseppe Calzolari. Ogni fascicolo è arricchito da foto e disegni (anche di Maccari che ha illustrato anche alcune copertine). Tra i collaboratori, oltre ai curatori dei vari volumi monografici, firme assai autorevoli quali Sadoul, SALVATORE QUASIMODO, Lamberto Sechi, C. Alvaro, Antonioni, Pasinetti, Luchino Visconti, Marcel Carnè, Laurence Olivier, Luigi Chiarini, Von Stroheim, Corrado Terzi; poi vari registi del cinema europeo, ed ancora Massimo Mila, Roberto Paolella, Diego Fabbri, Antonio Covi, A. Arnoux, Cesare Zavattini, Bruno Barilli, Ungaretti, Pancrazi, Soldati ecc. ecc. Collezione completa dal fasc. 1 del settembre 1949 al fasc. 13/14 del gennaio-giugno 1951, come da dettaglio. Ogni volume è monografico. Fasc. 1 sett. '49 - Il colore del film (Guido Aristarco) pp.48 " 2 ott. '49 - I registi parlano del film (Malerba Luigi) pp. 48 " 3 nov. '49 - Il cinema sovietico - 1a parte (Glauco Viazzi) pp. 50 " 4 dic. '49 - Il cinema italiano del dopoguerra (Aristarco) pp. 50 " 5-6 g-feb '50 - Il film comico (Mario Verdone) pp. 80 " 7 marzo '50 - Cinema e cattolicesimo pp. 50 " 8 apr. '50 - Nascita del cinema (Antonio Marchi) pp. 50 " 9 magg '50 - Letterato al cinema (Attilio Bertolucci) " 10 -11 giu-lug '50 - Il divismo (Fausto Montesanti) pp. 80 ". 12 ago '50 - Il cinema sovietico - 2a parte (Glauco Viazzi) pp. 50 (questo quaderno non è al momento presente ma lo stiamo ricercando) " 13-14 genn-giugno 1951 - Il cinema educativo (Mario Verdone) pp. 60 Ultimo uscito COLLEZIONE DI TUTTO IL PUBBLICATO

      [Bookseller: Ferraguti service s.a.s. - Rivisteria]
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