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Displayed below are some selected recent viaLibri matches for books published in 1934

        Three Travel Albums of Paris, Rome, Albania, Czechoslovakia, and Germany from 1934-1940

      (N.p., Self-published 1934-1940) - Hand-assembled photo albums. Oblong octavos. Three unique, twenty-four-page albums filled with small format black and white photographs. Each album was captioned and hand decorated with ink-and-gouache drawings on gray card stock, presumably by the unidentified photographer. The whimsical, humorous illustrations create an ironic contrast to the photographs which document the traveler's journeys across Europe at the dawn of the Second World War. The albums also contain mounted travel tickets and ephemera. A truly unique and fascinating set from both an aesthetic and historical perspective. All texts in German. Paris (1934); string-bound in near fine, slightly soiled cloth-covered linen boards. Rome and Albania (1938); ribbon-bound in near fine felt-covered linen boards, with photographs protected by cobweb-imprinted tissue dividers (some small holes in the black felt covering). Czechoslovakia and Germany (1940); string-bound in cloth-covered linen boards; near fine with minor soiling to the cloth, photographs again protected by cobweb-imprinted tissue dividers.

      [Bookseller: Harper's Books, ABAA]
 1.   Check availability:     AbeBooks     Link/Print  


        Danzig-Polen-Korridor und Grenzgebiete: Eine Bibliographie mit besponderer Berucksichtigung von Politik und Wirtschaft (The Gdansk Poland Corridor and border: a bibliography with special attention to politics and economy)

      NP, Danzig 1934 - 4to. 243-463pp. Vol. 2 only. Dark blue cloth, gold lettering on spine. An extended bibliography providing a multitude of sources dealing with all aspects of the Poland corridor- the Baltic access land which Poland received at the Congress of Vienna after World War I. While the ethnic majority in the Corridor was Polish, the city of Gdansk (German: Danzig) had a significant German population, and when the Corridor split Germany from Eastern Prussia, the move drew significant anger from the Weimar Republic, which never formally acknowledged the new borders. When Hitler first took power in 1933, he reversed previous Weimar policy and entered into diplomatic negotiations with Poland, eventually signing a ten-year Polish-German Non-Aggression Pact in 1934- the year this bibliography was published. The index organizes the bibliography into 3 sections- "Danzig," "Grenzprovinzen" (border provinces), and "Grenz- und Auslandsdeutschtum des Ostens" (Borders and ex-patriots living in the East). Each of the 3 sections is then further organized into subsections dealing with the land, the history, the people, the politics, the economy, the culture, and so forth. While the text starts with page 243, it is a monographic work (the first volume was not related to the project). The bibliography was released on a yearly basis, and this 1934 printing includes the entries from 1931, 1932, and 1933. While Prinzhorn aims to construct an exhaustive account of the region, providing many Polish as well as German sources, Prinzhorn- who also wrote bibliographies for a number of other regions integral to Nazi manifest destiny, such as Sudutenland- is ultimately highly motivated to make the case for Danzig and the Corridor being ethnic German land. Text in German, in mimeographed typescript. Nazi library ink stamp on front end paper (Reichsleitung der NSDAP Amt Schrifttumspflege), slight staining and foxing on page edges. Remnants of Reichsleitung sticker on binding. Upper corner of spine bumped. Overall near fine condition. [Attributes: First Edition; Hard Cover]

      [Bookseller: ERIC CHAIM KLINE, BOOKSELLER (ABAA ILAB)]
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        Map of London. Map of Routes No. 1. Map of Routes No. 2. Underground Railways of London. Port of London River and Docks Cruises

      London: London Transport, Metropolitan Railway, Port of London Authority, 1934. No Binding. Good. 4 fold-out maps and 1 leaflet. London Underground map by Harry Beck. Beginnings of a tear at one fold on the railway map. Colours still bright. Corner dog-eared on Map of Routes No. 1. Inkstamp of ticket seller (Frames' Tours Ltd.) on leaflet. The London Underground map is undated, but it shows Harry Beck's iconic, geometric design and the Piccadilly line completed to Cockfosters station, suggesting it, like the other maps in this collection, was made in 1934. Other lines shown include District, Bakerloo, Edgware, Highgate & Morden, Metropolitan, Great Northern & City, and East London. The only difference between the two fold-out bus maps seems to be the quote featured on the cover. 1934 also featured the introduction of the bus shelter, a welcome development for riders. The railway map includes metropolitan, tube & district and other railways in a geographical format, plus the locations of local venues, mostly sports-related. The back lists many more places of interest along with the closest station. The leaflet advertises the schedule for a tour boat that left from Tower Pier.

      [Bookseller: Attic Books]
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        REPORT OF THE FIRST SCIENTIFIC EXPEDITION TO MANCHOUKUO, Section IV, in 4 Parts (complete). Under the Leadership of Shigeyasu Tokunaga, June - October 1933.

      Tokyo: Waseda University, 1934.. ORIGINAL EDITION!!! 4 Volumes, circa 420 pp., with many Plates. 4°, Softcover/Paperback. 4 Volumes!!! Section 4, Complete!! Bilingual Edition: Japanese and Latin. Complete 4th Section in 4 Parts: 1.: Plantae Novae Jeholenses I., by T. Nakai i.a. (1934). - 2.: Contributio ad Cognitionem Florae Manshuricae, by T. Nakai i.a. (1935). - 3.: Myxomycetes of Jehol by Y. Emoto; Ecological Study of Vegetation in the Province of Jehol, by M. Takahasi (1936). - 4.: Index Florae Jeholensis cum Appendice, by M. Honda i.a. (1936). // Former Library Books with Stamps and Signatures. Covers with light Shelf Wear, Labels are fixed with Tape on each Spine (partly crisped, with Browning and Stains). Pages clean. Good Condition! // Vollständige 4. Abteilung in 4 Teilbänden. Zweisprachig: Latein-Japanisch. Aus ehemaligem Bibliotheksbestand, mit entsprechenden Kennzeichnungen versehen. Einbände mit leichten Gebrauchsspuren, Rückensignaturen wurden mit Klebeband befestigt, daher Bräunungen und Flecken. Seiten sauber. Guter Zustand!

      [Bookseller: Antiquariat BOOKFARM]
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        LADIES AND GENTLEMEN

      1934. CABELL, James Branch. LADIES AND GENTLEMEN. NY: Robert M. McBride, 1934. 8vo., black cloth, stamped in silver, in dust jacket. First Trade Edition. A nice association copy, to playwright Eugene O'Neill: "For Eugene O'Neill, as a fellow Spectator of polite letters, with the regards of Branch Cabell, 29 September, 1934." The inscription refers to "The American Spectator," a literary magazine that made its debut in October, 1932. In a rare departure from habit, O'Neill agreed to contribute some non-dramatic writings to the magazine. George Jean Nathan, Ernest Boyd, Theodore Dreiser and Cabell were also joint editors with O'Neill on this short-lived publication. Very Good (stamping bright, few abrasions front endpapers); worn (chips with some lose of lettering on rear panel, tears, creases) d/j. $775.00.

      [Bookseller: Antic Hay Books]
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        Winner Take Nothing

      London: Cape, 1934 - Octavo. Original yellow boards, titles to upper board and spine in black. With the dust jacket. Yelllow cloth a little dusty, light spotting to edges, white dust jacket browned, red to spine faded. Quite uncommon in the dust jacket. First English edition, first impression. Hanneman A38a. [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
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        C. 1958 - 1964 Collection of Lucien Clergue Photographs

      France Collection of 20 photographic images by the great French photographer Lucien Clergue (b. 1934) all from his earlier, very powerful abstract and creative period - all large format, with titles and sizes, condition as per the following, including: Champ de 20 Seane, 1964 19.5" x 24" Silver gelatin ferrotyped print. Signed, titled, dated, variously numbered in ink. Arles-sur-Rhone Studio and reproduction limitation credit stamps on verso. Printed on Elese Lumiere paper by the artist; crimps in corners, silver mirroring of darks, very good, edgewear matted out; Etang de Vaccares, Camargue, 1963 edition 8 of 20. 24" x 19.5" Silver gelatin ferrotyped print. Signed, titled, dated, variously numbered in ink. Arles-sur-Rhone Studio and reproduction limitation credit stamps on verso. Printed on Elese Lumiere paper by the artist, 3" tear along mid right size (matted out); Etude de Nu, 1964 23.5" x 17.5" Silver gelatin ferrotyped print. Signed, titled, dated, variously numbered in ink. Arles-sur-Rhone Studio and reproduction limitation credit stamps on verso. Printed on Elese Lumiere paper by the artist, scattered indents and creasing, couple of 1" tears along edge, approx. 12 pinpoint indents lower left, archival repair on back; Le Mais d'Arles 1960, Silver gelatin ferrotyped print. Signed, titled, dated, variously numbered in ink. Arles-sur-Rhone Studio and reproduction limitation credit stamps on verso. Printed on Elese Lumiere paper by the artist, lower corners crimping, left edge bumped, short (1/8") edgetear; Le Marais d'Arles 1962 19.5" x 23.5" Silver gelatin ferrotyped print. Signed, titled, dated, variously numbered in ink. Arles-sur-Rhone Studio and reproduction limitation credit stamps on verso. Edition No. 15 of 20, Printed on Elese Lumiere paper by the artist, some crimping along edges, matted out; Nu de la Mer 1964 23.5" x 19.5" Silver gelatin ferrotyped print. Signed, titled, dated, variously numbered in ink. Arles-sur-Rhone Studio and reproduction limitation credit stamps on verso. Edition No. 5 of 20. Printed on Elese Lumiere paper by the artist, lower right corner chipped away, some edge-crimping; Nu De La mer 1964 Silver gelatin ferrotyped print. Signed, titled, dated, variously numbered in ink. Arles-sur-Rhone Studio and reproduction limitation credit stamps on verso. Edition No. 3 of 20 Printed on Elese Lumiere paper by the artist, some crimping along edges, corners, lower left corner scraped; Plages de Camargue 1964 24"x 18" Silver gelatin ferrotyped print. Signed, titled, dated, variously numbered in ink. Arles-sur-Rhone Studio and reproduction limitation credit stamps on verso. Edition No. 3 of 20, Printed on Elese Lumiere paper by the artist, some light edgewear, crimping; Poisson Mort Camargue 1958 Silver gelatin ferrotyped print. Signed, titled, dated, variously numbered in ink. Arles-sur-Rhone Studio and reproduction limitation credit stamps on verso. Edition No. 7 of 20, Printed on Elese Lumiere paper by the artist, some crimping along left side, top edge with some fading; Salines 1964 24" x 19.5" Silver gelatin ferrotyped print. Signed, titled, dated, variously numbered in ink. Arles-sur-Rhone Studio and reproduction limitation credit stamps on verso. Edition No. 5 of 20, Printed on Elese Lumiere paper by the artist, 1/2" tear center top edge, scattered indenting, some archival taping on back, still very good and presentable in the matte surround; Salines 1964 24" x 18.5" Silver gelatin ferrotyped print. Signed, titled, dated, variously numbered in ink. Arles-sur-Rhone Studio and reproduction limitation credit stamps on verso. Printed on Elese Lumiere paper by the artist, some crimping along edges, archival taping on back, tiny chip of emulsion upper middle; Salines 1964 24" x 19.5" Silver gelatin ferrotyped print. Signed, titled, dated, variously numbered in ink. Arles-sur-Rhone Studio and reproduction limitation credit stamps on verso. Printed on Elese Lumiere paper by the artist, some edgecrimping at bottom, a few tears lower edge; Salines 1964 19.5" x 23.5" Silver gelatin ferrotyped print. Signed, titled, dated, variously numbered in ink. Arles-sur-Rhone Studio and reproduction limitation credit stamps on verso. Edition No. 2 of 20, Printed on Elese Lumiere paper by the artist, couple of vertical cracks lower corner, some light edgecrimping; Salines 1964 23.5" x 19.5" Silver gelatin ferrotyped print. Signed, titled, dated, variously numbered in ink. Arles-sur-Rhone Studio and reproduction limitation credit stamps on verso. Edition No. 3 of 20 Printed on Elese Lumiere paper by the artist, some edgewear and crimping upper and lower edge; Salines 1964 23.5" x 19.5" Silver gelatin ferrotyped print. Signed, titled, dated, variously numbered in ink. Arles-sur-Rhone Studio and reproduction limitation credit stamps on verso. Edition No. 2 of 20, Printed on Elese Lumiere paper by the artist, couple of crimping lines; Salines 1964 19.5" x 24" Silver gelatin ferrotyped print. Signed, titled, dated, variously numbered in ink. Arles-sur-Rhone Studio and reproduction limitation credit stamps on verso. Edition No. 2 of 20, Printed on Elese Lumiere paper by the artist, small tear lower edge, some crimping; Soleil de Marais 1962 19.5" x 24" Silver gelatin ferrotyped print. Signed, titled, dated, variously numbered in ink. Arles-sur-Rhone Studio and reproduction limitation credit stamps on verso, Edition No. 5 of 20 Printed on Elese Lumiere paper by the artist, edgecrimping, couple of bends; Tores Muertos 24" x 19.5" Silver gelatin ferrotyped print. Signed, titled, dated, variously numbered in ink. Arles-sur-Rhone Studio and reproduction limitation credit stamps on verso. Edition No. 3 of 20, Printed on Elese Lumiere paper by the artist, some indenting lower edge, 1" tear, top and bottom, crimping, some archival tape reinforcement on back; Tores Murtos 19.5" x 24" Silver gelatin ferrotyped print. Signed, titled, dated, variously numbered in ink. Arles-sur-Rhone Studio and reproduction limitation credit stamps on verso. Edition No. 3 of 20, Printed on Elese Lumiere paper by the artist, some crimping along edges, creasing; Vignes Inondees Camargues 1960 Silver gelatin ferrotyped print. Signed, titled, dated, variously numbered in ink. Arles-sur-Rhone Studio and reproduction limitation credit stamps on verso. Edition No. 5 of 20, Printed on Elese Lumiere paper by the artist, some crimping along top edge; all of the photographs have been professionally mounted (via corners only) and uniformly matted, using archival white stock; while the condition of the photographs is noted as above, there are a couple of factors which make this a very desirable collection of Clergue's work: first, to acquire this collection of 20 large, low-limitation original photographs individually would be extremely tedious and costly; second and most importantly, the impeccable provenance: All of these photographs by the artist Lucien Clergue, a recipient of the Légion d'honneur and more recently honored by being the first photographer given a seat in the prestigious French Academy - were part of the collection of American writer James Jones (1921-1977) of "From Here to Eternity" and National Book Award fame, and are directly from that estate. . Very Good.

      [Bookseller: Certain Books, ABAA]
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        Tender Is The Night.

      Charles Scribner's Sons, New York 1934 - First edition. Octavo, original green cloth. Inscribed by the author, "For the unknown, unmet parents of Clare (note: double underlined). Knowing her, I hope you will find something to like in this present. Best wishes, F. Scott Fitzgerald". A very good copy with some wear to the crown and foot of the spine, extremities of the cloth in a very good unrestored first issue dust jacket that has some chips and inner strengthening. Housed in a custom clamshell box. F. Scott Fitzgerald wrote in a friend's copy of Tender Is the Night, "If you liked The Great Gatsby, for God's sake read this. Gatsby was a tour de force but this is a confession of faith." Set in the South of France in the decade after World War I, Tender Is the Night is the story of a brilliant and magnetic psychiatrist named Dick Diver; the bewitching, wealthy, and dangerously unstable mental patient, Nicole, who becomes his wife; and the beautiful, harrowing ten-year pas de deux they act out along the border between sanity and madness. Tender Is the Night is also the most intensely, even painfully, autobiographical of Fitzgerald's novels; it smolders with a dark, bitter vitality because it is so utterly true. This account of a caring man who disintegrates under the twin strains of his wife's derangement and a lifestyle that gnaws away at his sense of moral values offers an authorial cri de coeur, while Dick Diver's downward spiral into alcoholic dissolution is an eerie portent of Fitzgerald's own fate. F. Scott Fitzgerald literally put his soul into Tender Is the Night, and the novel's lack of commercial success upon its initial publication in 1934 shattered him. He would die six years later without having published another novel, and without knowing that Tender Is the Night would come to be seen as perhaps his masterpiece. In Mabel Dodge Luhan's words, it raised him to the heights of "a modern Orpheus." Named by Modern Library as one of the 100 greatest novels of the twentieth century. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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        More Pricks Than Kicks.

      London: Chatto & Windus, 1934 - Octavo. Original tan cloth, titles to spine in blue, top edge stained tan. With the dust jacket. Housed in a quarter green morocco folding case. Pages just a little toned, small bookseller's label to lower pastedown, lettering to spine just beginning to flake, an excellent copy in the rubbed and somewhat frayed dust jacket, missing a piece along the front fold and a few smaller pieces at the corners. First edition, first impression of the author's first published book of fiction (preceded only by the poem Whoroscope and his essay Proust). This is certainly Beckett's scarcest regularly published book. With the author's signed presentation inscription to the title page, "to Molly with much love 40 years later from Sam". And with the recipient Mollie Roe's pencil ownership signature to the front free endpaper. Molly (or Mollie) Roe was Beckett's first cousin with whom he had been particularly close from early childhood. They remained in contact throughout their lives as evidenced by this inscription which would appear to date from the mid 1970s. Copies of the first edition of More Pricks than Kicks are of considerable scarcity in collectable condition; examples in dust jacket are rare. We know of a tiny handful of which only one other would seem to be inscribed. Federman & Fletcher A16 [Attributes: First Edition; Signed Copy]

      [Bookseller: Peter Harrington. ABA member]
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        Tender is the Night

      Scribners 1934 - First Edition, First Printing SIGNED by F. Scott Fitzgerald on a laid in signature. This first issue dustjacket has the blurbs by Eliot, Mencken and Rosenfeld printed on front flap. This ORIGINAL dustjacket has benefitted from some professional restoration to the spine ends and panels. The end result is a stunning dustjacket that is vibrant in color with no chips or tears to the dustjacket. The book is in nice shape. The boards are crisp with light wear to the edges. The binding is tight, and there is no writing, marks or bookplates in the book. Overall, a sharp copy of this true first edition in SIGNED by the author. We buy SIGNED Fitzgerald First Editions. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Quintessential Rare Books, LLC]
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        Tender Is the Night

      New York: Charles Scribner's Sons. 1934. First. First edition. Lightly worn cloth, near fine in an attractive, first issue dustwrapper with an unfaded spine and some minor repair and restoration at the extremities. Fitzgerald had all but fallen off the map when this, his last completed novel, was issued. A portrait of expatriates on the French Riviera, it was supposedly based on Gerald and Sara Murphy but is as likely based on the Fitzgeralds themselves. The 1962 film version by Henry King, the last of his many films adapted from literary novels, featured Jason Robards and Jennifer Jones. Housed in a custom clamshell case. A very nice copy of a desirable and very uncommon title, almost never encountered without fading to the spine. Connolly 100. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        It's a Battlefield

      Heinemann London 1934 - The author's personal file copy with a letter of provenance to this effect laid-in and with his ownership signature. Extensively revised throughout for the third edition of 1948. On the verso of the half-title Greene has noted: "2nd edition in Penguin books - third edition completely revised 1948." Constructions are changed, there are insertions, additions and throughout the name "Commissioner" is changed to "Assistant Commissioner;" several passages are entirely crossed through. Disbound and used as a setting copy, with some extra pencil notes, probably by the printer, on some pages. Greene's corrections in ink on 150 pages. A sample check reveals that the corrections made here are incorporated into the revised edition.

      [Bookseller: R.A. Gekoski ABA ILAB]
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        Tender is the Night

      Scribner 1934 - First Edition, First Issue dustjacket with blurbs by Eliot, Mencken and Rosenfeld printed on front flap. This ORIGINAL dustjacket has benefitted from some professional restoration to the spine and edges. The end result is a spectacular dustjacket that is rich in color with no chips or tears to the dustjacket. The book is in wonderful shape. The boards are crisp with light wear to the panels. The binding is tight, and there is no writing, marks or bookplates in the book. Overall, an amazing copy of this true first edition with the scarce dustjacket. [Attributes: First Edition; Hard Cover]

      [Bookseller: Quintessential Rare Books, LLC]
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        Fer-de-lance (First Edition)

      Farrar and Rinehart, New York 1934 - First Edition. Near Fine in a Near Fine example of the rare dust jacket with the Farrar and Rinehart circular "recommendation" sticker on the front panel (issued with most known copies of the jacket). Pink topstain very bright, gilt bright and complete, jacket with only a couple of tiny chips, some expert repairs and restoration at the upper spine panel, and some strengthening along the flap folds. A lovely copy of the first Nero Wolfe mystery, a Haycraft-Queen cornerstone. [Attributes: First Edition; Hard Cover]

      [Bookseller: Royal Books, Inc., ABAA]
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        TENDER IS THE NIGHT

      New York:: Scribner's Sons,. 1934. First edition in first-issue dust jacket. A novel published nine years after the THE GREAT GATSBY. Decorations by Edward Shenton. Although considered one of his more important books now--it is one of the Connolly 100 and is listed in Modern Library's Top 100 Novels--at the time of publication, the critical reception was damning. So much so that Fitzgerald allowed changes in later editions of the book. Only years after his death was the text restored to the original as published herein. The barest wear to corners of original green cloth, very light offset on endpapers, and the gilt on the word "Tender" on spine just a bit rubbed, otherwise fine in pictorial dust jacket with minor restoration to top edge and flap fold. Housed in a specially made clamshell box with leather label.

      [Bookseller: Quill & Brush]
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        Tender is the Night. A Romance.

      New York: Charles Scribner's Sons, 1934 - Octavo. Original ribbed green cloth, titles to spine gilt. With the dust jacket. Housed in a dark green quarter morocco solander box. Bookplate. Binding very slightly rubbed at the extremities but an unusually nice copy in the somewhat frayed and faded dust jacket with a small chip to the base of the spine panel and small loss at the top edge of the upper panel, and some light internal repair at one fold. Decorations by Ernest Shenton. First edition, first printing. [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
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        Security Analysis: Principles and Technique.

      Whittlesey House/ McGraw Hill, New York 1934 - First edition of this classic in investing. Octavo. Beautifully rebound by Bayntun-Riviere Bindery. All edges gilt, tooling to the spine and panels. Small stamp on the title page. First printings are exceptionally scarce. Continuously in print through five editions, for more than 70 years, and with nearly a million copies sold, Security Analysis is indisputably the most influential book on investing ever written. Known as the investors' bible, it is as frequently consulted today as it was when it first appeared in 1934. The original words of Benjamin Graham and David Dodd--put to paper not long after the disastrous Stock Market Crash of 1929--still have the mesmerizing qualities of rigorous honesty and diligent scrutiny, the same riveting power of disciplined thought and determined logic that gave the work its first distinction and began its illustrious career. [Attributes: First Edition; Hard Cover]

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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        Appointment in Samarra

      New York: Harcourt, Brace and Company, [1934]. First edition. 8vo. 301 pp. Black cloth. A fine copy in near fine first state dust jacket designed by Maurer (professional restoration to spine ends and top of back panel), in custom half-morocco clamshell box. Bruccoli A2.1.a . O'Hara's wildly successful first novel, rare enough in an acceptable dust jacket, here with a fine inscription on the flyleaf: "To Lorraine MacLean/ in Bullock's Wilshire/window/ John O'Hara, Sept. 2/1934."

      [Bookseller: James Cummins Bookseller]
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        Munitions Industry: Hearings before the Special Committee Investigating the Munitions Industry, United States Senate, Seventy-Third Congress, Pursuant to S. Res. 206 - Parts 1-34, Pages 1 - 11,319 [ Missing Parts 35-40 ]

      United States Government Printing Office, Washington, D. C. 1934 - A very good copy of a 14-volume, near-complete set, bound in quarter leather with gilt lettering to the spines and marbled endpapers, each volume bearing Congressman's Louis Ludlow's name in gilt at the base of the spine. Parts 1-14 have sparse marginal pencil strikes at some key passages, with some penciled topics/page numbers to a small number of the section covers/endpapers; else the texts are unmarked. The parts are bound as follows: Parts 1-3 (pt. 1. September 4-6, 1934. Electric Boat Co. -- pt. 2. September 7, 1934. Driggs Ordnance & Engineering Co. -- pt. 3. September 7 and 10, 1934. American Armament Corporation); Parts 4-6 (pt. 4. September 10-12, 1934. Curtiss-Wright Export Corporation -- pt. 5. September 12-14, 1934. E.I. Du Pont de Nemours & Co. -- pt. 6. September 17 and 18, 1934. Pratt & Whitney Aircraft Co. and United Aircraft Exports, Inc.); Parts 7-9 ( pt. 7. September 18-20, 1934. Federal Laboratories, Inc. -- pt. 8. September 20,21, 1934. Lake Erie Chemical Co. and U.S. Ordnance Engineers -- pt. 9. December 4 and 5, 1934. International munitions control ); Parts 10-12 (pt. 10. December 5 and 6, 1934. Embargoes -- pt. 11. December 6,7, and 10, 1934. Chemical preparations following the war and interchange of military information -- pt. 12. December 11 and 12, 1934. Relationship of munitions makers to the government; international connections in the chemical industry ); Parts 13-4 (pt. 13. December 13, 1934. Profiteering, government contracts and expenditures during World War, including Old Hickory contract -- pt. 14. December 14, 1934. Old Hickory contract (continued) ); Parts 15-16 (pt. 15. December 17 and 18, 1934. Old Hickory contract (continued) and industrial organization in war . pt. 16. December 19, 1934. Industrial organization in war (continued); examples in World War and plans for next war); Parts17-18 ( pt. 17. December 20 and 21, 1934. Industrial organization in war (concluded); examples in World War and plans for next war -- pt. 18. January 21-25,29,30, and 31, 1935. Naval shipbuilding; New York Shipbuilding Corporation.); Parts 19-20 (pt. 19. February 1,4-7, and 11, 1935. Naval shipbuilding; New York Shipbuilding Corporation (concluded) -- pt. 20 February 12-15, 18-21, 1935. Naval shipbuilding; Newport News Shipbuilding and Dry Dock Company ); arts 21-22 (pt. 21. February 22, 25-28, and March 12-15, 1935. Naval shipbuilding; Bethlehem Shipbuilding Corporation . --pt. 22. March 19-21, 28-29, 1935. Limitation of war profits; wartime taxation and price control); Parts 23-24 (pt. 23. April 1-5, 1935. Naval Shipbuilding; Federal Shipbuilding and Dry Dock Company, Bath Iron Works Corp., Sun Shipbuilding and Dry Dock Co., United Dry Docks, Inc. -- pt. 24. Limitation of war profits and naval shipbuilding ); Parts 25-26 (pt. 25. January 7 and 8, 1936. World War financing and United States industrial expansion, 1914-1915; J.P. Morgan & Company -- pt. 26. January 9 and 10, 1936. World War financing and United States industrial expansion, 1915); Parts 27-28 (pt. 27. January 13 and 14, 1936. World War financing 1915; neutrality 1914-1917; J.P. Morgan & Company -- pt. 28. January 15 and 16, 1936. Neutrality 1914-17; World War financing 1916 ); Parts 29-30 (pt. 29. February 4 and 5, 1936. Allied financing in the United States, 1917-1923; J.P. Morgan & Company -- pt. 30. February 6, 1936. Exhibits on wartime and post-war financing, 1914-1923); Parts 31-33 (pt. 31. February 6, 1936. Exhibits on wartime and post-war financing, 1914-1923 (Continued) -- pt. 32. Februrary 6, 1936. Exhibits on wartime and post-war financing, 1914-1923 (Continued) -- pt. 33. Februrary 6, 1936. Exhibits on wartime and post-war financing, 1914-1923 (Continued) ; Part 34 (pt. 34. Exhibits on wartime and post-war financing, 1914-1923 (Continued). Missing from the complete set are the six last parts, 35-40. Some small surface tears/surface abrasions to boards of volume Parts 15-16 and volume Part 34. Else the bindings are solid: no sp [Attributes: First Edition; Hard Cover]

      [Bookseller: Works on Paper]
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        Tender is the Night

      Scribner, scribners 1934 - First Edition, First Printing with the ORIGINAL dustjacket. A stunning second issue dustjacket that has benefitted from professional restoration. The end result is a beautiful dustjacket that is rich in color with no chips or tears. The book is excellent condition. The binding is tight, and the boards are crisp with light wear to the edges. The pages are exceptionally clean with no writing, marks or bookplates in the book. Overall, a lovely copy of this TRUE FIRST EDITION in collector's condition. We buy Fitzgerald First Editions. [Attributes: First Edition; Hard Cover]

      [Bookseller: Quintessential Rare Books, LLC]
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        Appointment in Samarra

      Harcourt Brace and Company 1934 - First Edition, First Printing SIGNED by John O'Hara. This original First Issue dustjacket with "Recent Fiction" on top back panel of dustjacket. An attractive dustjacket that is rich in color with no chips or tears. The book is excellent shape. The binding is tight, and the boards are crisp with a hint of wear to the panels. The pages are exceptionally clean with no writing, marks or bookplates in the book. Overall, a sharp copy of this TRUE FIRST EDITION in SIGNED by the author. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Quintessential Rare Books, LLC]
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        Winner Take Nothing (Leather Bound) (Signed by Author)

      Jonathan Cape. Very Good. 1934. First UK Edition/First Printing. Hardcover. Inscribed and signed by Hemingway on front fly leaf "To Luis Lonzo with all best wishes Ernest Hemingway La Habana 1943". Three quarter tan calf leather bound cover with 5 raised bands, gilt stamped spine decor and marbled boards is in Very Good+ or better condition. Housed in a matching tan calf leather slip case which is in Very Good+ condition. Boards and spine are straight. Binding is tight. Light damp stain to top edge (does not extend into the pages). Pages clean and in very good condition. ; 7.87 X 5.43 X 0.94 inches; Signed by Author .

      [Bookseller: New Boston Fine and Rare Books]
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        Caledonia. A Fragment. Illustrated by Edward Burra.

      London: [for the author, 1934] - Octavo. Original tartan-patterned boards, red cloth backstrip, printed paper label to upper board. Boards very lightly rubbed, backstrip rubbed and a little frayed, upper joint starting First edition, sole impression, one of fewer than 100 copies printed for Powell himself. Dedication copy inscribed by the author on the dedication leaf, "And Wyndham Lloyd, Esquire being the latter of these two gentlemen [referred to the in the printed dedication] and this copy being presented by the author himself. Feb. 16th 1930, XXV Geo 5". Loosely inserted in a typed letter signed with both typed and manuscript corrections. Addressed to Lloyd and signed "Tony", it is dated August 26, 1949 and offers thanks for the gift of a book, "Thank you so much for the 'Wonderful Characters' who absolutely delighted me. I have done no more than skim through them yet, but particularly liked the man who crucified himself. I see the Powell family seem to have got no further than being pedestrians; and I have yet to find any Lloyds who are surely included". Powell also refers to a stay with friends in Cornwall and discusses his edition of the Letters of John Aubrey, "The new edition is printed on cardboard instead of lavatory paper so that it appears to be at least three times as long. Do not be taken in by this". The recipient, Wyndham Edward Buckley Lloyd, is referred to in the printed dedication as "A gentleman residing in London, member of a Royal College of Surgeons and Licentiate of the Royal College of Physicians". His book, A Hundred Years of Medicine, was published in 1936. Wyndham Lloyd was the brother of the first dedicatee, John Davies Knatchbull Lloyd, who was friendly with the group of intellectuals known as the Bright Young Things, of which Powell was a member. Though Caledonia was printed in order to be given away, most copies were not inscribed at the time of publication, and contemporary inscriptions are particularly uncommon. [Attributes: First Edition; Signed Copy]

      [Bookseller: Peter Harrington. ABA member]
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        The Postman Always Rings Twice

      New York: Alfred A. Knopf. 1934. First. First edition. Boards are slightly soiled and near fine, with a supplied proof dustwrapper which came directly from the estate of the artist Arthur Hawkins, Jr. The jacket has been folded with a crease at the spine, Knopf's small Borzoi logo has been cut away from the rear panel (possibly for another design by Hawkins), and Hawkins has written the date "1933" on the front flap, although the book wasn't released until 1934. However the jacket is exceptionally bright and otherwise fine, and about .25" taller than the finished version, to which we have compared it (although otherwise identical to it). The jacket was unsigned by Hawkins, unlike most of his work, but is credited to him in Heller and Chwast's seminal study of jacket design, Jackets Required -- the survival of this proof in his estate seems to confirm their research. A milestone of hardboiled literature that was the basis for the classic 1946 film featuring Lana Turner and John Garfield (as well as at least three other versions). Haycraft-Queen Cornerstone. This proof jacket is likely unique. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Call It Sleep.

      Robert M. Ballou, (1934)., New York: - Original light blue linen. Ink mark on front endpaper, slight fading, a very good copy. First state dust-jacket a little faded (probably once washed) and with some very light wear at the extremities. Half leather case. First edition [Attributes: First Edition; Hard Cover]

      [Bookseller: Thomas A. Goldwasser Rare Books (ABAA)]
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        TEDDY TAIL WADDLE BOOK

      Wm. Collins Sons & Co. Ltd., London and Glascow 1934 - (Comics) TEDDY TAILS WADDLE BOOK. London and Glascow: Wm. Collins Sons & Co. Ltd., [1934]. First edition. 4to - 7-1/2" x 10-1/4". Color pictorial boards are quite fresh and clean with just the slightest bit of wear to the board corners. Color pictorial endpapers. [23]pp. + [2]pp instructions for assembling waddle figures. Eleven pages illustrated in full color within text with the remaining pages being illustrated in black and white within text. Also included in this offering is the original printed envelope containing the runway on which the waddle figures walk along with the two assembled waddle figures. This is truely a unique offering of the most elusive of the three "Waddle" books. The condition of all items is VERY GOOD. No other known complete copies of this book. [Attributes: First Edition; Hard Cover]

      [Bookseller: Wallace & Clark, Booksellers]
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        Courageous Women: Inspiring Biographies of Girls Who Grew to be Women of Courage and Achievement -by L M Montgomery, Marian Keith, M B McKinley ( Lucy Maud / Mabel Burns ) (in rare variant dustjacket)

      Toronto: McClelland & Stewart, 1934, 1st Edition, 1st Printing - -----------hardcover, red cloth, a Near Fine copy, in a lovely Good/Very Good text design dustjacket with some shallow chipping and a few closed tears, a wee bit of age toning to the spine of the jacket (and I do mean wee), a sticker has been placed over the price on the front flap but careful examination with abright light reveals a 1.50 price tag, incredibly rare in any dustjacket, this is the variant jacket (with text only) of the more often seen pictorial dustjacket edition, no priority has been established but all dustjacketed copies are rare, ---the pictorial dustjacketed copies are in a reddish-orange cloth and are slightly taller than this variant issue, ----as per the Lucy Maud Montgomery bibliography by Frank and Juanita Lechowick this copy is in maroon cloth (I'd call it red but who am I to quibble), as well this has the ruled line on the copyright page, red stain to upper edge of text block as called for, 19.6 cm tall (versus 20.9 cm on the red-orange issue) ---no priority established between the two issues but it is difficult to imagine McClelland and Stewart producing this with a pictorial dustjacket for the first "run" and then finding demand high and issuing it with a text jacket, it SEEMS much more likely that unexpected demand for the book with the text dustjacket would lead M&S to issue further copies with a more visually appealing pictorial dj ---and of course, if the pictorial jacket had been used on the first production run why change it all?, a very scarce book but especially so in dustjacket, the Lechowick bibliography states that there is one recorded copy of this title in this text design dustjacket ---now two copies are known but I guess there are other copies out there burrowed away in some little hidey-hole, -----contents include: The Maid of France: Joan of Arc; The Angel of the Crimea: Florence Nightingale; The Great White Ma: Mary Slessor of Calabar; A Brave Deed: Laura Secord; Happiness in a Log Cabin: Catharine Parr Traill; A Noble Girl Queen: Queen Victoria; Courage in Danger: Madeleine De Vercheres; From Darkness to Light: Helen Keller; A Friend of the School: Ada May Courtice; The Golden Chrysanthemum: Caroline MacDonald; A Loyal Pioneer of the West: Elizabeth Louise Mair; Caring for Indians: Anna J Gaudin; A War Heroine: Edith Cavell; Braving the White North: Sadie Stringer; Canada's Queen of Song: Madame Albani; The Princess of the Paddle: ( Tekakionwake ) E Pauline Johnson; A Leader in Education: Aletta Elise Marty; A Pupil at School: Dr Margaret MacKellar; A Daughter of the Empire: Margaret Polson Murray; Service for Others: Lady Tilley; Champion of Dumb Animals: Marshall Saunders, any image directly beside this listing is the actual book and not a generic photo [Attributes: First Edition; Hard Cover]

      [Bookseller: Leonard Shoup (Member of IOBA)]
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        3rd and Market Street, San Francisco

      1934 - E. H. Suydam Original pencil drawing designed for San Francisco, A Pageant Published New York: 1943 Drawings completed San Francisco: 1931-34 24” x 19 1/4” framed Edward Howard Suydam, an accomplished painter and printmaker working during the early part of the twentieth century, created a body of work that served to illustrate and document the development and growth of several important American cities. A student of Philadelphia artist Thornton Oakley at the School of Industrial Art, Suydam gained a firm background in illustration, which later led him to work for numerous books and periodicals including Harper’s, The Forum and Country Life. Suydam’s views of San Francisco are captivating and quite revealing about its architecture, commerce and growth. The primary purpose behind such views were to entice easterners to travel to the golden city of the west.

      [Bookseller: Arader Galleries San Francisco]
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        Marlborough. His Life and Times.

      London, George G. Harrap & Co. Ltd., 1934–9 - Large octavo., 4 vols. Original purple cloth, titles gilt to spines, in dust jackets. Endpapers a little foxed and browned, but internally very clean, spines slightly sunned with the typical ghosting through the jackets, jackets similarly sunned and chipped with a few edge-splits, but a very nice set. Profusely illustrated with plates, portrait, maps and facsimiles. Limited Presentation Edition. Volume I, Second Impression of the New Edition, revised, 1939; Volume II, Second Impression, 1934; Volumes III & IV, First Editions, 1936 and 1938 respectively. Inscribed on the front free endpaper of Volume I; "To Cyril Newall from Winston S. Churchill. May 1941". Newall served with the RFC in WWI, becoming involved in the training for, and organization of, long-range reconnaissance and bombing operations; "41 wing. was formed under his command at Ochey, near Nancy, in October 1917 to specialize in raids on Germany. That brigade, led by Newall as a brigadier-general from December, joined Trenchard's independent bombing force after May 1918. Its actual achievements were small, but both Trenchard and Newall became convinced that the morale impact of bombing on Germans had been devastating" (ODNB). In the inter-war years he rose through a number of important postings including four years as head of RAF Middle East, becoming Chief of Air Staff in 1937, "Sir John Slessor, who worked closely with Newall in the late 1930s, described him as 'the prime architect of the wartime air force'." Replaced by Portal in 1940, Newall was promoted to Air Marshal, appointed to the Order of Merit, and made Governor-General of New Zealand. Woods A40(a). [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
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        JAPANESE GOBLIN POETRY: Rendered into English By Lafcadio Hearn and Illustrated by His Own Drawings. Compiled by His Son Kazuo Koizumi.

      A FIRST & ONLY LIMITED NUMBERED EDITION OF 500 COPIES Tokyo 1934, - Oyama. White cloth spine over blue Kasuri cottoncovers, tall folio, Japanese & English text, 23 tipped-intissue facsimiles, spine a bit rubbed, contents clean, withpresentation card signed, dated & sealed by Kazuo Koizumi. Color scans available for this book on request. Description content 2014Copyright Rare Oriental Books Co.

      [Bookseller: RARE ORIENTAL BOOK CO., ABAA, ILAB]
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        Wandteppiche. Drei Teile in je zwei Teilbänden (insg. 6 Bde., compl.).

      Leipzig, Klinkhardt & Biermann/ Schmidt & Günther, 1923-1934 - 4°, Erster Teil: zus. 668 S., 4 farb. Tafeln, 24 Markentafeln; 510 s/w Tafeln; Zweiter Teil: zus. 644 S., 8 farb. Tafeln, 552 Abb. u. 20 Markentafeln; Dritter Teil; zus. 650 S., 6 farb. Tafeln, 450 Abb. u. 8 Markentafeln., OLwd. m. goldgepr. Rückenschildchen, teilw. Lesebändchen (3 Bde. im Kart.-Schuber), Alle Bde.: Min. berieben, Rücken etw. beschienen (die ersten beiden Teilbde. stärker beschienen); Deckel, Schnitt, einige Vors. u Titelbl. teilw. min. stockfleckig; Erster Teil, Bd. II: Fronti. m. kl. Randeinriss; Zweiter Teil, Bd. II: 3 Tafeln je m. kleinem Randriss. Insgesamt gute und seltene Exemplare. Erster Teil: Die Niederlande; Bd. I u. Bd. II; Zweiter Teil: Die romanischen Länder: Die Wandteppiche und ihre Manufakturen in Frankreich, Italien, Spanien und Portugal; Bd. I u. II; Dritter (sehr seltener) Teil: Die germanischen und slawischen Länder; Bd. I: Deutschland einschliesslich Schweiz und Elsass (Mittelalter), Süddeutschland (16. bis 18. Jahrhundert); Bd. II: West-, Mittel-, Ost-, und Norddeutschland, England, Irland, Schweden, Norwegen, Dänemark, Russland, Polen, Litauen. «Die gründlichste Auswertung aller literarischen und urkundlichen Quellen in Verbindung mit umfassender Kenntnis und Untersuchung der erhaltenen Teppichbestände».Ein Standardwerk über die Kunst der Wandteppiche. 18000 gr. [Attributes: Soft Cover]

      [Bookseller: antiquariat peter petrej]
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        Call It Sleep

      New York: Robert O. Ballou. (1934). First. First edition, first printing. Spotting on the cloth boards, a good copy in good dustwrapper worn at the extremities and with a modest chip at the crown. A classic Jewish-American novel (as well as a high point of proletarian fiction) about the terrors of a young boy growing up in a squalid and poverty-stricken urban immigrant neighborhood. Forgotten almost immediately upon publication, it was rediscovered in the 1950s and '60s and now stands among the finest novels of the 20th Century. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        THE THIN MAN.

      New York: Alfred A. Knopf, 1934. - First edition. 8vo. Cloth is lightly mottled as is usually the case with this title, else near fine in dust jacket, with light professional restoration to spine ends and corners. Housed in a two tone quarter leather and cloth clamshell case with titles stamped in gold on the spine. A lawyer-friend asks Nick Charles to help find a killer and reintroduces him to the family of Richard Wynant, an eccentric inventor who disappeared from society 10 years prior. Wynant's former wife, Mimi, has remarried a European fortune hunter who turns out to be a spiteful former associate of her first husband and is bent on the ruin of Wynant's family fortune. Wynant's children, Dorothy and Gilbert, seem to have inherited the family aversion to straight talk. Nick tries to make sense of misinformation, false identities, far-fetched alibis, and, at the center of the confusion, the mystery of The Thin Man, Richard Wynant. Is he mad? Is he a killer? Or is he really an eccentric inventor protecting his discovery from intellectual theft? Basis for the 1934 film of the same name that starred William Powell, Myrna Loy, Maureen O'Sullivan, and others. The film was nominated for four Oscar awards. [Attributes: First Edition; Hard Cover]

      [Bookseller: BUCKINGHAM BOOKS, ABAA, ILAB]
 33.   Check availability:     AbeBooks     Link/Print  


        Photographs 1920-1934 Paris With a Portrait by Picasso - Texts by André Breton Paul Eluard Rrose Sélavy [a.k.a. Marcel Duchamp], Tristan Tzara - Preface by Man Ray.

      Hartford James Thrall Soby 1934 - Inscribed By Man Ray to Dancer and Artist Corinne Chochem RAY, Man. Photographs 1920-1934 Paris. With a Portrait by Picasso - Texts by André Breton Paul Eluard Rrose Sélavy [a.k.a. Marcel Duchamp], Tristan Tzara - Preface by Man Ray. Harford Connecticut/ New York: James Thrall Soby/Random House, [1934]. First edition with the cancel title with the fictitious "second edition"statement. According to 101 Books, by Roth, the publisher "attempted to generate demand where none existed by suggesting the edition had sold out. copies with the original title page are exceedingly rare." Presentation copy, inscribed by Man Ray at the top of the Contents page: "To Corinne Chochem/ Cordially Man Ray 1948." Large quarto. [vi], 104, [1, blank], [1, colophon]. pp. Extensively illustrated with 104 black and white photogravures. In publisher’s stiff wraps (front cover in full-color, rear cover in plain light yellow) spiral bound by original white plastic comb. Some rubbing to edges of wraps. Front wrap with a few creases. Rear wrap with some minor scuffing. Comb split in one place (yet still holding pages solidly). Still, a very nice copy, with beautiful photographic images throughout. "Best remembered for her contribution to Jewish cultural life and for her unique ability to inspire those around her, Corinne Chochem had a distinct impact on Hebrew folk dance, both in her teaching and her two books, Palestine Dances (1941) and Jewish Holiday Dances (1948), the latter an original work for which Leonard Bernstein, Darius Milhaud, Ernst Toch, and Tedesco wrote music based on the original folk tunes. Studying in Israel in 1950, she met and married the painter Yehoshua Kovarsky, and began to study painting. Later in life, under the name of Kovarska, she found fulfillment as a painter with several exhibits in Los Angeles. She used both acrylics and ink. Her final black period was exhibited in New York in 1987." (Jewish Woman's Archive). HBS 65586. $7,500 [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Heritage Book Shop, ABAA]
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        Appointment in Samarra

      Harcourt, Brace & Co, New York 1934 - O'Hara's debut novel, and by far his most enduring work, selected by the Modern Library as one of the best 100 American novels of the 20th century. In a very pretty example of the classic Alfred Maurer dustwrapper. APG 002d. Octavo (20.5cm); black cloth boards, lettered in gilt on spine; yellow topstain; dustjacket; 301pp. A tight, Near Fine copy, with just a hint of dusting to text block edges; top-stain just a little dull. Publisher's slip inserted between copyright page and dedication. In First Issue dustjacket (per Ahearn APG), with ads for "Recent Fiction" on rear panel; jacket unclipped, Near Fine but for some light rubbing and a small (ca 1/16") spot of restoration at center of front panel, repairing a puncture. A bright copy. [Attributes: First Edition]

      [Bookseller: Lorne Bair Rare Books, ABAA]
 35.   Check availability:     AbeBooks     Link/Print  


        Civic Center, San Francisco

      1934 - E. H. Suydam Original pencil drawing designed for San Francisco, A Pageant Published New York: 1943 Drawings completed San Francisco: 1931-34 24” x 19 1/4” framed Edward Howard Suydam, an accomplished painter and printmaker working during the early part of the twentieth century, created a body of work that served to illustrate and document the development and growth of several important American cities. A student of Philadelphia artist Thornton Oakley at the School of Industrial Art, Suydam gained a firm background in illustration, which later led him to work for numerous books and periodicals including Harper’s, The Forum and Country Life. Suydam’s views of San Francisco are captivating and quite revealing about its architecture, commerce and growth. The primary purpose behind such views were to entice easterners to travel to the golden city of the west.

      [Bookseller: Arader Galleries San Francisco]
 36.   Check availability:     AbeBooks     Link/Print  


        POEMS

      Macmillan 1934 - Sole edition. Original pale blue paper wrappers printed in dark blue. An association copy, inscribed by Golding's mother, Mildred, to the household of her brother (Golding's Uncle), "To "Karenza" from M.G. 1934". A near fine copy, with slight marginal toning to the wrappers. Golding's first published work, published shortly after leaving Oxford with the help of friend, Adam Bittleston, and clearly distributed amongst relatives by his proud mother. Contained within the book is a letter from Macmillan to Brian Curnoe (a direct descendant of Golding's Uncle), confirming the number of copies of Poems issued (1000) and commenting ruefully that "when he [Golding] offered us fiction after the war, we declined it!" Gekoski & Grogan A1 PROVENANCE: Mildred Golding; Curnoe Family (presentation inscription). [Attributes: Soft Cover]

      [Bookseller: Jonkers Rare Books ABA ILAB]
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        [Photograph]: Group Portrait of Authors

      . First. Original platinum photograph. Measuring 15.5" x 7.5". Stamped on the verso ("A Margaret Bourke-White Photograph"). Undated, but our research indicates sometime between 1934 and 1938. The photograph depicts twelve popular journalists and authors of the period, and is Signed by each of them. The photograph, apparently of King Features syndicated columnists and cartoonists, was from the estate of Fred I. Archibald, the publisher of several newspapers including the Baltimore News-Post, and the Baltimore American. Among the represented authors, all who have Signed the photograph, are Damon Runyon, William Soskin, O.O. McIntyre (author of the most widely syndicated column of the first quarter of the 20th Century, New York Day By Day), B.C. Forbes (founder of Forbes magazine, and the father of Malcolm Forbes), journalist Bugs Baer, Wally Knickerbocker, fashion editor (and longtime Miss America pageant judge) Prunella Wood, Alice Hughes, Gilbert W. Gabriel, Lewis Reid, cartoonist W.J. Enright, and one other gentleman we have been unable to identify. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
 38.   Check availability:     ABAA     Link/Print  

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