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Displayed below are some selected recent viaLibri matches for books published in 1930

        Story of Terrible Terry, The By Percy Keese Fitzhugh ( Rare & Scarce Childrens Series)

      Grosset & Dunlap NY 1930 - HardBack NODustJacket, 1930, 1st Edition, NF/VG+, NOJACKET, Interior Nice tight Clean light FOX stains, Wear, & few small red Stains, 217 pgs + This Isnt ALL, Red cloth lettered in Yellow Outlined in Black several small Creases & Tiny Corner Ding & Light Wear, Tiny Chips Extremities Cover, [Attributes: First Edition; Hard Cover]

      [Bookseller: Bluff Park Rare Books]
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        Astrophotography: Original Astronomical Photograph Of Galaxy Ngc 1398, From Carnegie Institution Mt. Wilson Observatory (Exhibited At The Royal Photographic Society Of Great Britain Annual Exhibition London, 1939

      Pasadena Circa 1920/ 1940: Carnegie Institution, Mt Wilson Observatory, 1930. Original Astronomical Photographs . No Binding. Near Fine/No Jacket. Original Astronomical Photograph Approximately 12 1/2" X 11 3/8", Mounted On Larger Display Card With Galaxy Name At Bottom. On Verso Is A Large Gold Label Printed In Black, "The Royal Photographic Society Of Great Britain / Accepted And Hung At The Annual Exhibition London, 1939". Mounting Board With Crack And A Long Crease Just Above Top Edge Of Photograph, With Wear At Edges And Some Small Water Spots Right Along The Left Edge.

      [Bookseller: Arroyo Seco Books]
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        Venezia. Folge von 36 Tafeln in Kreidelithographie.

      Ohne Ort, 1928-, 1930. - je circa 50 x 36 cm. 36 Lithographien, davon 25 an den Ecken unter Passepartout montiert In Sammelmappe (cirac 58 x 45 cm) Vgl. Thieme-B. XXXV, 3. - Schöne Folge von Gebäudeansichten mit figürlicher Staffage. Hugo Wach (1872-1939), Enkel von Felix Mendelssohn Bartholdy und Sohn des Juristen Adolf Wach, war Professor für Architektur und Ornamentik an der TH in Berlin-Charlottenburg. Seine Zeichnungen sind sehr stimmungsvoll, durch viele kleine Szenen pittoresk belebt, dabei zugleich sehr genau in der Wiedergabe der Architektur. "- Gut erhalten, Ränder vereinzelt minimal fleckig, meist jedoch sehr sauber und schön.

      [Bookseller: Antiquariat Thomas Rezek]
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        Little America. Aerial Exploration in the Antarctic the Flight to the South Pole

      1930 - 4 maps (2 folding), portrait frontispiece, illustrations. Author's Autograph edition, limited to 1000 copies, signed by the author and publisher, this copy number 996, edges untrimmed. 8vo., half forel over blue paper boards. New York, G.P.Putnam's Sons. Little America was the first in a series of bases in the Antarctic built on the Ross Ice Shelf, for the purposes of exploration, the first base being established by Byrd, an experienced Naval aviator. From this base Byrd, as navigator, and three colleagues, made the first flight over the South Pole. A fine copy, one small dent to the upper cover, the limitation leaf just working loose. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Maggs Bros. Ltd ABA, ILAB, PBFA, BA]
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        WETTERSTEINGEBIRGE., "Vorfrühling am Wagenbruchsee mit Blick auf das Wettersteinmassiv".

      Aquarell von Carl Kessler, links unten signiert, um 1930, 35,5 x 50,5 cm. Thieme-Becker Bd. XX, S. 210. - Der Münchner Landschaftsmaler wurde 1876 in Coburg geboren. Er studierte an der Münchner Akademie bei Karl Raupp. Bekannt sind seine alpinen Landschaftsaquarelle. - Im Himmel gering gebräunt. Aquarell/Zeichnung, BAYERN, Oberbayern

      [Bookseller: Buch- und Kunstantiquariat]
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        De geschiedenis van den soldaat. Gelezen - Gespeeld - Gedanst - Geteekend. Vertaling M. Nijhoff. Teekeningen Edgard Tijtgat. (Luxe-exemplaar met opdracht van Martinus Nijhoff).

      Maastricht/ Brussel, A.A.M. Stols, 1930. 28,8 x 20,4 cm. Halflinnen met geïllustreerde platten (Edgard Tijtgat). 48 p. Niet afgesneden. Gedrukt in een oplage van 251 genummerde exemplaren. 1e druk. Platten deels licht verbruind. Enkel roestvlekje. Uit de bibliotheek van M. en A.H. Nijhoff. Opdracht van de vertaler aan zijn jongere broer op het voorste schutblad: 'Voor Pim/ van zijn broer/ op 21.3.'31'. Werkexemplaar: Nijhoff heeft ten behoeve van een herdruk met potlood enkele woorden doorgestreept: door de handgeschreven opdracht en door 'Geteekend' en 'Teekeningen Edgard Tijtgat' staat een kruis. Eén van de 225 Arabisch genummerde exemplaren, gedrukt op Hollandsch papier. Dit is bovendien één van de 25 exemplaren die niet in de handel kwamen. Alle (bloedmooie) illustraties zijn met de hand gekleurd.

      [Bookseller: Antiquariaat Fokas Holthuis]
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        Collection of Large Charcoal Drawings.

      Oakland, Calif., ca. 1930.(). Portfolio of original drawing by Doris Miller Johnson (1907-2001) in charcoal without fixative. Image sizes approx: 480 x 315 mm. Several signed verso: "Doris Miller." Drawn while an art student ca. 1930-1932, mostly of architecture around Oakland and Berkeley. From the personal collection of the artist.

      [Bookseller: Wittenborn Art Books]
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        Distribution of Luminosity in Elliptical Nebulae.

      First Edition, Page 231-276 sider, the Astrophysical Journal, Vol. LXXI, May 1930, Soft binding, very fine vopy With the first printing of Hubble's work at Mt. Wilson in 1923 and 24, in which he discovered that the Milky Way was not, as previously believed, the extent of the universe, but just one galaxy among many

      [Bookseller: Andersens Antikvariat]
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        Haveth Childers Everywhere: Fragment from Work in Progress

      Henry Babou & Jack Kahane: Paris / The Fountain Press: New York, 1930. Limited Edition 551 of 600 copies. . Trade Paperback. . Some splitting of the spine and small piece missing from bottom else very good condition. A/Glassine jacket missing spine. . Slip case heavily worn along edges.

      [Bookseller: Jeffrey Blake]
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        Sing A Song of Sixpence.

      New York: Harper and Brothers, , 1930. Playroom Rag Book. Square octavo. Original pictorial coated cloth. Designed and illustrate by Lois Lenski. Mild wear along extremities. An excellent copy. First edition, first printing. The familar rhyme illustrated boldly by Lenski. One of two children's books Harper Brothers did with cloth pages. A beautiful copy.

      [Bookseller: Peter Harrington]
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        WASHINGTON PICTURE BOOK

      New York: Coward - McCann, Inc.. 1930. First Edition. Hardcover. Very Good- with no dust jacket; Edgewear. Exlibrary with markings. Spine covering is missing small piece at top edge. Spine weak ; Ex-Library; Unpaginated pages .

      [Bookseller: Gibson's Books]
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        Serenade. Gedichten. (1/10 deluxe copies on Japanese paper).

      - Maastricht/ Brussel, The Halcyon Press, 1930. Original wrappers. In a gilt cloth clamshell box (with a vignette by John Buckland Wright, title on spine). (4), 40 p. Set from J. van Krimpen's Romanée and printed in 310 numbered copies. 1st edition. Top of cover a bit discolored. Fine, intact copy. One of only 10 Roman numbered deluxe copies, printed on Japanese paper - and this is one of the major books of poems of the Dutch literature. De Halcyon Pers 3. Van Dijk 230. [Attributes: First Edition; Soft Cover]

      [Bookseller: Fokas Holthuis]
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        The soul of a skunk: the autobiography of a conscientious objector

      London: Eric Partridge Ltd. at the Scholartis Press, 1930. First edition, limited to 1000 copies, this no. 2 of 25 bound in original red cloth, numbered, and signed by the author, 8vo, pp. x, 275, [1]; gilt title direct on spine, t.e.g.; corners bumped, light spotting to fore edge, near fine. "How one socialist, at least, was not born, but made."

      [Bookseller: Rulon-Miller Books]
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        Haveth Childers Everywhere.

      Paris & New York: Henry Barbou and Jack Kahane; The Fountain Press,, 1930. Fragment from Work In Progress. Large octavo. Original cream wrappers, title to spine and front wrapper printed in green and black, partially unopened. With the original unprinted glassine, the original stiff cardboard wrapper covered in gilt paper and separate original green slipcase. Housed within a custom quarter morocco solander case. A fine copy. First edition, first printing, deluxe limited edition, one of 685 copies printed, this number 47 of 100 produced on Imperial handmade iridescent Japan paper signed by Joyce on the limitation page. This work comprises pp. 532-553 of Finnegans Wake, which was not published in full until 1939. The bookplate of author Alexander Neubauer is found on the inside front board of the solander case.

      [Bookseller: Peter Harrington]
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        1st editions of her first 4 novels, all inscribed to her Uncle; Jig-Saw (1925); Saw Dust (1926); If the Tree Is Saved (1929); For What? (1930)

      Duckworth, London 1930 - 1) Jig-Saw [Duckworth]: 1st edition. Cloth faded, spine soiled and with a tear to the tip, otherwise good condition. Signed presentation copy inscribed, "To Dear Uncle Willie with love from Barbara Cartland, 9-3-25." Armorial bookplate of William Hall; 2) Saw Dust [Duckworth]: 1st edition. Cloth faded, otherwise good. Signed presentation copy inscribed, "To darling Uncle Willie to whom I am indebted for many of the thoughts in this book, and especially for the interest, kindness, and helpful criticism always accorded me. With my best love, Barbara. March 20, 1926." 3) If the Tree Is Saved [Duckworth]: 1st edition. Cloth faded, otherwise good. Signed presentation copy inscribed, "To darling Uncle Willie with love from Barbara." 4) For What? [Hutchinson]: 1st edition. Cloth faded, edges soiled, one spot, else good. Signed presentation copy inscribed, "Uncle Willie with love from Barbara.". Barbara Cartland is the 3rd best selling author of all time (1 billion books), trailing only William Shakespeare and Agatha Christie. Our 4 books are all frustratingly scarce 1st editions, even without their dustjackets, just try and get any one of them. And it is only pretentious and crusty, subject scorning, literary snobbery (romance novels are trash), that prevents them from being 10 times as expensive as they are here, and your odds of finding another inscribed set (chasing the horizon), are lower than the chicken vote for Colonel Sanders, though I suppose you could try saying "Beatlejuice" 3 times, and see if that leads to anything. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Biblioctopus]
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        Alphabet photographique. Texte de Pauline David. Composition et photographies de Gaston Karquel.

      - P., Les Editions du Compas,vers 1930,In-8 carré, en feuilles, sous emboitage cartonné éditeur, dos titré, plat illustré d'un visage d'enfant encadré des lettres multicolores de l'alphabet. Rare alphabet illustré par la photo composé de 26 planches photographiques présentant des objets, animaux, sites industriels, paysages urbains et ruraux et légendées au verso sur papier de couleurs.Gaston Karquel (1906-1971) entre à Alliance Photo en 1934, l'une des premières agences photographiques de Paris où il travaille aux côtés de Robert Capa. Il crée à Nice le Centre artistique et technique des jeunes et du cinéma qui deviendra ensuite l'Idhec. Il prend en photo les plateaux de cinéma et portraitise des peintres, sculpteurs et écrivains comme Jean Giono. Livres [Attributes: Hard Cover]

      [Bookseller: pages volantes]
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        (Typed manuscript): A Prospectus for a Dissertation on The Gold Rush as a Literary Heritage, 1876-1929

      [No place]: The Author, 1930. Near Fine. Qaurto. 11, 17 (bibliography) typed pp. Clasp bound into buff card folder with typed paper label. Small chips on the folder, very good or better, internally fine. An outline for the dissertation with an interesting topic. OCLC locates no copies of this or any subsequent dissertation on this topic by the author, but does locate a dissertation about John Galsworthy at the University of New Mexico by the same author in 1934, and a much later (1986) trail guide to Mount Tamalpais. Presumably unique.

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Photographie originale signée] : Intérieur du bar automatique "Presto", place de la Bourse à Paris (architecte : Otto Bauer), vers 1930

      Lecram studio photo, Paris 1930 - Deux tirages gélatino-argentiques d'époque assemblés en un panorama de 34,5 x 16 cm et montés sur carton (49 x 32 cm), signature du photographe sous l'image, étiquette du studio photo Lecram en bas à droite. Vers 1930 l'architecte viennois Otto Bauer (1897-ca 1965) a réalisé deux "bars automatiques" et restaurants "Presto" à Paris, l'un 14 boulevard des Italiens, l'autre dont l'intérieur est représenté ici, à l'angle de la place de la Bourse, de la rue Vivienne et de la rue des Filles-Saint-Thomas, à l'emplacement de l'actuel immeuble de l'Autorité des Marchés Financiers (AMF). Ce sont de beaux exemples du fonctionnalisme art déco. André Vigneau a créé en 1930 le studio Lecram, dans lequel il aura comme assistants Robert Doisneau et François Kollar. Petit accident dans le coin supérieur gauche du carton, tirage en bel état. [Attributes: Signed Copy]

      [Bookseller: Des livres autour (Julien Mannoni)]
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        DOMUS. L'arte nella casa. Direttore Architetto Gio Ponti. Annata 1930.

      Editoriale Domus. Annata 1930 completa. Domus è una rivista di architettura e design fondata dall'Architetto Gio Ponti e dal padre barnabita Giovanni Semeria nel 1928. Edita da Editoriale Domus ha cadenza mensile, 11 numeri all'anno. Si tratta della più bella ed importante rivista italiana di arredamento ed architettura. Conservate le copertine anteriori. In 4to grande (cm. 28,8). Ritagliata una figura al centro della pagina 63 del mese di Luglio. Bella legatura in stoffa a colori su disegno di Gio Ponti, "Incroci". La creatività di Gio Ponti non aveva frontiere. Il grande architetto e designer milanese durante la sua lunga carriera artistica realizzò anche disegni e decorazioni per tessuti, stoffe e tappeti. Axs

      [Bookseller: Libreria Bongiorno Paolo]
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        Around the Coasts of Arabia.

      1930 - Boston, Houghton Mifflin, 1930. 8vo. Original blue cloth. Spine lettered in gilt, top edge yellow; pp. x, 364, illustrated with plates after photographs; spine a little faded, but otherwise a good solid copy with a clean interior. Scarce first Edition, the original American issue. A late travel work by the distinguished Maronite Lebanese Arab-American writer Ameen Rihani, whose writings spanned large areas in both English and Arabic. According to Lebanese historian Samir Kassir he was 'the first Arab to publish in English without at the same time renouncing his own language.' Though less well known in the western world, he was a highly influential political activist, literary figure and intellectual celebrity across the entirety of the Arab world, with various state leaders attending his funeral in 1940. He was passionately involved in the cause of Arab nationalism, and delivered a great many lectures on the subject of social justice and foreign policy. Long passages of the volume are devoted to Kuwait and Bahrain. Rihani had travelled the entire peninsula and met with all leaders of the merging staets, including Ibn Saud. [Attributes: First Edition; Hard Cover]

      [Bookseller: Henry Sotheran Ltd]
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      NP: NP, 1930. First edition. Hardcover. vg. Folio. Unpaginated. Original decorative cloth with Japanese lettering on front covers. Ribbon-tied binding in the traditional Japanese style. Four volumes containing a total of 160 exquisite samples of decorated handmade fusuma paper. Original multiple screen and colored block printing, some with additional pochoir. 60 samples on textured rice paper, and 100 on rice paper. Each sample is labeled on verso in Japanese. Fusuma is the paper used on sliding doors and shoji screens in traditional Japanese homes. A rich set, each volume being unique in color and pattern. Vol.1: Yamato Jirushi やまと印 御

      [Bookseller: Eric Chaim Kline - Bookseller ]
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        Around the Coasts of Arabia.

      Boston, Houghton Mifflin, 1930. 8vo. Original blue cloth. Spine lettered in yellow, top edge gilt; pp. x, 364, illustrated with plates after photographs; spine a little faded, but otherwise a good solid copy with a clean interior. Scarce first Edition the American issue, using the original British sheets. A late travel work by the distinguished Maronite Lebanese Arab-American writer Ameen Rihani, whose writings spanned large areas in both English and Arabic. According to Lebanese historian Samir Kassir he was 'the first Arab to publish in English without at the same time renouncing his own language.' Though less well known in the western world, he was a highly influential political activist, literary figure and intellectual celebrity across the entirety of the Arab world, with various state leaders attending his funeral in 1940. He was passionately involved in the cause of Arab nationalism, and delivered a great many lectures on the subject of social justice and foreign policy. Long passages of the volume are devoted to Kuwait and Bahrain. Rihani had travelled the entire peninsula and met with all leaders of the merging staets, including Ibn Saud.

      [Bookseller: Henry Sotheran Ltd.]
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        The History of the renowned Don Quixote de la Mancha

      London: The Nonesuch Press,, 1930. 2 volumes, octavo. Original tan morocco, brown label to spines lettered in gilt, top edges gilt on the rough, others untrimmed. With 21 colour illustrations. Very slight markings to covers, repair in hinge facing p. 3 of vol. II, else an excellent set. First Nonesuch edition, number 1,149 of 1,475 copies. An attractively bound, printed and illustrated set. The Nonesuch Don Quixote was printed by Walter Lewis, Printer to the University of Cambridge, on Casinensis hand-made paper. The illustrator, Edward McKnight Kauffer (1890–1954) is best known for his modernist poster art, a style clearly present in his illustrations for Cervantes's novel. The edition uses Peter Motteux's translation of Don Quixote, from the 1743 seventh edition. Motteux's translation was first published in 1700–3, and was widely admired throughout the 18th and 19th centuries for its lucidity and wit.

      [Bookseller: Peter Harrington]
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        Diritto delle Pandette. Traduzione dei professori Carlo Fadda e Paolo Emilio Bensa con note e riferimenti al diritto civile italiano

      Utet, 1930. Cinque volumi di cm. 22,5, pp. 4.000 ca. complessive. Legatura editoriale in piena tela rigida. Sporadiche annotazioni a matita. Esemplare ottimamente conservato. Bernhard Windscheid (1817-1892) fu il principale esponente della Pandettistica tedesca; le sue Pandette gli garantirono un'autorità senza pari. Così Franz Wieacker (Cfr. Storia del diritto privato moderno, Milano, 1980, II, p. 145): "Opera principale di W. rimangono tuttavia le Pandette. Esse divennero in breve la riconosciuta autorità scientifica per la prassi giuridica. Questo loro ruolo eccezionale era dovuto al fatto che, in mancanza di una codificazione, il manuale del W. rappresentava l'ultima istanza scientifica per la prassi del Diritto comune... In tal modo potè concentrarsi nel rinomato manuale di Pandette una somma di autorità che oggi si riparte su fattori di diversa natura: la legge, la Corte suprema, il grande commentario, il manuale". I tre volumi dell'opera di Windscheid seguono il seguente ordine espositivo: Del diritto in genere; Dei diritti in genere; Diritto delle cose; Diritto delle obbligazioni, Diritto di famiglia e Diritto successorio. Gli ultimi due volumi contengono le note di Fadda, Bensa e Bonfante. Non comune e sempre assai ricercato. Cfr. Iccu..

      [Bookseller: Studio Bibliografico Apuleio]
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        Das Akademische Deutschland. Band I-IV.

      C. A. Weller Verlag 1930-1931, Berlin - 4 vols. xv, 720p; xvi, 1094p; xii, 630p; x, i-lxviii. 33 cm blue cloth hardcover bindings with gold impressing on spines and front boards. Numerous illustrations throughout all 4 volumes. Vol 4 features numerous full-colour heraldic coats of arms collected according to region throughout Germany and it serves as a supplement to the previous three volumes. GERMAN language text. Some water staining to cloth binding on volume one. Minor soiling and dust from shelving. Inside pages clean and text unmarked. Heraldry in vol. 4 protected by parchment dividers. [Attributes: Hard Cover]

      [Bookseller: Attic Books (ABAC, ILAB)]
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        Reliefpanorama des Schwarzwaldes aus der Vogelschau.

      - Aquarell mit Deckfarben über Bleistift, sign. v. J. Ruep, um 1930, 50 x 30 (H) Das Blatt ist unten rechts signiert "J. Ruep". Der Betrachter blickt von Westen über den Titisee und Neustadt hinweg nach Donaueschingen. Gebiet Donaueschingen, Mundelfingen, Göschweiler, Lenzkirch, Titisee, Friedenweiler, Bruggen. Mittig Rötenbach - In leuchtenden Farben, auf Leinwand montiert und mit Legende auf Transparentpapier. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Antiquariat Clemens Paulusch GmbH]
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        The Christ of the Forest: A Romance

      London: Methuen - 1930 1st ed. 246pp. + 8pp. of ads. cloth sm 8vo: Good+/no dj [green cover cloth is spine faded; very brief ink inscrip. on half-title p. (Vienna, 1934); edges are lightly age browned; else G+] A nice copy of Robert Michel’s (1876-1957) novel, whose German title is “Jesus in Bohmerwald.” [Attributes: First Edition; Hard Cover]

      [Bookseller: Auldfarran Books, IOBA]
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        (Typed manuscript): A Prospectus for a Dissertation on The Gold Rush as a Literary Heritage, 1876-1929

      [No place]: The Author, 1930. Near Fine. Qaurto. 11, 17 (bibliography) typed pp. Clasp bound into buff card folder with typed paper label. Small chips on the folder, very good or better, internally fine. An outline for the dissertation with an interesting topic. OCLC locates no copies of this or any subsequent dissertation on this topic by the author, but does locate a dissertation about John Galsworthy at the University of New Mexico by the same author in 1934, and a much later (1986) trail guide to Mount Tamalpais. Presumably unique.

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
 28.   Check availability:     IOBABooks     Link/Print  


        Décors Anciens d'Intérieurs Mosans

      4 vols. bound in two, 149, 216, 117, 116 pp. text on decoration and furniture of the Meuse region in Belgium, mostly 18th century, altogether 531 photographic illustrations. Large 4to. Cloth-backed boards, orig. wrpps. bound in. Liège (Imprimerie des Mutilés) 1930. One of 500 copies, signed and inscribed by the author.

      [Bookseller: F.A. Bernett Books ]
 29.   Check availability:     ABAA     Link/Print  


        Memories of a Working Women's Guild. Offprint from.

      The Yale Review, September 1930 - Octavo, pp. 121-138. Tear-sheets side-stapled in original blue printed wrappers. Slight creasing to extremities, light browning to edges. First printing of this essay, reprinted (revised) as the introduction to Life as We Have Known It, Margaret Llewelyn Davies (ed), Hogarth Press 1931; collected in The Captain's Death Bed, 1950; Selections from Her Essays, 1966; Collected Essays, Vol. 4, 1967. Woolf had an active interest in the Labour Party and Co-operative Movement and regularly held meetings for her local branch of the Women's Co-operative Guild. This work engages in a discussion of the social movement and her position of privilege, showing her awareness that she sits as a "benevolent spectator" to the actions of the guild (Carroll, p. 123). Berenice A. Carroll, "To Crush Him in Our Own Country": The Political Thought of Virginia Woolf, p. 123; Kirkpatrick C326. [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
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        Sailboat in Rough Seas.

      ca. 1960s.(). Lyle Galloway (1930-1984). Pen and ink on board. 11 x 14 inches. Signed in ink.

      [Bookseller: Wittenborn Art Books]
 31.   Check availability:     Bibliophile     Link/Print  


        Drogen und Vegetabilien. Drogen-Sammlungen der DAB6 und dem Ergänzungsbuch.

      (Berlin Ca ) 1930 - (28 x 41 x 3 cm). Mit 120 pharmazeutischen Originalproben. In 6 Original-Leinwandkästen. Seltene und gut erhaltene Lehrsammlung mit Anschauungsmaterial für Unterrichtszwecke. Die von der Berliner Handelsgesellschaft Deutscher Apotheker herausgegebene Sammlung enthält 120 überwiegend botanische Substanzen in kleinen nummerierten Schachteln mit Sichtfeld und diese in 6 roten Original-Leinwandkästen. - Das 34 Seiten umfassende Begleitheft (24,5 x 17 cm) listet die Substanzen nach Name, Stammpflanze, Familie, Bestandteile und Herkunft auf. - Kästen gering angestaubt und bestoßen. Begleitheft leicht fleckig, sonst insgesamt gut erhalten

      [Bookseller: Antiquariat Gerhard Gruber]
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        Pee-Wee Harris Turns Detective By Fitzhugh, SERIES #13, LAST Volume In Childrens SERIES

      Grosset & Dunlap, NY 1930 - Tiny Mended edge Tear Back Blank Endpaper, HARDBACK NODustJacket, 1930, 1st Edition, 1st Printing, THICK YellowMustard Cloth Lettered in Red with Black Outltine, Edges Cover Small DENTS, VG+/VG-, SOLD AS-IS, NOJACKET, Black Lettering on Darkened Spine, Some lite soiling and cloth wear at the spine ends and a couple corners. No list of titles pre text, but post text Pee-Wee Harris titles are listed thru "Darkest Africa", Interior Nice tight Clean Light FoX, Wear, 200 pgs + This Isnt All ! + ADS, Light Scuff rub Spine edges Cover, [Attributes: First Edition; Hard Cover]

      [Bookseller: Bluff Park Rare Books]
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        Original costume design for Rimsky-Korsakov's opera Le Coq d'Or by the noted Russian artist Alexandre Benois, in all likelihood for the character Commander Polkan

      - Watercolour, pencil, and ink on wove paper. 372 x 260 mm. Signed by the artist with initials and dated 1930 in pencil at lower left. With detailed notes on costumes in Benois's hand in French marked "N.B." at upper left.Slightly worn, browned, and soiled; small hole just to left of pencilled date. Rimsky-Korsakov's last opera, Coq d'Or (The Golden Cockerel) was first performed in Moscow at the Solodovnikov Theatre (Sergey Ivanovich Zimin's private opera company), on September 24/October 7, 1909. It is in a prologue, three acts, and an epilogue by Nikolay Andreyevich Rimsky-Korsakov to a libretto by Vladimir Nikolayevich Bel'sky after the eponymous imitation folk tale in verse by Alexander Sergeyevich Pushkin, based in turn on 'The House of the Weathercock' and 'Legend of the Arabian Astrologer' from The Alhambra by Washington Irving."The Golden Cockerel is the only one of Rimsky- Korsakov's 15 operas to have achieved repertory status beyond Russia. This was Dyagilev's doing. At the prompting of the artist Alexandre Benois, the great impresario staged the opera in Paris and London in 1914 (under the title Le coq d'or, which has stuck to it in the West), with the singers seated in rows at the sides of the stage, accompanying the movements of dancers and mimes, who enacted the plot according to the conventions of ballet d'action (choreography by Fokin). It also set an important precedent for Stravinsky, whose opera The Nightingale, not to mention such later stage works as Renard, The Wedding and Pulcinella, to a greater or lesser extent embodied the same split between singing and movement. It was an important stage in the modernist dismantling of the Gesamtkunstwerk." Richard Taruskin in Grove Music Online.Benois is considered a seminal influence on moddern ballet set and costume design. "In 1901, [he] was appointed scenic director of the Mariinsky Theatre in Saint Petersburg, the performance space for the Imperial Russian Ballet. He moved to Paris in 1905 and thereafter devoted most of his time to stage design and decor. During these years, his work with Diaghilev's Ballets Russes was groundbreaking. His sets and costumes for the productions of Les Sylphides (1909), Giselle (1910), and Petrushka (1911), are counted among his greatest triumphs. Although Benois worked primarily with the Ballets Russes, he also collaborated with the Moscow Art Theatre and other notable theatres of Europe." Wikipedia [Attributes: Signed Copy]

      [Bookseller: J & J LUBRANO MUSIC ANTIQUARIANS LLC]
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        Sechs Momentaufnahmen.

      Erste Auflage. 32 x 27 cm. 6 lose Blatt, Faltblatt (3 Blatt). OHalbleinen-Mappe. Sehr gutes Exemplar. Mappe mit 6 Silbergelatine-Abzügen. Einmalige Auflage für die griffelkunst, hergestellt vom Originalnegativ aus der Fotografischen Sammlung der Berlinischen Galerie. Falblatt mit einem Text von Janos Frecot und mit einer Notation zu den Fotografien. Serie 301 A- 3001 A6. Die Fotos zeigen: Deutsche und Französische Politiker im, Sitzungssaal der Neuenreichskanzlei Feutscjland verhandelt mit Frankreich Aristide Briand im Quai dOrsay REamsay MacDonald im Gespräch mit Albert Einstein Nachtsitzung der deutschen und französischen Minister auf der Haager Kriegsschuldenkonferenz 1930 Marlene Dietrich telefoniert von Hollywood aus mit ihrer Tochter in Berlin, 1930. 6 Abzüge auf Fotokarton.

      [Bookseller: Antiquariat Querido]
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        Original costume design for Rimsky-Korsakov's opera Le Coq d'Or by the noted Russian artist Alexandre Benois, in all likelihood for the character Commander Polkan.

      Watercolour, pencil, and ink on wove paper. 372 x 260 mm. Signed by the artist with initials and dated 1930 in pencil at lower left. With detailed notes on costumes in Benois's hand in French marked "N.B." at upper left. Slightly worn, browned, and soiled; small hole just to left of pencilled date. Rimsky-Korsakov's last opera, Coq d'Or (The Golden Cockerel) was first performed in Moscow at the Solodovnikov Theatre (Sergey Ivanovich Zimin's private opera company), on September 24/October 7, 1909. It is in a prologue, three acts, and an epilogue by Nikolay Andreyevich Rimsky-Korsakov to a libretto by Vladimir Nikolayevich Bel'sky after the eponymous imitation folk tale in verse by Alexander Sergeyevich Pushkin, based in turn on 'The House of the Weathercock' and 'Legend of the Arabian Astrologer' from The Alhambra by Washington Irving. "The Golden Cockerel is the only one of Rimsky- Korsakov's 15 operas to have achieved repertory status beyond Russia. This was Dyagilev's doing. At the prompting of the artist Alexandre Benois, the great impresario staged the opera in Paris and London in 1914 (under the title Le coq d'or, which has stuck to it in the West), with the singers seated in rows at the sides of the stage, accompanying the movements of dancers and mimes, who enacted the plot according to the conventions of ballet d'action (choreography by Fokin)... It also set an important precedent for Stravinsky, whose opera The Nightingale, not to mention such later stage works as Renard, The Wedding and Pulcinella, to a greater or lesser extent embodied the same split between singing and movement. It was an important stage in the modernist dismantling of the Gesamtkunstwerk." Richard Taruskin in Grove Music Online. Benois is considered a seminal influence on moddern ballet set and costume design. "In 1901, [he] was appointed scenic director of the Mariinsky Theatre in Saint Petersburg, the performance space for the Imperial Russian Ballet. He moved to Paris in 1905 and thereafter devoted most of his time to stage design and decor. During these years, his work with Diaghilev's Ballets Russes was groundbreaking. His sets and costumes for the productions of Les Sylphides (1909), Giselle (1910), and Petrushka (1911), are counted among his greatest triumphs. Although Benois worked primarily with the Ballets Russes, he also collaborated with the Moscow Art Theatre and other notable theatres of Europe." Wikipedia.

      [Bookseller: J & J LUBRANO MUSIC ANTIQUARIANS]
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        CIMARRON [SIGNED]

      Doubleday, Doran and Co., Inc, Garden City, New York 1930 - 8vo., 388pp.; VG/VG-; spine tan, pictorial, with black label and tan lettering; dust jacket protected with a mylar covering; dust jacket has rips to all four corners, damage to had and tail of spine, spine edges, flap edges, minor rips and wear elsewhere; price uncut; pictorial endpapers; autograph tipped in onto ffep; binding cracked on title page; interior clean; shelved case 2. Dupont. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Second Story Books, ABAA]
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        Walkers in a Mountain Landscape.

      Circa 1930s. - Watercolor on paper. 22 x 30 inches. Signed lower right. Repaired 2 inch tear without loss. [Attributes: Signed Copy]

      [Bookseller: Wittenborn Art Books]
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        La musique arabe. 6 Volumes. (Tome 1-6) First edition.

      Paris : Paul Geuthner 1930 (- 1959) - Band I (1930) und II (1935): Al-Farabi: Grand traité de la musique et Avicenne; Mathématiques/ Band III (1938): Safiyu-d-Din al- Urmawi: Epître à Sharafu-d-Din Ach (Charafiyyah) et Livre des cycles musicaux/ Band IV (1939): Traité anonyme dédié au sultan Osmanli Muhammad ; Al-Ladhiqi: Traité al-Fathiyya/ Band V (1949): Essai de codification des règles usuelles de la musique arabe moderne. Echelle générale des sons. Système modal/ Band VI (1959): Essai de codification des règles usuelles de la musique arabe moderne. Système rythmique. Formes de composition. artistique // Aus der Bibliothek der Musikethnologin und -archäologin Ellen Hickmann (1934–2017) mit Nachlassstempel auf fl. Vorsatz bzw. Schmutztitel // Buchbindereinbände in Leinen mit Goldprägung. Stempel auf Titelblatt in den Bänden I-IV. Einige zarte Bleistiftanmerkungen in den Bänden I und II. Sehr guter Zustand. XXVIII, 329/ 310/ XIV, 318/ 528/ XV, 426/IX, 644 pp, figures Französisch 8000g [Attributes: Hard Cover]

      [Bookseller: Krull GmbH]
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        Reliefpanorama des Rheinlaufs von Duisburg bis Emmerich.

      - Aquarell mit Deckfarben über Bleistift, sign. v. J. Ruep, um 1930, 63 x 30 (H) Das Blatt ist unten links signiert "J. Ruep". Der Betrachter blickt von Süden über die Hafenanlage von Duisburg hinweg nach Emmerich. Mittig die Stadt Wesel. Gebiet Kleve, Emmerich, Wesel, Duisburg, Moers, Rheinberg, Xanten. - In leuchtenden Farben, auf Karton montiert und mit Legende auf Transparentpapier. [Attributes: Signed Copy; Soft Cover]

      [Bookseller: Antiquariat Clemens Paulusch GmbH]
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        THE MALTESE FALCON

      New York; London: Alfred A. Knopf, 1930. First Edition. Hard Cover. Good+ binding/Fine dust jacket. 12mo. Previous owner's bookplate attached to front paste-down along with a portion of the original dustjacket. No pencil or ink markings in text. A few pages have stains. Grey cloth binding. Closed tears and small chips at top and bottom spine with a small loss of cloth. Corners lightly bumped. Shelf-wear to lower extremities. Some staining on front board. Facsimile dustjacket. Digital pictures of book available upon request; DJ protected with Mylar Cover. Good+ binding / Fine dust jacket.

      [Bookseller: Black Swan Books, Inc.]
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        L'Abbesse de Castro.

      Paris, Librairie des Amateurs, A. Ferroud. - F. Ferroud, Successeur 1930 - Vingt-trois illustrations dessinées par Auguste Leroux. Huit hors-texte dont un frontispice gravés par Georges Beltrand. En-tête et culs-de-lampe gravés par G. Beltrand, Ch. Clément, A. et P. Baudier. Édition à tirage limité. Celui-ci (N°473) sur vélin d'Arches contenant une SUITE des 8 hors-texte au trait (insérés). Paris, Librairie des Amateurs, A. Ferroud. - F. Ferroud, Successeur - 1930 - 130 pages. Spécimen de l'édition relié in fine. Reliure demi maroquin noir à larges coins signée Pouillet. Dos à nerfs aux titre et auteur dorés. Tête dorée sur témoins. Filet doré bordant les plats. Couverture illustrée d'une vignette, et dos conservés. Quelques piqures sur la couverture d'édition et pages de gardes uniquement. Très bon état pour ce bel exemplaire. Format in-4°(27x20). Edition illustrée [Attributes: Hard Cover]

      [Bookseller: Livres et Collections]
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