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Displayed below are some selected recent viaLibri matches for books published in 1946

        FARM STORIES

      TENGGREN, GUSTAF. (TENGGREN,GUSTAF)illus. FARM STORIES by K. & B. Jackson. NY: Simon & Schuster (1946). Folio (10 1/2 x 13"), publisher's pictorial cloth binding, a Fine copy in VG+ dust wrapper lightly worn at front fold and with a small edge chip and light fraying. Stated 1st printing of Giant Golden Book, there is label on the back of the free endpaper that explains that THIS IF ONE OF 650 NUMBERED COPIES SPECIALLY PRINTED AND BOUND SIGNED BY TENGGREN AND BY BOTH AUTHORS KATHRYN AND BYRON JACKSON. Illustrated by Tenggren with 100 full color illustrations plus many black and whites to accompany 50 original stories. This limited edition complete with dust wrapper is rare.

      [Bookseller: Aleph-Bet Books, Inc.]
 1.   Check availability:     Biblio     Link/Print  


        Omslagsförlagor till Gustav Sandgrens Skymningssagor (del 2, 1946).

      Två teckningar i tusch och täckvitt på blått papper, den ena signerad och daterad: "Stig Åsberg 1946". 28

      [Bookseller: Lorenz B. Hatt]
 2.   Check availability:     Antikvariat     Link/Print  


        Gormenghast Trilogy [Titus Groan, Gormenghast, Titus Alone]

      UK: Eyre & Spottiswoode. London, Eyre & Spottiswoode, 1946-1959. Three volumes. First editions and first impressions. Volume one signed "with best wishes \ Mervyn Peake", it is the first impression rather than the commonly found second impression. Very good to near fine. All volumes with some edge wear, some toning. Spine tips rubbed and bumped. Volume one with 25mm closed tear to top edge, volume three with a couple of closed tear to the top of the spine, the longest with a chip and around 15mm long. In decent shape overall and rare signed. Good shape. . Very Good. Hardback. 1st Edition. 1946.

      [Bookseller: Hyraxia]
 3.   Check availability:     Biblio     Link/Print  


        The Gormenghast trilogy:] Titus Groan; Gormenghast; Titus Alone.

      London, Eyre and Spottiswoode, 1946–59 - 3 volumes, octavo. Finely bound by The Chelsea Bindery in full red morocco, titles to spine gilt, rule to turn-ins gilt, marbled endpapers, all edges gilt. A minor spattering of foxing to a few leaves otherwise a very good copy in a fine binding. All first editions, first impressions. [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
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        Trump - Wie man reich wird. Anleitung eines Insiders.

      258 Seiten (2) Blatt Verlagswerbung Gr.-8, gebundene Ausgabe, Hardcover/Pappeinband mit goldgerägtem Titel auf dem Buchrücken. mit Schutzumschlag, ungelesen und wie neu, auf dem Vorsatz vom designierten US-Präsidenten persönlich signiert. Donald John Trump (* 14. Juni 1946 in Queens/USA) ist der 45. Präsident der Vereinigten Staaten von Amerika. Seit 1971 war er CEO der Trump Organization, eines Mischkonzerns mit mehreren zehntausend Angestellten. Als Tycoon in der Immobilien- und Unterhaltungsbranche fiel der Milliardär durch sein extrovertiertes Verhalten auf sein Name wurde zur Marke, etwa für die nach ihm benannten Hochhäuser, die Trump Towers. Mit Fernsehsendungen wie The Apprentice erhöhte er seine Popularität weiter und gehört heute zu den bekanntesten Geschäftsleuten der Vereinigten Staaten. Vom 07. Januar bis 30. Januar 2017 können keine Bücher versandt werden. Ab 31. Januar 2017 erfolgt die Auslieferung. From January 7th until January 30th 2017 no books can be sent. As of January 31th 2017 delivery will take place.

      [Bookseller: Bührnheims Literatursalon GmbH]
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        Le Grazie

      Collezione del bibliofilo, 1946. Quartini sciolti in brossura (loose as issued in original wrappers) Carme di Ugo Foscolo con tre litografie originali di Felice Casorati (cm 24,5x34,5) . 4to. pp. 68. Ottimo (Fine). Edizione originale di 175 es. numerati.

      [Bookseller: Studio Bibliografico Marini]
 6.   Check availability:     maremagnum.com     Link/Print  


        THE ROOSEVELT I KNEW

      New York: The Viking Press. 1946. First Edition; Second Printing. Hardcover. Very Good in boards. Signed by author on front end page. Front panel and spine sun-toned. Sticker of previous owner stamped to front pastedown and front end page. ; Signed. ; 8vo 8" - 9" tall; Signed by Author .

      [Bookseller: Rare Book Cellar]
 7.   Check availability:     Biblio     Link/Print  


        Michael Hartnett.

      Original photograph by John Minihan of irish poet Michael Hartnett on archival paper. 29,5 cm x 19,8 cm. From the library of irish photographer John Minihan. With John's copyright-stamp verso. Signed and titled by John Minihan verso. John Minihan is an Irish photographer, born in Dublin in 1946 and raised in Athy, County Kildare. At the age of 12 he was brought to live in London, and went on to become an apprentice photographer with the Daily Mail. At the age of 15 he won the Evening Standard amateur photography competition. At 21 he became the youngest staff photographer for the Evening Standard. For thirty years he remained in London, returning every year to his hometown of Athy to record the people and their daily lives. The work of Minihan in Athy makes up a large part of his canon. Minihan began taking photos in Athy when he was 16. The photos are an attempt to document the lives of the ordinary people of the town in their day to day business and also in times of joy and sadness, notably during the wake of a woman called Katy Tyrrell. In between documenting Athy on visits home, Minihan continued his career on Fleet Street, which included the iconic snap of the 19-year-old Lady Diana Spencer in the garden of the nursery at which she worked, the morning sun to her back, her legs in silhouette through her skirt. Diana had just been announced as the Prince of Wales's love interest and photographers raced to take her photo, Minihan having the fortune to turn up first. Over the years Minihan developed a close relationship with many writers and his photographs of Samuel Beckett show a particular affinity between the two men. Minihans photos of Beckett are some of his best known, one in particular is described as one of the greatest photos of the twentieth century. William S. Burroughs once referred to Minihan as "a painless photographer". Minihan is perhaps best known for his photographs of Samuel Beckett. Minihan first expressed a desire to photograph Beckett in 1969, following Becketts winning of the Nobel Prize for literature, having noticed that all the available photos of Beckett were of a poor quality'We were running a story but discovered there were only two very vague images of Beckett taken many years before. It was like he didn't exist - that was the moment I decided I wanted to meet this man and take his photograph.' Minihan first encountered Beckett in London in 1980, while Beckett was working on a production of one of his own plays, Endgame. Minihan met Beckett in the Hyde Park hotel and showed him some of his photos of Athy to break the ice. The two met on a number of occasions over the next few years, but it was not until 1985 that they met in Paris. They arranged to meet in the restaurant of the Hotel PLM, a regular haunt of Beckett. At ten to five, with the light fading, Minihan took the photo that would go on to be called by some as the photograph of the twentieth century. John Calder credited Minihan with capturing,'the introspective, infinitely sad gaze of a man looking into the abyss of the world's woes'. Among his numerous photographic publications are Photographs: Samuel Beckett (1995) Shadows from the Pale, Portrait of an Irish Town (1996) and An Unweaving of Rainbows, Images of Irish Writers, 1996. He is currently a freelance photographer specialising in 'the arts'. His book of photographs of Samuel Beckett was published in 1995. His photographs of Athy have been exhibited throughout the world. He was given the freedom of Athy in 1990. Minihan currently lives and works in West Cork. Minihan's many exhibitions in museums and galleries around the world include the Museum of Modern Art, Rio de Janeiro, 1984 Centre Georges Pompidou, Paris 1986 the National Portrait Gallery, London 1987/8 and the October Gallery, London 1990 as well as the Guinness Hop Store, Dublin 1991. (Wikipedia)

      [Bookseller: The Time Traveller's Bookshop]
 8.   Check availability:     booklooker.de     Link/Print  


        One Minute Please

      Dennis Dobson 1946 - Fourth impression of Book.Book Inscribed By TS Eliot as a gift to the owner, David Jackson. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: tjl books]
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        The Autobiography of Benvenuto Cellini

      New York: Doubleday Doran Limited Editions, 1946. Signed Limited Edition. Hardcover. Very Good. Signed. Signed and dated by Salvador Dali on the limitation page; this copy is #283 out of 1,000. Near Fine with fading to the spine cloth and a light bump to the top inner corner of the front board, in a Very Good slip case with a small patch of wear to the front cover, a small indent to the title label and a bit of chipping and wear along the folds. A lovely copy, signed by the illustrator.

      [Bookseller: Burnside Rare Books]
 10.   Check availability:     Biblio     Link/Print  


        History Of Western Philosophy.

      London: George Allen and Unwin Ltd.,, 1946. and its Connection with Political and Social Circumstances from the Earliest Times to the Present Day. Octavo. Original grey and white cloth, spine lettered in yellow on brown. With the dust jacket. Edges a little spotted, but an excellent copy in an exceptional jacket, with only very minor rubbing around the edges and minimal marks to the white rear panel. First UK edition, first impression, an exceptional copy. Russell's compendious account of the history of philosophy, from the Orphism of Ancient Greece to the Logical Positivism of the author's present day, was a triumph of his populist craft and is perhaps his most famous book. Written during the Second World War, Russell's project was in part conceived to explain to his audience the exact nature of the "civilisation" for which they were fighting. Appropriately, the dust jackets were printed on the backs of surplus Second World War maps, this one showing, superbly, the island of Ibiza; they do not generally survive in anything approaching collectable condition. Simon & Schuster published the first US edition in the preceding year.

      [Bookseller: Peter Harrington]
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        LINSEY WOOLSEY

      Oxford University Press, New York 1946 - Tudor, Tasha. LINSEY WOOLSEY. New York: Oxford University Press, 1946, (1946). First edition. 32 mo - 4" x 4-3/4". White polka dots on yellow paper over boards with red and black lettering to upper cover for what is a magnificent copy of the book. Color pictorial price-clipped dust wrapper is in wonderful condition. Color pictorial endpapers. Signed in full by Tasha Tudor on the front free endpaper. [48] pp including front and back flyleafs. Illustrated in color throughout by Tasha Tudor. This is one of the Calico Books from early in Tudor's career. The condition of both the book and the dust wrapper are FINE. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Wallace & Clark, Booksellers]
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        Linsey Woolsey.

      Oxford University Press,, NY: 1946 - Illustrated by the author. Miniature book: 4" x 5". First edition. SIGNED by the author. Very good in a very good (age darkened) dust jacket. B0007E1PH6 [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Grendel Books, ABAA/ILAB]
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        DOKTOR YOHANAN LEVI: DEVARIM SHE-NEEMRU BE-AZKARAH BE-UNIVERSIAH HA-IVRIT BEYOM 13 BE-KISLEV TASHAV (18.11.45)

      Yerushalayim, Ha-Universitah Ha-`ivrit, 1946. First edition. Original paper wrappers, in later pamphlet protector. 8vo. 21 pages; 23 cm. Written in Hebrew with additional title pages in English at back. English title:

      [Bookseller: Dan Wyman Books LLC]
 14.   Check availability:     maremagnum.com     Link/Print  


        Journal of the History of Medecine and Allied Sciences. Volumes 1 to 20, 1946 to 1965. (Complet first 20 publishing years).

      Henry Schuman - George Banta Publishing Company 1946 - 1965, New York - Menasha, Wisconsin, - plates b/w, Rating paperlabel sticked on the lower back in few volumes. Library stamps on the title pages of all volumes. All books in very good condition. [Attributes: Hard Cover]

      [Bookseller: Bouquinerie du Varis]
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        HISTOIRE DE JEAN-MARIE LE FRANCOIS

      - MILITARY INTEREST. HISTOIRE DE JEAN-MARIE LE FRANCOIS laboureur et soldat du Roi. Paris: Tolmer (1946). 8vo, pictorial boards, near fine. The story was handed down through generations and finally came into print with this volume by Tolmer. Charming folk-peasant style color illustrations by Russian born artist Serge Wischnevsky bring alive country and military life in the mid sixteenth century. Printed on thick card pages the color illustrations are so vibrant they seem to be hand done. [Attributes: Hard Cover]

      [Bookseller: Aleph-Bet Books, Inc. - ABAA]
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        Plakat - Gleiche Pflicht - gleiches Recht. Frauenstimmrecht Ja. Siebdruck.

      Basel, Wassermann, 1946 128 x 90,5 cm, Zustand BVersand D: 20,00 EUR Plakate - Künstlerplakate

      [Bookseller: Antiquariat Peter Petrej]
 17.   Check availability:     buchfreund.de     Link/Print  


        The Autobiography of a Yogi

      New York: The Philosophical Library, 1946. First Edition. Hardcover. Good. First edition, first printing. Good+ with cloth lightly soiled, spine cloth faded and scuffed. Lacking the dust jacket.

      [Bookseller: Burnside Rare Books]
 18.   Check availability:     IOBABooks     Link/Print  


        Du côté de Nietzsche. Manuscrit autographe

      1946 - - 1946, 21,7x11,5cm, 7 feuillets foliotés. - Manuscrit autographe de l'auteur de 14 pages in-8 qui paraitra dans le numéro 12 (décembre 1945-janvier 1946) de L'Arche. Manuscrit recto-verso complet, à l'écriture très dense, comportant de nombreux ratures, corrections et ajouts. Chronique parue à l'occasion de la parution de l'ouvrage du Père du Lubac, Le Drame de l'humanisme athée. Après la guerre, la place de Friedrich Nietzsche, aux côtés du Marquis de Sade et de Soren Kierkegaard, dans la pensée de Maurice Blanchot est révélatrice de l'influence majeure qu'exerce sur elle Georges Bataille et ses philosophes de prédilection. Désormais, Blanchot consacre de nombreux textes à ceux-ci et « Du côté de Nietzsche » en constitue un témoignage essentiel. Le titre même de son recueil La Part du feu à paraître en 1949 (avec, entre autres, cet article légèrement retouché au sommaire) forme une référence bataillienne. Pour Blanchot, la puissance de Nietzsche, par l'usage qu'il fait de la langue et par son style, ne réside pas tant dans ses thèses les plus manifestes et les plus commentées que dans le creuset d'un discours plus mouvant, parfois contradictoire : « L'influence de Nietzsche ne se réduit pas aux formes extérieures qu'elle a prises ; c'est probablement, au contraire, ce qui de Nietzsche a échappé à toute transmission manifeste, cette part de lui, étrangère aux influences directes, qui a exercé l'influence la plus profonde. » Cette idée demeurera centrale dans la lecture que fait Blanchot du philosophe allemand. L'inconstance de Nietzsche, son ambigüité, sont symbolisées par le thème de la mort de Dieu, centrale dans son œuvre : « En aucune façon, le thème de la Mort de Dieu ne peut être l'expression d'un savoir définitif ou l'esquisse d'une proposition stable », remarque Blanchot. Et d'affirmer dans une phrase restée célèbre : « Se contredire est le mouvement essentiel d'une telle pensée. » Dans L'Entretien infini (1969), Blanchot abordera de nouveau la question nietzschéenne de la mort de Dieu où elle rejoint celle de l'unité de l'homme. Très beau texte de Maurice Blanchot sur Friedrich Nietzsche, témoignant de l'influence de Georges Bataille sur sa pensée. [AUTOMATIC ENGLISH TRANSLATION FOLLOWS] Autograph manuscript that will appear in Arch No. 12 in December 1945-January 1946 and also in the Fire Part. [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Librairie Le Feu Follet]
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        Coeurs vaillants, belles histoires de vaillance, nouvelle série (n°1 du 19 mai 1946 au n? 22 du 29 décembre 1946)

      Fleurus Coeurs Vaillants Revue 1946 In-4 (28x39 cm), broché, contient 22 numéros de l'année 1946, nouvelles série, vignettes en couleurs, illustrations en noir et blanc, revue enfantine ; pages légèrement jaunies, assez bon état. Nos envois des ouvrages de moins de 60 Euros se font par colissimo (tarif de La Poste), et en colissimo Recommandes au-dela sauf avis contraire de votre part.

      [Bookseller: Abraxas-Libris]
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        The mosques of Egypt from 21 H. (641) to 1365 H. (1946) being a series of views in colour and monochrome of the principal mosques of Egypt with a brief note on each monument . accompanied by detailed plans and maps.Including: Index to Mohammedan monuments in Cairo.[Giza], Survey of Egypt, 1951.Giza, The Survey of Egypt, 1949[-1954]. 2 volumes. Double Crown folio? (44 x 35 cm). Each volume with the chromolithographed title-page and frontispiece, 243 plates (image size mostly about 30 x 23 cm) showing mosques and architectural and decorative details (27 in colour): 216 in photogravure with sepia ink, 2 in photogravure with chromolithographed colour, 3 chromolithographed, and 22 in halftone offset lithography after paintings by Alhusain Fawzy.

      - Sotheby’s, Blackmer Library1214; WorldCat (4 copies of this issue). First English edition (second issue, with 2 chromolithographed maps added) of a splendid display of views, many in colour, of Egyptian mosques dating from 21 AH (641 CE) to 1365 AH (1946 CE), an official Egyptian government publication first published in Arabic in 1946 and here translated into English. Creswell himself called it "the finest piece of book production achieved in Egypt". Plates 1-206 show the mosques in chronological order, including exteriors, interiors and many architectural and decorative details, nearly every plate showing a single large image. These are followed by several series of plates covering specific aspects, mostly with multiple images per plate. The 133-page text discusses the history and form of all these mosques and their decorative work, with about a hundred line illustrations, including floor plans, elevations, sections, architectural and decorative details, kufic and other inscriptions and furnishings. The two 5-colour lithographs of faïence arabesque decoration are stunning, apparently printed with special glossy inks, and the photogravures provide lovely views of the mosques and details.In fine condition with only a small tear in one guard leaf and a couple minor marginal smudges. The binding is slightly worn at the hinges but still very good. A splendid view of Egyptian mosques and their decorative work, with 243 plates and a hundred additional illustrations.

      [Bookseller: ASHER Rare Books]
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        Young Cherry Trees Secured Against Hares. Jeunes cerisiers garantis contre les lièvres.

      New York. View Editions 1946 - . In-8 cartonnage éditeur. Jaquette illustrée de Marcel Duchamp avec une découpe laissant voir le visage d'André Breton à la place de celui de la Statue de la Liberté représentée sur le plat. Dessins d'Arshile Gorky hors-texte. Textes bilingues. Translations by Edouard Roditi. E.O. [Attributes: First Edition; Hard Cover]

      [Bookseller: Librairie Les Autodidactes - Aichelbaum]
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        Collection of seventeen (17) photographs showing John Minihan with friends, fellow photographers like André Kertesz or Karsh and with some of the musicians like Christy Moore) or in Athy as a photographer in action.

      Original b/w photograph on archival paper. Different formats. From the library of irish photographer John Minihan. Most of them titled by John Minihan verso. With John's copyright-stamp verso. John Minihan is an Irish photographer, born in Dublin in 1946 and raised in Athy, County Kildare. At the age of 12 he was brought to live in London, and went on to become an apprentice photographer with the Daily Mail. At the age of 15 he won the Evening Standard amateur photography competition. At 21 he became the youngest staff photographer for the Evening Standard. For thirty years he remained in London, returning every year to his hometown of Athy to record the people and their daily lives. The work of Minihan in Athy makes up a large part of his canon. Minihan began taking photos in Athy when he was 16. The photos are an attempt to document the lives of the ordinary people of the town in their day to day business and also in times of joy and sadness, notably during the wake of a woman called Katy Tyrrell. In between documenting Athy on visits home, Minihan continued his career on Fleet Street, which included the iconic snap of the 19-year-old Lady Diana Spencer in the garden of the nursery at which she worked, the morning sun to her back, her legs in silhouette through her skirt. Diana had just been announced as the Prince of Wales's love interest and photographers raced to take her photo, Minihan having the fortune to turn up first. Over the years Minihan developed a close relationship with many writers and his photographs of Samuel Beckett show a particular affinity between the two men. Minihans photos of Beckett are some of his best known, one in particular is described as one of the greatest photos of the twentieth century. William S. Burroughs once referred to Minihan as "a painless photographer". Minihan is perhaps best known for his photographs of Samuel Beckett. Minihan first expressed a desire to photograph Beckett in 1969, following Becketts winning of the Nobel Prize for literature, having noticed that all the available photos of Beckett were of a poor quality'We were running a story but discovered there were only two very vague images of Beckett taken many years before. It was like he didn't exist - that was the moment I decided I wanted to meet this man and take his photograph.' Minihan first encountered Beckett in London in 1980, while Beckett was working on a production of one of his own plays, Endgame. Minihan met Beckett in the Hyde Park hotel and showed him some of his photos of Athy to break the ice. The two met on a number of occasions over the next few years, but it was not until 1985 that they met in Paris. They arranged to meet in the restaurant of the Hotel PLM, a regular haunt of Beckett. At ten to five, with the light fading, Minihan took the photo that would go on to be called by some as the photograph of the twentieth century. John Calder credited Minihan with capturing,'the introspective, infinitely sad gaze of a man looking into the abyss of the world's woes'. Among his numerous photographic publications are Photographs: Samuel Beckett (1995) Shadows from the Pale, Portrait of an Irish Town (1996) and An Unweaving of Rainbows, Images of Irish Writers, 1996. He is currently a freelance photographer specialising in 'the arts'. His book of photographs of Samuel Beckett was published in 1995. His photographs of Athy have been exhibited throughout the world. He was given the freedom of Athy in 1990. Minihan currently lives and works in West Cork. Minihan's many exhibitions in museums and galleries around the world include the Museum of Modern Art, Rio de Janeiro, 1984 Centre Georges Pompidou, Paris 1986 the National Portrait Gallery, London 1987/8 and the October Gallery, London 1990 as well as the Guinness Hop Store, Dublin 1991. (Wikipedia)

      [Bookseller: The Time Traveller's Bookshop]
 23.   Check availability:     booklooker.de     Link/Print  


        Sinead O'Connor - photographed in Dublin in 2006.

      Extra Large Original Photograph on archival paper. From the private library of irish photographer John Minihan. Titled and signed by John Minihan below the image. John Minihan is an Irish photographer, born in Dublin in 1946 and raised in Athy, County Kildare. At the age of 12 he was brought to live in London, and went on to become an apprentice photographer with the Daily Mail. At the age of 15 he won the Evening Standard amateur photography competition. At 21 he became the youngest staff photographer for the Evening Standard. For thirty years he remained in London, returning every year to his hometown of Athy to record the people and their daily lives. The work of Minihan in Athy makes up a large part of his canon. Minihan began taking photos in Athy when he was 16. The photos are an attempt to document the lives of the ordinary people of the town in their day to day business and also in times of joy and sadness, notably during the wake of a woman called Katy Tyrrell. In between documenting Athy on visits home, Minihan continued his career on Fleet Street, which included the iconic snap of the 19-year-old Lady Diana Spencer in the garden of the nursery at which she worked, the morning sun to her back, her legs in silhouette through her skirt. Diana had just been announced as the Prince of Wales's love interest and photographers raced to take her photo, Minihan having the fortune to turn up first. Over the years Minihan developed a close relationship with many writers and his photographs of Samuel Beckett show a particular affinity between the two men. Minihans photos of Beckett are some of his best known, one in particular is described as one of the greatest photos of the twentieth century. William S. Burroughs once referred to Minihan as "a painless photographer". Minihan is perhaps best known for his photographs of Samuel Beckett. Minihan first expressed a desire to photograph Beckett in 1969, following Becketts winning of the Nobel Prize for literature, having noticed that all the available photos of Beckett were of a poor quality'We were running a story but discovered there were only two very vague images of Beckett taken many years before. It was like he didn't exist - that was the moment I decided I wanted to meet this man and take his photograph.' Minihan first encountered Beckett in London in 1980, while Beckett was working on a production of one of his own plays, Endgame. Minihan met Beckett in the Hyde Park hotel and showed him some of his photos of Athy to break the ice. The two met on a number of occasions over the next few years, but it was not until 1985 that they met in Paris. They arranged to meet in the restaurant of the Hotel PLM, a regular haunt of Beckett. At ten to five, with the light fading, Minihan took the photo that would go on to be called by some as the photograph of the twentieth century. John Calder credited Minihan with capturing,'the introspective, infinitely sad gaze of a man looking into the abyss of the world's woes'. Among his numerous photographic publications are Photographs: Samuel Beckett (1995) Shadows from the Pale, Portrait of an Irish Town (1996) and An Unweaving of Rainbows, Images of Irish Writers, 1996. He is currently a freelance photographer specialising in 'the arts'. His book of photographs of Samuel Beckett was published in 1995. His photographs of Athy have been exhibited throughout the world. He was given the freedom of Athy in 1990. Minihan currently lives and works in West Cork. Minihan's many exhibitions in museums and galleries around the world include the Museum of Modern Art, Rio de Janeiro, 1984 Centre Georges Pompidou, Paris 1986 the National Portrait Gallery, London 1987/8 and the October Gallery, London 1990 as well as the Guinness Hop Store, Dublin 1991. (Wikipedia)

      [Bookseller: The Time Traveller's Bookshop]
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        Samuel Beckett / Beckett Time - "What are you waiting for ....?" - Jumbo Poster for an international Festival, celebrating Samuel Beckett.

      Original Quality Poster using John Minihan's Photograph of Samuel Beckett, professionally mounted and framed. From the library of irish photographer John Minihan. Due to the oversize, includes free shipping within Ireland only. Quote for international shipping needed. John Minihan is an Irish photographer, born in Dublin in 1946 and raised in Athy, County Kildare. At the age of 12 he was brought to live in London, and went on to become an apprentice photographer with the Daily Mail. At the age of 15 he won the Evening Standard amateur photography competition. At 21 he became the youngest staff photographer for the Evening Standard. For thirty years he remained in London, returning every year to his hometown of Athy to record the people and their daily lives. The work of Minihan in Athy makes up a large part of his canon. Minihan began taking photos in Athy when he was 16. The photos are an attempt to document the lives of the ordinary people of the town in their day to day business and also in times of joy and sadness, notably during the wake of a woman called Katy Tyrrell. In between documenting Athy on visits home, Minihan continued his career on Fleet Street, which included the iconic snap of the 19-year-old Lady Diana Spencer in the garden of the nursery at which she worked, the morning sun to her back, her legs in silhouette through her skirt. Diana had just been announced as the Prince of Wales's love interest and photographers raced to take her photo, Minihan having the fortune to turn up first. Over the years Minihan developed a close relationship with many writers and his photographs of Samuel Beckett show a particular affinity between the two men. Minihans photos of Beckett are some of his best known, one in particular is described as one of the greatest photos of the twentieth century. William S. Burroughs once referred to Minihan as "a painless photographer". Minihan is perhaps best known for his photographs of Samuel Beckett. Minihan first expressed a desire to photograph Beckett in 1969, following Becketts winning of the Nobel Prize for literature, having noticed that all the available photos of Beckett were of a poor quality'We were running a story but discovered there were only two very vague images of Beckett taken many years before. It was like he didn't exist - that was the moment I decided I wanted to meet this man and take his photograph.' Minihan first encountered Beckett in London in 1980, while Beckett was working on a production of one of his own plays, Endgame. Minihan met Beckett in the Hyde Park hotel and showed him some of his photos of Athy to break the ice. The two met on a number of occasions over the next few years, but it was not until 1985 that they met in Paris. They arranged to meet in the restaurant of the Hotel PLM, a regular haunt of Beckett. At ten to five, with the light fading, Minihan took the photo that would go on to be called by some as the photograph of the twentieth century. John Calder credited Minihan with capturing,'the introspective, infinitely sad gaze of a man looking into the abyss of the world's woes'. Among his numerous photographic publications are Photographs: Samuel Beckett (1995) Shadows from the Pale, Portrait of an Irish Town (1996) and An Unweaving of Rainbows, Images of Irish Writers, 1996. He is currently a freelance photographer specialising in 'the arts'. His book of photographs of Samuel Beckett was published in 1995. His photographs of Athy have been exhibited throughout the world. He was given the freedom of Athy in 1990. Minihan currently lives and works in West Cork. Minihan's many exhibitions in museums and galleries around the world include the Museum of Modern Art, Rio de Janeiro, 1984 Centre Georges Pompidou, Paris 1986 the National Portrait Gallery, London 1987/8 and the October Gallery, London 1990 as well as the Guinness Hop Store, Dublin 1991. (Wikipedia)

      [Bookseller: The Time Traveller's Bookshop]
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        Vents

      - Gallimard, Paris 1946, 25,5x33cm, broché. - Prima edizione, uno dei 60 esemplari numerati sul filo puro, tirando testa 15 dopo la Cina. Nizza copia. - [FRENCH VERSION FOLLOWS] Edition originale, un des 60 exemplaires numérotés sur pur fil, tirage de tête après 15 Chine. Bel exemplaire.

      [Bookseller: Librairie Le Feu Follet]
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        Crows Can't Count

      New York: Morrow, 1946. First Edition. Hardcover. Near fine/good. Inscribed by author on free endpaper. Text block tight and unmarked. Unclipped DJ in Mylar. Upper panel 3' x 1/8" piece missing on upper fold line, 1/4" chip to lower right corner. 3/8" chips to head/tail of spine, 1" tear between spine and upper cover. Lower panel 3/4" x 3/4" piece missing lower right corner.

      [Bookseller: Liberty Book Store IOBA FABA]
 27.   Check availability:     Biblio     Link/Print  


        Photoalbum of John Minihan's private trip to New Delhi - India in January 2008. - 38 vintage photographs in colour, including two selfportraits of John Minihan. All photographs titled and explained personally by John Minihan.

      Oblong - Octavo. 50 pages. Original Softcover (fabric). Excellent condition with only minor signs of external wear. From the private library of John Minihan. A stunning insight in this wonderful photographers way of seeing the world. A unique Album. John Minihan is an Irish photographer, born in Dublin in 1946 and raised in Athy, County Kildare. At the age of 12 he was brought to live in London, and went on to become an apprentice photographer with the Daily Mail. At the age of 15 he won the Evening Standard amateur photography competition. At 21 he became the youngest staff photographer for the Evening Standard. For thirty years he remained in London, returning every year to his hometown of Athy to record the people and their daily lives. The work of Minihan in Athy makes up a large part of his canon. Minihan began taking photos in Athy when he was 16. The photos are an attempt to document the lives of the ordinary people of the town in their day-to-day business and also in times of joy and sadness, notably during the wake of a woman called Katy Tyrrell. In between documenting Athy on visits home, Minihan continued his career on Fleet Street, which included the iconic snap of the 19-year-old Lady Diana Spencer in the garden of the nursery at which she worked, the morning sun to her back, her legs in silhouette through her skirt. Diana had just been announced as the Prince of Wales's love interest and photographers raced to take her photo, Minihan having the fortune to turn up first. Over the years Minihan developed a close relationship with many writers and his photographs of Samuel Beckett show a particular affinity between the two men. Minihans photos of Beckett are some of his best known, one in particular is described as one of the greatest photos of the twentieth century. William S. Burroughs once referred to Minihan as "a painless photographer". Minihan is perhaps best known for his photographs of Beckett. Minihan first expressed a desire to photograph Beckett in 1969, following Beckett's winning of the Nobel Prize for literature, having noticed that all the available photos of Beckett were of a poor quality'We were running a story but discovered there were only two very vague images of Beckett taken many years before. It was like he didn't exist - that was the moment I decided I wanted to meet this man and take his photograph.' Minihan first encountered Beckett in London in 1980, while Beckett was working on a production of one of his own plays, Endgame. Minihan met Beckett in the Hyde Park hotel and showed him some of his photos of Athy to break the ice. The two met on a number of occasions over the next few years, but it was not until 1985 that they met in Paris. They arranged to meet in the restaurant of the Hotel PLM, a regular haunt of Beckett. At ten to five, with the light fading, Minihan took the photo that would go on to be called by some as the photograph of the twentieth century. John Calder credited Minihan with capturing,'the introspective, infinitely sad gaze of a man looking into the abyss of the world's woes'. Among his numerous photographic publications are Photographs: Samuel Beckett (1995) Shadows from the Pale, Portrait of an Irish Town (1996) and An Unweaving of Rainbows, Images of Irish Writers (1996). He is currently a freelance photographer specialising in 'the arts'. His book of photographs of Samuel Beckett was published in 1995. His photographs of Athy have been exhibited throughout the world. He was given the freedom of Athy in 1990. Minihan currently lives and works in West Cork Minihan's many exhibitions in museums and galleries around the world include the Museum of Modern Art, Rio de Janeiro, 1984 Centre Georges Pompidou, Paris 1986 the National Portrait Gallery, London 1987/8 and the October Gallery, London 1990 as well as the Guinness Hop Store, Dublin 1991. (Wikipedia)

      [Bookseller: The Time Traveller's Bookshop]
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        À la recherche du temps perdu

      Paris 1946 - 1947, Gallimard - LIVRES Série bien complète des 15 volumes en cartonnage d'éditeur d'après la maquette de Prassinos.Huret 442. Quelques salissures sans aucune gravité. 15 volumes in-8° Cartonnage d?éditeur d?après maquette de Mario Prassinos. [Attributes: Hard Cover]

      [Bookseller: Librairie Seigneur]
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        Vie française, revue mensuelle (puis bimestrielle) du Comité (puis Conseil) de la survivance (puis vie française) en Amérique , du vol. 1 no 1, octobre 1946 au vol. 26, nos 7-8, mars-avril 1972 (+ 3 numéros du vol. 27)

      Université Laval, Québec 1946 - Plus de 25 années. [Attributes: Soft Cover]

      [Bookseller: Livresse]
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        FABLE DE LA FONTAINE

      LA FONTAINE - FABLE DE LA FONTAINE - PARIGI - LA BONNE COMPAGNIE - 1946 In-8°grande, mezzo marocchino testa di moro con angoli, tassello e fregi oro al dorso a 5 nervi, piatti marmorizzati policromi, sguardie in carta marmorizzata policroma. Copertine originali preservate all'interno. Vol. I: [3]pp. bianche occhietto al verso, JUSTIFICATION DU TIRAGE... esemplare N° 1574 su 3500. Antiporta figurato a colori, frontespizio in rosso e nero; pp. 208 [1]pp. [1] pp. colophon: ACHEVE D'IMPRIMER LE 10 AVRIL 1946 PAR ARRAULT A TOURS POUR LA TYPOGRAPHIE ET PAR DUREYMEN LES ILLUSTRATIONS EDITIONS DE LA BONNE COMPAGNIE N°12 DEPOT LEGAL: 2° TRIMESTRE 1946 [2] pp. bianche. Vol. II: [3] pp. bianche, occhietto, antiporta figurato a colori, frontespizio in rosso e nero, pp. 258[1] pp.[1] pp. colophon:ACHEVE D'IMPRIMER LE 10 AVRIL 1946 PAR ARRAULT A TOURS POUR LA TYPOGRAPHIE ET PAR DUREYMEN ACLICHY POUR LES ILLUSTRATIONS EDITIONS DE LA BONNE COMPAGNIE N°13 DEPOT LEGAL: 2° TRIMESTRE 1946. Splendido esemplare intonso con barbe, fresco con le bellissime illustrazioni ritoccate a mano da acquerelli originali di NATHALIE PARAIN nel testo. Rara e ricercata edizio di lusso. Testo francese. Mezzo marocchino

      [Bookseller: Antiquariato Librario Bisello]
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        The Dandy Monster Comic 1946 Annual

      UK: DC Thomson, 1946. 1st Edition 1st Printing. Hardcover. Very Good+. Dudley D Watkins. The Dandy Monster Comic 1946 Annual DC Thomson. No inscriptions, no colouring in or repairs. Binding still very tight, bright boards. A VG+ copy.

      [Bookseller: Brought to Book Ltd]
 32.   Check availability:     Biblio     Link/Print  


        Le Sabbat - Souvenirs d'une jeunesse orageuse

      1946Paris, Corrêa, 1946. 120 x 190 mm, 443 pp. Reliure signée Maylander, demi-maroquin bleu à coins, dos à nerfs, filets dorés sur les plats, titres dorés, tête dorée, couverture et dos conservés. EDITION ORIGINALE. UN DES 35 EXEMPLAIRES NUMEROTES SUR ALFAX NAVARRE (après 6 ex. numérotés sur vélin Johannot). Achevé en 1939 en pleine entrée en guerre, ce livre-confession ne sera édité qu'en 1946, un an après la mort de l'auteur, assassiné par un S.S. après deux ans de détention en camp de concentration de Fuhlsbüttel. Bel exemplaire du chef-d'oeuvre de l'auteur bien établi par Maylander.

      [Bookseller: Librairie Le Pas Sage]
 33.   Check availability:     Livre-rare-book     Link/Print  


        DOS FANTASÍAS MEMORABLES

      Oportet & Haereses, Buenos Aires 1946 - Encuadernación original de editor en media tela. Ejemplar Nº 205 de una tirada de 300 ejemplares 34 págs.

      [Bookseller: Valentin Peremiansky]
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        Williwaw.

      New York: E. P. Dutton & Company, Inc.,, 1946. Octavo. Original black cloth, titles to spine and front board in blue, top edge black. With the dust jacket. Housed in a black cloth chemise and slipcase. Extremities lightly rubbed, spine tips a touch crumpled. An excellent copy in a slightly rubbed jacket. First edition, first printing, of the author's first book.

      [Bookseller: Peter Harrington]
 35.   Check availability:     Biblio     Link/Print  


        KZ. Bildbericht aus fünf Konzentrationslagern. Herausgegeben im Auftrage des Oberbefehlshabers der Allierten Streitkräfte.

      [o. O.], -, [1946]. o. Pag. [16 Bll.] OBrosch. Gbrsp., T. m. Fehlstelle (bis auf Blatt 2; dort kleiner Textverlust), tlw. etw. fleckig. - Mit Bildern aus dem Lagern Buchenwald, Belsen, Gardelegen, Nordhausen und Ohrdruf. - Sehr selten. Versand D: 7,00 EUR Zeitgeschichte

      [Bookseller: Antiquariat Weinek]
 36.   Check availability:     buchfreund.de     Link/Print  


        La Fontaine aux trois miracles.

      Au Moulin de Pen-Mur 1946 1 in-4Illustrations de PERRAUDIN. Paris, Au Moulin de Pen-Mur, 1946, in-4, en feuilles, couverture rempliée, titre imprimé en marron, sous étui et emboîtage cartonné beige, 246 pages. Paul PERRAUDIN (1907-1990), peintre officiel de la Marine depuis 1943 a longuement pratiqué l'enseignement aux Arts Décoratifs. Sa perception très poétique du réel le rattache au mouvement des Peintres de la Réalité Poétique. Les lithographies originales de Paul PERRAUDIN, en deux tons, illustrent cet ouvrage qui conte les guérisons miraculeuses qui s'opèrent, chaque année au moment de la Pentecôte grâce à cette source. Envoi de l'auteur. Tirage limité à 500 exemplaires numérotés. Un des 5 exemplaires sur vélin pur chiffon à la main du Moulin de Pen-Mur (N°4). Exemplaire enrichi d'un dessin original, d'une aquarelle originale avec un envoi de l'artiste, de deux suites des états en un et deux tons. Petites usures à l'emboîtage, étui légèrement insolé.

      [Bookseller: Librairie Chrétien]
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        Le Sérail

      8 lose Bögen in O'Pp.-Umschlag und Schuber. Mit 31 teils ganzseitigen Illustrationen nach Aquarellen von G. Barret. Exemplar Nr. 21/30 der Vorzugsausgabe mit 1 signierten O'Aquarell von G. Barret, einer farbigen Suite und einer schwarz-weissen Suite (Total 2500 Exemplare). Aux Éditions Arc-En-Ciel, Paris o.J. (ca. 1946). Collection du Carquois.

      [Bookseller: Chiara06]
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