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Displayed below are some selected recent viaLibri matches for books published in 1933

        BILLETE DE LIBRE CIRCULACIÓN. Congreso de los Diputados. Cortes de 1933

      Madrid 1933 - Carnet del Congreso de los Diputados del Billete de Libre Circulación de Francisco Largo Caballero. Foto y firma de Francisco Largo Caballero, firmado el día 18 de diciembre de 1933. "Valedero desde el 8 de diciembre de 1933 hasta la disolución de las Cortes, a favor del Diputado a Cortes D. Francisco Largo Caballero". Están las firmas de los cuatro directores de Zona de las Compañías de Ferrocarriles así como la del Oficial Mayor del Congreso. Las cubiertas del carnet son de piel color burdeos. Muy buen estado de conservación ya que se encuentra protegido por dos pequeñas planchas de metacrilato.

      [Bookseller: Librería Sagasta]
 1.   Check availability:     IberLibro     Link/Print  


        The temple of King Sethos I at Abydos (4 volume set, elephant folios)

      London, The Egypt exploration society; Chicago, The University of Chicago Press, 1933-01-01. Hardcover. Good. 4 volume set. Bound in publisher's off-white cloth with gold lettering. Elephant folios, 61 x 49 cm. ( 24" x 19") Hardcover. Good bindings and covers. Institutional book plate. Chromolithographic plates. Gorgeous. 1. The chapels of Osiris, Isis and Horus --2. The chapels of Amen-Re, Re Harakhti, Ptah, and King Sethos --3. The Osiris complex --4. The second hypostyle hall. This is an oversized or heavy book, that requires additional postage for international delivery outside the US.

      [Bookseller: SequiturBooks]
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        Guiones n° 2 - (Paris 5 de Marzo 1930) Encuadernación original. Editado en Montevideo 1933.

      Grupo de Arte Constructivo 1933 - Material de incalculable valor y muy difícil ubicación. Roces y fatigas en su encuadernado. Pequeñas manchas de humedad en sus tapas. For major safety in your decision of purchase, we send (free of charge) a video demonstration of the conservation status of the book. Pour une plus grande sécurité dans votre décision d'achat, nous envoyons (sur demande et gratuitement) un vidéo de démonstration de l'état de conservation du livre. Para mayor seguridad en su decisión de compra, le enviamos (a solicitud y sin cargo) un video de demostración del estado de conservación del ejemplar. [Attributes: Soft Cover]

      [Bookseller: Eduardo Martínez Moreira]
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        Des Lagers Stimme Alltag und H?ftlingskultur in den Konzentrationslagern 1933 bis 1936 [Gebundene Ausgabe] Guido Fackler (Autor) Musik in Konzentrationslagern - damit wird das Moorsoldatenlied assoziiert, vielleicht auch noch das Dachau- oder das Buchenwaldlied. Wenig bekannt ist hingegen, dass Musik einen festen Bestandteil des Lagerlebens in allen Konzentrationslagern des NS-Regimes bildete. Wenn das Wachpersonal den H?ftlingen befahl, beim Marschieren, Exerzieren oder bei Strafaktionen Lieder zu singen, missbrauchten die T?ter die Musik, um ihre wehrlosen Opfer zu verspotten und zu dem?tigen und sie obendrein nach milit?rischem Vorbild zu disziplinieren. Aber auch die H?ftlinge bedienten sich der Musik. Als Mittel geistigen Widerstands und mentaler ?berlebenshilfe diente sie zur Transzendierung des grausamen Lageralltags. Vor allem die von den H?ftlingen selbst geschaffenen KZ-Lieder halfen, sich emotional und intellektuell mit der lebensbedrohlichen Situation auseinanderzusetzen. Anhand vieler konkreter Einzelf?lle, auf der Basis von Gespr?chen mit Zeitzeugen und intensiver Archivrecherchen befasst sich die Studie erstmals systematisch mit den unterschiedlichen Formen und ambivalenten Bedeutungsgehalten von Musik in den fr?hen Konzentrationslagern. Mit einer Skizze ?ber die weitere Entwicklung bis 1945 und mit einer ausf?hrlichen Medio- und Bibliographie bietet die Arbeit dar?ber hinaus einen generellen ?berblick zum Thema. Sprache deutsch Ma?e 240 x 170 mm Einbandart gebunden ISBN-10 3-86108-759-6 / 3861087596 ISBN-13 978-3-86108-759-5 / 9783861087595 Des Lagers Stimme Alltag und H?ftlingskultur in den Konzentrationslagern 1933 bis 1936 [Gebundene Ausgabe] Guido Fackler (Autor)

      Edition Temmen, 1933. Musik in Konzentrationslagern - damit wird das Moorsoldatenlied assoziiert, vielleicht auch noch das Dachau- oder das Buchenwaldlied. Wenig bekannt ist hingegen, dass Musik einen festen Bestandteil des Lagerlebens in allen Konzentrationslagern des NS-Regimes bildete. Wenn das Wachpersonal den H?ftlingen befahl, beim Marschieren, Exerzieren oder bei Strafaktionen Lieder zu singen, missbrauchten die T?ter die Musik, um ihre wehrlosen Opfer zu verspotten und zu dem?tigen und sie obendrein nach milit?rischem Vorbild zu disziplinieren. Aber auch die H?ftlinge bedienten sich der Musik. Als Mittel geistigen Widerstands und mentaler ?berlebenshilfe diente sie zur Transzendierung des grausamen Lageralltags. Vor allem die von den H?ftlingen selbst geschaffenen KZ-Lieder halfen, sich emotional und intellektuell mit der lebensbedrohlichen Situation auseinanderzusetzen. Anhand vieler konkreter Einzelf?lle, auf der Basis von Gespr?chen mit Zeitzeugen und intensiver Archivrecherchen befasst sich die Studie erstmals systematisch mit den unterschiedlichen Formen und ambivalenten Bedeutungsgehalten von Musik in den fr?hen Konzentrationslagern. Mit einer Skizze ?ber die weitere Entwicklung bis 1945 und mit einer ausf?hrlichen Medio- und Bibliographie bietet die Arbeit dar?ber hinaus einen generellen ?berblick zum Thema. Sprache deutsch Ma?e 240 x 170 mm Einbandart gebunden ISBN-10 3-86108-759-6 / 3861087596 ISBN-13 978-3-86108-759-5 / 9783861087595 Des Lagers Stimme Alltag und H?ftlingskultur in den Konzentrationslagern 1933 bis 1936 [Gebundene Ausgabe] Guido Fackler (Autor)

      [Bookseller: LLU-Bookservice]
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        Fast One (First Edition, inscribed to fellow hard-boiled author Dwight V. Babcock)

      Garden City: Doubleday, Doran, 1933. First Edition. First Edition of the author's first book and only novel. INSCRIBED on the front endpaper to fellow hard-boiled author Dwight V. Babcock, and signed with both the author's pseudonym and actual name: "For Dwight Babcock / This very little book / Paul Cain (Peter Ruric)." The only signed copy we have ever seen, let alone one with an association. Babcock (or Cain) has tipped on to the front pastedown the portions of the jacket front flap and rear panel that describe the main characters. One of the most important hard-boiled crime novels of the twentieth century--and one of the rarest--by an author who some claim invented the genre along with Dashiell Hammett, and who was a noted inspiration for Raymond Chandler. The novel's story concerns a mysterious criminal loner who insinuates himself in, and wreaks havoc on, the Los Angeles underworld. A prototype for many characters that would follow in the genre, the protagonist is unremittingly merciless to just about everyone, but loyal to those who deal squarely with him. The only novel (and only hardcover title) issued in the author's lifetime, along with a collection of short stories, issued as a paperback original. The publisher's promotional material compared the book to "The Maltese Falcon," "Little Caesar," and Raoul Whitfield's "Green Ice." Cain was the pseudonym of Peter Ruric, a Hollywood screenwriter, referred to in Bill Pronzini's survey of mystery literature "1001 Midnights" as "(unquestionably)...the hardest of the hard-boiled writers for "Black Mask" in the early 1930s." Very Good or better. Backstrip toned, front hinge tender, and some light fray to the spine ends. Very solid overall.

      [Bookseller: Royal Books, Inc.]
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        FAC-SIMILE DE MANUSCRITO] HORATTI MEDICEI SIMILLIMVM.

      - Hoc est exemplar 296. Regia Officina Polygraphica. Romae. XI Kal. Mai MCMXXXIII [1933]. In 4º de 28x20 cm. com 140 fólios. Encadernação do editor similar à original: inteira de pele, estampada com ferros a seco e com aplicações e fechos de metal nas pastas. Fac-simile de um manuscrito do século X, ou anterior, da obra poética de Horacio Flacco Quintus, que foi propriedade de Petrarca e que se encontra na Biblioteca Medicea Laurenziana, em Florença. O fac-simile, impresso a cores sobre papel pergaminho, reproduz o códice original até aos mais pequenos detalhes e defeitos existentes no mesmo, incluindo as falhas, os trabalhos de traça, os acrescentos da época, sendo assim considerada como verdadeira réplica. Quintus Horatius Flaccus (65 AC - 8 AC) é considerado um dos maiores poetas da Roma Antiga. Apesar de ele próprio não ser um filósofo no sentido restricto do termo, alguns dos seus poemas são considerados como exemplo do impacto da filosofia epicurista na Roma Antiga, incluindo temas como "carpe diem" (que consiste em aproveitar o presente, reconhecendo-se a brevidade da vida) e a procura da tranquilidade (fugere urbem). In 4º, 28x20 cm, 140 folios. Editor's binding, similar to the original: full calf, with blind tools and metal ornaments and clamps on boards. Facsimile of a 10th century manuscript (may be earlier) of the poetic work of Horacio Flacco Quintus. The manuscript belonged to Petrarch and is presently at the Medicea Laurenziana Library in Florence, Italy. The facsimile, printed in colour on parchment, replicates the initial codex down to its last details and defects, including tares, worming, and contemporary add-ons, thus being considered an authentic replica. Quintus Horatius Flaccus (65 BC - 8 BC) is considered one of the greatest poets of Ancient Rome. Although he isn?t himself a philosopher, in the strict term of the word, some of his poems are considered to be an example of the impact of Epicureanism in Ancient Rome, including themes like ?carpe diem? (seize the day due to acknowledgement of the shortness of life) and the search for tranquillity (fugere urbem). Location/localizacao: 3-A4-B-65

      [Bookseller: Livraria Castro e Silva]
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        My Golfing Life.

      London: Hutchinson & Co, 1933. First edition. Octavo, original cloth. Inscribed by the author on the front free endpaper, "All best wishes to a very keen golfer, E. Hawley. Never a shot that is hurried, never jab or a snatch, watching the girl who gets flurried, generally loses her match. Harry Vardon." Light rubbing, near fine in the rare original dust jacket with some rubbing to the extremities. Housed in a custom half morocco clamshell box. The longest inscription by Vardon we have ever seen. "In My Golfing Life Mr. Vardon reviews his golfing experiences and looks back over a career that stands out in golf history as one of the greatest" (Murdoch 818). Vardon was a member of the Great Triumvirate of the sport in his day, along with John Henry Taylor and James Braid. He went on to win The British Open Championship a record six times and also won the U.S. Open.

      [Bookseller: Raptis Rare Books]
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        Tui Sunt Caeli et Tua Est Terra Orbem Terrarum et Plenitudinem... Christmas Card for 1933.

      1933. Original Christmas card with engraving and lettering by Eric Gill and printed by him at Pigotts. Single leaf card inscribed on the verso "Love from Eric & Mary Gill, 22.12.33".

      [Bookseller: SOPHIE SCHNEIDEMAN RARE BOOKS]
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        God Rest You Merry Gentlemen

      1933 - HEMINGWAY, Ernest. God Rest You Merry Gentlemen. New York: House of Books Ltd., 1933. Small slim octavo, original red cloth, original glassine wrapper. $1500.Limited first edition, number 55 of only 300 copies.This was the first appearance of this story, although it was published with some revisions later the same year in Winner Take Nothing. Hemingway "drew on his remembrances of Kansas City in 1917" in writing this, one of his darkest stories, which "consisted of a conversation between two young ambulance surgeons about the case of a boy who had tried to persuade one of the doctors to castrate him and then mutilated himself with a razor in order to get rid of an "˜awful lust' which he took to be a "˜sin against purity" (Baker 227). Hanneman A11a. Light wear to edges of glassine. Book near-fine, with only mild toning to extremities. A handsome copy. [Attributes: First Edition; Hard Cover]

      [Bookseller: Bauman Rare Books]
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        L'illustrazione del medico: rassegna mensile di arte lettere e medicina. Bimestrale poi mensile. DAL N.1 (1933) AL N. 247 (1970).

      Laboratori farmaceutici D. Maestretti, Milano, 1933. 16 v. di ca. 500 p. 27 cm tela con titoli oro. ECCEZIONALE RACCOLTA COMPLETA DI TUTTO IL PUBBLICATO DEL PERIODICO RILEGATA IN 16 VOLUMI IN PIENA TELA CON TITOLI ORO TUTTI ESTETICAMENTE UGUALI. IL PERIODICO CONSTA DI 247 NUMERI E NON VIENE PUBBLICATO DAL 1942 AL 1946. La rivista contiene numerosi articoli di diversa cultura con ampio spazio dedicato all'arte. I numeri dell'epoca fascista si distinguono per l'impaginazione nello spirito del tempo. Rivista di buona qualità tipografica e riccamente illustrata. TUTTI I NUMERI CONSERVANO LA BROSSURA EDITORIALE ORIGINALE IN CARTONCINO. IL TUTTO. UsatoBuono Anno pubblicazione: 1933-1970. Buono pochi volumi risultano in parte o completamente allentati con poche pagine che tendono a staccarsi refilato. ...

      [Bookseller: Studio Bibliografico Adige]
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        Marlborough:

      London: George G. Harrap & Co. Ltd.,, 1933?8. His Life and Times. 4 volumes, large octavo. Original dark redddish orange full niger morocco by Leighton-Straker for the publishers, gilt lettered spines with single gilt rule at head and tail, narrow raised bands bracketed by rules in blind, Churchill arms gilt to front covers, top edges gilt, untrimmed, marbled endpapers. Illustrated throughout with numerous plates, plans and maps. Spines lightly sunned, very slight bump to a couple of corners, scattered light foxing. A very good set. First edition, limited issue, number 25 of 155 copies signed by Churchill on the limitation statement (verso of the half-title in volume I). Peter Clarke has recently described Marlborough as "a monument to its author's historical commitment, insight - and fortitude" (Mr. Churchill's Profession, p. 174); T. E. Lawrence thought it "history, solemn and decorative"; while Stanley Baldwin exclaimed that it "would mean years of work even for a man whose sole occupation was writing history. Well, there is the miracle and let it remain. But I don't understand it" (both quoted in Cohen). It is probably Fred Woods's summary which best gathers these threads, and captures the spirit of the work: "Marlborough is huge ? heavily documented, comprehensive. No future historian can hope to avoid indebtedness, and no unprofessional reader can fail to be moved by the grandeur of the vision, the language and the myth. Sonority piles on sonority, vista succeeds vista, magnificence follows magnificence" (Artillery of Words, pp. 120-21). Provenance: with the attractive bookplates of John Clive Gascoigne MC (1907-1957). Gascoigne was a major in 4 Tank Battallion Grenadier Guards during the Second World War. His unit was part of 6 Guards Tank Brigade, VIII Corps, Second Army, 21 Army Group, and saw action in North-West Europe in 1944-45. The award of his MC - announced in the London Gazette on 21 December 1944 - presumably followed action in Holland that winter. 6 Guards Tank Brigade was equipped with Churchill tanks - as illustrated on Gascoigne's bookplate Churchill refers to 6 Guards Tank Brigade in The Second World War (Appendix C, 4 April '44) in a memo to Sir James Grigg and Alan Brooke, opposing the break up of the unit: "There is the 6th Guards Army Tank Brigade, equipped with the latest Churchills [the mark VII]. For over two years these men have been trained together with one object and purpose, It seems to me a disastrous procedure to disband them now and fling the men into the general pool... No action should be taken on this point until it has been thoroughly discussed between us". Churchill had himself served initially in the Grenadier Guards during the Great War and Marlborough is dedicated to that distinguished regiment.

      [Bookseller: Peter Harrington]
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        La Linea Elettrica del Sempione (Simplon). Farbige Original-Lithographie.

      Gedruckt bei Fretz,, Zürich, 1933 - Zürich, Gedruckt bei Fretz, (1933). 102x64 cm. Mit kleinen reparierten Anriss. Mit kleinen reparierten Anriss.

      [Bookseller: Biblion Antiquariat]
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        EARLY AMERICAN CHILDREN'S BOOKS

      - REFERENCE. EARLY AMERICAN CHILDREN'S BOOKS. Portland: Southworth Press 1933. Large 4to, (7 3/4 x 10 1/2"), leather backed pictorial boards, 354p., Fine in slip case (case solid but shows signs of wear, overall VG). LIMITED TO ONLY 585 COPIES SIGNED BY ROSENBACH. This is a detailed bibliography of Rosenbach's personal collection that is now at the Free Library of Philadelphia, with several illustrations hand-colored after the originals. This is an essential reference book for collectors of earlier children's books. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Aleph-Bet Books, Inc. - ABAA]
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        Il y a une volupté dans la douleur, illustrations de Paul-Louis Guilbert, Paris, Cercle Parisien du Livre, 1933.

      1 vol. in-4° rel. demi maroquin vert - Dos lisse auteur et titre dorés, deux filets dorés verticaux interrompus en décor. Plats décorés d'une reliure parcheminée avec incrustation d'un rectangle de lézard rose, filets dorés horizontaux, tête dorée (Reliure de Lucie Edgar Faure), VII + 128 p. + 22 planches hors-texte en couleurs. Exemplaire enrichi d'une décomposition d'une planche en 5 états dont deux avec remarques, d'une eau-forte signée, d'une aquarelle signée et d'un dessin préparatoire sur calque signé de Paul-Louis Guilbert. Belle Iconographie colorée de paysages méditerranéens. Tirage total à 132 exemplaires sur BFK Rives - Celui-ci nominatif. Quelques rares petites rousseurs se disséminent inégalement sur l'ensemble de l'ouvrage plus concentrées sur les gardes et les tranches sinon très bel exemplaire.

      [Bookseller: Comptoir du Livre Ancien et Moderne - Li]
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        CIBA ZEITSCHRIFT. Nummer 1 (Sept. 1933, 1. Jahrgang) bis Nummer 132 ( Dez. 1952), in 11 Bänden. Ciba-Zeitschrift Wehr Nummer 50 (1951) bis 101 (1963) Band 5 bis Band 9. 5 Bänden.

      Basel,1933-1963, 240x160mm,Halbperkalin. Erhaltenen Abdeckungen. Bibliothek Stempel, Typenschild auf der Rückseite. Guter Zustand.S/W Photographien,

      [Bookseller: Bouquinerie du Varis]
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        The Autogiro and How to Fly It

      London: Sir Isaac Pitman and Sons, 1933.. First Edition. Octavo, pp. xiii, 82, 24 of adverts. In publisher's blue cloth with gilt titles to spine and upper board. Numerous illustrations; both photographic and line drawings. With a foreword by Juan de la Cierva, the Spanish engineer who built autogiros in the UK in conjunction with Avro. After service with the Royal Flying Corps, and later with the Royal Air Force, Brie took employment with the Cierva Autogiro Company as a test pilot and demonstrator, showing the capabilities of the the Autogiro to the public and trade figures. In 1933 he was convicted of "low and dangerous flying" in an autogiro over the Kingston Bypass road, and in 1935 he became the first pilot to land and take off in a rotorcraft from a ship at sea. Some dustiness to the top edge, light spotting to the edges. Cloth shows some slight rubbing to extremities with the gilt to the spine slightly rubbed and dulled, small white mark to bottom of spine. Some bumping to the corner and to the head cap. A very good copy of a devilishly scarce title.

      [Bookseller: Adrian Harrington Rare Books]
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        Archive relating to Marlborough

      1933 - CHURCHILL, Winston. Archive of material relating to Marlborough: His Life and Times. London and other locations, 1933-38. Twenty-nine typed signed letters on 34 sheets, 2 of which measure 5 by 8 inches and the remaining of which measure 8 by 10 inches. WITH: Galley proof, measuring 10 by 14 inches. WITH: Map leaves, notes, typed carbon contents leaf, secretarially signed letters, and page-proof corrections, most measuring 8 by 10 inches. WITH: 10 telegrams from Churchill of varying dimensions. Housed together in a black binder and a custom clamshell box. $98,500.An exceptional rarity: large archive of material relating to the editing and publishing of Churchill's Marlborough: His Life and Times, comprising 29 typed letters signed from Churchill, nearly all to his notorious proofreader, C.C. Wood, together with a galley proof page with corrections in Churchill's hand and other materials. John Churchill, the first Duke of Marlborough, started his court service as a page during the reign of Charles II and ended it as Master-General of the Ordnance of the English army under George I. He served under five sovereigns, distinguished himself on the battlefield and as a diplomat, and was once even imprisoned in the Tower of London for treason. Handsome and charming"" Lord Chesterfield described him as "irresistible to either man or woman"" Marlborough's military strategy led the Duke of Wellington to say that he could "conceive nothing greater than Marlborough at the head of an English army." Future prime minister Winston Churchill, who was named after Marlborough's father and was the nephew of the Eighth Duke of Marlborough, wrote this history of his famous ancestor to refute earlier criticisms of Marlborough by the historian Thomas Babington Macaulay. "Though it was a commissioned work, Churchill would not have invested nearly a million words and ten years had it not had special significance for him. For he wrote about a man who was not only his ancestor, an invincible general, the first of what became the Spencer-Churchill dukes of Marlborough, and a maker of modern Britain, but also a supreme example of heroism in the two vocations which mainly interested Churchill and in which ultimate triumph seemed to have eluded him"" politics and war making" (Wiedhorn, 110). "It may be his greatest book. To understand the Churchill of the Second World War, the majestic blending of his commanding English with historical precedent, one has to read Marlborough. Only in its pages can one glean an understanding of the root of the speeches which inspired Britain to stand when she had little to stand with" (Langworth, 164). "The scholarship seems formidable, as in no other of his works. Picking his way through conflicting testimony and evaluations, Churchill, while leaning on William Coxe's 1818 biography of the duke, carefully weighs each writer's reliability. Yet the tone is not as detached as might be expected from an academic historian". Marlborough, with his broad European view and his apparent sense of Britain's imperial destiny, is the fulcrum, and all the other characters, parties, and issues take their places accordingly". the literati hostile to Marlborough"" Pope, Swift, Thackeray, Macaulay"" are harshly expelled from the witness stand" (Wiedhorn, 113-114). This archive of correspondence highlights both Churchill's meticulousness as a writer and editor and his relationship with his editor Charles Wood. Although Charles Wood first worked with Churchill on his book Marlborough in the 1930's, he was hired full-time in 1948 to proofread Churchill's massive multi-volume work-in-progress, The Second World War, joining Churchill's literary staff of secretaries (who typed on silent typewriters as Churchill dictated), research assistants, and advisors. Wood became "an essential member of the team and no error escaped his eye" (Gilbert VIII: 344). "The main addition to Churchill's literary entourage in 1948 was Charles Wood"" a retired proofreader w [Attributes: Signed Copy; Soft Cover]

      [Bookseller: Bauman Rare Books]
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        Le Avventure de Pinocchio su dischi Durium. Il capolavoro del Collodi presentato per la prima volta, sceneggiato, parlato e cantato su 18 dischi Durium infrangibili. Adattamento di A. Airoldi e G. Cantini. Commenti musicali di M. Mariotti. Scenari e figure di Attilio.

      Compagnia Durium su concessione della casa R. Bemporad, 1933. Set di 18 dischi custoditi in 9 doppie custodie profusamente illustrate da Attilio Mussino, a loro volta conservate in una bella scatola (cm 27x26) di cartone, anch'essa brillantemente illustrata a colori. All'interno di ogni coppia di dischi vi è poi un pieghevole di due pagine in cui, solo sul recto, sono raffigurante delle figure che erano destinate ad essere ritagliate dal bambino e disposte sullo sfondo delle custodie a mo' di teatrino. Indice dei dischi al verso della copertina. Il tutto in perfetto stato di conservazione.Le illustrazioni del Mussino, che seguono ovviamente la progressione degli eventi, hanno anche la particolarità di incorporare l'immagine del disco Durium all'interno della scena, sulla copertina della sesta puntata, per esempio, il disco è effigiato a mo' di sole che tramonta sul mare, mentre Pinocchio vola via cavalcando una colomba.

      [Bookseller: Libreria Govi Alberto]
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        Aspects de Lyon par Blanc et Demilly (10 fascicules).

      Edition de la Société des Amis de Guignol, Lyon, 1933, 10 fascicules sous chemises à rabats numérotées, réunis dans une chemise cartonnée toilée tenue par un un ruban que ferme une boucle métallique, in-folio de 380x285 mm environ, contenant chacun 12 reproductions sous serpentes légendées, en héliogravure de photographies de Blanc et Demilly, ornés d'une photographie en couverture, non paginés, complet de 121 photos. Cette édition en 10 albums contenant chacun douze vues, a été tirées à 500 exemplaires numérotés (N° 175), par Braun à Mulhouse et Audin de Lyon. La premier volume contient un feuillet avec le titre, le faux-titre et une préface de Justin Godard. Le dernier volume contient une 13ème photographie (portrait du Président Herriot) et la justification du tirage. Serpentes insolées, quelques unes avec de petites rousseurs, sinon bon état. Rare. Théo Blanc, Antoine Demilly, Justin Godard. Merci de nous contacter à l'avance si vous souhaitez consulter une référence au sein de notre librairie.

      [Bookseller: Librairie Diogène]
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        Les amours d'un poète

      Paris, Les bibliophiles Franco-Suisses, 1933 In-4 (27cm x 21cm) de [6ff.], 237pp. & [8ff.] 42 pointes sèches par Georges Robert. Tiré à 110 exemplaires sur vélin, celui-ci n°14 imprimé pour Monsieur Vincens Bouguereau. Demi maroquin à coins, bordés d'un filet doré, dos à 4 nerfs, auteur et titre frappé or, tête dorée, couvertures et dos conservés (Marot-Rodde). Très bel exemplaire, reliure et intérieur en parfait état. Ex-Libris : Vincens Bougereau. Relié in-fine le menu et un fac-similé de Louis Barthou.

      [Bookseller: Librairie Eppe Frères]
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        Ulysse

      1933. Les cahiers du journal des poètes, Paris 1933, 14x19,5cm, broché. - Les cahiers du journal des poètes, Paris 1933, 14x19,5cm, broché. - Prima edizione, una delle 500 copie numerate in piuma, il nostro non giustificato, solo carta di grandi dimensioni autografo prezioso firmato fondani ad A (ndre) Rolland Reneville. Piccoli morsi non sono gravi. [FRENCH VERSION FOLLOWS] Edition originale, un des 500 exemplaires numérotés sur Featherweight, le nôtre non justifié, seuls grands papiers. Précieux envoi autographe daté et signé de Benjamin Fondane à A(ndré) Rolland de Renéville. Petites piqûres sans gravité.

      [Bookseller: Librairie Le Feu Follet]
 21.   Check availability:     maremagnum.com     Link/Print  


        JAHRBUCH FÜR PHOTOGRAPHIE UND REPRODUKTIONSTECHNIK

      Halle-S.R.: W. Knapp, 1933. First editions. 8vos., variable paginations. 31 volumes. Bound in cloth, or quarter leather and cloth. Most volumes show some degree of damage from moisture, and most are from the reference library of Ilford Limited and bear stamps throughout. Several bindings have been expertly repaired. Illustrated with halftones and mounted photographs and various photomechanical plates. A good set. This publication, edited by Josef Maria Eder, is also known as Eder's Jahrbuch, Jahrbuch fur Photographie und Reproduktionsverfahren, and Jahrbuch fur Photographie, Kinematographie und Reproduktionsverfahren. This near complete run is comprised of volumes from 1889-90, 1892-1929 (years 1921-1927 in 3 volumes, years 1928-1929 in 2 volumes).Duplicate volumes are available. Please inquire.

      [Bookseller: Andrew Cahan: Bookseller, Ltd ]
 22.   Check availability:     ABAA     Link/Print  


        JAHRBUCH FÃœR PHOTOGRAPHIE UND REPRODUKTIONSTECHNIK

      Halle-S.R.: W. Knapp, 1933. First editions. 8vos., variable paginations. 31 volumes. Bound in cloth, or quarter leather and cloth. Most volumes show some degree of damage from moisture, and most are from the reference library of Ilford Limited and bear stamps throughout. Several bindings have been expertly repaired. Illustrated with halftones and mounted photographs and various photomechanical plates. A good set. This publication, edited by Josef Maria Eder, is also known as Eder's Jahrbuch, Jahrbuch fur Photographie und Reproduktionsverfahren, and Jahrbuch fur Photographie, Kinematographie und Reproduktionsverfahren. This near complete run is comprised of volumes from 1889-90, 1892-1929 (years 1921-1927 in 3 volumes, years 1928-1929 in 2 volumes). Duplicate volumes are available. Please inquire.

      [Bookseller: Andrew Cahan: Bookseller, Ltd]
 23.   Check availability:     Biblio     Link/Print  


        JAHRBUCH FÜR PHOTOGRAPHIE UND REPRODUKTIONSTECHNIK

      W. Knapp, Halle-S.R. 1933 - 8vos., variable paginations. 31 volumes. Bound in cloth, or quarter leather and cloth. Most volumes show some degree of damage from moisture, and most are from the reference library of Ilford Limited and bear stamps throughout. Several bindings have been expertly repaired. Illustrated with halftones and mounted photographs and various photomechanical plates. A good set. This publication, edited by Josef Maria Eder, is also known as Eder's Jahrbuch, Jahrbuch fur Photographie und Reproduktionsverfahren, and Jahrbuch fur Photographie, Kinematographie und Reproduktionsverfahren. This near complete run is comprised of volumes from 1889-90, 1892-1929 (years 1921-1927 in 3 volumes, years 1928-1929 in 2 volumes).Duplicate volumes are available. Please inquire. [Attributes: First Edition]

      [Bookseller: Andrew Cahan: Bookseller, Ltd., ABAA]
 24.   Check availability:     AbeBooks     Link/Print  


        Liste des Grands Vins Fins (18 Annual Catalogues)

      1933 - MAISON NICOLAS. Liste des Grands Vins Fins. [Paris]: (Draeger Frères), 1933-1971. Eighteen volumes. Quarto (varying sizes), original flexible paper covers (some spiral-bound). Housed in two custom red clamshell boxes. $4200.First editions of these wonderfully illustrated annual wine lists from Maison Nicolas, with cover designs and illustrations by such leading French painters as Saint-André, Latour and Minaux."From 1928 to 1973, Nicolas has recognized the synergy between wine and art by commissioning such great painters as Derain, Van Dongen and Buffet to illustrate its catalogues of fine vintages." "Now we start getting closer to the basis of Nicolas' success. Prime vineyard sites, only old vines"" 35 years minimum but typically much older"" and growers who work in an organic or even biodynamic way". Of course, there is no fining and (unless absolutely necessary) no filtration and even the bottling is done at the wane of the moon" (Burgundy Report). This collection of 18 Maison Nicolas wine catalogues between the years 1933 and 1971, with their commissioned artistic covers and text illustrations, not only records the vinyard's annual offerings, but represents a contemporary French popular taste in art"" Latour, Saint-André, Gischia, Limouse, Caillard, Humblot, Midy, Guiramand, Minaux, Lorjou and Sarthou. Generally fine condition. [Attributes: First Edition]

      [Bookseller: Bauman Rare Books]
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        Those Were The Days.

      Printed in Perth by Barclay & Sharland, MCMXXXIII (1933) - First Edition; 4to; pp. 299; illustrated endpapers, 86 pages b/w plates, b/w sketch illustrations, folding map at rear; original half leather with title lettered in gilt on spine and front, green cloth boards, author's inscription to title page, light silverfish damage to back, wear to edges of boards, light marks to spine, minor flecking to first few pages and minor marks to endpapers, light flecking to page edges, otherwise a very good copy. Specially bound presentation copy inscribed by the author.

      [Bookseller: Time Booksellers]
 26.   Check availability:     AbeBooks     Link/Print  


        CHACUN SA MAISON

      CHEM. PERE CASTOR. CHACUN SA MAISON par G. Deffontaines et P. Faucher [Pere Castor]. Paris: Flammarion, 1933. Oblong 4to (9 x 8 1/4"), flexible pictorial card covers, unused and As New. 1st edition. There are 2 pages of text describing the game followed by 36 cards with bright color lithos by Russian Emigre artist CHEM [Pavlovitch Chemetov] on one side, and with 8-10 lines of educational text on the verso. The cards are divided into groups of 4 (a child, an animal, a mode of transportation and a house) from which each player matches a story to one of 4 characters: Eskimos, Native Americans, Africans and Arabs. Rare.

      [Bookseller: Aleph-Bet Books, Inc.]
 27.   Check availability:     Biblio     Link/Print  


        Americains D'Amerique__Traduit ce l'anglais par la Baronne J. Seilliere et Bernard Fay, Preface de Bernard Fay

      Librairie Stock. PAPERBACK. buff wraps with red borders and black lettering 260 pp # 244 of 2200 printed first French edition . . Very Good. 1933.

      [Bookseller: San Francisco Book Company]
 28.   Check availability:     Biblio     Link/Print  


        The Life of Confucius. Chinese Lian Huan Hua Picture Book.

      Shanghai: Kuang Hsueh Publishing House 1933 - Octavo, 19*12.1cm, 118p(2+4+4+105+2). UNDATED but previous owner dated Canton, 31 December, 1933 on front free endpaper. Accordingly, book published no later than 1933. Extremely rare, probably one of the earliest Chinese comics ever published in China. Text in the English language. [Attributes: First Edition; Soft Cover]

      [Bookseller: Chinese Art Books]
 29.   Check availability:     AbeBooks     Link/Print  


        Untersuchungen zur römischen Reichsprägung des zweiten Jahrhunderts, Teil II (2): Die Reichsprägung zur Zeit des Hadrian,

      Stuttgart, W. Kohlhammer, 1933,. 4°, VIII, 210 Textseiten, 28 Ausklappseiten ('Katalog') sowie XX Tafelseiten mit über 1.000 s/w-Münzabbildungen, schwarzer Halbleineneinband mit aufmontiertem Rückenschild der original Broschur und schönen Musterpapierbezügen, das Rückenschild etwas fleckig, im Buch gelegentlich wenige (und gut radierbare) kenntnissreiche Bleistift-Unterstreichungen und Randmarginalien des Altphilologen Hildebrecht Hommel, sonst aber ein gutes, sauberes Exemplar (mü-K) Beiliegend die Trauerkarte zum Tode des Autors Paul L. Strack. Auf dem vorderen Innendeckel das schöne Exlibris von H. Hommel.

      [Bookseller: Antiquariat Orban & Streu GbR]
 30.   Check availability:     Biblio     Link/Print  


        Architectonische Denkmäler der Altmark Brandenburg. In malerischen Anlichten aufgenommen von J. H. Strack und F. E. Meÿerheim, mit erläuterndem Text von Dr. F. Kugler. Lithographirt von F. E. Meÿerheim.

      Berlin, L. Sachse & Co, 1833. 1933 - In-folio cartonnage postérieur muet, couv. conservée, [10] pp., 20 planches d'architectures en lithographie par F.E. Meyerheim. Mors, coupes et coins un peu frottés. rousseurs éparses dans le texte, n'atteignant par ailleurs que 3 planches, rare exemplaire en état très correct. Ouvrage majeur de ce peintre allemand Friedrich Eduard Meyerheim (1808-1879) : "Das schöne Werke, das dem Kronprinzen gewidmet war, würdigte erstmals die Eigenart märkischer Backsteinarchitektur und war aufgrund detailgetreuer Darstellung eine bedeutende Kunsttopographische Leistung, die das Augenmerk weiter Kreise der oberen Baubehörden und des preussischen Königshauses auf die altmärkischen Denkmale lenkte.". [Attributes: Hard Cover]

      [Bookseller: Librairie Le Trait d'Union sarl.]
 31.   Check availability:     ZVAB     Link/Print  


        Ports

      Edition illustrated with 33 original photographs under curve of Charles Koechlin, Biot and Daniel John Morene. Covers illustrated with photographs. A slight tear glued Length of the first flat, small traces of minor friction on the joints. Pleasant inner state. Collection Formosa-Veritas Paris 1933 18x24cm broché

      [Bookseller: Librairie Le Feu Follet]
 32.   Check availability:     Direct From Bookseller     Link/Print  


        Antoine Bloyé

      1933. Grasset, Paris 1933, 12x19cm, broché. - Grasset, Paris 1933, 12x19cm, broché. - Prima edizione, una delle 300 copie numerate su alfa riservati al servizio stampa. Autografo Precious firmata dall'autore (Pierre) Unik "In Unik compagno di classe in cambio di buona famiglia che, probabilmente, ha venduto sulle banchine Nizan .." Due piccole tracce di insolazione minore alla testa e piede della schiena. [FRENCH VERSION FOLLOWS] Edition originale, un des 300 exemplaires numérotés sur alfa réservés au service de presse. Précieux envoi autographe signé de Paul Nizan à (Pierre) Unik : "Au camarade Unik en échange des bonnes feuilles qu'il a probablement vendues sur les quais. Nizan." Deux petites traces d'insolation sans gravité en tête et en pied du dos.  

      [Bookseller: Librairie Le Feu Follet]
 33.   Check availability:     maremagnum.com     Link/Print  


        Die Harze und die Harzbehälter. Die botanischen und chemischen Grundlagen unserer Kenntnisse über die Bildung, die Entwicklung und die Zusammensetzung der pflanzlichen Exkrete.

      Gebrüder Borntraeger, Leipzig 1933 - 1936. - 418 S. (Band 1) - 1858 S. (Band 2 in 3 Bänden) mit zahlreichen Abbildungen und Tabellen, Die seltene 3. Auflage komplett in guter Erhaltung! Sprache: Deutsch Gewicht in Gramm: 6050 Groß 8°, Halbleder der Zeit mit Rückentitel, Bibliotheks-Exemplare (ordnungsgemäß entwidmet) mit Papier-Rückenschild, Stempel auf Titel, Einbände leicht berieben (an den Kanten und am Rücken etwas stärker), insgesamt gutes und innen sauberes Exemplar, Dritte umgearbeitete Auflage von "Die Harze und die Harzbehälter von A. Tschirch", 2 Bände in 4 B Bänden (Band 2 in 3 Teilbänden),. [Attributes: Hard Cover]

      [Bookseller: Antiquariat Silvanus]
 34.   Check availability:     ZVAB     Link/Print  


        Autograph letter signed

      1933 - RACKHAM, Arthur. Autograph letter signed. Surrey, England, July 28, 1933. Single sheet, measuring 4-1/2 by 7 inches folded; pp. 4 (writing on first and last pages). With archive of related material. $2200.Original lengthy autograph letter from Arthur Rackham, entirely written and signed by him, to a Mrs. Lloyd [Berrall] regarding the theft of his illustrations by American artist Edward Trumbull for a mural in New York's Metropolitan Life Building, with original hand-addressed signed envelope.This autograph letter by Arthur Rackham was written in response to a letter from a Julia Smith Berrall (a.k.a. Mrs. James Lloyd Berrall) of Montclair, New Jersey. Berrall had written to Rackham to inform him that the new murals in New York City's Metropolitan Life Building by muralist Edward Trumbull were "exact copies of the figures in [his] illustrations of Rip Van Winkle and the Legend of Sleeph [sic] Hollow." She further inquired whether Rackham had given permission to Trumbull to use the images. Less than two weeks later""incredibly quickly for transatlantic mail""Rackham penned an outraged response. The letter, written from Rackham's home in "Stilegate, Limpsfield, Surrey, England" and dated "28.7.33," reads: "Dear Mrs. Lloyd, Many thanks for your letter. You are quite right in assuming that. I know nothing about Mr. Trumbull's theft of my designs""for it is nothing less. I will take steps to find out whether there is anything to be done about it. That whether Mr. Trumbull is on the safe side of the law or not (& one fears he may have taken steps to find out, before embarking) it is a strange mentality that allows one artist to lift the work of another without even the courtesy of an acknowledgement. I am indeed surprised that a man in such a position as Mr. Trumbull appears to be should so demean himself. One would think that any artist would feel it to be an outrage, which it certainly is. Yrs sincerely, Arthur Rackham. PS. The question of International Copyright is one that to my sorrow the United States will not agree with the rest of us about." Included with the letter to Mrs. Berrall are a copy of an article concerning the murals in the May 1933 issue of Pencil Points that showed pictures of the murals, but made no reference to Rackham; a copy of Berrall's letter to Rackham; a handwritten letter on Montclair Art Museum stationary which appears to be a draft of Berrall's letter to Publisher's Weekly inquiring about the plagiarism issue and inquiring as to whether Pencil Points was aware of Rackham's ownership of the mural images; a letter to Berrall from Publisher's Weekly confirming that Metropolitan Life was aware of the plagiarism and was attempting to come to a settlement with Rackham; a draft of an article by Jesse Mann of The Chatham Bookseller who acquired the Berrall/Rackham material and attempted to find out the ultimate disposition of Rackham's claim against Metropolitan Life; a copy of a letter from The Book Collector to Mann asking for additional information on the Met Life building; and Mann's finished article, published in The Book Collector in 1996.Autograph signed letter and envelope fine. A fascinating and desirable collection of items. [Attributes: Signed Copy]

      [Bookseller: Bauman Rare Books]
 35.   Check availability:     AbeBooks     Link/Print  


        Le Corset dans l'Art et les Moeurs du XIIIe au XXe Siècle

      1933 - LIBRON, Fernand and CLOUZOT, Henri. Le Corset dans l'Art et les Moeurs du XIIIe au XXe Siècle. Paris: F. Libron, 1933. Large, thick folio (11 by 15 inches), original gilt-lettered cream wrappers, uncut and partially unopened, original glassine wrapper, original faux alligator slipcase. $4000.Limited first edition, number L of only 80 copies not available for sale (from a total edition of 880), of this erudite history of "the artifices that women employ in order to support and perfect their fragile beauty," with numerous fashion plates (12 in color), facsimiles and in-text illustrations on nearly every page. Inscribed on the half title, "Hommage de l'auteur a Madame C. Capaldi, sa dénoncé collaboratrice, Paris le 20 Mai 1937, F. Libron," and accompanied by 15 separate plates from the "Album" laid in.Written some years after the heyday of corsetry by Fernand Libron, president of the Chambre Syndicale des Fabricants de Corsets, and Henri Clouzot, conservateur of the Musee Galliera (better known today as the Musee la Mode et du Costume), this monumental costume book pays special tribute to Ernest Leoty's very scarce Le Corset a Traverse les Ages (1893), which includes detailed cutting paterns and technical information for the tailor who specializes in making corsets. "A corset is somewhat similar to an umbrella in its construction. When the umbrella is raised, the fabric tautens. The ribs are reinforced with metal tips, to which the fabric of the umbrella is sewn. These tips hold the fabric in a tautened condition while the umbrella is in use. It is the same with a corset" (O.Y. Dalziel). Text in French. Accompanied by 15 loose engravings, listed in the index of illustrations under the heading "Album." Hiler, 544. Book and plates fine, spine panel of original glassine perished, slipcase only slightly rubbed. A fine copy. [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Bauman Rare Books]
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        Marchés d'esclaves.

      - NRF. Paris 1933 (10 juillet) in-12 relié en demi maroquin marron à coins. Dos à cinq nerfs, titre et nom d'auteur dorés. Couverture et dos conservés. Reliure signée J. Rabaud. Edition originale, exemplaire sur papier alfa Navarre spécialement imprimé pour le Dr Léon Michaux. Envoi autographe très personnel au Dr Léon Michaux où Kessel lui demande de l'inviter à diner. "Tu devrai m'inviter à diner, je te rappelerai à la rentrée. ton ami, J. Kessel".

      [Bookseller: Librairie La Rose de Java]
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        Nus [cover title]: La Beaute de la femme

      1933 - MASCLET, Daniel. Nus. La beauté de la femme. Paris: Daniel Masclet, (1933). Quarto, original cream stiff paper wrappers. $1500.First edition of the influential collection of female nudes assembled by French photographer Masclet to commemorate the landmark 1933 Paris International Salon of Nude Photography, with 96 rich full-page heliogravures, including Man Ray's "Violon d'Ingres" and "Solarisation," along with images by Moholy-Nagy, Franti?ek Drtikol, Emil Hoppé, Pierre Boucher, Maurice Beck, Jean Moral and others. Scarce in original wrappers."The depiction of the human being was a central theme of photography during a period of social change" in the early 1930s (Open Book, 15). Masclet's innovative volume of 96 female nudes highlights the work of figures such as Man Ray, "the main Surrealist photographer" (Parr & Badger I:87), seen here in his "Violon d'Ingres," and "Solarisation," the latter featured one year later in Man Ray Photographs 1920-1934. Also included is the artistry of Moholy-Nagy and Pierre Boucher, along with five images by Czech photographer Franti?ek Drtikol, whose nude studies "prefigured and influenced the emerging Bauhaus aesthetic" (Roth, 64). Additional full-page heliogravures after Vogue's Maurice Beck and Life's Andreas Feininger, Emile Hoppé, Jean Moral, Bruno Schultz and numerous others. Published to commemorate the first International Salon of Nude Photography in Paris,1933, and edited by exhibit curator Daniel Masclet, "a major figure on the European photographic scene" (Lenman, 395). First edition, published in wrappers only, with original cord binding; without dust jacket as issued. Images fine, small ink mark to margin of one page without affecting plate; some soiling to original wrappers, loss to spine ends. An extremely good copy of a highly desirable European photobook. [Attributes: First Edition; Soft Cover]

      [Bookseller: Bauman Rare Books]
 38.   Check availability:     AbeBooks     Link/Print  


        Are You a Genius - Second (2nd) Series: Illustrated By Dr. Seuss / Theodor Geisel

      Frederick A. Stokes Company, 1933. 116 pages. Above - average but not excessive external wear. Moderate age - toning to contents. Prior owner's details upon front free endpaper. Minimal light pencil markings to contents. Back hinge started. Tiny vintage bookseller label inside back board. A worthy vintage copy of this wonderful Dr. Seuss collectible.

      [Bookseller: Online Bookshop Jim and Mina Stachow]
 39.   Check availability:     maremagnum.com     Link/Print  


        Let's Play Store

      Akron, OH: Saalfield Pub. Co, 1933. Peat, Fern Bisel. Oblong folio. (6)ff. First edition. Intact and unused paper doll book of a fully-stocked grocery store. Includes 206 perforated pieces printed on heavy card stock. The grocery store is well-stocked with a detailed and thorough selection of foodstuffs: sweets, produce, baking ingredients, meats, and even live chickens. Price tags, shelves, and a cash register complete the store. Also includes four figures-the proprietor of the store in a white apron, a rich woman with a long grocery list, a second woman with a scarf perusing a basket of apples, and a boy with his dog. The color cover can become part of the scene, with slots cut in the shelves for inserting price tags and other pieces. Light wear to covers and tiny crease to corner of front cover, else a fine piece, rarely found complete.

      [Bookseller: Bromer Booksellers]
 40.   Check availability:     Biblio     Link/Print  


        Fortune

      First edition of the French translation, one of 30 numbered on "pur-fil" paper Lafuma laid Navarre and reimposed in quarto foolscap, deluxe edition.Affecting some spots in margins, some slips.Rare and beautiful copy. Nrf Paris 1933 16,5x21,5cm broché

      [Bookseller: Librairie Le Feu Follet]
 41.   Check availability:     Direct From Bookseller     Link/Print  


        The Pop-Up Mickey Mouse.

      New York: Blue Ribbon Books, Inc, 1933. First edition the first Disney pop-up book. Octavo, original illustrated boards, three pop-up color illustrations. In near fine condition with light rubbing. Story and Illustrations by the Staff of the Walt Disney Studios. A very nice example. Blue Ribbon was the first publisher to market its books using the term "pop-up." They and paper-engineer Harold Lentz teamed up in the 1930s to produce a successful series of imaginative pop-ups, many inspired by the current popularity of Walt Disney animation. These are the first modern pop-up books produced in America, following a series of British pop-ups by Brown and Giraud in the 1930s under the imprint Bookano. "Because of their unusual pop-up feature, [the Blue Ribbon books] have become favorites among collectors" (Munsey, 164).

      [Bookseller: Raptis Rare Books]
 42.   Check availability:     Biblio     Link/Print  


        POP-UP SILLY SYMPHONIES CONTAINING BABES IN THE WOODS AND KING NEPTUNE

      DISNEY. POP-UP. (DISNEY,WALT) POP-UP SILLY SYMPHONIES CONTAINING BABES IN THE WOODS AND KING NEPTUNE (Presented by Mickey Mouse). NY: Blue Ribbon (1933). 4to, pictorial boards, near fine. Illustrated by the Disney studios with color endpapers, full page and in-text illustrations, plus 4 glorious double-page pop-ups (illustrated front and back). Really quite wonderful and a nice copy.

      [Bookseller: Aleph-Bet Books, Inc.]
 43.   Check availability:     Biblio     Link/Print  


        ROM UND UMGEBUNG Kurzes Reisehandbuch

      Karl Baedeker, Leipzig 1933 - Boards with light rubbing. ; First and only edition. Including 16 pages of ads. "Mit 6 Karten, 22 Plänen und Grundrissen sowie einer Wappentafel der Päpste"; 16mo 6" - 7" tall; 170, 16 pages [Attributes: First Edition; Hard Cover]

      [Bookseller: Complete Traveller Antiquarian Bookstore]
 44.   Check availability:     AbeBooks     Link/Print  


        The Master of Murder

      The book is firmly and squarely bound in clean red cloth lettered in black to the spine, it is slightly bumped and rubbed to the extremities. The text block is slightly toned and dusty, it is free from foxing or inscriptions. The dust jacket is the original, it is slightly chipped and grubby, the spine is a little darkened and there is a closed tear that runs from the bottom of the spine up and across for a few inches, it is housed in a protective cover and presents well.

      [Bookseller: J & M Books Ltd]
 45.   Check availability:     PBFA     Link/Print  


        Original drawing: "Little Red Riding Hood" for The Arthur Rackham Fairy Book.

      - 1933. The original pen and ink drawing by Rackham, 6 x 4.25 ins., matted and framed, in perfect condition. Signed drawing depicting Little Red Riding Hood meeting the Big Bad Wolf, from page 266 of The Arthur Rackham Fairy Book. [Attributes: Signed Copy]

      [Bookseller: John Windle Antiquarian Bookseller, ABAA]
 46.   Check availability:     AbeBooks     Link/Print  

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