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Displayed below are some selected recent viaLibri matches for books published in 1928


      New York Doubleday, Doran & Co. 1928 - Special Edition [in clear type]. Twenty-six volumes, 8vo., recently rebound in half navy blue morocco gilt, with raised bands and gilt decorations to spine, t.e.g. A handsome set in overall Very Good condition. NOTE: Heavy Set ( kg+): postage outside the UK might incur a surcharge**To see a scan of this set please visit our Home page ** The shop is open 7 days a week. Over 20,000 books in stock - come and browse. PayPal, credit and (UK) debit cards welcome. Books posted worldwide. For any queries please contact us direct. [Attributes: Hard Cover]

      [Bookseller: Chaucer Bookshop ABA ILAB]
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        Berlin vor hundert Jahren. Berlin und seine Umgebung im neunzehnten Jahrhundert. Eine Sammlung in Stahl gestochener Ansichten von den ausgezeichnetesten Künstlern Englands. Nachdruck von 1833.

      Deutsche Verlagsgesellschaft, Berlin 1928 - Nummer 345 von 1100. - Ledereinband am Rücken etwas verfärbt, im Allgemeinen etwas fleckig. Seiten aber sehr gut und frisch. Siehe Foto. Mit Illustrationen. XVI, X, IV, VI, II, 165 Seiten. Goldgeprägter GanzLEDER, VollGoldschnitt, Lesebändchen.

      [Bookseller: BerlinAntiquariat. Inh.: Karl-Heinz Than]
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        Love Among the Chickens

      Herbert Jenkins 1928 - London. An interesting item . McClelland and Stewart published The Little Warrior in 1920, well all they did was take the US edition with Doran prelims and stamp their name in green ink on the base of the spine. There was then a gap of six years before they published The Heart of a Goof in 1926. During these years the 11 Herbert Jenkins titles starting with The Coming of Bill and ending with Carry on Jeeves were distributed by Ryerson Press with their label over the price on the spine. Piccadilly Jim was published by McClelland Goodchild and Stewart in 1917 from US sheets. Herbert Jenkins also had the same arrangement with his own books. So this is not a Canadian edition but the closest we have .There were 10,000 copies of the tenth printing and I suspect around 500 went to Ryerson.I think a similiar arrangement was made in South Africa but have yet to find proof .500 copies sounds about right as the population of Canada in 1920 was around 8.5 million with a lot of those being French speaking . [Attributes: Hard Cover]

      [Bookseller: Dick Neal Fine Books]
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        Letters of Henry James to Walter Berry

      The Black Sun Press Paris: The Black Sun Press, 1928. First edition. Paperback. Near Fine. Wide 4to. Paper wrappers with cello cover. First edition, one of only 100 copies, this being number 76. Small amounts of expected wear to delicate cello wrapper, else near fine. Scarce.

      [Bookseller: Derringer Books, Member A.B.A.A. ]
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        THE GOLEM translated by Madge Pemberton

      Boston and New York: Houghton Mifflin Co.,. [1928]. original purple cloth, front and spine panels stamped in black, top edge stained black, fore-edge untrimmed.. A fine copy in bright, near fine art deco dust jacket (designed by E.. McKnight Kauffer) with light wear at edges, mainly head of spine. panel and upper corners and three faint damp stains to spine panel.. Quite scarce in jacket. (#20487). First edition in English, U.S. issue (made up from British sheets). Meyrink's first novel "prefigures that disastrous climax [World War I] to a century of growth and change. The phantasmagorical, threatened Prague of this novel - its wainscots haunted by a Golem who is more like a psychic fog than an actual entity, and the false polder of its ghetto withering under the baleful light of a new century - makes THE GOLEM into a pure urban fantasy: a tale whose setting, like some vast subterranean edifice, seems literally alive, organic, all-encompassing, Gothic. It is, however, like most twentieth-century urban fantasies distinguished from its Gothic ancestors through a sense that the fall of the city will be a bad omen for its inhabitants, not a release. At the same time, the pending destruction of Prague (and all of Europe itself) is treated by Meyrink with a deep ambivalence, and his next novels all tend to present the apocalypse as an occult cleansing of the material world so that higher unions of the spirit can be achieved." - Clute and Grant (eds), The Encyclopedia of Fantasy (1997), p. 642. "Key work of German Expressionism." - Barron (ed), Horror Literature 3-148. Bleiler, The Guide to Supernatural Fiction 1173. Clute and Grant (eds), The Encyclopedia of Fantasy, p. 642. Locke, A Spectrum of Fantasy, p. 157. Survey of Modern Fantasy Literature II, pp. 628-30. Bleiler (1978), p. 139. Reginald 10095.

      [Bookseller: L. W. Currey, Inc.]
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        La Divina Commedia Or The Divine Comedy Of Dante Alighieri In Italian And English

      London: Nonesuch Press, 1928. Hardcover. Orig. full orange stained vellum. Teg. Very good/No Dust Jacket. 325 pages. 30.5 x 22 cm. Limited edition, copy 1239 of 1475 on Van Gelder paper, the Botticelli drawings printed in collotype by Daniel Jacomet. The Italian text edited by Mario Casella of the University of Florence with the English version by H.F. Cary and 42 illustrations after the drawings by Sandro Botticelli. Double gilt front cover border fillets, gilt floral motif center of both covers, spine sunned.

      [Bookseller: Royoung bookseller, Inc.]
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        LE SOULIER DE SATIN ou Le Pire n'est pas toujours sûr. [4 volumes].

      1928 - Paris, Gallimard, 1928-29. Quatre volumes in-quarto (203 X 264) brochés, couverture rempliée papier doré gaufré et illustré d'un semé de paons dans un décor floral, étui de l'éditeur. Tome I : 132 pages, (1) f. - Tome II : 118 pages, (1) f. - Tome III : 153 pages, (1) page - Tome IV : 171 pages, (1) page, (1) f. Quelques rares rousseurs. ÉDITION ORIGINALE. Elle est illustrée de quatre frontispices lithographiés, tirés en noir sur fond or, du peintre José Maria SERT, dédicataire de l'?uvre. Tirage limité à 331 EXEMPLAIRES, celui-ci UN des 275 numérotés sur PUR FIL (n°41). Cette édition en quatre tomes offre la version intégrale de LA PLUS GRANDE RÉUSSITE THÉÂTRALE de Paul Claudel. Commencée en 1919, achevée en 1924, cette pièce surplombe l'oeuvre dramatique de Claudel. Il s'agit, selon l'une de ses formules aux variantes multiples, d'un «énorme drame, mélange incongru de bouffonnerie, de passion et de mysticité ». La pièce fut créée en 1943 à la Comédie-Française par Jean-Louis Barrault, dans une version considérablement abrégée. Antoine Vitez poussera, lui, l'audace jusqu'à faire tenir l'intégrale en une seule représentation. ("En français dans le texte", n° 337). SÉDUISANT EXEMPLAIRE conservé dans son étui décoré d'origine ; les fragiles couvertures sont en TRÈS BEL ÉTAT, condition RARE. FINE COPY. PICTURES AND MORE DETAILS ON REQUEST. [Attributes: First Edition; Soft Cover]

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        Dry Stream from Scenes of the French Countryside.

      1928 1928 - Soft crease to the margin of the lower right corner hidden by the mount. Stone lithograph on Rives wove paper. Sheet size: 40 x 30 cm. Signed in the stone by Fry. The image is probably from around Cassis, South of France. Fry took up lithography in 1927. Only a handful of farmyard and landscape scenes were executed in this medium as Fry chose to concentrate mainly on church interiors.

      [Bookseller: Peter Harrington. ABA member]
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        Louis II de Bavière ou Hamlet-Roi *

      Gallimard, (Paris) 6.10.1928. - Relié demi maroquin brun à coins, dos à nerfs, titre dorés, couverture et dos conservés. Menus défauts. Édition originale. L'un des 35 exemplaire numérotés sur Japon Impérial, outre 17 Chine, 137 Hollande et 665 Vélin pur fil.

      [Bookseller: Librairie Oh 7e Ciel]
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        The House At Pooh Corner

      London: Methuen & Co. Ltd,, 1928. With Decorations by Ernest H. Shepard. Octavo (190 x 125 mm). Recent pink morocco, titles and decoration to spine, raised bands, single rule to boards, marbled endpapers with original pictorial endpapers bound in at front, gilt edges. Illustrated throughout by Ernest H. Shepard. An excellent copy in a handsome binding. First edition, first impression. A charming binding copy of this classic children's tale.

      [Bookseller: Peter Harrington]
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        SOBRANIYE STIKHOTVORENIY ("Collected Verses") in Three Volumes

      Moscow: GIZ, 1928. Author: Nikolai Nikolaevich Aseev (1889-1963). Dust jackets in the style of Constructivism, probably by Varvara Fedorovna Stepanova (1894-1958) (no artist indicated). Text in Russian. All three volumes (complete). Hardcovers with DJs. 274, 186, 224 pp. Ads of books by Mayakovsky, Sel'vinsky, LEF magazines, etc. at rear. 2000 copies only. Dust jackets in fragile condition. [Rare] Please see the pictures. For more images please visit our website.. HB/DJ.

      [Bookseller: Books You Want]
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        She Who Sleeps

      New York: Doubleday Doran, 1928. First Edition. Hardcover. Very Good/Fine. First edition of this early fantasy novel by the author of the Fu Manchu series of books. A clean very good copy in sparkling fine unclipped dustwrapper. This copy from the library of fellow fantasy writer Otis Adelbert Kline with his bookplate to front endpaper. A nice association of two contemporaries in the fantasy world.

      [Bookseller: Derringer Books, Member A.B.A.A.]
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      New York: G. P. Putnam's Sons, 1928. First Edition. Hardcover. Owner name in ink of verso of front endpaper; some foxing to first few pages; split to hinge before the signed page. Gilt a little dull on the spine, some rubbing to the cover with slight loss of color at a couple of spots and along the fore-edge. Still Very Good, lacking the dustwrapper. Original maroon cloth with gilt lettering. Illustrated with numerous photographs. This copy is SIGNED by the famous aviator on the blank recto of the frontispiece. Earhart's account of her transatlantic flight when she became the FIRST WOMAN TO TRAVEL BY AIR ACROSS THE ATLANTIC. Earhart was lost at sea in her attempt, shortly before her fortieth birthday in 1937, to become the first woman to fly around the world. After her disappearance the most extensive air and sea search in naval history to date took place. After spending $4 million and scouring 250,000 square miles of ocean over a two-week period, the United States government reluctantly called off the operation.

      [Bookseller: Charles Agvent]
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        The Prisoner".

      1928 - Carte gravée en couleurs par Georges LEPAPE, (1928), 13.5 X 10 cm. Carte émise à l'occasion de la pièce d'Edouard BOURDET "The Prisoner" au Théâtre de la Michodière en 1928 et jouée à New York. Une femme, coiffée à la garçonne, hume une rose sur un fond de neige. Estampes

      [Bookseller: Librairie Chretien]
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        Liquidazione. (Prose).

      Ed. Ribet 1928 * Brossura originale salmone - cm 19 x 13 - pp. 167-(5) + 4 pp. su carta speciale verdina di pubblicità edit. - volume a pieni margini con barbe in eccellente stato. * Seconda raccolta di "trucioli", prose d'arte nate nel clima del frammentismo vociano e rondista che recano l'impronta delle maggiori esperienze letterarie coeve, dal crepuscolarismo all'orfismo di Campana, a certo espressionismo futurista, ma soprattuto i segni di una ricca e complessa esperienza umana che le rende inconfondibili. "Liquidazione" può voler dire l'abbandono dello slancio ribelle e iconoclasta d'inizio secolo e indicare un amaro e sofferto ripiegamento. Prima edizione di 772 esemplari numerati (ns. n. 384). (C. SBARBARO. Letteratura italiana del '900 /20th cent./).

      [Bookseller: Libreria Brusato]
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        West Running Brook

      Henry Holt, 1928. Hardcover, Near Fine. "Henry Holt and Company, New York 1928. Limited First Edition. Stated Limited First Edition. Number 771 of 1000 copies. Signed by Robert Frost on the Limitation page. Also, Signed by the Illustrator, J.J. Lankes, on all the woodcut illustrations. Rare. The Signatures are Guaranteed by the Publisher. Leather spine, decorative leaf designed boards. Gold gilt lettering at the spine. Top edge gold gilt. Book Condition: Near Fine, clean boards and spine, clean pages, tight spine, light shelf wear at the edges."

      [Bookseller: 1st Editions and Antiquarian Books]
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        Vier Zeilen - Herrenspende des Verein Berliner Presse.

      Berlin Presse-Ball (Hrsg.) 1928. - Flur 17 x 22 cm. Beige Originalflügelmappe aus Karton. Textheft zum Presseball mit 6 nicht paginierten Blättern. Zweites Heft mit 26 Blatt Faksimile von Handschriften. Weiterhin lose in der Mappe liegend 13 auf Karton montierte Lithografien. Ecken der Mappe nur sehr gering bestoßen, wirklich gutes Exemplar. Textbeiträge u.a. von: Alfred Döblin, Gerhart Hauptmann, Arno Holz, Georg Kaiser, Alfred Kerr, Klabund, Heinrich Mann, Alfred Polgar, Joachim Ringelnatz, Arthur Schnitzler, Carl Zuckmayer u.a. // Lithografien von: Arthur Grunenberg, Arthur Kampf, Emil Orlik, Hans Meid, Edwin Scharff, George Grosz, Friedrich Winkler-Tannenberg, Otto Schoff, Ernst Oppler, Ludwig Meidner, Lesser Ury, Friedrich Fennecker und Willy Jäckel. 500

      [Bookseller: Antiquariat Carl Wegner]
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        Lamia, Isabella, and The Eve of St. Agnes

      Waltham St. Lawrence: The Golden Cockerel Press,, 1928. With Engravings by Robert Gibbings. Small folio. Original quarter sharkskin by Sangorski & Sutcliffe, titles to spine gilt, grey cloth boards, top edge gilt, others untrimmed. Engraved title, head and tail-pieces, and engravings throughout by Robert Gibbings. Initial letters printed in black, red, and blue. Bookplate of Brian Douglas Stilwell. A fine copy. Number 432 of 485 copies on paper from a total limited edition of 500 copies. This edition of Lamia, Isabelle, & The Eve of St. Agnes was beautifully illustrated by Robert Gibbings (1889–1958), a leader of the wood engraving revival who was commissioned to produce two volumes for the Golden Cockerel Press before buying it outright when its founder, Harold Taylor, became ill with tuberculosis. "The press was at Waltham St Lawrence, in Berkshire. With Gibbings as its director and book designer it produced seventy-two books between 1924 and 1933, of which nineteen were illustrated by Gibbings himself. Forty-eight of its productions were illustrated with wood-engravings. Among the engravers whom Gibbings employed—several of whom were given their first commissions by him—were John Nash, David Jones, Eric Ravilious, Blair Hughes-Stanton, John Farleigh, and, most notably, Eric Gill…" (ODNB). A beautiful copy of this handsomely designed volume.

      [Bookseller: Peter Harrington]
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        Stock Movements And Speculation

      APPLETON, USA 1928 - Fine cloth copy in the uncommon but worn and torn dust wrapper, now Mylar sleeved. Gilt title on spine. Title has very light fading. Light shelf, edge wear with corner rubs. Table and chart illustrated. Else in good condition. DATE PUBLISHED: 1928 EDITION: FIRST ED 194 GOOD With chapters titled "Speculative Tactics" and "The Psychology of Speculation" and "The Dow-Jones Averages--1897-1928" as f. JACKET: GOOD DJ [Attributes: First Edition; Hard Cover]

      [Bookseller: Princeton Antiques Bookshop]
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      Di questa celebrata e intramontabile rivista mensile illustrata, offriamo la raccolta di "tutto il pubblicato" dal gennaio 1928 (Anno I, n, 1) al dicembre 1995 (n. 629). Casabella può essere descritta attraverso la storia delle variazioni dei suoi nomi: - 1928/1929: "La Casa bella. Arti e industrie de l'arredamento" e poi "Rivista per gli amatori de La Casa bella", edita dallo Studio Editoriale Milanese. Diretta da G. Marangoni. (in 24 numeri) - 1930/1932 (dal n. 25 al 60): "La Casa bella". Direzione di A. Bonfiglioli. - 1933/1937 (dal 61 al 120): "Casabella. Rivista mensile di architettura e di tecnica", pubblicata dall'Editoriale Domus. Diretta da G. Pagano - E. Persico partecipa prima come redattore e poi come condirettore fino alla morte (1936). - 1938/1939 (dal 121 al 144): "Casabella Costruzioni. Rivista mensile di architettura". Direzione di G. Pagano. - 1940/1943 (dal 145 al 191/192): "Costruzioni Casabella. Rivista mensile di architettura e di tecnica". A Pagano si affianca F. Matricardi, redattore capo. La rivista cessa le pubblicazioni su imposizione del Ministero per la cultura popolare nel dicembre 1943 (con il n. 191/192), dopo che Pagano era già stato imprigionato e deportato. - Casabella riprende nel 1946 con il titolo: "Costruzioni. Rivista mensile", diretta da F. Albini e G. Palanti (alcune copp. sono disegnate da A. Steiner). I numeri pubblicati sono: 193 - 194 - 195/198 (4 fascic. in 1) dedicati a Pagano. - Dal 1947 al 1953 la rivista non viene pubblicata. - 1953/1964: in dicembre (n. 199) riprendono le pubblicazioni, con il titolo: "Casabella Continuità. Rivista internazionale di architettura". Con il n. 223 (1959) varia il sottotitolo: "Rivista internazionale di architettura e urbanistica". Direzione di E.N. Rogers. La rivista vive un momento particolarmente intenso grazie alla partecipazione di famosi architetti quali: De Carlo, Zanuso, Gregotti, Argan, Guiducci, Nervi, Paci, Quaroni, Sacchi, Samonà, Rossi, Baffa, Canella, Semerani, Tintori, Aymonino, e con la grafica a cura di Gae Aulenti. Nel gennaio del 1965 l'editore revoca la direzione a Rogers (ultimo suo numero il 295) e predispone la cessione della testata. - 1965/1970: (nn. 296-348) "Casabella. Rivista di architettura e urbanistica", diretta da G.A. Bernasconi. E' pubblicata dall'Editoriale Domus. - 1970/1976: "Casabella. Rivista di urbanistica, architettura e disegno industriale" pubblicata da Editrice Casabella: 1972-1973 (nn. 365-377); da G. Milani di Edoardo Milani: 1973-1976 (nn. 378-412); da Industrie Grafiche Editoriali: 1976 (nn. 413-419) - la direzione è di A. Mendini. - Dal 1977: "Casabella", edita da Electa, muta il sottotitolo in "Rivista internazionale di architettura. International Architectural Review"; direzione di T. Maldonado. - Dal 1982 (n. 478) al 1995 la rivista è diretta da V. Gregotti. Nel ns. esemplare: 13 annate sono rilegate in mz. tela o tutta tela e conservano le copertine originali, mentre le restanti sono in brossura (talvolta con picc. mancanze al dorso). Inoltre i numeri dal 9 al 24 (della I e II annata) e il n. 184-185 (anno 1943) non hanno la copertina originale ma in riproduzione. Complessivamente la raccolta è ben conservata.

      [Bookseller: Libreria Antiquaria Malavasi]
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        A Voyage to Pagany

      N.Y.: Macaulay, 1928. First edition. Very good condition, hard cover, no dust jacket.. Clean and solid copy. 338 pages.. First Edition. Hardcover. Very Good/No Jacket. 8vo - over 7¾" - 9¾" Tall. Book.

      [Bookseller: Pinacle Books]
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        Ashenden: or, The British Agent (First Edition)

      Garden City: Doubleday, Doran, 1928. First American Edition. Near Fine in an attractive, Very Good plus dust jacket. with small chips at the crown and a couple of corners, and some light toning along the spine and flap folds. A cornerstone of espionage fiction, based on the author's experiences as a British agent, and source for the 1936 film, "Secret Agent," directed by Alfred Hitchcock and starring Peter Lorre and John Gielgud. Haycraft-Queen Cornerstone and Queen's Quorum. Surprisingly, a much less common title than the UK first.

      [Bookseller: Royal Books, Inc.]
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        Ashenden. Or the British Agent

      London, William Heinemann, 1928., 1928. Secret Service thriller. Second Impression. Publisher's cloth, gilt titles. Slight bubbling of cloth to front and rear panel and a trifle of wear to the head and tail of spine. Else a near fine copy. This copy inscribed by Maugham twice; once to the front endpaper "For Jack From WM", and again upside down on the rear endpaper. A pretty copy that shows well. A Haycroft-Queen cornerstone book. Two of the stories in 'Ashenden' were used by Alfred Hitchcock as the basis for 'The Secret Agent'. 'It is the archetype of the espionage novel, a precursor to the works of Ian Fleming, Len Deighton, John leCarre and Robert Ludlum.' (Book Collector 272). Book Collector; Top 200 Crime Novels (No.272). Also Stott, Rothschild, Haining; Crime Fiction p198.

      [Bookseller: Adrian Harrington Rare Books]
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        Lady Chatterley's Lover by D. H. Lawrence

      Florence, Privately Printed, 1928. 2 p.l., 365 p.; 25.5 cm. An unexpurgated piracy. Title in red and black: lines 1, 2, and 6 in red. This appears to be Gertzman, Descriptive Bibliography of LCL 1.11 with the Warren watermark. This copy belonged to S. Foster Damon, poet, and then a young teacher at Brown. Pages 149/150 have been removed and replaced with typescript corrected in three places in pencil. The original black binding has been replaced by Dragonfly with red leather spine and Lawrencian orange-patterned paper-covered boards; fine, gift quality. Stock#OB471.

      [Bookseller: Bibliomania]
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      London: Cassell (NY: Scribner's), (1928). Minor soiling to vellum, else fine. First edition. Limited to 1000 copies SIGNED by Dulac (this no. 334) 4to. 251p. Illustrated by Edmund Dulac with 12 full-page color plates. Bound with gilt-titled vellum spine over blue cloth boards, t.e.g. Hughey 74.

      [Bookseller: First Folio]
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        The Book of Common Prayer and Administration of the Sacraments ... According to the Use of the Protestant Episcopal Church in the United States of America. Together with The Psalter or Psalms of David

      Boston: D. B. Updike at his Merrymount Press, 1928 [-1930]. First edition. Leather_bound. Near Fine. Folio. xli + 611 pages. Printed throughout in red and black. Griffiths 1927/10B and 1930/1. Light foxing to final signature visible on colophon. Top edge trimmed and gilt. Other edges uncut. Bound in original burgundy pigskin with title and four faux bands and straps stamped in black. Hinges cracked at top and bottom with evidence of early repair. Custom velvet lined clamshell box with gilt title on leather spine label. One of 500 unnumbered copies printed by Updike at his Merrymount Press. A finely printed copy of the 1929 American BCP, financed by J.P. Morgan. Updike was a lifelong Episcopalian with a solid knowledge of the liturgical and practical requirements of the use of the Prayer Book. Updike took great pride in this printing, which took two dedicated years to complete, and is considered to be his crowning achievement.

      [Bookseller: St. Wulfstans Books]
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        Millions of Cats

      Coward McCann, Inc, New York 1928 - First issue book in a later issue dust jacket. Book contains the first issue point of the Jersey City imprint on the copyright page. Both book and jacket are in very good condition. The book has some rubbing along the top and bottom edges, as well as bending at the spine and at corners. A previous owner has taken pencil to underline several words throughout. Original owner's name on the title page. Jacket intact but shows darkening. Book comes housed in a custom slipcase. [Attributes: First Edition; Hard Cover]

      [Bookseller: Bookbid]
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        Klosy i poklosie Wystawy Naucz. w Kamionce".

      - Typ: teka 10 fotografii i 6 rysunkow tuszem; Haslo: Kamionka Strumilowa; Przyn. adm.: Kresy - powiat Kamionka Strumilowa wojewodztwo tarnopolskie (Ukraina); Sygnatura: Fotografie sygnowane pieczecia "Zaklad fotograficzny Menkesa w Kamionce Str." i nieczytelnie na rysunkach.; Technika: Rysunki czarnym tuszem (5 tablic i okladka) oraz 10 fotografii,; Format: fotografie kazda okolo 117x161-174, rysunki 239x163 (karta).; Uwagi: Fotografie z Wystawy Nauczycielskiej z 1928, profesjonalne fotografie bardzo dobrej jakosci.; Kategorie tematyczne: architektura szkoly, przyroda gospodarstwo domowe, zawody i zajecia / Architektur Schulen/Schule, Berufe und Beschäftigungen/Beruf und Beschäftigung Natur Hauswirtschaft / architecture schools/school, jobs and professions/job and occupation nature/wildlife household / Handzeichnung / drawing; Rysunki i fotografie w ladnym stanie, okladka nieznacznie uszkodzona.

      [Bookseller: POLIART Beata Kalke]
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        Bambi. A Life in the Woods [Bambi, ein Leben im Walde]. Foreword by John Galsworthy

      Simon & Schuster, NY, 1928. 'First Printing in America, July, 1928'. With 26 black & white plates. Translated by Whitaker Chambers. Illustrations by Kurt Wiese. First published 1926; first translated into English in 1928; film rights sold to Sidney Franklin in 1933; Disney movie released 1942. Life of a deer in the Danube forest. Green cloth stamped in gold, top edge green, color pictorial endpapers; white pictorial dj printed in green & black; waterstain along top edge & down dj spine extends to book spine & along top edges of flyleaves; internally clean; Very Good. Stock#OB723.

      [Bookseller: Bibliomania]
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      Jonathan Cape, London,UK 1928 - First UK Edition. This is a true first edition,(First impression) in a very good plus to near fine jacket which is not price clipped it has a chip to the lower spine and a few two small closed tears to the tips and a small water stain to the top front corner. The text and colour pictorial endpapers are fine and unmarked. The boards are unmarked and in near fine condition with light softening to two tips. Translated from the German by Whittaker Chambers with a Foreword by John Galsworthy. Uncommon in collector's condition [Attributes: First Edition; Hard Cover]

      [Bookseller: Kelleher Rare Books]
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        Harry: Being the Recollections of an English Boy, who served four years in the Union Army during the Civil War

      Iowa Printing Company, Iowa City, Iowa 1928 - First edition. 12mo. Maroon cloth gilt. Small rubberstamped name of the author on the dedication page, modest spot on the front board, else near fine. Scarce. *OCLC* locates six copies in the U.S. [Attributes: First Edition; Hard Cover]

      [Bookseller: Between the Covers-Rare Books, Inc. ABAA]
 31.   Check availability:     AbeBooks     Link/Print  

        Letters of Henry James to Walter Berry

      Paris: The Black Sun Press, 1928. First edition. Paperback. Near Fine. Wide 4to. Paper wrappers with cello cover. First edition, one of only 100 copies, this being number 76. Small amounts of expected wear to delicate cello wrapper, else near fine. Scarce.

      [Bookseller: Derringer Books, Member A.B.A.A.]
 32.   Check availability:     Biblio     Link/Print  

        Houdini, His Life-Story - 1st Edition/1st Printing

      New York: Harcourt, Brace & Company. Near Fine in Very Good dust jacket. 1928. First Edition; First Printing. Hardcover. A handsome First Edition/First Printing copy in Near Fine condition in the rare original, Very Good dust-jacket. Very small area of glue residue inside rear cover, book otherwise bright without markings and only little rubbing of spine and edges. An important piece of magic history; Houdini's rise from obscure dime-museum performer to the brightest star of "Big Time" is only part of Kellock's story. His personality and his private life are fully as fascinating and romantic as his public career. Kellock's intimate account is based on the recollections and document of Beatrice Houdini, his wife and only person party to all his secrets .

      [Bookseller: Books Tell You Why ]
 33.   Check availability:     ABAA     Link/Print  


      London: Hutchinson & Co. (Publishers), Ltd., n.d.. [1928]. original pictorial blue-gray cloth, front and spine panels stamped in black.. A fine copy. Formerly, August Derleth's copy with his signature dated. 1929 on front free endpaper. (#74255). First edition. Collects twelve stories. Excellent ghost stories juxtaposing nature mysticism with graphic horrors to striking effect; including classics "The Face," "Naboth's Vineyard," and "And No Bird Sings." "A competent, well- handled collection." - Bleiler, The Guide to Supernatural Fiction 145. Ashley, Who's Who in Horror and Fantasy Fiction, pp. 31-2. Barron (ed), Horror Literature 3-17. Sullivan (ed), The Penguin Encyclopedia of Horror and the Supernatural, pp. 30-1. Survey of Modern Fantasy Literature III, pp. 1433-35 (overview of Benson's horror fiction; pp. 1434-35 critiques "The Face"). Tymn (ed), Horror Literature 3-16. Wilson, Shadows in the Attic, p. 67. Bleiler (1978), p. 21. Reginald 01135.

      [Bookseller: L. W. Currey, Inc. ]
 34.   Check availability:     ABAA     Link/Print  

        Tales of Fresh-Water Fishing

      New York: Harper & Brothers. 1928. First. First edition. Quarto. Very near fine in very good plus dustwrapper with some very shallow chips and tears, mostly near the spine ends. Exceptionally scarce in jacket. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
 35.   Check availability:     ABAA     Link/Print  

        The House at Pooh Corner

      London: Methuen. 1928. First. First edition. Decorations by E.H. Shepard. Offsetting from the jacket flaps else fine in very near fine dustwrapper with a couple of tiny nicks at the crown, and a little subtle tanning to the spine. A book in which we learn the derivation of the game of Poohsticks; it is shown that Tiggers don't climb trees; and ultimately we leave Pooh and Christopher Robin in an enchanted place. Or perhaps it's the other way around. A lovely copy. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
 36.   Check availability:     ABAA     Link/Print  

        BEHIND THE MAGICIAN'S CURTAIN. An Exhibition of Books and prints Relating to Conjuring and Magic. On Exhibition at the New York Public Library

      New York, 1928.. FIRST EDITION 1928. Slim stapled booklet, approximately 175 x 115 mm, 7 x 4½ inches, beige thin card wrappers, printed title to upper cover, frontispiece and 1 illustration, 12 pages. Staples rusted otherwise a very good copy. MORE IMAGES ATTACHED TO THIS LISTING. POSTAGE AT COST.

      [Bookseller: Roger Middleton]
 37.   Check availability:     Biblio     Link/Print  

        The Works

      Oxford: Printed at the Shakespeare Head Press, Stratford-upon-Avon, and published for the Press by Basil Blackwell, 1928-9 One of 375 sets on Batchelor's Kelmscott handmade paper, out of a total edition of 386 copies. Edited by A.W. Pollard and others. . Original blue paper boards with natural linen spines, paper spine labels. . Eight volumes, quarto. Seventy hand-colored woodcut illustrations, twenty hand-colored woodcut diagrams. Calligraphic half-titles, title-pages, and contents pages in red and black by Joscelyne V. Gaskin. Paragraph marks in red and blue, first initial in gold, other initials and sections headings printed in blue after designs by Gaskin, some shoulder notes printed in blue, occasional text printed in red and blue. Spine labels darkened, but a near fine set?tight, clean and partially unopened. The figures of the Canterbury Pilgrims were freely drawn from the Ellesmere manuscript (now at the Huntington Library) by Hugh Chesterman. The miniatures in The Romaunt of the Rose were redrawn by Lynton H. Lamb from a fourteenth-century French manuscript, MS. Egerton 881, at the British Museum. Other manuscripts from the Bodleian Library and Cambridge University were used for the illustrations to The Compleynte of Mars and A Treatise on the Astrolabe, as well as for two portraits of Chaucer. Woodcuts from Richard Pynson's 1526 three-volume edition of Chaucer were redrawn by Lynton H. Lamb to illustrate A Parlement of Foules, Troilus and Criseyde, The House of Fame, and The Legende of Good Women, and woodcuts from Vincent's early sixteenth-century Lyon edition of Boethius were adapted for De consolacione philosophie.

      [Bookseller: Michael R. Thompson, Booksellers, ABAA/I]
 38.   Check availability:     Biblio     Link/Print  

        ART & LOVE.

      Printed by Robert Gibbings at the Golden Cockerell Press, for Douglas Cleverdon. Bristol. 1927 (1928) - LIMITED EDITION. 8vo. (7.9 x 4.7 inches). One of 35 copies, numbered and signed by Gill and with an extra set of the six Copper engravings loose in a folder inside the rear cover. Illustrated with six initial letters from wood engravings plus six full page copper engravings, this special edition also with an extra suite of the six copper engravings. Internally this is a beautiful, clean and uncut copy, printed on Batchelor hand made paper with oak leaf watermark. The six loose engravings in the folder at the end are all fine and clean. In the original full white vellum binding with gilt lettering to the spine, all edges untrimmed. The publishers delux vellum binding has a stain that affects the top 2/3rds of the spine (obscuring some of the gilt lettering) and an area about 1/3rd of the rear board. The stain does not encroach inside the volume at all. ----- Although the printing was completed on June 30th 1927 the book wasn't published until march 1928. 225 ordinary copies were issued, numbered and signed by Gill, and bound in black buckram at 21s and 35 special copies, numbered 1-35, bound in full vellum and signed by Gill, were issued at 2 quineas, although 25 of the ordinary and 5 of the special edition were not for sale. --Evan Gill. Bibliography of Eric Gill. No. 14. [Attributes: Hard Cover]

      [Bookseller: Paul Foster-ABA.]
 39.   Check availability:     AbeBooks     Link/Print  


      Methuen & Co., Ltd., London 1928 - First Impression. Octavo; salmon-colored cloth, with titles, rule, and decorations stamped in gilt on spine and front panel; top edge gilt; decorative endpapers; 178pp; illus. Tasteful bookplate to front pastedown, with some pinpoint rubbing to spine ends, else Fine and clean throughout. Dustjacket is the correct state, with 'When We Were Very Young' printed at 179th Thousand on rear flap; gentle sunning to spine, with two small moisture stains to same, a few short tears, and some minute chipping at spine ends and corners; still a well-preserved and presentable example - Very Good+. First Trade edition of Milne's beloved book, the second chapter of which introduces us to the ever-energetic Tigger. [Attributes: First Edition]

      [Bookseller: Captain Ahab's Rare Books]
 40.   Check availability:     AbeBooks     Link/Print  

        Arabia of the Wahhabis

      Constable, London 1928 - In original cloth-covered boards. Fold out map at rear, diagrams (most in the run of the text) and crisply-reproduced photographs, all as called for. With three appendices and an index. Philby's final volume of his account of his time in Arabia in 1917 and 1918. "I was, I think, the very last European to sojourn in the Wahhabi Arabia before the advent of the motor-car". He offers a view of the country, and of Ibn Saud himself, some years before the coronation of Ibn Saud and the establishment of the Kingdom of Saudi Arabia. Condition: Boards bumped, internally clean, crisp and sound; the map and photographs are in excellent condition. This copy misses being classed as Very Good because of staining to the rear board, and some fraying of the joint between that board and the spine. Photographs available. [Attributes: First Edition; Hard Cover]

      [Bookseller: Duck Cottage Books]
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        Meet Mr. Mulliner

      New York : Doubleday, Doran & Company, Inc. . Very Good . 1928 . First American Edition . Hardback . .

      [Bookseller: St. Mary's Books & Prints]
 42.   Check availability:     Biblio     Link/Print  

        The Laws of the Gold Coast Colony Containing the Ordinances of the

      1928. Smith, Ernest Gardiner, Compiler. The Laws of the Gold Coast Colony Containing the Ordinances of the Colony and the Orders, Proclamations, Regulations, Rules and By-Laws Made Thereunder in Force on the 1st Day of January, 1928, Together with the Letters Patent and Royal Instructions and the Principal Imperial Statutes and Orders of the Sovereign-in-Council Relating to the Colony. Revised Edition. Prepared Under the Authority of the Revised Edition of the Laws Ordinance, 1928. London: Printed by Waterlow & Sons, 1928. Three volumes. Original cloth, large gilt royal arms to front boards, gilt titles to spines. Some shelfwear and soiling, faint stain to front board of Volume I, internally clean. Ex-library. Location labels to spines, small inkstamps to title pages. A nice copy of an uncommon set. * In 1821 Great Britain assumed control of the European settlements on the Gold Coast. Through a series of wars with local tribes with extensive land holdings, most notably the Akan and Asanti (Ashanti), the colony enlarged its borders during the 1860s and 70s. The Gold Coast Colony became Ghana when it became independent in 1957. A supplement to Gardiner's compilation was published in 1929. Sweet & Maxwell, A Legal Bibliography of the British Commonwealth 7:164.

      [Bookseller: The Lawbook Exchange, Ltd.]
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        The Works of John Galsworthy. Grove Edition. Complete Set of 26 volumes

      London William Heinemann 1928. VG : in Very good condition without dust jacket. Light rubbing to spines of several volumes. Teg Grove Edition. Reprint Dark blue leather cover 180mm x 110mm (7" x 4"). Volumes published between 1928- 1938.

      [Bookseller: Barter Books]
 44.   Check availability:     TomFolio     Link/Print  

        France and Belgium, 1914. Volumes I and II [together with] Map cases I and II. History of the Great War Based on Official Documents. Military Operations. 4 volume set

      London Macmillan & Co Ltd 1928. VG : in very good condition without dust jacket. Some light fading to map cases Reprint Red/gilt hardback cloth cover 230mm x 140mm (9" x 6"). xxix, 545pp; xxvii, 548pp + maps. Map case I - 34 maps; Map case II - 40 maps. Volume I, [reprinted 1928]. Antwerp, La Basee, Armentieres, Messines, and Ypres. October -November 1914. Volume II, [reprinted 1929]. Mons, The Retreat to the Seine, The Marne and the Aisne. August - October 1914.

      [Bookseller: Barter Books]
 45.   Check availability:     TomFolio     Link/Print  


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