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Displayed below are some selected recent viaLibri matches for books published in 1927

        NOW WE ARE SIX

      Methuen 1927 - First edition, deluxe issue in publisher's full green soft leather with gilt vignette of Christopher Robin and his fishing rod on the upper cover and an elaborately decorated spine. In original glassine and publisher's box. All edges are gilt and the silk page marker is present. A superb, fine copy, in a browned and worn glassine. The box is in very good condition indeed with small splits to a couple of corners. Endpapers and almost every page with line drawings by E.H. Shepard. [Attributes: First Edition; Hard Cover]

      [Bookseller: Jonkers Rare Books ABA ILAB]
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        Now We Are Six.

      NY: E.P. Dutton & Co 1927 - LARGE PAPER SIGNED LIMITED AMERICAN EDITION. 1 volume, illustrated my E. H. Shepard, limited to 200 numbered copies signed by Milne and Shepard of which this is copy #85. Publisher's original 1/2 pink cloth over blue pictorial paper boards, in NEAR FINE condition, with the original DJ, VG. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: D&D Galleries - ABAA]
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      - MILNE,A.A. NOW WE ARE SIX. London: Methuen (1927). 8vo (5 x 7 3/4"), maroon colored gilt cloth, top edge gilt, Fine condition in dust wrapper (dw is VG with some soil and some fraying at top of spine and corner). This is a rare PUBLISHER'S DUMMY that contains 23 pages including headers for the preliminary pages and then text with illustrations by E.H. SHEPARD followed by blank pages. The contents page is partial, the Introduction has the header only. [Attributes: Hard Cover]

      [Bookseller: Aleph-Bet Books, Inc. - ABAA]
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        Juvenile] Now We Are Six.

      London Methuen (1927) - First edition. This famous collection of children’s verses, featuring Milne’s son, Christopher Robin, and his bear, is illustrated throughout with Ernest H. Shepard’s whimsical drawings. Signed at a later date on the title page by Shepard. Handsomely bound by Bayntun-Rivière in deep red morocco, with gilt ruled borders and spine in six compartments. Four little Pooh-Bears are stamped in gilt on the spine. Vignette in gold of Christopher Robin with his fishing pole stamped on the front cover. Original cloth wrappers bound-in. A.e.g. A lovely presentation of Milne’s classic, in immaculate condition. [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Bromer Booksellers, Inc., ABAA]
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        Now We Are Six

      Methuen, London 1927 - First edition. Fine in an attractive and clean, near fine dustwrapper with very slight toning on the spine and a shallow sliver at the crown. A very nice copy of the third "Pooh" book. See this book in 3D on our site. [Attributes: First Edition; Hard Cover]

      [Bookseller: Between the Covers-Rare Books, Inc. ABAA]
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        Songs from Now We Are Six

      London: Methuen 1927 - Signed limited edition. One of 100 copies signed by Milne, Shepard, and Fraser-Simon. Illustrations by E. H. Shepard and music by H. Fraser-Simson. Original publisher's blue cloth-backed gray paper-covered boards, printed paper label to front cover. Light rubbing to cloth, covers toned with some fading and soiling, corners worns, else very good; internally very clean. [Attributes: Hard Cover]

      [Bookseller: B & B Rare Books, Ltd., ABAA]
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        Now We Are Six

      Dutton, New York 1927 - 1927 1st American trade edition, following the signed/limited edition of 200 copies. IN THE UNCOMMON PICTORIAL DUSTJACKET. Solidly VG, with bright gilt-lettering to the front panel and spine, AND in a bright, crisp, VG+ dustjacket, with light chipping at the spine crown and at the top-edge of the front flap. Internally, very clean, with no writing or markings of any kind. 12mo, 103 pgs. An attractive copy. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: APPLEDORE BOOKS, ABAA]
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      Methuen & Co., London 1927 - First Edition in the original red cloth, gilt titles, rules and decorations, teg., pictorial endpapers decorated by E.H. Shepard, A fine copy in a very good or better first issue pictorial dustwrapper showing just a hint of tanning to the spine panel & minor wear at the tips. Small 8vo. 103 pp. A truly lovely copy. [Attributes: First Edition; Hard Cover]

      [Bookseller: TBCL The Book Collector's Library]
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        NOW WE ARE SIX.

      London Methuen 1927 - FIRST EDITION 1927, 8vo, original publisher's deep rose pink de luxe morocco, double ruled gilt border with floral ornament to corners and gilt vignette at centre to upper cover, gilt floral decoration, 5 gilt vignettes, gilt rules and lettering to spine, all edges gilt, illustrated pink endpapers, pages: x, (2), 103. Illustrated throughout by E.H. Shepard. Just very slightly rubbed at head and tail of spine, a touch of fading to spine. No inscriptions, a near Fine wonderful tight clean copy. Lacking original box and now housed in a Fine sturdy custom-made clamshell box lined in deep pink velvet, covered in dark red cloth with gilt rules, title, author and publisher to spine. MORE IMAGES ATTACHED TO THIS LISTING. POSTAGE AT COST. [Attributes: First Edition; Hard Cover]

      [Bookseller: Roger Middleton P.B.F.A.]
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        Now We Are Six

      Methuen, London 1927 - Original maroon cloth with gilt lettering and vignette in pictorial dustwrapper. Top edge gilt. Pictorial end papers and line drawings by E.H. Shepard. A fine copy in a fine dustwrapper which has a nearly invisible closed tear to the top edge of the spine. Superb copy and hard if not impossible to find in this condition. [Attributes: First Edition; Hard Cover]

      [Bookseller: Martin Breese Books]
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        Now We Are Six. Decorations by Ernest H. Shepard.

      London, Methuen and Co., 1927. - First Edition in publisher's De Luxe binding of blue full morocco with gilt titles and decoration to spine, decorative gilt rule to boards with gilt-stamped illustration to centre of upper; all edges gilt, pink pictorial end papers. 8vo.; pp. 103. Neat small inscription to f.f.e.p. A fine copy held in a protective custom made blue cloth wallet. Book Collector No.271, 'The Great Illustrators'. [Attributes: First Edition; Hard Cover]

      [Bookseller: Adrian Harrington Rare Books, ABA ILAB]
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        Now We are Six. With Decorations by Ernest H. Shepard.

      London: Methuen & Co 1927 - First deluxe edition, 8vo, (xii), 103, (1) pp. Illustrations throughout. Original Publisher’s limp blue morocco with gilt decoration, spine slightly sunned with faint rubbing to ends, a handsome copy.

      [Bookseller: Bow Windows Bookshop (ABA, ILAB)]
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        NOW WE ARE SIX

      - MILNE,A.A. NOW WE ARE SIX. London: Methuen (1927). 8vo, gilt cloth, top edge gilt, 103p., FINE IN DUST WRAPPER (dw slightly chipped at spine extrems and sl. darkened). 1st edition. Illustrated by E.H. SHEPARD. [Attributes: First Edition; Hard Cover]

      [Bookseller: Aleph-Bet Books, Inc. - ABAA]
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        Now We Are Six

      Methuen, London 1927 - Original maroon cloth with gilt lettering and vignette in pictorial dustwrapper. Top edge gilt. Pictorial end papers and line drawings by E.H. Shepard. A fine copy in a good to VG dustwrapper which has a small tear to the top edge of the spine. Some foxing to end papers. Neat ownership inscription. Excellent copy. [Attributes: First Edition; Hard Cover]

      [Bookseller: Martin Breese Books]
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        Now We Are Six - First Deluxe Edition

      Methuen & Co. Ltd., . 1st deluxe edition 1927 - Now We Are Six, 1st deluxe ed., 1927, illustrations by E.H. Shepard, contemporary previous owner inscription to front endpaper, a.e.g., original green calf gilt in exceptionally bright condition, with none of the usual spine fade. 8vo [Attributes: First Edition; Hard Cover]

      [Bookseller: finecopy Ltd P.B.F.A.]
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        Now We Are Six

      Methuen & Co Ltd., London - 1927, 1st Edition. (Hardcover) Very good in good to very good dust jacket. x,[2],103pp. Small Octavo in original gilt red cloth, gilt top edge, illustrated pink endpapers and dust jacket with decorative illustrations by Ernest H. Shepard. One leaf taped in with a previous owner's signature on front free endpaper and slightly chipped dust jacket. [Attributes: First Edition; Hard Cover]

      [Bookseller: Aquila Books(Cameron Treleaven) ABAC]
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        NOW WE ARE SIX

      - MILNE,A.A. NOW WE ARE SIX. London: Methuen (1927). 8vo (5 x 7 1/2"), burgundy gilt cloth, top edge gilt, 103p., owner inscription erased on endpaper else VG-Fine (no dw). 1st ed. Featuring wonderful pen and ink illustrations by E.H. SHEPARD. [Attributes: First Edition; Hard Cover]

      [Bookseller: Aleph-Bet Books, Inc. - ABAA]
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        Now We Are Six

      Methuen, London 1927 - x, 103 p. Illus. Green leather, spine a bit faded, some edge wear and wear at top of spine. Owner's signature on half title. Cracked at pp. 36-37. Slight wear. Small ink mark on text block edge. Tape marks inside where two added illustrations have come loose. The Book and Magazine Collector lists the DeLuxe edition as having been issued in blue, green, or red leather binding, with a slipcase. This item no longer has a slipcase. Ann Thwaite in 'The Brilliant Career of Winnie The Pooh' states that it was published on October 13, 1927 in both England and America. The owner's signature is dated 4.11.27 so she was an early and keen owner! Dorothy Parker, a keen reader in another way, printed her classic review in November 1927. "But I too have a very strong feeling about the Whimsicality of Milne. I'm feeling it right now. It's in my stomach." Fortunately, the rest of the world did not agree with Parker about this enduring classic. [Attributes: First Edition; Soft Cover]

      [Bookseller: Attic Books (ABAC, ILAB)]
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        NOW WE ARE SIX

      London: Methuen & Co 1927 - First edition, first printing. DELUXE ISSUE in the publisher’s soft red leather with gilt titles and illustration to the upper board and spine. All edges gilt. An attractive better than very good copy showing only light rubbing to the extremities. The contents are entirely complete, in fine condition and without inscriptions or stamps. Further details and images for any of the items listed are available on request. Lucius Books welcomes direct contact with our customers. [Attributes: First Edition; Hard Cover]

      [Bookseller: LUCIUS BOOKS (ABA, ILAB, PBFA)]
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      Doubleday Page & Company 1927 - First Edition by Country Life Press. A stunning dustjacket that looks about new with only slight wear to the spine hardly noticeable. Otherwise, this original dustjacket appears to have been safely stored away until recently. The colors are vibrant, and the price is present. This beautiful and scarce dustjacket with eyes looking at a girl on the bed is seldom seen in this nice of condition. The book is in nice shape. The binding is tight, with some wear to the spine and boards. The pages are clean with minor wear to the edges. There is no writing, marks or bookplates in the book. Overall, a lovely copy of this popular title with an amazing dustjacket that is in excellent condition. [Attributes: First Edition; Hard Cover]

      [Bookseller: Quintessential Rare Books, LLC]
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        Les Feuilles Libres n°45 - 46 Hommage à Léon-Paul Fargue

      1927 - Livre d'occasion 22,5 x 18,7 cm, broché, catalogue d'éditeur imprimé sur papier bleu, 207 pp. Belle revue contenant des lettres inédites de Jarry, Schwob, Apollinaire, Rivière, Proust Rilke, des textes de Valery, Ponge, Tzara, Colette, Crevel, Joyce et des illustrations de Daragnès, Picasso, Chirico, Michaux, etc. Condition : Edition originale. L'un des 10 ex. sur papier Japon (après 2 vieux Japon impérial), non justifié et sans fragment manuscrit, mais imprimé spécialement pour Paul Chadourne et enrichi d'un ENVOI AUTOGRAPHE de l'auteur. Complet du hors texte de Paul Klee sur feuille volante. Très bon état (non coupé). 625g. [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Librairie Faustroll]
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      Grosset & Dunlap, New York 1927 - No date. Orange cloth with black lettering. 354 pages with one page ad at rear for books by J.S. Fletcher. The wonderful dust jacket is the one with the large and dominating eyes looking over the sleeping woman. There is a closed tear on the spine and at the bottom of the front panel. Some chipping to both spine ends and some splitting at the flap hinges. Book-plate on fronte paste-down. Still, a very nice copy of an early reprint. [Attributes: Hard Cover]

      [Bookseller: First Place Books]
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        Le moulin de Frau.

      Mornay 1927 - - Mornay, Paris 1927, 15x20,5cm, relié. - Edition illustrée de 59 bois originaux de Louis-Joseph Soulas, un des 1000 ex numérotés sur Rives. Reliure en demi maroquin chocolat à bandes, dos à quatre nerfs, encadrements de filets dorés sur les plats de papier marbré, gardes et contreplats de papier moiré, couvertures et dos conservés (dos comportant une restauration en pied), élégante reliure signée à la main de Marot-Rode. Bel exemplaire parfaitement établi. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Librairie Le Feu Follet]
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        ANTROPOLOGIA O HISTORIA NATURAL DEL HOMBRE. Antropogenia, etnogenia y etnologia.

      Sucs. de Rivadeneyra, Madrid 1927 - 554p, 1h, ils. y fots. en texto (alg. color). Tela edit. levemente ajada. Dedicatoria autógrafa del autor. - Primera edición, segunda tirada. 1927

      [Bookseller: Escalinata, librería]
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        LES CHANSONS DE BILITIS. Traduites du grec. Illustrations de Sylvain SAUVAGE, gravées sur bois par Pierre Bouchet.

      1927 - Paris, Chez Sylvain Sauvage, 1927. Grand in-quarto (234 X 290) maroquin bleu pétrole, premier plat orné d'un grand fer doré représentant une danseuse nue avec un voile, semé de points dorés, pièce de maroquin brun en pied orné de fleurettes dorées, dos quatre nerfs en brun, semé de points dorés, auteur et titre dorés, date en queue, tête dorée, contreplat doublé d'un large encadrement de maroquin vert émeraude avec deux listels de maroquin bordeaux, gardes et contregardes de tissu gris perle avec décor de montagnes en vert, plats et dos de la couverture conservés, étui bordé (CREUZEVAULT) ; (3) ff. blancs, (1) f. de justification de tirage, frontispice, 153 pages, (1) page, (3) ff. Ex-libris de cuir rouge avec un "R" doré, collé en tête du premier contreplat. Quelques rares et infimes rousseurs, teinte du dos très légèrement foncée. UNE DES ILLUSTRATIONS MARQUANTES DU CHEF-D'OEUVRE DE PIERRE LOU?S. Elle contient TRENTE-TROIS ILLUSTRATIONS dont neuf hors-texte de Sylvain SAUVAGE gravées sur bois en couleurs et tirées par Pierre Bouchet. Le texte est présenté dans un encadrement de filet rouge. Tirage limité à 287 EXEMPLAIRES, celui-ci un des 235 numérotés sur vergé de Montval (n°110). «Dans toutes ces planches domine un ton d'ocre pâle; la gravure du trait est tirée dans un gris qui sert aussi à des indications de modelé. Un rose délicat anime les nus de rehauts discrets. Parfois un vert, un bleu, un rouge, jette une note vive. Mais ce sont les noirs surtout, des noirs profonds dont l'artiste a su jouer avec une rare maîtrise, qui mettent en valeur et font chanter les harmonies légères de ces charmantes évocations. Sylvain Sauvage nous donne seulement l'image stylisée d'une sensualité très près de la nature, d'une franchise parée de simple poésie?» (Marcel Valotaire). RAVISSANT EXEMPLAIRE dans une reliure en maroquin décoré de Louis et Henri CREUZEVAULT. (Monod, 7384 - Mahé, "Bibliographie des livres de luxe", p. 724 - Devauchelle, "La Reliure en France", III-252 - Fléty, "Dictionnaire des relieurs français", 49-50 - Marcel Valotaire, "Sylvain Sauvage",pp. 34 et 35). FINE COPY. PICTURES AND MORE DETAILS ON REQUEST.

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        Oeuvres completes de Stendhal [64 volumes in 34 - incomplete series - with 6 additional works of criticism]

      Paris : Le Divan, 1927-37 - Physical description: 70 vols. in 37. 16cm. Incomplete series of Stendhal's works, published by Divan, 1927-1937. Includes 64 volumes of Stendhal's works (in 34), with 6 additional critical works (in 3). Contents: [I] La Chartreuse de Parme. 2 v. - [III] Le rouge et le noir. 2 v. - [IV] Vie de Henri Brulard. 2 v. - [V] Armance. - [VI] Rome, Naples et Florence. 3 v. - [VII] Souvenirs d' egotisme. - [IX] Lamiel. - [X] Vies de Haydn, de Mozart et de Metastase. - [XI] Romans et nouvelles. 2 v. - [XII] Vie de Rossini. 2 v. - [XIII] Lucien Leuwen. 3 v.- [XIV] Histoire de la peinture en Italie. 2 v. - [XVI] Memoires d'un touriste. 3 v. - [XVII] Voyage dans le Midi de l aFrance. [XIX] Moliere, Shakspeare, la comedie et le rire. - [XXI] Pensees. 2 v. - [XXII] Idees italiennes. - [XXIII] Theatre. 3 v. - [XXIV] Melanges d' art. - [XXV] Ecoles italiennes de peinture. 3 v. - [XXVII] Melanges de litterature. 3 v. - [XXVIII] Melanges de politique et d'histoire. 2 v. - [XXVIX] Correspondance. 10 v.-[XXX] Courrier anglais. 5 v. - [XXXI] Melanges intimes et marginalia. 2 v. - [XXXII] Journal. 5 v. Lacks 15 volumes: - [II] De l'amour. 2 v. - [VIII] Racine et Shakspeare. - [XV] Chroniques italiennes. 2 v. - [XVIII] Napoleon. 2 v. - [XX] - Promenades dans Rome. 3 v. - [XXVI] Pages d'Italie. - [XXXIII] Table. 4 v. Note: Volume numbers assigned according to Bibliotheque Nationale, Paris. Additional critical works: Petit dictionnaire stendhalien / Henri Martineau [1948] - Le calendrier de Stendhal / Henri Martineau avec la collaboration de Jules Lefranc et de Marion Lievre [1950] - La vie intellectuelle de Stendhal : genese et evolution de ses idees (1802-1821) / par Victor del Litto [2nd ed. 1962] - En marge des manuscrits de Stendhal : complements et fragments inedits (1803-1820) / suivis en appendice d'un courrier italien par V. del Litto [1955] - Le coeur de Stendhal : histoire de sa vie et de ses sentiments / Henri Martineau [2 vols., 1952 & 1953] - L' oeuvre de Stendhal : histoire de ses livres et de ses pensees / par Henri Martineau [revised edition, 1966]. Subjects: Stendhal, 1783-1842 - Marie-Henri Beyle - French literature - 19th century - Collected works - Fiction - Realism - France - Correspondance - Travel literature - Literary criticism - Studies and criticism - Biography. Language: French. Finely bound in later burgundy buckram, with contrasting gilt-blocked black labels to spines. Each volume is in a protective clear plastic cover. Limitation statement facing title page of each volume - limitation number varies. Remains particularly and surprisingly well-preserved overall; tight, bright, clean and strong. Unread copies with unopened pages. 7 Kg. [Attributes: Soft Cover]

      [Bookseller: MW Books Ltd.]
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        Prejudices: Sixth Series

      Alfred A. Knopf, New York 1927 - First edition. Copy 27 of 50 numbered copies printed on Japanese vellum, bound in vellum, and Signed by the author. Spine very slightly soiled, still easily fine in a modestly worn, very good slipcase. See this book in 3D on our site. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Between the Covers-Rare Books, Inc. ABAA]
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        Compendiosa bibliografia delle edizioni Bodoniane, Firenze, Gonnelli, 1927

      - cm. 19 x 28, bella ril editoriale cartonata alla Bodoniana, con titolo su tassello al dorso, alcuni fogli ancora chiusi ed in barbe, ritratto del sommo tipografo all'antiporta, pp. XIV +357. Numerosi fac simili e 69 tavole con vari saggi di tipografia. Edizione a tiratura limitata di solil 750 esemplari. E' la bibliografia di riferimento, assieme al De Lama, per qualsiasi ricerca e controllo sulle magiche edizioni bodoniane stampate a Parma.

      [Bookseller: Ferraguti service s.a.s. - Rivisteria]
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        Exhibitors Herald. The Independent Film Trade Paper (Vol. 30, June 18, 1927 - September 10, 1927)

      NP n/d - Thirteen issues (all complete) bound in brown cloth with gold lettering on spine. Seven issues in two parts. Includes all original printed and illustrated orange front and rear wraps. The Exhibitors Herald was founded in 1915 as a film trade magazine for independent exhibitors and distributors. One of the publisher's and editor's was Catholic layman Martin J. Quigley. In 1927 the periodical combined with the Moving Picture World and in 1931 merged with the Motion Picture Herald, which united all major 'film' weeklies. The magazine provides an invaluable source of information from the silent-film era. Many of the films were lost and trade journals like the Exhibitors Herald entail plot synopses, new releases, reviews, information on actors, directors, writers, producers, etc., production, photographs and many illustrations, as well as stunning graphic advertisements. Each issue includes the classic column "What the Picture did for Me" (Verdicts on films in language of exhibitor ), in which theater owners from across the country share their experiences of every release. Profusely illustrated with b/w reproductions of photographs of artists such as Charlie Chaplin, Buster Keaton, Mary Pickford, Gloria Swanson, Douglas Fairbanks, Norma Talmadge, John Barrymore, D. W. Griffith, Harold Lloyd, Fay Wray, Norma Shearer, Lon Chaney, James Cruze, William Powell, Victor Fleming, Billy Butts, Anna Q. Nilsson, Victor McLaglen, William Boyd, Rudolph Schildkraut, Dolores Del Rio, Ernst Lubitsch, John Ford, Josef von Sternberg, Donald Crisp, Lewis Milestone, Eric von Stroheim, and many others. Includes many movie advertisements in rich vibrant colors, some with photomontages, others in drawings. Includes sixteen-page section of Tiffany Productions for 1927-1928, profusely illustrated with reproductions of drawings in duo tone. Some age wear, staining and scuffing on cloth. All wrappers and interior in very good to near fine condition. Scarce 1927's film journals with hundreds of illustrations in brilliant colors. Consecutive run from June 18, 1927 - September 10, 1927. Important source on early American film. Vol. XXX: No. 1: June 18, 1927, Section I, 58pp. Section II, 50pp. No: 2. June 25, 1927, 58pp. No: 3. July, 2, 1927, 66pp. No. 4: July 9, 1927, Section I, 58pp. Section II, 50pp. No. 5. July 16, 1927, Section I, 66pp. Section II, 34pp. No. 6: July 23, 1927, 66pp. No. 7: July 30, 1927, 50pp. No. 8: August 6, 1927, Section I, 66pp. Section II, 50pp. No. 9: August 13, 1927, Section I, 58pp. Section II, 34pp. No. 10: August 20, 1927, 58pp. No. 11: August 27, 1927, 66pp. No. 12: September 3, 1927, section I, 58pp. Section II, 58pp. No. 13: September 10, 1927, Section I, 66pp. Section II: 34pp. [Attributes: Soft Cover]

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        Sobre los ángeles (1927-1928)

      - PRIMERA EDICION.- Madrid: Compañía Ibero-Americana de Publicaciones, cop. 1929.- 181 p.; 8º (21 cm.); sin cortar conservando todas sus barbas; Excelente encuadernación en Plena Piel Chagrén verde de fina ejecución, conserva las cubiertas y la lomera originales, estuche.- EN IMPECABLE ESTADO. Libro en español [Attributes: First Edition; Hard Cover]

      [Bookseller: Librería Miguel Miranda, AILA ILAB]
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        Christianity And Art

      Francis Walterson, Capel-Y-Ffin Abergavenny 1927 - 42 pages. 20 x 12 cm. Limited edition, copy 71 of 200 signed by Eric Gill and David Jones, on Batchelor hand-made paper in Caslon O.F. with oak leaf watermark, printed by the Shakespeare Head Press. Full-page frontispiece engraving by David Jones, and Gill's tail piece lovers. GILL 13. Laid-in, Gill ALS signed: "Dear Madam.My agents are the goupil gallery 5 Regent St. S.W. I Hope you will find some that you like. Yrs, sincerely Eric Gill." Printed on stationary -- PIGGOTS, NORTH DEAN.HIGH WYCOMBE.(Naphill 42). Spine lightly sunned. Orig. blue buckram, spine lettered in gilt. Very good [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Royoung Bookseller, Inc. ABAA]
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        THE AFRICAN SAGA. Translated from L'Anthologie Negre by Margery Bianco.

      Pason and Clarke Ltd.,, New York 1927 - First American Edition. First English Language Edition originally published in Paris as Anthologie Negre*, in 1921. Introduction, foreword with table of the 591 languages & dialects of Africa, extensive bibliography. Lg. 8vo., pp.378, dialect key map ep's, black topstain, stunning African inspired & designed black & ochre printed cloth with small decorative illustrations in-text. This is a fine copy [neat name on the half title] in a very good example of the rare matching design dustwrapper showing very light use [spine slightly darkened, minor chips at the extremities & a 1" shallow horizontal chip at the top of the rear panel]. Contains 103 original folk-tales, compiled from all over Africa, all of which were chosen by one of the 20th century's most important French poets. The translator, Margery Bianco was Margery (Bianco) Williams, author of "The Velveteen Rabbit." A major undertaking & acknowledged masterpiece, this volume brings to the English speaking world, for the very first time, the rich & sensitive images gathered from the Bantu, Haussa, Hottentot, Sumali & others. "And so in this anthology we have not only the wit & wisdom of Africa but the soul of a people which may be judged by the criteria of pure letters" - from the intro. by Arthur B. Spingarn. An important work by this master traveler, cubist, poet & novelist who impacted directly on the thinking of Max Jacob, Apollinaire, Cocteau & Andre Salmon with his innovative poetic techniques & revolutionary observations. A handsome & important production indeed. * Talvart And Place, Vol. II, Pp. 333 # 12. [Attributes: First Edition; Hard Cover]

      [Bookseller: TBCL The Book Collector's Library]
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      Paris: Shakespeare and Company 1927 - First edition, first printing. INSCRIBED BY THE AUTHOR. Original pale green paper boards with black titles to the front and paper label printed "Price Two Shillings" fixed to the rear board, presumably mounted over the printed "Price One Shilling" but not recorded in Slocum. A very good copy with small chips to the spine tips and light browning to the extremities. Original plain tissue dustwrapper with the titles traced and inked in black. Inscribed on the title page in black ink "To D[esmond] H[armsworth] J. J. Paris 7 iv 1931" An outstanding association copy inscribed to the London publisher Desmond Harmsworth who together with The Obelisk Press issued the rare 1932 first english edition (printed in France) of Pomes Penyeach. (Slocum A24 & A27). Further details and images for any of the items listed are available on request. Lucius Books welcomes direct contact with our customers. [Attributes: First Edition; Hard Cover]

      [Bookseller: LUCIUS BOOKS (ABA, ILAB, PBFA)]
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      Paris: Shakespeare and Company, 1927. - Oblong octavo. Original blue wrappers. Extremities somewhat shelfworn, with small sliver loss at crown of lower joint, a few creases to spine, otherwise a very good copy. Half morocco folding slipcase, with inner cloth chemise. The 9th printing, printed from the wholly new and corrected setting of type prepared for the eight edition. Inserted in front of this copy (by unknown parties, at a time unknown, and for unknown reasons) is an extra leaf signed by the author: "James Joyce Paris 2-6- 28." SLOCUM & CAHOON A17n.

      [Bookseller: William Reese Company - Literature, ABAA]
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      Rhein-Verlag 1927 - Translated by Georg Goyert. Basel: Rhein-Verlag, 1927. Three volumes. Original half morocco over patterned paper boards, gilt morocco lettering-pieces, the spines numbered in gilt, top edges gilt, others uncut. FIRST EDITION IN GERMAN, LIMITED TO 1000 COPIES, THIS NUMBER 1 SIGNED BY JOYCE. THE FIRST PUBLISHED UNDER JOYCE'S SUPERVISION. A German edition of Ulysses was originally planned by Deutsche Verlag in 1924, but failed to appear. The project was then taken over by Joyce's German publisher Rhein-Verlag, who held a competition to find a translator for Ulysses. The competition was won by Georg Goyert and in August 1926 he met with Joyce in Ostend to revise the text. Joyce's reaction to the publication schedule was ambivalent; as he wrote to Harriet Shaw Weaver, Last week the entire typescript of Ulysses in German arrived and on top of it the German translator to revise it with me. We work together all day practically, word for word. They want to bring it out in October! I hope the German publisher won't rush the translation--and me (letter of 29 August 1926, J. Joyce Letters (London: 1957-1966) III, p.142). However, the writer's fears were realised, and in November he expressed his annoyance to his brother Stanislaus Joyce thus: The Germans, having given me four days at Ostende, to revise the translation with the translator (we did 88 pages) are now rushing the translation into print. It is of course full of the absurdest errors and with large gaps. Such is financial literature (letter of 5 November 1926, J. Joyce op. cit., III, p.145). But, despite his initial trepidation, Joyce seems to have been pleased with the edition when it appeared in Autumn 1927, and he wrote to Daniel Brody of Rhein-Verlag on receipt of a copy to congratulate him on the fine production of the work: [Gestatten Sie dass ich Ihnen meinen besten Dank ausdrücke für Ihre höfliche Gedacht. Die Ausgabe ist wirklich sehr schön und geschmackvoll und hoffentlich wird sie auch in materiellen sowohl als in literarischem Sinn ein Lohn für alle Ihre Bemühungen (letter of 6 November 1927, J. Joyce op. cit. III, p.165). However, the writer's fears were realised, and in November he expressed his annoyance to his brother Stanislaus Joyce thus: The Germans, having given me four days at Ostende, to revise the translation with the translator (we did 88 pages) are now rushing the translation into print. It is of course full of the absurdest errors and with large gaps. Such is financial literature. The publication was successful, and on 19 November Joyce sent a postcard to Claud W. Sykes stating that The edition was sold out in 3 weeks (J. Joyce op. cit. III, p.167). The limited edition of 1,000 copies for sale was issued in a half morocco binding (as here) and in green wrappers; as Slocum and Cahoon note, The emphasis on the private nature of the publication and the strict limitation of copies was caused by some fear that Ulysses might be subject to censorship. [Slocum D45, no.2] [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Ulysses Rare Books Ltd. ABA, ILAB]
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      Paris Shakespeare and Company 1927 - First Edition, ninth printing, and the true Paris issue of the 1927 printing. Square 8vo, bound in the publisher’s original blue wraps formatted as the first edition of 1922, printed and lettered in white on the upper cover and spine. [6], 735 pp. An especially well preserved and handsome copy, especially so for the original wrappers and textblock which remains largely unopened and pristine. A fine copy of the original "Shakespeare and Company" --Sylvia Beach-- advertising card is still enclosed, the text block very fine, the wrappers with only some minor and expected mellowing or evidence of age, but clearly an unused, unread copy and quite rare thus. SCARCE EARLY PRINTING OF ULYSSES. THE RARE TRUE SHAKESPEARE AND COMPANY 1927 PRINTING IN UNREAD, UNOPENED, PRISTINE STATE. The most important novel of the twentieth century . ULYSSES can be viewed as the pinnacle of the Modernist movement, and its impact on all subsequent western literature is unmistakable. Such writers as Virginia Woolf, John Dos Passos, William Faulkner, Samuel Beckett, Malcolm Lowry, and Anthony Burgess have all paid tribute, consciously or unconsciously, to Joyce's influence. Burgess as well pronounced it the greatest single work in the English literature of this century, and he is not alone in that opinion. According to James Spoerri, "This fortunate combination of printer and publisher resulted in the appearance of ULYSSES as a book whose physical aspect is particularly suited to its content. It is (an). inviting volume, the blue and white of its covers subtly evocative of the Greece whose epic it so closely parallels" (quoted in the catalogue for the Garden Sale, Sotheby's 1989). [Attributes: First Edition; Soft Cover]

      [Bookseller: Buddenbrooks, Inc. ABAA]
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        Ulysses [published in Two Worlds Monthly, ed. Samuel Roth].

      New York: Two Worlds Publishing Company, [July 1926–September 1927] - 11 volumes, octavo. Original white and beige wrappers printed in red and black. Volume II number 4 with the original wrap-around band. A fine set. Unauthorized printing of 13 bowdlerized episodes from Ulysses by the New York publisher Samuel Roth (1893–1974). The set was originally released as 11 individual instalments containing 13 episodes. It was later published as two bound volumes containing 14 episodes including the final instalment (Vol. III, no. 4) that was never released separately and so is not included here. The publisher Samuel Roth was known for publishing sexually explicit literature and other underground material, including a pirated edition of Lady Chatterley's Lover. His pirating of Ulysses "resulted in considerable public indignation and provoked the 'International Protest' signed by 167 artists and writers and printed in transition I" (Slocum & Cahoon p. 100). Joyce was able to obtain an injunction against Roth, but not until after Two Worlds Monthly had already ceased publication. A fine set, exceptionally scarce in this condition. Slocum & Cahoon C68.

      [Bookseller: Peter Harrington. ABA member]
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        A Golfer's Gallery by Old Masters

      Country Life, London 1927 - Introduction by Bernard Darwin. Illustrated with all 18 full-page mounted color plates of paintings depicting golf or golf relatives (Dutch Kolf, Het Kolven, Jeu de Mail) in different forms, from the 16th to the 19th centuries; plus other reproductions within the introduction. Some scuffing to boards and some tape applied to the fore-edges. A very large book at 16 " x 13¼", decorative green and black boards, paper cover label and the original roping still intact. An important compendium of Old Master & 19th century paintings of golf in play and golf equipment as part of home scenery in numerous Dutch, Scottish & British works. Publisher's "Suggestions for those who wish to Frame" tipped-in on the rear inside cover, as issued. D&M 13890; D&J D4030. Rare, especially with all the illustrations present. The illustrations include William St. Clair of Roslin, Captin of the Honourable Company of Edinburgh Golfers by Sir George Chalmers (1771), Old Niblick Captain of Royal Blackheath by Mr. Gallen (1807), The Golf Plyers by Pieter de Dooch, A Golfing Lady by Wyerand De Geest, Mr. William Innis by Lemuel Abbott (1790), "Old Alick" Brotherson at Blackheath (1835) and twelve others. The colors of the illustrations are quite vibrant. In very good condition. This book does not disappoint. We specialize in golf books. [Attributes: First Edition; Hard Cover]

      [Bookseller: Valuable Book Group, LLC]
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      Paris Mornay Antoinette & Georges 1927 - 15x20.4 cm., 326 pp., édition avec gravures de Charles Auguste Edelmann. Relié demi-maroquin rouge à coins, signée par Laurent Peeters - Anvers. Filet doré cernant les plats de pap., dos orné, dos à 4 nerfs et finnement fleuronnés dorés (décor floral), tête dorée, couverture imprimée d'éditeur. Tirage limité de 700 ex. dont 640 ex. sur rives numérotés de 61 à 700. 1090 g. [Attributes: Signed Copy; Hard Cover]

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        Revolt in the Desert

      George H. Doran Company, New York, 1927. Near Fine in Good dust jacket. First American Edition. First Printing. Hard Cover Stated First American Edition (March 1927). Publisher's full brown cloth, gilt lettering on spine, top edge brown, fore-edge deckle, illustrated endpapers by Eric Kennington. 8vo (6.5" x 9.625"). Illustrated with 24 full-page B plates, 18 in-text line drawings from Seven Pillars of Wisdom and a red and black fold-out map. This is the scarce and most preferred edition of Revolt in the Desert, the only one containing the illustrated endpapers and the line drawings from Seven Pillars, and the is the first trade edition published in America after the limited and numbered edition published simultaneously. The volume is in excellent condition, unmarked, tight, square and clean. The unclipped dust jacket (now in Mylar) is moderately sunned and chipped. NEAR FINE/GOOD. B Illustrations. 8vo 8" - 9" tall. xvi, (4), 335 pp

      [Bookseller: Round Table Books, LLC]
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        The Bridge of San Luis Rey

      Illustrations by Rockwell Kent. Small 4to. Green pictorial cloth with leather spine label, slipcase. 120pp. Pictorial title page, color illustrations. Very good/good plus. Spine slightly age toned; mild slipcase edgewear, with 3" chip on bottom panel expertly, archivally replaced. A tight and handsome first illustrated edition of Wilder's 1927 blockbuster and 1928 Pulitzer Prize winner. Limited to 1100 numbered copies (this #964) signed by Wilder and Kent. From the library of Illinois governor and twice presidential candidate Adlai E. Stevenson II (1900-65). Laid in loose is a cryptic Autograph Note Signed to him from his wife, noted socialite Ellen Borden Stevenson (1908-72), on her heavy stock 3" X 2" printed "Mrs. Adlai Ewing Stevenson" calling card. She draws a line through her printed name and boldly pens, "With a very Merry Xmas and a Happy New Year -- I thought if I was a book collector I might like this. Perhaps you will -- Love and expect you tonight at eight! -- Ellen. A nice man is coming to hear you." A lovely copy of a scarce title with an interesting provenance.

      [Bookseller: Main Street Fine Books & Manuscripts, AB]
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