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Displayed below are some selected recent viaLibri matches for books published in 1943

        Farik. Ein Bildepos der Technik.

      Erlenbach: Rotapfel, 1943. - unpaginiert, 3 Textseiten, 95 ganzseitige s/w Fotos mit separatem Tafelverzeichnis, 4°, Lnw., SchUm. Schutzumschlag mit einigen Fehlstellen und Randrissen restauriert mit Tesafilmstreifen, Geringe Gebrauchsspuren am Bucheinband, sonst guter Zustand. - - - BITTE BEACHTEN SIE: Auf Grund der besonderen Versandkostenvorgaben von AbeBooks und ZVAB (der Preis richtet sich nicht nach Gewicht, sondern nach Anzahl der Artikel), kann es bei schwereren oder mehrbändigen Werken zu höheren Portokosten kommen. BEI UNSICHERHEIT FRAGEN SIE UNS BITTE ZUVOR AN. - - - PLEASE NOTE: Because of AbeBooks' and ZVAB?S special requirements for shipping fees (price is per item, not per weight) shipping charges may be higher with heavy books or when comprising several volumes. PLEASE CONTACT US BEFOREHAND IN CASE OF UNCERTAINTY. - - - 790 g 1 [Attributes: Hard Cover]

      [Bookseller: Antiquariat Im Seefeld / Ernst Jetzer]
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        Many Moons

      New York: Harcourt, Brace and Company,, 1943. Small quarto. Original red cloth, titles to front board in black, illustrated endpapers. With the pictorial dust jacket. Illustrated in colour by Louis Slobodkin. An excellent copy in a bright jacket with faint toning to spine panel and a few tiny nicks. First edition, first printing, of this beautiful picture book, which won the Caldecott Medal in 1944.

      [Bookseller: Peter Harrington]
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        The Little Prince

      Reynal & Hitchcock, 1943. - First edition, first state. VG/G. Covers are clean and bright, lightly rubbed at extremities. Contents are clean, crisp, unmarked (might never have been read), binding and hinges sound. Jacket is rubbed at extremities, lightly soiled, silverfishing along folds, at head of spine, and along top edge of rear panel. Price intact. The first state points, all of which this copy meets, are: salmon cloth (it looks tan in the picture, but is, in fact, the correct color) with maroon lettering, the Prince's rose appears on page 27, the colophon is 5 lines and in italics, the jacket carries the price of $2.00 along with the publisher's Fourth Avenue address on the front flap. Jacket in new mylar protector. (NOTE: A conservator could do much to improve the jacket. The key here is that there are no chips; it is completely intact, which is quite rare.) Extra postage required for international shipment. [Attributes: First Edition; Hard Cover]

      [Bookseller: The BookChase]
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        The Lady in the Lake

      New York: Alfred A. Knopf, 1943 First edition, first printing of the author's fourth Philip Marlowe mystery. One of 6,000 copies. Publisher's pale green cloth, lettered in dark green; in the original pictorial black dust jacket designed by Norman Reeves, with an illustration to the front panel of a white house on a purple mountain with shadowy figures at the foot, lettered in pale pink. A beautiful copy, with just a hint of toning to the extremities, else bright and clean; unclipped dust jacket, with some minor rubbing to the extremities, very faint toning to the spine, closed tears and creasing to the flap folds, some light soiling to the rear panel, otherwise fresh and clean, without the usual chipping. Overall, a very bright and attractive copy. Scarce with a dust jacket in such excellent condition. Housed in a custom clamshell box. Bruccoli A.4.1.a. Published on November 1, 1943, The Lady in the Lake takes Detective Philip Marlowe out of Los Angeles, his usual stomping grounds, to investigate the disappearance of a wealthy businessman's estranged wife Crystal. The investigation quickly becomes complicated when the man Crystal claimed to have run off with is also unaware of her whereabouts, and Chandler adds stolen identities, police corruption, and a shootout with American sentries to further twist the plot. As with many of his novels, Chandler based The Lady in the Lake's plot on various short stories he had previously written for literary magazines such as The Atlantic Monthly and Black Mask. Unlike Dashiell Hammett's Continental Op and Sam Spade, who are widely considered the archetypal hard-boiled detective figures, Marlowe possesses a sensitivity underneath his tough exterior that distinguishes him from similar detective characters in the genre. In 1947, The Lady in the Lake was adapted into a film starring Robert Montgomery, Audrey Totter, and Lloyd Nolan.. First Edition.. Hard Cover. Near Fine/Dust Jacket Included.

      [Bookseller: B & B Rare Books, Ltd., ABAA]
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        A Tree Grows in Brooklyn

      Harper & Brothers, 1943 15th Printing of the 1943 First Edition, inscribed by the author Betty Smith on the front free endpaper. Very good in a very good dust jacket, housed in a custom-made collector's slipcase.. Inscribed by Author(s). 5th or later Edition. Hardcover. Very Good/Very Good.

      [Bookseller: Bookbid Rare Books]
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        The Little Prince

      N Y: Reynal & Hitchcock, 1943. Hard Cover. Very Good/Fair. A clean, unmarked book with a tight binding. 93 pages. Translated from the French by Katherine Woods. Full light gray/blue cloth cover shows wear and slight fraying at top and bottom of spine. Previous owner's name in pencil on front endpaper. Slightly soiled dust jacket has tattered and discolored edges. Stated Third Printing with five-line colophon at the back of the book. Dust jacket has original $2.00 price and Fourth Avenue, New York address to front inner dust jacket flap.

      [Bookseller: Pistil Books Online]
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      - BURTON,VIRGINIA LEE. KATY AND THE BIG SNOW. Boston: Houghton Mifflin 1943 (1943). Oblong 4to (10 x 9"), pictorial cloth, slight darkening along edges else a bright and near Fine copy in dust wrapper with price intact (dw has some soil, flaking at folds, several closed edge tears but really VG). 1st edition, 1st printing. This fabulous picture book tells how Katy, a giant snow-plow, saves the city of Geoppolis during a blizzard. The type and color illustrations are artfully arranged on every page. First printings in dust wrapper are rare. [Attributes: First Edition; Hard Cover]

      [Bookseller: Aleph-Bet Books, Inc. - ABAA]
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        Five Go Adventuring Again

      Hodder & Stoughton 1943 - A fine copy in a near fine original wrapper with some small chips Language: eng [Attributes: First Edition; Hard Cover]

      [Bookseller: Dick Neal Fine Books]
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        The Story of Dr. Wassell

      Boston: Little Brown, 1943 - First Edition. Fine in a very good dust jacket with some phone numbers noted on the front flap. The basis of the acclaimed Gary Cooper film directed by Cecil B. DeMille; this is a superb association copy, inscribed in the month of publication by the author to film director Frank Capra, who directed Hilton's Lost Horizon, "For Frank, with affectionate regards from James, April, 1943." Signed in full on the title page. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Peter L. Stern & Co., Inc., A.B.A.A.]
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        Dokumentenwerk ueber die Juedische Geschichte in der Zeit des Nazismus. Ehrenbuch fuer das Volk Israel. 2 Vols

      Awir Jakob, Jerusalem 1943 - Small Quarto. 96, 96pp. Original blue, respectively green wraps with black lettering on covers, protected in modern mylar. Subtitled "The Book of Honor for the People of Israel" this is a collection of early, first person testimonies by Jews writing about their experiences and the conditions in various German concentration camps, the events unfolding in Vienna following the annexation of Austria by the Nazis and testimonies describing the horrifying situation for the Jews in other European countries either allied or occupied by the Nazis, e.g. Romania, Bulgaria, Poland and Holland. Both volumes lead off with the essay "Anti-Semitism in its Current Form," part one and two. Part one was written in January of 1942 and published first in Hebrew, part two was written in 1944 and was not previously published. It is subtitled "What contribution to the German culture was made by Judaism in the areas of language, pedagogy and poetry?" Volume one contains reprints of the Nuremberg Race Laws and subsequent decrees issues by government entities and German police. Text in German. Volume one with very light wear along edges, starting at dedication page. Block age toned. Volume two with light wear along edges, two small chips and sunned. Spine sunned, block age toned. Wrappers of volume one in good+ to very good, volume 2 in good-, both interiors in very good condition. [Attributes: First Edition; Soft Cover]

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        Our America: Lumber: Trees, Timber, Wood Products (Teacher's Set by Coca-Cola)

      Coca-Cola Bottling Co.. Very Good. 1943. Softcover. A rare complete set of color lithograph posters and an educational booklet on lumber, distributed by Coca-Cola. One 16" x 11" print with toning, four bright poster folded in fourths with some edge fold splits, measuring 22" x 31 7/8", and an illustrated teacher's visual instruction pamphlet, 11" x 8 1/4", in brown wrappers with very little wear. With the original printed envelope, which has some edge wear and tears. The author of the pamphlet, Frederick Houk Law, was a teacher, traveler, and writer of pulp fiction (and fact). Only three copies found on OCLC as of May 2016. ; .

      [Bookseller: Back of Beyond Books, ABAA]
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        Canzoniere futurista amoroso guerriero

      Istituto Grafico Brizio 1943 8vo (cm. 21,5), 92 pp.nn. Brossura editoriale a colori (aeropittura di Osvaldo Peruzzi). Perfetto esemplare salvo minuscoli tagli ai margini esterni delle copp. anteriore. Raccolta di poesie e canzoni futuriste con partiture. Xilografie a piena pagina di Prampolini e Cangiullo. Dedica di Giovanni Acquaviva sulla prima carta bianca. Foglietto di â??errataâ?? inserito in fine.

      [Bookseller: Libreria Antiquaria Ex Libris s.r.l.]
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        Globus. Alles für den Winter vom Globus. Farbige Original-Lithographie.

      Gedruckt bei Orell Füssli, 1943 - Gedruckt bei Orell Füssli, (1943). Blattgrösse: 128x90 cm. Unten im Stein signiert. Kleine Eckknitter, mit 2 Eckabrissen. Kleine Eckknitter, mit 2 Eckabrissen. [Attributes: Signed Copy]

      [Bookseller: Biblion Antiquariat]
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        Beyond the Wall of Sleep

      Sauk City: Arkham House, 1943. First Edition. Hardcover. Good. First edition, first printing. Good. General wear to cloth, with light edge wear and fraying to tips, fading to spine and upper edges, light scuffing, spine ends bumped, titles on spine rubbed. A nice copy, lacking the dust jacket. A scarce Arkham House title; one of 1217 originally printed.

      [Bookseller: Burnside Rare Books]
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      New York: Henry Holt, 1943. WARMLY INSCRIBED BY ROBERT FROST TO A FRIEND AND FORMER COLLEAGUE AT HARVARD UNIVERSITY, SIGNED AND DATED BY THE AUTHOR. October 1943 edition with additional poems not included in the first edition. Photographic frontispiece portrait by Doris Ulmann and illustrated title page by J. J. Lankes. 8vo, publisher’s original buff linen with gilt stamped vignette by J. J. Lankes on upper cover and lettering panel gilt on the spine between oak-leaf decorations, in the original decorated dustjacket also featuring artwork by Lankes. 453pp. A handsome copy of this first edition, and an INSCRIBED ASSOCIATION COPY of the book, the jacket with some edge wear and chipping but still showing very well, the book well preserved. FIRST EDITION AND A SCARCE SIGNED ASSOCIATION COPY, inscribed by Frost to Virginia Proctor, secretary to Harvard President James Byrant Conant. Though Frost tenure at Harvard was short, his friendship with Mrs. Proctor lasted well beyond his years in Cambridge. It was President Conant who first cited Frost as "The Poet of New England" when Frost was given an honorary degree of Litt.D. in 1937. In 1938 Frost resigned from Amherst and was elected to Harvard's Board of Overseers and that year also saw him placed in the English department at the university. Conant reappointed Frost for the years 1939 through 1942. Though Frost's formal ties with Harvard would end in that year, his association with Virginia Proctor would continue for years following. The inscription on this book reads, "To Virginia Proctor / From her old friend/ Robert Frost / Bread Loaf (VT.) August 1944" Like the first edition, this collection contains all the poems from NORTH OF BOSTON, NEW HAMPSHIRE, and A FURTHER RANGE as well as selections from A BOY'S WILL, MOUNTAIN INTERVAL, and WEST-RUNNING BROOK but added to it is a selection of poems from A WITNESS TREE

      [Bookseller: Buddenbrooks, Inc.]
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        Ayn Rand Signed Photograph.

      Large signed photography of Ayn Rand. Inscribed, "To Carl Schaefer--Cordially-- Ayn Rand 8/18/48." The photograph measures 11 inches by 14 inches. Matted and framed, which measures 17.5 inches by 20.5 inches. Photographs signed by Rand are exceptionally rare. Ayn Rand is known for her two best-selling novels, The Fountainhead (1943) and Atlas Shrugged (1957), and for developing a philosophical system called Objectivism. "From 1943 until its publication in 1957, [Rand] worked on the book that many say is her masterpiece, Atlas Shrugged. This novel describes how a genius named John Galt grows weary of supporting a society of ungrateful parasites and one day simply shrugs and walks away. He becomes an inspiration to like-minded men and women, all of whom eventually follow his example, until society, in its agony, calls them back to responsibility and respect. Again [as with Rand's novel The Fountainhead in 1943] reviews were unsympathetic, and again people bought the book" (ANB). By 1984 more than five million copies of Atlas Shrugged had been sold, and in a 1991 Library of Congress survey Americans named it second only to the Bible as the book that had most influenced their lives.

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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      New York: Reynal & Hitchcock, 1943. Small quarto. Salmon-brown cloth with pictorial vignette. Illustrated by the author. Top edge a bit foxed, front free endsheet has an old, soft vertical crease and a couple of minor finger smudges, but a very good or better copy, in fair first printing dust jacket -- somewhat tanned and smudged, with some fraying and small blemishes to the spine panel, and a substantial snag in the lower middle of the front panel (9 cm long, and 2cm wide at its widest point, with consequent loss affecting a portion of the planet). First edition, first printing, trade issue, preceding the publication of the French text. Translated from the author's manuscript by Katharine Woods. The jacket bears the proper address and price, etc. With a small bookseller's book label on the rear pastedown, and the same bookseller's bookplate laid in front.

      [Bookseller: William Reese Company - Literature ABAA-]
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        Bookplate of Bremer W. Ponds. Signed in plate "A.L.R." lower right. The original etching, witth signed proof , dated Sept. 1943, with the original pencil drawing for this fine sporting bookplate showing a grouse on a branch

      1943 - 1 vols. Each 4.25 by 3.25 inches. Bremer Whidden Pond was in the Dartmouth graduating class of 1907 and a landscape architect with Olmstead Brothers in Boston, later he formed a firm with Francis Asbury Robinson and went on to teach at Harvard for three decades. Framed and glazed together (24 x 14 inches). Fine 1 vols. Each 4.25 by 3.25 inches

      [Bookseller: James Cummins Bookseller, ABAA]
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        Misfortunes of the Immortals. Translated by Hugh Chisholm

      [New York]: The Black Sun press, 1943. Augmented edition. 44 p., 5 l. incl. front., 26 cm. Original printed boards, text browned as usual, ownership stamp on front endpaper, otherwise an unusually fine copy in the original pink unprinted dust jacket. English translation at top of page, French text below. One of 500 regular paper copies from an edition of 610.

      [Bookseller: Thomas A Goldwasser Rare Books]
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        The Little Prince

      New York: Reynal & Hitchcock,, 1943. Translated from the French by Katherine Woods. Quarto. Original pale brown cloth, titles and pictorial design to spine and front board in dark red. With the dust jacket. Illustrated throughout by the author. Mild bumping to ends of spine, in the price-clipped dust jacket with shallow chipping to ends of spine and corners, closed tear to lower front panel, small stain to front panel, closed tear to rear top edge. A very good copy. First edition in English, signed limited issue, number 450 of 500 numbered copies, from a limited edition of 525 copies signed by the author. With the matching jacket with the number 272 added to the spine above the imprint at foot. Although the manuscript was composed in Saint-Exupéry's native French language, it was written and published in New York, in both English and French versions in April 1943.

      [Bookseller: Peter Harrington]
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        Autograph letter signed in full to an unidentified male correspondent regarding the production of his opera Bolivar

      Completed in 1943 during his American exile, Bolivar premièred at the Opéra de Paris seven years later, on May 12, 1950. As this and other letters indicate, Milhaud had originally composed his opera to suit American tastes, and "worked hard to convince American opera houses to take it on." In April 1944 he wrote to music librarian Harold Spivacke: "I played my opera Bolivar to the Metropolitan. They seemed (as Lily Pons told me) very interested, but they do not have the money to produce it." (Annegret Fauser in Sounds of War: Music in the United States during World War II, pp. 194-195.) It therefore seems likely that this letter was addressed to Edward Johnson, General Manager of the Metropolitan Opera from 1935 until 1950. "... the subject of Bolivar suited me admirably because I wanted a libretto full of action, with a masculine hero. Moreover, the central idea of the play was that of liberation and freedom, which in 1943 occupied my every thought... In May 1950 the Paris Opéra put on my Bolivar... The Opéra's best singers took part: Jeannine Micheau, Hélène Bouvier, Roger Bourdin, and Giraudeau. The production by Max de Rieux was superb, and Fernard Léger's ten sets again attested to his great theatrical artistry..." Milhaud: Notes without Music An Autobiography pp. 301 and 314. Milhaud "was associated with the avant garde of the 1920s, whose abundant production reflects all musical genres. A pioneer in the use of percussion, polytonality, jazz and aleatory techniques, his music allies lyricism with often complex harmonies. Though his sources of inspiration were many and varied, his music has compelling stylistic unity." Jeremy Drake in Grove Music Online. An interesting assemblage of documents relating to this war-time work.. 1 page. Large octavo. Dated Mills College, Oakland, California, September 9, 1943. In black ink. In French (with translation). Milhaud asks his correspondent if he is still interested in mounting a production of his opera Bolivar. The composer would like to meet him in New York to show him the score. "When I had the pleasure of seeing you last December, you seemed interested in the possibility of producing my opera Bolivar. My score is finished. I intend to come to New York in December to show it to you." Slightly worn and soiled; creased at folds; small staple holes to upper left edge; small ink stain to verso. Together with: - A typed cast list. 1 page. Large octavo. On onion skin. In French. With autograph annotations in English in black ink describing the relative importance of each character. Slightly worn and creased; small staple holes to upper left margin. - A typed list of scenes describing the important events in Bolivar's life. 1 page. Large octavo. On onion skin. In English. A brief biography of Jules Supervielle, author of the play upon which the opera is based, is given at the head. With autograph annotations in English describing the décor of each scene in black ink to left margin. Slightly worn and creased; edges slightly browned; several small staple holes to upper left margin.

      [Bookseller: J & J Lubrano Music Antiquarians LLC]
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        The Fountainhead

      Indianapolis and New York: The Bobbs-Merrill Company, 1943 First edition, first printing. Publisher's red cloth, lettered in gilt to the front board and spine; in the first issue dust jacket, with sixteen titles to the back panel, lettered in red, white and silver. Near fine, with light wear and rubbing to the extremities, a hint of faint spotting to the rear endpapers, former owner's pencil inscription to the front free endpaper; unclipped dust jacket, with some creasing to the front panel and spine, some toning to the spine, light soiling to the panels, small chips to the spine ends, light rubbing to the folds. Overall, a bright and pleasing copy in the rare original dust jacket, scarce in any condition. Housed in a custom brown folding box with brown morocco spine. The Fountainhead is Ayn Rand's first commercially successful novel and is centered on her philosophy of Objectivism, which maintains that individualism exists outside of consciousness and that the each person's moral life purpose should be one's own personal happiness. She continued to develop this philosophy in later novels, including Atlas Shrugged. The Fountainhead tells of protagonist Howard Roark, an architect determined to stay true to his personal ideas and ideals, even if it means rejection by mainstream society. As the dust jacket explains, "This book is based on a challenging belief in the importance of selfishness, on the provocative idea that man's ego is the fountainhead of human progress." Appropriately, this novel about individual struggle in the face of conformity had its own struggle to be published; The Fountainhead was rejected by thirteen publishers before being published by Bobbs-Merrill. The novel received a lack of critical success, but managed to become a popular best-seller, largely due to its fans' word of mouth.. First Edition.. Hard Cover. Near Fine/Dust Jacket Included.

      [Bookseller: B & B Rare Books, Ltd., ABAA ]
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        Contes Khmers (traduits du Cambodgien par G.H. Monod). Mouans -Sartoux (Alpes Maritimes

      Publications Chitra, C.-A. Hogman 1943 - Collection Feuilles de l'Inde No 9. 8vo, 303 pp., broche, couvertures illustrees en bichromie, richement decore de bois originaux, inspires de documents sur l'art khmer parus dans des revues orientalistes et dans les ouvrages de Madame de Coral Remusat et de Madame Sappho Marchal [Attributes: Soft Cover]

      [Bookseller: Far Eastern Booksellers / Kyokuto Shoten]
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      New York: Random House,, 1943. A Musical Play Based on Lynn Riggs' Green Grow the Lilacs. Octavo. Original light green cloth, cowboy boots design to front board and titles to spine in blue and red. With the pictorial dust jacket. Photographic frontispiece and 4 plates showing scenes from the original production. Spine rolled, edges and endleaves toned. An excellent copy in the dust jacket with two small chips along head of spine and front panel and a short tear to head of front joint. First edition, first printing, of the first Rodgers and Hammerstein collaboration. Based on Lynn Riggs's play, Green Grow the Lilacs (1931), Oklahoma! premiered on Broadway on 31 March 1943 and ran for a record 2,212 consecutive performances. It is still viewed as one of the greatest of all musicals, and is particularly suited to book format, and well noted for epitomising the development of the more dramatically substantial "book musical".

      [Bookseller: Peter Harrington]
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      1943 - HAMMERSTEIN II, Oscar. OKLAHOMA. Based On Lynn Riggs' "Green Grow The Lilacs." Book And Lyrics by Oscar Hammerstein II. Musical Play by Richard Rodgers and Hammerstein II. NY: Random House, [1943]. 8vo., cloth in dust jacket. First Edition. Review Copy, with the publisher's inserted review slip. Awarded the Pulitzer Prize, this play ran a total 2,243 performances on Broadway and toured the world over a 10-year period. Very Good; some edgewear (tiny chips & short tears) d/j. $750.00. [Attributes: First Edition; Hard Cover]

      [Bookseller: Antic Hay Books]
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        Doppelfigur. Oel auf Leinwand.

      1943 - 1943. Bildgrösse: 58x48,5 cm. Gerahmt. [Attributes: Signed Copy]

      [Bookseller: Biblion Antiquariat]
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        Der Zirkus kommt. Ein Drehbilderbuch. 4 Tafeln mit insgesamt 5 Orig.-Farblithografien und 6 beweglichen farblithogr. illustrierten Drehscheiben von T. Wünsche.

      Ernst Wolpers . -, Basel 1943 - OPp. (Leporellobindung). Quer-Gr.-8to. - "Wohl das schönste Spielbilderbuch aus der Schweiz." (Kaiser) - Erste Ausgabe. - Seltenes und liebevoll illustriertes Kinderbuch der Schweizer Grafikerin und Illustratorin Trudy Wünsche (auch Trude Wünsche, 1904-83), zuletzt 1989 auf dem Auktionsmarkt nachweisbar. - Faltet man das Leporello-Bilderbuch ganz auseinander, zeigt die Rückseite den kunterbunten Zirkuszug, der mit Löwen, Elefanten, Kamel, Affen, Clowns und Akrobaten von Kindern bejubelt in die Stadt einzieht. Die Innenseiten laden den Betrachter dann ein, die tollkühnen Tricks von Tieren und Akrobaten aus der Nähe zu bestaunen und selbst mit dem Finger in Bewegung zu versetzen. - Stellenweise etw. fleckig, 1 kl. Einriß am Rand einer Ausstanzung. Sonst gutes Exemplar.Kaiser S. 65 (mit Abb.) 300 g. [Attributes: First Edition; Hard Cover]

      [Bookseller: Ketterer Kunst Hamburg GmbH]
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        Katy and the Big Snow

      Boston: Houghton, Mifflin, 1943 - First Edition. Very good to fine in a very good dust jacket with numerous chips and tears. Presentation copy; warmly inscribed by Burton and signed with her full name. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Peter L. Stern & Co., Inc., A.B.A.A.]
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        The Lady in the Lake

      NY: Knopf, 1943. Bound in light green cloth, stamped in forest green. Only flaws to book are a bit of dustiness to edges and a small number 5649 written on the ffep. The dustwrapper has had some minor restoration work done to the top of the spine. Shows a little darkening to the rear panel. But no chips, tears to speak of. One of 6000 copies in the first edition. Overall, a tight, clean copy of the book in original dustwrapper -- rare in this protected condition. Basis for the bizarre movie directed by George Haight of the same title that starred Robert Montgomery as Marlowe -- but because of the "subjective camera" method -- you rarely see the actor. . First Edition. Hard Cover. Near Fine/Near Fine.

      [Bookseller: abookshop]
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        Iraq and Syria in the 1930s and 1940s

      75 modest-sized (8.5 x 5.5cm.) photos, two to four to a page in corner mounts on one side of the album leaves. 8 larger (18 x 11cm.) photos have "Photo Gulbenk av. des francais" in lower corner. One much larger photo dated June 1943 in Syria is of 18 British soldiers who are identified individually on back by name and called the "740 Artizan Works Coy.".Homemade-looking, oblong ringbound album in green cloth. Approximately 32 x 17cm. The 8 larger photos have some individual captions and are identified generally as "Chekka By Pass Road Syria Built July-Oct. in 100 Days 1943." Some subjects covered by the mostly captioned smaller photos which are rather varied as to subject matter: 4 or more are of Rutbah area in Iraq; a few photos identified as Haditha, Iraq; 4 photos identified as Saloub Bedouins; 3 photos captioned "One of the sons of the Sheikh of the Anizza Tribe, Including Bodyguard"; 4 photos identified as "Some Bedouin Arabs taken near Wadi Hauran in Flood. Hi. 1933"; and two photos of a plane wreck are captioned: "Smashed K.L.M. Plane near Rutbah Xmas 1934."

      [Bookseller: McBlain Books]
 30.   Check availability:     Biblio     Link/Print  

        Group portrait taken at the famous Casablanca Conference - signed by the participants.

      Casablanca: 14-24 January, , 1943. Original photograph on card mount, image 250 x 305 mm, overall size 430 x 455 mm, now window-mounted and handsomely presented, glazed in a dark wood frame with gilt slip. The photographic mount has a degree of damp-staining, with slight encroachment onto the image, and a few creases and cracks (lateral crease across the image in the area of the knees of Roosevelt and Churchill) , now professionally cleaned, stabilised and masked by a double-window mount isolating the image and signatures, the latter are, in the main, strong and clear. A sensitively restored and carefully presented example of this uncommon and highly desirable photographic "souvenir" presentation. Rare signed photograph of Churchill, Roosevelt and their Chiefs of Staff at the Casablanca Conference, showing Churchill and Roosevelt seated in the garden of the Anfa Hotel, Casablanca, with, standing behind them, the British and American Joint Chiefs of Staff (King, Marshall and Arnold for the United States and Pound, Brooke and Portal for Britain). The officers present are, from left to right: Lieutenant-General Brehon B. Somervell (head of US Army Services of Supply), General H.H. Arnold, Admiral Ernest J. King, Lieutenant-General Sir Hastings Ismay (Churchill's Chief of Staff), General George Marshall (directly behind Roosevelt), Admiral of the Fleet Sir Dudley Pound, General Sir Alan Brooke (directly behind Churchill), Air Chief Marshal Sir Charles Portal and Commodore Lord Louis Mountbatten (Head of Combined Operations). This is one of the most memorable images from the historic Casablanca Conference of 14-24 January 1943; it is particularly appealing in that Roosevelt and Churchill are facing each other and clearly locked in conversation. FDR wears a mourning band on his left arm (in memory of his mother, who had died a couple of months before Pearl Harbor) and Churchill clutches a trademark cigar. "The work of the conference was primarily military - deciding on the invasion of Sicily (after completion of the North African campaign) rather than an immediate invasion of western Europe, apportioning forces for the Pacific theatre and outlining major lines of attack in the Far East, and agreeing on the concentrated bombing of Germany. Roosevelt and Churchill also found time to discuss nuclear bomb research, to consider competing claims between Henri Giraud and Charles de Gaulle for the leadership of the French war effort against the Axis powers, and, most important of all, to demand an 'unconditional surrender' from Germany, Italy, and Japan" (Encyclopaedia Britannica online). Casablanca also brought Churchill and Roosevelt closer at a personal level - on the closing day of the conference "That night, at dinner, Roosevelt and Churchill made what the doctor [Sir Charles Wilson] described as 'affectionate little speeches to each other, and Winston sang'" (Martin Gilbert, Road to Victory: Winston S. Churchill 1941-1945, 1986, p. 311).

      [Bookseller: Peter Harrington]
 31.   Check availability:     Biblio     Link/Print  

        Poetas en el Destierro

      Cruz del Sur 1943 - Santiago, Eds. Cruz del Sur, 1943. Dibujo dedicado a Pablo Neruda y Matilde Urrutia por Rafael Alberti y breve poema de Neruda en tinta verde en página No. 217 Rústica, 293 paginas. [Attributes: Soft Cover]

      [Bookseller: Libros del Ayer]
 32.   Check availability:     AbeBooks     Link/Print  

        A Tree Grows in Brooklyn

      Harper & Brothers 1943 - Harper & Brothers, New York 1943. First Edition / First Printing. First Edition stated on the copyright page. Cloth boards. Book Condition: Very Good, shelf wear, spots on the boards. Sunning at the spine, age toning. The dust jacket is not present. [Attributes: First Edition; Hard Cover]

      [Bookseller: 1st Editions and Antiquarian Books]
 33.   Check availability:     ZVAB     Link/Print  


      New York: Pantheon Books / Bollingen Series, 1943. [8],84,[4]pp. Quarto book of text, in printed wrappers, accompanied by printed cloth portfolio (62 x 47 cm) with ribbon ties, containing eighteen original color pochoir prints. The upper and lower paper folding flaps enclosing the plates are a bit rumbled and snagged, slight bumps to extreme lower corner of a few plates, some occasional isolated marginal smudges or tiny spots (some inherent in paper), otherwise an unusually nice set, very good to near fine. The uncommon and beautiful first edition of the first publication in the numbered sequence of the Bollingen Series, and one of the most elaborate productions to appear under its imprint. Jeff King (Hashkeh-yilth-e- yah; 1865-1964) lived on the Pinedale Navaho Reservation, and performed this ritual on the occasion of the departure of Navaho men to serve in the US Army during WWII. Oakes, who was then living on the reservation, was allowed to record the two day ceremony, and kept a record of the elaborate sandpaintings that are integral to the ritual. Based on his service as an Army scout from 1891-1911, King was the first Navaho to be interred at Arlington National Cemetery. The Bollingen Series, published under the auspices of the Bollingen Foundation with the support of Paul Mellon and his first wife, Mary, has to be reckoned one of the most ambitious and significant publishing enterprises of the 20th century. And it was highly appropriate that it was inaugurated by this beautiful production incorporating commentary by Joseph Campbell, who was long associated with the Series as author and editor.

      [Bookseller: William Reese Company - Literature ABAA-]
 34.   Check availability:     Biblio     Link/Print  

        Le petit prince

      Reynald & Hitchcock 1943 - - Reynald & Hitchcock, New-York 1943, 18,5x23cm, reliure de l'éditeur sous chemise étui. - Troisième édition. Reliure de l'éditeur en pleine toile grise, dos lisse, exemplaire complet de sa jaquette illustrée qui comporte deux petites restaurations en pied du dos. Très rare et précieux envoi autographe signé d'Antoine de Saint-Exupéry : "Pour Malou et Jean Michel Sturm avec toute l'amitié de Antoine de Saint-Exupéry". Ouvrage illustré de dessins de l'auteur. Notre exemplaire est présenté sous une chemise étui de Julie Nadot reprenant les illustrations de la jaquette pour illustrer les plats. « Les contes de fées c'est comme ça. Un matin on se réveille. On dit : "ce n'était qu'un conte de fées." On sourit de soi. Mais au fond on ne sourit guère. On sait bien que les contes de fées c'est la seule vérité de la vie. » (Saint-Exupéry, Lettre à l'inconnue, mai 1943) Il est communément admis que Saint-Exupéry, reparti au combat avant la parution de la version française du Petit Prince, ne put dédicacer, avant son départ de New-York, que quelques rares exemplaires de la version anglaise. Durant les 16 mois qu'il passa en Afrique du Nord, où ses livres étaient interdits, il ne posséda qu'un unique exemplaire qu'il « ne prêt[ait] jamais (.) et fais[ait] lire chez [lui], dans [s]a chambre », même à ses plus proches amis. Et pourtant, deux enfants d'Alger, inconnus jusqu'à lors des biographes de Saint-Exupéry, ont eu l'heur de posséder cet improbable exemplaire dédicacé de ce que Martin Heidegger considèrera comme « l'un des grands livres existentialistes du siècle ». Conte universel s'il en est, (Le Petit Prince est l'œuvre la plus traduite après la Bible), cet hymne au voyage, à l'amitié et à l'enfance fut dès l'origine considéré comme un roman à clef, offrant, sous couvert d'un récit pour enfants, un regard profond sur l'actualité tragique et révélant chez l'auteur une philosophie plus complexe que ne lui prêtaient alors ses détracteurs. Si l'on ne sait avec exactitude quelle est la genèse de ce personnage - la lecture d'Andersen par l'actrice Annabella, la boîte d'aquarelle offerte par le réalisateur René Clair, une idée de son éditrice Elisabeth Reynal ou simplement la mémoire de son frère disparu - l'écriture du conte lui-même fut très fortement influencée par la guerre, l'exil et les relations difficiles de Saint-Ex avec les autorités de la Résistance. Démobilisé en 1940, l'écrivain plébiscité en 1939 pour Terre des hommes, se réfugie à New-York où il écrit et publie en février 1942, Pilote de Guerre, relatant, à l'intention de l'opinion publique américaine, le courage des soldats français malgré l'inéluctable défaite. Trop philosémite pour les uns et trop défaitiste pour les autres, ce récit, rapidement interdit en France, lui vaudra l'inimitié des Pétainistes mais également des Gaullistes qui le contraignent à l'inaction tandis que l'Afrique du Nord reconquise par les Alliés ouvre des perspectives de reprise du combat armé. Malgré une vie sentimentale et sociale intense, c'est dans un sentiment de profonde solitude et d'incompréhension que Saint-Exupéry compose, durant l'année 1942, le Petit Prince pour ses éditeurs new-yorkais qui viennent de publier Mary Poppins, Eugene Reynal & Curtice Hitchcock. A la fin 1942, Saint-Exupéry accentuera encore cette animosité en diffusant à la radio puis en publiant sa Lettre aux Français appelant à l'Unité entre les Français de France et les expatriés contre le Nazisme. Son incitation à la réconciliation pour une lutte unie et sans concession contre l'ennemi commun, son refus de juger le choix des hommes oppressés et sa critique implicite des luttes de pouvoir entre les combattants, dresse irrémédiablement contre lui les partisans de De Gaulle qui sont alors en rivalité avec ceux du Général Giraud. Jugé d'une tolérance excessive ce message radiophonique suscite de très fortes accusations dont celle d'un écrivain cher à Saint-Exupéry, le philosophe et théologien Jacques Maritain. Ces violents a [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Librairie Le Feu Follet]
 35.   Check availability:     AbeBooks     Link/Print  

        Embroidered Wishes

      Peking, China: Lotus Court, 1943. Quarto. (xvi), 46pp. Illustrated with forty-six woodblock reproductions of traditional Chinese embroidery patterns, printed in red on handmade paper, tipped in. Frontispiece is a real tissue embroidery pattern backed with red paper for support. A fascinating reference book on Chinese symbolism. The Forward lists the meanings of common elements in Chinese design, such as the dragon and phoenix, the peony, vases, and certain Chinese characters. This is followed by numerous embroidery pattern examples, square-shaped for pillow ends, with explanations of each design. Side-sewn with cord, and with a color illustrated label to the upper cover. Original dust wrapper with the title and a pattern ("May you be blessed with a Succession of Noble Sons"). Fine.

      [Bookseller: Bromer Booksellers]
 36.   Check availability:     Biblio     Link/Print  

        Le petit prince

      Third Edition.Binding of the editor in full gray fabric, smooth back, full copy of his illustrated jacket that has two small restorations foot of the spine.Very rare and precious autograph signed by Antoine de Saint-Exupéry: "To Malou Michel and Jean Sturm with all the friendship of Antoine de Saint-Exupéry."Illustrated book of the author of drawings.Our copy is presented in a shirt holster Julie Nadot containing the Casing of illustrations to illustrate the boards. Reynald & Hitchcock New-York 1943 18,5x23cm reliure de l'éditeur sous chemise étui

      [Bookseller: Librairie Le Feu Follet]
 37.   Check availability:     Direct From Bookseller     Link/Print  

        The Gremlins

      Random House, 1943 Random House, New York, 1943. Cloth Backed Pictorial Boards. Book Condition: Fine. Dust Jacket Condition: Fine. Disney, Walt (illustrator). First Edition. 4to - 9" x 11-3/6". (Disney, Walt) THE GREMLINS by Flight Lieutenant Roald Dahl. New York: Random House, (1943). First edition. 4to - 9" x 11-3/16". Red cloth backed color pictorial boards, a truly superior copy of the book. Priced dust wrapper in very nice condition. Color pictorial endpapers. [52]pp. in as new condition. Twelve full page full color illustrations and one double-page full color illustration plus black and white drawings within text on every text page by the Staff of the Walt Disney Studios. Rare in such nice condition. Comes in a custom-made collector's clamshell case, with leather spine and corners and gold lettering and tooling.. 1st Edition. Hardcover. Fine/Fine.

      [Bookseller: Bookbid Rare Books ]
 38.   Check availability:     ABAA     Link/Print  

        Biggles in Borneo

      Oxford 1943 - 1st edition, a very good book indeed, tight in the block and unfaded, in the correct first impression dust jacket, with wear and tear as shown, there have been no repairs carried out, it has not been price clipped [Attributes: First Edition; Hard Cover]

      [Bookseller: HAUNTED BOOKSHOP P.B.F.A.]
 39.   Check availability:     AbeBooks     Link/Print  

        The Little Prince

      New York: Reynal & Hitchcock, 1943. First Edition. Hardcover. Very Good. First edition, first printing. Bound in salmon cloth, copyright page with no mention of subsequent printings, and five-line colophon in italic at rear. Near Fine, with light rubbing to cloth at spine ends and corners, light offsetting to endsheets, and small evidence of a previously tipped-in paper to the front paste down, else a very neat and well cared for copy of this beloved classic, lacking the dust jacket.

      [Bookseller: Burnside Rare Books]
 40.   Check availability:     Biblio     Link/Print  


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