New York: Edward Steichen, 1932. Original silver gelatin print; image: 240 x 190 mm; frame: 300 x 250. Framed and glazed in a dark red leather, gilt tooled, desk frame. Reves name and dimensions pencilled on verso of image. In excellent condition. One of the finest portraits of Churchill, captured by the celebrated American photographer Edward Steichen, showing the 57-year-old Churchill seated, smiling, with right hand in jacket pocket. "A critic wrote about the renowned photographer that the 'worldly men of business and politics were invariably presented by Steichen in a setting as static as their own large offices. He could be confident that Churchill, for instance, would only accept the traditional seated figure against a dark background format'" (Max Arthur, Churchill: The Life: An Authorized Pictorial Biography, 2015, p. 155, illustrating a different portrait). The setting may be static but the force of Churchill's personality radiates from this beguiling image, captured in 1932 as a commission for Vanity Fair, while Churchill was on a speaking tour of the United States. A letter from Churchill's private secretary, Violet Pearman, to Emery Reves (dated 16 December 1937) mentions that "the signed photograph was sent to you yesterday, and I hope it reaches you safely" (Martin Gilbert ed., Winston Churchill and Emery Reves: Correspondence 1937-1964, p. 87). It is quite possible that this refers to the present portrait. From the collection of Churchill's literary agent Emery Reves, accompanied by a photograph of Reves with the same portrait (differently framed) on his desk … [Click Below for Full Description]

Helsinki, Julkaissut Suomen Arkkitehtiliitto. 1932 - LII + 150 S. OBrosch. In finnischer Sprache. - Exlibris a. T., Ebd. berieben u. m. leichten Randläsuren. - Mit 150 S. Abbildungen. [Attributes: Soft Cover]

Boston and New York: Houghton Mifflin Company, 1932. Fine/Fine. First edition. Fine in a fine and bright dustwrapper. A beautiful copy of this analysis of the Depression and an indictment of installment selling, competitive banking, and stock manipulation that helped prevent future recurrences and is credited with bringing about today's economic utopia. Not.

London: Leonard & Virginia Woolf at the Hogarth Press, 1932. Octavo. Original pink and white cloth, titles to spine in blue, top edge blue. With the dust jacket. Spine slightly rolled, lightly toned spine ends, occasional foxing to text block. A very good copy in the lightly nicked dust jacket, spine toned. First edition, first impression, in the uncommon first state pink and white cloth binding. The first impression was printed in a run of 1,222 copies. "A remarkably acute and assured novel about the pre- and post-war generations" in the attractive jacket designed by John Banting (ODNB). Woolmer 294. [Attributes: First Edition]

Laidlaw Brothers, Chicago, New York & San Francisco, 1932. Early printing. INSCRIBED to a friend by both authors; original pencil drawing by Edwin Deming. Small 8vo. 191 pp. Pictorial brown cloth with minimal wear; inscription on separate paper pasted inside front board; a near fine copy (light wear to extremities; small white spots on rear board). The authors lived intimately with various tribes of Indians for many years; Edwin Deming was adopted into the Blackfoot tribe. In their Indian Life Series the authors have written and illustrated from first-hand information an account of the true spirit and atmosphere of Indian Life. 'Red People of the Wooded Country', the third book in the Series, is a story of the adventures of two little Indian boys whose homes were birch-bark wigwams in the woodlands. [Attributes: Signed Copy; Hard Cover]

1932. Berlin, Mittler & Sohn, 1932, Gebundene Ausgabe, Halbleineneinband, 269 Seiten, Rücken nur leicht berieben, Zustand 2 (C2173) (C2173) Versand D: 6,00 EUR

1932 - Wood engraved title page along with 41 wood engravings, 13 full page, by Blair Hughes-Stanton. Number 72 of 250 copies. 4to. Full red hermitage calf by the Gregynog Bindery,title and device in blind on upper cover and spine, printed on Japanese vellum. Good, corners and edges slightly rubbed, bottom edge of the upper cover bumped, spine slightly faded. Lacking slipcase.

Bofors, A.-B. Bofors, 1932. Quarto. Pp. 56. Multi-coloured map of the shooting range in Karlsborg. Multi coloured target analysis double-page plates. Photographs and technical illustrations. Tables. Hardcover, bound in the original publisher's marbled boards, large lettering-piece printed in gilt on black within gilt frame mounted on cover, old shelf ticket, old small military institutional stamp to title-page; paper over spine worn-off; minor marginal neat contemporary annotations in blue crayon to one page. In a very good condition, rather fine interior. ~ First edition. Extremely rare report on the 3-days demonstrations and shooting tests of this Bofors anti-aircraft gun. With excellent visual material. WorldCat OCLC locates one institutional holding worldwide, that in the National Army Museum of the Nederlandse. KVK adds a second holding, that in Bayerisches Armeemuseum Ingolstadt.

Folio (50 x 24 cm). 6 Bildtafeln aus Kunststoff mit farb. Serigraphien. Illustr. OKart.-Mappe. Sehr seltene erste Ausgabe. - Die Kunststoff-Tafeln mit 45 plakativen Tier-Motiven können durch ausgestanzte Schlitze zusammengesteckt werden. - Der italienische Designer und Objektkünstler Enzo Mari (geb. 1932) studierte an der Accademia di Belle Arti di Brera in Mailand in den Jahren von 1952 bis 1956 Literatur und Kunst. Sein Interesse galt besonders der Psychologie der Visuellen Wahrnehmung. Er wurde durch seine Arbeiten für die italienischen Unternehmen Danese, Gavina, Artemide, Olivetti und Castelli (Möbelhersteller) bekannt. Er unterrichtete am Polytechnikum Mailand, am Zentrum für Visuelle Kommunikation in Parma, an der Akademie der Schönen Künste in Carrara sowie 19631966 an der Scuola Umanitaria in Mailand und erhielt eine Ehrenprofessur im Fachbereich Design an der Hochschule für bildende Künste Hamburg. 1968 war er Teilnehmer der 4. documenta in Kassel. - Mappe teils stärker braunfl. und angestaubt, wenige Tafeln mit leichten Kratzspuren, sonst gut erhalten.

München, Ludendorffs Verlag GmbH, 1932 - 1939. (noch zu Nr.19368:) . . . Der uranische Mensch - das Rätsel unserer Zeit, Wieder eine Bluttat aus religiösem Wahnsinn, Induziert es ihre sein durch okkulte Lehren, Tannenberg, Zarathustras Untergang. Zum Todestag von Friedrich Nietzsche am 20. Erntings 1900, Römische Rechtsprechung in Österreich, der Deutsche Rechtsanwalt, Der Kampf zwischen Juda und Japan. Japan als Vorkämpfer freier Volkswirtschaft, Freimaurerarbeit, Uralt-arisch-semitisches Weistum, Von der Gotik zum deutschen Barock, Der römische Priester im Deutschen Schrifttum, Christentum - Propagandalehre des Judentums, Jüdische Kabbalistik - Okkultismus und Astrologie, Die Kunst der Ahnen, Das Heidentum der Altpreußen, Rubens - der Maler der Gegenreformation, Durch Seelenversklavung zur Weltbeherrschung und Völkerknechtschaft, Die Deutsche Tragödie an der Marne, Br. Goethes Charakter, Der Judenstaat \"Biro-Bidjan\", Aus der \"Neugeist\"-Bewegung, Auswirkungen der Mischrassigkeit, Weimar 1924 und heute (Mathilde Ludendorff als Rednerin auf der Reichstagung der Nationalsozialistischen Deutschen Freiheitsbewegung), Was wir Frau Dr.Ludendorff danken, Der Feldherr schreibt, Kampf und Widerstand um Deutsche Gotterkenntnis, Erbsünde oder Unvollkommenheit, Vom Wesen griechischer und Deutscher Kunst, Christliche Propaganda in Deutschen Schulbüchern, Deutsche Lichtbildkunst, Wider die Seelenversklaver, Wehrhafte Volkserziehung, Die kommunistische Agitation im Christentum, Kriegshetze und Völkermorden in die letzten 150 Jahren, Anlage von Ahnensstätten (Ahnenstätten-Verein e.V., … [Click Below for Full Description]

With 405 illus. on plates, sometimes printed recto and verso (40 in color and some double-page), and 1 heraldic vignette. 4 leaves, 289 pp., 1 leaf index. Folio. Orig. vellum with the coats of arms of the 13 cantons on both covers, spine gilt. Geneva, Sadag, 1932. Numbered copy of the de luxe edition bound in full vellum, of a total edition of 1000 copies. One of the most beautifully produced chronicles in facsimile. It was written by Diebold Schilling the Younger (1460-1522?) around 1513, and it offers a detailed account of daily life in the 15th century, treating such diverse topics as trade, fortification, topography, dress rules, etc. The technique of the illustrations is unique for the time: painted in opaque colors, with bold outlines in black ink, it is meant to convey the impression of paintings rather than colored pen drawings. The Lucerne Chronicle is considered the most beautiful of all illuminated chronicles ever made in the Swiss Confederation. - Wyss 141-143; Feller/Bonjour 66f.; Zemp, Schweizer. Bilderchroniken (1897), p. 99f.; Bodmer, Chroniken und Chronisten im Spätmittelalter (1976), p. 50f. CHRONICLES / CHRONIKEN ; HELVETICA: LUZERN-UNTERWALDEN ; VARIA ; FACSIMILES ; [Attributes: Hard Cover]

Diederichs Verlag, Jena 1932 - 1.-2. Tsd. Erste Ausgabe, etwas späterer Halbleinenband, 8°, 80 S.; Zustand: gut Rosenstock-Huessy, Eugen 1888 bis 1973 de 500 Buch [Attributes: First Edition]

Liveright Inc., New York. Merritt's first book, a "fix-up" lost-race novel fusing his classic novelette "The Moon Pool" (All-Story Weekly, July 22, 1918) with its inferior sequel "The Conquest of the Moon Pool" (All-Story Weekly, Feb. 15-March 22, 1919.) "Fine imagination, fast motion, ridiculous characterizations, pretentious style, but still one of the historically important works of early American pulp science-fiction and fantasy," notes Bleiler in his "Guide to Supernatural Fiction." Further, "The Moon Pool stories were perhaps the most influential science fiction in the United States of their day" -- again Bleiler, in "Science-Fiction, The Early Years." A doorway in the South Seas leads to a vast subterranean civilization, older than recorded time, where a conflict rages between the "Shining One" and her legions of worshipers, and the devotees of the "Silent Ones." The ending of this version differs slightly from the original, published in book form in 1919 by Putnam's. The 1919 copyright date (only) is retained here, but Merritt is listed as the author of "Ship of Ishtar" (1926) and the consensus publication date for this Liveright reprint is 1932. Inscribed and signed "A Merritt" to blank verso of the dedication page. Hard to find any edition of this book inscribed by author, who died in 1943. Fantasy/science fiction; 432 pp. Reduced from $450. [Attributes: Signed Copy; Hard Cover]

Original, one of 75 numbered copies on pure rag Rives Edition leading copy. Illustrated book of 74 plates. boards and guards shirts also shaded with marginal gaps, nice interior condition despite some minor foxing. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! Defontaine Rouen s.d. (1932) 26x33cm en feuilles sous double chemise et étui à lacet

Ernest Leroux, 1932. In 8°, pp. 144, (2). Con una tavola fuori testo. Brossura editoriale. Copia in ottimo stato, come nuova.

Galleria del Milione (stampa: Tipografia 'Economica' - Abbiategrasso). Bollettino (dal n. 19, dic. '33, compare l'indicazione «periodico quindicinale») della nota galleria di via Brera a Milano, inaugurata nel 1930 dai fratelli Ghiringhelli con la decisiva collaborazione di Edoardo Persico, facilmente anche il responsabile della bella grafica dei fascicoli. Il primo bollettino esce con data 15 set-11 nov 1932, in occasione della 'Seconda mostra autunnale dell'ambiente moderno', e la serie si conclude con il numero 73 del 23 apr-12 mag 1941, mostra personale di Virgilio Guidi. Riaprirà le pubblicazioni nel 1952, con nuova numerazione. La Galleria Il Milione è stata megafono del movimento moderno nell'Italia degli anni '30, lanciando in particolare nel 1934 l'astrattismo italiano -- in un contesto adeguatamente preparatorio al lancio. Mostre di notevole modernità, tra cui A. Atanasio Soldati, Kandinsky, Vordemberge-Gildewart, Domenico Cantatore, Luigi Veronesi, Lucio Fontana, Osvaldo Licini, Willi Baumeister, Carlo Carrà, Reggiani, Prampolini, Funi, Marussig, De Chirico, Savinio, 'Esposizione del cartello internazionale e del cartello italiano rifiutato [...]' etc.

Piesteritz - Bz. Halle, EOS Presse. 1932, 4°, OHLw., Rückenbereich äußerl. etwas stockfleckig, kl. Bereibungen, Textbereich sauber. 85 S. Dieses Buch wurde aus der Tiemann-Mediaeval der Schriftgießerei Gebr. Klingspor, Offenbach am Main handgesetzt und auf handgeschöpft Zerkall-Bütten gedruckt. Versand D: 9,00 EUR Lutherstadt Wittenberg SKW Betriebsgeschichte Stickstoffwerk

Rudolf Schneider Verlag, Markersdorf, Amtsh. Zittau 1932 - Kl. 8°, quer 12 Blatt (unpaginiert), mit Titelbild und 10 ganzseitigen Bildern von Hans Michael Bungter; Orig.Halbleinen; 100g; [Deutsch]; Ecken und Kanten gering berieben; Innenfalz (kaum sichtbar) angeplatzt, Klammern nur unmerklich rostig, ansonsten sauber und frisch wirkend 1. Auflage; _ x2x_Internat. Shipping (priority = airmail): EU/EC: 7,50 EUR _ all others: 6,50 EUR [Attributes: First Edition; Hard Cover]

THE SAVAGE GIRL - 1932, Dir: Harry L. Fraser, Cast: Rochelle Hudson , Walter Byron , Harry Myers, , Nac. film: USA, Company: , Designer: , , Nac. poster: USA, Measures (Cm. and Inches) : -205x205-Cm.-81x81-In.-6 SH., Type of product: POSTER, , POSTER are in excellent condition but may have normal wear such as edge wear or a slight hole. I try photograph any flaw but examining the photos closely is your best bet! Please see bigger picture for details., , La mayoría están en excelentes condiciones, pero puede tener desgaste del borde o algun agujero pequeño. Intento fotografiar cualquier defecto, pero el examen de las fotos de cerca es su mejor opción! Por favor ver la foto en grande para más detalles., , SHIPPING COSTS: Fold posters SPAIN 15? -Correo certificado EUROPE and all world 20?

1932/1956, Editorial Salvat. Folio, Tomo I: XIX hojas, 283 Pág., 3 hojas + 31 láminas. Tomo II: XXIV hojas, 271 Pág., 1 hoja + 32 láminas. Dos bellas ediciones originales. Raro conjunto por el espacio de años entre sus publicaciones. Cuentos que aparecen en la primera serie: Aladino y la lámpara mágica.- Ali Baba y los cuarenta ladrones.- Simbad el Marino.- El Príncipe Diamante.- Farizada, la de sonrisa de Rosa. En la segunda serie: Historia prodigiosa de la Ciudad de Bronce.- Historia de Juder, el pescador o el saco encantado.- Historia de Abdalah de la Tierra y Abdalah del Mar.- Las Aventuras de Hassan Al-Bassri.- Historia de la flor de Granada y de sonrisa de Luna. Encuadernado en tela azul, con orlas doradas en el plano, estampación del título en dorado de estilo árabe, al centro del plano medallón con retrato a color, lomo con hierros dorados y motivos árabes. Precioso papel de guardas ilustrado a color. Profusamente ilustrado con 31 láminas (Primera serie) + 32 láminas (Segunda serie) a color, dibujos a plumilla a dos tintas, al principio del cuento y dentro del texto. Títulos de los cuentos con orlas ilustradas a color. Letras capitales. Muy buen estado de conservación. Encuadernación editorial en tela

Verlag Die Rabenpresse 1932 Erste Auflage, Verlag Die Rabenpresse, Berlin, 1932. 19 S., original kartoniert mit aufgezogenem Deckeltitel, (gering fleckig) - gutes Exemplar / Nummer 3 von 100 gedruckten und numerierten Exemplaren / Vorsatz mit handsignierter Widmung, dem deutschen expressionistischen Schriftsteller \"\"Herrn Robert Seitz, herzlichst V. O. Stomps, 3. Okt. (19)32\"\" - Versand D: 5,90 EUR Autographen,Pressendrucke/Vorzugsausgaben/Bibliophile Bücher

- Espasa-Calpe, S.A. Bilbao, 1932. 20 cm. 106 p. Rústica. Cubiertas deslucidas. Pequeña marca anterior poseedor. [Attributes: Soft Cover]

London: C. Arthur Pearson Ltd, 1932. First edition. 12mo. Orange cloth boards ruled and lettered in black; 120 pp., [6] pp adverts; illus. Organized in 12 chapters by type of trick (e.g., card, coin, etc.). A scarce Thurston title, we find no other copies currently offered in the trade; only six copies located institutionally via WorldCat (two copies in U.S. institutions; four in UK). Slight grubbiness to cloth with some light wear along the joints; still a VG copy lacking the dust jacket if issued with one.

TARZAN EL HOMBRE MONO - 1932, Dir: VAN DYKE, Cast: JOHNNY WEISSMULLER, MAUREEN O'SULLIVAN, NEIL HAMILTON, C. AUBREY SMITH, DORIS LLOYD, , , Nac. film: USA, Company: METRO, Designer: AUTHOR, , Nac. poster: ARGENTINA, Measures (Cm. and Inches) : 70X100-CM.-27X41-IN-1 SH., Type of product: POSTER, , POSTER are in excellent condition but may have normal wear such as edge wear or a slight hole. I try photograph any flaw but examining the photos closely is your best bet! Please see bigger picture for details., , La mayoría están en excelentes condiciones, pero puede tener desgaste del borde o algun agujero pequeño. Intento fotografiar cualquier defecto, pero el examen de las fotos de cerca es su mejor opción! Por favor ver la foto en grande para más detalles., , SHIPPING COSTS: Fold posters SPAIN 15? -Correo certificado EUROPE and all world 20?

TARZAN SYN PROVCNY - 1932, Dir: VAN DYKE, Cast: JOHNNY WEISSMULLER, MAUREEN O?SULLIVAN, , Nac. film: USA, Company: METRO, Designer: , , Nac. poster: CHECOSLOVAQUIA, Measures (Cm. and Inches) : INSERT--33x70-Cm.-13x27-In., Type of product: POSTER, , POSTER are in excellent condition but may have normal wear such as edge wear or a slight hole. I try photograph any flaw but examining the photos closely is your best bet! Please see bigger picture for details., , La mayoría están en excelentes condiciones, pero puede tener desgaste del borde o algun agujero pequeño. Intento fotografiar cualquier defecto, pero el examen de las fotos de cerca es su mejor opción! Por favor ver la foto en grande para más detalles., , SHIPPING COSTS: Fold posters SPAIN 15? -Correo certificado EUROPE and all world 20?

TARZAN SYN DIVOCINY - 1932, Dir: W.S. VAN DYKE, Cast: JOHNNY WEISSMULLER, MAUREEN O?SULLIVAN, , Nac. film: USA, Company: METRO, Designer: AUTHOR, , Nac. poster: CHECO, Measures (Cm. and Inches) : -70x100--Cm.-27x41--In.-1 SH., Type of product: POSTER, , POSTER are in excellent condition but may have normal wear such as edge wear or a slight hole. I try photograph any flaw but examining the photos closely is your best bet! Please see bigger picture for details., , La mayoría están en excelentes condiciones, pero puede tener desgaste del borde o algun agujero pequeño. Intento fotografiar cualquier defecto, pero el examen de las fotos de cerca es su mejor opción! Por favor ver la foto en grande para más detalles., , SHIPPING COSTS: Fold posters SPAIN 15? -Correo certificado EUROPE and all world 20?

London: Chatto & Windus, 1932. Hardcover. 1st edition, 1st printing. 306pp. Octavo. Bound in publisher's dark blue cloth with gold gilt lettering and decorations stamped to the spine. The top edge of text block stained blue. Slight bumping to corners. Some minor spots of foxing to the bottom edge. Illustrated dust jacket is price clipped and has some minor rubbing to the back panel, with minor professional restoration tidying up some closed tears. The jacket is in very good condition otherwise. Internally clean and an overall tight and bright copy. This is the first trade edition of Huxley's seminal piece of dystopic literature in the scarcely seen dust jacket. This novel takes place in an imagined dystopic state where the population is limited; natural reproduction and, as a result, the family, have been abolished; children are educated through hypnopaedic processes. Citizens have been conditioned to accept their stations in life through a process of breeding in castes, sensational entertainment, drugs, encouraged recreational sex and an abundance of material goods. There are areas of the world where "savage reservations" exist without such luxuries and family units and romantic relationships still exist. The majority of the story revolves around one such savage, John, as he is introduced to the New World and ultimately rejects the morally empty society. A beautiful copy of one of the greatest works of dystopic fiction and a deeply influential work that has been alluded to in numerous songs, movies, television shows and other books. 1932

HOMBRE DE PAZ, UN - 1932, Dir: EDWARD L. CAHN, Cast: WALTER HUSTON, HARRY CAREY, RAYMOND HATTON, RUSSELL HOPTON, RALPH INCE, , , Nac. film: USA, Company: UNIVERSAL, Designer: , , Nac. poster: ESPAÑA, Measures (Cm. and Inches) : -70X100-Cm.-27X41-INCHES-1 SH., , Type of product: POSTER, , POSTER are in excellent condition but may have normal wear such as edge wear or a slight hole. I try photograph any flaw but examining the photos closely is your best bet! Please see bigger picture for details., , La mayoría están en excelentes condiciones, pero puede tener desgaste del borde o algun agujero pequeño. Intento fotografiar cualquier defecto, pero el examen de las fotos de cerca es su mejor opción! Por favor ver la foto en grande para más detalles., , SHIPPING COSTS: Fold posters SPAIN 15? -Correo certificado EUROPE and all world 20?

Aquarell, auf hellem Karton, 1932. Von Ernst Thoms. 24,4 x 33,5 cm (Darstellung / Blatt). Rechts unten in brauner Feder signiert und datiert: "Thoms 23.4.32". - Unmerklicher Lichtrand im linken Bereich. Insgesamt guter Zustand. Ernst Thoms (1896 Nienburg an der Weser - 1983 Wietzen). Deutscher Maler und Aquarellmaler. Namhafter Vertreter der Neuen Sachlichkeit. Ab 1911-14 Lehre als Anstreicher in Nienburg. 1914 freiwillig als Soldat im Ersten Weltkrieg. 1914-19 englische Kriegsgefangenschaft. 1919 Prüfung zum Malergesellen. 1920 Studium an der Kunstgewerbeschule Hannover bei Fritz Burger-Mühlfeld, die Kommilitonen bildeten später die "hannoversche Gruppe der Neuen Sachlichkeit". Musste zum Broterwerb als Anstreicher, Plakatmaler und Bühnenmaler an den Städtischen Bühnen Hannover arbeiten. 1926 erste Ausstellung in der Kestner-Gesellschaft Hannover; Erwerbung des Gemäldes "Dachboden" (1926) für das Provinzialmuseum Hannover. 1927 Beteiligung an der Zentenarausstellung "Europäische Kunst der Gegenwart" in Hamburg. 1928 Ausstellung in der Galerie Neumann-Nierendorf Berlin. 1930 Anerkennungspreis des Preußischen Kultusministeriums. 1930 Mitglied der Hannoverschen Sezession, 1932 des Deutschen Künstlerbundes. 1930/31 stilistisch Abwendung von der Neuen Sachlichkeit. Ab 1933 von den Nationalsozialisten als "entartet" verfehmt und 1943 ausgebombt. Umzug nach Warmsen bei Nienburg. 1950 Rückkehr nach Hannover. Sprache: Deutsch [Attributes: Signed Copy; Soft Cover]

A l'enseigne du Pot cassé 1932 - - A l'enseigne du Pot cassé, Paris 1932, 13,5x20,5cm, 2 volumes reliés en 1. - Edition ornée d'illustrations de Gabrielle Faure, un des 200 exemplaires numérotés sur vergé teinté de Rives. Reliure en plein maroquin marron chocolat, dos à cinq nerfs sertis de pointillés dorés et orné de doubles caissons dorés agrémentés de motifs typographiques dorés, roulettes dorées sur les coiffes, plats ornementés d'une grande frise florale dorée et d'un filet doré, gardes et contreplats de soie moirée bordeaux, encadrement d'une large dentelle dorée sur les contreplats, doubles filets dorés sur les coupes, tête dorée sur témoins, couvertures et dos des deux volumes conservés, élégante reliure de l'époque signée de Kauffmann & Horclois. Petites rousseurs éparses. Exemplaire parfaitement établi dans une reliure en plein maroquin. [AUTOMATIC ENGLISH TRANSLATION FOLLOWS] Edition decorated with illustrations by Gabrielle Faure, one of the 200 numbered copies on Rives tinted verge. Binding in full maroquin chocolate brown, back with five nerves set with golden dotted lines and adorned with double golden caissons decorated with gilded typographic motifs, golden wheels on the headdresses, boards decorated with a large golden floral frieze and a golden net, guards And borders of burgundy moiré silk, framing of a large gold lace on the counterplates, double golden threads on the cups, golden head on witnesses, blankets and backs of the two preserved volumes, elegant Contemporary binding signed by Kauffmann & Horclois. Small scattered foxing. Copy perfectly establi … [Click Below for Full Description]

Genf, Gonin, 1932. 32,5 : 26 cm. 51 (statt 55) Seiten, 2 Blatt mit 7 (statt 8) farbigen Original-Lithographien der Suite und 32 (statt 35) teils ganzseitigen Original-Lithographien von Jean Berque in Rot. Lose Bogen in Original-Umschlag, Original-Leinendecken, Schuber. Exemplar des Künstlers, im Druckvermerk 'Exemplaire de M. Jean Berque' vom Künstler und Herausgeber signiert. Mit der Suite der Original-Lithographien außerhalb der Auflage 'huit planches hors commerce' die in das Buch nicht aufgenommen wurden. Verlaines Gedichtszyklus ist ein Hymnus auf die lesbische Liebe, zu der die sehr freien zärtlichen Lithographien kongenial einstimmen. Ein aesthetisch bezauberndes Werk aus der Hand Jean Berques. Auf schwerem Bütten. - Leider fehlt eine Tafel der Suite, sowie die Seiten 29-32, trotz dieser Mängel noch begehrenswertes Künstlerbuch. - Leinendecken und Schuber etwas angestaubt, sonst schön. - Carteret IV, 392; Monod II, 1590; vgl. Vollmer I, 191.

JUNGLE GIRL, Burroughs, 1932, first edition, obvious wear to the fore edge corner tips and spine extremities with some cloth loss, staining to the bottom margins of more than half the text block, else a near good copy in a near vg full color pictorial dust-wrapper save for some chipping to the dust-wrapper spine extremities and inner non=stick tape reinforcement to the front flap and rear spine folds. INSCRIBED by the author and dated in the year of publication. Illustrated by Studley O. Burroughs. The source book for the 1941 RKO serial of the same name. [Attributes: First Edition; Signed Copy; In Dust Jacket]

Le Edizioni d’Italia (Arti Grafiche Panetto & Petrelli- Spoleto [n. 5 Poligrafia R. Filipponi]), 1932. Roma, Le Edizioni d’Italia (Arti Grafiche Panetto & Petrelli- Spoleto [n. 5 Poligrafia R. Filipponi]), 1932 (giu.) - 1934 (mag.). Collezione completa. Esemplari in ottime condizioni di conservazione. Collana delle Edizioni d’Italia di Armando Ghelardini, con cura grafica e copertine disegnate ad hoc da Vinicio Paladini per ciascun volume. -- Cinque titoli: la prima traduzione italiana di Vsevolod Pudovchin a cura di Umberto Barbaro («Il soggetto cinematografico» giugno 1932); il rarissimo libro di Elio Talarico «La fatica di vivere» (1933, subito bloccato dalla censura, ricopertinato come ‘Via dell’arancio’ e definitivamente ritirato dal commercio); lo straordinario reportage fotografico «Un fascista nel paese dei Soviet» dell’architetto Pietro Maria Bardi (1933); la raccolta di elzeviri «Cronaca o fantasia» di Corrado Alvaro (1934); le prose di viaggio «Noi, gli Aria. Interpretazioni sudamericane» di Massimo Bontempelli (maggio 1934), volume completo della sovracoperta (unico a prevederla della serie). La collana è stata oggetto di ricerca al recente convegno «Literature as Document. Generic boundaries in Western literature of the 1930s» (Leuven 5-7 dic. 2012, seguito da un’esposizione aperta fino al mar. 2013), in quanto primo esempio italiano di esplicita proposta editoriale di letteratura ‘non-fiction’, con elementi non letterari posti a completare e sviluppare testi letterari o giornalistici. Insieme raro a trovarsi completo. 5 voll., copertine originali in brossura i … [Click Below for Full Description]

London: William Heinemann Ltd.,, 1932. Octavo. Original yellow cloth, multi-coloured lettering printed on spine and boards (black, red and blue). With the clear acetate jacket. Housed in a custom brown quarter morocco slipcase with raised bands and a chemise, both by James MacDonald of New York City. Frontispiece and 22 black and white plates. A fine copy in the dust jacket with paper flaps intact as issued. First edition, first impression, with the acetate jacket complete and in exceptional condition. First performed 13 October 1931, this play served as the basis for the classic 1933 film, which won three Academy Awards.

- "First Edition. 8vo, 708pp, edge uncut [Attributes: First Edition; Soft Cover]

" - Grasset, Paris 1932, 12x19cm, broché. - Edition originale de la traduction française, un des exemplaires du service de presse. Envoi autographe signé de Curzio Malaparte à monsieur Prax. Iconographie. Piqûres sur les plats et en marges des feuillets, deux déchirures recollées sur les mors et deux manques en pied du dos. - Photos sur www.Edition-originale.com - [AUTOMATIC ENGLISH TRANSLATION FOLLOWS] First edition of the French translation, an advance (service de presse) copy. Autograph inscription signed by Curzio Malaparte to Monsieur Prax. Illustrations. Spots on the covers and in the margins of the leaves, two tears glued down on the joints and two lacks to foot of spine." Grasset Paris _1932 12x19cm broché

" - Editions des Cahiers Libres, Paris 1932, 14x18,5cm, broché. - Edition originale, un des 2000 exemplaires sur vélin Omnia, seul tirage avec 25 japon, le nôtre un des exemplaires du service de presse non numérotés. Envoi autographe signé d'André Breton à Dominique Braga. Couverture illustrée par Max Ernst. Un mors légèrement pincé, agréable exemplaire complet de son prière d'insérer. - Photos sur www.Edition-originale.com - [AUTOMATIC ENGLISH TRANSLATION FOLLOWS] First edition, one of 2000 copies on vélin Omnia, the only printing with 25 japon, this copy an advance (service de presse) copy non numbered. Autograph inscription signed by André Breton to Dominique Braga. Cover illustrated by Max Ernst. One joint slightly folded, nice copy retaining its advertising slip." Editions des Cahiers Libres Paris _1932 "14x18,5cm" broché

Un des 2000 exemplaires sur vélin du Marais numérotés (n° 798), Illustration de Kuhn-Regnier, 4 vol. in-4 br.,Javal et Bourdeaux, puis Javal et Leblanc, 1932-1934, XVI-288 pp. ; 2 ff., 296 pp. ; 2 ff., 288 pp. ; 2 ff., 335 pp. avec 64 compositions hors texte en couleurs par Kuhn-Régnier, coloriées au pochoir par Jacomet Splendide ouvrage, bien complet des 64 remarquables illustrations de Kuhn-Régnier, coloriées au pochoir. Bel exemplaire en très bon état (infime mq. en queue d'un tome), pour cette édition qui reprend la traduction de Littré parue chez Baillière en 1839. Français

IL LAVORO FASCISTA, 1932. ITALIANO 1,6 Annualità completa composta da 24 fascicoli di circa 20 p. ciascuno rilegati assieme, con elegante coperta in cuoio a sbalzo con titoli d'oro al piatto ed al dorso, con 5 nervature ed alcune piccole abrasioni, taglio superiore dorato e decori incisi, pagine brunite ai bordi e con sporadica fioritura USATO

Art in Australia Limited, Sydney, 1932. Green and silver covers. Rust marks from rusty staples else clean and tidy. Corners and spine ends are bumped. 80pp plus many advertisements in colour and b&w. Includes the programme of the official opening and celebrations. Lots of information about the bridge and Sydney. Contents tight and clean. Nice copy. Size: Folio - over 12" - 15" tall [Attributes: First Edition; Soft Cover]

VERSANDKOSTEN 3,50 EURO IN DEUTSCHLAND / 8,- EURO EU Gregor Strasser Kampf um Deutschland Reden und Aufsätze eines Nationalsozialisten 2. Auflage 1932 6. mit 10. Tausend Zentralverlag der NSDAP. Franz Eher Nachf. 390 Seiten Zustand s. Foto's Die Schutzhülle hat Gebrauchsspuren, innen guter Zustand! Am Band nicht mehr so stabil...reist ein (1. u. letzte Seite) s. Foto's!!

Vallecchi Editore, «Premio dell'Antico Fattore 1931», 1932. Prima edizione di soli 150 esemplari fuori commercio variamente contrassegnati (25 lettere, 25 numeri romani, 100 numeri arabi). Sei illustratori ornano le poesie e la copertina: Libero Andreotti, Felice Carena, A[lberto] Magnelli, Guido Peyron, Gianni Vagnetti) e tre altri artisti della Tavolata (F[rancesco] Chiappelli, B[runo] Innocenti, L[elio] Gelli, A. Bonsanti, A. Loria, M. Castelnuovo Tedesco, G. De Robertis, C.E. Gadda, E. Vittorini, A. Loria, S. Timpanaro ... La raccolta comprende cinque componimenti (oltre alla poesia eponima «Cave d'autunno», «Vecchi versi», «Stanze», «Carnevale di Gerti»). Elegante edizione in carta forte con stampa del testo a due colori in corpo grande; patrocinata dalla «Tavolata dell'Antico Fattore», gruppo di artisti e intellettuali che si riunivano alla trattoria omonima ogni mercoledì sera. Bell'esemplare, privo di numerazione.

Leipzig, Verlag Asia Major, 1932. 8°, Leinen. XVI, 173 Seiten. Originalleinen mit vergoldetem Deckel-und Rückentitel22 cm SEHR gutes Exemplar des seltenen Titels. \"Bei Kühnheit und Standhaftigkeit gibt es keine Schwierigkeit. \" (S.17) Versand D: 6,00 EUR China, chinesische Philosophie