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Displayed below are some selected recent viaLibri matches for books published in 1943

        THE FOUNTAINHEAD

      Indianapolis: Bobbs-Merrill Company, 1943. Hard Cover with Dust Jacket. Fine/Very Good+. Octavo. Later Printing with "Refrred" on page 321 (5th line down) and "Domininque" on page 480 (2nd line down). In second issue dust jacket with author photo and three reviews on rear panel of dust jacket, $3.00 price on front dust jacket flap. A fine copy bound in green cloth with gilt lettering. In a very good+ dust jacket with small chip lower corner front panel, mild edge wear. Overall a nice copy. 753 pp.

      [Bookseller: Charles Parkhurst Rare Books, Inc. ]
 1.   Check availability:     ABAA     Link/Print  


        Journey in the Dark

      Harper & Brothers, New York 1943 - Pulitzer Prize-winning stated first edition, inscribed to ffep by Martin Flavin with date. Spine ends softened, points slightly rubbed. Firm binding. One rear endpage leaf chipped at bottom edge. Inner rear board at bottom edge has trace of dampstain. Price-intact DJ in mylar chipped/creased at spine ends, with some small closed tears /chips to DJ verso, rubbing at folds. ; 8vo 8" - 9" tall; Signed by Author [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: curtis paul books, inc.]
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        The Little Prince

      HARCOURT, BRACE & WORLD, NEW YORK 1943 - top front flap dj $3.75, bottom dj flap clipped, heavily soiled from moisture, pages clean, color illustrations, dj and boards soiled otherwise good condition DATE PUBLISHED: 1943 EDITION: 91 [Attributes: Hard Cover]

      [Bookseller: Princeton Antiques Bookshop]
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        Divertissement

      Paris: Teriade Editeur (Editions de la Revue Verve), 1943. Boards. Fine/Near Fine. A lovely copy of this 1943 folio celebrating the handwritten, whimsical text and rich artwork of the great French painter Georges Rouault (1871-1958). #610 of 1,200 copies issued by Teriade Editeur/Editions de la Revue Verve of Paris. Clean and Fine in its off-white wrappers, with its loose signatures (as issued). And in a Near Fine example of the striking dustjacket (made of thick, high-quality paper), with just a touch of light spotting to the front panel. 15 full-page, tipped-in color plates (all with their original tissue guards).

      [Bookseller: Appledore Books, ABAA]
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        John Wisden's Cricketers' Almanack for 1943 - 1943 Wisden : Original Hardback,

      1943. Hi, This is a Wisden from the Adrian Ellis Collection. 1943 : Original Hardback Wisden. This Wisden is an Original Hardback Wisden, internally it is excellent, very clean pages and strong hinges. Slight fading to front gilt and darkened spine gilt, the boards are excellent with minimal marks. Bury in pencil to the front 8/10.

      [Bookseller: Wisdenshop.com]
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        MISHNEH TORAH [THREE VOLUMES ONLY, OF SIX]

      Shanghai : Va`ad Ha-Defusah Torah-Or 1943-1945 - First Shanghai edition. Original boards. 8vo. Vol. Nashim-Kedushah is 256, 72, and 222 pages. Vol. Hafla’ah-Zeraim is 274 and 198 pages. Vol. Nezikin-Shoftim is 140, 128, 268, and 216 pages. Publication of this Mishneh Torah edition was made possible by a donation of Rabbi Zvi Efron, to whom a tribute is made. Published by the exiled Mir Yeshivah, one of the only yeshivas to survive as a whole body. In terms of the learning, yeshiva students say this was the most productive period ever, as they had nothing else to do other than sink into the study of the Rambam and the Talmud. This book of the Rambam was edited by the heads of the yeshiva during its years in the exile in Shanghai. SUBJECTS: Rambam – Holocaust – Displaced Persons. OCLC lists one copy at JTS. Very light wear to boards. Pages are browning. Text is very clean overall, but very lightly faded in some areas. Overall Very Good Condition. (RAB-60-22) [Attributes: First Edition; Hard Cover]

      [Bookseller: Dan Wyman Books, LLC]
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        Théâtre. Le bout de la route. - Lanceur de graines. - La femme du boulanger

      First collected edition, one of 12 numbered copies on Mûrier d'Annam, tirage de tête.A very good copy.  Gallimard Paris 1943 12x19cm broché

      [Bookseller: Librairie Le Feu Follet]
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        LAURA

      Boston: Houghton Mifflin Company, 1943., 1943. First edition. First edition. Original blue cloth, titles in red on front cover and spine. Faint evidence of bookplate removal from the front free fly leaf, else a near fine, bright copy in a lightly restored dust jacket that is sunned on the spine and with minor wear to top and bottom edges of the rear cover panel. This book is the author's first mystery and a Haycraft/Queen mystery title. The story opens and Laura's life is ended ... killed in the doorway of her apartment with a shotgun blast that obliterated her face. Three men who knew her best tell the story. Some of it is told by the newspaper columnist, some by her fiance, and most by the detective involved in the case. Laura Hunt was the ideal modern woman: beautiful, elegant, highly ambitious, and utterly mysterious. No man could resist her charms—not even hard-boiled NYPD Detective Mark McPherson, who was sent to investigate the murder. As McPherson investigates the mystery of Laura’s death, he becomes obsessed with her strange power. He soon realizes he’s been seduced by a dead woman ..... or has he? The story is told on screen in 1944 by Twentieth Century-Fox using the title "Laura" and directed by Otto Preminger. The cast starred Gene Tierney, Dana Andrews, Clifton Webb, Vincent Price, and Judith Anderson.

      [Bookseller: BUCKINGHAM BOOKS]
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        MURDER ON THE DOWNBEAT

      New York: Mystery House, 1943., 1943. First edition. First edition. Former owner's bookplate to front pastedown sheet else fine in dust jacket with light wear to the spine ends and extremities, and a faint small crease to top edge of the rear panel. The milieux of Robert Avery's Murder on the Downbeat are the swing clubs in midtown Manhattan and the after-hours joints in Harlem. Recording company scout and jazz columnist Malachy Bliss assumes the role of amateur detective when first one and then another jazz musician is murdered and his girlfriend is jailed as a suspect. Although this book moves breezily along after the fashion of Dashiell Hammett's Thin Man series, it nevertheless carries a modest but meaningful racial subtext in its portrayal of Harlem as a place where musicians, both black and white, can go after work "to play honest, uninhibited jazz with the best musicians in the world" (Rife, David. Jazz Fiction: A History and Comprehensive Reader's Guide, p.43). A scarce title from this Arcadia House imprint.

      [Bookseller: BUCKINGHAM BOOKS]
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        Archive: World War II-era reports, photographs, and medals

      1943. (WORLD WAR II) (U.S.S. YORKTOWN). Archive: World War II-era reports, photographs, and medals. Pacific Ocean: November 1943-February 1944. Nineteen pages of documents, four photographs, five service medals and Navy aviator's badge, various sizes. $3000.Archive of contemporary documents, photographs, and service medals from the aircraft carrier U.S.S. Yorktown, chronicling the carrier's cruise to the Gilbert Islands in November 1943 to support the Allied invasion of the island of Tarawa, as well as the attack on the main Japanese anchorage at Truk Atoll in February 1944. The archive also includes a series of World War II service medals including American Defense, American Campaign, Asiatic Pacific Campaign, and World War II, as well as the Air Medal (with one star) and a Navy aviator's badge. The archive includes 13 contemporary mimeographed battle reports submitted by various pilots of Torpedo Squadron Five (VT-5) aboard the Yorktown during Operation Hailstone, a major U.S. raid on the main Pacific Japanese naval base at Truk staged in February, 1944.Nicknamed ""The Gibraltar of the Pacific"" by the Allies, the Truk Islands served as the main Pacific base for the Imperial Japanese Navy. In February of 1944 the U.S. planned and carried out a raid on the base, code-named Operation Hailstone. The Japanese received advance warning of the raid and managed to evacuate their heavy battleships and carriers, but the raid nonetheless destroyed 12 smaller warships as well as 32 merchant vessels which significantly weakened the installation's ability to support Japanese naval efforts in the South Pacific. As the U.S. advanced toward Japan, the base at Truk became increasingly isolated, but did not surrender until August, 1945, although the garrison was near starvation by that point.Lt. (jg) W. Laliberte's after-battle report is one of the more interesting accounts. After taking off at 1300 local time, he rendezvoused with his squadron and climbed to 14,000 feet before mounting a diving attack on his target, a ""fat little AKÂ… At the bottom of my dive I was making 36 knotsÂ…"" Laliberte's bombs fell short, but as he was pulling away he noticed ""what appeared to be a little ship towing an even smaller one, but the wake showed a speed of nearly 20 knots. Upon closer investigation these two little ships turned out to be a submarine. I immediately attacked, and dropped one 500# bomb which either landed on top of or directly below the just submerged submarine. A terrific explosion resulted and a large oil slick covered the surface for about 20 yards. When I got back to the ship I was informed that while attacking the submarine a Tony [Kawasaki, Ki-61, Hein Army Type 3 Fighter] made a run on me, which I didn't know anything about at the timeÂ…"" (Interestingly, the official list of sunken and damaged vessels from that raid does not include a submarine.) Lt. Commander R. Upson's account provides an excellent account of the action below him as he circled above Truk at 14,000 feet, and reads, in very small part: ""One heavy cruiser and two destroyers were sighted just south of North Pass, maneuvering and firing AA guns. There were two destroyers approaching the cruiser's position from the south. One or possibly two fighters were strafing the cruiser at that timeÂ… A large number of fires, presumably airplanes, were seen on the western side of the Moen bomber stripÂ… The break-up of the bombers and torpedo planes occurred almost directly over Eten Island. Divers made toward the northeast. Torpedo planes went into their dives at almost the same time that the bombers went in, 0835, and in the same directionÂ… My drop was interfered with by the cross-wind, which was stronger than I had anticipated."" Much more fine content is included in this archive, with four excellent contemporary photographs documenting the Truk Island strikes.The archive also concerns an earlier mission conducted in support of the U.S. Marine landings at Tarawa, which took place between November 20 and 23, 1943, and include daily schedules for the Yorktown's crew for November 15, 19, 20 and 21, 1943, as well as two pages of teletype news from the fleet's radar station, dated in pencil ""26 Nov. 1943 1900 [hrs.]"" The carrier, on its return from the Gilbert Islands encountered ""BOGIES AT 040 AT 40 MILES CROSSING., OUR COUSRE.,..BOGEYS STILL ORBITING AT 040 DIST 40 MI.,..BOGEY ABLE AT 048 DIST 38 MIÂ… TWO WHIE FA XX FLARES SIGNTED 15 MI., ON SÂ….BOGEY DOG AT 107 DIST 19 MI."" The radar continued to track the enemy planes until ""BOGEY ABLE FADED FROM SCREEN."" Another one appeared soon afterwards which ""LOOKS TO US LIKE SNOOPER WHO HAVE,.PASSED AHEAD OF DISPOSITION."" Soon after the ""LEXINGTON REPORTS SAME BOGEY AS SURFACE.,CONTACT,"" the ""ENTERPRISE HAS JUST REPORTED UNDER FAIRLY,.HEAVY AIR ATTACK . ENTERPRISE POSITION. AT PREP XX PRESENT TIME APPROX 23 MI.,WEST OF TARAWA.,..SURFACE CONTACT ONLY INDICATION AT PRESENT.,ON RADAR SCREEN., CORRECTION – SARATOGA AND PRINCETON., - NOT ENTERPRISE – ARE UNDER ATTACK."" File holes, very light toning, else fine condition overall.

      [Bookseller: Bauman Rare Books]
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        Topographische Anatomie des Menschen : Lehrbuch und Atlas der regionär-stratigraphischen Präparation. 2. unveränd. Aufl.

      Berlin/Wien: Urban & Schwarzenberg 1943 - Bd. 1/1: XVI, 344 S. mit 216 Abb. im Text u. auf 127 farb. Taf.; Bd. 1/2: S. 345 - 617 mit 216 Abb. im Text u. auf 127 farb. Taf.; Bd. 2/1: XII, 446 S. mit 252 Abb. im Text und auf 144 farb. Taf.; Bd. 2/2: S. 447 - 868 mit 252 Abb. auf farb. 144 Taf.; 30 cm, jeweils mit Besitzvermerk, Rücken jeweils berieben, Bd. 1/1 mit einigen Bleistiftanstreichungen; Bd. 2/1 erste 3 Seiten geknickt,; Bd. 2/2 fliegendes Vorblatt geknickt. Bd. 1: Allgemeines, Brust und Brustgliedmaße; Bd. 2: Bauch, Becken und Beckengliedmaße. Sprache: deu [Attributes: Hard Cover]

      [Bookseller: Wissenschaftliches Antiquariat Köln]
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        WWII PARTISAN POSTER: Ujedinjeni [United]

      [Probably Allied occupied Italy, between -1945] 1943 - Offset lithograph in black, blue and orange (soft folds with tiny holes, small tears and small loss of paper in margins, otherwise in a good condition, verso WWII ownership stamp of an underground Dalmatian newspaper Glas svobode) 70 x 53 cm (27.6 x 20.9 inches). A rare, stunning poster with a title ÒUnitedÓ printed during WWII depicts a silhouette of a Yugoslavian Partisan backed by tanks, ships and airplanes, bearing flags oft he United States, Great Britain and the Soviet Union. The undated and unsigned poster was printed during WWII, between 1943 and 1945, when Allies were supporting the underground Partisan resistance in German occupied Yugoslavia. Through the Allied military base in Bari, Italy, the Partisans were supplied with military equipment and propaganda material. The poster was probably printed in Bari or Rome, liberated on June 4 1944. After the liberation of Rome, many Allied printed propaganda material for Yugoslavia of beter quality was made in that city. We could trace two versions of this poster: one with the title in Latin and other in Cyrillic script in Serbian. The National Library of Slovenia lists both versions in their inventory. We could trace another example in the Museum of Modern History of Ljubljana and a copy in the open-air War Museum of Hospital Franja in Slovenia. We could not find any other examples in institutions worldwide. This example was, according to the stamp at the back, during WWII owned by the Dalmatian underground Partisan newspaper editorial Glas svobode (Voice of Freedom).

      [Bookseller: Antiquariat Dasa Pahor]
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        EL DIABLO COJUELO

      - 1943 ORBIS. Oliva de Vilanova Numerado 288/ 400 ejmplrs.PAPEL DE HILO. Edición prologada y anotada por Fernando Gutiérrez. Ilustrada con grabados en madera por ENRIQUE C. RICART. 216 pg. 28x22 cm. Enc. plena piel PERGAMINO. Para ver o recibir fotografías de los libros puede ir a nuestra web. [Attributes: Hard Cover]

      [Bookseller: Costa LLibreter]
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        Histoire du cinéma

      The definitive edition, first in parts, one of 25 numbered copies on Arches paper, the only large paper copies.Elegant half black morocco over marbled paper boards by P. Goy & C. Vilaine, spine in six compartments, gilt date to foot, grey endpapers and pastedowns, covers and spine preserved, top edge gilt.With 61 photographs hors texte.A little light insignificant spotting to endpapers.A fine copy in a handsome binding. Denoël Paris 1943 13,5x22cm relié

      [Bookseller: Librairie Le Feu Follet]
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        Le Petit Prince (first softcover edition)

      Reynal & Hitchcock, New York 1943 - First softcover edition. Color illustrated stiff wrappers. 92 pp. Illustrations in color and black and white by the author. Text in French. First state with publisher's name and author's name wrapping slightly around the spine strip onto the covers; so-called "flying crow" (actually a printing fault) present in illustration on p. 63. The extremely scarce first softcover edition of this, one of the most famous and best loved of all 20th century books. Though not always as pricey, the first softcover edition is far scarcer than the hardcover edition; both were printed in New York, both in the original French and the English translation due to the Second World War (the first French-published edition would not appear until 1946). The wives of Saint Exupery's publishers Eugene Reynal and Curtice Hitchcock set the author and his wife up in an apartment in New York in the early 1940s and it was Elizabeth Reynal who, upon seeing Saint Exupery's doodles and sketches of the "Little Prince", urged him to assemble them into book form with text. He produced the watercolors and text in the summer and fall of 1942 and Reyal & Hitchcock published it in 1943 (NY Times, Jan. 23, 2014). These original drawings were exhibited at the Morgan Library in winter, 2014. Condition: tight, internally clean and bright with even toning to the covers, small scuff to the upper portion of the planet on which the Little Prince stands and again to the bottom front left corner; light corner crease lower front right. Soiling a bit heavier about the very edges. The rear wrap has spot staining along the left hand side that extends to the edge of the rear blank and less so to the final page of text. An image may be viewed on our web site. [Attributes: First Edition; Soft Cover]

      [Bookseller: Old Book Shop of Bordentown (ABAA, ILAB)]
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        Berufsverzeichnis für die Arbeitseinsatzstatistik / / / Spis zawodów

      Lemberg: Hauptabteilung Arbeit in der Regierung des Generalgouvernements, 1943. First edition. Hardcover. g to vg. Oblong quarto (8 1/2 x 12"). 287, [1]pp. Original 3/4 blue cloth over paper covered boards. An 'Arbeitzamt' service stamp with the Nazi Eagle at upper margin of front free endpaper.Published by the Labor Department in the Generalgouvernement*, this work 'Nur für den Dienstgebrauch' (for service use only) contains a list of hundreds of different job occupations in German, divided into 28 groups (Agriculture; Forestry, hunting and fishing; Miners and related professions; Stoneworkers, ceramists and glassworkers; Metalworkers and related professions, etc..) with their corresponding translation in Russian, Ukrainian, and Polish.This book is a grim testimony of forced labor by foreign workers from the USSR and from local workers of partitioned Poland toiled in the service of the Nazi regime in the Generalgouvernment.At the time of publication, the Third Reich was desperately trying to replace its ever increasing German male workforce sent to the front by exploiting millions of foreign workers throughout Nazi-occupied EuropeThe Germans deported approximately 12 million people from almost twenty European countries; about two thirds of whom came from Eastern Europe. Many workers died as a result of their living conditions - mistreatment, malnutrition, and allied bombings were the main causes of death. At its peak the forced laborers comprised 20% of the total German work force.Covers partly creased and age-toned. Slight age-toning along paper margin. Text in German, Russian, Ukrainian, and Polish. Binding in overall good, interior in good+ to very good condition. * The Generalgouvernement was a German zone of occupation established by Adolf Hitler after the joint invasion of Poland by Nazi Germany (9/1/1939) and the Soviet Union (9/17/1939).

      [Bookseller: Eric Chaim Kline - Bookseller ]
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        Langner, Reinhold. - "Halbakt mit Esel".

      - Zeichnung / Ölkreide, auf bräunlichem Karton, 1943. Von Reinhold Langner. 49,9 x 32,4 cm (Darstellung / Blatt). Verso Stempelsignatur "Reinhold Langner". Dazu Titel und Jahr in Bleistift. Links oben geprägte Papiermarke "TIZIAN". - Originale Reißzwecklöchlein in den Ecken. Kaum merkliche Abriebspuren von ehemaligem Passepartout. Insgesamt guter bis sehr guter Zustand. Reinhold Langner (1905 Weinböhla - 1957 Ockritz bei Dresden). Deutscher Holzbildhauer, Zeichner und Grafiker. 1922-25 Lehre zum Maurer und Holzbildhauer. 1925-33 Studium der Holzbildhauerei an der Kunstgewerbeakademie Dresden bei Theodor Arthur Winde. 1929/30 Studienreise u.a. nach Italien und Spanien. 1933 Verweis von der Akademie wegen seiner sozialdemokratischen Gesinnung. Bis 1942 freischaffend als Bildhauer tätig; z.B. Schnitzarbeiten an der Marienberger Rathaustür (1938/39). Ab 1943 Lehrer an der Staatlichen Kunstakademie Dresden. 1945-47 kommissarischer Leiter der Akademie der Bildenden Künste Dresden (HfBK). 1946-48 dort Professor für Bildhauerei. 1948/49 Professor für Angewandte Plastik und Rektor an der Hochschule für Werkkunst Dresden. 1949 Wechsel an die Technische Hochschule Dresden als Lehrbeauftragter für Bauplastik, 1952-57 Professur. Ab 1950 Lehrbeauftragter an der Universität Leipzig. Ab 1950 Direktor des Museums für Sächsische Volkskunst im Jägerhof in Dresden. Machte sich um Erhalt und Entwicklung der erzgebirgischen Volkskunst bemüht, weshalb man ihn als "Vater der erzgebirgischen Schnitzer" apostrophierte. [Attributes: Soft Cover]

      [Bookseller: GALERIE HIMMEL]
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        WWII MANUSCRIPT NEWSPAPER: KURENT

      Ljubljana, Komenskega ulica 5: March 7 , July 29 1944, August 29 1944, April 8 1945. 1943 - Large 8°. 4 Vol. (complete), each 4 pp. typed and hand-written text, with partly coloured drawings in ink and pencil within text (Very Good, light horizontal fold). ( An unusual hand-made series of four entertaining Slovenian family magazines, made during WWII, with a light anti-Partisan and anti-Allied note. This set of four magazines was made by an unknown author, signed on one of the magazines as "?išrov Jurij«, in a center of Ljubljana, in order to entertain his family and neighbours. The first number starts enthusiastically on March 7 1943 as an entertaining magazine, with a letter from the editor (here pretending of being Piro P. from Mumbai), it continues with a poem and finishes with short detective stories, jokes and riddles. The first three winners, who solve these riddles would receive writing paper as the price. Some parts have been corrected and some censored. The magazine was supposed to be published every two weeks. The next number does not appear until a year and a half later (the time gap is also mentioned in the introduction). The issue includes, beside short stories and riddles, also a short article against the Partisans and the Communist Party. The last two numbers, dated August 29 1944 and April 8 1945 (latter exactly a month before the liberation) are not finished. The last number mocks the limited hand-made production as "a press, where a highly respectable magazine Kurent is printed a mass of people is waiting to get it for 5-6 hours before it is published the number of copies has been raised from 50000 to 12-15 million the press and editors reach the number of 4756 750 copies are bought by the royal and state research libraries from all over the world". There short hand-made newspapers, offer a short view into a family life during the occupation of the city of Ljubljana during WWII. The author is not named. In the last number he quotes his address as Komensky Street 5 (or Petrarca Street 5 – as it was renamed during the Fascist occupation) – a respectable address in the city center, today behind the building of National Radio and Television. The text shows light right-wing political tendencies, such as a dislike for the resistance (the Communist Party or the Partisans) and dedication to Catholic faith. The word Kurent means an extravagant god of unrestrained pleasure and hedonism in early Slavic customs. In Slovenian culture it became a traditional figure, announcing spring and one of the symbols representing the country. As these magazines are unique, we could not trace any other examples or references in literature. Because of their light anti Communist texts, their survival through the years of Yugoslavia has to be accidental, since the owner of these sheets would be punished with prison. The building, where these magazines were made, was demolished in the late 2010s. It is possible the magazines were hidden in the building for decades after WWII without being discovered.

      [Bookseller: Antiquariat Dasa Pahor]
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        MA’AMARIM ME-SIHOTAV SHEL RABEINU YERUCHOM HA-LEVI LEVOVITZ [VOL. 1-3, 5 & 7/8]

      Shanghai: J. M. Ellenberg 1943 - Original paper wrappers. 8vo. 36 pages each volume, 22 cm. In Hebrew. Title translates to "Essays from Conversations with Rav Yerucham Halevi Levovitz. " Levovitz was the Mashgiach Ruchani of the Mirrer Yeshiva in Poland. One of the great exponents of Mussar. He was a talmid or Rav Simcha Zissel Broida one of the foremost disciples of Rabbi Yisroel Salanter. Below are eight fascicles printed in Shanghai. The first three fascicles were first published before the Holocaust in Baranovitch, the fourth was published in Kaiden due to the war. For a period during 1940, the town served as home to about 300 students and teachers from the Mir Yeshiva. After WWII, much of orthodox Jewry in Europe was wiped out, along with their many yeshivas (Jewish schools of higher learning) . One of the only yeshivas to survive as a whole body was the Mir Yeshiva, which managed to escape miraculously to Shanghai, China, and then on to America. Many of the new leaders of the American and Israeli yeshivas in the post-war period were students of the Mir, and thus followers of Rabbi Leibovitz. SUBJECTS: Litvak – Holocaust – Displaced Persons. There are no copies listed on OCLC. Wear and soiling to outer wrappers, along with small chip missing from bottom left corner. Internally Good. Overall Good Condition. Rare. (RAB-60-12-13-14) [Attributes: Soft Cover]

      [Bookseller: Dan Wyman Books, LLC]
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        Long Typed Letter Signed "yours sincerely, Wallis Windsor" to "Dear Major Tolle" (Duchess of, Wallis Simpson, 1896-1986, Wife of Edward VIII)

      1943 - regarding the status of the United States Canteens in the Bahamas, saying that as he is "no longer 'on the spot' . it is fairly clear that to have the other Canteen supplied, the Group Captain would have to arrange to make it part of the R.A.F. Station, which hardly seem practical . we are distressed over not receiving any food as the Canteen runs at such a loss when we have to purchase in Nassau and I am hoping that on the next trip of the boat, you will have been able to fill Miss Amoury's last order. Regarding the Christmas arrangements, we have decided to have an 'At Home' due to the increase in the number of troops here. We will give sandwiches, snacks, etc. and I am writing to ask you if I could have six turkeys and six hams, enough candy, nuts and raisins for 1,000 people, also one hoop of cheese ", she ends by thanking him for his help and saying that she does not think that the ladies will persist as he is "well within his rights .", 1 side 4to., Government House headed paper, 29th November Major Tolle was the Army Quarter Master responsible for supplies in the Bahamas.

      [Bookseller: Sophie Dupre ABA ILAB PADA]
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        Rosie the Riveter Cartoons

      1943-44 1943 - Two finished pen and ink drawings and a pencil study of a man and a woman working side-by-side in a factory. All three signed 'Garth.' Largest is 15 by 11 inches. Drawn by Williams when he was a staff artist for the New Yorker. Plus a small pencil study. The images depict a woman apparently very happy to be doing 'men's' work and a perplex man who can't believe his eyes. In addition to being an interesting contemporary take of the Rosie the Riveter phenomenon during the Second World War, the three sketches also show a cartoonist working through an idea, looking for the best was to present the subject. In the pencil sketch, the man appears middle aged and seems to be yelling at the woman; in the second version, a similar man seems resigned to the fate of working with a woman as he mumbles something; in the final, largest drawing, the man is now elderly and appears perplexed more than anything. Williams's career at the New Yorker did not work out - he had only a couple of small items published, but the experience nevertheless changed his life: He met E. B. White at the magazine and became the illustrator of White's two iconic children's books, Charlotte's Web and Stuart Little. Fine or nearly so.

      [Bookseller: Eureka Books, ABAA]
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        The Little Prince

      Reynal & Hitchcock, New York 1943 - A near fine first edition copy, salmon cloth with maroon lettering. Small smudge to spine. Minor pencilling to front pastedown else unmarked. Touch of humidity to pages. Boards bow very slightly. Five line colophon and left-facing rose on page 27, first issue points. Original unclipped jacket in mylar has $2.00 price and Fourth Avenue address. Jacket has slight wear to spine ends/corners, faint even soil. A tight square copy in unclipped first issue jacket. ; Large 8vo 9" - 10" tall [Attributes: First Edition; Hard Cover]

      [Bookseller: curtis paul books, inc.]
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        Soldaten der Leibstandarte SS Adolf Hitler,

      1943 - Berlin, Selbstverlag, 1943, großformatige Mappe mit 13 Fototafeln, Mappe berieben, ES FEHLEN DAS TEXTBLATT UND 2 FOTOTAFELN, Zustand 2- (NG10) (NG10) Sprache: Deutsch Gewicht in Gramm: 700

      [Bookseller: Antiquariat Ehbrecht - Preise inkl. MwSt]
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        Berufsverzeichnis für die Arbeitseinsatzstatistik / / / Spis zawodów

      Hauptabteilung Arbeit in der Regierung des Generalgouvernements, Lemberg 1943 - Oblong quarto (8 1/2 x 12"). 287, [1]pp. Original 3/4 blue cloth over paper covered boards. An 'Arbeitzamt' service stamp with the Nazi Eagle at upper margin of front free endpaper.Published by the Labor Department in the Generalgouvernement*, this work 'Nur für den Dienstgebrauch' (for service use only) contains a list of hundreds of different job occupations in German, divided into 28 groups (Agriculture; Forestry, hunting and fishing; Miners and related professions; Stoneworkers, ceramists and glassworkers; Metalworkers and related professions, etc.) with their corresponding translation in Russian, Ukrainian, and Polish.This book is a grim testimony of forced labor by foreign workers from the USSR and from local workers of partitioned Poland toiled in the service of the Nazi regime in the Generalgouvernment.At the time of publication, the Third Reich was desperately trying to replace its ever increasing German male workforce sent to the front by exploiting millions of foreign workers throughout Nazi-occupied EuropeThe Germans deported approximately 12 million people from almost twenty European countries; about two thirds of whom came from Eastern Europe. Many workers died as a result of their living conditions - mistreatment, malnutrition, and allied bombings were the main causes of death. At its peak the forced laborers comprised 20% of the total German work force.Covers partly creased and age-toned. Slight age-toning along paper margin. Text in German, Russian, Ukrainian, and Polish. Binding in overall good, interior in good+ to very good condition. * The Generalgouvernement was a German zone of occupation established by Adolf Hitler after the joint invasion of Poland by Nazi Germany (9/1/1939) and the Soviet Union (9/17/1939). [Attributes: First Edition; Hard Cover]

      [Bookseller: ERIC CHAIM KLINE, BOOKSELLER (ABAA ILAB)]
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        Friedrich Hölderlin. Sämtliche Werke. Frankfurter Ausgabe. Historisch-kritische Ausgabe. [Herausgegeben von Dietrich Eberhard Sattler]. Band 1-20, Einleitungsband zur Frankfurter Ausgabe sowie "Le pauvre Holterling", Blätter zur Frankfurter Ausgabe, Nr. 1, 4 und 5, sowie der Faksimile-Edition "Homburger Folioheft".

      Durchgängig mit zahlreichen Faksimiles der Handschriften Hölderlins. 4 (31 x 20,5 cm). Orig.-Leinenbände mit Titelschildern auf den Rücken und Orig.-Schutzumschlägen in Pappschubern, sowie 1 Faksimile-Edition im Folioformat (2 42 cm), verpackt in Orig.-Leinenschachtel mit montiertem grünem Titelschild auf der Vordersdeite. [Hardcover / fest gebunden]. Die Frankfurter Ausgabe entstand in einem Zeitraum von 25 Jahren zunächst in Kritik zur von Friedrich Beißner 1943 herausgegebenen Ausgabe sämtlicher Werke Hölderlins. Die von Sattler herausgegebene Historisch-kritische Ausgabe in 20 Bänden wurde mit den "Gesängen" der Doppelbände 7 und 8 im Jahre 2000 fertig gestellt und bildet die maßgebliche und erste wissenschaftlichen Kriterien genügende Ausgabe von Hölderlins Schaffen. Da auch Schmidt und Knaupp eigenständige Entscheidungen bei der Textherstellung getroffen haben, konkurrieren derzeit also vier Ausgaben mit zum Teil erheblich voneinander abweichenden Texten, so dass selbst der am bloßen Wortlaut interessierte Leser gezwungen ist, auf die in der Frankfurter Ausgabe wiedergegebenen Reproduktionen der Handschriften zurückzugehen. - Dem Exemplar liegen der Einleitungsband der Frankfurter Ausgabe aus dem Jahre 1975 sowie die Hefte 1,4 und 5 der "Le pauvre Holterling" Blätter zur Frankfurter Ausgabe bei. - Dezente Besitzervermerke auf den Vorsätzen. Bände und Schuber gering angestaubt, Schutzumschläge minimal berieben. Ansonsten sehr gutes und sauberes Exemplar der vollständigen Reihe. - Mit der Faksimile-Edition "Homburger Folioheft". - Die später erschienenen Faksimiles "Stuttgarter Foliobuch" und "Frankfurter und Homburger Entwurfsfaszikel" unserer Ausgabe nicht beiliegend.

      [Bookseller: Antiquariat-Kretzer]
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        Sylt 79. Ölgemälde auf Platte, gerahmt.

      Ausdrucksstarkes Ögemälde des 1943 geborenen schwedischen Künstlers: Gezeigt wird der Strand und die Meeresbrandung auf Sylt, links unten mit L. Aschenbrenner signiert, lechts unten mit *Sylt 79* bezeichnet. Bildmaße: 73 x 102 cm ( Höhe x Breite ), gerahmt ( Rahmenmaß:88 x 118 cm ). Ausgeführt in Öl auf Platte. Aschenbrenner wurde in den 1960er Jahren von der Pop-Art inspiriert und fand seine Motive in einfachen, alltäglichen Gegenständen. In seinen späteren Landschaften gewinnt seine Malerei teils eine plastische Dimensionalität. Er hat Auftragsarbeiten für die öffentliche Hand getätigt und ist zudem als Illustrator von Büchern bekannt. Von guter Erhaltung, der aufwendige Rahmen mit einer kleinen Beschädigung rechterhand. ( Bitte beachten: Leider kein Versand möglich - hier nur selbst organisierte Abholung in meinem Ladengeschäft ). ( Pic erhältlich / webimage available )( Please notice: No shipment possible )

      [Bookseller: Antiquariat Friederichsen]
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        NAZI MASSACRES OF THE JEWS & OTHERS : SOME PRACTICAL PROPOSALS FOR IMMEDIATE RESCUE MADE BY THE ARCHBISHOP OF CANTERBURY AND LORD ROCHESTER IN SPEECHES ON MARCH 23RD 1943 IN THE HOUSE OF LORDS

      London : Victor Gollancz, 1943 - 1st Edition. Original Paper Wrappers. 8vo. [16] pages ; 19 cm. In English. In this historic speech, Temple concludes, "My chief protest is against procrastination of any kind The Jews are being slaughtered at the rate of tens of thousands a day on many days. We know that what we can do is small compared with the magnitude of the problem, but we cannot rest so long as there is any sense among us that we are not doing all that might be done. We have discussed the matter on the footing we are not responsible for this great evil but it is always true that the obligations of decent men are decided for them by contingencies which they did not themselves create We stand at the bar of history, of humanity, and of God. " Holocaust-era speeches by the Archbishop of Canterbury and Lord Rochester made to the House of Lords outlining ongoing atrocities and calling for the British government to approach the problem of resettling Jewish refugees with more urgency. "William Temple (1881–1944) was a bishop in the Church of England. He served as Bishop of Manchester (1921–29) , Archbishop of York (1929–42) and Archbishop of Canterbury (1942–44) . A renowned teacher and preacher, Temple is perhaps best known for his 1942 book Christianity and Social Order, which set out an Anglican social theology and a vision for what would constitute a just post-war society . Against the background of persecution of Jewish people during World War II, Temple jointly founded with Chief Rabbi Joseph Hertz the Council of Christians and Jews (CCJ) to combat anti-Semitism and other forms of prejudice in Britain. In March 1943, Temple addressed the House of Lords, urging action to be taken on the atrocities being carried out by Nazi Germany. " (Wikipedia, 2016) SUBJECT(S) : Holocaust, Jewish (1939-1945) . World War, 1939-1945 -- Jews -- Rescue. In the US Holocaust Museum rare book collection. Some edgewear. In about very good condition. (HOLO2-130-9) [Attributes: First Edition; Soft Cover]

      [Bookseller: Dan Wyman Books, LLC]
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        Archive: World War II-era Pacific Maps

      1943. (WORLD WAR II) (U.S.S. YORKTOWN). Archive: World War II-era Pacific Theatre Maps. Pacific Ocean: 1943-45. Sixteen maps, many folding, various sizes. $6000.Important archive of contemporary maps, including a hand-drawn map of Okinawa during World War II, some of which were used in planning the daring U.S. raid on the main Japanese naval base in the Pacific at Truk Atoll. This superb collection of 16 maps, together with related documents, mostly date between 1943 and 1945 and were used by members of a torpedo squadron based aboard the carrier U.S.S. Yorktown.Of particular interest are a pair of large 17 by 16-inch target maps of the Truk Islands, marked ""RESTRICTED"" and prepared by the Joint Intelligence Center on February 4, 1944 and used in the planning of the daring U.S. raid on the island—code named ""Operation Hailstone."" Nicknamed ""The Gibraltar of the Pacific"" by the Allies, the Truk Islands served as the main Pacific base for the Imperial Japanese Navy. The Japanese received advance warning of the raid and managed to evacuate their heavy battleships and carriers, but the two-day American raid destroyed 12 smaller warships, as well as 32 merchant vessels, which significantly weakened the installation's ability to support Japanese naval efforts in the South Pacific. As the U.S. advanced toward Japan, the base at Truk Atoll became increasingly isolated, but did not surrender until August 1945, although the garrison was near starvation by that point. The highly detailed map, printed in black, bears updated intelligence comments in purple ink noting the locations of the main anchorage, known radar and anti-aircraft installations, airfields, seaplane bases, as well as the passes used by Japanese ships in and out of the coral reef which surrounds the island group. The second map offers a detailed analysis of the various anti-aircraft guns and fortifications guarding the island as well as comments on searchlights and electric generators that merited targeting. The collection also includes several other smaller maps covering the same general region.Another map, titled ""TARGET LOCATION MAP KWAJALEIN ATOLL,"" together with 15 pages of mimeographed areal photos and commentary (many of which are stamped ""CONFIDENTIAL"" on the verso), was used in the planning of the American attack on that island installation known as Operation Flintlock (January 29 – February 4, 1944). The accompanying aerial images offer precise locations of a variety of targets including anti-aircraft guns, radar installations, barracks, shops, warehouses, anchorages, piers, ammunition storage, fuel tanks, hangers and more. The collection also features an unusual clear plastic overlay map (14-1/2 by 14 inches) of a portion of the Marshall Islands, including the Kwajalein Atoll.The collection also features a beautifully hand inked and colored oilcloth map of the Island of Okinawa, in which the U.S.S. Yorktown played a supporting role in 1945. Signed at the lower right, ""Drawn by D-Haydon 9/10/45 China,"" the map shows the various Marine divisions that took the island during the epic Spring 1945 battle for the island. Beside a large National Geographic folding map of the Pacific (1936) which makes for excellent reference, are a set of eight 8 by 10-inch photographs depicting various theatres of the Pacific Theater of Operations. Complied by the Associated Press, each photo has a small printed explanation tipped to the verso explaining the details of each map. Light soiling, folds, and other minor wear consistent with use—overall very good condition. Scarce and desirable.

      [Bookseller: Bauman Rare Books]
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        BE A MARINE. Free a Marine to Fight. U.S. Marine Corps Women's Reserve

      McCandlish Litho Corporation, Philadelphia 1943 - Broadside, full-color half-tone printing. Poster shows a woman marine, with fighting jarheads in the background [Image: 27" x 24"]. Overall: 40" x 28" Rare WWII poster. No copies on OCLC, and we find no prior market records, as recorded by Worthpoint. Age-toning. Faint vertical & horizontal fold-lines. VG+

      [Bookseller: Tavistock Books, ABAA]
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        BE A MARINE... Free a Marine to Fight. U.S. Marine Corps Women's Reserve

      Philadelphia: McCandlish Litho Corporation, 1943. 1st Printing. Age-toning. Faint vertical & horizontal fold-lines. VG+. Broadside, full-color half-tone printing. Poster shows a woman marine, with fighting jarheads in the background [Image: 27" x 24"]. Overall: 40" x 28" Rare WWII poster. No copies on OCLC, and we find no prior market records, as recorded by Worthpoint.

      [Bookseller: Tavistock Books, ABAA]
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        Histoire du cinéma

      - Denoël, Paris 1943, 13,5x22cm, relié. - Edizione definitiva e in parte originale, uno dei 25 esemplari numerati su Arches solo le principali carte. Bound in metà marocchino nero, dorso con cinque nervi, quando coda d'oro, marmo piatto, risguardi e contreplats topo carta, copertine e dorso conservati, oro sui testimoni, elegante rilegatura firmato testa P. Goy & C. Vilaine. Libro illustrato di 61 fotografie hors-texte. Pochi minor foxing sulle guardie. Molto bella copia ben stabilita. - [FRENCH VERSION FOLLOWS] Edition définitive et en partie originale, un des 25 exemplaires numérotés sur Arches, seuls grands papiers. Reliure en demi maroquin noir, dos à cinq nerfs, date dorée en queue, plats de papier marbré, gardes et contreplats de papier souris, couvertures et dos conservés, tête dorée sur témoins, élégante reliure signée de P. Goy & C. Vilaine. Ouvrage illustré de 61 photographies hors-texte. Quelques petites rousseurs sans gravité sur les gardes. Très bel exemplaire parfaitement établi.

      [Bookseller: Librairie Le Feu Follet]
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        Autograph letter signed

      1943. Signed. PORTER, Cole. Autograph letter signed. New York: June 9, 1943. Original letterhead leaf (measures 5-3/4 inches by 9-inches) in manuscript on recto only, with tinted photogravure (measures 8 by 10-inches), matted and framed (total measures 19-1/2 by 26-inches). $3100.Scarce June 9, 1943 autograph letter signed by Porter, entirely penned by him on Waldorf-Astoria letterhead the same year his busy career composing for both Broadway and Hollywood kept him moving between his large apartment at the Waldorf-Astoria and his home in California, with this letter handsomely matted and framed with a superb tinted photographic portrait of a smiling Cole Porter.In the year Porter penned this wonderful letter on Waldorf-Astoria letterhead, the legendary songwriter was writing for Broadway—composing songs for Something for the Boys (1943)—as well as Hollywood, including Something to Shout About (1943) and the unproduced Mississippi Belle. Porter, pictured smiling in the photographic portrait framed with this letter, ""brought such an individuality of style that a genre known as 'the Cole Porter song' became recognized"" (New York Times). In 1943, ""between Broadway shows and Hollywood films, Cole's career kept him sufficiently busy that he found it necessary to maintain residences on both coasts—a large apartment at the Waldorf-Astoria in New York, and a luxurious mansion in California. He lived in them alternatively during the year"" (Schwartz, Cole Porter, 4). This letter, dated by Porter above the letterhead, ""June 9th, 1943,"" reads: ""Sam—It's 4 A.M. & I'm slightly plastered but you must know that my big event of 1943 was The Great Gertzen. As for the gifts, Number One, Number Two and Number Three, they merely make me repeat the fact that Cole Loves Sam! [underlining in original]."" He also drew an arrow to the Waldorf-Astoria address and wrote along the margin, possibly referring to a recent address change, ""Isn't it curious how quickly one moves."" The recipient of Porter's letter is likely Samuel Stark Gertzen, whose extensive collection of theatre memorabilia is housed at Stanford University.Only faint foldlines to letter. A fine letter and portrait, handsomely framed.

      [Bookseller: Bauman Rare Books]
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        Die PW - Woche - Kriegsgefangenenzeitung Camp Carson 1943

      Am 21.08.1943 erschien in Camp Carson/USA die 1. Ausgabe von "Die PW-Woche"Stimmen aus Heimat und Lager. Die deutschen Kriegsgefangenen stellten ihre eigene Zeitung her und sie erschien w

      [Bookseller: teutofinchen]
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        Five Go Adventuring Again

      Hodder and Stoughton, 1943 A first edition, first printing published by Hodder and Stoughton in 1943. A good book with some staining and rubbing to the boards and edges and a gift inscription to the front endpaper. In a dust wrapper which has benefitted from some professional restoration to the edges and to the rear panel. Not price clipped showing 5/- as called for. Rare.[removed][removed]

      [Bookseller: John Atkinson Books]
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        The Case of the Drowsy Mosquito

      William Morrow and Company, Inc. 1943 - Victory Edition as stated on copyright page; same year on title page and copyright page. Near fine book, light fading on bottom edge of book and red lettering on front cover, wearing on corners and top and bottom edge of spine, scratches on top and bottom edges and foredge, and stain on foredge and bottom edges. Very good to near fine dust jacket, minor wear, chips on all corners of front, spine, and back panel and bottom edge of back panel of jacket, soiling and creasing all throughout jacket, and closed tears on top and bottom edge of front panel, spine and bottom edge of back inner flap and back panel of jacket. Original price of 2.00 on front inner flap. RM. [Attributes: First Edition; Hard Cover]

      [Bookseller: Bookbid]
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        Two Horses in a Stable Drawing for the New Yorker Signed

      New York: The New Yorker, circa 1943. Ink on card stock. Initialed. 7 x 10 .75 inches sheet size. Verso with the stamp of the New Yorker, Editorial Dept. and the no. A5938 Reproduced on p. 108 of the New Yorker of Nov. 13, 1943.. Provenance: Estate of the artist. Garth William, American Illustrator, A Life by E. & J. Wallace, pp. 43, 47.

      [Bookseller: Alan Wofsy Fine Arts]
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        The Little Prince

      Reynal & Hitchcock, New York, 1943 First edition, first printing, English language issue, signed and limited stateLarge octavo. Original tan cloth, titles and decoration to upper board and spine in magenta. With the pictorial dust jacket.An exceptionally nice copy in the typically, somewhat tanned dust jacket with a few short tears, couple of light marks and minimal loss at the extremities. A decidedly superior copy in entirely original condition, no repair, no tape, no nothing and very uncommon thus. One of 525 numbered copies signed by the author.[168]

      [Bookseller: Blakeney Griffin Booksellers Ltd]
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        Bachtschissaray. Federzeichnung und Tusche auf Papier. 1943. Signiert 'Bl.', datiert '11.9.43' und betitelt. Ca. 31 x 48 cm.

      1943 - Ansicht der tatarischen Stadt von einer leicht erh

      [Bookseller: Antiquariat Daniel Schramm e.K.]
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        George Washington Carver: An American Biography

      Doubleday, Doran, Garden City 1943 - frontis, photos, index, viii, 342p. dj. 23cm. Jacket chipped and rather worn along edges and folds, and ends of backstrip. SIGNED (by "Geo W. Carver") in a shaky hand on a cancel leaf inserted between front free endpaper and half-title. This copy also has a card mounted on the bottom of cancel leaf printed "With the Compliments of" and signed "Austin W. Curtis, Jr." We don't know how many "signed" copies were issued with this "cancel" leaf but this is only our third copy. Austin W. Curtis, Jr., founder and C.E.O. of A. W. Curtis Laboratories in Detroit, which marketed rubbing oil, and skin and hair products, had previously been a well-regarded assistant to Carver at Tuskegee. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: McBlain Books, ABAA]
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        The Author's Original Typed Manuscript for "Journey in the Dark."

      Harper & Brothers, New York 1943 - The author's original hand-corrected typescript for his most important work, "Journey in the Dark," which won the Pulitzer Prize in 1944. Donated by Flavin to the US Treasury Department "to help the war financing campaign," with a certificate from "The Books and Authors War Bond Committee" dated May, 1945. This typescript purchased by or for Seton Hill College in Greensburg, PA, as printed on the certificate. A note in the author's hand reads as follows: "This is the original MS of "Journey in The Dark," as I wrote it at the rate of about 500 words a day between April 1941 and July 1943. I compose on a typewriter, and though I may write a page a dozen times, when I finally leave it, it is finished. Indeed, long before this book was finished, it was going into galleys. I use loose leaf paper - keeping the work in binders as it progresses. Martin Flavin | May 15th 1944." Two cover sheets typed by the publisher with the title and list of other works by Flavin precede the typescript. Dedication page typed by the author, stamped "Received Aug. 17, 1943." The complete typescript comprises 611 one-sided typed sheets (three-hole punched) with publisher and editor notations throughout. The author's holograph corrections in blue ink on approximately 125 leaves and several other leaves with pencil corrections transferred from the galleys. In addition to grammatical corrections, the author clarifies "why the flak was unalarming," removes racial references, changes a character's name to Mr. Ginsberg from Mr. Bergman, and deletes a page and a half aside about American apathy towards WWII up until the bombing of Pearl Harbor.How many Pulitzer Prize winning manuscripts from the 20th century still remain in private hands? [Attributes: First Edition; Signed Copy]

      [Bookseller: Whitmore Rare Books, Inc. -- ABAA, ILAB]
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        Katynska grozodejstva – najvecja nemska provokacija [Katyn Horror – The Largest German Provocation].

      [Kocevski rog, Slovenia: Tehnika 13 – A ]. 1943 - 8

      [Bookseller: Antiquariat Dasa Pahor]
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        Misfortunes of the Immortals.

      New York: The Black Sun Press,, 1943. Translated by Hugh Chisholm. Quarto. Original pale pink boards, spine and front cover lettered in black, large design by Ernst printed on plastic backed by yellow paper set into front cover. Housed in a custom yellow cloth solander box. Illustrated throughout, printed on both yellow and pink wove paper. Wear to extremities, joints cracked, spine lacking bottom 5 cm, two marks to rear panel; a very good copy. First edition with text in English, signed limited issue, number 10 of 110 copies on Strathmore Rag Paper in the special covers, signed by the artist; a further 500 trade copies were issued in green boards. This copy is a presentation inscribed by the artist to the title page, "To Kenneth MacPherson, qui m'a aidé à traverser l'Atlantique à la nage. Très cordialement. Max Ernst" (To Kenneth MacPherson, who helped me swim across the Atlantic. Very cordially. Max Ernst). MacPherson, a film maker, "had offered an affidavit at the request of Alfred Barr's wife that had helped enable Max Ernst to get into the United States in 1941". The later collaborated on Dreams That Money Can Buy, an experimental film, in 1947. Originally published as Les malheurs des immortels in Paris, 1922, it is one of the key works of surrealism. This Black Sun edition adds three illustrations by Ernst (printed on pink paper) not found in the original.

      [Bookseller: Peter Harrington]
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        Romancières d'aujourd'hui. Manuscrit autographe et tapuscrit complets

      Autograph manuscript of the author of four and a half pages 8vo published in the issue dated 25 August 1943 of the Journal of Debates. Complete manuscript writing very dense, with many erasures, corrections and additions. Literary chronicle about, among other novels Elsa Triolet, Germaine Beaumont and the young Marguerite Duras. Typescript is complete seal. Between April 1941 and August 1944, Maurice Blanchot published in the "Chronicle of intellectual life" of the Journal of Debates 173 articles on recently published books. In a half-page newspaper (about seven pages in-8), the young author of "Thomas the Obscure" made its first steps in the field of literary criticism and inaugurates a theoretical work that would later develop Many in these trials, "La Part du feu" to "The Infinite Conversation" and "The Writing of the Disaster." From the very first articles, Blanchot demonstrated analytical acuity far beyond current literature that motivates writing. Oscillating between classic and modern, first-class writers and minor novelists, he puts in his columns, the foundations of critical thinking that will mark the second half of the twentieth century. Transformed by writing and by war breaks Blanchot, over a thought exerted "on behalf of the other," with violent maurassiennes certainties of his youth. Not without paradox, then it transforms literary criticism in philosophical act of intellectual resistance to barbarism at the heart of "openly marechalist" newspaper: "Burning a book, write, are the two acts between culture which registered its oscillations opposites "(The Book, In Journal of Debates, January 20, 1943). In 2007, Cahiers de la NRF together under the direction of Christophe Bident all literary chronic unpublished volumes with critical analysis of the relevant work of Blanchot "novels, poems, essays give rise to a singular reflection, always safer of his own rhetoric, delivered more to the echo of the impossible or the lure of disappearing. (...) Not without contradictions or step aside, and the certainty of a feverish work begins (... ) these articles reveal a critical genealogy that has transformed the opportunity to chronicle the necessity of thought. " (C. Bident). The autograph manuscripts of Maurice Blanchot are of great rarity. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! S.n. (Journal des débats) s.l. (Paris) s.d. (1943) 13,5x21,5cm & 3 1/2 pages in-4 4 1/2 pages in-8

      [Bookseller: Librairie Le Feu Follet]
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        De la louange à la souveraineté. Manuscrit autographe et tapuscrit complets

      - S.n. (Journal des débats), s.l. (Paris) s.d. (1943), 13,5x21cm & 6 pages in-4, 4 1/2 pages in-8. - Manuscrit autographe de l'auteur de 4 pages et demie in-8 publiée dans le numéro du 2 Juin 1943 du Journal des Débats. Manuscrit complet à l'écriture très dense, comportant de nombreuses ratures, corrections et ajouts. Chronique littéraire de l'oeuvre de Georges Dumézil On joint le tapuscrit complet. Entre avril 1941 et août 1944, Maurice Blanchot publia dans la "Chronique de la vie intellectuelle" du Journal des Débats 173 articles sur les livres récemment parus. Dans une demi-page de journal (soit environ sept pages in-8), le jeune auteur de "Thomas l'obscur" fait ses premiers pas dans le domaine de la critique littéraire et inaugure ainsi une oeuvre théorique qu'il développera plus tard dans ces nombreux essais, de "La Part du feu" à "L'Entretien infini" et "L'Écriture du désastre". Dès les premiers articles, Blanchot fait preuve d'une acuité d'analyse dépassant largement l'actualité littéraire qui en motive l'écriture. Oscillant entre classiques et modernes, écrivains de premier ordre et romanciers mineurs, il pose, dans ses chroniques, les fondements d'une pensée critique qui marquera la seconde partie du XXe. Transformé par l'écriture et par la guerre, Blanchot rompt, au fil d'une pensée exercée "au nom de l'autre", avec les violentes certitudes maurassiennes de sa jeunesse. Non sans paradoxe, il transforme alors la critique littéraire en acte philosophique de résistance intellectuelle à la barbarie au c

      [Bookseller: Librairie Le Feu Follet]
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        La poésie religieuse. Manuscrit autographe et tapuscrit complets.

      Autograph manuscript of the author of four and a half pages 8vo published in the issue dated June 9, 1943 of the Journal of Debates. Complete manuscript writing very dense, with many erasures, corrections and additions. Chronic literary published on the occasion of the publication of the Anthology of Poetry by Dominique Aury religious. Typescript is complete seal. Between April 1941 and August 1944, Maurice Blanchot published in the "Chronicle of intellectual life" of the Journal of Debates 173 articles on new books. In a half-page newspaper (about seven pages in-8), the young author of "Thomas the obscure" his first steps in the field of literary criticism and inaugurates a theoretical work that he would later develop Many in these essays, "La Part du feu" to "The Infinite Conversation" and "The Scripture of the disaster." From the very first articles, Blanchot demonstrated analytical acuity far beyond current literature that motivates writing. Oscillating between classic and modern, first-class writers and minor novelists, he puts in his columns, the foundations of critical thinking that will mark the second half of the twentieth. Transformed by writing and by war, Blanchot breaks, over a thought exerted "on behalf of the other," the violent maurassiennes certainties of his youth. Not without paradox, then it transforms literary criticism philosophical act of intellectual resistance to barbarism at the heart of an "openly marechalist" newspaper: "Burning a book, write, are two acts from which culture entered its oscillations opposites "(The Book, In Journal of Debates, January 20, 1943). In 2007, Cahiers NRF together under the direction of Christopher Bident all literary chronicles not yet published in volume with the proper analysis of the critical work of Blanchot "novels, poems, essays give rise to a singular reflection, always safer of his own rhetoric, delivered more to the echo of the impossible or the lure of the disappearance. (...) Not without contradictions or step aside, and the certainty of a feverish work begins (... ) these articles reveal the genealogy of a critic who has transformed during the chronicle necessity of thought. " (C. Bident). The autograph manuscripts of Maurice Blanchot are of great rarity. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! S.n. (Journal des débats) s.l. (Paris) s.d. (1943) 13,5x21,5cm & 3 pages in-4 4 1/2 pages in-8

      [Bookseller: Librairie Le Feu Follet]
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