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Displayed below are some selected recent viaLibri matches for books published in 1933

        The Arthur Rackham Fairy Book

      London: George G. Harrap & Co. Ltd.,, 1933. A Book of Old Favourites with New Illustrations. Octavo. Original japon, titles to spine and upper board gilt, pictorial endpapers, top edge gilt, others untrimmed. With the original glassine dust jacket. Colour frontispiece and 8 full-page colour illustrations, illustrations throughout the text. A little spotting to boards and endpapers. Text partially unopened. An excellent copy in the original glassine jacket which has shrunk and has some small chips. Signed limited edition, one of 460 numbered copies signed by the artist.

      [Bookseller: Peter Harrington]
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        EIMI

      NY: Covici, Friede. Very Good with no dust jacket. 1933. Stated First Edition. First Printing. Hard Cover. FIRST, LIMITED AND NUMBERED EDITION, SIGNED BY THE AUTHOR. This is number 306 of 1381 copies, signed by e. e. cummings on the colophon/limitation page. Publisher's full yellow cloth, black lettering on spine and cover, fore-edge deckle. . Boards mildly soiled, hinges starting but strong, shadow of removed bookplate on fep, else fine. VERY GOOD. . 8vo 8" - 9" tall. (i), 432, (1) pp. Signed by Author .

      [Bookseller: Round Table Books]
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        EIMI. Signed Limited edition

      London Covici, Friede 1933. G: in Good condition without dust jacket in clear protective wraps. Light marking to covers. Endpapers browned. Inscription and date (Paris 1936) to fep Limited Edition [761/1381] Yellow hardback cloth cover 230mm x 180mm (9" x 7"). 432pp. Signed by the author on the Limitation page to the rear of the book.

      [Bookseller: Barter Books]
 3.   Check availability:     TomFolio     Link/Print  


        PICTURE BOOK: 10 LITHOGRAPHS & SIGNED COLOPHON PAGE

      [New York]: [John Becker], [1933]. Occasional marginal tears. These are 10 of the 32 original lithographs in 6 or 7 colors on zinc signed in the plate by Charlot with a colophon page SIGNED by the artist, the printer, Lynton Kistler, and the designer, Merle Armitage. They are laid into a folder made of the same paper as that on which the lithos are printed.

      [Bookseller: Charles Agvent]
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        Steinlen, Theophile-Alexandre. [Lecomte, George]. CHATS ET AUTRES BÊTES. Signé / Signed

      Paris: Rey, 1933 Steinlen, Theophile-Alexandre. [Lecomte, George]. CHATS ET AUTRES BÊTES. Signé/Signed. Paris: Rey, 1933. Dessins inédits de Steinlen [illustrator]. Half brown morocco over marbled paper covered boards, four raised bands, gilt-stamped spine titles, matching marbled endpapers. Covers bound in. A one page Steinlen ALS tipped to the front free endpaper in fine condition: "Voulez-vous vendredi? / Cher Monsieur Vauxcelles à n'importe quel moment de la matinée je serai très heureux de vous voir en compagnie de votre ami Borchardt / Très cordialement à vous, / Steinlen". Trans. "Is Friday alright? / Dear Mr. Vauxcelles at any moment in the morning I will be very happy to see you together with your friend Borchardt / Yours very cordially / Steinlen". 19 black & white plates of Steinlen’s superb feline illustrations with 150 in-text designs. One of 545 numbered examples on Vélin. One of 500 copies on Vélin de Rives with an extra suite of plates limited to 50 copies only. A beautiful, unique example in very fine condition. 19 planches hors texte et 150 dessins en noir, in texte, reproduits en facsimilé, par Barry. Tirage à 545 exemplaires numérotés sur vélin. un des 500 vélin de rives. On joint une suite des illustrations, sur vélin à la forme, tirée uniquement à 50 exemplaires.. Signed by Illustrator. 1st Edition. Illus. by Steinlen.

      [Bookseller: TBCL The Book Collector's Library]
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        The River War

      Â This is the first printing of the bibliographically significant 1933 edition of Churchill's second book in the scarce original dust jacket. Originally published in 1899, The River War recounts Churchill's experiences and reflections concerning British involvement in the Sudan. The text is arresting, insightful, powerfully descriptive, and of enduring relevance. As a young officer in a colonial British army, Churchill was unusually sympathetic to the Mahdist forces and critical of the British army. This work offers us the candid perspective of the future great man of the 20th century from the distinctly 19th century battlefields where Churchill learned to write and earned his early fame. In 1933, a so-called "Second Cheap Edition" was made from plates of the 1902 edition with a bibliographically significant new introduction by the author explaining that "A generation has grown up which knows little of why we are in Egypt and the Sudan." There were ultimately five printings of this edition. Here is the first printing of 1933, a near-fine plus copy in a good example of the scarce dust jacket, which is unique to the 1933 first printing. The light purple cloth binding of this edition proved highly susceptible to wear and soiling. Here the binding is square, clean, and tight, retaining uniform color, sharp corners, nicely rounded spine, and showing none of the usual scuffing. Slight wrinkling at the spine ends and perhaps a hint of darkening at the spine head corresponding with the dust jacket loss are the only trivial exterior flaws noted. The contents are crisp and bright, the book feeling unread. Differential transfer browning to the blank endpapers corresponding to the dust jacket flaps confirms that this book has spent its life jacketed. We note no internal spotting or previous ownership marks. Very light spotting is confined to the fore and top edges and the top edge also shows dust soiling. The dust jacket is a respectable and mostly complete example. The only significant dust jacket loss is a 1.5 inch wide by maximum .375 inch strip at the spine head. The jacket spine is toned and scuffed, but both the blue and black spine print remain distinct. The jacket faces show modest wear and a few short closed tears at the edges, as well as light overall soiling, heaviest at the flap folds. The dust jacket is protected in a removable, archival quality clear cover. Bibliographic reference: Cohen A2.4.a, Woods/ICS A2(da.1), Langworth p.33. 

      [Bookseller: Churchill Book Collector]
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        The Ingenious Gentleman Don Quixote De La Mancha. Translated with an Introduction by John Ormsby

      Barcelona, Spain: The Limited Editions Club. Near Fine. 1933. Hardcover. There are some chips to the glassine covers, but they have preserved their purpose of protecting the decorated boards and cloth spine with bright gilt lettering. ; A Rare set, 2 volumes, in Near Fine condition. Limited edition, number #138 out of 1500 signed by the illustrator. Glassine covers for both volumes. Slipcase is in Very Good condition - some minor shelf wear, intact, with paper label on spine and #138 at bottom. Tissue guards for each plate. Deckled pages. A heavy set. Because of weight or size of some books, additional postage may be required. We will notify you if it is necessary to charge you an additional amount. You will then have the option of cancelling the order. ; Wood block print; 4to 11" - 13" tall .

      [Bookseller: The Book Shelf]
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        Warum Krieg? [Why War?]

      Paris: Internationales Institut Fur Geistige Zusammenarbeit Volkerbund, 1933. First edition. Original Wraps. Very Good Condition.. (FREUD-EINSTEIN) Warum Krieg? [Why War?] Albert Einstein und Sigmund Freud. Paris: Internationales Institut Fur Geistige Zusammenarbeit Volkerbund, 1933. 62pp. original printed wrappers. Slight tanning toward page edges; wrappers darkened at spine and edges, with light wear to extremities. Very Good Condition.& & FIRST EDITION limited to 2000 printed copies..& & In 1932, Albert Einstein, invited by the League of Nations to address a letter on any subject to any individual, chose to correspond with Sigmund Freud on the possibilities of avoiding war. Einstein maintained the importance of establishing an independent judiciary body to mediate conflicts. Freud agreed with this idea but also insisted “ …that there is no likelihood of our being able to suppress humanity’s aggressive tendencies,” and that war is the ultimate expression of man’s distaste for the restraints of civilization.& & By the time of publication, Hitler had risen to power and the world moved closer each day toward a global conflict. Einstein, the committed pacifist, had resigned from the League of Nations over its inability to confront Nazi militarism. In October of 1933 he began his tenure at the Institute of Advanced Study at Princeton, New Jersey.& & Why War? was translated into multiple languages but this is the true First Edition.

      [Bookseller: Historicana]
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        History of the Indian Tribes of North America; with biographical sketches and anecdotes of the principal chiefs [Volumes I and III only]

      Edinburgh: John Grant. Very Good+ in Very Good dj. 1933; 1934. New edition. Hardcover. NOISBN . [just a bit of shelfwear and light bumping to bottom edges/corners, one-time owner's rubber-stamped signature on front pastedowns (both volumes); jackets are uniformly age-toned (somewhat more at spines), with general soiling and some wrinkling along the top edges, but with no tears or chips]. (2 photogravure ports.; 72 color plates; 2 maps) Regrettably incomplete set (Volumes I and III only; Volume II is not present) of this classic work, originally published in three folio volumes issued in 1836, 1838 and 1844. The introduction to this "New Edition," by editor Hodge, presents an account of the creation of the original work (including much biographical information about the authors) and an extensive bibliographical discussion of numerous editions that followed, in particular the history of the work's most notable feature: the color portraits of many Native Americans, primarily tribal chiefs. Because the portraits, which hung originally at the War Department and later at the Smithsonian Institution, had been painted from life (and predated the widespread use of photography), in many instances they represent the only existing images of their subjects; and because most of the originals were destroyed in the 1865 Smithsonian fire, only the published reproductions remain. This edition contained 123 color plates in all, of which 72 are present in the two volumes on offer, as are the two color maps, at the end of Volume III. .

      [Bookseller: ReadInk]
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        Alice Through the Cellophane

      New York: The John Day Company, 1933 First edition, first printing. Near fine in original wraps with very light wear and toning to spine. Very scarce 30 page collection of White’s pieces from The New Yorker.. 1st Edition. Hardcover. Fine.

      [Bookseller: B & B Rare Books, Ltd., ABAA]
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        Roll, Jordan, Roll [One of 23 Copies, Signed]

      NY: Robert O. Ballou. 1933. A presentation copy of the limited edition of this classic, with text by Peterkin and photographs by Ulmann. According to the colophon, 350 copies were numbered and signed, of which 327 were for sale. This is one of the 23 copies hors commerce, inscribed "For H.L.B." where the limitation number would have been, and signed by Peterkin and Ulmann. With 90 full-page stunningly produced copperplate hand-pulled photogravure plates, with tissue guards; the trade edition was not only a lower quality production, it only had 72 plates in total. The copies of the limited edition that were offered for sale came with a separate print of one of the photos and a slipcase. Neither is present here, and it is unknown if the hors commerce copies would have included such items, or if they were selling points intended to help market the commercial deluxe edition. Bound in brown textured paper over boards with white cloth spine and tips. Spine cloth slightly dusty, a hint of offsetting to the title page as the opposing photo lacks tissue; still a fine copy. We have never seen one of the hors commerce copies offered for sale, and none appear in the auction records. A scarce issue of a high spot of 20th century photography; a Roth 101 title. . First Edition. Hardcover.

      [Bookseller: Ken Lopez Bookseller, ABAA]
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        ROLL, JORDAN, ROLL ... THE PHOTOGRAPHIC STUDIES BY DORIS ULMANN

      New York: Robert O. Ballou, [1933].. Large octavo. Blue cloth, lettered in gilt. Frontis and plates reproduced in offset gravure after photographs. Trace of sunning along extreme top and bottom edges, otherwise a fine, bright copy, with the vulnerable spine stamping bright and fresh, in very good dust jacket with a few thin streaks of rubbing, a small chip at the lower tip of the upper joint, and an old, externally mended creased tear at the top corner of the rear panel. First edition, first U.S. issue of the trade issue. Sheets from this printing were also exported to Jonathan Cape for the British issue, and in later years (ca. 1935), additional sets of sheets were bound up by Bobbs- Merrill with a cancel title-leaf and different binding. Ms. Peterkin's prose sketches of southern African Americans, accompanied by Ulmann's photographic portraits, add up to a memorable collaboration in documentation that has become somewhat uncommon in this condition.

      [Bookseller: William Reese Company - Literature ABAA-]
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        Roll Jordan Roll

      New York: Robert O. Ballou, 1933. First edition. The trade issue, preceded by a deluxe edition of only 350 copies. Text by Peterkin and 70 photographs by Ulmann. An inspired collaboration. An about very good copy with some minor wear to the top of the spine and some fading to the front board as a result of a sizable chip to the about very good dust jacket that is price clipped and has some other minor wear as well. Scarce in any jacket.

      [Bookseller: Jeff Hirsch Books, ABAA]
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        A supplement to Elwes' monograph of the genus Lilium. Parts I to IX

      London.: Dulau & Co. Ltd. / The Royal Horticultural Society.. 1933-1940; 1960.. NINE PARTS, 30 handcolored lithographed plates and 10 color collotype plates (TOTAL OF 40 plates), accompanying text sheets, decorative paper wrappers, large folio approximately 22 x 15 inches (56 x 38 cm). Parts I to VII: Plates in very good to fine condition with occasional very minor faults at edges (bump to corner, light creasing, tiny edge tear). Wrappers have wear to spines, occasional light wear to edges, 1 x 1 inch lightly discolored area at lower left corner of front wrappers from removal of label. Parts VIII and IX: plates in very good to fine condition (first plate in last volume is loose); slight wear and soiling to wrappers, discolored area at lower left corner of front wrappers from removal of label. This important botanical monograph, the Supplement to Henry Elwes 1880 Monograph of the Genus Lilium highlights the extraordinary wealth of China and surrounding countries in the species Lilium. As Elwes' friend and collaborator Arthur Grove states in the introduction to the Supplement: "When Elwes prepared his Monograph about fifty species of Lilium were known to exist, and it was then the general opinion among experts that few remained to be discovered. With his customary acumen, Elwes himself expressed the view that 'The only regions from which much novelty can be expected are the Eastern Himalayas and the immense tract of unexplored and difficult mountain country which surrounds our Indian Empire on the north and east, and which lies round the head-waters of the Irrawaddy, the Bramputra, and the Yang-tse-kiang. --- The Corean peninsula may also produce some new species of Lily; but though the flora of that country is absolutely unknown to us, it may be expected that any indigenous plants of great beauty or horticultural value have already found their way into the gardens of Japan.' These words were written in 1880, some years before the botanical exploration of Western China began, and Elwes proved a wiser prophet than he knew. At that time, however, no one in England suspected that the area indicated by him was soon to prove richer in lilies than either Japan or Western North America." The first 7 parts of the Supplement were issued between 1933 and 1940. These were limited to 250 copies with 30 handcolored plates drawn and lithographed by Miss Lilian Snelling. The large folio size is used to great advantage to showcase the stunning flowers, with botanical details to the side. Each plate is accompanied by a descriptive text of 2 to 4 pages, including the habitat of the plant. More than half of these 30 plates feature plants from China, with all but 3 of the 30 from countries in Asia. This Supplement merits a place in Sitwell and Blunt's Great Flower Books, where it is noted: "A work of the greatest interest and value to all Lily growers. The Supplement is considerably finer both in text and illustration than the original monograph." (p.94). In 1960 and 1962 a further two parts were sponsored by the Royal Horticultural Society, containing "the new lilies introduced since 1933 by Kingdon Ward and other collectors. The text is by Dr. W.B. Turrill, F.R.S, lately Keeper of the Herbarium at Kew...The illustrations are by Miss Margaret Stones, another great botanical artist, who is following worthily in the steps of Miss Snelling." (from the introduction by F.C. Stern). In part VIII are five beautiful color plates of lilies, two of which are from North America - Lilium rubescens (southern Oregon, California) and Lilium Michiganense (Canada and Mid west USA),plus two of Asian origin (Yunnan and Manipur). In part IX, four of the flowers depicted are from North America - Lilium washingtonianum var. purpurascens (north-western California and Oregon); Lilium pitkinense (California); Lilium Pardalinum var. giganteum (Northern California); Lilium kelleyanum variant (California); the last is from the Himalayas. .

      [Bookseller: oldimprints.com]
 14.   Check availability:     Biblio     Link/Print  


        THE W. HEATH ROBINSON CALENDAR

      Published by G. Delgado Ltd., 1933. Paperback. Very Good. Illustrated by Robinson, W. Heath. Very good condition. Portrait format, beige card wraps with b/w illustration on front cover. One page per week with b/w cartoon and caption in Robinson's humourous style. Tied at top with red ribbon. A few grubby marks and foxspots to covers which have two small splits at top corners. Contents complete with just a few pages margins having light foxspots. A super copy of this exceptionally rare and ephemeral item. [S]

      [Bookseller: Stella & Rose's Books]
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        KAMERA OBSCURA. [Camera Obscura]. Inscribed to Iakov Blokh

      Berlin: Parabola, 1933 [NABOKOV, Vladimir] NABOKOFF-SIRIN, Vladimir. First edition in Russian. 8vo., 203 [1]pp.Original pictorial wrappers, uncut. An essentially fine fresh copy showing minor use with Nabokov's presentation inscription in ink on the front blank [in Russian]: "Iakov Blokh, for a good memory from the author - XII - '33. " Blokh was a Russian publisher in Germany in the 1930's. In 1936 this title became Nabokov's first work to appear in English, & in 1938, this novel became the first of his works to be published in book form in the USA [as Laughter In The Dark]. Juliar A14.1. Custom black cloth clamshell case, gilt-lettered leather labels to the spine. [Before appearing in book form, this work was first published in Paris in four issues of the Russian émigré journal, Sovremennye Zapiski Contemporary Annals between May 1932 & March 1933].. Signed by Author. First Edition.

      [Bookseller: TBCL The Book Collector's Library]
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        Brudstykker af en Landsbydegns Dagbog.

      Udg. af Selskabet for Grafisk Kunst. Kbhvn. 1933. Med 26 træsnit af Povl Christensen, trykt på de orig. stokke. 52 s. Oplag 425 ekspl. Povl Christensens debut og et hovedværk inden for moderne dansk bogillustration.. Holst nr. 5

      [Bookseller: Peter Grosell's Antikvariat]
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        Eighd. signierte OLithographie: "Für Ihr freundliches Interesse und die schöne Bereicherung des Archivs dankt mit verbindlichstem Gruss - Kubinarchiv in Hamburg". [ca. 13,5 x 17,8 cm].

      o.O., 1933 - o.O., o. J. [nach 1933]. Gerahmt im Passepartout. Verkleinerte Darstellung der Lithographie "Nächtlicher Sumpf", Raabe Nr 498, Jahr 1933. - Eine unleserliche Signatur des Hamburger Kubinarchivs im Blatt. Kl. Fleck am linken Außenrand, nicht aufdringlich. Deutsch

      [Bookseller: Antiquariat Weinek]
 18.   Check availability:     IberLibro     Link/Print  


        The Man With Two Left Feet

      New York and Chicago: A. L. Burt Company Publishers, by arrangement with Doubleday, Doran & Company, Inc.,, 1933. And Other Stories. Octavo. Original orange cloth, titles and design to spine and front board in black, orange topstain. With the dust jacket illustrated by Harry Beckhoff. Corners nicked, faint mark to front board; an excellent copy in the rubbed and spine-tanned with splits at the fore-edge. First American edition, first printing (originally published in book form by Methuen in 1917), of the short story collection that includes (in "Extricating Young Gussie") the first appearance of Jeeves, Bertie Wooster and Aunt Agatha, and their first introduction the US. Bibliographically, this is an unusual example of the publishing house A.L. Burt (normally associated with popular reprints) printing a first edition; Doubleday, Doran & Co. purchased the American rights to the book, but sold them to Burt without publishing the book themselves, hence the "by arrangement of" notice in the imprint. Scarce.

      [Bookseller: Peter Harrington]
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        The Russian Campaign of 1914: The Beginning of the War and Operations in East Prussia

      Fort Leavenworth: The Command and General Staff School Press, 1933. From the library of Lt. Gen. D. H. Connolly, WWII commander of the Persian Gulf Command. Gen. Connolly's signature on ffep; 15 maps in rear pocket. Spine is lightly sunned. Textblock is very clean and tight. Lightly worn boards. 410pp. including appendices. First English Language Edition. Brown Cloth. Very Good. Illus. by Maps in Rear Pocket. 8vo - Over 7 3/4" -9 3/4 " Tall. Hard Cover.

      [Bookseller: Clausen Books, RMABA]
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        Winner Take Nothing

      Scribner's, New York 1933 - 1st Edition. Hardcover. 1st issue DJ, Gold gilt, bright crisp, normal shelf wear, few short closed tears barely visable. [Attributes: First Edition; Hard Cover]

      [Bookseller: Lyons Fine Books]
 21.   Check availability:     AbeBooks     Link/Print  


        El Paisaje: (un ensayo) [Landscape: (an essay)]

      The selected catalog for the November 1933 exhibition of 124 Dr. Atl works at the Convento de la Merced in a rare presentation example, offered in collectible condition, complete in the distinctive Atl designed linen portfolio with ties, decorated with 2 striking stencil print vignettes, edges notched with tie-sliders near each corner for marking a user's place. Revered in Mexico for his landscapes of the mountains, hills, and gullies of the central Mexican plateau, the selected catalog contains 38 plates of landscapes executed from memory during a 1932-33 stay at the Convento de la Merced, the Valley of Mexico depicted with topographical exactness, as the earth's skin and body, but also as a mystery expressing the life force in all things. Text is an essay on the history of landscape painting and contains the section, 'Las Inovaciones', what is believed to be the earliest book exposition by Atl on his technical innovations in pigment application including varnishes for watercolor and his resin binding 'Atl colors' crayons. MURILLO: a principal figure during the first 4 decades of the 20th century in the fine arts in Mexico, for his involvement after the Mexican Revolution with social causes, including editorship of "La Vanguardia", as fine arts professor and director of the Academia de San Carlos where he taught and influenced Orozco, Siqueiros, Galvan, and Rivera, for his association with the beginning of mural painting, and for his leading advocacy of the craft techniques of the indigenous peoples of Mexico, as expressed in the Mexicanidad movement and authorship of "Les Artes Populares en Mexico". PRESENTATION: in black ink, 6 lines + salutations + full signature with elegant flourishes, dated August 5, 1935, site-Mexico. FORMAT: Beige linen cloth board portfolio decorated with 2 hand pulled stencil (pochoir) print vignettes; upper side with a striking, 108 x 135 mm, 4-colors (black, orange, gray and beige) volcano pictorial-title in orange and black letters is part of the composition, lower side with a 87 x 70 mm, 2-colors (charcoal and beige) Nahuan sky pattern, fastened at the fore-edge by two beige and desert rose woven linen ties, edges notched with tie-sliders for marking place, inside lined at spine with original binder's brown cloth tape, inside panels mounted with handmade beige Mexican paper decorated with a repeating lizard scale pattern, subtly different for each panel. Portfolio contains the cream paper booklet in 2-staples saddle binding with illustrated Atl essay and the loose as issued suite of 32 b/w plates. SIZE: Portfolio: 245 x 307 mm. Mounted Color Plates: to 161 x 222 mm. Plate Leaves: 234 x 297 mm. PAGINATION: Confirmed complete. Booklet: 24 pages, [2] pages, plate 6; [2] pages, rear blank, title on upper wrapper, essay-pages 1-14, illustrated with 6 tipped-on color plates, 5 following essay, these printed without text, versos blank, descriptive captions on facing pages, title plate for upper wrapper with descriptive caption below. Plates Suite: 32 numbered captioned plates, 22 b/w reproductions of drawings and 10 b/w reproductions of color media, printed sometimes beyond borders on extra heavy cream paper on one side of the leaf-versos blank. Essay on the history of landscape painting includes Las Inovaciones, pages 12-13 with a brief exposition on the 'Dr. Atl colors' he developed, crayons with a petroleum derivative resin binder, wax, casein and pigment, allowing for durable colors retention and smooth, solid pigment application, designed for use as a primary medium on paper, canvas, etc, and as a secondary application for heightening the color of oil and watercolor paints. Several examples are reproduced. CONDITION DETAIL: Booklet Plates: Cover Plate detached (now in archival sleeve): outer bottom corner lightly creased: trace fox spotting to one small area of inner margin:  rear with top edge line of glue residue where tipped-on. Other Tipped-On Plates: Fine. Wrappers: light fingering. Upper Wrapper: light toning imprint from plate, rub line where plate was tipped and a 3 x 10 mm spot of tab residue, some trace foxing in margins and light line of soiling at top outer corner, spine edge with a small stain spot and a slight soil spot. Presentation: Fine. Booklet Pages: clean: 2 pages with light fingering, p. 13 with mild gutter crease at crown. Binding: Fine. Suite Plates: some with trace edge soiling, usually to outermost top edge: PL 25 with 10 mm wide top edge soiling: Plates 26 and 31 with slight top edge spotting: PLS 1 and 26 with slight wear, to top edge and top corner respectively. Portfolio Covers: prints clean and fresh: tiny puncture to cloth at spine edge doesn't continue: rear with minor half-moon stain and spot of slight wear. Ties: Fine. Notches: Fine. Inside Panels: slight edgewear. REFERENCE: Espejo, Dr. At. Casado Navarro, Gerardo Murillo, pages 126-129. COLLECTIONS: Worldwide, outside of Mexico, there are 35 institutional holdings. ADDITIONAL IMAGES: by request.

      [Bookseller: Steven Waldman]
 22.   Check availability:     Biblio     Link/Print  


        Roll, Jordan, Roll

      New York: Robert O. Ballou. [1933]. First Edition. 8vo; 251pp, with 75 photographs on double-sided plates, including frontispiece; original blue cloth, gilt spine, edges faded about 1/8 in, endpapers a bit aged toned, jacket chipped along all edges rubbed ("E" in Peterkin missing on spine) with creases on both front panel, very good in used jacket.& Julia Mood Peterkin (1880-1961), South Carolina native, lived on her husband&#39;s two-thousand acre plantation and also had a summer home at Murrell&#39;s Inlet, a coastal village. She wrote, with realism and dignity, plantation stories and stories of the Gullah African American tenant farmers of the Sea Islands and coastal regions. She was a sympathetic and outstanding commentator of the lives of this vanishing black culture. Doris Ulmann (1882-1934) was a well-respected photographer of the period who specialized in portraying the people of the "Southern Highlands" Appalachia and the coastal blacks Peterkin wrote about. Ulman&#39;s photographs of now vanished worlds capture her subjects with respect, insight, and grace and a transcendent quality which embodies the beauty and mystery of human experience. ROLL, JORDAN ROLL is a non-fiction work which portrays the Gullah in a perfect artistic blend of text and picture. American Woman Writers III, pp. 373-374. Jacobs, The Life and Photography of Doris Ulmann. In Focus: Doris Ulmann, Photographs from the J. Paul Getty Museum. <br>See an <A HREF= http://www.bookrouter.com/im/juvelisbks/8981.jpg >Image.</A><br>

      [Bookseller: Priscilla Juvelis, Inc.]
 23.   Check availability:     Biblio     Link/Print  


        FOUR POEMS BY JOHN MILTON: L&#39;ALLEGRO, IL PENSEROSO, ARCADES, LYCIDAS

      Newtown, Wales: The Gregynog Press, 1933. No. 172 OF 235 COPIES (of a total of 250, including 15 bound in morocco). Hardcover. 264 x 171 mm (10 3/8 x 6 3/4"). 33 pp., [1] leaf (colophon). No. 172 OF 235 COPIES (of a total of 250, including 15 bound in morocco). Publisher&#39;s reddish-brown Hermitage calf, upper cover blocked in blind with titling, press device, and the figure of Euphrosyne, one of the Three Graces, designed by Blair Hughes-Stanton. WITH 11 WOOD ENGRAVINGS BY BLAIR HUGHES-STANTON, four of these full-page. Printed on Japanese vellum. Harrop 26. A hint of rubbing to leather, one tiny spot on spine, otherwise A VERY FINE COPY, immaculate internally. During a short space of time, from 1931-34, Blair Hughes-Stanton (1902-81) produced woodcuts for six memorable books issued by the Gregynog Press, and this collection of four early poems by Milton was, in Harrop&#39;s view, "merely a vehicle for displaying the illustrations," which feature figures from classical mythology depicted in the artist&#39;s distinctive erotic style. Hughes-Stanton (1902-81) studied at the school of Leon Underwood at Hammersmith and had a long and productive career producing sophisticated expressive woodcuts as an avant-garde artist. Although he was pressured to make his striking, sometimes even savage, images look more like those of Eric Gill, he resisted and successfully established his unique personal style as an illustrator. The type use here is the graceful Perpetua designed by Gill, who was, with Hughes-Stanton, one of the two central figures in the English wood engraving revival. Although Gill is the more recognized artist, he never approached Hughes-Stanton in terms of intricacy. While prone to abrasions, the "Four Poems" binding is described by Harrop as "one of the most sucessful to come from the Press.".

      [Bookseller: Phillip J. Pirages Fine Books and Mediev]
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        The Adelphi Edition of the Works of Jane Austen. Comprising Sense and Sensibility, Pride and Prejudice, Emma, Northanger Abbey, Mansfield Park, Persuasion, Lady Susan and The Watsons

      Cambridge: W. Heffer and Sons Limited, n.d. [1933]., 1933. Complete in 7 volumes, 8vo. Unusual in publisher&#39;s quarter green morocco with gilt titles to spines, top edges gilt. Spines evenly faded to brown; very slight marking to boards. A very presentable set.

      [Bookseller: Adrian Harrington Rare Books]
 25.   Check availability:     Biblio     Link/Print  


        Cravache Et Fanfreluches

      Librairie Générale 1933 In-8 broché. Complet des 16 HT de Maurice Millière, 4 sur les 5 HT en couleurs sur feuilles libres. Bel état, fac similé des pages de faux titre et de titre; la mention de l'éditeur en couv et au dos a été gommée. Photocopie couleurs du HT manquant. Un des titres les plus rares de la littérature SM d'avant-guerre, seule incursion de Millières dans le genre. Kidnappées, 5 jeunes femmes occidentales subissent les traitements infamants d'un trafiquant d'esclaves asiatique, qui organise des ventes à de riches clients. Elles seront transformées par leurs propriétaires en coussins, en soubrettes de luxe et devront souffrir dans leurs corsets et des escarpins vernis vertigineux. SUPERBE exemplaire,jamais réédité Très bon couverture souple Edition originale

      [Bookseller: Librairie Dejolibelle]
 26.   Check availability:     maremagnum.com     Link/Print  


        Polo Ponies. Their Training and Schooling

      New York: The Derrydale Press, 1933. First edition, one of 850 copies. 8vo. Illustrated. 111 pp. Original blue cloth stamped in gilt. Spine with slightest wear, else a fine bright copy in original acetate wrapper (one tear on back flap). Siegel 73; Frazier K- 2-a; Podeschi 407. Provenance: Eugene V. Connett, 3rd; his son, Eugene V. Connett IV

      [Bookseller: James Cummins Bookseller]
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        Tales of Mystery and Imagination

      New York: Tudor Publishing Company, , 1933. Illustrated by Harry Clarke. Quarto. Finely bound by The Chelsea Bindery in black morocco, titles and decoration to spine, raised bands, single rule to boards, pictorial title block to front board, innder dentelles, marbled endpapers, gilt edges. 8 tipped-in colour plates and 24 monochrome plates. A fine copy. First Tudor edition.

      [Bookseller: Peter Harrington]
 28.   Check availability:     Biblio     Link/Print  


        TALES OF MYSTERY AND IMAGINATION

      New York: Tudor Publishing Company, 1933 Poe&#39;s collection of twenty-nine stories with illustrated plates by Harry Clarke. Attractive bookplate of Fayetta H. Phillip on the front paste-down endpaper. Gift inscription to Fay from her husband Bruce dated Christmas, 1933. A few pages left unopened. Evidence of removal of small sticker to the front free endpaper else a fine and bright copy in a near fine example of the original dust jacket with two tiny tears, about 1/8th inch, with one inch crease between. The book is housed within its original very good plus condition box showing a minimum of wear, with color paper panel on the cover. A very handsome copy with box.. First Tudor edition. Hardcover. Illus. by Harry Clarke.

      [Bookseller: Robert Gavora, Fine and Rare Books]
 29.   Check availability:     Biblio     Link/Print  


        Weird Tales Magazine ( Pulp ) / Volume 22 # 1, July 1933 ( Hand of Glory; Voodoo Song; Fire Creatures; Thing from the Grave; Horror in the Museum; Golden Blood (part 4); Dreams in the Witch House; Ubbo-Sathla; Green Tea, etc)

      Chicago: Popular Fiction Publishing Company / Weird Tales Magazine ( Pulp ) / Volume 22 # 1, July 1933, 1st Edition, 1st Printing, 1933. -----------pulp, about 7 x 10 inches, a solid Good to Very Good copy, light rubbing and wear, clear tape on spine, age toning to paper but not brittle, this copy was CAS&#39;s own copy bearing his signature on the front page and two pencil hand corrections to his story, obviously RARE signed, this contains: Golden Blood [Part 4 of 6] by Jack Williamson; The Dreams in the Witch-House by H. P. Lovecraft; The Fire Creatures by Edmond Hamilton; Green Tea by Joseph Sheridan Le Fanu; The Hand of Glory by Seabury Quinn; The Horror in the Museum by H. P. Lovecraft [as Hazel Heald]; The Man on the Ground by Robert E. Howard; The Thing From the Grave by Harold Ward; Ubbo-Sathla by Clark Ashton Smith; Poems: The Dance of the Dead by Robert B. Gray; Pirates&#39; Cave by Alfred I. Tooke; Voodoo Song by Mary Elizabeth Counselman, any image directly beside this listing is the actual book and not a generic photo. Signed. First Edition. Pulp. Good. Illus. by Margaret Brundage Cover Art.

      [Bookseller: Leonard Shoup]
 30.   Check availability:     Biblio     Link/Print  


        Down and Out in Paris and London [In the Rare Dust Jacket]

      NY: Harper & Brothers. 1933. The first American edition of Orwell&#39;s first book, in the rare dust jacket. An account of life among the poor in Paris and London, with whom Orwell lived for a number of months in order to experience their plight first-hand; it set the stage for his further nonfiction, which was marked by sympathy for the underdog and a disdain for dogma -- the exact elements that informed his best fiction. Mild bowing to the boards, with some foxing to the text and a few tiny spots to the rear cloth; a very good copy in a very good dust jacket with multiple short edge tears, a thumb-sized spot to the front panel, and a few very small chips to the edges and folds. Rare in jacket. . First Edition. Hardcover.

      [Bookseller: Ken Lopez Bookseller, ABAA]
 31.   Check availability:     Biblio     Link/Print  


        Down and Out in Paris and London

      London:: Gollancz,, 1933.. First edition (ie: first printing).. Hardcover. Near Fine. 288pp. Contents fine (very fresh, no marks). Text block edges clean (top edge dull green, bottom edge with rub mark towards front). In the original binding of smooth black cloth, spine titled in green. Spine ends puckered and faint ridge to spine. Front bottom corner has small knock. Cloth fresh, with very slight fading to spine. An exceptionally unworn copy.

      [Bookseller: Chapel Books]
 32.   Check availability:     Biblio     Link/Print  


        Paris de Nuit

      Paris: Edition Arts et Métiers Graphiques, 1933. One tiny internal crease to the front cover, barest hint of wear at the slightly yapped edges; very close to fine in photo-illustrated spiral-bound wrappers. The nicest copy I have seen.. First Edition. Spiral bound quarto, sixty-four gravure plates. The best-known and most iconic of the great Paris photobooks, printed in a deep gravure so tactile it seems almost as if charcoal will rub off on the hands of the viewer. The cobblestone covers and endpapers are particularly evocative. (Parr / Badger, v1, 134; Roth 76-77; Open Book 110; Auer 198).

      [Bookseller: Harper's Books, Inc.]
 33.   Check availability:     Biblio     Link/Print  


        AEGRI SOMNIA,

      Bruxelles, Librairie Nationale d&#39;Art et d&#39;Histoire, 1933 . Broché, couverture papier illustrée, page de titre au vignette, papier Pannekoek, 180 x 260mm., 185pp., pages ne sont pas coupés. Un des 12 exemplaires hors commerce. Très bon état.

      [Bookseller: ERIK TONEN BOOKSELLER]
 34.   Check availability:     Biblio     Link/Print  


        The River War

      This is an improbably pristine jacketed copy of the second printing of the 1933 edition. Though we are generally wary of words like "mint" and "as new", we can say with confidence that this must surely be the best surviving example. Churchill's second book, originally published in 1899, recounts his experiences and reflections concerning British involvement in the Sudan. The text is arresting, insightful, powerfully descriptive, and of enduring relevance. As a young officer in a colonial British army, Churchill was unusually sympathetic to the Mahdist forces and critical of the British army. This work offers us the candid perspective of the future great man of the 20th century from the distinctly 19th century battlefields where Churchill learned to write and earned his early fame. In 1933, a so-called "Second Cheap Edition" was made from plates of the 1902 edition with a bibliographically significant new introduction by the author explaining that "A generation has grown up which knows little of why we are in Egypt and the Sudan." There were ultimately five printings of this edition with at least seven different dust jackets issued (at least two for the 1933 second printing and two for the final, 1951 printing). The style of the illustrated first printing dust jacket was unique to the first printings (January 1933) and an unknown number of second printings (March 1933). This beautiful, jacketed copy of the second printing is not only extraordinary for its condition, but also of bibliographic interest. In his excellent Bibliography, Ronald Cohen notes that "although only 985 copies were ever sold" of this second printing, these copies "were bound only gradually, on 14 separate occasions between 31 March and 29 February 1940." Cohen notes that "this extended sale and large number of binding occasions would account for differences of cloth or dust jackets on second printing copies." (Cohen, Volume I, p.54) Here is what surely must be an early issue example of the second printing, since it bears the first printing-style dust jacket. Of the second impression, Richard Langworth (Connoisseur's Guide, p.34-35) does note "This impression has been found in a jacket identical to the first impression, adding 'net' to the spine price." This copy's dust jacket does have the word 'net' on the spine below the price and the book itself references the additional 1933 printing on the copyright page. Additionally, the binding cloth is a distinctly lighter and brighter shade of light purple than that of the first printing. As stated, this is an improbably superlative copy, nearly as new in a truly fine dust jacket. The illustrated dust jacket is simply stunning - beautifully crisp, bright, and complete, with only fractional wear to a few extremities and a nearly invisible short closed tear at the upper rear hinge. The dust jacket is protected in a removable, archival quality clear cover. The volume beneath is immaculate and clearly unread. The cloth of the 1933 printings proved highly susceptible to wear, soiling, and toning. This copy features a flawless binding with no visible signs of wear or handling. The contents are likewise pristine - crisp, bright, and tight with no previous ownership marks and no spotting. The owner of this copy will know they have the best possible copy attainable without a time machine. Bibliographic reference: Cohen A2.4.b, Woods/ICS A2(da.2), Langworth p.33.

      [Bookseller: Churchill Book Collector]
 35.   Check availability:     IOBABooks     Link/Print  


        FLUSH. A Biography. [Serialized in The Atlantic Monthly, Volume 152, numbers 1-4, July to October 1933].

      - Pp. 512(continuously paginated), plus numerous advertisements (several pictorial), with Flush comprising pp. 1-12, 163-256, 326-337, and 439-453; med. 8vo; orange pictorial paper wrappers, with 3 holes punched near backstrips (for filing in folder?), lightly soiled and worn, edges rubbed and split, with a couple of tiny chips; fore-edges uncut; a couple of minor pencilled annotations, a few small edge chips or splits, occasional light foxing, soiling and creasing; The Atlantic Monthly Company, Boston, 1933. First edition, parts 1 to 3 preceding the book publication. Kirkpatrick C338. *The final installment of Flush appeared in the October issue of the magazine, and the book was published in Britain and the United States on 5 October. These issues also include work by Gertrude Stein (from Autobiography of Alice B. Toklas) and, D. H. Lawrence (Christs in the Tirol), plus an article about Hitler's Mein Kampf by toxicology pioneer Alice Hamilton. In the Contributors' Column, Virginia Woolf is described as 'an accomplished swimmer in those deep waters that swirl and eddy in the stream of consciousness'. [Attributes: Soft Cover]

      [Bookseller: Kay Craddock - Antiquarian Bookseller]
 36.   Check availability:     AbeBooks     Link/Print  


        Polo Ponies. Their Training and Schooling

      New York: The Derrydale Press 1933 New York: The Derrydale Press, 1933. First edition, one of 850 copies. 8vo. Illustrated. 111 pp. Original blue cloth stamped in gilt. Spine with slightest wear, else a fine bright copy in original acetate wrapper (one tear on back flap). Siegel 73; Frazier K- 2-a; Podeschi 407. Provenance: Eugene V. Connett, 3rd; his son, Eugene V. Connett IV

      [Bookseller: James Cummins Bookseller ]
 37.   Check availability:     ABAA     Link/Print  


        Dog-Days on Trout Waters

      New York: The Derrydale Press, 1933 - Harold G. Pickering was a past president of the Anglers' Club of New York, and editor of The Anglers' Club Bulletin; this was his second book Second state without the colophon page. 12mo. With illustrations by Donald Gardner. Original pink paper over boards, printed labels on upper cover and spine, a notoriously fragile book, spine faded, but not split as usual ly found , staiining on upper cover ("to find any one of them in fine condition is not only rare but practically unheard of"--Frazier). Laid into a half red morocco drop box with the Derrydale logo on spine and a red morocco inset label on the upper cover, also with gilt stamped Derrydale logo. Siegel 70; Frazier P-7-b [Attributes: Hard Cover]

      [Bookseller: James Cummins Bookseller, ABAA]
 38.   Check availability:     AbeBooks     Link/Print  


        Blumen vor roter Wand. Öl auf Lwd.

      1933 1933 - 46 x 35 cm, Tadell. in Rahmen Links unten monogrammiert «Sc». Auf Rückseite signiert, datiert und betitelt.Giuseppe Scartezzini (1895-1967), geboren in Innsbruck, später in Zürich. Maler und Glasmaler. Wand- und sakrale Glasmalerei, Profan- und Kabinettscheiben. Stillleben und Interieurs. (SIK) 5000 gr.

      [Bookseller: antiquariat peter petrej]
 39.   Check availability:     IberLibro     Link/Print  

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