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Displayed below are some selected recent viaLibri matches for books published in 1932

        JACK THE GIANT KILLER

      LENTZ. POP-UP. (BLUE RIBBON) JACK THE GIANT KILLER and other tales. NY: Blue Ribbon (1932). Thick 4to, pictorial boards, usual hinge strains else unusually FINE IN FINE DUSTWRAPPER. Containing the title story as well as Little Red Riding Hood and Sleeping Beauty. Illustrated by HAROLD LENTZ with color endpapers, many black and whites and 4 fabulous double page color pop-ups. Due to the thickness of the pages few copies of this title survive in nice condition. This is the nicest copy you're likely to find.

      [Bookseller: Aleph-Bet Books, Inc.]
 1.   Check availability:     Biblio     Link/Print  


        THE ADVENTURES OF THE BLACK GIRL IN HER SEARCH FOR GOD. Written by Bernard Shaw. Designed and Engraved by John Farleigh. Printed by Clarks in Edinburgh, and published for the first time by Constable and Company Limited of Orange Street in London 1932.

      1932 - Algunos roces y fatigas en el encuadernado. Roturas en el lomo. Firma y sello del antiguo propietario en página de respeto. WE SEND (free of charge) video demonstration of the conservation status of the book. ENVIAMOS (a solicitud y sin cargo) video de demostración del estado de conservación de los ejemplares. Nous ENVOYONS (sur demande et gratuitement) vidéo de démonstration de l'état de conservation du livre. [Attributes: First Edition; Hard Cover]

      [Bookseller: Eduardo Martínez Moreira]
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        ALICE'S ADVENTURES IN WONDERLAND and THROUGH THE LOOKING-GLASS, AND WHAT ALICE FOUND THERE [ 2 Volumes]

      New York: The Limited Editions Club, 1932 & 1935 Two Volumes. Vol. 1: Alice's Adventures - #850 of 1,500 copies with the illustrations of John Tenniel engraved on wood by Bruno Rollitz. Typography and binding by Frederic Warde and Signed by him at the colophon. Red morocco binding, elaborately gilt framed, all edges gilt. Sympathetically rebacked with original chipped and cracked spine strip laid down. Vol. 2: Through the Looking-Glass - #1225 of 1,500 copies with the illustrations of John Tenniel re-engraved by Frederic Warde, and Signed by "The Original Alice", Alice Hargreaves at the colophon. Blue morocco binding, elaborately gilt framed, all edges gilt. Sympathetically rebacked with original chipped and cracked spine strip laid down. Overall, two clean, tight, very good copies. Lacking the slipcases. . Signed. Limited Edition. Full Leather. Very Good. Octavo.

      [Bookseller: Hugh Anson-Cartwright Fine Books, ABAC/I]
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        Astrolabes of the World. Based Upon the Series of Instruments in the Lewis Evans Collection in the Old Ashmolean Museum at Oxford. Two volume set: Volume 1. The Eastern Astrolabes; Volume 2. The Western Astrolabes

      Oxford University Press, Oxford 1932 - iii, 609pp. 153 photographic plates; plates (some folding) with detailed astrolabe designs; additional illustrations throughout. Language: eng VG : in very good condition without dust jackets as issued. Light marking to covers. Spines darkened. Ex library Cruising Association with bookplates to front pastedown, association stamp in gilt to front covers, cruising library blind-stamps to some margins and library mark to spines White gilt-illustrated hardback cloth cover [Attributes: First Edition; Hard Cover]

      [Bookseller: Barter Books Ltd]
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        Profile: An Anthology Collected in MCMXXXI

      Milan: John Scheiwiller, 1932. First Edition. An enormously important poetry anthology, one of only 250 copies, featuring many of the key Modernist writers of the period, including James Joyce, William Carlos Williams, W.B. Yeats, Marianne Moore, T.S. Eliot, e.e. cummings, Archibald MacLeish, Louis Zukofsky, Basil Bunting, Ford Madox Ford, and many others, with two groups of poems from the radical magazine, "New Masses." Ezra Pound, the editor of this collection, appears quite often. 8vo., 142 pages, in original green wrappers folded over stiff white blanks. A trace of foxing to the top edge and some light creasing of the wrappers, but a Near Fine copy. OCLC lists 6 copies, all in U.S. libraries. No other copies in the market as of February 2016. Gallup B28. RARE. Throughout this volume, Ezra Pound adds his personal comments about some of the poets and their works. He doesn't include any poems by Robert Frost, but instead makes this acid comment about Frost: "As a matter of history it should be stated that from 1912 Robert Frost had been producing New England Eclogues. Sincere, very dull, without tragedy, without emotion, without metrical interest, a faithful record of life without intellectual interest or any desire for anything not in it. The work, inferior to [George] Crabbe, but infinitely better than fake. A great deal of New England life is presumably as Frost records it. It is difficult to see how such life differs greatly from that of horses and sheep." (Page 46)

      [Bookseller: Le Bookiniste]
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        OEUVRES COMPLETES.

      - Paris, NRF " A la Gerbe " , 1932-1939. gr.in-8. Edition en 15 volumes augmentée de textes inédits établie par L. Martin-Chauffier, et ornée de 15 portraits hors texte. Brochés. Couvertures rempliées illustrées. PREMIERE EDITION COLLECTIVE, en partie ORIGINALE. Papier bien frais. Très bon exemplaire. Envoi de photographies sur demande. Un des 3000 exemplaires sur Chiffon de Bruges. [Attributes: First Edition; Soft Cover]

      [Bookseller: Librairie de l'Univers]
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        LAUGHING DEATH

      Philadelphia: J.B. Lippincott Company, 1932. First Edition. First Printing. Octavo; red cloth, with titles stamped in black on spine and front cover; dustjacket; 317pp, [3]. Fine in a Near Fine, unclipped dustjacket, with a single short tear at lower edge of the rear panel. A superb copy of the second Detective Stephen Harper mystery, a "yellow peril" novel set in New York City. The novel has everything going for it: death, dope, detection, and torture, all set in the streets of Chinatown. And for the record (we'll spare you the gory details), there's not a damned thing funny about dying 'the laughing death.' A terrific novel by a highly underrated Black Mask author.

      [Bookseller: Captain Ahab's Rare Books]
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        Buddenbrooks. Verfall einer Familie.

       Bln., Fischer o. J. 8011.-850. Tsd. 728 S., 4 Bll. OLn. Einbd. fleckig. Namenszug am Vortit. Erste Bll. wasserrandig.Mit eh., vierzeil. Widmung Th. Manns a. d. ersten Vortitelbl., dat. 1932. Versand D: 4,00 EUR Literatur, Widmungsexemplare

      [Bookseller: Antiquariat Burgverlag]
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        Mit 50 PS. Ein Holzschnittbuch mit Bemerkungen zu einer Autoreise. Dieses Werk wurde in einer Auflage von 30 numerierrten Stücken auf dem Tiegel gedruckt und vom Künstler eigenhändig bezeichnet. Dies ist Nummer 3.

      Leipzig, 1932. 76 (1) S. 31 x 21 cm, OPpbd. Von Hans Alexander Müller nummeriert und signiert und mit Widmung für Elsa Mayar. Der Holzschneider, Buchillustrator und Autor Hans Alexander Müller wurde 1888 in Nordhausen geboren, war Schüler der Leipziger Akademie und 1923-33 dort Professor. 1937 emigriert er in die Vereinigten Staaten, wo er u. a. an der Columbia University lehrte und einige Bücher über die Holzschnitt- und Holzstichkunst publizierte. 1962 starb Müller in Merryall. (der Rücken des Überzugspapieres fehlt, insgesamt guter Zustand) Versand D: 5,00 EUR

      [Bookseller: St. Jürgen Antiquariat]
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        No Poems or Around the World Backwards and Sideways

      Harper, New York 1932 - First edition. Illustrated by Gluyas Williams. Modest age-toning on the spine and edge of the rear board, tiny tears at the crown, very good without the dustwrapper. Inscribed by the author: "Dear Adele: This is for you. Bobby. November 15, 1932." Adele Lovett was a glamorous socialite, a B player in the Algonquin Round Table, a friend of Dorothy Parker's, and reportedly the lover of Robert Benchley. The intimacy of the inscription is telling; we've never before seen Benchley inscribe a book as "Bobby." [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Between the Covers-Rare Books, Inc. ABAA]
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        John Wisden's Cricketers' Almanack for 1932 - 1932 Original Hardback Wisden

      1932. Hi, This lot is a 1932 Original Hardback Wisden in Good to Very Good Condition. This Wisden is a very nice book apart from one fault, the boards are very good with odd small mark, the hinges are very good as is the gilt, super shiny. Nice internally but there is a line of pink on the page block running through the book , it is not off putting as only comes into the book slightly (see pictures) , otherwise it is super,

      [Bookseller: Wisdenshop.com]
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        La Journée de Mado [COMPLETE WITH ITS FOUR POCHOIR PLATES]

      Galerie Lutetia, Paris 1932 - Quarto. Original pochoir-illustrated paper portfolio containing four loose leaves, as issued. Delightful series of four colorful hand-colored pochoirs by Carlos Bady titled "La Journée de Mado" (Mado's Day), and published in Paris circa 1932 by Galerie Lutetia. The series comprises the following pochoir plates illustrating four scenes in the life of Mado, a beautiful young Parisian woman:- Mado Babille (Mado is chatting over the phone - with one cherub listening to the conversation, and another one watching the scene)- Mado se maquille (Mado is putting make-up on - with the assistance of the same two cherubs)- Mado s'habille (Mado gets dressed - also with the assistance of the same cherubs!)- Mado se déshabille (Mado gets undressed by two different cherubs)The colors are among the most vibrant ever produced. Along with Raoul Dufy and Paul Allier, Carlos Bady was among the last artists to produce this style of beautiful pochoir prints. Approximate size of each plate: Paper 9 1/2 x 7". Image 8 x 6" .Minor and sporadic creasing and age-toning along edges of portfolio. Title and captions in French. Portfolio in overall good+ to very good, pochoir plates in near fine to fine condition. [Attributes: First Edition; Soft Cover]

      [Bookseller: ERIC CHAIM KLINE, BOOKSELLER (ABAA ILAB)]
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        The Archer In The Arras.

      Edinburgh Grant and Murray 1932. 8vo. 256pp. Publisher's oatmeal cloth titled in blue to spine and front board. First state cloth, minor rubbing and soiling, strong and solid. Very good indeed. In what appears to be the second state of the dustwrapper, bearing a Moray Press imprint to the base of the spine. Faded to spine panel and pricelipped, but strong, bright and handsome. Internally clean, minor spotting to prelims. Inscribed by Spence to the front flyleaf:#"To Robert Thomson Pym and Walter, With warm regards from Lewis Spence"#This is a charming and eerie little collection of 22 ghost stories (including the titular tale in which a man is murdered in revenge for an ancient family slight by a tapestry) including a werewolf story, a reanimated gargoyle and some virgin's blood splashed around ehre and there. A splendid selection, inscribed material by Spence is pretty scarce.#

      [Bookseller: Jonathan Kearns]
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        Die besten Wünsche zum Neuen Jahr - Nelly und Gotthard Laske.

      209x233mm auf 240x300mm. Lithographie auf blauem Japan-Bütten., 1932,. Von Grosz signiert. Anbei: Versandtasche mit dem Absender-Stempel von Laske an Abraham Horodisch. Dückers E 106 (mit Abbildung). Eine zweite Papiervariante ist steifes Maschinenpapier. Guter Zustand. Gotthard Laske (1882-1936 Selbstmord) war Berliner Bibliophiler, Mäzen vieler Schriftsteller und Auftraggeber einiger bibliophiler Arbeiten. Näheres zu Laske siehe: Homeyer - Deutsche Juden als Bibliophilen und Antiquare, S.50. Versand D: 5,00 EUR Originalgraphik, Grosz, signiert, signed, Signatur

      [Bookseller: AS - Antiquariat Schröter]
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        Justice Oliver Wendell Holmes, Signed by Holmes.

      1932. The First Biography of Oliver Wendell Holmes, Signed by Holmes Bent, Silas. Justice Oliver Wendell Holmes. New York: The Vanguard Press, 1932. xi, 386 pp. Frontispiece. Illustrated. Original cloth, light rubbing to extremities, rear hinge cracked. Owner signature to front free endpaper, light marks in pencil to some pages, notes in pencil to rear pastedown, light foxing to a few leaves. "Oliver Wendell Holmes/ April 18, 1932" to head of half-title, single-sheet 8-1/2" x 5-1/2" letter from Holmes's secretary, Horace Chapman Rose, laid-in. * First edition. This was the first biography of Holmes. The letter from Rose, Holmes's secretary, is a reply to the book owner's request for Holmes's signature. It reads, in part, "Mr. Justice Holmes would be happy to autograph your copy of his biography." The rest of the letter discusses shipping details.

      [Bookseller: The Lawbook Exchange, Ltd.]
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        Spring Long Shore

      [Kent, CT: printed by the Meriden Gravure Company for Rex Brasher Associates, 1932. Quarto. (12 x 9 3/4 inches). 7 sheets (11 x 7 1/2 inches), with integral illustrations (6 after Brasher, 3 after photographs), mounted recto and verso of 4 sheets of larger blue-toned paper. Original card wrappers, illustrated titling to the upper cover, glassine wrapper Provenance: E. Harold Hugo (inscription on inside front cover) A unique off-print, specially prepared by Brasher for the man who shared his dream. E. Harold Hugo (1900-1985), or 'Al' as Brasher knew him, started work for Meriden Gravure Company, at 14. By the time he first met Brasher in the late 1920's he was a sales manager for the firm, and during World War II, he became general manager and in 1950 was named a director. He became president in 1969 before retiring in 1975. It is generally acknowledged that his greatest business achievement was to ensure that, under his leadership, the company won international renown for the quality of its work, but, perhaps his greatest individual business decision was to champion Rex Brasher's cause within his firm, a cause that was quickly taken up by company's president, Parker Allen. The company went on to provide (at very favourable rates) the uncoloured gravures that Brasher needed to illustrate his masterwork The Birds and Trees of North America , self-published by Brasher between 1929 and 1932, with 867 plates and numerous other illustrations. Brasher's nephew wrote of this deal: "The compact with Merdiden Gravure officers was altogether heartwarming and inspiring. Here were business men - almost total strangers, indifferent to security of any kind, willing and anxious to help a white-haired man realize a dream. ... It was ... a tribute to Rex. It was a tribute to his work. There could be no other inference. Rex could not help feeling a great flooding surge of satisfaction and new confidence" (M.E. Brasher Rex Brasher Painter of Birds p. 269). The present unique work, warmly inscribed with a small caricature self-portrait by Rex, was evidently intended by him as a small thank you to the salesmanager who became a friend. The text seems to correspond to that found in volume 11 of Rex's larger work (on Warblers, Wagtails, Pipits, etc.): the text which accompanies plates numbered 663-669 includes a narrative with the same title. The illustrated titling to the upper wrapper includes a version of the head-piece vignette on the first page of the text but is probably especially produced for this work. In effect it is a unique off-print, prepared by Brasher for Hugo because he had said how much he admired Rex's lyrical essay on the Long Island shore.

      [Bookseller: Donald Heald Rare Books]
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        Check with Gershwin's full autograph signature

      Made payable to Eleanor Baldwin in the amount of $25 and dated New York, May 19, 1932 in a secretarial hand. Ca. 70 x 165 mm. With Gershwin's address at 33 Riverside Drive printed at left margin; endorsed by Baldwin on verso. Slightly soiled; rust stain from early paper clip to lower left, not affecting signature; bank perforations and two handstamps to verso. . George Gershwin (1898-1937) "began his career as a song plugger in New YorkÂ’s Tin Pan Alley; by the time he was 20 he had established himself as a composer of Broadway shows, and by the age of 30 he was AmericaÂ’s most famous and widely accepted composer of concert music." Richard Crawford et al in Grove Music Online.

      [Bookseller: J & J Lubrano Music Antiquarians LLC]
 17.   Check availability:     IOBABooks     Link/Print  


        The Odyssey.

      New York: Oxford University Press, , 1932. Newly Translated into English Prose. Octavo. Original blue cloth, gilt lettered spine, gilt roundel on front cover, pale yellow top edge, others untrimmed. With the dust jacket. Mustard-coloured roundel on title page. Jacket spine faded, extremities of jacket rather tattered, spine of binding rolled and sunned at head and tail. First US edition, fifth impression. Presentation copy from Lawrence, inscribed on the blank before the title: "A. E. C. from TE Shaw, very regretfully leaving [descender of the 'y' forming an arrow pointing to:] Mount Batten. 25. iv. 33". A significant association copy: A. E. "Jock" Chambers (1896-1987) had been a naval rating on Q-ships during WWI and was a fellow airman with Lawrence in the RAF. He and Lawrence were close, Chambers visiting Clouds Hill on a number of occasions, and Lawrence let him use the place if he was not able to get there himself. There are six letters addressed to him in The Letters (1936), the tone of all of them warm and relaxed; more than once Lawrence recommends books (Melville's White Jacket, Carlyle's Sartor Resartus). Jeremy Wilson notes that in the RAF Lawrence "soon had favourites" among the younger servicemen. "Two in particular at Farnborough were A. E. Chambers and R. A. M. Guy. 'Jock' Chambers had an intelligent and enquiring mind which nowadays would undoubtedly have won him a place at university. Lawrence recognised his ability and encouraged him to educate himself through reading (Lawrence gave him a subscription to the London Library)" (Lawrence of Arabia, the Authorised Biography of T. E. Lawrence, 1989, pp. 702-03). To another of Lawrence's biographers Chambers referred to him as "my only real friend, the only one I've ever had. He was one of the finest men who've ever trod the globe, better than Christ or any of them. He hated injustice" (John E. Mack, A Prince of Our Disorder: the Life of T. E. Lawrence, 1998, p. 442). When Lawrence presented this copy of his translation of Homer to Chambers he was in his last days at RAF Mount Batten, near Plymouth, having written to Sir Philip Sassoon as early as January of 1933 that "Mount Batten is full of ghosts and sad". Following the publication of the first edition of 1932 (privately printed by Bruce Rogers in England in an edition of 530 copies) the American edition was the first to be issued as a trade edition and sold extremely well (the English trade edition followed in 1935). O'Brien notes that it "badly hurt" sales of the beautiful but expensive private press edition (published at 12 guineas).

      [Bookseller: Peter Harrington]
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         Histoire comique ou Voyage dans la Lune Lettre-Préface de Robert Esnault-Pelterie. Illustrations de Jacques Touchet.

      Paris, Les Bibliophiles de l'Aéro-Club de France, 1932, gd in 4°, de 4ff. LIII- 1f. 128pp., ill. de 92 compositions de Jacques Touchet in t. et h. t., le tout colorié à la main au patron, pl. maroquin bleu, dos très lég. passé, t. dorées, couv. ill. de dos cons., bel exemplaire (rel. H.F. Cottereau)., un des 25 exemplaires nominatifs imprimé pour Ernest Wagner, avec 10 planches de dessins originaux en deux états. Tirage limité à 125 exemplaires numérotés sur vélin d'Arches, celui-ci un des 25 exemplaires nominatifs de collaborateurs imprimé pour Ernest Wagner, avec 10 planches de dessins originaux en deux états (un état colorié sous forme de dessin aquarellé ou d'épreuve coloriée et un état sous forme de dessin à la plume en noir) soit 20 planches originales, et la suite complète des illustrations tirée sur simili-japon, la préface signée par R. Esnault-Pelterie, et le menu illustré en couleur par Touchet.

      [Bookseller: L'intersigne Livres anciens]
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        William the Pirate

      Newnes, UK 1932 - 1st Edition 2nd Imp 1932. This is the first cheap edition and was printed 5 months after the 1st edition and in a similar format. Book is very good++ and very bright. Contents good. The complete wrapper is very good++ and bright. Edges lightly rubbed, nicked and creased. Very small loss to spine tip and base. Un-common as bright as this. A good example. More images can be taken upon request. . Ref11259 Size: 12mo - over 6¾" - 7¾" tall [Attributes: First Edition; Hard Cover]

      [Bookseller: Lasting Words Ltd]
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        Stradnieku dzive stasti. [A Worker's Life.]

      Semafors, Riga 1932 - First edition. In publisher's, illustrated wrappers (uncredited). 80 p. [Fraser: L333 p. 145.]. In publisher's, illustrated wrappers (uncredited) [Attributes: First Edition; Soft Cover]

      [Bookseller: Földvári Books]
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        FAIRY TALES

      - (RACKHAM,ARTHUR)illus. FAIRY TALES BY HANS ANDERSEN. Lond.: Harrap (Mckay on spine) [1932]. 4to, 288p., red gilt cloth, top edge gilt, lettering dulled else, FINE IN DUST WRAPPER AND PICTORIAL BOX! (box neatly strengthened). 1st edition. Illustrated by Rackham with pictorial endpapers, 12 color plates, and a profusion of black and whites in-text. The mounted color plate on the wrapper that is repeated on the box does not appear in-text. This is an extraordinary copy of a truly beautiful book. [Attributes: First Edition; Hard Cover]

      [Bookseller: Aleph-Bet Books, Inc. - ABAA]
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        The King of the Golden River

      London: George G. Harrap & Co. Ltd.,, 1932. Octavo. Original full limp vellum, titles and decoration to front cover gilt, top edge gilt. Housed in a cream card slipcase with the original printed labels laid down. Colour frontispiece, 3 similar plates, and black and white illustrations in the text. Mild soiling to vellum, the usual slight cockling to vellum and text block, minor foxing to endpapers. An excellent copy. Signed limited edition, number 232 of 570 copies signed by the illustrator.

      [Bookseller: Peter Harrington]
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        ABSTRACTION CREATION ART NON FIGURATIVE 1 Y 2.

      Editions Les Tendances Nouvelles, 1932 Y 1933., Paris - 22.5x28. 48 y 52pp. respect. Profusamente ilustrado en negro. Arp, Baumeinster, Delaunay, Gabo, Kupka, Mondrian, Prampolini, Van Doesburg, Vordemberge, etc. y Bill, Calder,Moss, Power, etc. Entre los años 1932 y 1936 se publicaron 5 números. Los publicó el grupo homónimo fundado un año antes. [Attributes: First Edition; Soft Cover]

      [Bookseller: Carmen Alonso Libros]
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        Dampfer im Hamburger Hafen. Öl auf Hartfaser.

       1932. Signiert \"Volbrecht\", verso vom Künstler bezeichnet \"E. Th. Volbrecht / Hamburger Hafen /Hamburg Lokstedt / 1932 / 73-\". 40,7 x 50,5 cm. Stimmungsvolles Hafenbild aus der Zeit vor dem 2. Weltkrieg. - Der Hamburger Maler und Graphiker Ernst Volbrecht erhielt seine Ausbildung an der Hamburger Kunstgewerbeschule in Altona bei J. Wohlers und O. Schwindrazheim. Nach Abschluß seines Studiums folgten Studienreisen durch das Mittelgebirte, Österreich, Holland, Großbritannien und Skandinavien. Volbrecht war als freischaffender Künster und als Antiquitätenhändler in Hambug tätig. Während des 2. Weltkrieges wurden viele seiner Werke zerstört. - Versand D: 5,00 EUR Hafen, Hamburger Hafen, Altona,

      [Bookseller: Kunstantiquariat Joachim Lührs]
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        The New Conquest of Central Asia.: A Narrative of the Explorations of the Central Asiatic Expeditions in Mongolia and China, 1921-1930.

      New York 1932 - The Central Asiatic Expedition under the auspices of the American Museum of Natural History went into Mongolia to seek and discover the ancestry of man, and to explore the natural history of the region. The leader, Andrews, conducted expeditions in 1922, 1923, 1925, 1928, and 1930, on an unprecedented scale, and secured observations, records, measurements, photographs and collections which constituted materials for the many scientific papers and twelve planned volumes of final reports. This book serves as an introduction to the scientific publications of the expedition, describing how the work was done. Sven Hedin so admired the plan of this work that he used it in his own "History of the Expedition in Asia". A near fine copy in original cloth. First edition pp.l, 678, 128 plates, 3 maps.

      [Bookseller: John Randall (Books of Asia), ABA, ILAB]
 26.   Check availability:     IberLibro     Link/Print  


        Brave New World

      Chatto & Windus, London 1932 - 306 pp. Bound in blue cloth covered boards with gold lettering on spine. Book has some mild edgewear at head and foot of spine and at corners, and is slightly cocked. Original dustjacket has been restored and repaired by a professional paper restorer. Dustjacket is mildly edgeworn, has loss to first two letters of publisher's name on lower edge of spine, there is a small hole at rear fold near spine about two inches from bottom, else bright and clean. Overall, an extremely nice copy. Size: 8vo [Attributes: First Edition; Hard Cover]

      [Bookseller: Spadina Road Books (ABAC/ILAB)]
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        First Lesson

      1932 - ASTON, James [i.e., WHITE, T.H.]. First Lesson. London: Chatto & Windus, 1932. Small octavo, full yellow cloth, original dust jacket. $1500.First edition of White’s second pseudonymous novel, in original dust jacket.White tells the story of an older man and younger woman’s love affair, contains “wit, irony, humor [and] that generous smiling sympathy for human failings and absurdities of behavior that distinguishes the point of view from that of the satirist” (New York Times). Not all reactions proved positive, however. When the parents of one of White’s students at Stowe School, Buckinghamshire, read First Lesson, a “minor scandal” ensued: “The [Aston] pseudonym having been divulged, the headmaster asked White to give him a written recantation promising that he would no longer write such books” (Gallix, 8). Gallix A4. Bookseller’s inkstamp. Dust jacket front flap with price crossed out in ink.Front joint tender, binding sound. Dust jacket with light rubbing to top edge. A lovely copy in near-fine condition. [Attributes: First Edition; Hard Cover]

      [Bookseller: Bauman Rare Books]
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        Tausend Jahre deutscher Kunst am Rhein. Die Denkmäler der Plastik und des Kunstgewerbes auf der Jahrtausend-Ausstellung in Köln. 5 Bände.

      Schmidt & Günther Verlag, Leipzig, 1932 - 253 Seiten. Mit zahlreichen Abbildungen auf über 370 Tafeln in Lichtdruck. Angeblaste Rückenfarbe, Kopfschnitte leicht angestaubt, weiter altersentsprechend minimale Gebrauchs- und Lagerspuren. Insgesamt saubere, stabile, gut gepflegte Exemplare. Sehr gutes Gesamtwerk. Aus dem Nachlass von Karl Band. Sprache: Deutsch Gewicht in Gramm: 13400 Original Leineneinband mit gld. Prägung. Fadenbindung.

      [Bookseller: Antiquariat-Plate]
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        Intellektüel aggályoskodás. (A Sarló kis könyvtára 1.) [Intellectual Concerns. (Library of the Sickle No. 1.)

      Levá Fronta (Jav. Hoffmann), Prága (Praha) 1932 - First edition. In publisher's printed green paper. 32 p. First edition of Balázs's essay. The printed version of a banned lecture on Marxism that he was to held in Bratislava in 1931. "Sarló" (Sickle), the publisher of this pamphlet, was a leftist Hungarian youth organization, based in Bratislava. Béla Balázs (1884-1949) was a Hungarian-Jewish film critic and aesthete, also a writer and poet. He is known as the the librettist of Béla Bartók's "Bluebeard's Castle" and the writer of the scenario for Bartók's ballet "The Wooden Prince". Wrappers slightly chipped at extremities, creased at rear, inside fine. Overall in very good condition. In publisher's printed green paper [Attributes: First Edition]

      [Bookseller: Földvári Books]
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        Thoughts and Adventures.

      London: Thornton Butterworth, 1932., 1932. FIRST EDITION. Octavo., pp.320. Finely bound in half dark blue morocco, with traditional raised bands, gilt titles and decoration to spine, cloth sides, top edge gilt. Text leaves mostly free from the usual foxing; this is a particulalrly clean copy. A lovely fine example in an attractive recent leather binding. Churchill's second and final autobiographical book (following 'My Early Life'). Woods A39(a). Langworth 156.

      [Bookseller: Adrian Harrington Rare Books]
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        Motor Racing.

      London: Iliffe and Sons Limited, 1932 - Octavo. Finely bound by The Chelsea Bindery in dark green morocco, titles and decoration to spines, raised bands, single rule to boards, twin rule to turn-ins, plain burgundy endpapers, gilt edges. The occasional minor blemish, an excellent copy in a fine binding. 32 photographs, 6 maps, sketches by the author. First edition, first impression. [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
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        Autograph postcard signed.

      Garmisch, 9. III. 1932. - Oblong 8vo. 1 p. With autogr. address. To Edgar Luis's concert office in Innsbruck, discussing travel plans and how they are affected by the immense March snowfall: "Ich wollte Freitag spätestens Samstag früh mit Auto nach Turin fahren. Wir haben hier kolossalen Schneefall. Bitte schicken Sie mir auf meine Kosten morgen Donnerstag Nachmittag eine Depesche, ob der Brenner passierbar [.]". - Some waterstaining; the picture shows Strauss's country house in Garmisch.

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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        Americana [Magazine] Volume 1, Number 1(November 1932) - Volume 1, Number 12 (October 1933)

      The American Group Inc. 1932-1933, New York - Twelve issues of this unaccountably scarce libertarian periodical. This is the "New Series" which followed an irregularly issued First Series beginning in February and ending in July, 1932. The early depression era editors were (not without reason) unabashedly against nearly everything in the establishment. Contain original lithographs and silkscreens. Twelve issues of 32 pages each. A very nice sequential run; rare in this condition.; Quarto 24x30cm; 8.75 x 12 in. [Attributes: Soft Cover]

      [Bookseller: Old Florida Bookshop, ABAA, ILAB, FABA]
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        Brave New World

      London: Chatto & Windus, 1932. Signed limited first edition. Octavo, original yellow cloth, gilt topstain as issued. One of a limited edition of 324 numbered copies signed by the author on the limitation leaf, this is copy number 28. In very good condition with some toning to the spine. "After the success of his first three novels, Huxley abandoned the fictional milieu of literary London and directed his satire toward an imagined future. He admitted that the original idea of Brave New World was to challenge H.G. Wells?' Utopian vision The novel also marks Huxley?'s increasing disenchantment with the world, which was to result in his leaving England for California in 1937 in search of a more spiritual life. The book was immediately successful" (Parker & Kermode).

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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        LAST MEN IN LONDON.

      London: Methuen & Co. Ltd., [1932] - Octavo, pp. [i-iv] v-viii 1-312 + 8-page publisher's catalogue dated "932" at bottom of page 8 inserted at rear, original blue cloth, front panel ruled in blind, spine panel stamped in gold, fore and bottom edges untrimmed. First edition, first impression, second issue. 1518 copies were prepared in this format of which 237 were issued with the second dust jacket. Stapledon's elusive second novel, written as a companion piece to his LAST AND FIRST MEN (1930). With its unique perspective and autobiographical focus, LAST MEN IN LONDON is one of Stapledon's most powerful and personal novels. Anatomy of Wonder (1976) 3- 57. See Anatomy of Wonder (1981) 2-98; (1987) 2-109 and (1995) 2-119. Clareson, Science Fiction in America, 1870s-1930s 719. Clarke, Tale of the Future (1978), p. 62. Clute and Nicholls (eds), The Encyclopedia of Science Fiction (1993), p. 1152. Gerber, Utopian Fantasy (1973), p. 151. Locke, A Spectrum of Fantasy, p. 205. Sargent, British and American Utopian Literature, 1516- 1985, p. 196. Stableford, Scientific Romance in Britain 1890-1950, pp. 203- 06. In 333. Bleiler (1978), p. 185. Reginald 13556. Satty and Smith A4.1.1.1. Some foxing to edges of sheets and first four leaves, else a very bright, near fine copy in bright, near fine second state dust jacket (light green paper stock; trident design on front panel) with touch of wear at head and tail of spine panel and corner tips and tiny closed tear at bottom rear spine fold. Overall a very pleasing copy of a book seldom found in jacket. (#92112) [Attributes: First Edition; Hard Cover]

      [Bookseller: Currey, L.W. Inc. ABAA/ILAB]
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        Portrait photograph of Franklin Delano Roosevelt, 32nd President of the United States (1933-1945), as Governor of New York (1929-1932), showing him looking straight ahead, slightly over his left shoulder, in suit jacket and silk tie, pocket handkerchief showing, his bold signature in the lower margin.

      New York (?), [ca. 1932]. Photograph, 10 x 8 inches. Roosevelt's photographer for this portrait was Louis Fabian Bachrach, Sr. (1881-1963), second in a three generation commercial photography business, Bachrach Studios, started by his father, David Bachrach, photographer of Abraham Lincoln at Gettysburg, in Baltimore, Maryland, in 1868; Louis Fabian Bachrach, Jr., representing the third generation of the family, was best known for his portrait of John F. Kennedy that was used as the president's official photograph after his election in 1960. A very nice image of FDR, boldly signed by him. Matted, glazed, and framed. (#6455)

      [Bookseller: Bartlebys Books]
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        Light and life. Address delivered at the opening meeting of the International Congress on Light Therapy in Copenhagen 15. August 1932.Copenhagen: IIe Congrès International de la Lumière, 1932.

      First edition of this famous lecture, which marks Bohr's first detailed attempt to apply concepts arising from quantum mechanics (particularly complementarity) to areas outside physics. "Here, for the first time, Bohr raised a question that was to preoccupy him, off and on, until his death: Would it ever be possible to push the analysis of living processes to the limit where they can be described in terms of pure physics and chemistry?" (Pais, p. 441). Bohr's lecture can be viewed as one of the foundation stones of molecular biology in that it inspired the young physicist Max Delbrück-who was in the audience when Bohr delivered it-to switch from physics to biology. "It is fair to say that with Max, Bohr found his most influential philosophical disciple outside the domain of physics, in that through Max, Bohr provided one of the intellectual fountainheads for the development of 20th century biology" (quoted in Pais, p. 442). This pamphlet, dated 1932, apparently predates both the lecture's publication in Danish in <i>Naturens Verden</i>, in English in <i>Nature</i>, and in German in <i>Naturwissenschaften</i>, all of which were published in 1933.<br/><br/> "Bohr had a life-long interest in philosophy, publishing three volumes of philosophical essays. He was also the son of the distinguished physiologist Christian Bohr, a student of Carl Ludwig, who discovered the cooperative binding of oxygen to hemoglobin. It is therefore not entirely surprising that, when he was asked to give a lecture at the International Congress of Light Therapists in Copenhagen in August 1932, Niels Bohr chose to speak on the philosophy of biology. His lecture, the text of which was subsequently published in <i>Nature</i>, was entitled 'Light and Life'. <br/><br/> "In 'Light and Life,' Bohr noted that one of the fundamental tenets of quantum mechanics was the principle of complementarity.. 4to (236 x 158 mm), pp 10, original printed wrappers, a virtually mint copy. Rare

      [Bookseller: Sophia Rare Books]
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        Biblioteca di gastronomia

      Societ? Notari 1932-34 12 voll. in 24 di pp. 400 circa ciascuno. Legatura editoriale in p. tl. cerata di colore rosso, verde, beige con graziosa sovraccoperta editoriale color oro (danno alla sovracc. di un volume con reintegro di carta dello stesso tipo al dorso e al piatto anteriore). Rara raccolta completa nei dodici volumi di quest'opera che usci' sia in brossura editoriale sia in tela come nel nostro esemplare che conserva la rara sovraccoperta. La collana comprende i seguenti titoli: Mario Varanini, La tavola della salute; Valori e Annesi, Il diario della massaia (vol. I e II); Mascotte, La vera cucina italiana (vol. I, piemontese, lombarda, ligure e toscana); Vol. II (romana, emiliana, veneta, romagnola, marchigiana e umbra); I dolci; Mascotte, La tavola della celebrita'; Valori e Annesi, La tavola a buon mercato; Guido Mantovani, La tavola del bambino; Luigi Cerchiari, Vini, liquori e altre bevande; Mascotte, Paste asciutte e altre minestre; Brilla - Savarin, Fisiologia del gusto. ITA

      [Bookseller: Libreria Antiquaria Coenobium]
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        L'opposition et les cases conjuguées sont réconciliées par / Opposition und Schwesterfelder sind versöhnt durch / Opposition and Sister Squares are reconcilied by DUCHAMP et HALBERSTADT.

      Paris - Bruxelles, Editons de L'Echiquier, Edm. Lancel / Gaston Legrain, 1932. - 28 x 24,5 cm, 115 p., 254 fig., 7 diagrammes sur calque, bien complet des deux errata. Broché, couv. cartonnée édit. impr. en rouge. Parfait état. Rare édition originale, trilingue.- "the book is concerned with that very special point of the endgame in chess when all the pieces have been lost, only the Kings and a few pawns remain on the board. And this special 'lone-pawns' situation is treated only from the even more particular situation in which the pawns have been blocked and only the Kings can play. This situation is called zugzwang, a German term of international use that indicates this blocked position in which only certain moves, and in a limited number, are possible. In this case (pawns blocked and only the Kings being able to move), even though they make use of conclusions already established by Abbe Durand, Drtina, Bianchette, etc., Duchamp and Halberstadt are the first to have noticed the synchronisation of the moves of the black King and the white King. This synchronisation is analysed at length and forms the basis of their system. In order to win, a white King cannot move indiscriminately without regard for the colour of the square on which he finds himself. Using the terminology of the authors of the book, he must choose a 'heterodox opposition' with respect to the colour of the square occupied by the black King. This 'heterodox opposition,' which represents the real contribution of Duchamp and Halberstadt to the theory of chess, would demand a technical explanation too lengthy to be given here. At any rate, for clarity I would add that the game of chess does contain the idea of 'opposition,' and that Duchamp and Halberstadt have renamed it 'orthodox opposition' in order to distinguish it form the 'heterodox opposition' that they have discovered. This 'orthodox opposition' is something that all chess players know about, and it is far form being a mystery. It is a sure means of winning in certain situations. In fact, 'heterodox opposition' is no more than an amplification of opposition. It is simply applied to a longer number of squares, and it adopts various forms that are missing in the rigid 'orthodox opposition." (Ian Randall, Re-evaluating the Art & Chess of Marcel Duchamp). [Attributes: First Edition; Soft Cover]

      [Bookseller: SOLSTICES RARE BOOKS]
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        Am Heiligen Quell Deutscher Kraft, Monatsschrift des Deutschvolks / Ludendorffs Halbmonatsschrift. Jahrgänge 1932-1939 * 8 Bände

      München, Ludendorffs Verlag GmbH, 1932 - 1939. (Fortsetzung der Beschreibung von Nr.19367:) . . . Die jüdische Gottesmutter in der Deutschen Weihenacht, Wie die Liebeslehre das Niedersachsenland eroberte, Eros Uranus: christlicher Nomos oder Volkstum?, Ein Sieg der Volksseele! Zur Volksabstimmung an der Saar, Wesen und Arten des Seelenmissbrauches, Die Machtgrundlagen der Rom-Kirche, liebe Gott als Sieger von Tannenberg, Römische Aktion in Deutscher Geschichte, Liberal-katholische Kirche und Theosophische Gesellschaft, Der Hexenturm in Salzburg, Rom im Vormarsch - zum Untergang?, Ein Brief zur Klarstellung der Operationen im Herbst 1914, Ein Mitbegründer des \"Deutschvolkes\" gestorben, Völkerentartung in Afrika, Verschüttete Volksseele, Zeichnung: Hexenfolterung, Seelenschutz und Wehrhaftsein, Aus dem Deutschen Glaubensringen, Hebräischer Segen für Papst und alle Christen, Von Deutscher Totenfeier, Ein Erwecke der Volksseele, Schafft Seelenschutz!, Das religionsphilosophische Vermächtnis von Immanuel Kant, Das japanische Volk, Der Bardengeist, Deutschvolk-Eltern an die Lehrer ihrer Kinder (Gedicht), Deutschvolk-Totenfeier, Shinto, \"Symbolische Schächtung\" in Altdeutschen Bildwerken, Schillers Persönlichkeit - eine Idealgestalt des Deutschvolks!, Zum Gedenken an die Königin Luise als Gattin und Mutter, Arterhaltung und Freiheit, Die Heidenfrauen am Tankower See, Der Deutsche Freiheitskämpfer, Ludendorffs Heidenschatz, Deutsche Gotterkenntnis und Rasse, Konkordat und Katholische Aktion, Die Rote Beeke, Befreit die deutsche Frau aus jahrhundertelanger jüdischer Missachtung!, Seelentod droht deinem Kinde, Durch Rasse erwachen zur Freiheit!, Der Frontsoldat (Gedicht von Erich Limpach), Soll Juda triumphieren?, Rom und das Sterilisationsgesetz, Eine verderbliche Kunstgeschichte (die von Richard Hamann), Artgemäßer Christusglaube, Das Blutbad bei Cannstatt, Germanischer Katholizismus?, Der Naumburger Meister, Etwas von der Mazdaznan-Bewegung, Das Geschlechterverhältnis, Die Grundlage jüdischer Erziehung, Deutsche erkennt endlich die Weltfreimaurerei!,), Das Hebräische als Gaunersprache, Der Occultismus, eine Volksgefahr, Weltgeschichtliche Bedeutung der Bibel nach jüdischer Quelle, Bevor Hitler kam (Besprechung des Buches von Rudolf v. Sebottendorff, u.a. Thule-Gesellschaft München), Wallenstein - ein Opfer der Jesuiten. Zur 300-jährigen Wiederkehr des Tages seiner Ermordung, Durch Minnegenesung zur Volksgesundung, Aus der Freimaurer-Republik (Frankreich), Der ungesühnte Frevel an Schiller, Von Deutscher Frauen Heldentum, Die Stellung der Deutschen Frau im fremden Recht, Artgemäße Frauenwertung - die Kraftquelle der Ahnen, Der Lügengeist im Dienste Jahwehs, Heinrich von Kleist ein Deutscher Freiheitskämpfer, Ein Beispiel für die Umdichtung der Fremdreligion, Der Deutschen Mutter Entwürdigung durch fremdes Recht, Kunst und Christentum, Ein Beispiel Jesuitischer Kriegstreiberrei, Schottenlogen, Entliberalisierung der Gesellschaft, Der Okkultismus stirbt, Schillers \"Bürgschaft\" eine Dichtung Deutschen Gotterlebens, Erlösung von Jesu Christo, Die Neuordnung des deutschen Lebensraumes, Einkreisung gegen Deutschland, Die spanische Kriegstragödie, der haßerfüllte Prof.Dr. Max Weber und Ludendorff, Feldherrn Worte, Das Weltkriegsende im Denken eines Hofrats, Die Hand der überstaatlichen Mächte, Roosevelt der Gefangene des Goldes, Runen-Raunen, Judentum und Christentum ein Gegensatz?, England das Schwert Judas, Der \"Staat\" Platons in völkischer Betrachtung, Die Heiligsprechung des Weltkriegspapstes: ein Symbol, Judas Marsch zur Macht - in USA, Gasmaske für den Heiligen Vater, Hochzeitsmärsche in Deutschland kirchlich verboten, Polnische Nationalhymne im Gottesdienst, Der jüdische Einfluss auf das deutsche kirchliche Leben, Die tschechische Nationalkirche, Freimaurerei im spanischen Bürgerkrieg, Das Priestererbe (Roman von Strouksberg / Fritz Peter), Sonderbare Judenmission eines ungarischen Bischofs, Kleinanzeige: Ahnenstätte Berlin-Brandenburg in Blumberg bei Berlin, Pest in den Völkern, Der zurückbeschnittenen Moses, Die Lebensweisheit der Werke Mathilde Ludendorffs, Besiegt der Judenhohn über Deutsche Helden!, Vom Herrn der Welt. Legende oder Tatsächlichkeit? (Weltfreimaurerei / Das deutschen Logentum), Die Sippen als Enthüller der Verbrechen geheimer Männerbünde, Volkspflicht und Rassevergiftung, Die Judenmacht - ihr Wesen und Ende, usw. - Mit zeittypischen Äußerungen wie z.B.: \"Was lehrt die Anthroposophie Rudolf Steiners? Die Bücher Steiners sind dicke Bände verworrenster Okultlehren, die heute nur noch Anthroposophen zugänglich gemacht werden. Sie werden dadurch nicht wertvoller! Steiner hat die okkulten Lehren, die zum induzierten Irresein verführen, unter einem großen Phrasenschwall verhüllt. Er hat die gleiche Unverfrorenheit, wie viele für jüdisch-völkische Ziele wirkende Juden, gar manches, was vernünftig klingt, von anderen zu übernehmen, um dadurch umso sicherer auch geistig wertvollere Menschen anzuziehen. Schält man den Phrasenschwall aber weg und holt die zum Schwachsinn, ja zur völligen Geisteskrankheit verführenden Wahnlehren heraus, dann freilich zeigt sich das Ungesunde und auch das für die politische geheime Tätigkeit so Wichtige, daß nämlich seine Opfer von ihm auf das furchtbarste beeinflusst werden konnten, wie er dies ja auch mit dem Generalstabschef Moltke vor der Marneschlacht zu erfolgreich getan hat. . . . Steiner war Jude. Er selbst hat das zwar oft bestritten und seine Anhänger bestreiten es heute noch. Die nächsten Freunde und Verwalter seines Geistesgutes zu Steiners Lebzeiten waren Juden. Das beweist noch nichts, lässt aber Schlüsse zu. Seinem Aussehen nach war Steiner Jude. Jüdisches Aussehen ohne jüdisches Blut wäre ein biologisches Weltwunder. Wunder auf diesem Gebiet gibt es nicht. Seine Sprache war jüdisch, er mauschelte. Seine Schreibweise ist jüdisch, sie ist gemauschelt. Es genügt, einen Blick auf seine nachgelassenen Schriften zu werfen. Sie sind nicht nachgefeilt und tragen infolgedessen das Mauschelgepräge ganz unverhüllt. Sein Auftreten war jüdisch. Unbefangene haben sich vielfach hierdurch abgestoßen gefühlt und sind, zu ihrem Glück, dadurch den gelegten Schlingen entgangen. Seine Lehre ist jüdisch. Wem das alles noch kein vollgültiger Beweis ist, der wird vielleicht zur Einsicht gelangen, wenn er erfährt, daß Steiner in einem unbedachten Augenblick die Maske hat fallen lassen. Er hat sich in einem Zeitpunkt freudigster Erregung über das Gelingen seiner Lebensarbeit als volkstreuen Juden bekannt . . . Seine Geisteslehre schillert in allen Farben, sie enthält alles, vom plumpsen Aberglauben bis zu hohen geistigen Ansprüchen. Er ist Spiritist und Hellseher, er hat eine neue Seelenwanderungslehre aufgestellt und eine neue Religion gestiftet, er nennt sie das 5.Evangelium. In diesem lehrt er, daß seinerzeit 2 Jesus Knaben geboren worden sind: in dem einen inkarnierte sich Zarathustra, während der andere normal blieb. Als die beiden Knaben 12 Jahre alt wurden, wechselte der Geistes Zarathustras aus dem Körper des ersten in den des zweiten über. Als dieser zweite 30Jahre alt wurde, da befiel ihn außerdem noch der Astralleib Buddhas\" / \"Nach allgemeinen zutreffenden Ausführungen über die Rassenunterschiede behandelte der Redner die Streitfrage des Artiertums Jesu, wobei er zu dem Schluss kam: \"Jesus war ein J u d e .\" - \"Aber\", so fuhr der Redner fort, \"das interessiert uns gar nicht; das wollen wir gar nicht wissen! Wir wollen Jesus d e u t s c he r l e b e n. - Der Arierparagraph für Kirchenbeamte, sagte der Redner (der Deutschen Christen) bestehe zu vollem Recht; denn einem Judenchristen sei die artgemäße Verkündigung des Evangeliums aufgrund des aus dem Blut stammenden Rasseunterschiedes u n m ö g l i c h . Das Evangelium selbst sei im Deutschen Volkstum tief verwurzelt, bedürfe aber artgemäßer Verkündigung. Denn: nicht die j ü d i s c h e Religion, sondern der S e m i t , der J u d e seit das Volksfeindliche\" (Volksmissionsdienst der neuen Reichskirche)\" Versand D: 5,90 EUR Weimarer Republik, Deutsches / Drittes Reich, Haus Ludendorff, Ludendorffer, völkische Glaubensbewegung, Judas Marsch zur Macht in USA, die Hand der überstaatlichen Mächte, Weltfreimaurerei, das deutschen Logentum, die Judenmacht: ihr Wesen und Ende, Ablehnung von Arierparagraph und Führerprinzip in weiten Teilen der evangelischen Kirche, General Erich Ludendorff der eiserne Wille der deutschen Feldsiege, Adolf Hitler, Nationalsozialismus, der Hellseher und Spiritist Rudolf Steiner ein abgefeimter Mauschel-Jude, Anthroposophie eine okkulte Wahnlehre, anthroposophischer Phrasenschwall, Deutschvolk, Zeichnung: Hexenfolterung, Okkultlehren auf deutschem Boden, das Hebräische als Gaunersprache, Kampf der germanischen Logen gegen Juda für römische Zwecke, Alljuda, Weltjuda, Rolle der Freimaurer im jüdischen Weltenplan, arteigene Gotterkenntnis , Antisemitismus, Kampf gegen Freimaurerei und Judentum und dieRom-Kirche und das Christentum überhaupt, völkisches / deutschvölkisches Gedankengut

      [Bookseller: Galerie für gegenständliche Kunst]
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        Information - Wirtschaft - Wissenschaft - Erziehung - Technik - Kunst. 1. Jahrgang: Heft 1, Juni 1932 - Heft 12, Juli 1933; 2. Jg.: Heft 1, August 1933 - Heft 6, Februar 1934. 18 Hefte (compl.).

      Zürich, Oprecht, - 1934 1932 - 8°, ca. 600 S., einige Abb., Roter Privat-Lwd., Einzelhefte mit den Umschlägen eingebunden. Die Hefte minimal beschnitten., Min. gebrauchspurig. O 11. Die Typographie und die Umschlaggestaltung von Max Bill, Der Umschlag des ersten Jahrgangs mit Photocollagen, später aufgrund der finanziellen Not des Verlages nur typographisch Gestaltung. Jedes Heft mit interessante Inserate, die den geistigen Hintergrund der Zeitschrift zeigen: Kaffeehaus Odeon; Das neue Frankfurt; Die neue Stadt; Wohnbedarf; Zetthaus; Die neue Weltbühne; Malik-Verlag; 1200 gr. Schlagworte: Exilliteratur - Europa-, Oprecht-Vlg.Soziale Bewegung - SozialismusKunst - GrafikdesignKunst - Max Bill [Attributes: Hard Cover]

      [Bookseller: antiquariat peter petrej]
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