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Displayed below are some selected recent viaLibri matches for books published in 1946

        HISTOIRE DE JEAN-MARIE LE FRANCOIS

      - MILITARY INTEREST. HISTOIRE DE JEAN-MARIE LE FRANCOIS laboureur et soldat du Roi. Paris: Tolmer (1946). 8vo, pictorial boards, near fine. The story was handed down through generations and finally came into print with this volume by Tolmer. Charming folk-peasant style color illustrations by Russian born artist Serge Wischnevsky bring alive country and military life in the mid sixteenth century. Printed on thick card pages the color illustrations are so vibrant they seem to be hand done. [Attributes: Hard Cover]

      [Bookseller: Aleph-Bet Books, Inc. - ABAA]
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        Plakat - Gleiche Pflicht - gleiches Recht. Frauenstimmrecht Ja. Siebdruck.

      Basel, Wassermann, 1946 128 x 90,5 cm, Zustand BVersand D: 20,00 EUR Plakate - Künstlerplakate

      [Bookseller: Antiquariat Peter Petrej]
 2.   Check availability:     buchfreund.de     Link/Print  


        The Autobiography of a Yogi

      New York: The Philosophical Library, 1946. First Edition. Hardcover. Good. First edition, first printing. Good+ with cloth lightly soiled, spine cloth faded and scuffed. Lacking the dust jacket.

      [Bookseller: Burnside Rare Books]
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        Dachau

      Ljubljana: Ljudska pravica [] 1946 - 4º, [1] printed title, 32 images, [1] index. Original colour printed card cover, staples. Good condition, binding hardly noticeable age toned with soft folds, paper slightly age-toned, manuscript signature in ink on title page. One of the earliest published series of images of a concentration camp after the WW II. - A series of 32 images from the concentration camp in Dachau were based on the sketches made in situ, by an academic painter Bruno Vavpoti?, who was a prisoner in Dachau between 1943 – 1945. The collection is dedicated to "all the victims of Dachau". The book was published by a Slovenian press "Ljudska pravica", the follower of the underground Partisan press, in 1946, just one year after the end of the WW II. The images show the prisoners, bodies, crematorium, tents of the liberators (Allies), Bruno Vavpoti? (2904-1995) was a Czech born artist, who received his education in art and theatre design in Ljubljana, Vienna and Prague. After the WW II he returned to Slovenia, after he lived until his death. The cover of the book is designed as a prison uniform of the Dachau prisoners. Biblography: Znidar?i?, Asta: Vavpoti?, Bruno (1904–1995). Slovenska biografija. Slovenska akademija znanosti in umetnosti, Znanstvenoraziskovalni center SAZU, 2013. (12. januar 2017). Izvirna objava v: Slovenski biografski leksikon: 13. zv. Trubar - Vodaine.Alfonz Gspan, Jože Munda in Fran Petrè Ljubljana, Slovenska akademija znanosti in umetnosti, 1982.

      [Bookseller: Antiquariat Dasa Pahor]
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        Du côté de Nietzsche. Manuscrit autographe

      1946 - - 1946, 21,7x11,5cm, 7 feuillets foliotés. - Manuscrit autographe de l'auteur de 14 pages in-8 qui paraitra dans le numéro 12 (décembre 1945-janvier 1946) de L'Arche. Manuscrit recto-verso complet, à l'écriture très dense, comportant de nombreux ratures, corrections et ajouts. Chronique parue à l'occasion de la parution de l'ouvrage du Père du Lubac, Le Drame de l'humanisme athée. Après la guerre, la place de Friedrich Nietzsche, aux côtés du Marquis de Sade et de Soren Kierkegaard, dans la pensée de Maurice Blanchot est révélatrice de l'influence majeure qu'exerce sur elle Georges Bataille et ses philosophes de prédilection. Désormais, Blanchot consacre de nombreux textes à ceux-ci et « Du côté de Nietzsche » en constitue un témoignage essentiel. Le titre même de son recueil La Part du feu à paraître en 1949 (avec, entre autres, cet article légèrement retouché au sommaire) forme une référence bataillienne. Pour Blanchot, la puissance de Nietzsche, par l'usage qu'il fait de la langue et par son style, ne réside pas tant dans ses thèses les plus manifestes et les plus commentées que dans le creuset d'un discours plus mouvant, parfois contradictoire : « L'influence de Nietzsche ne se réduit pas aux formes extérieures qu'elle a prises ; c'est probablement, au contraire, ce qui de Nietzsche a échappé à toute transmission manifeste, cette part de lui, étrangère aux influences directes, qui a exercé l'influence la plus profonde. » Cette idée demeurera centrale dans la lecture que fait Blanchot du philosophe allemand. L'inconstance de Nietzsche, son ambigüité, sont symbolisées par le thème de la mort de Dieu, centrale dans son œuvre : « En aucune façon, le thème de la Mort de Dieu ne peut être l'expression d'un savoir définitif ou l'esquisse d'une proposition stable », remarque Blanchot. Et d'affirmer dans une phrase restée célèbre : « Se contredire est le mouvement essentiel d'une telle pensée. » Dans L'Entretien infini (1969), Blanchot abordera de nouveau la question nietzschéenne de la mort de Dieu où elle rejoint celle de l'unité de l'homme. Très beau texte de Maurice Blanchot sur Friedrich Nietzsche, témoignant de l'influence de Georges Bataille sur sa pensée. [AUTOMATIC ENGLISH TRANSLATION FOLLOWS] Autograph manuscript that will appear in Arch No. 12 in December 1945-January 1946 and also in the Fire Part. [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Librairie Le Feu Follet]
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        Coeurs vaillants, belles histoires de vaillance, nouvelle série (n°1 du 19 mai 1946 au n? 22 du 29 décembre 1946)

      Fleurus Coeurs Vaillants Revue 1946 In-4 (28x39 cm), broché, contient 22 numéros de l'année 1946, nouvelles série, vignettes en couleurs, illustrations en noir et blanc, revue enfantine ; pages légèrement jaunies, assez bon état. Nos envois des ouvrages de moins de 60 Euros se font par colissimo (tarif de La Poste), et en colissimo Recommandes au-dela sauf avis contraire de votre part.

      [Bookseller: Abraxas-Libris]
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        The mosques of Egypt from 21 H. (641) to 1365 H. (1946) being a series of views in colour and monochrome of the principal mosques of Egypt with a brief note on each monument . accompanied by detailed plans and maps.Including: Index to Mohammedan monuments in Cairo.[Giza], Survey of Egypt, 1951.Giza, The Survey of Egypt, 1949[-1954]. 2 volumes. Double Crown folio? (44 x 35 cm). Each volume with the chromolithographed title-page and frontispiece, 243 plates (image size mostly about 30 x 23 cm) showing mosques and architectural and decorative details (27 in colour): 216 in photogravure with sepia ink, 2 in photogravure with chromolithographed colour, 3 chromolithographed, and 22 in halftone offset lithography after paintings by Alhusain Fawzy.

      - Sotheby’s, Blackmer Library1214; WorldCat (4 copies of this issue). First English edition (second issue, with 2 chromolithographed maps added) of a splendid display of views, many in colour, of Egyptian mosques dating from 21 AH (641 CE) to 1365 AH (1946 CE), an official Egyptian government publication first published in Arabic in 1946 and here translated into English. Creswell himself called it "the finest piece of book production achieved in Egypt". Plates 1-206 show the mosques in chronological order, including exteriors, interiors and many architectural and decorative details, nearly every plate showing a single large image. These are followed by several series of plates covering specific aspects, mostly with multiple images per plate. The 133-page text discusses the history and form of all these mosques and their decorative work, with about a hundred line illustrations, including floor plans, elevations, sections, architectural and decorative details, kufic and other inscriptions and furnishings. The two 5-colour lithographs of faïence arabesque decoration are stunning, apparently printed with special glossy inks, and the photogravures provide lovely views of the mosques and details.In fine condition with only a small tear in one guard leaf and a couple minor marginal smudges. The binding is slightly worn at the hinges but still very good. A splendid view of Egyptian mosques and their decorative work, with 243 plates and a hundred additional illustrations.

      [Bookseller: ASHER Rare Books]
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        Young Cherry Trees Secured Against Hares. Jeunes cerisiers garantis contre les lièvres.

      New York. View Editions 1946 - . In-8 cartonnage éditeur. Jaquette illustrée de Marcel Duchamp avec une découpe laissant voir le visage d'André Breton à la place de celui de la Statue de la Liberté représentée sur le plat. Dessins d'Arshile Gorky hors-texte. Textes bilingues. Translations by Edouard Roditi. E.O. [Attributes: First Edition; Hard Cover]

      [Bookseller: Librairie Les Autodidactes - Aichelbaum]
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        Collection of seventeen (17) photographs showing John Minihan with friends, fellow photographers like André Kertesz or Karsh and with some of the musicians like Christy Moore) or in Athy as a photographer in action.

      Original b/w photograph on archival paper. Different formats. From the library of irish photographer John Minihan. Most of them titled by John Minihan verso. With John's copyright-stamp verso. John Minihan is an Irish photographer, born in Dublin in 1946 and raised in Athy, County Kildare. At the age of 12 he was brought to live in London, and went on to become an apprentice photographer with the Daily Mail. At the age of 15 he won the Evening Standard amateur photography competition. At 21 he became the youngest staff photographer for the Evening Standard. For thirty years he remained in London, returning every year to his hometown of Athy to record the people and their daily lives. The work of Minihan in Athy makes up a large part of his canon. Minihan began taking photos in Athy when he was 16. The photos are an attempt to document the lives of the ordinary people of the town in their day to day business and also in times of joy and sadness, notably during the wake of a woman called Katy Tyrrell. In between documenting Athy on visits home, Minihan continued his career on Fleet Street, which included the iconic snap of the 19-year-old Lady Diana Spencer in the garden of the nursery at which she worked, the morning sun to her back, her legs in silhouette through her skirt. Diana had just been announced as the Prince of Wales's love interest and photographers raced to take her photo, Minihan having the fortune to turn up first. Over the years Minihan developed a close relationship with many writers and his photographs of Samuel Beckett show a particular affinity between the two men. Minihans photos of Beckett are some of his best known, one in particular is described as one of the greatest photos of the twentieth century. William S. Burroughs once referred to Minihan as "a painless photographer". Minihan is perhaps best known for his photographs of Samuel Beckett. Minihan first expressed a desire to photograph Beckett in 1969, following Becketts winning of the Nobel Prize for literature, having noticed that all the available photos of Beckett were of a poor quality'We were running a story but discovered there were only two very vague images of Beckett taken many years before. It was like he didn't exist - that was the moment I decided I wanted to meet this man and take his photograph.' Minihan first encountered Beckett in London in 1980, while Beckett was working on a production of one of his own plays, Endgame. Minihan met Beckett in the Hyde Park hotel and showed him some of his photos of Athy to break the ice. The two met on a number of occasions over the next few years, but it was not until 1985 that they met in Paris. They arranged to meet in the restaurant of the Hotel PLM, a regular haunt of Beckett. At ten to five, with the light fading, Minihan took the photo that would go on to be called by some as the photograph of the twentieth century. John Calder credited Minihan with capturing,'the introspective, infinitely sad gaze of a man looking into the abyss of the world's woes'. Among his numerous photographic publications are Photographs: Samuel Beckett (1995) Shadows from the Pale, Portrait of an Irish Town (1996) and An Unweaving of Rainbows, Images of Irish Writers, 1996. He is currently a freelance photographer specialising in 'the arts'. His book of photographs of Samuel Beckett was published in 1995. His photographs of Athy have been exhibited throughout the world. He was given the freedom of Athy in 1990. Minihan currently lives and works in West Cork. Minihan's many exhibitions in museums and galleries around the world include the Museum of Modern Art, Rio de Janeiro, 1984 Centre Georges Pompidou, Paris 1986 the National Portrait Gallery, London 1987/8 and the October Gallery, London 1990 as well as the Guinness Hop Store, Dublin 1991. (Wikipedia)

      [Bookseller: The Time Traveller's Bookshop]
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        Sinead O'Connor - photographed in Dublin in 2006.

      Extra Large Original Photograph on archival paper. From the private library of irish photographer John Minihan. Titled and signed by John Minihan below the image. John Minihan is an Irish photographer, born in Dublin in 1946 and raised in Athy, County Kildare. At the age of 12 he was brought to live in London, and went on to become an apprentice photographer with the Daily Mail. At the age of 15 he won the Evening Standard amateur photography competition. At 21 he became the youngest staff photographer for the Evening Standard. For thirty years he remained in London, returning every year to his hometown of Athy to record the people and their daily lives. The work of Minihan in Athy makes up a large part of his canon. Minihan began taking photos in Athy when he was 16. The photos are an attempt to document the lives of the ordinary people of the town in their day to day business and also in times of joy and sadness, notably during the wake of a woman called Katy Tyrrell. In between documenting Athy on visits home, Minihan continued his career on Fleet Street, which included the iconic snap of the 19-year-old Lady Diana Spencer in the garden of the nursery at which she worked, the morning sun to her back, her legs in silhouette through her skirt. Diana had just been announced as the Prince of Wales's love interest and photographers raced to take her photo, Minihan having the fortune to turn up first. Over the years Minihan developed a close relationship with many writers and his photographs of Samuel Beckett show a particular affinity between the two men. Minihans photos of Beckett are some of his best known, one in particular is described as one of the greatest photos of the twentieth century. William S. Burroughs once referred to Minihan as "a painless photographer". Minihan is perhaps best known for his photographs of Samuel Beckett. Minihan first expressed a desire to photograph Beckett in 1969, following Becketts winning of the Nobel Prize for literature, having noticed that all the available photos of Beckett were of a poor quality'We were running a story but discovered there were only two very vague images of Beckett taken many years before. It was like he didn't exist - that was the moment I decided I wanted to meet this man and take his photograph.' Minihan first encountered Beckett in London in 1980, while Beckett was working on a production of one of his own plays, Endgame. Minihan met Beckett in the Hyde Park hotel and showed him some of his photos of Athy to break the ice. The two met on a number of occasions over the next few years, but it was not until 1985 that they met in Paris. They arranged to meet in the restaurant of the Hotel PLM, a regular haunt of Beckett. At ten to five, with the light fading, Minihan took the photo that would go on to be called by some as the photograph of the twentieth century. John Calder credited Minihan with capturing,'the introspective, infinitely sad gaze of a man looking into the abyss of the world's woes'. Among his numerous photographic publications are Photographs: Samuel Beckett (1995) Shadows from the Pale, Portrait of an Irish Town (1996) and An Unweaving of Rainbows, Images of Irish Writers, 1996. He is currently a freelance photographer specialising in 'the arts'. His book of photographs of Samuel Beckett was published in 1995. His photographs of Athy have been exhibited throughout the world. He was given the freedom of Athy in 1990. Minihan currently lives and works in West Cork. Minihan's many exhibitions in museums and galleries around the world include the Museum of Modern Art, Rio de Janeiro, 1984 Centre Georges Pompidou, Paris 1986 the National Portrait Gallery, London 1987/8 and the October Gallery, London 1990 as well as the Guinness Hop Store, Dublin 1991. (Wikipedia)

      [Bookseller: The Time Traveller's Bookshop]
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        Samuel Beckett / Beckett Time - "What are you waiting for ....?" - Jumbo Poster for an international Festival, celebrating Samuel Beckett.

      Original Quality Poster using John Minihan's Photograph of Samuel Beckett, professionally mounted and framed. From the library of irish photographer John Minihan. Due to the oversize, includes free shipping within Ireland only. Quote for international shipping needed. John Minihan is an Irish photographer, born in Dublin in 1946 and raised in Athy, County Kildare. At the age of 12 he was brought to live in London, and went on to become an apprentice photographer with the Daily Mail. At the age of 15 he won the Evening Standard amateur photography competition. At 21 he became the youngest staff photographer for the Evening Standard. For thirty years he remained in London, returning every year to his hometown of Athy to record the people and their daily lives. The work of Minihan in Athy makes up a large part of his canon. Minihan began taking photos in Athy when he was 16. The photos are an attempt to document the lives of the ordinary people of the town in their day to day business and also in times of joy and sadness, notably during the wake of a woman called Katy Tyrrell. In between documenting Athy on visits home, Minihan continued his career on Fleet Street, which included the iconic snap of the 19-year-old Lady Diana Spencer in the garden of the nursery at which she worked, the morning sun to her back, her legs in silhouette through her skirt. Diana had just been announced as the Prince of Wales's love interest and photographers raced to take her photo, Minihan having the fortune to turn up first. Over the years Minihan developed a close relationship with many writers and his photographs of Samuel Beckett show a particular affinity between the two men. Minihans photos of Beckett are some of his best known, one in particular is described as one of the greatest photos of the twentieth century. William S. Burroughs once referred to Minihan as "a painless photographer". Minihan is perhaps best known for his photographs of Samuel Beckett. Minihan first expressed a desire to photograph Beckett in 1969, following Becketts winning of the Nobel Prize for literature, having noticed that all the available photos of Beckett were of a poor quality'We were running a story but discovered there were only two very vague images of Beckett taken many years before. It was like he didn't exist - that was the moment I decided I wanted to meet this man and take his photograph.' Minihan first encountered Beckett in London in 1980, while Beckett was working on a production of one of his own plays, Endgame. Minihan met Beckett in the Hyde Park hotel and showed him some of his photos of Athy to break the ice. The two met on a number of occasions over the next few years, but it was not until 1985 that they met in Paris. They arranged to meet in the restaurant of the Hotel PLM, a regular haunt of Beckett. At ten to five, with the light fading, Minihan took the photo that would go on to be called by some as the photograph of the twentieth century. John Calder credited Minihan with capturing,'the introspective, infinitely sad gaze of a man looking into the abyss of the world's woes'. Among his numerous photographic publications are Photographs: Samuel Beckett (1995) Shadows from the Pale, Portrait of an Irish Town (1996) and An Unweaving of Rainbows, Images of Irish Writers, 1996. He is currently a freelance photographer specialising in 'the arts'. His book of photographs of Samuel Beckett was published in 1995. His photographs of Athy have been exhibited throughout the world. He was given the freedom of Athy in 1990. Minihan currently lives and works in West Cork. Minihan's many exhibitions in museums and galleries around the world include the Museum of Modern Art, Rio de Janeiro, 1984 Centre Georges Pompidou, Paris 1986 the National Portrait Gallery, London 1987/8 and the October Gallery, London 1990 as well as the Guinness Hop Store, Dublin 1991. (Wikipedia)

      [Bookseller: The Time Traveller's Bookshop]
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        Vents

      - Gallimard, Paris 1946, 25,5x33cm, broché. - Prima edizione, uno dei 60 esemplari numerati sul filo puro, tirando testa 15 dopo la Cina. Nizza copia. - [FRENCH VERSION FOLLOWS] Edition originale, un des 60 exemplaires numérotés sur pur fil, tirage de tête après 15 Chine. Bel exemplaire.

      [Bookseller: Librairie Le Feu Follet]
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        Crows Can't Count

      New York: Morrow, 1946. First Edition. Hardcover. Near fine/good. Inscribed by author on free endpaper. Text block tight and unmarked. Unclipped DJ in Mylar. Upper panel 3' x 1/8" piece missing on upper fold line, 1/4" chip to lower right corner. 3/8" chips to head/tail of spine, 1" tear between spine and upper cover. Lower panel 3/4" x 3/4" piece missing lower right corner.

      [Bookseller: Liberty Book Store IOBA FABA]
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        Photoalbum of John Minihan's private trip to New Delhi - India in January 2008. - 38 vintage photographs in colour, including two selfportraits of John Minihan. All photographs titled and explained personally by John Minihan.

      Oblong - Octavo. 50 pages. Original Softcover (fabric). Excellent condition with only minor signs of external wear. From the private library of John Minihan. A stunning insight in this wonderful photographers way of seeing the world. A unique Album. John Minihan is an Irish photographer, born in Dublin in 1946 and raised in Athy, County Kildare. At the age of 12 he was brought to live in London, and went on to become an apprentice photographer with the Daily Mail. At the age of 15 he won the Evening Standard amateur photography competition. At 21 he became the youngest staff photographer for the Evening Standard. For thirty years he remained in London, returning every year to his hometown of Athy to record the people and their daily lives. The work of Minihan in Athy makes up a large part of his canon. Minihan began taking photos in Athy when he was 16. The photos are an attempt to document the lives of the ordinary people of the town in their day-to-day business and also in times of joy and sadness, notably during the wake of a woman called Katy Tyrrell. In between documenting Athy on visits home, Minihan continued his career on Fleet Street, which included the iconic snap of the 19-year-old Lady Diana Spencer in the garden of the nursery at which she worked, the morning sun to her back, her legs in silhouette through her skirt. Diana had just been announced as the Prince of Wales's love interest and photographers raced to take her photo, Minihan having the fortune to turn up first. Over the years Minihan developed a close relationship with many writers and his photographs of Samuel Beckett show a particular affinity between the two men. Minihans photos of Beckett are some of his best known, one in particular is described as one of the greatest photos of the twentieth century. William S. Burroughs once referred to Minihan as "a painless photographer". Minihan is perhaps best known for his photographs of Beckett. Minihan first expressed a desire to photograph Beckett in 1969, following Beckett's winning of the Nobel Prize for literature, having noticed that all the available photos of Beckett were of a poor quality'We were running a story but discovered there were only two very vague images of Beckett taken many years before. It was like he didn't exist - that was the moment I decided I wanted to meet this man and take his photograph.' Minihan first encountered Beckett in London in 1980, while Beckett was working on a production of one of his own plays, Endgame. Minihan met Beckett in the Hyde Park hotel and showed him some of his photos of Athy to break the ice. The two met on a number of occasions over the next few years, but it was not until 1985 that they met in Paris. They arranged to meet in the restaurant of the Hotel PLM, a regular haunt of Beckett. At ten to five, with the light fading, Minihan took the photo that would go on to be called by some as the photograph of the twentieth century. John Calder credited Minihan with capturing,'the introspective, infinitely sad gaze of a man looking into the abyss of the world's woes'. Among his numerous photographic publications are Photographs: Samuel Beckett (1995) Shadows from the Pale, Portrait of an Irish Town (1996) and An Unweaving of Rainbows, Images of Irish Writers (1996). He is currently a freelance photographer specialising in 'the arts'. His book of photographs of Samuel Beckett was published in 1995. His photographs of Athy have been exhibited throughout the world. He was given the freedom of Athy in 1990. Minihan currently lives and works in West Cork Minihan's many exhibitions in museums and galleries around the world include the Museum of Modern Art, Rio de Janeiro, 1984 Centre Georges Pompidou, Paris 1986 the National Portrait Gallery, London 1987/8 and the October Gallery, London 1990 as well as the Guinness Hop Store, Dublin 1991. (Wikipedia)

      [Bookseller: The Time Traveller's Bookshop]
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        À la recherche du temps perdu

      Paris 1946 - 1947, Gallimard - LIVRES Série bien complète des 15 volumes en cartonnage d'éditeur d'après la maquette de Prassinos.Huret 442. Quelques salissures sans aucune gravité. 15 volumes in-8° Cartonnage d?éditeur d?après maquette de Mario Prassinos. [Attributes: Hard Cover]

      [Bookseller: Librairie Seigneur]
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        Vie française, revue mensuelle (puis bimestrielle) du Comité (puis Conseil) de la survivance (puis vie française) en Amérique , du vol. 1 no 1, octobre 1946 au vol. 26, nos 7-8, mars-avril 1972 (+ 3 numéros du vol. 27)

      Université Laval, Québec 1946 - Plus de 25 années. [Attributes: Soft Cover]

      [Bookseller: Livresse]
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        FABLE DE LA FONTAINE

      LA FONTAINE - FABLE DE LA FONTAINE - PARIGI - LA BONNE COMPAGNIE - 1946 In-8°grande, mezzo marocchino testa di moro con angoli, tassello e fregi oro al dorso a 5 nervi, piatti marmorizzati policromi, sguardie in carta marmorizzata policroma. Copertine originali preservate all'interno. Vol. I: [3]pp. bianche occhietto al verso, JUSTIFICATION DU TIRAGE... esemplare N° 1574 su 3500. Antiporta figurato a colori, frontespizio in rosso e nero; pp. 208 [1]pp. [1] pp. colophon: ACHEVE D'IMPRIMER LE 10 AVRIL 1946 PAR ARRAULT A TOURS POUR LA TYPOGRAPHIE ET PAR DUREYMEN LES ILLUSTRATIONS EDITIONS DE LA BONNE COMPAGNIE N°12 DEPOT LEGAL: 2° TRIMESTRE 1946 [2] pp. bianche. Vol. II: [3] pp. bianche, occhietto, antiporta figurato a colori, frontespizio in rosso e nero, pp. 258[1] pp.[1] pp. colophon:ACHEVE D'IMPRIMER LE 10 AVRIL 1946 PAR ARRAULT A TOURS POUR LA TYPOGRAPHIE ET PAR DUREYMEN ACLICHY POUR LES ILLUSTRATIONS EDITIONS DE LA BONNE COMPAGNIE N°13 DEPOT LEGAL: 2° TRIMESTRE 1946. Splendido esemplare intonso con barbe, fresco con le bellissime illustrazioni ritoccate a mano da acquerelli originali di NATHALIE PARAIN nel testo. Rara e ricercata edizio di lusso. Testo francese. Mezzo marocchino

      [Bookseller: Antiquariato Librario Bisello]
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        Miracle de la rose

      Lyon, L' Arbalète, 1946. - LIVRES Édition originale non mise dans le commerce. 1 des 475 exemplaires sur pur fil de Rives, seul papier.? Ce livre est le meilleur de mon coeur ?( En français dans le texte, n° 390 ). 1 volume in-4°. Plein box blanc à décor de peinture sur papier sur le plat supérieur, tête dorée. Boitier-chemise. [Attributes: First Edition]

      [Bookseller: Librairie Seigneur]
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        Le Livre de Job

      Paris, du Seuil 1946 - 4°., 182 S., 1 Bl., rad. Titelvignette und 32 Radierungen von Edouard Goerg, davon 24 auf Tafeln. Handgebd. Hmaroquinbd., Rverg., Kgoldschnitt. Chemise und Schuber. Eines von 200 (ges. 272) num. Exemplaren auf Arches-Velin in dekorativem Handeinband. Schuber mit Gebrauchsspuren. vorliegender Titel mit Verzeichnis der von Goerg illustrierten Bücher bei Vollmer nachzutragen [Attributes: Hard Cover]

      [Bookseller: Antiquariat Dietrich Schneider-Henn]
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        The Dandy Monster Comic 1946 Annual

      UK: DC Thomson, 1946. 1st Edition 1st Printing. Hardcover. Very Good+. Dudley D Watkins. The Dandy Monster Comic 1946 Annual DC Thomson. No inscriptions, no colouring in or repairs. Binding still very tight, bright boards. A VG+ copy.

      [Bookseller: Brought to Book Ltd]
 20.   Check availability:     Biblio     Link/Print  


        Le Sabbat - Souvenirs d'une jeunesse orageuse

      1946Paris, Corrêa, 1946. 120 x 190 mm, 443 pp. Reliure signée Maylander, demi-maroquin bleu à coins, dos à nerfs, filets dorés sur les plats, titres dorés, tête dorée, couverture et dos conservés. EDITION ORIGINALE. UN DES 35 EXEMPLAIRES NUMEROTES SUR ALFAX NAVARRE (après 6 ex. numérotés sur vélin Johannot). Achevé en 1939 en pleine entrée en guerre, ce livre-confession ne sera édité qu'en 1946, un an après la mort de l'auteur, assassiné par un S.S. après deux ans de détention en camp de concentration de Fuhlsbüttel. Bel exemplaire du chef-d'oeuvre de l'auteur bien établi par Maylander.

      [Bookseller: Librairie Le Pas Sage]
 21.   Check availability:     Livre-rare-book     Link/Print  


        DOS FANTASÍAS MEMORABLES

      Oportet & Haereses, Buenos Aires 1946 - Encuadernación original de editor en media tela. Ejemplar Nº 205 de una tirada de 300 ejemplares 34 págs.

      [Bookseller: Valentin Peremiansky]
 22.   Check availability:     AbeBooks     Link/Print  


        Williwaw.

      New York: E. P. Dutton & Company, Inc.,, 1946. Octavo. Original black cloth, titles to spine and front board in blue, top edge black. With the dust jacket. Housed in a black cloth chemise and slipcase. Extremities lightly rubbed, spine tips a touch crumpled. An excellent copy in a slightly rubbed jacket. First edition, first printing, of the author's first book.

      [Bookseller: Peter Harrington]
 23.   Check availability:     Biblio     Link/Print  


        KZ. Bildbericht aus fünf Konzentrationslagern. Herausgegeben im Auftrage des Oberbefehlshabers der Allierten Streitkräfte.

      [o. O.], -, [1946]. o. Pag. [16 Bll.] OBrosch. Gbrsp., T. m. Fehlstelle (bis auf Blatt 2; dort kleiner Textverlust), tlw. etw. fleckig. - Mit Bildern aus dem Lagern Buchenwald, Belsen, Gardelegen, Nordhausen und Ohrdruf. - Sehr selten. Versand D: 7,00 EUR Zeitgeschichte

      [Bookseller: Antiquariat Weinek]
 24.   Check availability:     buchfreund.de     Link/Print  


        Welcome Stranger (Original screenplay for the 1947 film)

      Los Angeles: Paramount, 1946. Draft script for the 1947 film. Bound presentation copy belonging to producer Sol C. Siegel, with his name in gilt on the front board. With 10 film still photographs tipped in throughout. The second pairing of Crosby and Fitzgerald after the multiple Academy Award winning "Going My Way," with much the same plot. This time Crosby plays a young doctor (prone to singing, of course) hired to fill in for the town's regular, older doctor (Fitzgerald), who rubs the townsfolk the wrong way until an emergency surgery is needed. Based on a story by Frank Butler. Bound in green faux leather boards with gilt title and rule and marbled endpapers. Title page present, dated 3/9/1946, with credits for screenwriter Arthur Sheekman. 169 leaves, with last leaf of text numbered 151. Mimeographed, with blue and pink revision pages throughout, dated variously between 3/15/46 and 5/6/46. Fine overall, with the bottom margin of most photographs trimmed.

      [Bookseller: Royal Books, Inc. ]
 25.   Check availability:     ABAA     Link/Print  


        La Fontaine aux trois miracles.

      Au Moulin de Pen-Mur 1946 1 in-4Illustrations de PERRAUDIN. Paris, Au Moulin de Pen-Mur, 1946, in-4, en feuilles, couverture rempliée, titre imprimé en marron, sous étui et emboîtage cartonné beige, 246 pages. Paul PERRAUDIN (1907-1990), peintre officiel de la Marine depuis 1943 a longuement pratiqué l'enseignement aux Arts Décoratifs. Sa perception très poétique du réel le rattache au mouvement des Peintres de la Réalité Poétique. Les lithographies originales de Paul PERRAUDIN, en deux tons, illustrent cet ouvrage qui conte les guérisons miraculeuses qui s'opèrent, chaque année au moment de la Pentecôte grâce à cette source. Envoi de l'auteur. Tirage limité à 500 exemplaires numérotés. Un des 5 exemplaires sur vélin pur chiffon à la main du Moulin de Pen-Mur (N°4). Exemplaire enrichi d'un dessin original, d'une aquarelle originale avec un envoi de l'artiste, de deux suites des états en un et deux tons. Petites usures à l'emboîtage, étui légèrement insolé.

      [Bookseller: Librairie Chrétien]
 26.   Check availability:     Livre-rare-book     Link/Print  


        Le Sérail

      8 lose Bögen in O'Pp.-Umschlag und Schuber. Mit 31 teils ganzseitigen Illustrationen nach Aquarellen von G. Barret. Exemplar Nr. 21/30 der Vorzugsausgabe mit 1 signierten O'Aquarell von G. Barret, einer farbigen Suite und einer schwarz-weissen Suite (Total 2500 Exemplare). Aux Éditions Arc-En-Ciel, Paris o.J. (ca. 1946). Collection du Carquois.

      [Bookseller: Chiara06]
 27.   Check availability:     booklooker.de     Link/Print  


        HERZCHAKRA.Gemälde .Zeitgenössische Kunst

      Tempera auf Holz 50 X 60 cm "Die Auffassung ,jeder könne ohne weiteres über künstlerische Erscheinungen urteilen,wird in Zukunft dahingehend zu revidieren sein,dass erst eine Voraussetzung durch die Entwicklung von Fähigkeiten zu schaffen ist,wie beispielsweise ,die Übung mathematischer oder musikalischer Urteilsfähigkeit. Dass daneben auch der naive Kunstgenuss, im Sinne des "Geschmack-Urteils" sein Recht behält ist selbstverständlich. Allerdings wird dieser sich bei einer ästhetischen Schulung nach und nach weiterentwickeln können (E.Schubart) ULRIKE KLAUSHENKE , freie Kunstmalerin Jahrgang 1946,studierte 8.Semester an der Hochschule für bildende Künste ,Hamburg,bei K.Sudeck und K.Bendixen. Schon während des Studiums ,fand sie in der akademischen Malerei und dem kommerziellen Kunstbetrieb nicht ,was sie suchte. Wie alle großen Zukunft schaffenden Künstler ,nicht gewillt ,malerische Trends zu bedienen,ging sie eigene nicht anerkannte Wege, arbeitet - stellt aus - und verkauft im eigenen Atelierhaus Schierensee,bei Kiel. Ein ungewöhnlich ,spirituelles Oevre zeichnet ,Ihre Werke aus. Atelierbesuch ,auf Anfrage jeder Zeit ,möglich.

      [Bookseller: ****BÜCHER **BILDER **BENESCH**** Das et]
 28.   Check availability:     booklooker.de     Link/Print  


        L'Impratrice Eugnie.

      1946. LA TAILLE-DOUCE. 29 nov. 1946. In-4.Carr. En feuillets, Sous embotage. Bon tat. Couv. frache. Dos satisfaisant. Intrieur frais. Superbe ouvrage de 246 pages + 14 planches (collationnes) d'aquarelles graves L'Eau-Forte, avec serpentes. Exemplaire n84 / 225, tir sur papier Lana. Couverture contre-plie. Emboitage lgrement fendu. Aquarelles de G. BARRET et gravures de R. STERKERS

      [Bookseller: Le-Livre.Com]
 29.   Check availability:     maremagnum.com     Link/Print  


        Hong Lou Meng [Dream of the Red Chamber], a Five-Act Play by Wu Tian

      Shanghai: Yong Xiang Yin Shu Guan, 1946 - First edition, first printing. Small octavo,18.3*12.7cm, 219p. A 5-act play adapted from the classic Chinese novel "Dream of the Red Chamber". A fine softcover with clean pages. Text in the CHINESE characters. [Attributes: First Edition; Soft Cover]

      [Bookseller: Chinese Art Books]
 30.   Check availability:     AbeBooks     Link/Print  


        Lux-Lesebogen - Kleine Bibliothek des Wissens, komplett: 17 Schuber: 410 Hefte von 1. Die alte Orgel bis 410. Forscher und Erfinder

      Es handelt sich um die gesamte Ausgabe von LUX LESEBOGEN - eine Heftreihe für die Jugend, 17 Bände (Original-Schuber) mit jeweils allen Heften - insgesamt also alle 410 Hefte, jeweils 32 Seiten. Der Verleger Sebastian Lux gab diese Hefte in den Jahren 1946 bis 1964 heraus. Namhafte Autoren behandeln Themen aus der Natur-und Geisteswissenschaft. Zustand: Die Schuber weisen Gebrauchs- und Altersspuren auf, sind aber mit Ausnahme dreier fehlender Rückenettikette nicht beschädigt. Ddie Hefte sind in sehr gutem Zustand.

      [Bookseller: travelling-salesman]
 31.   Check availability:     booklooker.de     Link/Print  


        EL CANTAR DE LOS CANTARES DE SALOMON (CORCHO, CORK)

      Sant Feliu de Guixols. Piel. Juan Ribot y Germán Viader artistas en decoración de las viñetas e iniciales y los 8 grabados. 1946. 27X20. 2h+151Pág+3h. Impresa en tipos góticos sobre hojas de papel de corcho segun la edición reconocida y cotejada con varios manuscritos autènticos y publicada en Madrid por la Imprenta de la Hija de Ibarra en 1806. Tirada limitada de 250 (N64). Profusión de orlas e iniciales policromadas en oro y a todo color. Una autentica Belleza. Muy levemente fatigado, falto de pequeños trozos en algunas paginas y tiene alguna hoja con grieta (el corcho es muy delicado). Ref 1.5 Biblioteca A.

      [Bookseller: Libreria Anticuaria Marc & Antiques]
 32.   Check availability:     booklooker.de     Link/Print  


        Portrait photograph of Leo Coleman [aka Leopoldo Savarona] as Toby in Gian-Carlo Menotti's opera, THE MEDIUM

      New York, 1946. Bust portrait in profile. Gelatin silver print. 1 vols. 24.2 x 20.2 cm. (approximately 9-1/2 x 7-7/8 inches). Van Vechten's blind stamp lower left, atelier stamp on verso, and docketed in pen, giving the name of the sitter, date, and print reference ("I - cc - 7"). Bust portrait in profile. Gelatin silver print. 1 vols. 24.2 x 20.2 cm. (approximately 9-1/2 x 7-7/8 inches). Toby, in Menotti's THE MEDIUM, 1946. A very rare and early image (none are in the Library of Congress) of the versatile and prolific actor, choreographer, screenwriter and director who worked on stage and screen in Italy in the 50s, 60s, and 70s. Born Leopoldo Savarona in Italy in 1922 (known in America as Leo Coleman), he is portrayed here at age 23 in his first major role: that of Toby, in the Menotti Opera THE MEDIUM (1946), which also enjoyed a successful run on Broadway (1947), and was made into a film in 1951, with Leo Coleman in his first major role in film. Inscribed warmly to Mauriber: "To Saul: Thanks for being so much a fan as to climb two flights of stairs. / Toby 'The Medium' / Leo Coleman" From the Estate of Saul Mauriber, Van Vechten's assistant, and the editor/compiler of PORTRAITS: THE PHOTOGRAPHY OF CARL VAN VECHTEN (1978); EXTRAVAGANT CROWD

      [Bookseller: James Cummins Bookseller]
 33.   Check availability:     Biblio     Link/Print  


        Portrait photograph of Muriel Rahn in the title role of the opera "Carmen Jones"

      New York, 1946. Half-length, frontal view of hte singer/actress in costume. 1 vols. 25.4 x 19 cm. (approximately 10 x 7-3/8 inches). Fine. Docketed in pencil on verso, giving the name of the sitter, and a reference to negative and print ("XIX - Z - 2"). Matted. Half-length, frontal view of hte singer/actress in costume. 1 vols. 25.4 x 19 cm. (approximately 10 x 7-3/8 inches). Inscribed by "Carmen Jones" Best known for her role as Carmen in the Broadway adaptation of the Bizet opera, Rahn's dual talents as actress and singer won her several operatic roles, and in 1942 she was the first Afro-American singer to perform in an opera at Carnegie Hall. From the Estate of Saul Mauriber, Van Vechten's assistant, and the editor/compiler of PORTRAITS: THE PHOTOGRAPHY OF CARL VAN VECHTEN (1978); EXTRAVAGANT CROWD: Carl Van Vechten's Portraits of Women (Beinecke Library, Exhibition Catalogue, 2003)

      [Bookseller: James Cummins Bookseller ]
 34.   Check availability:     ABAA     Link/Print  


        Rex and Lobo: A Little Tale about Two Dogs

      New York: E.P. Dutton & Company, 1946. 62pp. Oblong duodecimo [20.5 cm x 16 cm] Light blue cloth with titles stamped in brown on the front panel and the backstrip. Light rubbing to the corners and the foot of the front board. Warmly inscribed with an original illustration by Vassos on the front pastedown and front free endsheet. Illustration is of three smiling dogs in profile (one on the pastedown and the other tow on the front free endsheet). Inscription on the front free endsheet reads: " To Helene Doggy - who loves dogs and the country - with much affection from the author - John Vassos" This book tells the charming story of the adventures of a Llewellyn Setter (Rex) and a German Shepherd (Lobo) over the course of an afternoon. Illustrated with 23 black and white photographs by John Vassos. Uncommon work by the designer and illustrator.

      [Bookseller: Ken Sanders Rare Books, ABAA]
 35.   Check availability:     Biblio     Link/Print  


        A Collection of 18 pieces of Yugoslavian nationalist partisan sheet music

      1946-1947, V.p. 1946 - 18 volumes, all large quartos. Very Good to Fine. Includes titles from the songbook series "Partizanske Pjesme: (nos. 1-8, all located in the British Library only in OCLC) and "Nova Pjesma" (see nos. 10-16, uniformly bound in red pictorial wrappers; none located in OCLC).1. Hercigonja, Nikola. Partizanska [with] Budi Se Istok I Zapad. Zagreb: Nakladni Zavod Hrvatske, 1946. Second edition. Bifolium; grey pictorial upper cover.2. Krnic, Boris. Eto Ide Omladina. Zagreb: Nakladni Zavod Hrvatske, 1946. Second edition. Bifolium; brown pictorial upper cover. 3. Hercigonja, Nikola. Na?a Pjesma [text in Cyrillic] Nasha Pesma. Ruski prevod S. Bolotina - Obradba G. ?neerson. Zagreb: Nakladni Zavod Hrvatske, 1946. Bifolium; blue pictorial upper cover lettered in navy blue. 4. Saka , Branimir. Zdignete brati [with] N. Hercigonja. Selja ka. Zagreb: Nakladni Zavod Hrvatske, 1946. Bifolium; orange pictorial upper cover lettered in brown. 5. Hercigonja, Nikola. Crveni Makovi. Obradio, Milan Majer; Rije i, Pavlek Mi?kina. Zagreb: Nakladni Zavod Hrvatske, 1946. Second edition, bifolium; red pictorial upper cover. Text by Mihovel Pavlek Mi?kina, a poet, socialist supporter, and member of the Croatian Peasant Party, who had been executed in the Jasenovac concentration camp in 1942.6. Apih, Milan. Bile anka. Obradio Nikola Hercigonja. Zagreb: Nakladni Zavod Hrvatske, 1946. Second edition, bifolium; purple pictorial upper cover. Composed by Slovenian activist Apih during his second, 1940, imprisonment for his active membership in the illegal Communist Party of Yugoslavia.7. a e, Ive. Nek Se uje Omladinska. Muzika: Natko Dev i . Zagreb: Nakladni Zavod Hrvatske, 1946. Bifolium; green pictorial upper cover. 8. Hercigonja, Nikola. Padaj Silo [with] Fran Lhotka. Oj Ilija! Zagreb: Nakladni Zavod Hrvatske, 1946. Bifolium; brown pictorial upper cover. 9. Slavenski, Josip. Partizanske Narodne Pjesme [cover title]. [Imprint in Cyrillic] Beograd: "Rad," 1946. Original red pictorial staplebound wrappers; 12pp. At head of title, in Cyrillic: "Nasha Pesnya." Text almost entirely printed in Cyrillic. Not in OCLC. 10. Bombardelli, S. Oj Mosore. Zagreb: Izdanje Zemaljskog Odbora J. S. R. N. J. za Hrvatsku Kulturno, Prosvjetno Odjeljenje, 1946. Bifolium. 11. Lenjinov. Posmrtni [with] Bile anka. Zagreb: Izadnje., 1947. Bifolium. 12. Hercigonja, N. Selja ka. Zagreb: Izadnje.1947. Bifolium. 13. Novikov, A. ?ivjela Crvena Armija. Zagreb: Izadnje.1946. 6pp. Sheet music for "Long Live the Red Army" by Anatoli Novikov, recipient of the Stalin Prize in 1946 and again in 1948 and later named a Hero of the Socialist Party in 1976. 14. Gotovac, J. Pjesme Obnove. 1. Na Rad; 2. Novi Grad; 3. Slava. Zagreb: Izadnje., 1946. [6]pp. 15. Markovac, P. Protuletje (Medimurska Narodna) [with] H. Singer. Nasred Gore Romanije (Partizanska Narodna). Zagreb: Izdanje., 1946. Bifolium. 16. Hercigonja, N. Na?a Pjesma [with] I. Tijardovi . Oj Moravo. Zagreb: Izdanje., 1946. Bifolium. The second song was composed by Ivo Tijardovi , member of the Unitary National Liberal Front and mayor of the Dalmatian city Split, where he led the underground resistence Yugoslav Partisans during the Italian occupation of World War II.17. Bombardelli, Silvije. ?amac-Sarajevo (?ime Vu eti ) Omladinsko Kolo (Ive a e) [cover title]. Split: Izdanje K. U. D. "Ivan Lozica," 1947. Bifolium; printed in red and black. 18. Bombardelli, Silvije. Pjesma Mladih Graditelja (Grigor Vitez) [cover title]. Split: "Ivan Lozica," 1947. Bifolium; printed in red and black.

      [Bookseller: Lorne Bair Rare Books, ABAA]
 36.   Check availability:     AbeBooks     Link/Print  


        The Folk of the Faraway Tree

      Newnes 1946 - 1st Edition 1946. Very scarce and the hardest to find in the Faraway Tree Trilogy. Book is near very good and in reasonable condition. Boards and spine slightly dulled and patchy. Spine lightened. Contents very good. More images can be taken upon request.Ref 11151 Size: 8vo - over 7¾" - 9¾" tall [Attributes: First Edition; Hard Cover]

      [Bookseller: Lasting Words Ltd]
 37.   Check availability:     IberLibro     Link/Print  

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