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Displayed below are some selected recent viaLibri matches for books published in 1932

        Portrait photograph of Eugene O'Neill

      [New York], 1932. Bust portrait of the author seated, in profile, on Van Vechten's sofa. Gelatin silver print. 1 vols. 25 x 20 cm. (approx 10 x 8 inches). Atelier stamp on verso, an docketed in pencil with sitter, the date, and the Van Vechten's reference to negative and print ("vii - 1"). Bust portrait of the author seated, in profile, on Van Vechten's sofa. Gelatin silver print. 1 vols. 25 x 20 cm. (approx 10 x 8 inches). From a rare and early series taken on the evening of March 1, 1932, when O'Neill and Carlotta dined at the home of Van Vechten and his wife Fania. None of this series is in the Library of Congress, nor at Yale (which has the negatives), and these are also among the earliest portrait photographs taken by Van Vechten in his new profession of photographer: "Anna May Wong ... was the first to come for a sitting ... Eugene O'Neill was the second caller. When he and Carlotta Monterey returned to New York, Carlo arranged for an immediate session with the Leica ... " - Kellner, CARL VAN VECHTEN AND THE IRREVERENT DECADES, p. 260.

      [Bookseller: James Cummins Bookseller]
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        Vol à voiles

      Payot & Cie, 1932. - Payot & Cie, Lausanne & Genève 1932, 14x19cm, broché. - Edition originale, un des 500 ex numérotés sur alfa, seul tirage avec 35 Hollande. Bel exemplaire. - [FRENCH VERSION FOLLOWS] Edition originale, un des 500 ex numérotés sur alfa, seul tirage avec 35 Hollande. Bel exemplaire.

      [Bookseller: Librairie Le Feu Follet]
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        De minuit à sept heures

      Pierre Lafitte, 1932. - Pierre Lafitte, Paris (1932), 12,5x18,5cm, relié. - Edizione originale Bound in marrone metà zigrino, torna con cinque nervi decorati con pinnacoli dorati, alcune tracce di attrito sulle mascelle e contreplats guardie foderato di carta fatta a mano, coperte conservati, vincolante del tempo. Bella e raro autografo firmato dall'autore Paulette Rouyer. - [FRENCH VERSION FOLLOWS] Edition originale. Reliure en demi chagrin marron, dos à cinq nerfs orné de fleurons dorés, quelques traces de frottement sur les mors, contreplats et gardes doublés de papier à la cuve, couvertures conservées, reliure de l'époque. Bel et rare envoi autographe signé de Maurice Leblanc à Paulette Rouyer.

      [Bookseller: Librairie Le Feu Follet]
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        Cold Comfort Farm

      Longmans, UK 1932 - 1st Edition 1932. A very rare book. Book is near fine and very bright. Contents very good. PLEASE DOUBLE CLICK ON IMAGE TO ENLARGE. Digital images avaiable upon request. Ref 8182 Size: 12mo - over 6¾" - 7¾" tall [Attributes: First Edition; Hard Cover]

      [Bookseller: Lasting Words Ltd]
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        Tutte le opere di Antonio Fogazzaro a cura di Piero Nardi (14 voll.)

      Arnoldo Mondadori Editore 1932-1942, Milano - Questa opera, curata da Piero Nardi, Ã stata stampata in Verona nelle Officine Grafiche A. Mondadori con caratteri Pastonchi su carta velina di Maslianico. L'edizione consta di 1600 esemplari di cui 1500 numerati da 1 a 1500 in commercio e 100 numerati da 1501 a 1600 non venali. Esemplare 116. Volumi I e II: Malombra; Volume III: Daniele Cortis; Volume IV: Il mistero del poeta; Volume V: Piccolo mondo antico; Volume VI: Piccolo mondo moderno; Volume VII: Il Santo; Volumi VIII e IX: Leila; Volume X: Racconti (Fedele e altri racconti; Racconti brevi; Idilli spezzati); Volume XI: Poesie; Volume XII: Antonio Fogazzaro (di Piero Nardi); Volume XIII: Lettere scelte (a cura di Tommaso Gallarati Scotti); Volume XIV: Discorsi. Numero di tavole: pp.704; 504; 322; 548; 447; 470; 654; 407; 617; 722; 744; 491 altezza 23 larghezza 16 14 volumi su 16 (mancano il volume XV "Scene e prose varie" e "Programma dell'edizione"). Legatura editoriale in tela con titolo su tassello al dorso, in cofanetto. Mancano i cofanetti dei volumi I, VIII e XII. Sporadiche fioriture ai piatti, dorsi scoloriti. Carte ben conservate. [Attributes: Hard Cover]

      [Bookseller: Di Mano in Mano Soc. Coop]
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        Voyage au bout de la nuit

      Denoël & Steele, 1932. - Denoël & Steele, Paris 1932, 12x19cm, broché. - Edizione dell 'anno dell'originale, riferimento capriccioso a 71 °. Firmato autografo dell'autore Serge Pain. Un piccolo strappo in incollato un po ', bella copia. - [FRENCH VERSION FOLLOWS] Première réimpression de Décembre 1932 sortie des presses de La Grande Imprimerie de Troyes, catalogue vert d'eau de l'éditeur in-fine, fantaisiste mention de 71ème édition. Tampon appliqué au deuxième plat de couverture qui a peut-être fait office de service de presse. Envoi autographe signé de Louis-Ferdinand Céline à Serge Pain. Bel exemplaire.

      [Bookseller: Librairie Le Feu Follet]
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        Death in the Afternoon

      Cape, UK 1932 - 1st Edition 1st state 1932. Colour frontispiece (from a painting by Juan Gris: The Bull Fighter) plus 81 black and white reproductions from photographs. Book is very good++ and bright. Contents very good. The complete wrapper is very good++ and bright. Edges lightly rubbed and nicked. Light soiling to covers. Closed tear to rear edge. Miniscule chip to top edge. PLEASE DOUBLE CLICK ON THE PICTURE TO ENLARGE. Digital images available upon request. Ref 5179 Size: 8vo - over 7¾" - 9¾" tall [Attributes: First Edition; Hard Cover]

      [Bookseller: Lasting Words Ltd]
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        THE ANDREW J. CHIAPPE ARCHIVE OF BUTTERFLY BOOKS. Comprising 15 Books, Each an Inscribed Presentation Copy. Three Deaths (1932); Three Sorrows (1932); Three Images (1932); The Survivors (1934); Song (1941); Song (1943); Fable (1944); Snow Song (1949); Phantom Song (1952); Banquet Song (1953); Fire Song (1955); Island Song (1956); Jungle Song (1957); Death Ship (1958); The Mirror (1960).

      Privately printed. 1932 - 1960.. First editions. First editions. Fifteen volumes. Original patterned or marbled paper wrappers with printed label to upper cover. Each is at least in near fine condition and an inscribed presentation copy from the author to Andrew Chiappe. All of the limitations are low, one is a proof copy, the others generally 1 of 10 within a total print run of 22, 33 or 44 copies). Andrew J. Chiappe was the first friend Frederich Prokosch made on arrival at Cambridge University, a relationship the highly respected Shakespeare scholar and professor of 17th century English literature at Columbia maintained until his untimely passing of a heart attack in Paris aged 52. Provenance: Andrew J. Chiappe (1915 - 1967); thence by descent; private collection Tasmania. Further details and images for any of the items listed are available on request. Lucius Books welcomes direct contact with our customers.

      [Bookseller: Lucius Books]
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      [Moscow: State Publishing House of Graphic Arts, 1932. Folio (41.5 x 30cm). Pictorial wrappers. A good copy only: the extreme lower forecorners are a bit creased and occasionally ragged; the front wrapper has the lower extreme fore- corner chipped away and, there is a short tear near the toe of the spine resulting in the loss of the extreme lower spine corner of the lower wrapper and last leaf; there is a small chip in the lower wrapper at the spine crown; there is an 11 cm internally mended tear in the rear wrapper up from the lower edge and another internally mended 7 cm tear in the fore-edge, each with small chips associated; and one panel of the enormous center four panel gatefold is neatly separated along the fold; still, a reasonably good copy of an issue seldom found in ideal condition. Founded by Maxim Gorky and published in the Soviet Union from 1930 to 1941 (and 1949), under the general editorship of G. Piatakov. An important issue of this innovative periodical, devoted to the Dnieprostroy hydroelectric project, with the 'plan' of the issue by El Lissitsky and M. Alpert. The text is by Boris Agapov, translated for this English version by D. S. Mirsky. Of special note are four preliminary pages in tribute to H. G. Wells. The photographic component drew on a number of official sources, with additional special photography by Alpert and A. Shaykhet. "All the visual strategies of the propaganda photobooks, designed by Lissitsky, Rodchenko and others were developed in USSR in Construction, one of the most beautifully produced magazines of the twentieth century" - Parr-Badger. Versions were also published in Russian, German and French. PARR-BADGER I:148.

      [Bookseller: William Reese Company - Literature ABAA-]
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        Dogs and Some Literature

      Lime Rock, CT: Self-published, 1932. 1st. Cloth. Collectible; Very Good/Very Good. 1st edition, 1932. #58 of only 100 copies published. SIGNED BY BERNHARDT WALL on the limitation page and, additionally, 5 OF THE ETCHED PLATES ALSO SIGNED BY WALL. Quarto, cloth-backed boards, 19 plates. IN THE VERY FRAGILE AND VERY UNCOMMON ORIGINAL DUSTJACKET(!!). Solid and VG in a VG dustjacket with pasted-on spine label. Some loss at the foot of the jacket spine and very minor chipping at the crown of the spine. Otherwise, tight and well-preserved. An impressive copy of an elusive title, particularly so in its original dustjacket. Signed by Author.

      [Bookseller: Appledore Books, ABAA]
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        Les Joies de Sport: Textes, Manuscrits, Autographes.

      Unpag. portfolio (ca. 380 pp.) with chromolithographic facsimiles of 45 handwritten texts on physical, motorized and equipment-based sports, each 2-10 pp., most ca. 4-6 pp., by important French journalists, novelists, and athletes including Tristan Bernard, Henri Desgranges, Jean Ajalbert, Rene Maran, Virgine Hériot, Charles Faroux, Jean Fayard, Jean-Joseph Renaud, Henry de Montherlant et al., intro. by Jules Rimet, with table of contents, each text accompanied by a pochoir plate by Milivoy Uzelac representing the specific sport. Paper sl. toned, a few pls. bumped at edges. Large folio. Pictorial metallic wrpps. with contents loose as issued, some separation on hinge of front cover, housed in orig. boards portfolio, scuffed and worn. Paris (Editions d'Art "Le Document") 1932. This copy one of thirty-five with an original gouache.

      [Bookseller: F.A. Bernett Books]
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        Les joies du sport

      Aux éditions d'art, 1932. - Aux éditions d'art , Paris 1932, 31x41,5cm, relié. - Prima edizione, uno dei 600 esemplari numerati su nostra velina Marais ingiustificati, solo il 35 pareggio con il Giappone e 115 del Madagascar. Bound in mezzo roano nocciola cuneo posteriore con quattro nervi con un motivo floreale centrale in oro, piatti di carta in marmo, guardie e contreplats di carta fatta a mano, coperte mantenuto una chiara bagnatura affectantl una testa di wafer senza gravità non influenza il testo. Libro di 45 litografie originali illustrato nei colori Milivoj Uzelac. Contributi letterari di J. Ajalbert "" Automotive "," R. Maran "" Rugby "," CH Hirsch "" Scherma "," P. Wolf "" Boxing "", J. Prevost "" I lancio del peso "," Bernard T. "" pista ciclabile "," H. Duvernois "" Golf "," F. Divoire "" Hockey "," R. Dieudonné "" caccia "" H. Montherlant "" La corrida "" ... Bellissimo e raro esempio. - [FRENCH VERSION FOLLOWS] Edition originale, un des 600 exemplaires numérotés sur vélin du Marais, le nôtre non justifié, seul tirage avec 35 Japon et 115 Madagascar. Reliure en demi basane noisette à coins, dos à quatre nerfs orné d'un motif floral central doré, plats de papier marbré, gardes et contreplats de papier à la cuve, couvertures conservées, une claire mouillure affectantl a tranche en tête, sans gravité et sans atteinte au texte. Ouvrage illustré de 45 lithographies originales en couleurs de Milivoj Uzelac. Contributions littéraires de J. Ajalbert ""L'automobile"", R. Maran ""Le rugby"", C.H. Hirsch ""L'escrime"", P. Wolf ""La boxe"", J. Prévost ""Le lancer du poids"", T. Bernard ""Le cyclisme sur piste"", H. Duvernois ""Le golf"", F. Divoire ""Le hockey"", R. Dieudonné ""La chasse"", H. de Montherlant ""La tauromachie""... Bel et rare exemplaire.

      [Bookseller: Librairie Le Feu Follet]
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      H. Piazza, 1932. - H. Piazza, Paris 1932 - 1936, 13x19,5cm, 12 volumes brochés sous étuis. - Edition arricchita con molti ornamenti decorativi e 309 originali illustrazioni a colori di Andre - Edouard Marty cui 12 frontespizi, uno dei 50 esemplari numerati sul Giappone, edizione deluxe. Come tutte le copie della edizione deluxe, la nostra è completo, per ogni volume, la sua suite matrimoniale in illustrazioni in bianco e colori. Dos passato come generalmente, se non tutti piacevole. - [FRENCH VERSION FOLLOWS] Edition enrichie de nombreux ornements décoratifs ainsi que de 309 illustrations originales en couleurs d'André - Edouard Marty dont 12 frontispices, un des 50 exemplaires numérotés sur Japon, tirage de tête. A l'instar de tous les exemplaires du tirage de tête, le nôtre est bien complet, pour chacun des volumes, de sa double suite en noir et en couleurs des illustrations. Dos passés comme généralement, sinon agréable ensemble.

      [Bookseller: Librairie Le Feu Follet]
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        Vampyr (Original French still photograph from the 1932 film)

      Paris: Film-Production Carl Dreyer, 1932. Vintage double weight matte finish French still photograph from the 1932 film. Shown is Rena Mandel as Gisele. "Vampyr" was a German-French co-production, and Dreyer, who maintained strict creative control over his films, has production companies in both Berlin and Paris. This photo was issued from the Paris office, with a label crediting Film-Production Carl Dreyer affixed to verso, with the French title of "L'Etrange Aventure de David Gray," the production office's Paris address, and a credit for Mandel. The film was funded by Baron Nicholas de Gunzburg, a German aristocrat and non-professional actor who acted in the lead role under the pseudonym Julian West. Gunzburg plays a student of the occult who arrives to a small village outside of Paris. He finds the village to be rife with supernatural creatures who are luring the townspeople to suicide so that they can become servants of the devil. Dreyer's first sound film, for which dialogue had to be recorded in three languages. As a result very little dialogue was recorded and title cards used for much of the story, with most dialogue and effects added in post production. The film was shot in 1930 and 1931, but its distributor UFA delayed the debut in Berlin until May 1932, as they wanted the American film adaptations of "Dracula" and "Frankenstein" to play first. Shot on location outside of Paris in Aisne, Loiret, and Oise. 6.25 x 8.25 inches (16 x 21 cm). About Near Fine. Criterion Collection 437. Flynn, p. 41.

      [Bookseller: Royal Books, Inc.]
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        RUDOLF HEß (1894-1987 in Gefangenschaft) Stellvertreter des Führers / Reichsminister / 50 Jahre Gefängnis

      - BISMARCK GREIFT ZUM STEUER von Werner Beumelburg, Verlag Gerhard Stalling, Oldenburg i.O. 1932, Schriften an die Nation Nr. 15, 71 SS., mit Gebrauchsspuren - mit eigenhändiger Widmung, Unterschrift in Tinte "Mit guten Wünchen für Weihnachten 1932, Rudolf u. Ilse" BEILAGE : Widmungsexemplar seines Onkels ALFRED HEß für eine treue Mitarbeiterin Weihnachten 1935Für und von seinen Onkel : Dr. ALFRED HEß (Daten unbek.) Betriebsleiter u. enger Mitarbeiter von Friedrich Linde (LINDE Group AG) leitete propagandistisch die Werkzeitschrift der Firma und ging nach dem Englandflug seines Neffen 1942 in den Ruhestand. [Attributes: Signed Copy]

      [Bookseller: Herbst-Auktionen]
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        Voyage au bout de la nuit

      Denoël & Steele, 1932. - Denoël & Steele, Paris 1932, 12x19cm, broché. - Edition su comprendente corrente bene tutte le caratteristiche della prima carta da stampa. Insolated leggermente indietro alla testa e piede, un chiaro bagnatura marginale in assenza di gravità sul primo libro. - [FRENCH VERSION FOLLOWS] Edition originale sur papier courant comportant bien toutes les caractéristiques du premier tirage. Dos légèrement insolé en tête et en pied, une claire mouillure marginale sans gravité sur le premier cahier.

      [Bookseller: Librairie Le Feu Follet]
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        Little House in the Big Woods

      New York: Junior Literary Guild, 1932. First Edition Thus. Hardcover. Good. First Literary Guild Edition, first edition thus. Though the copyright page bears the "first edition" statement, it is not to be confused with the true first edition published by the Harper and Brothers. Blue boards with Junior Guild imprint on the base of the spine. Good, with obvious signs of wear and age. Soiling to binding, with wear and light fraying, most significantly at the edges and corners. Toned pages with occasional spotting. First Junior Literary Guild edition.

      [Bookseller: Burnside Rare Books]
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        Die Stellung der Nationalsozialistischen Deutschen Arbeiterpartei (NSDAP) zur Judenfrage; Eine Materialsammlung vorgelegt vom Centralverein deutscher Staatsbürger jüdischen Glaubens E.V.

      Centralverein deutscher Staatsbürger jüdischen Glaubens e.V., Berlin 1932 - Quarto. Original stiff printed wraps portfolio with seven printed folders containing loose leaves. Collection of material defining the position of the NSDAP on the Judenfrage (The Jewish Question) presented by the Central Union of German Citizens of the Jewish Faith. The material was taken from the archives of the Jewish organization and is presented strictly as quotes without judgment and commentary on the Nazi documents. It illustrates the diabolical stance, e.g. in the words of Hitler and Goebbels, and highlights the anti-Semitic position of the NSDAP. The selection of the documents for this portfolio was carried out with the utmost sense of responsibility. The publication was presented to President von Hindenburg right before the critical elections of 1932 in Germany. The seven folders are subdivided in statements of the NSDAP on the Jewish Question:a) the party program and literature, b) in spoken words, c) in plays and songs, d) in the press,e) relating to boycott, f) relating to riots, and g) petitions in the Prussian parliament. The texts are based on German newspaper reports on these topics with the section containing information on physical assaults on Jewish people from the end of 1929 to the end of 1932 representing the largest contingent of reports. Text in German, Gothic script. Tears and chips at external edges of portfolios and some rubbing, some age-toning but otherwise in near fine condition. [Attributes: First Edition; Soft Cover]

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        Links Richten. No. 1 (n.d., 1932) through no. 11-12 (August 1933) (all published).

      A complete run of 12 issues in 10 volumes (each issue approx. 24 pp.) of the Dutch-language left-wing journal, under the editorial direction of Frans Goedhart, Jef Last, Freek van Leeuwen, Niko Rost, Maurits Dekker, and other members of the workers'-writers' collective "Links Richten", containing poetry, book reviews, short stories, and essays on Communist literature, the first 5 volumes subtitled "Maandblad Uitgegeven Door Het Arbeiders Schrijvers Collectief 'Links Richten'", with the other 5 volumes each being devoted to a single topic, including the Navy, anti-Fascism, black culture, the theater, and anti-war. Not illustrated. 8vo. Orig. photomontage illus. wrpps., some minor fraying along spines, some minor scattered foxing. Amsterdam 1932-1933.

      [Bookseller: F.A. Bernett Books]
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        Le clavecin de Diderot

      1932. Editions surréalistes, Paris 1932, 12x19cm, broché. - Editions surréalistes, Paris 1932, 12x19cm, broché. - Edizione di carta corrente. Autografo Precious firmata dall'autore Colette. Spine sbiadito come generalmente due piccole lacerazioni bloccato di nuovo nella parte superiore e inferiore di una mandibola, una scivolata malamente tagliato dal dedicatario con fessure marginali di luce. [FRENCH VERSION FOLLOWS] Edition originale sur papier courant. Précieux envoi autographe signé de l'auteur à Colette. Dos passé comme généralement, deux petites déchirures recollées en tête et en pied d'un mors, un feuillet mal découpé par le dédicataire avec légers manques marginaux.

      [Bookseller: Librairie Le Feu Follet]
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        Mors et vita

      Grasset, 1932. - Grasset, Paris 1932, 12x19cm, relié. - Prima edizione, una copia del servizio stampa. Il legame con il panno bradel mezzo di sabbia, pezzo della colonna vertebrale liscia di cioccolato marrone marocco, piatti di carta marmorizzata, coperte e spalle (lunghezza sbiadito) conservati, dorato, firmato vincolante G. Gauché. autografo prezioso firmato da Henri de Montherlant Robert Brassillach. - [FRENCH VERSION FOLLOWS] Edition originale, un des exemplaires du service de presse. Reliure à la bradel en demi toile sable, dos lisse, pièce de titre de maroquin marron chocolat, plats de papier marbré, couvertures et dos (défraîchi en pied) conservés, tête dorée, reliure signée de G. Gauché. Précieux envoi autographe signé d'Henri de Montherlant à Robert Brasillach.  

      [Bookseller: Librairie Le Feu Follet]
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        Folies - Bergere 1932 - Nuits De Folies / Nights of Folly / Nacht Der Tollheiten / Noches De Locuras

      Paris Art Editions, 1932. 40 pages. Text primarily in French. Profusely illustrated with black and white photos of the young and usually topless and lavishly - dressed female performers. First page is a full - colour illustration of topless dancer, La Belle Danseuse, Valentina Feodoroff. Another one - page colour illustration features Mlle. Wanda dans Celles Qui Nous Prennent Par Le Charme. Colour - photo centerfold entitled "Un Souper Chez Le Regent" features seven topless beauties side - by - side in long orange gowns. Glamorous vintage Perose jewelry ad on back cover. Above - average but not excessive wear. Unmarked. Missing 9cm x 11cm piece from fore - edge of front cover. A wonderful memento of early - 1930s Paris.

      [Bookseller: Online Bookshop Jim and Mina Stachow]
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        Podkowa na progu. Roku Panskiego MCMXXXII.

      1932. Florencja [Firenze], [Stamperia Tyszkiewicz], 1932, in - 4, leg. moderna in mezza tela con punte, titolo in oro al dorso, piatti in carta decorata, pp. [138]. Con 7 xilografie di Maryla Tyszkiewicz a tutta pagina e una xilografia supplementare (cono e sue sezioni) ripetuta 7 volte. Carattere Nicolas Cochin c. 16. Edizione di 100 esemplari numerati su carta velina di Pescia con marca dello stampatore in filigrana (ns. esemplare non numerato, ma specificatamente impresso per la Fondazione J.S. Umiastowska di Roma, come da nota a stampa sulla carta che precede il frontespizio). Impresso in azzurro e nero. "I libri di Samuel Tyszkiewicz, uno stampatore a Firenze e Nizza 1928 - 1954", Biblioteca Civica di Verona, 2004, scheda n. 8. Timbretti "Collezione Jan W. Wos, fondo Tyszkiewicz". Lunga notazione manoscritta dello stesso Wos al verso della prima carta bianca, in lingua polacca; traduzione: "Questo volume fu acquistato nella sezione antiquaria della Fiera del Libro di Nizza il 26 giugno 1999. La proprietaria del volume fu M. Maria Thibaudet, la quale conobbe personalmente Tyszkiewicz a Nizza attraverso Alexander Stanislaw Janta - Polczynski, bibliofilo e ufficiale della prima divisione Granatieri francesi".

      [Bookseller: Libreria Antiquaria Gozzini]
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      Grasset, 1932. - Grasset, Paris 1932, 13,5x21cm, broché. - Edizione per il quale è stato licenziato solo 21 per la carta di grandi dimensioni puro, una copia del servizio stampa. Firmato autografo dell'autore Peter Audiat. Indietro e stoviglie poco e marginalmente insolated, due piccoli spazi a capo della schiena. Autografo Rare dell'autore di questo testo. - [FRENCH VERSION FOLLOWS] Edition originale pour laquelle il n'a été tiré que 21 pur fil en grands papiers, un des exemplaires du service de presse. Envoi autographe signé de Marguerite Yourcenar à Pierre Audiat. Dos et plats légèrement et marginalement insolés, deux petits manques en tête du dos. Rare envoi autographe de l'auteur sur ce texte.

      [Bookseller: Librairie Le Feu Follet]
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        The Sleeping Beauty

      London William Heinemann [1932]. VG : in very good condition with sunned and edge-creased dust jacket. Sm. marking to lower edge of front dustwrapper. Tear to rear pastedown. Light spotting to prelims First Edition Pictorial cream/pink/black cover 260mm x 190mm (10" x 7"). 110pp. Tipped-in coloured plate; numerous Rackham silhouettes in black and white with some additional colour.

      [Bookseller: Barter Books]
 25.   Check availability:     TomFolio     Link/Print  

        Peril at End House

      W. Collins Sons and Co. Ltd, 1932, 1932 London, 1932. First edition [black cloth, precedes orange]. Book very good, very slightly shelf-cocked, slight spotting on boards, slight fading on spine, date-stamped on front paste-down, slight edgewear.. F. Hardcover.

      [Bookseller: Bookbid Rare Books]
 26.   Check availability:     Biblio     Link/Print  


      1932. Manuscrits. sans date. In-4.Carré. En feuillets. Bon état. Couv. convenable. Dos satisfaisant. Intérieur frais. 3 chemises, contenant de très nombreux documents sur Kathleen Coyle, exclusifs et uniques: plus d'une cinquantaine de lettres personnelles, dactylographiées et manuscrites, signées de l'écrivain, adressées à une amie, A.Morice-Kerné, (qui traduisait ses ouvrages en français) et datées entre 1932 et 1937, dont certaines avec affranchissement, la plupart en anglais. + feuillets de "Le coq Blano", en français + Deux ouvrages de Kathleen Coyle: "Morning comes early", broché de 1934, édité chez The Albatross, avec jaquette ; "There is a door", relié de 1931, chez Edward W.Titus, édition originale, dédicacé par Coyle ; "A flock of birds", édition originale Tauchnitz de mai 1930, "Immortal ease", édition de 1939 chez Victor Gollancz, Une photo, probablement de la famille Coyle, en noir et blanc, datée de 1886 + divers documents: photocopies de coupures de journaux, photos, articles, cartes postales de l'Ile aux moines (d'où Coyle avait écrit son roman "Comme un vol d'oiseau'". Documents exclusifs ! Rassemblés par Yves Morice, qui avait réalisé une thèse sur Kathleen Coyle, grâce notamment aux documents de A.Morice-kerné, traductrice de l'écrivain.

      [Bookseller: Le-Livre.Com]
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        Une cité industrielle : étude pour la construction des villes.

      C. Massin & Cie, 1932. - C. Massin & Cie, Paris 1932, 43x34cm, en feuilles sous chemises à lacets. - Seconda edizione. Lavorare bene le sue 164 tavole a colori pieni, alcuni dei quali suddivisi in due volumi. Un piccolo numero di schede hanno lievi tracce marginali di carta adesiva senza gravità. Raro e piacevole pieno tutte le sue 164 piastre stampate su Navarre Registro di Voiron. - [FRENCH VERSION FOLLOWS] Deuxième édition. Ouvrage bien complet de ses 164 planches dont certaines en couleurs réparties en deux volumes. Un tout petit nombre de planches comportent de légères traces marginales de papier adhésif sans gravité. Rare et agréable ensemble complet de ses 164 planches imprimées sur Registre Navarre de Voiron.

      [Bookseller: Librairie Le Feu Follet]
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      [Bookseller: JOHN LUTSCHAK BOOKS]
 29.   Check availability:     Biblio     Link/Print  

        Voyage au bout de la nuit

      Denoël & Steele, 1932. - Denoël & Steele, Paris 1932, 12x19cm, broché sous étui. - Edizione originale, una delle 100 copie numerate in alfa, la nostra una delle poche copie registrate non in vendita, è stampato in particolare per Jean Ballard, solo carta di grandi dimensioni anche registrato con 10 archi. Autografo Precious firmata dall'autore Jean Ballard, direttore Sud Cahiers che ha pubblicato i buoni fogli di viaggio poco prima della sua uscita, e uno dei rapporti più lunghi dedicati al romanzo. Pochi erano quelli che immediatamente riconosciuto l'importanza di questo primo romanzo. Céline ancora offerto il suo manoscritto a Gallimard, Bossart, Figuière Denoël e, naturalmente, che è stato l'unico a mostrare vero entusiasmo. Lo fa, però, ha solo 2000 copie e ha chiesto varie riviste di pubblicare i buoni fogli, i Cahiers du Sud, Europa e nel mondo un paio di giorni prima della pubblicazione. Le copie iscritti dell'edizione deluxe su Arches o alfa, riservati a pochi intimi dell'autore, sono ancora più popolare di 110 importanti documenti immessi sul mercato. Unnumbered soprattutto, non hanno fino ad oggi non sono stati contati con precisione. Si può citare ad oggi rispetto a quelli di R. Beckers, signor Dorian J. Ajalbert, L. Daudet, L. e M. Descaves (su Arches), R. - L. Doyon, L. Hennique, G. Picard, Rosny giovane, C. e V. Moremans Dullin, R. e J. Gallier Ballard. Queste copie non contengono le specifiche degli annunci in editor di multa. La nostra copia è presentato in un armadio firmato Julie Nadot riproduce la copertina originale di questo libro. Bella e rara copia. - [FRENCH VERSION FOLLOWS] Édition originale, un des 100 exemplaires numérotés sur alfa, le nôtre un des quelques exemplaires nominatifs hors commerce, celui - ci imprimé spécialement pour Jean Ballard, seuls grands papiers avec 10 Arches également nominatifs.   Précieux envoi autographe signé de Louis - Ferdinand Céline à Jean Ballard, directeur des Cahiers du Sud qui publia les bonnes feuilles du Voyage juste avant sa parution, et l'un des plus longs comptes - rendus consacrés au roman. Rares furent ceux qui reconnurent immédiatement l'importance de ce premier roman. Céline proposa pourtant son manuscrit à Gallimard, Bossart, Figuière et bien sûr Denoël qui fut le seul à manifester un réel enthousiasme. Il n'en tira cependant que 2000 exemplaires et sollicita diverses revues pour en publier les bonnes feuilles, dont les Cahiers du Sud, Europe et Monde quelques jours avant la parution. Les exemplaires nominatifs du tirage de tête sur Arches ou sur alfa, réservés à quelques proches de l'auteur, sont encore plus recherchés que les 110 grands papiers mis dans le commerce. Non numérotés pour la plupart, ils n'ont à ce jour pas été exactement dénombrés. On ne peut donc citer à ce jour que ceux de R. Beckers, M. Dorian, J. Ajalbert, L. Daudet, L. et M. Descaves (sur Arches), R. - L. Doyon, L. Hennique, G. Picard, Rosny jeune, C. Dullin et V. Moremans, R. Gallier et J. Ballard. Ces exemplaires ne contiennent pas le cahier d'annonces de l'éditeur in fine.   Notre exemplaire est présenté dans un coffret signé de Julie Nadot reproduisant la couverture originale de cet ouvrage. Bel et rare exemplaire. 

      [Bookseller: Librairie Le Feu Follet]
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        Brave New World

      London: Chatto and Windus,, 1932. Octavo. Colonial blue cloth, titles to spine gilt. With the dust jacket. Spine faded, extremities rubbed, edges foxed. A very good copy in the ragged and partially defective jacket. First edition, first impression, colonial issue. One of modern literature's most appealing books, a seminal work of fiction and a triumph of book design.

      [Bookseller: Peter Harrington]
 31.   Check availability:     Biblio     Link/Print  

        Brave New World: A Novel

      Garden City, New York : Doubleday, Doran & Company, Inc., 1932. First Edition [viii],311 Seiten Leinen Kanten etwas berieben / bestossen, Einband mit Fleckchen/lichtrandig, Besitzeinträge udn Widmungen von alter Hand (Juli und September 1932), papierbedingte Seitenbräunung // interner vermerk LHC-51456 Versand D: 2,20 EUR

      [Bookseller: Wimbauer Buchversand]
 32.   Check availability:     Link/Print  

        TOM SWIFT And His GIANT MAGNET or Bringing Up the Lost Submarine. Tom Swift Sr. Series #35

      New York: Grosset & Dunlap, 1932. 1st Edition. Tan cloth binding with quadrant front board (Mattson 3). Full color dust jacket. A square & tight Nr Fine book in a VG+ dust jacket that shows just minor edgewear & a faint, thin vertical rub mark to spine panel.. [4], 215, [5] pp. Adverts last 4 pages. Frontis. 12mo. 7-5/8" x 5" According to Mattson, this 4 quadrant binding style available only for a few months before G&D issued a new design format.

      [Bookseller: Tavistock Books, ABAA]
 33.   Check availability:     Biblio     Link/Print  

        Etudes D'orientalisme Tome I-Ii

      White Lotus, Paris 1932 - Etudes D'orientalisme Tome I-Ii [Attributes: Soft Cover]

      [Bookseller: SEATE BOOKS]
 34.   Check availability:     AbeBooks     Link/Print  

        Devil's Tor

      London: G. P. Putnam's Sons,, 1932. Octavo. Original black cloth, title gilt to spine. With the dust jacket. An excellent copy in the jacket with some shallow chips to spine panel. First edition, first impression of Lindsay's fifth and final novel. Uncommon in the jacket.

      [Bookseller: Peter Harrington]
 35.   Check availability:     Biblio     Link/Print  

        First Lesson. A Novel.

      London: Chatto & Windus,, 1932. Octavo. Original yellow cloth, gilt titles on red cloth label to spine, red top-stain. With the dust jacket. Gentle roll to spine, in the dust jacket with a touch of wear to extremities, mild toning. An excellent copy. First edition, first impression of the author's fourth book, the second that he published under the pseudonym James Aston.

      [Bookseller: Peter Harrington]
 36.   Check availability:     Biblio     Link/Print  


      Macmillan Co., New York 1932 - 1932, highly decorative snakeskin leather, gift quality, THRILLS OF A NATURALIST'S QUEST by Raymond Ditmars. Published by the Macmillan Co., New York, first edition as shown. Affixed to fly page is Mr. Ditmars signature. Mr. Ditmars was a famed herpetologist and curator of Reptiles of the New York Bronx Zoo. James Rigg signed binding is extraordinarily fine, a tooled spine, full decorated snakeskin leather, premium gift quality save old owners plate, a fresh to the market volume, rare. Please see the many photos provided, ask any questions, buy accordingly. Please see our many other rare books. Free US shipping via boxed USPS mail with tracking and insurance. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Smith House Books & Antiques]
 37.   Check availability:     AbeBooks     Link/Print  

        The Clue in the Diary; Nancy Drew Mystery Stories # 7

      Grosset & Dunlap, New York 1932 - frontis & 3 plates (glossy); Small 8vo 7½" - 8" tall; 202 pages; The uncommon true 1st edition and printing of the 7th title in the Nancy Drew series. Bound in original light blue cloth with title lettering to spine in blue and to cover in blue outlined yellow type. Plain cream colored endpages. Farah 1932 A-1. The last of the books to be published in the original binding format and only in the 1st printing of this title. Illustrated by Russell Tandy with a frontis and three plates on glossy stock. Title list at front and rear of book both end with #7 "Diary". This copy is a bit tired, shaken in the spine and with a split in the front endpage along the inner hinge with crash exposed but holding. Cloath at spine sunned and lightly to moderately faded but with titles still showing bold. Corners lightly bumped and slightly rubbed through. Trace fray and thinning to cloth at spine ends. Three distinct prior owner names in pencil and pen to front endpage, two of which have been crossed out. Contents generally clean and neat, though with the infrequent instance of superficial fingering soil and the expected general light toning to the page stock. A small pencil eraser sized dent in the front board and small rectangular shadow from an old placement of masking tape to a blank are of the cover board. This title is elusive in the true 1st printing, here offered in a worn but generally sound example - a filler or holding copy. Good only [Attributes: First Edition; Hard Cover]

      [Bookseller: DogStar Books]
 38.   Check availability:     AbeBooks     Link/Print  

        Baghdad Sketches With twelve drawings by E N Prescott

      The Times Press Ltd., Baghdad, 1932. The correct first edition of the author's first book (not published in England for a further five years) in a handsome fine binding of half-leather with seven raised bands with marbled paper sides and fresh endpapers. 8vo. 132pp. A touch of toning to title page and final text leaf. Very good indeed. A beautifully preserved and rebound copy of an extremely uncommon book (it was not issued with a dust wrapper, and the print run, whilst unknown, is unlikely to have been more than 500 copies).. 1st Edition. Hardcover. Very Good.

      [Bookseller: Clearwater Books]
 39.   Check availability:     IOBABooks     Link/Print  

        Biblioteca di gastronomia

      Societ? Notari 1932-34, Milano - 12 voll. in 24 di pp. 400 circa ciascuno. Legatura editoriale in p. tl. cerata di colore rosso, verde, beige con graziosa sovraccoperta editoriale color oro (danno alla sovracc. di un volume con reintegro di carta dello stesso tipo al dorso e al piatto anteriore). Rara raccolta completa nei dodici volumi di quest'opera che usci' sia in brossura editorialeÂsia in tela come nel nostro esemplare che conserva la rara sovraccoperta. La collana comprende i seguenti titoli: Mario Varanini, La tavola della salute; Valori e Annesi, Il diario della massaia (vol. I e II); Mascotte, La vera cucina italiana (vol. I, piemontese, lombarda, ligure e toscana); Vol. IIÂ(romana, emiliana, veneta, romagnola, marchigiana e umbra); I dolci; Mascotte, La tavola della celebrita'; Valori e Annesi, La tavola a buon mercato; Guido Mantovani, La tavola del bambino; Luigi Cerchiari, Vini, liquori e altre bevande; Mascotte, Paste asciutte e altre minestre; Brilla-Savarin, Fisiologia del gusto. ITA

      [Bookseller: coenobium libreria antiquaria]
 40.   Check availability:     AbeBooks     Link/Print  

        The Indian Round Table Conference: The Hand Colored Caricatures of Emery Kelen

      [London]: NP, [ca. 1932]. 41 leaves, each 15 by 11 inches, some light toning to the edges of most, European Press service stamp on several, else in fine condition with bright colors. Technically an incomplete set, but still a substantial grouping, as evidence suggests that Kelen would market these separately to the media. Also included are two original drawings by Kelen of Goebbels and his fellow German, Franz Von Papen, probably done at the Lausanne Peace Conference in 1924. OCLC locates only three locations with a full portfolio of eighty four plates. Group of 41 caricatures from the first and second Indian Round Table Conferences [1931 and 1932] organized by the British Government to discuss constitutional reforms in India. Three Indian Round Table Conferences occurred between 1930 and 1932. Kelen, who routinely worked with fellow Hungarian, Alois Derso was born in Gyor, Hungary in 1896. His and Derso's collaboration included twenty years of work in Europe and ten in the U.S. They reported on and caricatured diplomats and politicians as well as covered the activities of the League of Nations, eventually leaving Europe in 1938 primarily to escape the growing threat of anti Semitism. Provenance: ex Lt. Colonel V.S.M. de Guinzbourg, United Nations staffer, author of 'Wit and Wisdom of the United Nations' with his custom [?] snake skin portfolio present.

      [Bookseller: Kenneth Mallory]
 41.   Check availability:     Direct From Bookseller     Link/Print  


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