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Displayed below are some selected recent viaLibri matches for books published in 1933


      Paris: Denoël & Steele, 1933. Fine. Denoël & Steele, Paris 1933, 12x19cm, relié. - First edition, one of 250 hors commerce copies lettered in Roman characters on alfa paper Half black morocco over marbled paper boards by Andréas, spine in six compartments, marbled endpapers and pastedowns, covers and spine preserved, top edge gilt Handsome autograph inscription from Louis-Ferdinand Céline to Jean de Bosschère With a photographic frontispiece A little light small spotting (not serious) A very good copy in a good binding. - [FRENCH VERSION FOLLOWS] Edition originale, un des 250 exemplaires hors commerce numérotés en chiffres romains sur alfa. Reliure en demi maroquin noir à coins, dos à cinq nerfs, plats de papier marbré, gardes et contreplats de papier à la cuve, couvertures et dos conservés, tête dorée, reliure signée de Andréas. Précieux envoi autographe signé de Louis-Ferdinand Céline à Jean de Bosschère. Ouvrage illustré d'un frontispice photographique. Quelques petites et légères rousseurs sans gravité. Bel exemplaire agréablement établi.

      [Bookseller: Librairie Le Feu Follet]
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        The Farmer's Year

      The First UK Printing published by Collins in 1933. The BOOK is in Very Good++ condition. Light pushing with a little fading and fraying at the spine ends. Mild fading at the edges but far less so than usually encountered. Some fading to the spine but the gilt tilting remains bright. Small neat previous owner's name to the upper first blank endpaper. Light toning to the text-block and page edges. The WRAPPER is the correct first issue and is in Very Good condition. Some edge-wear to the spine ends with a little loss. Small chips to the lower panel edges and a larger one to the rear cover upper edge.A small single area of rubbing to the white design of the front panel. Closed tears to the rear panel which have been professionally repaired with japanese tissue paper to the verso with a very good result. Very light spotting in places. It remains an attractive example of a very scarce wrapper which is now protected with a loose Mylar removable cover. The author's key work with wonderful full page B/W plates from wood engravings, Initial letters of each chapter and additional small designs at the end of many of the individual chapters. A beautiful volume by one of the 20th Century's most celebrated printmakers and chroniclers of country life. Leighton's concerns regarding the demise of traditional agriculture in England were a major motivation for this heartfelt narrative and masterly collection of engravings. In Leighton's own words, 'a look at what is being lost'. Clare Leighton was born in London in 1898 and studied at the Brighton, Slade and Central Schools of Art. She emigrated to the United States in 1939, became a U.S. citizen in 1945, where she lived until her death in 1989. Very scarce with such attributes. Ashton Rare Books welcomes direct contact. More images available on request.

      [Bookseller: Ashton Rare Books ABA (Associate) PBFA]
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        Fifty-Four Conceits (Eric Ravilious Wood Engravings : Signed By The Author))

      The First and only UK printing published by Martin Secker in 1933.The BOOK is in near Fine condition with just light fading to the board edges and light pushing to the lower corners.7 x 5 1/2 inches, 72-pages.Original black cloth-backed blue boards.Gilt titling very bright.Internally excellent, the woodcuts bright and clean.The very scarce WRAPPER is complete and is in near FINE condition.A little marking in places to the front cover but none of the usual tanning to the spine.The wrapper looks very attractive in the removable Brodart archival cover.The book has been Signed By Martin Armstrong to the front blank end-paper:'Grace, with love , from Martin'.A collection of epigrams and epitaphs serious and comic by Martin Armstrong with engravings by Eric ravilious.Each page has an epigram / epitaph which is accompanied by a wonderful Ravilious engraving. A sharp copy and an extremely rare Ravilious work with such attributes containing some of his finest engravings.More images available on request. Ashtonrarebooks welcomes direct contact.

      [Bookseller: Ashton Rare Books ABA (Associate) PBFA]
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        Práce Jaromira Krejcara

      1933. TEIGE, Karel and Jaromir KREJCAR. Práce Jaromira Krejcara [The work of Jaromir Krejcar]. 208 pp. Illustrated throughout with photographs, architectural diagrams, and typographical elements. Typography by Krejcar. 8vo., bound in original cloth-backed boards. Praha: V. Petr, [1932].

      [Bookseller: Ursus Rare Books]
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        Le Corset dans l'Art et les Moeurs du XIIIe au XXe Siècle

      1933. First Edition . Signed. LIBRON, Fernand and CLOUZOT, Henri. Le Corset dans l’Art et les Moeurs du XIIIe au XXe Siècle. Paris: F. Libron, 1933. Large, thick folio (11 by 15 inches), original gilt-lettered cream wrappers, uncut and partially unopened, original glassine wrapper, original faux alligator slipcase. $4000.Limited first edition, number L of only 80 copies not available for sale (from a total edition of 880), of this erudite history of “the artifices that women employ in order to support and perfect their fragile beauty,” with numerous fashion plates (12 in color), facsimiles and in-text illustrations on nearly every page. Inscribed on the half title, “Hommage de l’auteur a Madame C. Capaldi, sa dénoncé collaboratrice, Paris le 20 Mai 1937, F. Libron,” and accompanied by 15 separate plates from the “Album” laid in.Written some years after the heyday of corsetry by Fernand Libron, president of the Chambre Syndicale des Fabricants de Corsets, and Henri Clouzot, conservateur of the Musee Galliera (better known today as the Musee la Mode et du Costume), this monumental costume book pays special tribute to Ernest Leoty’s very scarce Le Corset a Traverse les Ages (1893), which includes detailed cutting paterns and technical information for the tailor who specializes in making corsets. “A corset is somewhat similar to an umbrella in its construction. When the umbrella is raised, the fabric tautens. The ribs are reinforced with metal tips, to which the fabric of the umbrella is sewn. These tips hold the fabric in a tautened condition while the umbrella is in use. It is the same with a corset” (O.Y. Dalziel). Text in French. Accompanied by 15 loose engravings, listed in the index of illustrations under the heading “Album.” Hiler, 544. Book and plates fine, spine panel of original glassine perished, slipcase only slightly rubbed. A fine copy.

      [Bookseller: Bauman Rare Books]
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        Autograph, signed letter of 2 March 1933 from T E Lawrence to his friend and fellow writer Henry Williamson

      Mount Batten R.A.F. Station, 1933. Autograph letter, signed. This is an original, autograph signed letter dated 2 March 1933 from T. E. Lawrence to his friend and fellow writer Henry Williamson. The 125-word letter entirely in Lawrence's hand is fascinating in multiple respects, penned at Mount Batten R.A.F. station, providing insight into Lawrence's friendship with Williams, as well as his friendship with author Robert Graves, and rather poignantly referencing the impending end of Lawrence's R.A.F. career. The letter also eerily presages correspondence regarding meeting with Williamson that would indirectly cause Lawrence's death a little more than two years later. Condition is excellent, crisp and clean with two creases – one vertical and one horizontal – ostensibly from original posting. The letter is headed: “Mount Batten | II.iii.33”. R.A.F. station Mountbatten, a peninsula in Plymouth Sound, Devon, was “one of the most enjoyable of Lawrence's postings.” (Wilson, Lawrence, p.850) Lawrence writes: “Dear H. W. | Your letters made me laugh, and then | think hard. You are really two entirely different people,| and if only they could come together what a book we | should have!” “H. W.” is the English writer Henry William Williamson (1895-1977). Lawrence's comment is fascinating; Williamson was “a skillful and supremely observant writer, but nevertheless a man who was introspective, egocentric, insecure, and intensely lonely” – words which could easily be used to characterize Lawrence himself. (Wilson, T.E. Lawrence Correspondence with Henry Williamson, p.xii) They became friends in 1928 when Lawrence read and was impressed by Williamson's Tarka the Otter. From this beginning grew a significant correspondence that lasted until Lawrence's death. “I didn't answer because you said you were | coming, and now I am sorry you may not. I am | away from Thursday to Monday of next week – this week | it will be before the letter reaches you – but constantly in | the station for the rest.” Two years later, similar correspondence with Williamson would inadvertently precipitate Lawrence's death. Lawrence was returning from sending a telegram in response to a letter from Williamson about a forthcoming visit when he suffered the motorcycle accident that took his life. “My R.A.F. life is very near its end: not to let | it gutter away I am leaving voluntarily next month. | For what? Heaven knows.” Lawrence actually submitted his formal request for discharge just four days later, on 6 March 1933. The request was granted, though Lawrence withdrew his discharge application on 19 April when offered a posting that enabled him to work again on R.A.F. boats. “Graves has been very good. Then family jars and | two women overset him. He will recover, I think.” “Graves” is Robert von Ranke Graves (1895-1985), the English poet and novelist. The reference to Graves indicates Lawrence's own complicated and uncomfortable relationship with sexuality. Lawrence disliked Graves's companion, Laura Riding, owing to his feeling “that both of them had allowed their lives to be dominated by carnality.” (Wilson, Lawrence, p.870) The other of the "two women" is likely Nancy Nicholson, Graves's wife; the three had untenably cohabitated. The valediction “Yours | TES” testifies to Lawrence's close relationship with George Bernard (1856-1950) and Charlotte Payne-Townsend Shaw (1857-1943). The Shaws played an integral role in Lawrence's literary and personal life. As testimony to the complex importance of the Shaws to Lawrence, by early 1923 Lawrence had enlisted in the Army under the name "Thomas Edward Shaw." Lawrence would use, and publish under, his assumed surname until his death. “A cut hand: so I can't write properly.” It is difficult to take the postscript only literally and not regard the metaphor for a man who was as brilliant, gifted, and accomplished as he was damaged, confined by his own demons, and ultimately cut short in both life and letters.

      [Bookseller: Churchill Book Collector]
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        God Rest You Merry Gentlemen

      House of Books 1933 - Limited Edition of 300 copies printed. This book is bound in the original publisher's red cloth with minor wear to the spine and edges. The pages are clean with NO writing, marks or bookplates in the book. A lovely copy of this First Edition, First Printing. [Attributes: Hard Cover]

      [Bookseller: Quintessential Rare Books, LLC]
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      [High Wycombe]: [Limited Editions Club], [1933]. Hardcover. A beautiful book, often found quite worn because of the nature of the pigskin binding, this copy is significantly better than average, with only mild darkening to the spine and slight rubbing to the tips but with no chips. About Fine in a Very Good slipcase, complete with some fading. Eric Gill. Octavo (5-1/4" x 8") bound in full blind-stamped pigskin leather and typeset and printed by hand on Barcham Green paper by Hague and Gill. Copy #1301 of 1500 designed and decorated with wood engravings by Eric Gill and SIGNED by the artist on the colophon page. Scarce Monthly Letter laid in.

      [Bookseller: Charles Agvent]
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        Original artist's maquette for Get-a-way and Hary Janos. No date, but before 1933, when Viking published the first edition. Sixty-four pencil numbered pages. The title page and contents leaf are drawn in crayon and pencil. The first full opening, pages 4 and 5, is quite fully rendered in pencil, crayon, and watercolor. The next recto (page 7) has a very accomplished pencil sketch for an illustration; the book is otherwise blank. Two rough sketches are laid in

      New York, 1933. 1 vols. 10-1/4 inches (26 cm). Plain red cloth spine, front cover with watercolor drawing incorporating the lettering, front endpapers painted in watercolor. Minor staining to front cover. 1 vols. 10-1/4 inches (26 cm). From the husband and wife team who would eventually win the Caldecott Medal in 1946 for The Rooster Crows: A Book of American Rhymes and Jingles. Provenance: Selma Lanes (author of The Art of Maurice Sendak, etc.)

      [Bookseller: James Cummins Bookseller]
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        The Tragedy of Hamlet, Prince of Denmark

      High Wycombe: Limited Editions Club, 1933. hardcover. very good(+). Introduction by Gilbert Murray. Engraved title and numerous illustrations by Eric Gill. 149 pages, small 8vo, full brown leather with blind stamped figure stamped on front and rear covers; spine rubbed and dry & slipcase quite worn. High Wycombe: The Limited Editions Club, 1933. Small ownership bookplate otherwise very good (+). Limited Edition, one of 1500 copies signed by the illustrator.

      [Bookseller: Argosy Book Store]
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        The Tragedy of Hamlet, Prince of Denmark With engravings by Eric Gill & an introduction by Gilbert Murray

      (High Wycombe: Hague and Gill for the Limited Editions Club, 1933. Limited edition, no. 910 of 1,500 copies signed by Gill, 8vo, (xvi), 149, (3) pp. Full page fly title engraving, five engravings in the text and one below the colophon. Full pigskin with blind stamped decoration to the covers, some mild rubbing to spine ends otherwise a very good copy in the slipcase, this with some sunning.

      [Bookseller: Bow Windows Bookshop]
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        Gaston and Josephine

      London, New York, Toronto: Oxford University Press, 1933. First edition. Fine/about Fine. A lovely copy of a scarce children's picture book. Book Fine with only a few slight nicks to the lower edge of the boards. In a bright dust jacket that is about Fine on account of one short closed tear at the top of the front panel, and for being price clipped. Fine in about Fine dust jacket.

      [Bookseller: Whitmore Rare Books]
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        XXI Welsh Gypsy Folk Tales, collected by John Sampson

      Newtown: Gregynog Press, 1933. 8 wood engravings by Agnes Miller Parker. No. 142 of 250 copies. Printed in Bembo type on Portal's handmade paper. Sm. 4to, mustard-yellow Welsh sheepskin with title in a pattern of rules in gilt on the upper cover, spine titled in gilt. A fairly good example of a notoriously weak binding, spotting to the sheepskin, spine a little rubbed, usual offset from turnins. The text was edited by John Sampson's literary executor Dora Yates who kept considerable control over all the stages of production. The mustard-yellow binding was at her behest - she had demanded that it must be bound in a 'gipsy colour, either red or yellow'. W. A. Foyle, Beeleigh Abbey leather booklabel on front pastedown.

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      FOUR VOLUME SET of hardbacks in dustjackets. Pub. by Blackie. Circa 1933. TENNYSON'S GUINEVERE & OTHER POEMS, - TENNYSON'S DREAM OF FAIR WOMEN - C.ROSSETTI'S GOBLIN MARKET & C. ROSSETTI'S SHORTER POEMS. All four have light grey covers with LOVELY Art Nouveau decorations on front covers and endpapers. All have the same small neat name and date on blank endpaper. They are all exceptionally clean and tight SUPERB full-page colour, black and white and small b/w vignettes at front and end of each poem by FLORENCE HARRISON. All have very ATTRACTIVE pictorial cream dust jackets. A little grubby and two have tape inside ends of spine to reinforce and cover a couple of tiny chips, otherwise in very good condition. Very rare to find a full set. VERY GOOD+ / VERY GOOD

      [Bookseller: XanadubooksUK]
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        The Old Gang and the New Gang

      London: Desmond Harmsworth,, 1933. Octavo. Original white and black cloth, title to spine black. With the dust jacket. Housed in a grey solander box. Cloth a little toned to spine and board edges; an excellent copy in the jacket with toned spine and extremities. First edition, first impression. A superb presentation copy, inscribed by the author to his wife, "To my darling wife geehos, 1933. Wyndham Lewis." Gladys Anne Hoskins (1900-1979) and Lewis were married in 1930, though he concealed this fact from his friends for much of the 1930s. In 1939 Lewis wrote to the wife of his friend John Rothenstein, explaining that: "my wife and I were most orthodoxly spliced a long time ago…I have found myself rather overshadowed by [her]…and she has been forced a little into the fray – we have no children. She is blonde, she tends to put on fat, her mother was German, her father a good British farmer…she has ridden all over the Atlas on a mule and is a great reader of my books; but you can see she is a wife in a thousand." One of 1,000 copies printed.

      [Bookseller: Peter Harrington]
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        Grushenka: Three Times a Woman. The Story of A Russian Serf Girl Compiled From Contemporary Documents In the Russian Police Files and Private Archives of Russian Libraries

      Paris: Privately Printed, 1933. Paperback. Very good. #98 of 800cc. Light wear to the extremities, small closed slice to rear panel, else very good in publisher's elaborately illustrated French fold wraps. The poet Stanley Kimmel's copy with his name in ink on the inside of the front wrap. Supposedly written by B-movie mogul Val Lewton, producer of the 1942 version of Cat People and the following year's I Walked with a Zombie, Grushenka is purportedly the autobiography of a Russian peasant girl with a penchant for S&M.

      [Bookseller: Kenneth Mallory Bookseller. ABAA]
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        Marlborough His Life and Times.

      London Harrap 1933 - Four volumes, all first editions, 8vo., illustrated with various black & white illustrations and maps, modern half red morocco gilt by Bayntun of Bath, spines in six gilt ruled compartments, gilt lettered direct in second and third, gilt military devices to others, top edge gilt, volume one with a few marks to cloth sides and top edge, otherwise a near-fine set. The author's magnum opus biography of John Churchill, Duke of Marlborough. "Marlborough was originally intended to run to only 200,000 words, but eventually exceeded 1,000,000" - Muir Woods A40(a). [Attributes: Hard Cover]

      [Bookseller: Shapero Rare Books]
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        The Fairy Book Arthur Rackham Signed by Arthur Rackham

      George G. Harrap & Co. Ltd. 1933 - The Fairy Book, Arthur Rackham Number 202 of 460 signed by Arthur Rackham, Published by London: George G. Harrap & Co. Ltd., 1933 Arthur Rackham's “A Book of Old Favorites” illustrated by Arthur Rackham. With new illustrations. Limited to 460 numbered copies, signed by the artist of which this is number 202. Octavo. 288 pp. Eight full-page color plates and sixty drawings in black and white. Original vellum over boards, ruled and lettered in gilt on front cover and spine. Top edge gilt, others uncut. Gold and white pictorial endpapers. Spine lightly darkened, no foxing or other marks an excellent copy The Arthur Rackham Fairy Book, undertaken in the same propitious mood and published in the following year. The illustrations were all new, though it was not the first time, as Rackham admitted in his preface, that he had illustrated several of these old favorites of the nursery in the thirty years and more that, “my work has led me through enchanted lands”. The Fairy Tales include: Hop-O'-My-Thumb, Dick Wittington, Jack and the Beanstalk Beauty and the Beast, The Story of Sindbad the Sailor Jack the Giant-Killer, The Ugly Duckling, The Princess and the Pea, Blue Beard the Story of Aladdin, or The Wonderful Lamp, The Sleeping Beauty, The Three Bears, Ali Baba, Cinderella, Puss in Boots, The Emperor’s New Clothes, Little Red Riding-Hood, Hansel and Gretel, Latimore and Haskell, p. 69. Derek Hudon, Arthur Rackham, p. 134. Riall, p. 182 [Attributes: Hard Cover]

      [Bookseller: EC Rare Books]
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        Der Holz- und Steinbildhauer, Fachblatt für das gesamte plastische Kunsthandwerk * 12 Jahrgänge 1933 - 1944

      Berlin, Karl Ulrich & Co. Verlag für gewerbliche Fachliteratur, 1933 - 1944. - Vollständige Ausgabe in den original Verlagseinbänden: insgesamt 32 Hefte, gebunden jeweils als Broschur / Kartoneinband / Steifumschlag im Format 22 x 31 cm mit illustriertem Deckeltitel. Die Jahrgänge 1933-1940 jeweils in vier Heften, Jahrgänge 1941-1944: 4 Hefte in 2 Doppelheften; ohne Heft 3/1940. Je Heft etwa 32 - 127 Seiten, mit zahlreichen - teilweise ganzseitigen - Fotoabbildungen auf Kunstdruckpapier. - Erstausgabe in guter bis sehr guter Erhaltung. - Bildende Kunst in Deutschland im 20. Jahrhundert, Bildhauerkunst im Nationalsozialismus, Schnitzkunst, Holzschnitzerei, Holzplastik, Holzrelief, Kunstgeschichte, Brunnenfigur, Bronze, Standbild, Statue, Relief, Gebäudeplastik, Fachschule Oberammergau, illustrierte Bücher, NS.-Kunst, NS.-Schrifttum, völkisches / nationalsozialistisches Gedankengut Versand an Institutionen auch gegen Rechnung Sprache: Deutsch Gewicht in Gramm: 2000 [Attributes: First Edition; Soft Cover]

      [Bookseller: Galerie für gegenständliche Kunst]
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      LATERZA, BARI 1933 - SCRITTORI D'ITALIA ITALIANO A cura di Domenico Guerri, volume intonso, pagine color paglia con traccia di umidità agli angoli superiori esterni ed ai bordi, brossura editoriale con lievi segni di usura ai bordi e con tracce di umidità, tagli non rifilati

      [Bookseller: Biblioteca di Babele]
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        Testament of Youth - in the original dust wrapper

      London: Gollancz, 1933. A first edition, first printing published by Gollancz in 1933. A near fine book with one small name to the front endpaper and a small book ticket (The Times) to the rear end pastedown. Some rubbing to corners. In a good unclipped wrapper which has some internal archival repairs and skilful repair to the 'T', 'E' and 'T' of the title on the front panel. there is shallow chipping to the spine tips with a larger chip to the left of the head of the spine affecting 'Tes' of 'Testament'. Rubbing to the edges as well as creasing. Excessively scarce to find the dust wrapper in any condition. Brittain's autobiographical story of the years 1900-1925 and a cornerstone of WW1 literature. Rare

      [Bookseller: John Atkinson Books]
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        Testament of Youth. An Autobiographical Story of the Years 1900-1925.

      London Victor Gollancz Ltd 1933 - First edition, 8vo., 661, [1]pp., minor offsetting to endpapers, else fine, publishers cloth, spine faded, printed dust-jacket, small chips to corners and spine ends, age-toned, short closed tear to top edge of upper panel, otherwise very good. Brittain was an avowed pacifist and feminist whose fiancé, brother and two closest male friends were killed during the First World War. This memoir was published in 1933 and became an instant hit, selling 120,000 copies over the next six years. It was then republished in the late 1970s and adapted into a popular television series, attracting a whole new audience. More recently it made into a highly acclaimed feature film. Much of what is known and felt about the First World War is derived from Vera Brittain's elegiac yet unsparing book, which set a standard for memoirists from Martha Gellhorn to Lillian Hellman. Abandoning her studies at Oxford in 1915 to enlist as a nurse in the armed services, Brittain served in London, in Malta, and on the Western Front. Testament of Youth is both a record of what she lived through and an elegy for a vanished generation. Hailed by the Times Literary Supplement as a book that helped "both form and define the mood of its time," it speaks to any generation that has been irrevocably changed by war The author is the mother of the M. P. Shirley Williams., [Attributes: First Edition; Hard Cover]

      [Bookseller: Shapero Rare Books]
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        Testament of Youth - in the first issue binding

      Gollancz, 1933. Hardcover. Very Good. A first edition, first printing published by Gollancz in 1933. A very good+ book with some light spotting to the page edges. A little lightening to the spine and rubbing to the corners. In the uniform first issue binding. A very nice copy indeed.

      [Bookseller: John Atkinson Books]
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        An Economic Survey of Ancient Rome, 5 Volumes and Index Volume 6 books

      1933 - 6 Vols. Complete set. Monumental Economic History of Ancient Rome Frank, Tenney [1876-1939], Editor. Johnson, Allan Chester [1881-1955], Editor. An Economic Survey of Ancient Rome. Baltimore: The Johns Hopkins Press, 1933-1940. Five volumes and index volume. 6 books. Complete set. Original cloth, gilt titles to spines. Some rubbing to extremities, very light fading to spines, internally clean. A handsome set. $650. * Initiated by the great classical scholar and historian Tenney Frank, this study includes contributions from some of the leading classicists and historians of the day. It remains a fundamental study. Contents: I. Rome and Italy of the Republic, by Tenney Frank; II. Roman Egypt to the reign of Diocletian, by A.C. Johnson; III. Roman Britain, by R.G. Collingwood, Roman Spain, by J.J. Van Nostrand, Roman Sicily, by V.M. Scramuzza, To Gaule Romaine, by A. Grenier; IV. Roman Africa, by R.M. Haywood, Roman Syria, by F.M. Heichelheim, Roman Greece, by J.A.O. Larsen, Roman Asia, by T.R.S. Broughton; V. Rome and Italy of the empire, by Tenney Frank; VI. Index to Volumes I-V. [Attributes: Hard Cover]

      [Bookseller: The Lawbook Exchange, Ltd., ABAA ILAB]
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        Deutsche Sankt Georg Sportzeitung. Offizielles Organ des Reichsverbandes für Zucht und Prüfung deutschen Warmbluts, dem Reichsnährstand angegliedert. - Nr.24 (Erstes Januarheft 1933) - Nr.23 (1. Dezemberheft 1939) * 29 vollständige Hefte des 33. / 34. Jahrgangs

      Berlin, Verlag Sankt Georg Erna Marschall, 1933. (noch zu Nr.24686:) . . . Einmarsch der Fahnen beim Stahlhelm-Führer-Appell in Hannover (halbseitiges Foto mit Bildunterschrift:\"In Anwesenheit von Reichskanzler Adolf Hitler, Stabschef Röhm, Generaloberst von Blomberg. Die große Stahlhelm-Tagung klang aus in einem eindrucksvollen Treuebekenntnis des Bundesführers zu der nationalsozialistischen Erhebung. Im Mittelpunkt der Tagung standen die Reden von Reichskanzler Adolf Hitler, Stabschef Röhm und Bundesführer Seldte\" - Der Einfluss der Farbe auf die Leistungsfähigkeit der Pferde - Besuch des preußischen Ministerpräsidenten General Göring im Hauptgestüt Trakehnen - Die Feier des Erntedanktages auf dem Brückeberg bei Hameln, mit 2 halbseitigen Fotos (Adolf Hitler und viel SS / SA) - Das Wesen des Landespferdezucht im nationalsozialistischen Staates. Vortrag, gehalten bei der Jahresversammlung der \"Deutschen Gesellschaft für Züchtungskunde\" in Weimar, von Oberlandstallmeister G. Rau - Fotos \"Gauleiter Staatsrat Florian sammelt für die Winterhilfe auf dem Düsseldorfer Rennplatz\" (der Gauleiter mit deutschen Gruß) / \"Der Beauftragte der Obersten Behörde für Vollblutzucht und Rennen für Westdeutschland, Herr von Bock und Pollack, in SS-Uniform\" - Reitertage an Rhein und Ruhr-Die Landestierschau auf dem Oktoberfest in München - Foto \"Vom Reiterfest des Hitler-Jungvolkes in Ruhleben: der Trompeter bläst zum Sammeln\"- Darmstadt (10. September) Tag des Pferdes, mit Foto \"Reichsstatthalter Sprenger, Dr. Fritz Merck der Präsident des Darmstädter Reiter-Vereins, Landesbauernführer Dr. Wagner, Mitglieder der großherzoglichen Familie\" - Erinnerungen an Oberlandstallmeister Exz. Graf Georg von Lehndorff, von Landstallmeister von Prittwitz-Cosel - Obergruppenführerstaatsrat Litzmann zum Führer des Reichs-Rennsports ernannt (mit großen Foto) / Staatssekretär Grauert über preußische Gestütsverwaltung und über den Rennsport -Veranstaltungen zugunsten der Winterhilfe am 3. Dezember in Deutschland-Die Breslauer Reitertage-IV. Waffenringstag der deutschen Kavallerie in München - Bücherschau. - Exemplar in sehr guter Erhaltung. - Deutsche Reitergemeinde, Deutsches / Drittes Reich, deutsche Offiziere zu Pferd, Herrenreiter, illustrierte Bücher, Pferdewesen im Nationalsozialismus, Wehrmacht, Kriegskamerad Pferd, Kavallerie, NS.-Zeitschrift für Pferdefreunde, SA.-Stabschef Ernst Röhm zu Pferd, Gauleiter Erich Koch, Tattersall, Reiten, Reiterei, Reitbetrieb, Remonten, Pferdezucht, Ostpreussen, SS-Reiterstandarte, SA- und SS-Reiter, Trakehnen, NS.-Schrifttum, völkisches / nationalsozialistisches Gedankengut Versand D: 5,90 EUR

      [Bookseller: Galerie für gegenständliche Kunst]
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        Down and Out in Paris and London.

      Victor Gollancz, 1933. - First edition. 8vo. 288pp. Black buckram boards with yellow lettering to spine. A near fine copy. Unrubbed boards with light translucent splashmarks to rear board. Black unfaded spine with unrubbed lettering. Internally crisp and fine with no inscriptions. Very clean & fresh textblock edges. None of the usual foxing. Aside from the splashmarks, an unusually fine & crisp copy. Authors first full length work written in two parts about his time with the destitute in Paris & London & about living life on the margins. 1500 copies. Fenwick A1a. [Attributes: First Edition; Hard Cover]

      [Bookseller: Julian Roberts Fine Books ABA ILAB PBFA]
 26.   Check availability:     AbeBooks     Link/Print  


      Garden City: Doubleday, Doran and Company, Inc., 1933.. Octavo, pp. [1-12] [1] 2-304 [305-308] [note: first and last leaves are blanks], illustrations by Herbert Roese, original pictorial salmon cloth, front and spine panels stamped in gold, top edge stained light orange, fore and bottom edges rough trimmed. First edition. "RAIN IN THE DOORWAY is Smith's other masterwork. Snatched into an adjacent dimension where all women are willing, work is a joke, and booze flows like water, Mr. Hector Owen finds himself partner in a firm reminiscent of the establishment run by the Marx Brothers in The Big Store (1941). Accidentally forced to return to our own sorrowful, rain-drenched world, Mr. Owen manages to retain the company of his new girlfriend, who promises to brighten even this vale of tears." - Paul Di Filippo in Pringle, ed., St. James Guide to Fantasy Writers, pp. 532-33. Barron (ed), Fantasy and Horror 5-277. Barron (ed), Fantasy Literature 3-325. Bleiler (1978), p. 182. Reginald 13389. A fine copy in fine pictorial dust jacket. A stunning copy. (#156226)

      [Bookseller: L. W. Currey, Inc.]
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        Down and Out in Paris and London

      New York: Harper and Brothers, 1933. First American Edition, 1st Printing. Hardcover. Very good. Octavo, 292pp. A very good copy in the publisher's brown cloth. Spine cocked (see image - this is not uncommon for this title) and front inner hinge just starting, but not cracked and holding very well. One crease on the front free endpaper, flattened. A rather nice copy apart from the noted cocked spine, lacking the dust jacket.

      [Bookseller: Cleveland Book Company]
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        Ode au Vagin Poème inedit [Spine title:] Odes à Vénus

      Domrémy [i.e., Paris]: A l'Enseigne de la Pucelle [M. Duflou], 1933. Unnumbered copy from an edition of 300. Illustrated with 10 color plates. Title page printed in red and black with vignette, text printed in red and black. 69 pp. 1 vols. 8vo. Contemporary orange cloth and marbled boards, preserving ochre wrappers. Small traces of dampstaining in gutters (not affecting text or image), binder's blanks a bit toned, else fine. Unnumbered copy from an edition of 300. Illustrated with 10 color plates. Title page printed in red and black with vignette, text printed in red and black. 69 pp. 1 vols. 8vo. Short erotic poem, illustrated with ten plates. After the main text and bibliographical notes, there appears the Ode à Priape by Alexis Piron at pp. 39-67. Pia 927-8.; Dutel 2078

      [Bookseller: James Cummins Bookseller]
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        Autograph Letter, signed to "Dear Aunt," unsigned, in pencil

      [New York], 1933. Unsigned. 1 vols. 15 x 6 inches. With some loss at the bottom. Unsigned. 1 vols. 15 x 6 inches.

      [Bookseller: James Cummins Bookseller ]
 30.   Check availability:     ABAA     Link/Print  

        FREE VISTAS An Anthology of Life and Letters [and] FREE VISTAS -Vol. II A Libertarian Outlook on Life and Letters

      Berkeley Heights, NJ: Published Privately at the Oriole Press, 1933, 1937. 2 volumes. LIMITED FIRST AND ONLY EDITIONS, Volume I being one of only 290 copies, this being a rare out-of-series unnumbered copy. Volume II being one of 205 copies. The first volume beautifully decorated with with woodcuts by John Buckland Wright as well as with prints, drawings, and engravings by, Maurice Duvalet, Bernard Sleigh, Albert Daenes, Frans Masereel, Albert Sterner, Walter Tittle and others. Many of the illustrations are tipped-in. The text is printed in a medley of types and colours and printed on a variety of fine papers in differing shapes and sizes. The second volume as the first with many woodcut decorations by most of the same artists. The text which is set uniformly in Garamond and Goudy Hadriano types and is printed on Arak Ash paper. Small 4to, uniformly bound in red fabric covered boards backed in black buckram, the spines each with the publisher's original single paper labels printed in red and black or blue and black. [ix], 374, [2] pp; 397 pp. Fine copies indeed, and very much so. The boards in each case near pristine, the text-blocks each appearing pristine. The text in Vol. I was printed on various papers. FIRST EDITION AND A RARE SET OF WHAT IS LARGELY CONSIDERED THE MAGNUM OPUS OF THE PRESS. FREE VISTAS is a treasure trove of libertarian philosophy, literature, and history, with illustrations by prominent artists. The Oriole Press was a one-man operation. Ishill was typographer, printer, compositor, pressman, and sole proprietor. Apart from his wife's editorial assistance, he performed all the labors by himself, without outside help, from the most complex and demanding to the simplest of mechanical details. Ishill was always filled with a passion to create, and he derived incalculable pleasure from his work. All of his labors were performed with the same meticulous care. These are the only two issues produced of what Ishill had hoped would be an annual volume, and these were printed a full four years apart. The contents, according to Ishill, give a clear idea of how he interpreted "anarchism and its esthetic value so neglected even by the most sincere precursors of this ideal." Among the contributors are: Rabindranath Tagore, Holbrook Jackson, Witter Bynner, Elie Reclus, Jacques Mesnil, Emma Goldman, Octave Mirbeau, Havelock Ellis, Romain Rolland, R. Austin Freeman, Stefan Zweig, and a number of other important writers. Also included are excerpts from Tolstoy, Shaw, Mencken, Thoreau,Ruskin, Jefferson, Emerson, etc., etc., etc.

      [Bookseller: Buddenbrooks, Inc.]
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        Die Kunst (Freie Kunst). Monatshefte für freie und angewandte Kunst. 1933 -1942. = 11 Jahrgänge / Bd. 65 - 86.

      München, F. Bruckmann 1933 - 1942. 22 Bände. 4°. Jew. ca 400 Seiten. Mit sehr zahlr., teils farbigen, Abbildungen im Text und auf Tafeln. Hellbraune Kalblederbände der Zeit mit grünen Lederrückenschildchen und Rückentitelvergoldung, die Jahrgänge 1933- 1939 mit Lederecken, die Kriegsjahrgänge mit geringfügig hellerem Lederbezug und nur ein Rückenschildchen. Farbiger Kopfschnitt. Minimalst berieben, sonst sehr frisch und sauber erhalten. Sehr schöne, opulente Ausgabe der Kunstzeitschrift \"Die Kunst\" (erschienen von 1899 - 1942/43). Mit sehr reich illustrierten Beiträgen zur zeitgenössischen Kunst, zu aktuellen Ausstellungsbesprechungen, sowie zu diversen kunsthistorischen Themen (auch außereuropäisch). - Die Bände tragen abwechselnd den Untertitel \"Freie Kunst\" (ungerade Zählung) bzw. \"Angewandte Kunst\" (gerade Zählung). - Bis auf ganz wenige Seiten (Bd. 84, ca. 6 S. mit kleineren Randläsuren), auch innen sehr sauber und frisch erhalten. Aus dem Inhalt:Bd. 65 / 1932: Das Museum Folkwang in Essen. - Kunst und Film. - Der Graphiker Otto Nückel. - George Seurat. - Moderne Photographie. 1. Arbeiten von Max Burchartz. / 2. Arbeiten von Aenne Biermann. - Lyonel Feininger. - Kunst in Düsseldorf 1932. Bd. 66 / 1932: Bauhaustapeten. - Neue Beleuchtungskörper. - Peter Behrens, Berlin: Haus einer Dame im Taunus. - Neue Wiener Porzellane. - Die Werkbundsiedlung in Wien. Bd. 67 / 1933: Moderne Photographie. 3. Theaterreportage von Trudy Fuld. - Um das Bauhaus. - Dem Gedächtnis Max Slevogts. 8. Oktober 1868 - 20. September 1932. - Lesser Ury. - Moderne Photographie. 4. Arbeiten von Dr. Paul Wolff, Frankfurt a. M. - Edgar Ende. Ein \"surrealistischer\" Maler in München? - Carl Justi und die moderne Kunst. - Franz Radziwill. - Zu Zeichnungen Alfred Kubins. - Das Haus der deutschen Kunst in München. Bd. 68 / 1933: Neue Möbel der Deutschen Werkstätten. - Ein Landhaus in der Schweiz von Architekt Fritz Breuhaus, Berlin. - Haus K. in O. von Architekt Professor Martin Elsaesser, Ffm. - Wohnbauten der Architekten Luckhardt und Anker, Berlin. - Handgewebte Stoffe von Hablik-Lindemann, Itzehoe. - Einfamilienhäuser auf der Ausstellung \"Haus und Heim\" in München. Bd. 69 / 1934: Scherenschnitte von Else Stegen. - Zum Neubau des Reichsbankgebäudes in Berlin. - Die baukünstlerischen Vollendung des Münchner Königsplatzes (Ludwig Troost). - Deutscher Sportstättenbau. - Heinrich Wölfflin. Zu seinem 70. Geburtstage am 21. Juni 1934. Bd. 70: / 1934 (1 Tafel gelockert):\"Deutsches Haus für Holzbau und Wohnung\". Die Bauausstellung Stuttgart 1933, Siedlung am Kochenhof. - Zu den Arbeiten von H. J. Wilm. - Von moderner holländischer Wohnarchitektur. Bd. 71 / 1935: Rodin und Hildebrand. Der Maler Christian Rohlfs. Zum 85. Geburtstag. - Der Lichtbildner Adolf Lazi, Stuttgart. - Der deutsche künstlerische Tanz. - Zur künstlerischen Photographie: Hein Gorny. - Die Friedhofskapelle in Kornwestheim, Württemberg (Hans P. Schmohl). Bd. 72 / 1935: Moderne schwebische Webkunst. - Der \"Gartenhof\" von Architekt Prof. F. A. Breuhaus, Berlin. - Zu den Arbeiten von Elisabeth Treskow. - Zu den Kunstschmiedearbeiten von Carl Wyland. Bd. 73 / 1936 (1 S. min. fingerfleckig): Joachim Utech. - Franz von Defregger. - \"Bauernkreig\". Eine Holzschnittfolge von Ernst v. Dombrowski. - Zu Georg Kolbes neuen Werken. - Theo Champioon. - Olympia Berlin 1936. - Die Olympische Kunstausstellung. Bd. 74 / 1936 (mit Farbtaf.): Neu Möbel der Deutschen Werkstätten A.-G., Hellerau. - Dahlemer Stadt-Landhäuser von Arch. Prof. F. A. Breuhaus. Bd. 75 / 1937 (viel NS-Kunst): Zur Ausstellung \"Die Straßen Adolf Hitlers in der Kunst\". - Cézanne. - Maillol. - Bauten, Fahnen und Licht. (Albert Speer, der Gestalter der Großkundgebungen). - Reichsausstellung \"Schaffendes Volk\", Düsseldorf 1937. - Das Haus der Deutschen Kunst. Zur Eröffnung am 18. Juli. - Von den Nürnberger Parteibauten. - Kurt Schmid-Ehmen. Bd. 76 / 1937: Zwei moderne Innenraumgestalter: Arch. Adolf C. Rüdenauer und Arch. Max Dürr, Stuttgart. - Das japanische Wohnhaus und die moderne Architektur. - Ein Einfamilienhaus in Berlin-Westend von Architekt Jean Krämer, Berlin (Haus Huver). Bd. 77 / 1938: Das Haus der Deutschen Erziehung in Bayreuth. Arch. Hans C. Reissinger. - Das Bauern im Dritten Reich. Zur Ausstellung \"Architektur und Kunsthandwerk\" im Haus der Deutschen Kunst in München. - Das künstlerische Plakat. Bd. 78 / 1938: Zu den Arbeiten der Berliner Goldschmiedewerkstatt H. J. Wilm. - Neue Wohnräume von Prof. F. A. Breuhaus (Haus am Wannsee). - Schwedische Möbelkunst der Gegenwart. Bd. 79: Der Bildhauer Arno Breker. - Von der Bedeutung Alfred Kubins. - Die neue Monumentalität. Zur \"zweiten Deutschen Architektur- und Handwerksausstellung\" in ´München. - Paul Cézanne zum hundersten Geburtstag. - Holzschnitte von Herbert Tucholski. - Bd. 80 / 1939 (1 Lage lose): Alfred Lichtwark (1899). Türen oder Wandflächen. - Möbel von Tilly Prill-Schloemann, Berlin. - Das Landhaus Leni-Riefenstahl in Berlin-Dahlem. Bd. 81 / 1940: Erinnerung an August Gaul. Von Karl Scheffler. - Die deutsche Gestalt des Kriegergrabes - Meister der Plastik. Ausstellung im Künstlerhaus zu Berlin. Bd. 82 / 1940: Die Siedlungsbauten in Libyen für die \"Ventimila\" Von Walther Wülfing.- Aus dem Gästehaus des Dritten Reiches. Umbau und Neueinrichtung des Berliner Schlosses Bellevue durch Prof Paul Baumgarten. - Zu den Möbeln der Reiner K.G. in Berlin. Bd. 83 / 1941: Aquarelle des Malers Max Kaus. - Der Bildhauer Theo Siegle. - Die Monet-Rodin Gedächtnisausstellung in Paris. - Der Bühnenbildner Emil Preetorius. - Die \"Große Deutsche Kunstausstellung 1941\". Bd. 84 / 1941: Lisbet Hablik-Lindemann zu ihren Arbeiten. - Al Roccolo del Moro. Ein Landhaus in Iduno (Italien) von Prof. Fritz August Breuhaus. (wenige Seiten mit kleineren Randläsuren. Bd. 85 / 1942: Ein Nibelungenzyklus von Albert Burkart. - Paul Paeschkes Pastell-Landschaften, - Der Maler Karl Walther. - Münchner Brunnen. - Kunst und Technik. Dem Andenken des verstorbenen Reichsministers Dr. Todt. - Das Bernsteinzimmer Friedrichs I. im Königsberger Schloß. Bd. 86 / 1942: Kleine Häuser bei Berlin. - Neuzeitliche Wohn- und Speisezimmer. - Glasveredlungsarbeiten von Liselotte Oehring-Hoehne. Versand D: 5,00 EUR Architektur, Architecture, Kunst, Art, Kunstgeschichte, Art history, Kunstgewerbe, Zeitschriften, Zeitungen, Reihenwerke, Periodicals, Lieferungsromane, Graphik, Innenarchitektur, Innendekoration, Plastik

      [Bookseller: Cassel & Lampe]
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        The Great Sale (First Edition, inscribed)

      New York: Alfred H. King, 1933. First Edition. First Edition. INSCRIBED by the author and screenwriter on the front flyleaf: "To Joe Hoffman / Once a mug, always one. Hope you like it. / Jerry Wald (John Bascom)." REVIEW COPY, likely one belonging to the author for presentations, with the publisher's review slip tipped on to the front flap, denoting a publication date of April 1, 1933.A Depression-era novel based on the author's own experiences, detailing the effects of the bank system collapse on a major department store in Manhattan.Near Fine in a Very Good plus dust jacket. Some fading to the jacket spine panel, with light rubbing and nicking at the extremities. Hanna 250.

      [Bookseller: Royal Books, Inc. ]
 33.   Check availability:     ABAA     Link/Print  


      Garden City: Doubleday, Doran & Company, Inc., 1933.. Octavo, pp. [1-2] [i-vi] vii-viii [ix-x] [1] 2-306 [307-308: blank] [note: first and last leaves are blanks], illustrations by Herbert Roese, original pictorial black cloth, front and spine panels stamped in gold, top edge stained red, other edges rough trimmed. First edition. An X-ray accident causes protagonist to appear unpredictably as a skeleton. Barron (ed), Fantasy Literature 3-326. Bleiler, The Guide to Supernatural Fiction 1500. Bleiler (1978), p. 182. Reginald 13390. A couple of mild scuffs to cloth on front panel, else a fine copy in fine dust jacket. A stunning copy. (#156227)

      [Bookseller: L. W. Currey, Inc.]
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        Marlborough His Life and Times.

      London: George G. Harrap & Company, 1933-38. First editions of each volume. Octavo, 4 volumes, original cloth, with hundreds of maps and plans (many folding), plates and document facsimiles, top edge gilt. Fine in the original dust jackets which are in very good to near fine condition. John Churchill, the Duke of Marlborough (1644-1722), was one of the greatest military commanders and statesmen in the history of England. Victorious in the Battles of Blenheim, Ramillies, and countless other campaigns, Marlborough, whose political intrigues were almost as legendary as his military skill, never fought a battle he didn't win. Although he helped James II crush the rebellion of the Duke of Monmouth, Marlborough later supported William of Orange against James II in the Glorious Revolution of 1688 and brilliantly managed England's diplomatic triumphs during the War of the Spanish Succession. "The greatest historical work written in our century, an inexhaustible mine of political wisdom and understanding, which should be required reading for every student of political science." - Leo Strauss, University of Chicago "Rarely in the history of historical writing have author and subject seemed so made for each other" (Henry Steele Commager).

      [Bookseller: Raptis Rare Books]
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        [ARCHITECTURAL EVOLUTION OF THE 1920s] Puti arkhitekturnoi mysli. 1917-1932 [i.e. Ways of Architectural Thought. 1917-1932]

      Moscow: Izogiz, 1933. 144 pp.: ill., 2 ill. 13x10 cm. In original printed wrappers. Few pieces of the wrapper missing, covers detached from the block, loose, blue ink stain in the upper corner of a few pages, soiling of the wrappers, a few pencil markings in the text. Clean internally, a good copy. Very rare. From the series «Library of the 'Art' Magazine» edited by O.M. Beskin. This book is a brilliant richly illustrated compilation on 1920-30s art and architecture with a focus on constructivism. With a folding plate of a final design The Palace of the Soviets (this is one of the first images accessible to the public). Roman Khiger (1901-1985) was a Soviet architecture critic, architect and engineer, one of the ideologists of constructivism. In 1930s he was one of the leading architecture critics in USSR. In 1928 he on his own initiative wrote an article «On the Matter of Constructivism Ideology in Modern Architecture» and brought it to the well-known magazine 'Sovremennaia Arkhitektura' (i.e. Modern Architecture). In that article he enunciated principles of constructivism and gave harsh response to its critics. The article was published and Khiger was hired and later became a deputy to Vesnin and Ginsburg on the editorial board. He was the first to professionally characterize and describe Melnikov and Golosov's art, remarkable architects of 1920s constructivism whose names were little known until 1980s. This edition is divided into sections: period of romanticism and symbolism, formalism, constructivism and functionalism, neoclassicism and eclecticism, proletarian architecture, problems and perspectives of a near future. With almost 30 black and white architecture designs and photos. Among them are designs by Vesnin brothers, Golosov, Shchuko, Shchusev, Fomin, Golosov, Leonidov, and some other distinguished architects.

      [Bookseller: Bookvica]
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        Mann mit Taube.

       Original Radierung. 38 x 28 cm. Blattgröße. Helmut Leherbauer (* 14. Februar 1933 in Wien † 28. Juni 1997 ebenda), Künstlername \"Maitre Leherb\", war ein österreichischer Künstler und Mitbegründer der Wiener Schule des Phantastischen Realismus die dem Surrealismus nahe steht. Leherbauer studierte an der Akademie für angewandte Kunst in Wien und an der Stockholmer Akademie der Künste. 1955 wechselte Helmut Leherbauer wieder nach Wien an die Akademie der bildenden Künste . Er traf dort Albert Paris Gütersloh und wurde von ihm unterrichtet. A.P. Gütersloh gilt als Begründer der Wiener Schule des Phantastischen Realismus . Leherbauer fand somit Zugang zu diesem Kreis von Künstlern und veranstaltete zusammen mit anderen Vertretern dieser Kunstrichtung diverse Ausstellungen, beispielsweise mit Anton Lehmden , Rudolf Hausner und Wolfgang Hutter . In den Wiener Parkanlagen sind noch heute folgende Kunstwerke des \"Maitre Leherb\" zu finden: Wiener Prater : das Keramik-Reliefbild \"Tschinellen-Fiffy\" (in Riesenrad-Nähe) und das \"Sonntagsgwand\" (dem Praterstern zugewandt), beide aus 1959 Im Schulgarten-Kagran: das Mosaik \"Blumengöttin Flora und Gärtnergott Vertumnus aus 1960 Im Volkspark-Laaerberg: die Keramikstele \"Tag & Nacht\" aus 1962 Am Kaffeehausberg im Donaupark: das Keramik-Reliefbild \"Kaffeehausszene\", sowie das Bodenmosaik \"Die Vögel des Leherb\" (ein gemeinsames Werk mit Prof. Hermann Bauch beide aus 1963 Dies aus Anlass der \"Wiener Internationalen Gartenschau\" - WIG 1964, wie der Donaupark eigentlich längere Zeit hieß. Das zentrale Motiv, das sich in vielen seiner Gemälde wiederfinden lässt, ist seine eigene Person oder die seiner Frau, der Malerin Lotte Profohs. Er war zeitlebens durch seine persönlichen Repräsentationsformen ein Wiener Societyliebling. Leherbauer nahm auch eine Schallplatte mit dem Titel \"Autodafé eines Surrealisten\" auf. Obwohl Leherbauer einer der Initiatoren und Gründer der \"Wiener Schule des Phantastischen Realismus\" war, wandte er sich später vom Stil anderer Mitbegründer wie Arik Brauer und Ernst Fuchs ab und immer mehr dem Surrealismus zu. In der letzten Phase seines Wirkens schuf er ein 360 Quadratmeter großes Fayence -Mosaik für den Neubau der Wiener Wirtschaftsuniversität , die 1982 eröffnet wurde. Er zog sich bei dieser Arbeit mit keramischem Staub schwere gesundheitliche Schäden zu. Maitre Leherb starb 1997 an einem Schlaganfall. Wikipedia freie Enzyklopädie. Die tadellos erhaltene Original Radierung links unten Nummeriert 230/300 und rechts unten Signiert. Versand D: 6,00 EUR

      [Bookseller: P.u.P. Hassold OHG]
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        WERNER MÖLDERS (1913-41) General der Jagdflieger, Ritterkreuz mit Eichenlaub, Schwertern und Brillianten

      - WIDMUNGSEXEMPLAR Die roten Tage (Roman aus der Münchener Räterepublik, von Wilhelm von Schramm) Verlag Kösel & Pustet, München 1933 233 SS. gebunden (Hardcover,8°) mit eigenhändiger Empfehlung, Unterschrift in Tinte signiert "Zur Erinnerung an das Kriegsjahr 1940 - W. Mölders, Oberstleutnant" [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Herbst-Auktionen]
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        Keesing's Archiv der Gegenwart - Jahrgang 1933 - 1945,

      1933 - (12 Bände). Wien, Selbstverlag, 1933 ff., Gebundene Ausgabe, Halbleineneinband, Seiten 632-6724, Band 1944 und 1945 ohne Einband, sonst Zustand 2 (I1) (I1) Sprache: Deutsch Gewicht in Gramm: 700 [Attributes: Hard Cover]

      [Bookseller: Antiquariat Ehbrecht - Preise inkl. MwSt]
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        Silly Symphonies Babes in The Woods, King Neptune

      Blue Ribbon Books, New York - (1933). Illustrated boards, gift inscription else fine. A very tight, clean copy of a wonderful Disney item that features four large, double-page pop-ups. Color illustrated endpapers as well as b&w artwork throughout. Size: Large 8vo

      [Bookseller: E. M. Maurice Books, ABAA]
 40.   Check availability:     AbeBooks     Link/Print  

        Original Typed Manuscript, Hand-drawn Artwork, Draft Print, Science Master's Great Experiment

      G.E. Hopcroft, 1933, Softcover, Book Condition: Very Good Condition, First Edition, Illustrated By: JC Dickinson. Date is approximate. Includes a typed, hand-annotated and signed manuscript for Hopcroft's 'The Science Master's Great Experiment' (from 'Our Boys Gift Book', 1933), along with original hand-drawn composite artwork, and a draft print of the same. Each item is well-preserved with minimal signs of wear, apart from some brown rust marks from paperclips. Why do most sellers not describe their actual item on Amazon? Buy with confidence, support a genuine Independent Bricks & Mortar Real Bookshop and help to preserve our High Streets as interesting places to shop. We are Maynard & Bradley CAMBO & PBFA (now lapsed) members here in Leicester City Centre. UK. +44 116 253 2712 Size: 230 x 270 mm. 20 pages. Item Type: Book. Illustrator: JC Dickinson. Quantity Available: 1. Shipped Weight: Under 500 grams. Category: Antiques & Collectibles; Britain/UK; 1930s; Pictures of this item not already displayed here available upon request. Inventory No: 05549.

      [Bookseller: Maynard&Bradley]
 41.   Check availability:     Bookzangle     Link/Print  


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