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Displayed below are some selected recent viaLibri matches for books published in 1931

        Terms of the Armistice

      New York, Press of the Woolly Whale, Armistice Day, , 1931. As originally supplied to the War Department, Washington, D.C. by American G.H.Q. Chaumont, France, 1918. Octavo, original leather-backed aluminium boards, title stamped in black to the upper board. Pictorial endpapers. Spine flaking, boards a little rubbed, but overall very good. First edition, limited to 50 copies "not for sale, being intended solely for private distribution Armistice Day, 1931."

      [Bookseller: Peter Harrington]
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        Physics Building...U.C.L.A

      Los Angeles: Bruce McCallister, 1931. Custom framed in Ivory Rag board and 1 inch Black Satin Lacquer moulding with conservation glass. Sized to 17.25 x 19.25 inches. First printing Fine Fine condition. Image: 6 x 4.75 inches, sheet size: 9.5 x 12.5 inches.Printed by Harold Young from the original block on wove paper with a NAVARRE 1547 watermark, this wood-engraving is from a collection of unbound portfolio plates engravinged by Paul Landacre which became the basis for his most coveted work: California Hills and Other Wood Engravings; McCallister, Los Angeles 1931. Strictly limited to an edition of 500, the bound volumes are quite scarce, and carry a dark admonition from St. Nicholas of Arrinstine, in Latin of course, for those intent on destroying the volumes for the images. This wood-engraving was never bound, and thus perfect to be treasured for the beauty of its composition. & Without question one of the finest wood-engravers of the 20th century, Paul Hambleton Landacre (American 1893-1963) inspired a future generation of engravers with his confident and rhythmic patterning of contrasting lines of varying thickness, carved from wood. Through his talent and commitment to perfection he held a firm place in the brotherhood of such artist/luminaries as Rockwell Kent, Lynd Ward, and Fritz Eichenberg. The engravings by Landacre undoubtedly set the standard by which all wood-engraving is judged.& It takes true genius to coax the vision of illumination, thus light from darkness, from a simple piece of end grain boxwood, and through his refined technique, Landacre's carvings truly become the American Landscape: the vastness, majesty or serenity of the fields, shores, mountains and dunes of the early 20th century California landscape, the furry of a prairie grass fire as only previously described by Willa Cather, or the elegance of a woodland nymph amid the dappled sunlight of eucalyptus trees. & By the late 19th century, wood-engraving had all but degenerated into a means of didactic mass illustration, often created by a craftsman, void of the artist's inherent vision. In essence, thorough his commitment to the process and integrity of the wood-engraved technique, Landacre returned the responsibility, and joy, of vision, emotion and thus execution to the artist-engraver. In his article on the technique of engraving wood, Landacre states:& "Even a dull sketch may become fascinating by virtue of the change into crisp white lines against the black and challenging nature of the medium. All sins are forgiven as you enter a new field with your design and even the fact that the lines are created by pushing the tool from you instead of pulling toward you, as in other forms of graphic expression, adds zest to the process". Watson, Ernest W. The Relief Print: Woodcut, Wood Engraving & Linoleum Cut. New York: Watson- Guptill Publications, 1945 & &

      [Bookseller: Lowry-James Rare Prints & Books, ABAA]
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        Autograph musical manuscript signed of the song Oscuro è il ciel. Complete

      2 pp. of a bifolium. [1] (blank), [2-3] autograph musical manuscript, [4] (blank). Folio. Notated in black ink on 12-stave "B.p." music manuscript paper, with autograph title and "G. Leopardi dal greco di Saffo" to head, text commencing "Oscuro è il diel; nell' onde la luna già s'asconde." Scored for voice and piano. Undated, but Milan, 1931. & & Slightly worn and soiled; creased at folds with beginnings of splits in a few instances; two very small holes along folds; two very small chips to blank margins. . An Italian composer, conductor and critic, Pizzetti "was the most respected and influential of the more conservative Italian musicians of his generation." Guido M. Gatti and John C.G. Waterhouse in Grove online& & Oscuro è il ciel was first performed at the Teatro del Popolo di Milano on November 25, 1932 by the soprano Ginevra Vivante accompanied by Pizzetti on the piano. The first edition of the work was published by Ricordi in 1933. & & Giacomo Leopardi (1798-1837), often inspired by classical writings, was considered one of the most important 19th century Italian poets.

      [Bookseller: J & J Lubrano Music Antiquarians LLC]
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        THE OUTERMOST HOUSE. A YEAR OF LIFE ON THE GREAT BEACH OF CAPE COD. Inscribed

      New York: Doubleday Doran, 1931 Beston, Henry. THE OUTERMOST HOUSE. A Year Of Life On The Great Beach Of Cape Cod. Inscribed. New York: Doubleday, Doran and Co., 1931. First Edition, Early Impression [The first was in 1928], Inscribed. 8vo., 222pp., gilt-stamped blue cloth illustrated with photographs by William A. Bradford & others. Neatly inscribed in dark blue fountain pen on the front free endpaper: "Faithfully yours, Henry Beston". An extraordinary near fine or better bright copy; one of the best examples of condition that we have ever encountered lacking the uncommon dustwrapper. Illustrated with 31 original photographs by William A. Bradford, A.C. Bent, G.A. Whiting, D.B. MacMillan and others. A superb example of Henry Beston's now classic observations of Cape Cod in the tradition of Henry David Thoreau. Custom TBCL dark blue slipcase in very fine condition. . Signed by Author. 1st Edition, Early Printing.

      [Bookseller: TBCL The Book Collector's Library]
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        Grass Fire

      Los Angeles: Bruce McCallister, 1931. Matted in Rag Board First printing Fine Fine condition. Image: 8 x 7 inches, sheet size: 9.5 x 12.5 inches. Printed by Harold Young from the original block on wove paper with a NAVARRE 1547 watermark, this wood-engraving is from a collection of unbound portfolio plates engravinged by Paul Landacre which became the basis for his most coveted work: California Hills and Other Wood Engravings; McCallister, Los Angeles 1931. Strictly limited to an edition of 500, the bound volumes are quite scarce, and carry a dark admonition from St. Nicholas of Arrinstine, in Latin of course, for those intent on destroying the volumes for the images. This wood-engraving was never bound, and thus perfect to be treasured for the beauty of its composition. & Without question one of the finest wood-engravers of the 20th century, Paul Hambleton Landacre (American 1893-1963) inspired a future generation of engravers with his confident and rhythmic patterning of contrasting lines of varying thickness, carved from wood. Through his talent and commitment to perfection he held a firm place in the brotherhood of such artist/luminaries as Rockwell Kent, Lynd Ward, and Fritz Eichenberg. The engravings by Landacre undoubtedly set the standard by which all wood-engraving is judged.& It takes true genius to coax the vision of illumination, thus light from darkness, from a simple piece of end grain boxwood, and through his refined technique, Landacre's carvings truly become the American Landscape: the vastness, majesty or serenity of the fields, shores, mountains and dunes of the early 20th century California landscape, the furry of a prairie grass fire as only previously described by Willa Cather, or the elegance of a woodland nymph amid the dappled sunlight of eucalyptus trees. & By the late 19th century, wood-engraving had all but degenerated into a means of didactic mass illustration, often created by a craftsman, void of the artist's inherent vision. In essence, thorough his commitment to the process and integrity of the wood-engraved technique, Landacre returned the responsibility, and joy, of vision, emotion and thus execution to the artist-engraver. In his article on the technique of engraving wood, Landacre states:& "Even a dull sketch may become fascinating by virtue of the change into crisp white lines against the black and challenging nature of the medium. All sins are forgiven as you enter a new field with your design and even the fact that the lines are created by pushing the tool from you instead of pulling toward you, as in other forms of graphic expression, adds zest to the process". Watson, Ernest W. The Relief Print: Woodcut, Wood Engraving & Linoleum Cut. New York: Watson- Guptill Publications, 1945 & &

      [Bookseller: Lowry-James Rare Prints & Books, ABAA]
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        Les Principes de la Mecanique Quantique. Traduit par Al. Proca et J. Ullmo. Recueil de Conferences-Rapports de Documentation sur la Physique

      Paris: Presses Universitaires de France, 1931. *The price of this item HAS BEEN temporarily REDUCED by 10% until Sunday, Sept. 1. Order now for BEST SAVINGS! first French edition; viii, 314 pp., original paper wrappers (softcover), spine chipped and darkened, else good+. Photos available upon request.

      [Bookseller: Zubal Books]
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        L'Amour Et La Memoire

      Editions Surrealistes, Paris 1931 - 26 pages. 19 x 14 cm. Photographic frontispiece of a very young, thin Dali. Limited edition, copy 67 of 310 on velin blanc. Text in French. Partly unopened, title page slightly toned, backstrip and front cover fore-edge repaired with archival tape. Orig. salmon, pebbled stiff wrappers. Very good [Attributes: First Edition]

      [Bookseller: Royoung Bookseller, Inc. ABAA]
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        SHADOWS ON THE ROCK

      New York: Alfred A. Knopf. 1931. First Edition; First Printing. Hardcover. Very Good in a Good dust jacket, owner name and date to FEP. Stated First Edition. ; 8vo 8" - 9" tall .

      [Bookseller: Rare Book Cellar]
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        Six Stories Written in the FIRST PERSON SINGULAR

      1931. London: William Heinemann, (1931). Original blue cloth, with dust jacket. First English Edition (published a month after the American one) of this collection of six tales.~They were set in England and on the Continent. Maugham meant to show that his countrymen could misbehave at home just as well as in the tropics. In "Virtue" a middle-aged woman leaves her husband for a younger man because she thinks it is the honest thing to do. Her husband then kills himself, and the lover deserts her. Maugham had made the point before that a virtue taken to an extreme leads to disaster. If she had had an affair with the younger man, things would have been all right. [Morgan]~This volume is bright and fine with the sole exception of a couple of small rubbed spots on the front cover; the leaves are "tight enough" to suggest that the book has not been read. The dust jacket, with P. Youngman Carter's illustration of a gentleman leaning against a giant letter "I" (on both the front cover and the spine), just about fine as well -- one small droplet-mark on the spine, one tiny abrasion with pin-hole on the front panel, but essentially no other wear nor soil. The best jacket for this title that we have seen. Toole Stott A42b. Provenance: from the library of Otis Skinner Blodget (the son of actress and author Cornelia Otis Skinner), with his loosely-inserted bookplate.

      [Bookseller: Sumner & Stillman]
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        The Real McCoy

      Doubleday, Doran & Company, Garden City 1931 - First edition. Fine in near fine dustwrapper but for a small chip on the spine. "The true story of Captain Bill McCoy of the Tomoka, the founder of Rum Row and King of Rum Runners." Inscribed by the subject of the book: "To Bob Davis, the man who suggested that this yarn be put in print. Bill McCoy." McCoy was probably the most famous of the rum runners, who would bring liquor to the edge of American territorial waters and offload it onto small craft in order to elude the authorities. Rum runners were famous for watering the liquor that they illegally imported during Prohibition. McCoy apparently never did so, and handled only high quality brands, hence popularizing the phrase "The Real McCoy." Scarce either signed or in jacket. See this book in 3D on our site. [Attributes: First Edition; Hard Cover]

      [Bookseller: Between the Covers-Rare Books, Inc. ABAA]
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        L'Amour Et La Memoire

      Paris: Editions Surrealistes, 1931. First edition. Orig. salmon, pebbled stiff wrappers. Very good/No Dust Jacket. Dali, Salvador. 26 pages. 19 x 14 cm. Photographic frontispiece of a very young, thin Dali. Limited edition, copy 67 of 310 on velin blanc. Text in French. Partly unopened, title page slightly toned, backstrip and front cover fore-edge repaired with archival tape.

      [Bookseller: Royoung bookseller, Inc.]
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        Cuban Cookery: Gastronomic Secrets of the Tropics, with an Appendix on Cuban Drinks

      Havana, Cuba: Molina & Cia. No date, c. 1931. Presumed first edition of this exceedingly rare cookbook, which represents the first published collection of Cuban food and drink recipes (including the Mojito) available in English. Many of the headings in this copy have been underlined in light pencil, which we have not attempted to erase; otherwise, excepting a few scattered smudges throughout, interior is clean and bright; there are upper-corner creases on pp. 63 and 77; binding remains secure, with only a few rubmarks on the black cloth at the spine shoulders and ends; the affixed title-plate on the front cover is a bit faded and shows a clear dripstain, with no attendant water damage, and some rubbing and a chip along the right edge; otherwise clean and sound. 158pp. w/index.. Hard Cover. Good/No Jacket.

      [Bookseller: The Haunted Bookshop]
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        The Lodger (Early Edition, in dust jacket)

      New York: Jonathan Cape and Harrison Smith, 1931. Second printing of the American edition. Basis for two important films: the first a silent in 1927 directed by Alfred Hitchcock, the second a key film noir in 1944 directed by John Brahm and starring Laird Cregar. Near Fine in an about Good example of the rare dust jacket. Jacket has some loss at the heel and a couple of corners, some separation at the front flap fold, a somewhat toned spine panel, and shadows from a couple of old tape reinforcements (now removed). The only early jacketed copy of Mrs. Belloc Lowndes' famous crime novel that we have ever encountered. Haycraft-Queen cornerstone.

      [Bookseller: Royal Books, Inc.]
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        Carmen and letters from Spain *

      Harrison of Paris, New-York 9.1931. - Relié 23 x 18, plein papier chamois, couverture illustrée, titre et tête dorés, étui avec pièce de titre contrecollée. L'un des 595 exemplaires numérotés sur Rives, outre 50 Japon et 20 hors commerce. Une curiosité que cet ouvrage imprimé pour un éditeur américain, ymagé de délicates composition en demi-teintes, sur des thèmes espagnols (corrida & cie) chers à l'auteur-artiste qui fournit une lithographie originale pour "Huit jours à Séville" de Carco et publia dans ces années mouvementées deux volumes relatant ses propres périples dans le Sud: Notes et croquis de voyage & Barcelone et Ailleurs.Nous disposons de certains originaux en variantes d'illustrations, dont celle frontispice et de la page 119; l'image de la 94, figurant une scène de corrida est celle dont on semble le plus aisément trouvé des projets, à l'encre ou au lavis.

      [Bookseller: Librairie Oh 7e Ciel]
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        The Shakespeare Head Brontë

      Oxford: Basil Blackwell & Houghton Mifflin Co. (pr. at the Shakespeare Head Press), 1931. 11 vols. 8vo (24 cm, 9.45"). I [Charlotte]: Frontis., x, [2], 312 pp.; 2 plts. II: Frontis., [6], 284 pp.; 2 plts. III: Frontis., [8], 351 pp.; 2 plts. IV: Frontis., [6], 362 pp.; 2 plts. V: Frontis., [8], 319, [1] pp.; 2 plts. VI: Frontis., [6], 313, [1] pp.; 2 plts. VII: Frontis., [10], 283, [1] pp.; 1 plt. I [Anne]: Frontis., [8], 220 pp.; 2 plts. II: Frontis., xi, [1], 282 pp.; 2 plts. III: Frontis., [6], 278 pp.; 1 plt. I [Emily]: Frontis., xii, 385, [1], 9, [1] pp.; 1 plt. Large-paper issue of this 11-volume set of the works of all three Brontë sisters, illustrated by Jack Hewer with a total of 30 architectural and landscape views. The novels are complete here, including Agnes Grey, The Tenant of Wildfell Hall, Wuthering Heights, Jane Eyre, Shirley, Villette, and The Professor. (There were several additional volumes of miscellaneous writings, letters, and biography published in this "Shakespeare Head" series, which was not complete until 1938; they are not part of this set.) Of the 1000 copies printed of this, 500 were printed on large paper and reserved for issue in America. The present example (numbered 452) is of the large paper size and in green cloth; it is not clear to us by what rule copies were bound in this green cloth and which in the orange reported elsewhere. NCBEL, III, 865. Original green cloth, spines with printed paper labels, lacking the dust wrappers (which are scarce and almost never seen); labels darkened, a few starting to peel up at corners. Pages untrimmed, with some signatures unopened. A beautiful, clean example of this set.

      [Bookseller: SessaBks, A Division of the Philadelphia]
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        MONOGRAMM KUNST.ART OF MONOGRAMS.L'ART DES MONOGRAMMES.

      Lipsia 1931 - Cartella cart., cm 24x32, 186 tavv.sciolte di cui 74 a colori.Straordinario e ricco materiale di studio e vade-mecum di pratica giornaliera. [Attributes: Hard Cover]

      [Bookseller: EDITORIALE UMBRA SAS]
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        Three papers: 1. Directional Studies of Atmospherics at High Frequencies; 2. Electrical Disturbances Apparently of Extraterrestrial Origin; 3. Minimum Noise Levels Obtained on Short-Wave Radio Receiving Systems. New York: Institute of Radio Engineers, 1932. First edition.

      A fine set in original wrappers of Jansky's seminal papers which initiated the field of radio astronomy, a new science that has become one of the essential methods for making modern astronomical observations.<br/><br/> Working at Bell Labs, Jansky "was given the task of investigating factors that could interfere with radio waves used for long-distance communication. He designed a linear directional antenna, which, mounted on wheels from a Model T Ford, could scan the sky. He identified all the sources of interference, such as thunderstorms, except for one weak emission. This he found to be unconnected with the Sun and in 1931 he discovered that the radio interference came from the stars. Jansky published his findings in the <i>Proceedings of the Institute of Radio Engineers</i> in December 1932 ['Directional Studies of Atmospherics at High Frequencies'], the date that marks precisely the beginnings of radio astronomy" (Biographical Encyclopedia of Scientists). <br/><br/> Jansky's follow-up paper, 'Electrical Disturbances Apparently of Extraterrestrial Origin,' published in 1933, was equally transformative, articulating "his revolutionary claim that the hiss static seemed to have its origin in our Milky Way galaxy, with a maximum in a direction that pointed close to the galactic center" (American National Biography). <br/><br/> "At the age of just twenty-six, Karl Jansky had become the first person to detect and identify radio waves coming from outer space, a truly historic discovery... The true significance of Jansky's breakthrough surpasses even the momentous discovery that the Milky Way emits radio waves. His accomplishment was to establish the science of radio astronomy and to demonstrate that astronomers could learn a huge amount about the universe by looking beyond the narrow band of electromagnetic wavelengths that are visible to the human eye... He announced his result in a paper entitled 'Electrical Disturbances Apparently of Extraterrestrial Origin'." (Simon Singh, Big Bang). <br/><br/> The third paper in the collection, 'Minimum Noise Levels Obtained on Short-Wave Radio Receiving Systems' discusses problems of noise levels and interference in short-wave systems.. 1. Directional Studies of Atmospherics at High Frequencies. In: Proceedings of the Institute of Radio Engineers, vol.20, no.12 (Dec.1932), pp.1920-1932; 2. Electrical Disturbances Apparently of Extraterrestrial Origin. In: Proceedings of the Institute of Radio Engineers, vol.21, no.10 (Oct.1933), pp.1387-1398; 3. Minimum Noise Levels Obtained on Short-Wave Radio Receiving Systems. In: Proceedings of the Institute of Radio Engineers, vol.25, no.12 (Dec.1937), pp.1517-1530. Menasha, WI: Institute of Radio Engineers, 1932-1937. 8vo (230 x 152 mm), original grey printed wrappers, very light wear to edges and capitals, in all a fine set

      [Bookseller: Sophia Rare Books]
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        THE PUBLIC ENEMY (True First Edition INSCRIBED BY JAMES CAGNEY)

      New York: Grosset & Dunlap, 1931. Glasmon, Kubec & Bright, John. THE PUBLIC ENEMY. NY: Grosset & Dunlap, [1931]. First Edition, photoplay novelization of the famed 1931 James Cagney classic gangster film. A Near Fine copy, only the tiniest of blemishes (virtually no wear, bright green topstain unfaded). Really excellent for an example without the exceedingly rare DJ. With four black & white stills from the movie. INSCRIBED BY JAMES CAGNEY in January 1966 to "Edna & Jack Cordes/with all good wishes/ James Cagney." THE PUBLIC ENEMY (voted by the American Film Institute as the 8th greatest crime film in American film history) was a 1931 American Pre-Code crime film starring James Cagney and directed by William A. Wellman. The film tells the story of a young man&#39;s rise in the criminal underworld in prohibition-era America. Co-starring Jean Harlow, Edward Woods, Joan Blondell, and Mae Clarke. The screenplay is based on a never-published novel by two former street thugs: "Beer and Blood" by John Bright and Kubec Glasmon (who had witnessed some of Al Capone&#146;s murderous gang rivalries in Chicago!) A remarkable book in itself, one of those rare Grosset & Dunlap publications (like King Kong) which actually served as a first edition. And to find it signed by its star James Cagney? An ideal book for the film source collector. . First Edition. Near Fine.

      [Bookseller: Lakin & Marley Rare Books ]
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        Henry van de Velde: de drievoudige smaad aan de schoonheid

      Oude God, Antwerpen, Bibliofielenvereeniging Tijl 1931 . Gebrocheerd, Origineel omslag. Eén van 75 exemplaren. nr 4. Origineel omslag. . Eén van 75 exemplaren.* handgenummerde exemplaar .04&#148; op handgeschept gevergeerd papier van de Koninklijke Fabrieken van het pannenkoek, gedrukt in zwart en rood op de persen van de kunstdrukkerij Loki, volgens de maquette van Nand GEERSENS en Joris MINNE. Het Omslag, in beschilderd papier, werd uitgevoerd door Jeanne GEERSENS. Redelijk mooi exemplaar !

      [Bookseller: ERIK TONEN BOOKSELLER]
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        Eigenh. Postkarte mit U.

      Berlin, 7. V. 1931. - ¾ S. 8vo. Mit eh. Adresse. Mit einer Beilage (s. u.). An Carl Björkman (1901-1961), den Literatur- und Theaterkritiker von "Nya Dagligt Allehanda": "Ich bin einverstanden mit dem Abdruck des Artikels und mit dem gesamten Honorar [.] Bitte zu halen an Dresdner Bank [.]". - Papierbedingt leicht gebräunt; beiliegend eine eh. Postkarte mit U. von Manns erster Gattin, der Prager Schauspielerin Maria Kanová (1886&#150;1947).

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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        FABLES OF AESOP

      1931. According to Sir Roger L&#39;Estrange. With Fifty Drawings by Alexander Calder. [Paris:] Harrison of Paris | New York: Minton, Balch and Company, (1931). Original beige paper-covered boards with unlettered beige cloth spine, with dust jacket. First Edition, printed in France, of which this is one of twenty copies on Auvergne hand-made paper designated "Not For Sale," as specified in the Publisher&#39;s Note. (There were also 595 numbered copies on Auvergne, plus 50 copies on Guarro Spanish rag paper.) The fifty drawings by Calder are quite whimsical, along the lines of his wire sculptures for which he is considerably more famous. This is a near-fine copy; the very scarce dust jacket, on which is reproduced one of Calder&#39;s drawings, is near-fine as well (very slight wear at the corners, one small chip out of the front flap). Quite uncommon in this condition.

      [Bookseller: Sumner & Stillman]
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        SWALLOWS AND AMAZONS

      London: Jonathan Cape, 1931. This is the first edition of the illustrated edition. Map end papers. Original green cloth binding very good with a little general wear and rubbing, spine somewhat faded, but gilt still good, green stain to the top edge of the rear board extending onto the top corner of the spine. (it is difficult to imagine what this might be), front board with a couple of spots. Contents clean and tight, small spot mark to the lower edge of a few central pages otherwise minimal spotting to page edges, no inscriptions. A very good copy.. First Illustrated Edition. Green Cloth. Very Good/No Dust Jacket. Illus. by Webb, Clifford. 8vo.

      [Bookseller: Loe Books]
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        Fairyland of Ida Rentoul Outhwaite. Outhwaite, Ida Rentoul.

      Black, A&C, London 1931 - First UK edition. Verses by Annie R. Rentoul Stories by Grenbry Outhwaite and Annie R. Rentoul. Sml. folio, 128pp, frontis & 15 color plates & 31 intricate b&w full page plates and decorations in text by Ida Rentoul Outhwaite. Orig. blue decorated buckram printed in blue, very good condition. Muir 5602 for this famous children's book, whose illustrations of fairies, mermaids, kookaburras, frogs, koalas, lizards & brownies draw inspiration from the Australian wildlife of Outhwaite's youth. The fabulous illustrations by Outhwaite are very sought after. [Attributes: First Edition; Hard Cover]

      [Bookseller: Bookbid]
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        The Forge

      Doubleday Doran, 1931. First Edition, 1st Printing. Hardback.. Very good condition./Very good dust jacket in mylar cover.. Jacket has light soiling and edgewear, one-inch tear to bottom edge of front panel. Slight dust soiling to top edge, minor spotting to fore edge. Still a beautiful collectible copy.

      [Bookseller: Harvest Book Co]
 24.   Check availability:     Biblio     Link/Print  


        TIME REGAINED

      1931. Translated by Stephen Hudson [pseudonym of Sydney Schiff]. London: Alfred A, Knopf, 1931. Original plain blue-grey wrappers. First Edition in English, PRE-PUBLICATION STATE (published by Knopf and not by Chatto & Windus).~This was the last volume, and Part, of Proust&#39;s masterpiece A LA RECHERCHE DU TEMPS PENDU (REMEMBRANCE OF THINGS PAST), first published in French over the years 1913-1927 (Proust himself died of pneumonia in 1922). Largely due to this epic, Proust is considered to be a pioneer of the modern novel, with his use of free-flowing memory in the central role; certainly James Joyce and Virginia Woolf owed much to him.~The seven titles were first published in the English language in London, as follows:~SWANN&#39;S WAY, two volumes, Chatto & Windus 1922~WITHIN A BUDDING GROVE, two volumes, Chatto & Windus 1924~THE GUERMANTES WAY, two volumes, Chatto & Windus 1925~CITIES OF THE PLAIN, two volumes, Alfred A. Knopf 1929~THE CAPTIVE, one volume, Alfred A. Knopf 1929~THE SWEET CHEAT GONE, one volume, Alfred A. Knopf 1930~TIME REGAINED, one volume, Chatto & Windus 1931~Although there were seven titles published in eleven volumes, Proust considered the work to consist of eight "Parts" (the first volume of THE GUERMANTES WAY forms Part III, its second volume plus the first volume of CITIES OF THE PLAIN forms Part IV, and its second volume forms Part V); thus TIME REGAINED is identified on its half-title as "Part Eight."~This copy of TIME REGAINED, bound in a drab unprinted wrapper, does not bear the name or logo of Chatto & Windus on its title page; instead it bears the name of Alfred A. Knopf, with his borzoi logo. There are a couple of other differences, as well. On the half-title, there is a short two-line quotation in English, but not the additional multi-line quotation in French that appears in a standard Chatto & Windus copy. On the verso of the title page, this copy has the same language at the top indicating that this is one of 1300 (1250 numbered) copies, but this copy is blank after "This is copy number". At the bottom of this page it reads "Printed in the British Isles | for Alfred A. Knopf Limited | By the Star and | Gazette Co. Limited | Guernsey, C.I."; in the Chatto & Windus published form, the line referring to Knopf is omitted.~A bit of Knopf history is required... Alfred A. Knopf founded his publishing house in New York in 1915, and by the mid-1920s it was doing so well that he opened a London office in 1926. From the list of Proust books above, it is apparent that Knopf managed to swing the publication of REMEMBRANCE OF THINGS PAST away from Chatto & Windus, with the result that the next three titles, published in 1929 and 1930, were by Knopf of London. However, perhaps he was paying too much for such successes -- for financial problems plagued Knopf&#39;s London operation from the beginning. These problems finally forced its liquidation, which began in 1931 with the remaindering of stock on hand and the sale of author contracts to other publishers. Obviously, all of this happened right in the middle of the publication of Proust&#39;s final volume, TIME REGAINED. Knopf began the process of publication with a few advance reading copies such as this, bound in wrappers, but then sold the rights to Chatto & Windus before the book was actually published.~How many such copies survive is unknown; it certainly is scarce in this state, especially as it is still in its original drab wrapper. Condition is near-fine (a couple of faint creases in the front wrapper, a few tiny edge chips).

      [Bookseller: Sumner & Stillman]
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        Cris du monde (Der Welten Schrei). Po&#143;me de Ren&#142; Bizet. Deutsche Uebertragung von Gian Bundi.

      Paris, Maurice Senart 1931. - 4¡. 122 S. Rote Orig.-Brosch. (l&#138;dierter R&#159;cken mit Klebeband verst&#138;rkt). Exemplar Nr. 006. - E.M.S.8275. - Mit handschr. Signaturen von Arthur Honegger und Ren&#142; Bizet. - A. Honegger gilt neben Darius Milhaud und Francis Poulenc, als bedeutendster Vertreter der Groupe des Six. - Er beschreibt in vorliegendem Werk die Welt der Arbeiter mit skandierten Sprechch&#154;ren, l&#138;sst die Rhythmen mechanisch ineinander greifen oder zitiert effektvoll aus den damaligen ÇMusic-HallsÈ Ð das ist moderne Musik f&#159;r ÇKennerÈ und f&#159;r ÇLiebhaberÈ. Oder mit den Worten Honeggers: f&#159;r die ÇfouleÈ und die ÇtechniciensÈ. - Vortitel mit Klebespur, Innengelenk angebrochen, Titelblatt mit weisser Deckstiftspur am Oberrand, R&#138;nder etwas gebr&#138;unt. Lang de

      [Bookseller: Buch + Kunst + hommagerie Sabine Koitka]
 26.   Check availability:     AbeBooks     Link/Print  


        The Waves

      London: The Hogarth Press, 1931., 1931. First Edition. 8vo., pps. 325. Publisher&#39;s sharp purple cloth, gilt titles to very slightly darkened spine lightly rubbed to head; in its original dust wrapper with spine darkened, extremities rubbed with a couple of minor chips to upper hinge, one with old small tape repair. A most striking, tight copy in a beautiful example of an extremely fragile wrapper. The Waves is Woolf&#39;s most experimental novel, consisting of soliloquies spoken by the book&#39;s six characters; Bernard, Susan, Rhoda, Neville, Jinny, and Louis, and charts their journey from childhood to adulthood.

      [Bookseller: Adrian Harrington Rare Books]
 27.   Check availability:     Biblio     Link/Print  


        Pomes Penyeach

      Cleveland: Privately printed, 1931. 1st edition thus. Hardcover. Original brown cloth, gilt. Fine. Slocum and Calhoon 26. First [?] American edition, limited to 100 numbered copies on Georgian Book paper, of which this is No. 13. Tight, sound text block has no writing, no highlighting, no marginalia, no bookplates, etc.; no remainder marks, NOT ex-library; NOT BC ed. Extremely scarce. The actual date of publication is not known. Although the printer stated that it appeared in April, Slocum and Cahoon assert that September is the probable date and that Sylvia Beach&#39;s Princeton edition published May 2 precedes this one. Since Beach&#39;s edition was conceived as a response to this piracy, the bibliographers&#39; chronology would seem to be dubious.

      [Bookseller: Dewydell Books and Prints]
 28.   Check availability:     Biblio     Link/Print  


        Sun Up

      United States: Charles Scribners & Sons, 1931. 1st Edition 1st Printing. Hardcover. Very Good. 8vo - over 7¾ - 9¾" tall. Signed by the Author. Clean text. Gently read. Heavy toning to the edges of the text block. Mild wear to the extremities. James&#39; cover art still vibrant. Green boards & black spine, gold spine lettering. Very rare signed 1st / 1st with all points of issue present. Protected inside custom made archival mylar sleeve.

      [Bookseller: Southern Books]
 29.   Check availability:     Biblio     Link/Print  


        " I KNEW HER BY HER ROMAN SYMBOLS" [caption title]

      [Np: The Artist, ca. 1931].. Original ink brush drawing, 36 x 28cm (14.2 x 11 inches) on cream wove paper. Mounted at top corners to larger sheet, and matted and framed under plexi. With the Shahn estate label on the verso of the frame. A fine exploration of the theme of Levana, the Roman Goddess, a recurrent preoccupation of Shahn&#39;s, with his manuscript caption title as above, and signed by him in the lower right corner. Shahn utilized this drawing as the cover image for the 1931 portfolio, LEVANA AND OUR LADY OF SORROWS, and returned again late in life to the same subject, in a somewhat variant form, for the 1966 lithograph published by Gemini G.E.L.

      [Bookseller: William Reese Company - Literature ABAA-]
 30.   Check availability:     Biblio     Link/Print  


        Three Plays

      London: by Leonard & Virginia Woolf at The Hogarth Press,, 1931. Suella - Fand, The Pearl-Tree. Small octavo. Original marbled paper over boards, paper title label to front board. Corners nicked, spine very slightly faded, slight mottling to title label, light spotting to edges. Still an excellent copy. First edition, first impression, one of 500 copies. Inscribed by Trevelyan to his Bloomsbury group friend Irene Cooper Willis on the first blank, "Irene, from Bob, 2 June 1931". Willis was a close friend of Trevelyan and received inscribed copies of most of the poet&#39;s books. As well as being an author in her own right, she was notably the literary executrix of Thomas Hardy, and also the friend and executrix of Vernon Lee [pseud. of the Florence-based aesthete author Violet Paget: 1856-1935]. Willis had connections to the whole Trevelyan clan: R. C. Trevelyan&#39;s younger brother the historian George Macaulay Trevelyan was involved in the founding of the British Institute of Florence, to which Willis bequeathed Vernon Lee&#39;s substantial library; and Willis also sat with Trevelyan&#39;s older brother Charles Philips Trevelyan on the executive committee of the Union of Democratic Control (the left-wing political group dissenting against British policy during the First World War), of which R. C. Trevelyan was also a member.

      [Bookseller: Peter Harrington]
 31.   Check availability:     Biblio     Link/Print  


        Eyes on Russia

      NY: Simon and Schuster, 1931. Front hinge cracked (but not loose), boards a little soiled; a very good copy in the scarce dust wrapper, faded at the spine and edges, with a few small edge tears and nicks.. First Edition. Quarto. Margaret Bourke-White&#39;s first book. A fine association copy, INSCRIBED by Bourke-White to film director Felix Feist: "For Felix Feist / who has given me an idea. / Sincerely, / Margaret Bourke-White.

      [Bookseller: Harper's Books, Inc.]
 32.   Check availability:     Biblio     Link/Print  


        Hill and Paul Landacre Signature

      Los Angeles: Bruce McCallister, 1931. Custom framed in Ivory Rag board and 1 inch Black Satin Lacquer moulding with conservation glass. Sized to 17.25 x 19.25 inches. First printing Fine Fine condition. Image: 8 x 6 inches, sheet size: 9.5 x 12.5 inches. Printed by Harold Young from the original block on wove paper with a NAVARRE 1547 watermark, this wood-engraving is from a collection of unbound portfolio plates engraved by Paul Landacre which became the basis for his most coveted work: California Hills and Other Wood Engravings; McCallister, Los Angeles 1931. Strictly limited to an edition of 500, the bound volumes are quite scarce, and carry a dark admonition from St. Nicholas of Arrinstine, in Latin of course, for those intent on destroying the volumes for the images. This wood-engraving was never bound, and thus perfect to be treasured for the beauty of its composition. & Without question one of the finest wood-engravers of the 20th century, Paul Hambleton Landacre (American 1893-1963) inspired a future generation of engravers with his confident and rhythmic patterning of contrasting lines of varying thickness, carved from wood. Through his talent and commitment to perfection he held a firm place in the brotherhood of such artist/luminaries as Rockwell Kent, Lynd Ward, and Fritz Eichenberg. The engravings by Landacre undoubtedly set the standard by which all wood-engraving is judged.& It takes true genius to coax the vision of illumination, thus light from darkness, from a simple piece of end grain boxwood, and through his refined technique, Landacre&#39;s carvings truly become the American Landscape: the vastness, majesty or serenity of the fields, shores, mountains and dunes of the early 20th century California landscape, the furry of a prairie grass fire as only previously described by Willa Cather, or the elegance of a woodland nymph amid the dappled sunlight of eucalyptus trees. & By the late 19th century, wood-engraving had all but degenerated into a means of didactic mass illustration, often created by a craftsman, void of the artist&#39;s inherent vision. In essence, thorough his commitment to the process and integrity of the wood-engraved technique, Landacre returned the responsibility, and joy, of vision, emotion and thus execution to the artist-engraver. In his article on the technique of engraving wood, Landacre states:& "Even a dull sketch may become fascinating by virtue of the change into crisp white lines against the black and challenging nature of the medium. All sins are forgiven as you enter a new field with your design and even the fact that the lines are created by pushing the tool from you instead of pulling toward you, as in other forms of graphic expression, adds zest to the process". Watson, Ernest W. The Relief Print: Woodcut, Wood Engraving & Linoleum Cut. New York: Watson- Guptill Publications, 1945 & & Lowry-James Rare Prints & Books, ABAA, ILAB& Rare Prints & Books from The Age of Discovery: 16th-19th Centuries& Post Office Box 376 Clinton, WA 98236 USA& Shop location: 101 Anthes. Langley, WA on Whidbey Island& rarebooks@lowryjames.com& www.lowryjames.com& (360) 221-0477

      [Bookseller: Lowry-James Rare Prints & Books, ABAA]
 33.   Check availability:     Biblio     Link/Print  


        MOURNING BECOMES ELECTRA (Signed By Entire Original Theater Cast)

      New York: Horace Liveright, 1931. O&#39;Neill, Eugene. MOURNING BECOMES ELECTRA. NY: Horace Liveright, (1931). First Trade Edition. A Very Good copy (stain on back cover, lightly handled) in a Very Good original dust jacket (price-intact, small chips at base of spine, good eye appeal) SIGNED BY EVERY MEMBER OF THE ORIGINAL THEATER CAST (New York&#39;s Guild Theatre, 150 performances, 1931-1932) on the half-title. Superb association copy of one of O&#39;Neill&#39;s most ambitious masterpieces.. Signed. First Trade Edition. Very Good/Very Good.

      [Bookseller: Lakin & Marley Rare Books ]
 34.   Check availability:     Biblio     Link/Print  


        SISSINGHURST

      1931. Acceptable. SACKVILLE-WEST, Vita. SISSINGHURST. London: Hogarth Press, 1931. First edition: Number 118 of 500 copies, signed by Sackeville-West. Printed by hand by Leonard & Virginia Woolf. A work celebrating the gardens of Sissinghurst Castle, Kent. 10 pp. Bound in original beige boards with aquamarine endpapers. Boards are quite worn at spine. Non-authorial inscription of first fly-leaf. An acceptable copy of an uncommon book. (Woolmer 271).

      [Bookseller: Boston Book Company]
 35.   Check availability:     Biblio     Link/Print  


        ANIMAL VEGETABLE OR MINERAL

      Humphrey Milford. Oxford University Press. London.,1931. FIRST EDITION. Large 8vo. (11.2 x 8.7 inches). Forty four striking illustrations by Claude Flight, some full page. Previous owners presentation inscription, dated 1946, on front blank paste down endpaper. Overall a very good copy in the publishers paper covered boards with illustrations by Flight to the front panel. Black cloth spine. Corners and edges bumped and a bit rubed but still a very good copy of this rare title. :

      [Bookseller: Paul Foster Books]
 36.   Check availability:     Biblio     Link/Print  


        Les 120 journées de Sodome, ou l&#146;ecole du libertinage, par le Marquis De Sade. Édition critique, établie sur le manuscript original autographe par Maurice Heine

      Paris: Par S. & C., aux dépens des Bibliophiles souscripteurs, 1931-1935. Paper wraps. 4to. 3 volumes. Limited edition, numbered 285 of 396 (1 of 300 &#147;sur papier vélin de Rives à la forme & filigrané spécialement, numérotés de 61 à 360&#148;). This set is being sold with an additional copy of volume III (numbered 236 of 360) which is bound with the limited edition suite of 16 very explicit lithograph plates attributed to André Collet (numbered 59 of 175 and is 1 of 150 sur Vélin teinté). The plates were originally issued separately and are accompanied by a separate title page and justification du tirage. Together 4 volumes. Volume I. pp. xvi, 218, including a photo frontispiece depicting the original manuscript. Volume II. pp. [4], 219-401, [1]. Volume III. pp. [4], 403-496, [4]. Bound in publisher&#146;s paper wraps showing some rubbing and wear. Volumes I and II have the tattered remnants of glassine coverings. Titles are printed in red and black. Edges are untrimmed. Interior pages are clean. The additional copy of volume III is bound in half red morocco with marbled boards and end papers; miniscule chipping is present to the upper corner of the head cap; the bottom edge of the text block is marked with a faint personal ownership stamp. The text leaves to this volume contain occasional spots of mild marginal foxing. The plates, however, are clean. The Marquis De Sade&#146;s &#147;120 Journées de Sodome&#148; was originally written in 1785. The novel contains graphic descriptions of sexual sadism and torture. The work remained in manuscript until 1904 when an inaccurate and incomplete edition was published. The three volume edition of 1931-35, edited by Maurice Heine, is the first definitive edition of the novel. [Pia, 180-181; Nordmann &#150; Bibliotheque erotique catalogue II, 484 &#150; but describing &#147;tirage a 396 exemplaires, un des vingt sur velin de Rives, destines aux seuls donataires&#148;].

      [Bookseller: Robert McDowell Antiquarian Books]
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        Papers Relating to the Foreign Relations of the United States - Japan: 1931-1941. Complete in Two (2) Volumes 78th Congress, 1st Session - House Document No. 339

      Washington, D.C.: United States Government Printing Office. Hardcover. Volume I contains 947 pages and fold-out map. Volume II consists of 816 pages. "The documents published in these volumes were selected with a view to presenting a comprehensive record of the diplomatic relations between the United States and Japan in regard to matters related to the causes of conflict between the two countries from the beginning of the Japanese occupation of Manchuria on September 18, 1931, to the Japanese surprise attack on Pearl Harbor on December 7, 1941, and the declaration of war by the United States on December 8, 1941. Each volume bears gift greetings upon front free endpaper and prior owner&#39;s blind stamp upon title page. Bindings intact. Handsome gilt lettering and decoration upon each backstrip. Fore-edges of each board bear moisture stains. The front board of Volume II is 50% affected by this staining. Modest ink(?) stain to fore-edge of volume I. A sound copy of this fascinating set. . Fair. 1943. First Edition.

      [Bookseller: RareNonFiction.com]
 38.   Check availability:     Biblio     Link/Print  


        Eyes on Russia

      New York: Simon and Schuster, 1931. 135 pages; illustrated in black and white with the brilliant photographic work of Bourke-White; the photographer signed and inscribed the book on the front endpaper to "Corliss Lamont...With my sincere regards Margaret Bourke-White"; Margaret Bourke-White (1904-1971) American commercial photographer and photojournalist (this was her first book) & Corliss Lamont (1902-1995) American humanist, philosopher, civil rights activist; an association copy between one of the most famous humanists and one of the most important photographic artists of the twentieth century, both of whom had long-standing relationships with the then-Soviet Union and awareness of political and social controversy; some wear and darkening to volume cloth; in very good condition.. Signed by Author. First Edition. Hard Cover. Very Good. Illus. by Margaret Bourke-White.

      [Bookseller: Certain Books, ABAA]
 39.   Check availability:     Biblio     Link/Print  


        NACHI TROPIKI [OUR TRIPICS]

      1931. Paperback. 1. RUSSIAN. (BROUNI) NACHI TROPIKI [OUR TROPICS]. Molodaiya guarda, 1931. 8vo (5 3/4 x 7 1/2"), pictorial wraps, VG-Fine. The text presents life and natural resources in the North Sea and the Caspian. It explains how the nomadic Kurds were replaced (driven out) by the Bolshvics who quickly transformed the natural resources into the best in the world. Featuring striking stylized color illustrations by Brouni ending with a May Day parade. See Leveque p.20.

      [Bookseller: Aleph-Bet Books, Inc.]
 40.   Check availability:     Biblio     Link/Print  


        Memoirs of an Infantry Officer. With Illustrations by Barnett Freedman

      Faber & Faber. London. 1931 This edition, printed on English hand-made paper is limited to three hundred and twenty numbered copies, each copy being SIGNED by the author and by the artist and of this number three hundred copies are for sale. This is number 236. First edition, thus. DW. As stated SIGNED by both Sassoon and Freedman. 15 full page coloured plates with guards, numerous decorations and illustrations in b/w. Coloured illustrations to endpapers (with different set of illustrations to rear and front endpapers). Top edge gilt. Illustrated boards. Illustrated wrapper. The illustration of the boards is repeated on the slip-case, that of the wrapper is different, all are coloured. The book is near fine in near fine wrapper. The slip-case is worn along extremities and has a 2 inch split along both joints at bottom. A most beautiful production.

      [Bookseller: Addyman Books]
 41.   Check availability:     Biblio     Link/Print  


        Marthe. Vingt-neuf eaux-fortes originales de Auguste Brouet

      Paris: Editions d&#39;art Devambez, 1931. Livre. Illus. by Auguste Brouet. Très bon. En Feuilles. Grand In-4. Paris, Editions d&#39;art Devambez, 1931. 33,5 x 25,5 cm, grand in-4, II - 125 (2) pp. - 9 planches hors texte dont le frontispice et 20 compositions dans le texte, en feuilles sous couverture crème rempliée et imprimée, chemise et étui de l&#39;éditeur. Premier tirage des 29 eaux-fortes d&#39;Auguste Brouet. Tirage à 221 exemplaires. Celui-ci l&#39;un des 160 sur vélin d&#39;Arches (n° 149). Etiquette ex-libris H. J. Hintze. Très bel exemplaire (emboitage légèrement défraichi). (MONOD, 6225 ; CARTERET, IV, 212 : "belle publication cotée").

      [Bookseller: Des livres autour (Julien Mannoni)]
 42.   Check availability:     Biblio     Link/Print  


        DESCRIPTIVE CATALOGUE OF JAPANESE AND CHINESE ILLUSTRATED BOOKS IN THE

      1931. Paperback. Very Good. [RYERSON COLLECTION]. DESCRIPTIVE CATALOGUE OF JAPANESE AND CHINESE ILLUSTRATED BOOKS IN THE RYERSON LIBRARY OF THE ART INSTITUTE OF CHICAGO. By Kenji Toda. Chicago: 1931. 4to., blue wrappers; xxxii + 466pp. With the addenda and supplementary index of titles laid in. This copy is in very good condition, and is the nicest we have seen in many years.

      [Bookseller: Boston Book Company]
 43.   Check availability:     Biblio     Link/Print  


        MARIO AND THE MAGICIAN

      1931: ALFRED KNOPF First US Edition. pp [81], text clean and tight. Hardcover, brown and green plaid design. NO DJ, if issued. Couple of spots on the front cover (looks like someone placed a cup on top of the book), lower corners are bumped, spine in intact with a small scratch and the label title on spine is toned. Dyed top edge, untrimmed fore edge. SIGNED by the author on the second blanc page and dated 4-V-32. (May 04, 1932). Most of Thomas Mann&#39;s books were signed as limited edition while this is the first American edition and much hard to be found. In very good conditions.. Signed by Author. FIRST AMERICAN EDITION. Very Good. 12mo - over 6¾" - 7¾" tall.

      [Bookseller: erlich, kramer & associates Antiquarians]
 44.   Check availability:     Biblio     Link/Print  


        CESKOSLOVENSKA FOTOGRAFIE. Complete in 12 volumes

      Prague, Skarda, 1931-1949. Prague, 1931-1940, 1946 and 1949, first editions of the complete set in 12 volumes; 10.75 x 8.5 inches, over 800 full page photo-engraved plates; short texts, all volumes in Czech, some with English, German and French. Photographers include: Josef Sudek, Jaroslav Krupka, Jindrich Styrsky, Frantisek Drtikol, Alois Zych, Karel Plicka, Jaroslav Seifert, R. Sima, K. Muller, J. Tutsch, and many others. All 12 volumes are uniformly bound in the original publisher&#39;s cloth. Covers with avant-garde designs by Karel Teige. Overall, this set is in excellent condition.

      [Bookseller: L'Estampe Originale]
 45.   Check availability:     Biblio     Link/Print  


        The Savoy Cocktail Book. Being in the main a complete compendium of the Cocktails, Rickeys, Daisies, Slings, Shrubs, Smashes, Fizzes, Juleps, Cobblers, Fixes and other Drinks... compiled by... of the Savoy Hotel, London.

      London: Constable & Company, 1931.. Third reprint, 8vo, (iv), 286, (2) pp. Coloured illustrations throughout, including several maps of wine regions as well as humorous cartoons relating to individual drinks, pictorial endpapers, two contemporary cocktail recipes in pencil to the fly leaf verso. Original cloth backed boards, decorated in silver, green and black, some light rubbing but with none of the usual deterioration of the metallic finish, a very good bright copy.

      [Bookseller: Bow Windows Bookshop, ABA, ILAB]
 46.   Check availability:     UKBookworld     Link/Print  


        The Little Shepherd of Kingdom Come

      New York. Charles Scribners Sons. 1931. Bound in 1/2 gilt ruled Vellum and cloth covered boards. Gilt titles. 4to. 8.25" x 11.0". This Edition Limited to 512 numbered copies of which this is #102. Signed boldly in ink by N.C. Wyeth to the Colophon. Illustrated with Tipped-in colour plates by N.C. Wyeth. Usual extremely mild soiling to Vellum. Some pages yet uncut. A Very Fine copy.

      [Bookseller: Heldfond Book Gallery, ABAA-ILAB]
 47.   Check availability:     Biblio     Link/Print  


        Eisen und Stahl 97 Fotos von Albert Renger-Patzsch

      Berlin: Hermann Reckendorf, 1931. First edition. Hardcover. Text in German. One of the seminal books of black and white images of industry. An about very good plus copy with the usual oxidation and rubbing to the silver paper covered boards and with minor wear to the corners and edges. Internally a clean copy with a very small vintage bookstore sticker to the top corner of the front pastedown. Lacking the very scarce jacket. (Parr & Badger v1, 125

      [Bookseller: Jeff Hirsch Books, ABAA]
 48.   Check availability:     Biblio     Link/Print  

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