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Displayed below are some selected recent viaLibri matches for books published in 1930

        The Sheperd of Guadaloupe

      New York: Harper & Brothers Publishers, 1930 First Printing of the stated First Edition, with "C-E" listed on the copyright page. light blue cloth with yellow titles on the spine and front board, pictorial endpapers, 335pp., in the original dust jacket with price of $2.00 listed on inside front flap. Scattered small stains to top edge, else book externally and internally in fine condition; and in a fine, bright dust jacket with light edge wear, complete with rare publisher's wrap-around band commemorating the twentieth anniversary of Zane Grey's association with Harper & Brothers.

      [Bookseller: Idler Fine Books]
 1.   Check availability:     Biblio     Link/Print  

        Cheval en chambre.

      s. e. 1930 S.l., s.e., s.d. (vers 1930); 140 / 143 mm, Une feuille encadrée. Exemplaire N° 1 sur papier vergé ancien. Bon état.

      [Bookseller: Librairie Alphabets]
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        The Lost Tribes - A Myth: Suggestions Towards Rewriting Hebrew History

      Duke University Press, 1930, Hardcover, Book Condition: Fair, First Edition. Size: 8vo - over 7¾" - 9¾" tall, 802 pages plus 42 pages of black and white plates, primarily photographic, at back. Extensive bibliography and index of scripture passages. Topical index. All three foldout maps present. Errata slip inserted at Table of Contents. "The notion of identifiable 'lost tribes' involves certain presuppositions concerning Hebrew history, and masses of supposed local evidence in many parts of the world. These presuppositions and the assumed evidence require a candid and searching anthropological historical examination. This book has no other purpose or method. But the examination brings to light a great body of the real facts of Hebrew history." - from Preface. Gilt lettering upon backstrip. Embossed decoration upon front board. Fore- and bottom edges untrimmed. Some pages uncut. Narrow opening in binding at second blank leaf from back. Substantial greyish mottling to black cloth-covered boards. A worthy reference copy of this detailed study.

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        Die Weiberherrschaft in der Geschichte der Menschheit - 4 Bände.

      Wien, Verlag für Kulturforschung, 1930. Erstauflage, EA 711, 319, 303 S. 4°, Leinen zahllose Illustrationen, KAnten etwas berieben, Band 3 und Band 4 Buchrücken angeplatzt, sonst alle vier Bände guter Zustand Versandkostenfreie Lieferung

      [Bookseller: Antiquariat Buchseite]
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        Moby Dick

      Random House 1930 - First edition thus. Signed by Rockwell Kent on the title page. Very Good, lacking the dust jacket. Heavy rubbing to silver stamping. Rubbing to cloth at corners and spine ends. Foxing and faint tidemarks to top edge of page block; scuff to side edge. Previous owner name to front paste down; bookseller ticket removal evidence to rear paste down. A nice example of Melville's classic novel, signed by the illustrator, Rockwell Kent. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Burnside Rare Books]
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      Paris: Éditions de la Nouvelle Revue Française, 1930. Parry, Roger. Small folio, 80 pp. of poems and prose by Fargue, 16 photogravures. Faint stain to the blank margin of the upper leading corner of the last seven leaves, with slight tape stain in the top and bottom leading corners of the first and last blank leave, likely cause by an early protective over wrapper. Otherwise, a very good copy. Roger Parry (1905-1977) was inspired to illustrate, a surrealist work by André Breton's NADJA. He selected Fargue's book BANALITÉS (1922) for this project. Julien Levy, the American dealer (specializing in surrealism), became acquainted with Parry's photography through his appearance in PHOTOGRAPHIE and this work. Though the title page states that the illustrations are by Loris and Parry, in PHOTOGRAPHS FROM THE JULIEN LEVY COLLECTION, David Travis (Art Institute of Chicago, 1976, p. 86) states, "it is assumed that these photographs are by Roger Parry, since Levy acquired them from him." Of the total edition, 332 copies were printed on Hollande Pannekoek, and 35 copies on Japon Imperial. This is one of 332 copies. One of the major photographic works in the surrealist canon.

      [Bookseller: Andrew Cahan: Bookseller, Ltd]
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      Éditions de la Nouvelle Revue Française, Paris 1930 - Small folio, 80 pp. of poems and prose by Fargue, 16 photogravures. Faint stain to the blank margin of the upper leading corner of the last seven leaves, with slight tape stain in the top and bottom leading corners of the first and last blank leave, likely cause by an early protective over wrapper. Otherwise, a very good copy. Roger Parry (1905-1977) was inspired to illustrate, a surrealist work by André Breton's NADJA. He selected Fargue's book BANALITÉS (1922) for this project. Julien Levy, the American dealer (specializing in surrealism), became acquainted with Parry's photography through his appearance in PHOTOGRAPHIE and this work. Though the title page states that the illustrations are by Loris and Parry, in PHOTOGRAPHS FROM THE JULIEN LEVY COLLECTION, David Travis (Art Institute of Chicago, 1976, p. 86) states, "it is assumed that these photographs are by Roger Parry, since Levy acquired them from him." Of the total edition, 332 copies were printed on Hollande Pannekoek, and 35 copies on Japon Imperial. This is one of 332 copies. One of the major photographic works in the surrealist canon.

      [Bookseller: Andrew Cahan: Bookseller, Ltd., ABAA]
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        In Our Time

      New York: Charles Scribner's, 1930. First Edition. Hardcover. Near fine/very good +. Unclipped DJ in Mylar. Head of spine missing 1/8" with 3/8' x 1/4" chip which obscures lower right of R and most of E. in title. Tail 7/8" x 1/4" chip. 1/4" x 1/4" chip from head of back panel. 4 small chips to head of front panel. Corners worn. Text block tight and unmarked.

      [Bookseller: Liberty Book Store IOBA FABA]
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        Pablo Picasso

      Editions Des Chroniques du Jour/E. Weyhe, Paris and New York 1930 - A handsome copy of the 1st English language edition of this early, uncommon monograph on Picasso. Translated from its original Spanish by Warre B. Wells. Clean and Near Fine in its pictorial wrappers. And in a well-preserved, Near Fine example of the fragile glassine dustjacket. Quarto, #769 of 1,200 copies issued. Also includes the publisher's pictorial cloth chemise (which has protected the book very well over the years) and its original ribbon-ties. [Attributes: Hard Cover]

      [Bookseller: APPLEDORE BOOKS, ABAA]
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        Reisebeschreibungen von deutschen Beamten und Kriegsleuten im Dienst der Niederländischen West- und Ost- Indischen [Westindischen / Ostindischen] Kompagnien 1602 - 1797. 1. - 13. Band (komplett): I.): 1. Johann Gregor Aldenburgk. Reise nach Brasilien, 1623-1626. 2. Ambrosius Richshoffer. Reise nach Brasilien, 1629-1632. 3. Michael Hemmersam. Reise nach Guinea und Brasilien, 1639-1645. II): Johan Verken. Molukken-Reise. III): Johann Jacob Merklein. Reise nach Java, Vorder- und Hinter-Indien, China und Japan 1644-1653. IV): Johann von der Behr. Reise nach Java, Vorder-Indien, Persien und Ceylon 1641-1650. V): Albrecht Herport. Reise nach Java, Formosa, Vorder-Indien und Ceylon 1659-1668. VI): Johann Jacob Saar. Reise nach Java, Banda, Ceylon

      Haag, Martinus Nijhoff, - 1932. 1930 - Gr.-8°. Dreizehn uniforme Originalhalbleinenbände mit hübsch illustrierten Vorderdeckeln. Einige Ecken etwas bestoßen, Hinterdeckel teils wenig angestaubt. Die Reiseberichte einzeln paginiert, je Band ca. 150 - 300 Seiten mit teils gefalteten Abbildungen, Karten und Porträts der Reisenden. Einige Vorsätze gedunkelt, sonst angenehm sauber und fest in der Bindung. Guter Zustand. -- 13 vols., (fold.) (facs.) plates, orig. unif. clothbacked pict. boards. Htitles occas. foxed. Spines yellowed. Fine set. GeoUeb

      [Bookseller: Antiquariat und Buchhandlung Carl Wegner]
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        Collezione di ex-libris, partecipazioni, imprese, allegorie, marche, ecc. Serie I. L'ex-libris italiano. 100 exlibris di 38 artisti contemporanei. Serie II. L'ex-libris italiano moderno. 100 disegni di 35 artisti. Serie III. Partecipazioni di nozze, di nascita, di augurio ecc. seguite da imprese, allegorie, marche ecc. 120 disegni di 50 artisti contemporanei. Serie IV. 100 ex-libris di 42 artisti italiani. Serie V ed ultima. 130 ex-libris italiani moderni allegorie, ecc.

      Bologna, Cesare Ratta Tipografo-Editore, (1930), cinque volumi in-8vo brossure originali (ottimo stato di conservazione, piccola mancanza al dorso del volume della serie V) con copertine illustrata a colori , pp. nn. (200 circa cadauno) completamente illustrati con riproduzioni di exlibris (anche originali ed applicati su cartoncino) di artisti italiani: Angelini, Baldinelli, Ballatore, Barocelli, Bartolini, Baruffi, Battaglini, Bellincampi, Boccolari, Boccolari , Bordoni-Talli, Bosco, Bottigelli, Bramanti, Bramanti, Branca, Bruno da Osimo, Bucci, Bucci, Busani, Buscaroli, Buzzacchi, Canavari, Capucci, Carandini, Carbonati, Carmignani, Casanova, Cascella, Casotti, Castellani, Ceragioli, Cermignani, Ciccarone, Cirio, Cisari, Colucci, Cotti, Cusi, D'Aloisio, D'Anna, Dal Pozzo, Davini, De Caro, De Carolis, De Maria-Poppi, Dessy-Stanis, Di Carlo, Di Giorgio, Disertori, Fegarotti, Fontana, Fumagalli, Gagliardo, Galeotti, Galletti, Gamba, Gavaruzzi, Giovanelli, Giuliani. , Gondoni, Gregorietti, Guarnieri, Guberti, Haas-Triverio, Jobbi, Levi-Minzi, Lora, Lora, Mantero, Marcon, Marfori-Savini, Martini, Martuzzi, Marussig, Maura Salas, Mazzanti, Minguzzi, Monteverde, Monti, Morbiducci, Moroni, Mottini, Muratori, Musa, Nadalini, Nasi, Nicco, Nicco, Ortona, Parini, Parmeggiani, Paschetto, Pasquini, Patocchi, Pavone-Grotta, Peruzzi, Pettinelli, Pianigiani, Piombanti, Porcheddu, Puccio-Prefumo, Quilici-Buzzacchi, Ravaioli, Retrosi, Ricci, Riccio, Rissi, Rondini, Rossetti, Santi, Sartini, Sartorio, Sartorio, Sergi, Servolini, Stella-Balsamo, Tacconet, Tesei, Tinol, Tofani, Torelli, Villani, Vitalini, Wild, Zanverdiani, Zimelli. Edizione numerata di soli 300 esemplari.

      [Bookseller: Libreria Piani gia' Naturalistica]
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        Album mit Modezeichnungen, Herbst/Winter 1929/30.

      O.O., 1930 - O.O., (1930). Quer-4°. 24 unn. Blatt Halbkarton mit je 2 montierten kolorierten Original-Zeichnungen, nummeriert 310-403 (347 fehlt), mit total 92 Zeichnungen. Kartondeckel mit gemustertem Stoffbezug, durch Kordel befestigt. Professionell gezeichnete Damenmode, alle Details wie Stoffmuster, Schmuck, Makeup und Frisuren präzise ausgeführt. Gezeigt werden Kostüme, elegante Kleider und Abendroben. - Einbandkanten etwas berieben, Papier manchmal leicht fleckig, Bl. 392 mit Leimspur oben; die Farben generell frisch und gut erhalten. Sprache: Deutsch / German Kartondeckel mit gemustertem Stoffbezug, durch Kordel befestigt.

      [Bookseller: EOS Buchantiquariat Benz AG]
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        A Collection of Yiddish Theater Posters from Pre-WWII Latvia.

      Latvia: 1920s-1930s - A Collection of 8 Yiddish Theater posters from the 1920s and 1930s. Yiddish Latvian poster of the Ebreju Tautas Teatrs (Jewish people Theater). Letter press in red and black on fine paper, mounted on canvas. 91 x 60.5 cm. Riga, Spiestuve vards, 1930 announcement of an event on Saturday, April 17, d. j.: Bene_ z of the character comedian Natan Reichenberg. Premiere! For the first time in Riga the large entertaining equipment operetta with completely new vocal pieces help! A bride. The comic role of "Kivele Feldsher" (Akiva, the medics) the Bene_ acquires ziant. -Printed in Latvian and Yiddish language, with photographic print. -Paper browned, minimal fold marks on the outer edge. -Rare poster.Yiddish Latvian poster of the Rigas teatris zidu minoritates (Riga Jewish minorities Theater). Letterpress in red and black on fine paper. 71 x 53.5 cm. Riga, SP. extra, 1925. announcement of the _ eaterstücks the Jewish robber on November 26. -Printed in the Latvian and Yiddish languages. -Paper slightly tanned, with vertical folding, kl. Defects, especially upper-right corner, on the outer edge with small tears. -Very rare poster.Yiddish Latvian poster of the Rigas teatris zidu minoritates (Riga Jewish minorities _ Theater). Letter press in red and black on fine paper. 71 x 50 cm. Riga, SP. extra, 1925. announcement of different theatrical works: A man, an unlucky guy. -The curly haired blonde -In life tri_ all (?). -The Jewish Bandit November 17-22. -Printed in the Latvian and Yiddish languages. -Paper minimally tanned, with vertical and horizontal folding, Small Defects, minimal _ square, on the outer edge with small tears. -Very rare poster.Yiddish Latvian poster of the Rigas teatris zidu minoritates (Riga Jewish minorities Theater). Letterpress in red and black on fine paper. 106 x 71 cm. Riga, SP. extra, 1933 announcement of solemn Erö_ regulation IX season on Saturday, Sept. 30, Sunday, 1 Oct 1933 8.30 evening. Performed by: Genia Schalit, Nina Talini, oSIP Runitsch, in the well-known piece of David Golder. In four acts by A. Nemirowskaja. -With 2 dates. -Printed in the Latvian and Yiddish languages. -Paper minimally tanned, partly with resounding mount tracks, with vertical and horizontal folds & light Abklatsch, small. Defects, somewhat spotted and knicked. -Very rare poster. Latvian Yiddish poster. Woodcut on fine, green paper. 66 x 51 cm. Daugavpils (Latvia), Pilsetas spiestuve litogra_ Yes, 1920s. The translated content of the poster: Sunday, August 15, 7: 00 the Dünaburger Trade Association invites in the Riga road 42, in the Novonowitsch-Hall to a meeting on the election of the municipal administration. Speaker are: Al Kopelowski, A. Bulavko, Sch. Heller, Salman Barak, N. Magid and others. "Dealer! Come numerous. Dealers and sellers. Bear in mind that your list is the list of 5, the Listedes of trade association."- printed in the Latvian and Yiddish languages. -Paper with vertical & horizontal folds and knicks-Rare poster.Latvian Yiddish poster. Woodcut in blue on fine paper. 93 x 62.5 cm. Daugavpils (Latvia), Pilset. spiestuvelitogra _ Yes, 1920s. Election poster: David challenge the dealer! 'Remember - no voice of the dealer for a different list than the list 5 vote for the list of dealers, no. 5' - 3 languages printed in Yiddish, Russian and Latvian. -Paper with vertical & horizontal folding, some with red marks. Knicks and small tears -Rare poster.Latvian Yiddish poster. Woodcut on fine, Orange paper. 49.5 x 31.5 cm. Daugavpils (Latvia), Pilsetas spiestuve litogra_ Yes, 1920s. The translated content of the poster: Agudat Israel, Daugavpils. Taking place on Monday, August 17, 8 o'clock in the evening. A folk Assembly in Klingmann Hall, Riga Street 42. The elections. Asked to show! -Printed in the Latvian and Yiddish languages. -Paper with horizontal folds, tears and stains-Rare poster.Images of all the posters are available

      [Bookseller: Wittenborn Art Books]
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        Moby Dick

      New York: Random House, 1930. First Edition Thus. Hardcover. Like New. Near Fine, lacking the dust jacket. Light rubbing to corners and spine ends; faint rubbing to silver stamping. Previous owner bookplate to front free end paper. Small and very faint tidemark to top edge of page block and barely perceptible on top edge of front cover. Pages lightly toned, and with light offsetting from images. A stunning example of Melville's classic, illustrated by Rockwell Kent.

      [Bookseller: Burnside Rare Books]
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        Photograph of Harvey Cushing ("The Sketch"), image size 9 1/2" x 7 1/2", ca. 1930, by Richard U. Light. SIGNED BY HARVEY CUSHING.

      1930. 1930 - Very Good. SIGNED BY HARVEY CUSHING. "Following the operation, Cushing would retreat to the dressing room to dictate the operative note, and to sketch the salient points of the operation, often in two or three drawings. Still robed in gown and gloves, he would have tea and toast before returning to the operating room to do the dressings on earlier patients" (Richard U. Light, "Cushing at the Brigham. A Photographic Essay," no. 8, in A Bibliography of the Writings of Harvey Cushing, 3rd ed.). [Attributes: Signed Copy]

      [Bookseller: Scientia Books, ABAA]
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        Hauff's Märchen. Separat-Ausgabe für meine Freundin Elsi Stigler.

      -,, o. O. [Wien], 1930 - o. O. [Wien], -, o. J. [um 1930]. 12°. o. Pag. [7 Bll.] Priv. Ld. mit Kordelbindung. Handschriftliches illustriertes Manuskript mit folgenden Erzählungen Der Kalif Storch, Zwerg Nase und der falsche Prinz. Mit fünf ganzseitigen kolorierten Tuschzeichnungen. - Mit priv. Notiz a. letzter Seite (Bleistift), etw. berieben, leichte Gbrsp. - Entzückende Illustrationen im Stile der Wiener Werkstätte: Erwin Tintner. Deutsch

      [Bookseller: Antiquariat Weinek]
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        The Maltese Falcon

      New York: Alfred A. Knopf, 1930. First Edition. Hardcover. Very Good. First edition, first printing. Very Good, lacking dust jacket. Cloth lightly soiled, toned at spine. Lean to binding. Vintage bookseller ticket to rear paste down. Unmarked pages, with sporadic foxing. A very sharp copy.

      [Bookseller: Burnside Rare Books]
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        Porträt Thomas Mann. Radierung.

      1930 - Signiert "MOPP." und nummeriert "12/75". Auf Simili-Japan mit Wz. "Strathinoré Japan USA". Der österreichische Maler und Graphiker Max Oppenheimer studierte von 1900 bis 1906 an der Kunstakademie in Wien und Prag. In Wien gehörte der anfangs von van Gogh beeinflusste Oppenheimer zunächst zum Kreis des „Wiener Expressionismus". Von 1911 bis 1915 war Oppenheimer in Berlin tätig, nahm kubistische Elemente in seine Malerei auf und arbeitete an der Zeitschrift "Die Aktion" mit.1931 kehrte er nach Wien zurück, von wo er 1938 in die USA emigrierte. Oppenheimer schuf zahlreiche Porträts von Schriftstellern und Musikern. - Blasse Braunflecken. Im breiten Rand mit kleinem Einriß. Sprache: Deutsch Gewicht in Gramm: 2100 20,5 x 17,9 cm. Papier: 49,5 x 40,2 cm.

      [Bookseller: Kunstantiquariat Joachim Lührs]
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        William Shakespeare The Tragedie of Hamlet, Prince of Denmarke. Edited by J. Dover Wilson from the Text of the Second Quarto; with which are also printed the Hamlet stories from Saxo Grammati-cus and Belleforest and English translation there-from.


      [Bookseller: John Windle Antiquarian Bookseller]
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        Sommerlicher Blumenstrauß mit Levkojen. Ölgemälde auf Platte.

      - Üppiger Blumenstrauß mit Levkojen, Margeriten, Klatschmohn in blauem Keramiktopf. Öl auf Plattte, Bildmaß: 81 x 70 cm ( Höhe x Breite ). Rechts unten mit C. Claussmeyer signiert, undatiert ( ca. 1930 ), ungerahmt. And den Bildrändern gering beschädigt mit kleinen Farbabplatzungen. ( Bitte beachten: Hier aufgrund der Abmessungen kein Versand - hier nur Selbstabholung in meinem Ladengeschäft ) ( Pic erhältlich // webimage available )( Please notice: No shipment possible ) [Attributes: Signed Copy]

      [Bookseller: Antiquariat Friederichsen]
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        [Photography]: Cameroon

      [Circa 1930]. A collection of 30 original vintage black and white gelatin silver photographs of tribal life in Cameroon. Each image is 7" x 9.25" and is in fine condition. Housed in a black cloth clamshell case. Although the photographer is unidentified, each image is captioned in pencil on the verso in English. The photographs are of unusually high quality, beautifully composed and printed. A little less than a third are of the African countryside, but the majority are of village and native scenes and include Boroko drumming, Bamum religious dances, a Bamelike marketplace, horseback mounted Bororo Fulani tribesman, a portrait of Sultan Seidon of Fumban (posed between elephant tusks), as well as prosaic village scenes. Arresting and beautifully accomplished images. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Temple D'Angkor Vat, Le

      White Lotus, Paris 1930 - Temple D'Angkor Vat, Le [Attributes: Hard Cover]

      [Bookseller: SEATE BOOKS]
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        Prose d'Algérie. Suivie de La Nuit et de quelques poèmes. Avec quatre dessins de l'auteur. - Enrichi de deux dessins surréalistes érotiques originaux signés de Robert Caby.

      Paris, Imprimerie du Croissant, en dépôt à la librairie Joseé Corti, 4 février 1930 - 21,5 x 14 cm, 32 p., 4 dessins reproduits + 2 ff. dessins originaux 21,5 x 13,5 cm, encre, signé et daté 1928 & 22 x 13,5 cm, crayon, signé et daté 27 avril 1930. Broché, couv. illustrée. Edition originale, tirage unique à 1000 ex. sur vergé. L'exemplaire est enrichi de deux feuillets avec deux dessins surréalistes signés par l'auteur, l'un à l'encre (femme nue avec bas, face à la mer, 1928) et l'autre au crayon (étrange barbu en érection, 1930). [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: SOLSTICES RARE BOOKS]
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        It walks By Night

      Harper and Brothers, 90 Great Russell Street, London 1930. First UK Edition hardback in dustwrapper. VG in original publisher's blue cloth with lighter blue lettering to spine and front. 8vo, 328pp. Showing some overall minor wear and bumping a little dustiness to edges and cloth, otherwise clean and bright. In first issue 7/6 wrapper with some overall heavy wear rubbing, creasing, chipping, some loss to the right edge of front panel. and some discolouration. The dustwrapper is housed in a protective removable sleeve. Rare and almost unobtainable in dustwrapper. 9803

      [Bookseller: Holybourne Rare Books]
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        Iron Man

      New York: The Dial Press, , 1930. Octavo. Original blue cloth, titles gilt to spine. With the dust jacket. Spine lettering a little dull as always but an exceptionally nice copy in the dust jacket. First edition, first printing. A boxing novel - the author's second book, this copy signed by him on the half-title.

      [Bookseller: Peter Harrington]
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        Moby Dick

      New York: Random House, 1930. First Edition. Hardcover. Good. Signed. First edition thus. Signed by Rockwell Kent on the front free end paper. Good or better, lacking the dust jacket. Rubbing to silver stamping. Rubbing with fraying and exposure at corners and spine ends, with head of spine reinforced with what appears to be a bit of glue. Pages toned. Binding a little shaken. A nice example of Melville's classic novel, signed by the illustrator, Rockwell Kent.

      [Bookseller: Burnside Rare Books]
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        Last and First Men (association copy) A Story of the Near and Far Future

      London, England: Methuen & Co. Ltd.. Very Good+. 1930. 1st Edition; 1st Printing. Hardcover. Association copy - with Inkstamp of Donald A. Wollheim on rear endpaper and penciled initials of DAW on the top corner of the front endpaper. First Edition, first impression - variant with eight pages of publisher's catalogue dated 630 on the last page. This book is in Very Good+ to Near Fine - condition and is lacking the scarce dust jacket. The book and its contents are in clean, bright condition. There is some light bumping, rubbing and some beginning edge tearing to the spine ends, especially the top spine end. The text pages are clean and bright. The edges of the text block have noticeable toning. Only 2036 copied printed. This is the author's first novel and is considered a major work of utopian fiction. Anatomy of Wonder (1995) 2-119. .

      [Bookseller: S. Howlett-West Books]
 27.   Check availability:     Biblio     Link/Print  

        Everybody's Boswell Being the Life Of Samuel Johnson abridged from James Boswell's Complete Text and from The 'Tour to the Hebrides.'

      G. Bell and Sons, Limited, London 1930 - 54 ILLUSTRATIONS BY ERNEST H. SHEPARD NOTED ILLUSTRATOR, MAP ILLUSTRATING TOUR TO THE HEBRIDES, Very good blue green leather. Gilt stamped titles, gilt top, gilt border and decorations including gilt stamped illustration of Samuel Johnson. Marbled endpapers. Bookmark ribbon. Some edge and spine wear, front joint starting. 1930, 8vo, xx, 609pp. [1], [Attributes: Hard Cover]

      [Bookseller: BOOX]
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        Der Mann ohne Eigenschaften. Roman. (Band 1 - 2. Dritter Band aus den Nachlass herausgegeben von Martha Musil.).

      Rowohlt Vlg. - Imprimerie Centrale,, Berlin - Lausanne, 1930 - 3 Bde. Berlin - Lausanne, Rowohlt Vlg. - Imprimerie Centrale, 1930 - 1943. 1074 + 2, 605 + 3, 462 S. OLwd. EA. WG II 10. Ebd. v. E.R. Weiss. Mit drei Tafeln. - Ebd. tlw. berieben u. stockfleckig, Bd. 2. auch etw. fleckig; innen gut, leichte Gbrsp. Besitzsign. a. V. (Bd. 2 u. 3). - Musil, (1880 - 1942), begann 1897 ein Studium an der technischen Militärakademie in Wien und schloß es 1901 in Brünn ab. Nach dem Examen als Maschinenbauingenieur und dem Militärdienst arbeitete er 1902/03 als Volontär an der TH Stuttgart. Nachdem er die Reifeprüfung nachgeholt hatte, wurde M. 1903 zum Studium der Philosophie an der Univ. Berlin immatrikuliert, wo er 1908 mit einer erkenntnistheoretischen Arbeit über Ernst Mach promoviert wurde. Während des Studiums verfaßte Musil den kurzen Roman „Die Verwirrungen des Zöglings Törleß„ (1906), der einen jungen Mann auf der Suche nach selbständigen Erkenntnismöglichkeiten in der beengenden Umgebung eines Internats beschreibt. Dieser moderne 'Bildungsroman' ist der einzige wirkliche Publikumserfolg Musils geworden. Bereits hier zeigt sich, daß die technisch-mathematische Ausbildung und die Philosophie sein Werk viel stärker prägen als die eigentlich literarischen Anregungen aus der Lektüre von Novalis, Dostojewski und Maeterlinck. Bis 1910 freier Schriftsteller in Berlin, heiratete M. 1911 nach dem Übertritt zur evang. Konfession die Malerin Martha Marcovaldi-Heimann in Wien, wo er bis 1914 Bibliothekar an der TH war. Er entwickelte eine rege journalistische und publizistische Tätigkeit und war im Ersten Weltkrieg zum Teil an der Front, zum Teil bei der Militärpresse eingesetzt. Nach dem Krieg intensivierte er seine kunst- und theaterkritische Arbeit und veröffentlichte „Die Schwärmer" (1921) sowie „Vinzenz und die Freundin bedeutender Männer" (1924), dramatische Varianten des Themas der Ich-Spaltung. Die Antinomie Männlichkeit/Intellekt versus Weiblichkeit/Empfindung bildet den theoretischen Hintergrund des Novellenzyklus „Drei Frauen" (1924). In zahlreichen Essays, in Tagebüchern und Briefen entwickelte er seine philosophische Auffassung der Wirklichkeit. Der "gestaltlose" Mensch wird erst in den Wechselbeziehungen zu seiner Umwelt zur individuellen Gestalt, in der das "Ratioide" (die Sphäre der Logik) und das "Nicht-Ratioide" (die emotionale Sphäre) eine sich ständig dialektisch verwandelnde Einheit bilden. Aufgabe des Dichters ist es, den Austausch zwischen diesen Bereichen zu fördern. Das Bedürfnis, alles einem -- an sich unendlich möglichen -- Prozeß der Sinn-Entwertung zu unterwerfen, ist das Vorhaben Ulrichs, der Hauptfigur in dem umfangreichen und trotzdem Fragment gebliebenen Roman „Der Mann ohne Eigenschaften", an dem Musil von 1925 bis zu seinem Tod arbeitete. Im Stil ironisch-sarkastisch, unaufhörlich zwischen Denksystematik und Erzähllust pendelnd, spiegelt der Roman eine generelle Erkenntnis-Krise: Welt, Geschichte, Ich und auch das Erzählen selbst bleiben einer sinnlosen Zersplitterung ausgesetzt. Der "Möglichkeitssinn" ersetzt den "Wirklichkeitssinn"; das so erweiterte Denk- und Erlebnispotential erlaubt die Erfahrung des "anderen Zustandes" (durch Inzest, Mystik, Wahnsinn, dionysische Entfesselung), in dem die Gegensätze wenigstens momentan aufgehoben werden. "Kakanien", die k.k. Monarchie, bildet die Kulisse des diskontinuierlichen Romans und gilt als Paradigma der modernen Welt, in der sich nie etwas grundsätzlich Neues ereignet. So ist auch die "Parallelaktion" der Regierungsjubiläen Franz Josephs und Wilhelms II. zu verstehen, die in eine doppelte Beerdigung zweier Monarchien mündet. Trotz zunehmender Depressionen und ständiger Geldsorgen Musils erschien der erste Band 1930 bei Rowohlt; 1933 veröffentlichte er, seit 1931 wieder in Berlin, weitere 38 Kapitel als zweiten Band dieses "radikal endlosen" (Hermann Broch) Romans. Nach Hitlers Machtergreifung kehrte er nach Wien zurück, wo er seine früheren Essays und Prosastücke als „Nachlaß zu Lebzeiten" (1936) veröffentlichte. Nach dem [Attributes: Hard Cover]

      [Bookseller: Antiquariat Weinek]
 29.   Check availability:     ZVAB     Link/Print  

        Seed on the Wind (First Edition)

      New York: Vanguard Press, 1930. First Edition. First Edition. Fine copy, with no soiling to the fragile yellow cloth and the top edge still richly colored. In the rare dust jacket, Near Fine, which is remarkably clean and bright, with no tears, chips or rubbed spots. Of the few copies we have ever seen, easily the best. Stout's sixth novel.

      [Bookseller: Royal Books, Inc.]
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        The Maltese Falcon

      New York: Alfred A. Knopf. 1930. First. First edition. Owner's name on front fly, a bit of soiling on the boards, but a nice near fine copy lacking the dustwrapper. First filmed in 1931 by Roy Del Ruth with Ricardo Cortez as Sam Spade, remade definitively a decade later by John Huston with Humphrey Bogart, Mary Astor, Peter Lorre and Sydney Greenstreet. A nice clean copy of a cornerstone title of any hardboiled mystery collection. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Plakat - Bernina-Bahn. Schweiz-Italien - via Engadin - Alp Grüm - Puschlav - Veltlin. Offset.

      Zofingen, Ringier, ca. 1930 128 x 90,5 cm, Zustand A (linke Seite etwas eingerissen, oben kleiner Eckabriss, geknickt)Versand D: 12,00 EUR Plakate - Tourismus Helvetica - Graubünden Photographie

      [Bookseller: Antiquariat Peter Petrej]
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        Peter Pan and Wendy.

      London: Hodder and Stoughton, n.d., [c.1930]., 1930. FIRST HUDSON ILLUSTRATED EDITION. Published for Boots Pure Drug Co. Quarto. pp. 272. With 21 full-page colour illustrations and many more in-text or to margins. In recent Atkinson's full dark navy morocco with raised bands and gilt titles to orange label on spine. All edges gilt; marbled end-papers. Blue cloth with gilt titles and stamping from original upper board bound in at rear. A spotless, beautifully re-bound fine copy. Hudson illustrated just two carefully chosen classic fantasy books, namely J.M Barrie's Peter Pan and Wendy and Lewis Carroll's Alice's Adventures In Wonderland. Her Alice was printed in London in 1922, with Peter Pan following in 1930. Her illustrations, like Arthur Rackham's, were both full in colour or simpler silhouettes, and although very little is known of the artist, she was nevertheless a contemporary of Mable Lucy Atwell, Lucy Kemp Welsh and Virginia Sterrett during the golden age of Edwardian gift books. Her modest but exquisite output remains highly desirable today.

      [Bookseller: Adrian Harrington Rare Books]
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        Autograph postcard signed.

      [Paris], 8 October 1930 - Oblong-8vo. 1 page. Joyce is asking his friend Frank Budgen to send him "that leaflet about the Book of the Dead" for "the artist who is doing the preface to pamphlet no. 4". The recto of the card with coloured photograph of the Paris Bourse. - Frank Budgen was a painter who had befriended Joyce in Zurich during World War I. The two shared ideas on aesthetic matters over many years, and their conversations are thought to haveinfluenced both Ulysses and Finnegans Wake.The influence of the Egyptian Book of the Dead on Finnegans Wake is also well established, and the pamphlet mentioned here may be E.A. Wallis Budge's The Book of the Dead, published by the British Museum in 1922 and known to have been used by Joyce. A number of extracts from what was then called Work in Progress were published in pamphlet form, the fourth of which to appear was The Mime of Mick Nick and the Maggies (1934), which included artwork by Lucia Joyce.Apparently unpublished: not in The Letters of James Joyce: Volume III (1966),ed. Ellman.

      [Bookseller: Kotte Autographs GmbH]
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        NUT-BROWN BEER NUT-BROWN. Being a Very Careful Analysis of Life's Major Joy

      Printed by H. [Ward] Ritchie at the Flame Press, [South Pasadena] 1930 - 4 leaves. Unopened. Printed by Ritchie at the Abbey of San Encino Press. 6-1/2" x 4-1/8" "Beer. A poem", originally published in the author's Drift and other poems [1866]. A very early item by this master printer, who states "24 copies on Incudine paper and many more on newsprint" in his The Ward Ritchie Press and Anderson, Ritchie & Simon [1961], p. 128. Age-toning to paper. A VG+ copy of this fragile item.

      [Bookseller: Tavistock Books, ABAA]
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      London: Longmans, Green & Co, 1930. Signed Limited Edition. Hard Cover. Very Good binding/Very Good dust jacket. Limited to 450 copies, of which this is #274 Signed by Clare Leighton; this copy with an additional signature on the front endpaper. A discreet gift inscription is also on the endpaper. The book was given by "M. R. S." and Ms. Musselman's ex libris, which was designed by Clare Leighton, is on the pastedown. With 40 mounted woodcuts by the artist, each with printed tissue guard; and one additional mounted cut of a small mouse on the leaf following the numbered cuts. A lovely copy, with a bit of toning to the endpapers. Uncommon in the dustjacket. Very Good binding / Very Good dust jacket.

      [Bookseller: Black Swan Books, Inc.]
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        Direktion 26 Mappen mit den einzelnen Stimmen. Alles handschriftlich. 26 Mappen.

      Palm, um 1930., Berlin, - 30 x 24 cm. Ca 100 Blatt. ISNB: Keine. Kartoniert / Soft cover. No jacket. Guter Zustand / Good condition. Eingestaubt leicht wellig. 1. Auflage. Sprache: de. * Versandfertig innerhalb von 20 Stunden! * Aus dem Nachlass des in Köln geborenen, sowie in Köln und Berlin wirkenden Komponisten und Kapellmeister der Unterhaltungsmusik Emil Palm (geboren am 26. Januar 1890 in Köln; gestorben am 11. März 1963 in Berlin ). Weiteres, umfangreiches Material aus dem Nachlass vorhanden. MW8. (Pal). [Attributes: Soft Cover]

      [Bookseller: Umbras Kuriositätenkabinett]
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        Pleasures for Little People. [Text Englisch].

      Ohne Ort, ohne Drucker (um 1930). Leporello mit acht kartonstarken Blättern. durch Leinenstreifen verbunden, Groß-Oktav, 28,2 x 22,8 cm. (vorne und hinten leicht berieben und in den Kanten etwas bestoßen, sonst innen außergewöhnlich frisch und insgesamt sehr gut erhalten) Äußerst selten! Das Faltbilderbuch der böhmisch-jüdischen Künstlerin Anny Engelmann (Pseudonym \"Suska\", Olmütz 1897 - Maly Trostinec 1942) enthält 14 Illustrationen von Kindern mit Tieren (davon eine mit Storch doppelt, dafür fehlt Mädchen mit Dackel). Die Bilder des Vorder- und Hinterdeckels stammen von Frederick \"Fred\" Spurgin (1882-1968), einem namhaften Postkartenillustrator, eventuell stammen von ihm auch die Kinderreime unter den Bildern von Anny Engelmann. Der einzige Hinweis auf den Hersteller resp. Verleger ist ein \"P. 45\" auf dem Vorderdeckel. Über KVK konnten wir weltweit kein einziges Exemplar nachweisen. Denkbar wäre eine Verbindung mit dem - bisher wohl weitgehend unerforschten - jüdisch-deutschen Kinderbuch-Verlag G. Löwensohn in Fürth, für den Engelmann in den 1920er und 1930 Jahren tätig war. - Nicht bei Klotz; Schneider/Duschka: Bibliographie Anny Engelmann, p. 18. Versandkostenfreie Lieferung [Beautiful, Rare and Special;Schönes;Seltenes;Bibliophilie;Illustrierte Bücher;Kinderbücher;Bilderbücher]

      [Bookseller: Versandantiquariat Bürck]
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        Rubaiyat of Omar Khayyam The First and Fourth Renderings in English Verse

      New York, NY: Thomas Y. Crowell, n.d. [1930]., 1930. POGANY ILLUSTRATED EDITION. Crown Quarto. pp. 175. With numerous full page colour plates and black and gold illustrations throughout. In contemporary full tan morocco with gilt titles and stamping to spine, green and gilt stamping to upper board and blind to lower. Top edge gilt. Black ink inscription to front free end-paper. Wear to edges; wear and sunning to spine. Very good overall. A finely bound copy of the Persian classic with Pogany's distinctive Art-Nouveau illustrations, containing two of the five editions of FitzGerald's translation.

      [Bookseller: Adrian Harrington Rare Books]
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        The Protestant Ethic and the Spirit of Capitalism

      London: George Allen & Unwin, Ltd, 1930. First Edition. Hardcover. Very Good. First British edition. (Correct first in English as well.) Original black cloth with gilt spine lettering. Near Fine condition, sans dust jacket. Top edge foxed, a few small spots of foxing to fore edge, a few light scuffs to cloth. Internally clean and bright. No fading to cloth. A very nice, neat copy.

      [Bookseller: Burnside Rare Books]
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      Charles Scribner's Sons, 1930., 1930. First edition. This is the so-called "First Issue" with only a single date (1930) on the copyright page. Otto Penzler in his Descriptive Bibliography on S. S. Van Dine says "The capital letter "A" must appear on the copyright page. The "A" was dropped from all subsequent printings, the method by which Scribner's identified its first printings from 1930 to 1972." Fine, bright, tight copy with all lettering on the cloth bright and un-chipped, in a fine dust jacket with two tiny closed tears at head of spine. Philo Vance's elaborate murder investigation takes place in a museum of Egyptology. There is a great deal of material on ancient Egyptian art. An exceptional copy and certainly this state is much scarcer than the variant with two dates on the copyright page, although the variant state is also scarce.

      [Bookseller: BUCKINGHAM BOOKS]
 41.   Check availability:     Biblio     Link/Print  


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