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Displayed below are some selected recent viaLibri matches for books published in 1942

        The Short Stories.

      New York: The Modern Library,, 1942. The First Forty-nine Stories and the Play The Fifth Column. Octavo. Original grey cloth, titles to spine gilt on red ground, vignette to front cover gilt, top edge red. With the dust jacket, publishers adverts on verso. An excellent, bright copy in the jacket with slight creasing to edges and short closed tear to head of rear panel. First edition thus, first printing, binding variant A. The contents are the same as the first edition of this collection which was published by Scribner's Sons in 1938. This collection includes The Killers and The Snows of Kilimanjaro.

      [Bookseller: Peter Harrington]
 1.   Check availability:     Biblio     Link/Print  

        THE CHINESE REPOSITORY. Vol. VII. From May, 1838, to April, 1839.


      [Bookseller: Henry Sotheran Ltd.]
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        SOUTHERN HARVEST (Signed)

      The Macmillan Company, New York 1942 - Signed. The First Edition, in a most attractive design binding; in full tan moroccos, with black, green, sea blue, and teal onlays; the southern states and capital cities are stamped in blind on the top and bottom edges of each board, with the first letters stamped in gold; marbled endpaper; housed in a clamshell box, backed in tan morocco over brown cloth. Signed by Clare Leighton. A handsome production. Fine binding. [Attributes: First Edition; Signed Copy]

      [Bookseller: BLACK SWAN BOOKS, INC., ABAA, ILAB]
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        Tony Sarg's Treasure Book Alice in Wonderland, Treasure Island & Rip VanWinkle

      New York: B F Jay, 1942. First edition. Hardcover. Near fine. First in Sarg's series of the Treasure Books. This volume, in the original box, contains shortened versions of Alice In Wonderland, Treasure Island & Rip Van Winkle with movables. So far as we can determine, this copy has all of its movable and loose parts save only the rubber moon face, as expected, which has long since dried and shattered. (Nor are we aware of any copy today with the moon face intact.). Movable ship on the cover, Alice has a movable neck; the Queen's invitation is present, the Mad Hatter tips his hat; the black spot and the map are present, the apple barrel has its apples concealing Jim, and there is a net bag with three jewels in it; Rip's fish and fishing line are there also the American flag,and the movable scene in the rear cover. A near fine exemplar. The original box is present, but broken or repaired corners. The top is lightly worn and it quite presentable. Montanaro p. 315.

      [Bookseller: Thorn Books]
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        Speech Broadcast by The Prime Minister Mr. Winston Churchill, May 10, 1942

      The British Library of Information, New York 1942 - This is a beautifully fine copy of the first English-language edition, only printing of Churchill's May 10, 1942 broadcast address, made on the second anniversary of his becoming wartime Prime Minister. Churchill spoke that night to the British people live from the Cabinet War Room. It was five days later, on a tour of bomber stations, army units, and armaments factories, that Churchill most aptly summed up the overall theme of his broadcast address when he told a Leeds crowd: "We have reached a period in the war when it would be premature to say that we have topped the ridge, but now we see the ridge ahead." Churchill’s 10 May broadcast address looks both back to darker times earlier in the war, and to present challenges that herald a better future. By the end of his second year as Prime Minister, the imminent threat to Britain had eased sufficiently that Churchill faced political divisions in the wartime coalition and growing criticism of his war leadership. Addressing this criticism, he had drafted a passage which began, "Everyone feels safer now, and in consequence the weaker brethren become more vocal ", seeking to diminish his critics and stave off their efforts to reduce his "power of direction and initiative." Wisely, Churchill deleted this passage at the last moment. Perhaps as a gentler and more deft assertion of his leadership, Churchill recalled the early days of the war when France had fallen and Britain was alone: "It fell to me in those days to express the sentiments and resolves of the British nation in that supreme crisis of its life For a whole year after the fall of France we stood alone " He spoke of his difficult and uncomfortable ally, Russia, complimenting Russia for her tenacity, but attributing her victory to the Russian winter. He spoke against gas warfare, promising that Britain would be prepared to retaliate massively in kind against Germany in kind should Germany resort to poison gas – echoing the deterrence through threat of massive retaliation strategy that would characterize the coming Cold War. He also spoke of Japan, and the promise of combined British and American sea power. Churchill concluded with a bracingly Churchillian attaboy: " tonight I give you a message of good cheer. You deserve it, and the facts endorse it. But be it good cheer or be it bad cheer will make no difference to us; we shall drive on to the end, and do our duty, win or die " This pamphlet is one in a series of Churchill's speeches printed by the British Library of Information in New York. As do most in the series, this example bears a cover design featuring 3 vertical rules along the right side and a royal arms device at the top right. The British Library of Information published twenty-nine editions of statements, speeches, and broadcast addresses by Prime Minister Winston Churchill, beginning with his first speech as Prime Minister of May 13, 1940 and ending with the broadcast address of November 29, 1942. These editions were often issued within two or three days of delivery and "reveal the political determination of the British government to bring the inspiration and steadfastness of the Prime Minister and the British nation to an American nation not yet engaged in the war. Indeed, twenty-two of the BLOI speech pamphlets were published before Pearl Harbor." (Cohen, Volume I, p.513, A120) This twelve-page, wire-stitched pamphlet measures 9 inches tall x 6 inches wide. We find this particular BLOI pamphlet to be especially scarce, and doubly so in such condition, which is genuinely fine. The pamphlet remains crisp, clean, and complete. We find no tears, no losses, no previous ownership marks, and virtually no wear or soiling. Both binding staples remain firmly intact and show no corrosion. We note only mild age-toning. The pamphlet is protected in a removable, clear mylar sleeve. Bibliographic reference: Cohen A169.2, Woods A88/1 First English-language edition, only printing. [Attributes: First Edition]

      [Bookseller: Churchill Book Collector ABAA/ILAB/IOBA]
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        Ohne Titel. Orig.- mehrfabiger - Holzschnitt auf Lwd..

      115 x 156 cm, Tadell. Von diesem Holzschnitt wurden laut Auskunft des Künstlers nur zwei oder drei Blätter von Hand abgezogen. - Peter Stiefel, 1942 geboren in Hausen am Albis, Kunstgewerbeschule Zürich, Art Director des Films Necropolis von Franco Broccani, Kupferdrucker bei Peter Kneubühler, Zeichnungslehrer Mittelschule Dr. Buchmann, Radierkurs Schwäbischer Kunstsommer mit Peter Paul (Kunst leben), Gastprofessur an der Kunsthochschule für Gestaltung Hamburg (Pentiment), Mitarbeit im Atelier von Franco Lafranca für das Projekt il campo nomade primaverile. Assistent für die Ausstellung Lieu Rencontres von Matias Spescha im LAC Sigean, FR, Druckatelier in Kilchberg, Malerei, Druckgrafik, Objekte.Verschiedene Einzel- und Gruppenausstellungen. Arbeitet als freischaffender Künstler in Zürich und im Tessin.

      [Bookseller: antiquariat peter petrej]
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      Colour off-set printing (Good, some wear along old folds, printed on very fragile paper), 59.5 x 83.5 cm (23.5 x 33 inches). - [Fascist Spain], December 1942. A magnificent large-format propaganda broadside, or ‘wall newspaper’ made in December 1942, during World War II, to celebrate the conquests made by Japan across the Asia-Pacific region, published in Fascist Spain. - This brilliantly designed, large format propaganda broadside, or ‘wall newspaper’, was issued in December 1942 to celebrate the impressive conquests that Japan had made during the early stages of World War II in the Pacific Theatre. The work was issued in the Castilian language in Fascist Spain, likely sponsored by an unknown agent of the Nazi German government, Japan’s key ally. The focus of the work is a powerful map that shows the entire theatre of the war, extending from India, across East Asia, and then all the way over to the west coast of North America. Japan enjoys the pride of place, with bright arrows branching out in all directions, showing the paths and targets of Japanese conquests and attacks. Indeed, by this time, Japan had vanquished all British, American and Dutch positions in East Asia, and was mounting sporadic attacks upon Allied positions as far war as Alaska and Sri Lanka. The red cloud which rests over East Asia shows the extent of Japanese conquests to date, while imperial Japan’s ‘Rising Sun’ flag flies over the scene in the upper-left corner. The balance of the composition is filled with photographs and rhetorical text that proclaims how Japan is mowing down its opposition. Japan & the Early Stages of the Pacific War - Although they had suffered some set backs, in December 1942, Japan was the dominant force in the Asia Pacific region, with the Allies, based in India, Australia and the North America, on the defensive. World War II in East Asia, or at least the Japan vs. the Allies element of it, began in December 1941, over a year later than in the Western theatre. Japan famously mounted a successful seek attack upon the U.S. base at Pearl Harbor, Hawaii, on December 7, 1941. From there, Japan quickly found itself at war with the U.S., Britain, Australia and the Netherlands. For the next six months, Japan enjoyed rapid and almost complete success everywhere. On December 25, 1941, Japan conquered Hong Kong from British-Canadian forces. In January 1942, she conquered Burma and Malaysia from the British, and most of the Dutch East Indies (Indonesia) from the Netherlands; and the Philippines for the United States. In February, Japan took Singapore, the last major British base in East Asia. That same month, the Japanese air force made a devastating air raid upon Darwin, Australia, and in the following months made air raids into the Indian Ocean, striking Colombo, Ceylon (Sri Lanka). . SEE OUR WEB PAGE FOR LONGER DESCRIPTION.

      [Bookseller: Antiquariat Dasa Pahor]
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        [Archive]: U.S. Navy Officer's Letters and Bluejacket's Manual with Photo Album from World War II, 1942-1946

      New Jersey / Massachusetts / Ohio / Pennsylvania / Texas. 1942-1946 (a few earlier). A collection of 79 letters to and from Marion Alexander Cassell during his time in the Navy from 1942 through 1946 as well as a photo album and his copy of the Bluejackets' Manual. Album is an oblong octavo measuring 11" x 7". Brown cloth boards bound together with string. The album contains 66 gelatin silver black and white or sepia toned photographs measuring between 1.5" x 1" and 5" x 3.5" with some captions written on the back of the photographs. The Bluejackets' Manual: is a tenth edition. 12mo. 784pp. Blue cloth boards with stamped green titles. All items are near fine. The letters have light creasing from mailing; the book has modest spotting on the top page-edge with lightly bumped corners; and the photo album has tiny tears and small chips. Letters to and from Marion Alexander Cassell during his time in the Navy from various locations some being, New Jersey, Massachusetts, Ohio, Pennsylvania, and Texas. Most of the letters are from Cassell's mother, Mary, in Oak Hill, Ohio. She writes often of how much she misses him and dotes on his health; "You boys need all you can get and for all you have done! Be sure and have a heart check!" She also brings up the women her son is dating, as she mentions Doris Wallentine and three other women, Edith, Florence, and Alice Dodds. There are a couple of letters written by Cassell addressed to his mother. He mostly writes about his time traveling from place to place and though he was in the navy, he frequently got seasick, "Now I know what it's like to be seasick. You just get so sick you don't care whether the world comes or goes". He writes often about how he is sick and tired but enjoys the journey. He also writes to his mother about the many different "blondes" he flirts with, "I really do love her (Florence)... Coincidentally, I met a beautiful blonde the other day. I really do like blondes, I just can't seem to help it." Several letters are from Doris Wallentine, an admirer or romantic interest of Cassell's from Dallas, Texas. She often writes very flatly and rarely shows interest in their relationship. Only a few times does she write anything about the two of them, "Frankly, I was quite flattered that you thought enough of me to travel 1400 miles to see me -- and maybe also by the fact that you say you didn't flirt with any blondes -- because, knowing you, I know that must have been quite a strain! Ha! Ha!" Wallentine also expressed an interest in joining the WAVES (Women Accepted for Volunteer Emergency Service), "I have been thinking about rather seriously joining the Waves -- what would you think of that -- as I know you never had much a woe for women in uniform?" Another admirer, Alice Dodds also frequently writes to Cassell. Her earliest letter (from Wellesley, Massachusetts) to Cassell attempts to reconnect with him after 18 months of not talking, "I had to decide whether not to reply to your last letter sent 18 months ago...At this time you may be a dignified married man who no longer desires to carry a 'pole,' of candy under his arm... Pardon my terrible correspondence." However, the letters written from her to Cassell after are warm and friendly. Cassell did not end up marrying or continuing his romantic relationship with Wallentine, Edith, Florence, or Alice Dodds as in 1955, he married Hazel Clare Moreland. According to sources not in this archive, Moreland traveled across the country to start a new life in Los Angeles. There she met Naval Commander Marion Cassell. After their marriage in 1955, they traveled the world together as well as across continental North America. Moreland worked for the founders of MGM during the golden era of Hollywood. She became involved with script writing and film production, and considered herself fortunate to know many of the stars during that period. Cassell never had any children and passed away in 1990 at the age of 80.Additionally featured in the Bluejackets' Manual is a gelatin silver sepia photograph of Marion Alexander Cassell laid in as well as names and addresses of fellow Navy men handwritten on the front free endpaper and Cassell's name stamped on the rear pastedown. Other ephemera includes a couple letters from friends asking how Cassell is doing, some mail from a construction company talking about building more structures for Army bases, and an envelope containing all of Cassell's information from the Naval Training School in Princeton, New Jersey. The photo album presents something of a mystery as it centers primarily on a young women's photographs of her time in the WAVES and in college. Several show her in Navy uniform with other women standing together or laughing and hugging each other. The other photos are of her with college friends and of different couples in the Navy. All the pictures are filled with smiles and not a single one solemn. The young woman's name is not written in but it can be assumed she was either a close friend or romantic partner of Cassell's, as she is seen in several pictures with him. How Cassell acquired the album is not entirely clear, but it did come with the archive, and provides at least some content on his relationships.An interesting look back on a man's life during World War II and his many relationships and adventures. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Tyska röster / TR Tidsrevyn. 1942-1945

      Bok. Tyska informationscentralen 1942-1945. Rikt ill. Ej komplett. Innehåller; 1942: Nr 14 (med ett klipp på en sida), nr 16-20 - 1943: Nr 1-19, 21-24 - 1944: Nr 1-20, 22-24 - 1945: Nr 1-4 (nr 4 1945 var sista numret). Totalt alltså 56 nr av denna nazistiska propagandaskrift. 2 vol. gulddekorerade halvklotband, medbundna häftesomslag, mycket bra skick. 20x30 cm.

      [Bookseller: Antikvariat Asken]
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        Crazy Horse The Strange Man of the Oglalas

      New York: Alfred A. Knopf, 1942. First edition. Hardcover. Near Fine/Near Fine. 428 pp. Price of $3.50 on front flap of jacket. The first printing of the first edition. Fold-out map intact. Inscribed by Sandoz on the free front endpaper, with a hand-drawn illustration by the author. Noted for her use of words and language patterns reflective of the Lakota language, Sandoz's evocative biography is written from the perspective of the Lakota people. A beautiful copy of what is widely considered to be Sandoz's best and most important work. A Near Fine book with the usual darkening to the hinges and the pastedowns in a Near Fine dust jacket with a few hints of edge wear and minor age toning to the rear panel.

      [Bookseller: Evening Star Books]
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        Spleen de Paris.

      Edition illustree etornee par le peintre d'Essertine[Illustrated and decorated edition by a painter of Essertine]. Theoule sur Mer [France] : Phillipe Gonin, 1942. Quarto, original hand-lettered wrappers, collated in sections (as issued), pp 81, bookplate to colophon leaf. Housed in faux leather portfolio with hand-lettered spine (hinges split), original faux leather slipcase. Consists of 13 poems, extensively illustrated with gouache and watercolour portraits, still lifes, and initials."Cette edition a ete faite sur l'Initiative de Mr Jean E. Bonna. Il a ete fait vingt exemplaires numerotes de 1 a 20. Chaque livre est illustre et peint a la main." [This edition made on the initiative of Mr Jean E. Bonna. It was done in twenty copies numbered 1 to 20. Each book is illustrated and hand painted.] Baudelaire'sSpleen de Paris(first published in 1869) represents an important early precursor to literary modernism, written exclusively in newly established poetic prose to capture the essence of modern, urban life. Baudelaire was heavily influenced by Aloysius Bertrand’s Gaspard de la nuit and sought to apply a new, modern poetic language to themes of pleasure and debauchery, metropolitan poverty, class divides, and the inevitable march of time.The full fifty vingnettes were originally published as the compilationPetits Poèmes en prose and represented writings from across the last twelve years of Baudelaire's life. This war-time publication, printed no doubt to combat the images of desctruction so prevalent in Europe at the time, includes the poemsÀ une heure du matin,Les Foules, L’Horloge, Un Hémisphère dans une chevelure,Les Projets,La Belle Dorothée,Enivrez-vous,Déjà,Les Fenêtres,Le Désir de peindre,Les Bienfaits de la lune,Le Port, andPortraits de maîtresses.Illustrated with original artworks composed in homage to impressionists such as Pissaro as well as the semi-eroticism of Gaugin, this rare edition of Baudelaire's seminal work appears to not be held in any institutional collection.

      [Bookseller: Douglas Stewart Fine Books]
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        Chinese Jades In The Collection Of Stanley Charles Nott. [signed, Limited, Dj]

      West Palm Beach, Fla: Privately Printed. Very Good in Very Good dust jacket. [1942]. 1st. Hardcover. halftone plates; 536 pages; West Palm Beach: The Norton Gallery and School of Art, 1942. Portrait frontispiece, 118 halftone plates and numerous line engravings. Publisher's green cloth gilt, publisher's dust jacket is VG with a few chips and a closed tear. Scarce limited edition catalogue of an early and important collection of jade carvings: in lovely condition. Stanley Nott was among the world's leading authorities and dealers on Chinese jades in the 20th century. This illustrated catalogue describes in detail each of the speciments housed in the Jade Room of the Norton Gallery. One of 1000 numbered copies: this copy inscribed by Nott to Alfred Casabianca. Rare with dust jacket. Rare with a nice dust jacket. #55 of a limited edition of 1,000. Signed and inscribed by Nott on half title and additionally signed on limitation page. Illustrated by 118 full page halftone plates reproduced from original phtographs, together with 123 line engravings. Includes index and bibliogrpahy. Dimensions 12.25 x 8.5 x 3", weight 10 pounds. ; Signed by Author; 10 .

      [Bookseller: poor mans books]
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        Der Berner Totentanz nach Niklaus Manuel. 10 Kostümentwürfe (mehrfarb. Aquarelle) und Textheft.

      28 x 20 cm, Der handschriftl. Untertitel etwas knapp beschnitten, sonst tadell. Die Entwürfe vom Zürcher Photographen Karl W. Rahm waren für eine Aufführung des Berner Totentanzes nach den Texten von N. Manuel (zusammengestellt v. Fridolin Hefti)gedacht. Leider ist über den Künstler nichts bekannt, ebensowenig war über eine Aufführung des Stückes zu finden. Die Aquarelle zeigen die 10 Personen des Stücks: Der Tod der arm Mann der Vogt die Tochter der Bruoder der Kriegsmann die Muoter de Kaiser der Arzet der Ansager. Beiliegen das Textheft (Kl.8, OBrosch., 27 S., Vlg. von Tschudi, Glarus, 1942) aus der Reihe Schweizer Volksspiel Heft 2.

      [Bookseller: antiquariat peter petrej]
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        Signal. Jahrgang 1942. Zweimal monatlich

      Berlin: Deutscher Verlag 1942 OHLWd., ein Heft ca. 45 Seiten mit zahlr. farb uns SW-Abb. Folio. Deckel abgenutzt und berieben. Gelenk vor d. Heft Nr. 9 ist geknickt und ganz gelöst, erster Blatt von Nr. 9 und letzter Blatt von Nr. 8 sind beschädigt, Titelblatt Nr. 9 mit Verlust. Zuweilen 2 Blätter ausgerissen (cca dreimal), zuweilen leicht eingerissssen; sonst altersgemäß guter Zustand.Militarie, Kriege

      [Bookseller: Antikvariát Valentinská]
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        Mannen utan väg. Dikter.

      Bröderna Lagerström, 1942. 85 sider pp. Bogen er trykt i 150 nummererede eksemplarer. Detter er et af 50 unummererede eksemplarer (formodentlig udleveret til dikteren. Med dedikation fra forfatteren til Dr. Sven rinman. Med hans ganske svage blyantsnoter på nogle sider. Heftet med originalt omslag, nærmest som nyt. Første udgave. 17042007

      [Bookseller: Andersens Antikvariat]
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        Blood for a Stranger

      New York: Harcourt, Brace, 1942. First Printing. Hardcover. Fine/Fine-. First Edition (so stated), one of only 1700 printed. 8vo: xi,82pp. Publisher's crimson fine-bead cloth, spine lettered in navy blue; vivid red typographic dust jacket, lettered in white and priced $2.00. Fine and apparently unread; About Fine jacket (minimal fading to spine panel, lettering still crisp) that has benefited from minor expert restoration to spine panel tips (far from lettering on both ends). Wright A1. Jarrell's first collection of poems, heavily influenced by the poetry of W.H. Auden, published the same year Jarrell enlisted in the U. S. Army Air Corps. The was dedicated to the American poet Allen Tate. N. B. With few exceptions (always identified), we only stock books in exceptional condition, with dust jackets carefully preserved in archival, removable polypropylene sleeves. All orders are packaged with care and posted promptly. Satisfaction guaranteed.

      [Bookseller: Fine Editions Ltd]
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        The Moon Is Down - 1st Edition/1st Printing

      Viking, New York 1942 - A most attractive first printing of the first edition in just about Fine condition, fresh blue cloth with bright gilt lettering to spine in Near Fine dust-jacket, ever so lightly rubbed to spine ends. Minute tanning to endpapers and dust-jacket. Large period between "talk" and "this" on page 112, line 11; lacking printer's name on copyright page. Goldstone/Payne A16b. In custom made, clamshell case with sculpted The Moon Is Down design; Steinbeck's masterful account is set in Norway during World War II, exploring the effects of invasion on both the conquered and the conquerors. Occupied by Nazi troops, a small, peaceable town comes face to face with evil imposed from the outside--and betrayal born within the close-knit community ; [ii], 188, [2] pages [Attributes: First Edition; Hard Cover]

      [Bookseller: Books Tell You Why - ABAA/ILAB]
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        Flight to Arras

      Reynal & Hitchcock, 1942 Flight to Arras, by Antoine de Saint-Exupery, illustrated by Bernard Lamotte. Number 446 of 500 signed copies. Blue leather spine with cloth boards. Signed by both Saint-Exupery and Lamotte on pre-title page. Hardcover book in good condition; some wear on leather spine; corners of leather spine more heavily worn but very presentable. Gilt top edge. Very light small stain front edges; only on edge, not pages. No slipcase. .

      [Bookseller: Yankeeflier]
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        The Long Debut of Lois Taggett

      Story Magazine, Inc. 1942 - This short story by Salinger appears in the September-October 1942 (vol. 21, no. 97) edition of Story Magazine, published in New York by Story Magazine, Inc. in 1942. Book (soft cover)very good, spine is sun-faded, some rubbing on front and back covers, minor foxing on top edges. Cover price reads "40 cents". [Attributes: First Edition; Soft Cover]

      [Bookseller: Bookbid]
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        The Man Who Feared

      Gateway Books New York 1942 - First Edition. Scarce Hubin listed mystery by this obscure publisher of a man "so merciless that he can coldly and deliberately set about killing the soul of his greatest enemy by striking terrible blows at the innocent ones who stand in the way". Near Fine in Very Good plus attractive dustjacket. [Attributes: First Edition; Hard Cover]

      [Bookseller: Babylon Revisited Rare Books]
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        Five Little Pigs

      Collins [The Crime Club], 1942. Hardcover. Good. A first edition, first printing published by Collins [The Crime Club] in 1942. A good book with a little fading to the spine and boards accompanied by some light staining. Neat name to the head of the endpaper. In a very good clipped wrapper with some small closed tears to the spine tail and a couple of nicks here and there. Becoming scarce.

      [Bookseller: John Atkinson Books]
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        Die Wahre Geschichte Vom Wiederbergstellten Kreuz (Presentation Inscription From Felix Guggenheim To Lotte Lenya)

      Privatdruck Der Pazifischen Presse / Plantin Press [Pazifische Press], Los Angeles 1942 - 49 Pp. Black Leather Spine, Gilt; Rose Colored Boards. First Edition, Un-Numbered Presentation Copy From Felix Guggenheim. The Second Book Issued By The Press, A Reworking Of The 9Th Chapter Of Werfel's "Cella Oder Die Uberwinder", Later Published By Simon And Schuster In 1943 In The Anthology The Ten Commandments. One Of An Undetermined Number Of Un-Numbered Copies, Signed By Werfel Below The Colophon. [There Were 150 Copies Numbered, Mostly Signed, In The Subscriber's Edition, Half Leather, An Undetermined Number Of Lettered Copies, And 100 Copies Of The Trade Edition In Cloth, Some Of Which Were Also Signed.] Werfel Died In Los Angeles In 1945 While Reviewing The Advance Proofs Of The Pazifische Press Edition Of His Collected Poetry. Contents Fine, Boards Near Fine; The Leather Spine Is Near Fine But Had Become Partly Detached And Has Been Professionally Re-Attached At Heritage Bindery. This Is A Presentation Copy From The Publisher, Felix Guggenheim, With An 11 Line Handwritten Quotation From Lessing, Inscribed Below "Fur Lotte / G (An Insignia Actually) / Hollywood / 1943". [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Arroyo Seco Books, Pasadena, Member IOBA]
 22.   Check availability:     IberLibro     Link/Print  


      EINAUDI, 1942. ITALIANO 0,52 Traduzione di Luigi Berti, foto in nero dell'A. applicata all'antiporta, pagine uniformemente brunite causa tempo, fioritura ai tagli, n. XV della collana, brossura editoriale azzurra con titoli bianchi e neri al piatto e neri al dorso, ingiallita, con fioritura e con strappetti al piede ed alla cima, sovraccoperta illustrata, scolorita, ingiallita e con strappetti ai bordi USATO

      [Bookseller: Biblioteca di Babele]
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        Archive of Eight Typed Letters Signed

      Maryland and Ontario 1942 - All of these letters were written to Mr. Rodgers, a member of the Executive Board of the Council for Democracy. Four of the letters (totaling six pages) are on 7.5 x 5.75-inch personal stationery from Maynard's home in Westminster, Maryland, dated June 23 to August 19, 1942. Three of the letters (totaling four pages) are on 11 x 8.5-inch letterhead from Assumption College in Windsor, Ontario, dated from July 6 to September 23, 1942. The remaining letter is on a plain sheet of 11 x 8.5-inch paper with the Westminster address typed in, dated September 17, 1942. In this correspondence, Maynard agrees to write an article about why Catholics should support Russia and also expresses that he does not want to be party to ousting Liam O'Connor, in part: "With regard to the problem of Protestant pacifists, well, I understand that matter rather well, having been brought up as a Protestant." He disparages Fr. Coughlin: "I hear that [his] school for diplomats is a bluff." He talks about the request to soften his remarks in a magazine article: ".a delicate subject.and I have tried to handle it with discretion, my main fear now is that I have been so careful as to be a bit colorless." He also expresses his need to make money. At the time Maynard wrote these letters, he was not in the best of health and was also undergoing economic hardship. The following year, he spent long periods away from home doing research and giving lectures, while the family was chronically short of money (according to T.W. Hendricks "A Historian of American Catholicism"). These letters provide a window into his life and thinking in the summer of 1942. The letters all have natural folds; several have small stains (including one with a paperclip stain), but are all in very good(-) to very good(+) condition. English poet and literary critic who was best known as one of the most influential historians on Roman Catholicism in the United States. [Attributes: Signed Copy]

      [Bookseller: Argosy Book Store, ABAA, ILAB]
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      Istituto Italiano Arti Grafiche, 1942. (Codice ME/9412) In 4º (32,5 cm) 220+50 pp. di pubblicità. Illustrato con centinaia di belle fotografie in nero, anche a piena pagina eialcune vignette a colori. Inoltre 28 magistrali tavole a colori dei pittori: Araca, Bazzi, Boccasile, Guazzoni, Mancioli, Molino, Santambrogio, Sinopico. Quadri esposti al "III Premio Cremona 1941-XX". Completo con la tavola a colori protetta da velina con ritratto di Mussolini opera, di Federico Spoltore. Molto interessanti anche le pagine pubblicitarie. Grande volume, brossura originale, dorso un po' usato (ma solido) con piccola rustica riparazione. Interno ottimo. Euro 550.00 ~~~ SPEDIZIONE IN ITALIA SEMPRE TRACCIATA

      [Bookseller: Bergoglio Libri d'Epoca]
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        Stories about Jesus for Very Little Children, etc

      1942. Paperback. Used; Acceptable. Paperback; English language; a fair reading copy. Your book will be securely packed and promptly dispatched from our UK warehouse. All international orders are sent Royal Mail airmail.

      [Bookseller: Sunrise Books Ltd]
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        A series of eight original portrait illustrations by the Australian artist Stuart Wade in 1942-43

      - They feature influential Second World War personalities, including Churchill, Eisenhower, MacArthur, Montgomery, Smuts and Stalin. The portraits, in black and white ink and with numerous engraved lines, are done directly on 'Wade Half-Tone Board' (each one 345 x 230 mm), a product invented by the artist offering 'Combined Line and High-Light Half-Tones at Ordinary Line Etching Costs!'. Please use the 'Ask Bookseller a Question' link below to confirm availability and postage charges. [Attributes: Signed Copy]

      [Bookseller: Michael Treloar Booksellers ANZAAB/ILAB]
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        Vivien Leigh signed hardcover book, "The Skin of Our Teeth", with original dust jacket

      n.p., Circa 1940s. 5.625" x 8.25". "Hardcover book, The Skin of Our Teeth: Play in Three Acts by Thornton Wilder (Harper & Brothers Publishers, New York/London, 1942), elegantly signed "Vivien Leigh" in blue fountain pen and underlined on front end paper, part of "V" of Vivien within slightly browned area. Red book covers with original robin's egg blue and black dust jacket, 142 pages, 5.625" x 8.25". In fine condition, with light patchy mat burn to front and back end papers, some minor edge tears, and two offcut pages (105 and 119) as published. Expected wear to dust jacket corners and edges. Personal library card signed "Adeline C. Gibson" affixed to interior front cover.American playwright Thornton Wilder's The Skin of Our Teeth was first performed at the Shubert Theater in New Haven, CT in October 1942 starring Frederic March and Tallulah Bankhead. Classically trained English actress Vivien Leigh starred as housemaid Lily Sabina in four of its later productions: at the Phoenix Theater in London in May 1945; at the Piccadilly Theater in London in September 1946; on an Australian and New Zealand tour in November 1948; and in a later televised broadcast in March 1959. Leigh completely immersed herself in the role of Lily Sabina, the play's chatty and sexy narrator. Described as a "straw-blonde" and "over-rouged" parlor maid, Lily Sabina is a complex character whose name alludes at once to the proto-Garden anti-heroine Lilith and the violated Sabine women of Roman history. It is possible that Leigh consulted this book during preparations of or rehearsals for the role. She was directed by husband Laurence Olivier during some of these productions.Vivien Leigh (1913-1967) was already a well-established theater and film actress when she accepted the role in The Skin of Our Teeth. Before accepting her first movie role as an extra, Leigh studied at the Royal Academy of Dramatic Art in London. She achieved success in English theatrical productions before trying the movies in the mid-to-late 1930s. Her break-out success as Scarlett O'Hara in 1939 Gone with the Wind made her an international star. The theatrical production of The Skin of Our Teeth was sandwiched between two of Leigh's film projects, Caesar and Cleopatra (1945) and Anna Karenina (1948), and one year after she was first diagnosed with tuberculosis.Thornton Wilder (1897-1975) was a critically and commercially successful novelist, playwright, essayist, screenwriter, scholar, and translator. He won Pulitzer Prizes for both drama and fiction. Along with The Skin of Our Teeth, he is best known for his sentimental and nostalgic Our Town (1938)."

      [Bookseller: University Archives]
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        Salmünster 1913 - 1999). Fjord in Norwegen. Öl auf Leinwand, 1942. Unten links signiert und datiert. 38 x 63 cm. In dekorativem (modernen) Goldrahmen gerahmt.

      1942 - Wilhelm Assheim besuchte die Hanauer Zeichenakademie. 1939 wurde er eingezogen und kam ein Jahr später nach Norwegen, wo er als Kompaniezeichner arbeitete, Landkarten erstellte und viele norwegische Landschaftsbilder schuf. Nach dem Krieg ging er zurück in seine Geburtsstadt.- Blick in einen Fjord mit eindrucksvoller felsiger Küste, im Vordergrund einige kleine Häuser an einem Weg. Gewicht in Gramm: 500

      [Bookseller: Antiquariat Daniel Schramm e.K.]
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        ["The Hang of It," in] The Kit Book for Soldiers, Sailors and Marines [with mailing carton]

      Chicago: Consolidated Book Publishers [through 1942], 1942. First Edition. Hardcover. Near Fine-/Very Good+. Second issue (with 1943 rather 1942 copyright) of a World War II-era compilation containing Salinger's third published short story and first appearance in book form. Small 8vo; 336pp, with numerous color and black-and-white illustrations. Publisher's bright red, white and blue pictorial boards (issued without a dust jacket), in original pictorial shipping carton. Just about Near Fine, with rubbing and very minor loss of color to corners and tips and browning to wartime paper, in a better than Very Good example of shipping box (unused), reproducing cover image of the book, rubbed along all edges. Salinger's story, "The Hang of It," appears on p. 332 of this collection of "favorite stories, verse and cartoons for the entertainment of servicemen," also featuring contributions by Elbert Hubbard, Ellery Queen, O' Henry, Rudyard Kipling, Damon Runyan and Ernest Thayer's "Casey at the Bat." Not particularly uncommon, except in the shipping carton, very few of which have survived.

      [Bookseller: Fine Editions Ltd]
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      FRATELLI PALOMBI, 1942. ITALIANO 0,28 Brossura editoriale morbida, illustrata, ingiallita, con lieve fioritura e strappi al dorso ed ai bordi, illustrazioni in nero fuori testo, pagine brunite, con fioritura e gore USATO

      [Bookseller: Biblioteca di Babele]
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        [Four Quartets, comprising] East Coker; Burnt Norton; The Dry Salvages; Little Gidding

      London: Faber & Faber [through 1942], 1940. First Impressions. Staplebound Wraps. Four uniform first impressions of the separate appearances in pamphlet form of Eliot's wartime masterpiece. East Coker: 16pp; yellow paper wrappers printed in black (Near Fine, barring the usual toning) over white card covers, stapled. Light foxing throughout, the final 8pp uncut [Gallup A36c]. Burnt Norton: 16pp; aquamarine paper wrappers printed in black folded over stiff white covers; stapled. Fine, with just a hint of fading along the spine crease. [Gallup [A37]. The Dry Salvages: 16pp; pale blue paper wrappers printed in black folded over stiff cream (Gallup's first state) paper without the Adelphi watermark. Very Good or better, the wraps faded and lightly foxed, with a stain on the inner flap fold, but the pages bright and unmarked, except for an owner's inscription in a neat hand on the half-title [Gallup A39]. Little Gidding: 16pp; stiff mauve wrappers printed in black, stapled (Gallup's second state). Near Fine or better with traces of foxing to the back panel, internally bright and fresh [Gallup A42]. First Faber printing of the first title (East Coker first appeared in two forms associated with its publication in The New English Weekly.), first separate edition of the second title (first published in Collected Poems, 1936), and first editions of the latter two titles. East Coker is the village in Somerset from which Eliot's ancestors departed for the New World in 1669; Burnt Norton refers to the Gloucestershire manor house erected on the foundation of a house that burned to the ground in 17th century; The Dry Salvages is a group of rocks off Cape Ann, and so harks to the poet's New England roots, and Little Gidding was the manor in Huntingdonshire that was the destination of poets' pilgrimages as the site where Nicholas Ferrar founded an Anglican religious community in the mid-17th century. N. B. With few exceptions (always identified), we only stock books in exceptional condition, carefully preserved in archival, removable polypropylene sleeves. All orders are packaged with care and posted promptly. Satisfaction guaranteed.

      [Bookseller: Fine Editions Ltd]
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        The High Window

      New York: Alfred A. Knopf, 1942. First Edition. Hardcover. Very Good. First edition. 240 pp. Original brown cloth with dark crimson lettering. Very Good condition with spine lean and slight crease, former owner's name and info on front paste down, a some lightly dog-eared pages, typical slight offsetting to endpapers. No dust jacket. The third of Chandler's acclaimed Philip Marlowe novels, wherein Marlowe is hired by an old Pasadena lush, Mrs. Elizabeth Bright Murdock, to find an 18th Century coin called the Brasher Doubloon. The basis of two '40s films: Time to Kill and The Brasher Doubloon.

      [Bookseller: Burnside Rare Books]
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        Put Out More Flags.

      London Chapman & Hall 1942 - First edition, 8vo., fore-edges spotted but not affecting pages, else fine, publisher's grey and navy speckled cloth, spine lettered dark blue, pictorial dust-jacket printed in red, grey and black on white, a bit chipped and creased at extremities but not price-clipped and still unusual in this condition. [Attributes: First Edition; Hard Cover]

      [Bookseller: Shapero Rare Books]
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        hand Signierte Sammelkarte 9x 6,5 cm original autographed Bonus Card #1

      Lifelong authenticity guarantee! Lebenslange Echtheitsgarantie!Muhammad Ali (* 17. Januar 1942 in Louisville, Kentucky als Cassius Marcellus Clay Jr.) ist ein ehemaliger US-amerikanischer Boxer. Er gehört zu den bedeutendsten Schwergewichtsboxern und herausragendsten Athleten des 20. Jahrhunderts und wurde 1999 vom Internationalen Olympischen Komitee zum ?Sportler des Jahrhunderts? gewählt.[1]Auch außerhalb des Boxrings sorgte Ali für Schlagzeilen. So lehnte er öffentlich den Vietnamkrieg ab, verweigerte den Wehrdienst und unterstützte die Emanzipationsbewegung der Afroamerikaner in den 1960er Jahren. Der Kampf Rumble in the Jungle gegen George Foreman und die Kämpfe Fight of the Century und Thrilla in Manila gegen Joe Frazier gelten als Klassiker unter den Schwergewichtskämpfen.InhaltsverzeichnisKindheit und erster Kontakt mit dem BoxsportClay wurde 1942 als erster von zwei Söhnen eines Schildermalers geboren und wuchs in ärmlichen Verhältnissen auf. Seine Eltern benannten ihren Sohn nach dem Politiker und Gegner der Sklaverei Cassius Marcellus Clay. Mit dem Boxtraining begann der zwölfjährige Clay 1954 aus Wut über den Diebstahl seines Fahrrades ? er hoffte, den Dieb dadurch bestrafen zu können, wenn er ihn erwischte.[1] Im Alter von 16 Jahren verließ Clay die Schule mit schlechten Noten und konzentrierte sich auf sein Boxtraining. Karriere KarrierebeginnInnerhalb weniger Jahre konnte Clay sämtliche nationalen Amateurtitel erringen. Bei den Olympischen Spielen 1960 gewann er in Rom die olympische Goldmedaille im Halbschwergewicht. Noch im selben Jahr wurde er Profi.Clay musste feststellen, dass ein Wrestler namens Gorgeous George für größeres Aufsehen bei Presse und Zuschauern sorgte als ein bescheiden auftretender Nachwuchsboxer wie er. Daraufhin begann er, den Stil von George zu kopieren und der Presse von nun an immer neues Material in Form von Spottreimen über seine Gegner zu liefern: Vorhersagen über die Runde seines K.-o.-Sieges (?Archie Moore will be on the floor in round four?, ?Archie Moore wird in der vierten Runde am Boden liegen?) und ähnliche Äußerungen.[2] Mit diesem provozierend zur Schau getragenen Selbstbewusstsein wurde Clay bald berühmt. Weil seine Prophezeiungen über den Ausgang oft zutrafen und Gegner tatsächlich in den vorhergesagten Runden zu Boden gingen, wurde er eine Zeitlang sogar des Betrugs verdächtigt. Aufstieg und erste Weltmeisterschaft (1964) &#8594 Hauptartikel: Muhammad Ali vs. Sonny ListonIm Februar des Jahres 1964 bekam Clay einen Weltmeisterschaftskampf gegen Sonny Liston, nachdem er zuvor Doug Jones umstritten nach Punkten und Henry Cooper durch K. o. besiegt hatte. Viele Journalisten mochten Clays selbstsichere Art nicht und prophezeiten ihm eine Niederlage gegen Liston, so auch Arthur Daley von der New York Times: ?The irritatingly confident Cassius enters this bout with one trifling handicap. He can?t fight as well as he can talk.? (?Der irritierend selbstbewusste Cassius bestreitet diesen Titelkampf mit einem unbedeutenden Nachteil. Er kann nicht so gut kämpfen, wie er reden kann.?).[3]Trotzdem gewann der mit Sieben zu Eins als Außenseiter gesetzte Clay durch eine ? angeblich verletzungsbedingte ? Aufgabe seines Gegners nach der sechsten Runde. In tumultartigen Szenen brüllte Clay nach dem Sieg immer wieder ?I shook up the world!? und ?I am the greatest!? in die Mikrofone. Die Bilder von ihm mit weit aufgerissenem Mund und Augen gingen um die Welt.Im weiteren Verlauf des Jahres machte Clay seine Mitgliedschaft in der Nation of Islam öffentlich und wählte Muhammad Ali als Namen. 1975 konvertierte er zum sunnitischen Islam.[4] Der Rückkampf gegen ListonIm Rückkampf am 25. Mai 1965 in Lewiston, Maine, wurde Liston von Ali bereits in der 1. Runde nach nur 105 Sekunden Kampf vom so genannten ?Phantomschlag? (?Phantom Punch?, auch als ?Anchor Punch? bekannt geworden) niedergestreckt, einem kurzen, harten, rechten Cross an Schläfe oder Kiefer,[5] der weder von Liston noch von großen Teilen des Publikums gesehen worden war. Ali schrie daraufhin den am Boden liegenden Liston mit den Worten ?Get up, you bum!? (?Komm hoch, du Penner!?) wutentbrannt an und der Ringrichter, der ehemalige Weltmeister Jersey Joe Walcott, der mit der Situation offensichtlich überfordert war, zählte zunächst weder an noch aus, da er den wütend bei Liston stehenden und schreienden Ali von diesem wegzudrängen suchte. Der Kampf wurde dann zunächst wieder freigegeben, unmittelbar darauf jedoch beendet, als Nat Fleischer, der Gründer des Ring Magazines, Walcott darauf hinwies, dass Liston schon deutlich mehr als 10 Sekunden am Boden gewesen war.Der nur von wenigen Zuschauern gesehene ?Phantom Punch? gab im Verbund mit Listons scheinbarer Unbesiegbarkeit und dessen dubiosen Kontakten zur Mafia Anlass zu Spekulationen über einen möglichen Betrug, was andererseits wegen der offensichtlichen Feindschaft zwischen den beiden Boxern bezweifelt wurde. So hatte Liston vor dem ersten Kampf, auf die Provokationen Clays angesprochen, erklärt, dass er die Absicht habe, Clay umzubringen. Auch in seiner Autobiografie wandte sich Ali gegen jegliche Unterstellungen solcher Art und erklärte explizit:?Tatsache ist, dass noch niemals ein Kampf weniger abgesprochen war als dieser.?? Muhammad Ali: Der Größte. Meine Geschichte. S. 123.Film- und Fotoaufnahmen bewiesen im Nachhinein eindeutig, dass Liston von Ali tatsächlich getroffen wurde. Unklar blieb allerdings, wie hart. Deutlich zu sehen ist die entspannte Muskulatur von Listons Körper während des Sturzes, die eine Bewusstlosigkeit zu diesem Zeitpunkt vermuten lässt. Liston erklärte später allerdings, dass er vom Schlag Alis zwar überrascht, jedoch nicht bewusstlos war und nur deshalb nicht sofort wieder aufstand, da er fürchtete, von dem direkt über ihm (anstatt in der neutralen Ecke) stehenden Ali erneut getroffen zu werden. Auch hätte er vergeblich auf das Anzählen durch den Referee gewartet.In dem Augenblick, als Ali wütend und schreiend über dem liegenden Liston steht, entstand eines der bekanntesten Fotos von Ali, geschossen von Neil Leifer.[6] Dieses Foto (eigentlich ein Farbbild, aber als Schwarzweißbild berühmt geworden), nannte sein Biograph David Remnick später ?Ali wild und schön (?), vielleicht (?) das nachhaltigste Bild Alis im Kampf überhaupt.?[5] Karrierehöhepunkt und Titelverlust (1967) Muhammad Ali 1967Mitte der 60er Jahre war Ali auf dem Höhepunkt seiner Karriere. Er traf die Beatles und Elvis Presley und verteidigte seinen Titel unter anderem gegen Ex-Weltmeister Floyd Patterson und dann im Frankfurter Waldstadion gegen den deutschen Europameister Karl Mildenberger (Mildenberger machte ihm einige Probleme er kam bis in die 12. Runde, woraufhin Ali im Anschluss sagte, nie wieder gegen Mildenberger boxen zu wollen), ferner gegen George Chuvalo, Henry Cooper, Brian London, Cleveland Williams, Ernie Terrell und Zora Folley.Ali war äußerst flink, dazu provozierte er oft den Gegner, indem er die Hände neben den Hüften hängen ließ, anstatt sich zu decken. Seine Beine waren jedoch so schnell und die Hüfte so beweglich, dass er fast jeden Schlag auspendeln konnte. Tatsächlich bekam er kaum Treffer an den Kopf, kokettierte mit seinem Aussehen und prahlte, dass er nach ?vielen Kämpfen immer noch so hübsch wie ein Mädchen? sei. Mit einer rasanten tänzerischen Beinkombination namens ?Ali Shuffle? verblüffte er Gegner und Publikum. Gelegentlich ließ er sich demonstrativ mehrmals hintereinander in die durchtrainierte Seite des Körpers schlagen, ohne dass dies erkennbare Wirkungen zeigte ? abgesehen davon, dass der Gegner demoralisiert wurde.[3]Im April 1967 wurde Ali der Titel aberkannt, nachdem er sich geweigert hatte, den Wehrdienst anzutreten. Als ausschlaggebend für seine Entscheidung nannte er zum einen seinen Glauben, sprach aber zum anderen auch die Frage der fehlenden Gleichberechtigung der Afroamerikaner an ...

      [Bookseller: Antiquariat Arzt - Der Buecherdoktor]
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        Der Hoheitsträger. Verkündungsblatt für das Hauptstabsamt, das Hauptorganisationsamt, das Hauptpersonalamt und das Hauptschulungsamt der NSDAP. Jahrgang 1942 * mit mehreren Original-Beiträgen u.a. von Dr. H o r a n d H o r s a S c h a c h t

      Berlin, 1942. Ausgabe im original Verlagseinband (Halbleinen / OHLn im Format 23,5 x 31,6 cm) mit Rückentitel in Silberprägung und illustriertem Deckeltitel, Umschlagseiten nicht mit eingebunden. Etwa 500 Seiten, mit vielen Fotoabbildungen auf Kunstdruckpapier, Schrift: Fraktur. Die (hier nicht mit eingebundene) Umschläge seinerzeit mit Druckvermerk: \"Der \"H o h e i t s t r ä g e r\" ist als dienstliches Informationsorgan des Reichsorganisationsleiters der NSDAP vom Empfänger und Leser nur vertraulich für den Dienst in der Bewegung zu verwenden. Jede andere Verwendung sowie die absichtliche oder fahrlässige Preisgabe des Inhalts an andere Personen wird disziplinarisch und strafrechtlich verfolgt. Aktive Hoheitsträger und Politische Leiter werden als Mitarbeiter bevorzugt\" und \"Verteilungsplan für die Gaue, Kreise und Ortsgruppen: der Hoheitsträger, dessen Inhalt vertraulich zu behandeln ist, dient nur der Unterrichtung der zuständigen Führer. Er darf an andere Personen nicht ausgeliehen werden. Gemäß Anordnung des Reichsorganisationsleiter erhalten ihn in den Gauen, Kreisen und Ortsgruppen die nachstehend aufgeführten Hoheitsträger und Politischen Leiter: Gauleiter, Stellv.Gauleiter, Hauptamtliche Gauamtsleiter, Gaubeauftragte für Schulungsbriefe, Gauschulen, Kreisleitung, Kreis-Organisationsleiter, Kreis-Personalamtsleiter, Kreis-Schulungslager, Ortsgruppenleiter, Stützpunktleiter\". - Aus dem Inhalt: Parteigenossen! Auszüge aus dem Neujahrsaufruf des Führers vom 31.12.1941 - Politische Leiter der NSDAP!, Aufruf von Dr. r. Ley - Helmut Sündermann (Stabsleiter des Reichspressechefs): Die Starken und die Schwachen. Über die \"Stimmung\" im Volk - Giselher Wirsing: Am Scheitelpunkt des Krieges - Hauptbefehlsleiter Friedrich Schmidt: Rassenchaos und Erlösungswahn - Gauhauptstellensleiter Werner Dittschlag: Zur Schulungsarbeit der NSDAP - Der Gauleiter spricht (Dr. Goebbels an die Berliner) - Gauleiter Fritz Waechtler: Schule und Erzieherschaft im Einsatz für die erweiterte Kinderlandverschickung - Reichsamtsleiter H. Althaus und Reichshauptstellensleiter W. Hebenbrock: Jugenderholungspflege der NSV. Sorgen des Hoheitsträgers in der erweiterten Kinderlandverstrickung - F. H. Oberries: Wort und Bild an Häuserwänden. Auch ein Kapitel zum Kampf um die Straße - Günter Graßmann: Hausschmuck innen und außen - Das Bild als Propagandawaffe - Kulturfilme der Partei - Aufrüstung der Herzen. Die Arbeit der Partei im Kriege. Ein politischer Leiter feiert die Überführung seines Sohnes in der HJ. - Bannführer W. Knopp, Hauptabteilungsleiter in der Reichsjugendführung: Das Jugendstrafrecht (Verwahrlosung der Jugend, Verwahrlosungserscheinungen der weiblichen Jugend, Haltung der HJ.-Angehörigen im Vergleich zu derjenigen der nicht der Hitler-Jugend angehörenden Jugendlichen, Selbstmorde Jugendlicher, Tätigkeit erwachsene Jugendverführer) - Jugendarrest, Jugenddienst - Gauschulungsleiter Rudolf Röhrig: Volkstum gegen Grenzpfähle. Informationen zum Schulungsbrief 11/12.1941 - Was der Hoheitsträger wissen muss (Wer kann auf Ehrenfriedhöfen bestattet werden / Programm der NSDAP bei Auslegung alter Gesetze / Behandlung Unfruchtbargemacht in der NSDAP / Feldpostsendungen der Bewegung / Mundart in der Feldpostbetreuung / Der Vatikan und der Europäische Befreiungskrieg) - Sprechstunde der NSDAP (Geschiedene Frau eines Juden, Ehescheidung wegen Krankheit, Nationale Lieder in Gaststätten, Täuschung des Ehegatten über jüdische Abstammung) - Führerwort auf der Titelseite: \"Die Stärke der Männer zeigt sich nicht am Abend nach dem Siege, sondern wenn die Sonne einmal nicht scheint. Der Mutige wird in grimmigem Trotz den Kampf von neuem aufnehmen. Adolf Hitler am 8.12.1932 in Magdeburg\" - Kreisleiter Friedrich Brügger: Verantwortlich für die Stimmung im Volk - Kreisschulungsleiter Bruckmann: Schweigen und kämpfen - Stellvertr. Gauleiter Arthur Görlitzer: Die Trennung (Absonderung der Juden von der deutschen Volksgemeinschaft) . . . weitere Beschreibung s.Nr. 25013 ! Versand D: 5,90 EUR Deutsches / Drittes Reich, Großdeutschland im 2.Weltkrieg, Nationalsozialismus, Adolf Hitler, Verhaltensmaßregeln für Parteigenossen der NSDAP, Wehrmacht, Nationalsozialistische Volkswohlfahrt, Neuaufnahme von Sterilisierten / Erbkranken in die NSDAP nicht tunlich, Halbjuden und Singen des Horst-Wessel-Liedes, Pflicht des Halbjuden, bolschewistisches Untermenschen tun, scharfer judenfeindlicher Standpunkt, Verbrechen der GPU, illustrierte Bücher, NS.-Schrifttum, völkisches / nationalsozialistisches Gedankengut

      [Bookseller: Galerie für gegenständliche Kunst]
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        Vrij Nederland. Je Maintiendrai. Onafhankelijk Weekblad voor Alle Nederlanders

      [London, 1942. First edition. [16] pp. 1 vols. 12mo. Self wrappers. VG. Bookplate in envelope. First edition. [16] pp. 1 vols. 12mo. Letter from Churchill in English on p. 3, "I warmly welcome the decision to publish in this country a weekly Netherlands newspaper ... 29 July 1940." Dutch text on p. 2 "Disseminated 10/11 March-12/13 April 1942 " (Woods). Woods a12/2 p. 368

      [Bookseller: James Cummins Bookseller]
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        Det illegale Frit Danmark, 1.-3. årg. + Frit Danmark, 4. - 36. årg.

      - 1942-78. 4° og store 8°, illustreret, indbundet i 10 pæne, blå shirtingbind. (4 sidste årgange: 1979-1982 mangler).Alt er i øvrigt originalt, ingen genoptryk Elias Bredsdorffs eksemplar - med de sjældne illegale første årgange.

      [Bookseller: Andersens Antikvariat]
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        A Witness Tree [with Original photographs]

      Henry Holt, New York 1942 - New York: Henry Holt. 1942. F First Edition. H Hard Cover. Very Good. Signed and inscribed by Robert Frost on front endpaper: "Robert Frost Breadloaf VT 1943 For Margaret Fairlamb". Also laid in loose are 3 original photographs of Robert Frost playing baseball at Breadloaf. Two are copies of the same photograph, showing Frost at bat (4.75 x 3.125 inches); the other shows Frost striding to the crowd to get to the field (4.5 x 2.75 inches). The photos show a solidly built Frost, in what appear to be white seersucker trousers, held up by suspenders. The book is the March, 1943 printing (a later printing of the first edition). Hardcover in vintage jacket (jacket spine is discolored with some chips and tears to edges). Signed: I Signed by Author [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Arundel Books]
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      Gyldendalske Boghandel / Nordisk Forlag, Copenhagen 1942 - First edition. 332 pp. 8vo. "Navigare necesse est." Signed with Blixen's personal motto. Signed on the half-title, with the motto Blixen adopted as a youth: "Karen Blixen.- Navigare necesse est, vivere non necesse." (To sail is necessary, to live is not necessary.) The famous quote is attributed to Pompey, who exhorted his sailors to undertake a journey to bring grain from Africa to Rome during a fierce storm. In her essay "On Mottoes of My Life," Blixen writes that it was "the first real motto of my youth ? It came naturally to me to view my enterprise in life in terms of seafaring, for my home stands but a hundred yards from the sea, and through all the summers of our youth my brothers had boats in the fairways between Copenhagen and Elsinore ? No compass-needle in the world was as infallible to me as the outstretched arm of Pompey; I steered my course by it with unswerving confidence, and had any wiser person insisted that there was no earthly sense in my motto, I might have answered: 'Nay, but a heavenly sense!' and have added perhaps: 'And a maritime!'" (Daguerreotypes and Other Essays (1984), pp 5-6).This collection of short stories was originally written and published in Danish during the height of the Second World War, with the English edition appearing the same year, as "Winter's Tales" Henriksen 63 Original blue and white wrappers. Faint spotting to wrappers, faint creasing to spine, tiny tear to rear flap, but an attractive, near fine copy, in a custom cloth box [Attributes: First Edition; Signed Copy]

      [Bookseller: James Cummins Bookseller, ABAA]
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        Dil ve Tarih-Cografya Fakultesi Dergisi. [Journal of the Ankara University Faculty for Language and History/Geography]: iki ayda bir cikar. Birinci Yil. A run from Volume I, Number 1, 1942 to Volume XXVIII, Number 2, 1970.

      1942-70, Ankara 1942 - This set is heavy. Shipping quoted on request. A very good set in original cloth. First edition Twenty-eight volumes, bound in buckram.

      [Bookseller: John Randall (Books of Asia), ABA, ILAB]
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        Original fabric design by Sonia Delaunay for haute-couture textile supplier Robert Perrier

      Circa 1942. Gouache on paper, 205 x 260 mm; initialled by the artist in pencil at lower left "S.D."; wet stamp of the Robert Perrier Sonia Delaunay collection on reverse; framed; accompanied by a copy of a typed document by Sonia Delaunay (circa 1972) recording her sale of a total of 1,244 gouache fabric designs to M. Robert Perrier, 26 rue Norvins, Paris, 75018, in 1942; the document authenticates these designs for M. Perrier, and records that 115 of them were lent by M. Perrier for exhibitions in Mulhouse (May, 1971) and Nancy (September, 1972). As early as 1927, in a lecture titled The Influence of Painting on the Art of Clothes, Sonia Delaunay observed: "A movement is now influencing fashion, just as it influences interior decoration, the cinema, and all the visual arts, and it overtakes everything that is not subject to this new principle which painters have spent a century seeking; we are only at the beginning of these new colour relationships, still full of mysteries to unravel, which are at the base of a modern vision." Damase, Jacques, Sonia Delaunay : Fashion and fabrics (London : Thames & Hudson, 2014, p. 59). The career of Russian-born colourist Sonia Delaunay spanned seven decades, from the Belle Epoque to the 1970s. After studying in Germany, in 1905 she settled in Paris, where she would remain for most of her life. From around 1911, along with her husband, Robert Delaunay, she pioneered a particular branch of Cubism known as Simultanism (or Orphism, as it was termed by Apollinaire), which was based on the colour theory developed in the nineteenth century by Michel Eugène Chevreul (De la loi du contraste simultanée des couleurs, Paris, 1839). In this abstract style, form is subjugated to colour: the vital rhythm of a work is created by the interaction of overlapping and juxtaposed contrasting colours. As a multi-disciplinary artist, Delaunay constantly refined her Simultanist approach, producing work up until the late 1970s in a diversity of media and across the applied arts - notably in designs for theatre and ballet, fashion, textiles and architecture - and collaborating with writers such as Blaise Cendrars and Tristan Tzara. A major figure in the European avant-garde, her distinctive abstractionist aesthetic has influenced artists from Paul Klee through to contemporary fashion designers. Sonia Delaunay was the first living female artist to be honoured with a retrospective at the Louvre (1964); more recently, a major retrospective of her work was held at the Musée d’Art Moderne de la Ville de Paris (17 October 2014 to 22 February 2015) and the Tate Modern in London (15 April to 9 August 2015). A note on Robert Perrier: R-26 was an artistic salon regularly held at the private residence of socialites Madeleine, Marie-Jacques and Robert Perrier at 26 Rue Norvins in the Montmartre district of Paris. First convened on 1 January 1930, the salon became a meeting ground for many creative luminaries of the next eighty years, including singer Josephine Baker, architect Le Corbusier and musician Django Reinhardt ... Early on, painter Sonia Delaunay, a close colleague of Robert Perrier, was most active in introducing new artists to the gatherings, aided by her husband, Robert, and son, Charles. Provenance: the estate of art critic and publisher Jacques Damase, a close friend of the artist who promoted her work in the last 16 years of her life.

      [Bookseller: Douglas Stewart Fine Books]
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