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Displayed below are some selected recent viaLibri matches for books published in 1927

        METROPOLIS

      London: The Readers Library Publishing Company Ltd., n.d.. [1927]. Small octavo, pp. [1-13] 14-250 [251: blank] [252: printer's imprint] [253-256: blank] [note: first and last leaves used as front and rear paste-downs],. original decorated red-brown boards, front and spine panels stamped in gold.. A fine copy in fine first printing dust jacket (with wraparound. illustration by Aubrey Hammond) that does not list METROPOLIS on the. rear flap. A stunning copy in the striking four-color pictorial dust. jacket which is virtually as new save for just a hint of age-. darkening to the spine panel. (#90499). First edition in English. The first printing without mention of this title in list of Readers Library books on page [7]. Novelization of the screenplay by Fritz Lang and Thea von Harbou of Lang's 1926 UFA film which was about three hours long in it's original seventeen-reel version. "Though often described as the first SF epic of the cinema, this famous German film -- of which no complete version now exists -- has just as much in common with the cinema of the Gothic. Though set in a future visually emphasized by towering buildings and vast brooding machines, the city of Metropolis has an underworld dark and medieval in atmosphere ... The story of METROPOLIS is trite and its politics ludicrously simplistic; but these flaws cannot detract from the sheer visual power of the film -- a combination of the high Expressionistic sets (the work of art directors Otto Hunte, Erich Kettelhut and Karl Vollbrecht) and Lang's direction ... METROPOLIS, which was extremely expensive and not a financial success, almost bankrupted the studio that made it (UFA). The film was cut almost as soon as it was released, and -- still in the 1920s -- shortened yet more radically in the UK and USA. Even recently restored archival versions are half an hour shorter than the original." - Clute and Nicholls (eds), The Encyclopedia of Science Fiction (1993), p. 804-5. Anatomy of Wonder (1976) 3-23; (1981) 2-112; (1987) 2-123; (1995) 2-132; and (2004) II-1197. Bleiler, Science- Fiction: The Early Years 1040. Lewis, Utopian Literature, p. 198. Locke, A Spectrum of Fantasy, p. 104. Survey of Science Fiction Literature III, pp. 1383-86. Bleiler (1978), p. 93. Reginald 14733. See Bloch (2002) 1370.

      [Bookseller: L. W. Currey, Inc.]
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        Bauhaus] - In der ME in Dessau, 1927.

      [Dessau, 1927 - S/W Fotografie. [Dessau, nach 1927]. 35,5 x 28 cm. Auf Karton aufgezogen. Späterer Abzug in Vergrößerung vom Original-Negativ. Rückseite mit Aufkleber der Galerie am Sachsenplatz sowie mit eighd. Signatur Brandt's. - Brandt ,(1893 - 1983), studierte auf der Hochschule für Bildende Kunst ab März 1913 in der Zeichenklasse. Von der Zeichenklasse wechselte sie in die Naturklasse von Professor Fritz Mackensen. Später vertieft sie ihre Studien in Malerei und Plastik. Unter ihren Kommilitonen waren Hans Arp, Otto Pankok und die Bildhauerklasse Otto Lindig sowie Erik Brandt. 1918 verließ sie endgültig die Hochschule und heiratete 1919 Erik Brandt. Ab 1921 nahm sie an Bildhauer-Seminaren bei Professor Engelmann, an der Weimarer Hochschule teil. Ihr Mann kehrte im selben Jahr nach Norwegen zurück. Ab 1924 entschließt sich Marianne Brandt an das "Bauhaus" zu gehen. Am Bauhaus studierte sie in der Vorklasse bei László Moholy-Nagy. Zu ihren weiteren Lehrern gehörten Josef Albers, Wassily Kandinsky und Paul Klee. 1925 zog das Bauhaus nach Dessau um. 1927 verbringt sie einen Arbeitsaufenthalt in Paris. Noch während des Studiums wurde sie zur kommissarischen Leiterin der Metallwerkstatt des Bauhauses ernannt. Viele bekannte Entwürfe entstanden während ihrer Studienzeit. Lampen, die zum Teil in Serie gingen, findet man heute beispielsweise noch im Museum of Modern Art in New York. Manche Entwürfe, z. B. Aschenbecher, werden heute noch in unveränderter Form hergestellt. 1929 machte sie ihren Abschluss mit Diplom und arbeitete im Bau-Atelier von Walter Gropius in Berlin mit. Danach wurde sie Leiterin der Entwurfsabteilung bei der Metallwarenfabrik Ruppelwerke in Gotha und erneuerte dort das gesamte Programm, das für den Massenbedarf bestimmt war. Ende 1932 wurde sie dort entlassen. Es folgte 1935 die Scheidung von Erik Brandt. Bis 1948 war sie arbeitslos und widmete sich in dieser Zeit wieder der Malerei. Ab 1949 lehrte sie als Dozentin für Holz, Metall und Keramik an der Dresdner Hochschule für Werkkunst. 1951 bis 1954 war sie Mitarbeiterin am Institut für industrielle Gestaltung der Kunsthochschule Berlin-Weißensee. Im Jahr 1954 kehrte sie endgültig nach Chemnitz zurück und widmete sich dort der freien Kunst und dem Kunsthandwerk. 1983 starb sie in Kirchberg. (Zitat) Deutsch [Attributes: Soft Cover]

      [Bookseller: Antiquariat Weinek]
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        La Collection Foulc: Objets d'art du moyen age et de la renaissance, Vol. 2, Planches

      Paris, France: Editions Les Beaux-Arts, 1927. Ce n'est pas une édition bilingue. Texte en français uniquement, pas en anglais. This is not a bilingual edition. Text in French only, not in English. This is the plates volume of a book that was issued as a two-volume set, the first volume being the text volume. This is no. 13 of 250 numbered copies. All copies on Arches paper. Issued December 1, 1927. The plates engraved by Raoul Varin were drawn by H. Geny-Gros, and the plates engraved by Dujardin were drawn by Dujardin himself. Text printed by l'Imprimerie l'Hoir, Paris. With LXXXVI heliotype plates in duo-tone. First and presumed only printing of this book. Large folio, 15 x 11.25 inches. Original paper wrappers and over-wrappers, European-style. The over-wrappers are somewhat age-darkened, and with title page reproduced on the front over-wrapper and with lettering also to the spine. Virtually unbumped spine head and tail and with fairly sharp corners. The wrapper is firmly attached to the text-block. The wrappers and over-wrappers are exceptionally clean. Light off-setting to the front and rear FEPs from the over-wrappers. The book contains a double-page heliotype showing an impressive room housing part of the Foulc Collection, followed by 86 full-page plates (except that Plate LIII is double-page), as called for. With deckled fore and bottom page edges to a handsome effect. Some light rubbing marks to the front over-wrapper, else the book is exceptionally clean, inside and out. A Very Good Plus copy. Very scarce in any condition. An extremely valuable reference work for collectors and dealers of objets d'art from the Middle Ages and the Renaissance.. First Edition. Paperback. Very Good Plus. Folio - over 12" - 15" tall.

      [Bookseller: Marc Sena Carrel]
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        INTERNATIONALE ARCHITEKTUR - BAUHAUSBUECHER 1. Zweite veränderte Auflage. Herausgegeben von Walter GROPIUS.

      Albert Langen Verlag (1927). In - 8 (mm. 230x182), bross. orig. a colori, pp. 111. Introdotto da una breve prefazione di Walter Gropius, il volume è interamente illustrato in b.n. da tavole (foto e disegni) che raffigurano edifici contemporanei e progetti architettonici, riunendo il Gotha dell?architettura internazionale: Behrens, van de Velde, Gropius, Meyer, Kosina, Taut, Lloyd Wright, van der Rohe, Loos, Le Corbusier e Jeanneret, ecc. L?Italia è presente con due immagini dello stabilimento Fiat di Torino con il circuito di collaudo sul tetto. E? questo il primo volume dei ?Bauhausbuecher? (importante pubblicazione che promuove gli ideali del Bauhaus e il vero concetto di ?Stile Internazionale), in seconda edizione, riveduta e aumentata di nuove immagini (la prima è del 1925). Esemplare ben conservato.

      [Bookseller: Libreria Antiquaria Malavasi]
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        The Weary Blues

      Alfred A. Knopf New York 1927 - Early Printing, "Fourth Printing, April, 1927" statement at copyright page. Miguel Covarrubias dustjacket art. Original blue cloth. Hughes's most celebrated collection of poetry. This copy, despite being the fourth printing, has its original first issue dustjacket without blurb for Fine Clothes to the Jew. "Third Printing" plug at top front panel of jacket is the only indication of it being from a later printing. In need of archival work. Very Good, in dustjacket lacking spine material, few inches of loss at lower front panel, chipped at edges and front flap edge. [Attributes: Hard Cover]

      [Bookseller: Babylon Revisited Rare Books]
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        HISTORIA DE ESPAÑA Y SU INFLUENCIA EN LA HISTORIA UNIVERSAL

      - Historia de España y su influencia en la historia universal.- Barcelona, Salvat Editores, 1927-1950; 9 tomos en 12 volúmenes en 4º mayor bellamente estampada con escudo y título grabado en oro, lomera cuajada. Ejemplar conformado con tomos de la primera y segunda edición que cronológicamente no afecta a su lectura. Papel satinado. 1º, VIII-1053 pp. 40 láminas. 2º, IX-1050 pp. 38 láminas 3º 1ª parte XI- 594 pp. 12 láminas. 3º 2ª parte, VIII-655 pp. 31 láminas. 3º 3ª parte VIII-584 pp. 19 láminas. 4º, 1ª parte, XII-1144 pp. 19 láminas. 4º 2ª parte, 2 h. 774 pp. 1 h. 29 láminas. 5º, 2 h. 528 pp. 45 láminas. 6º, 2 h. 814 pp. 1 h. 28 láminas. 7º, 2 h. 804 pp. 36 láminas. 8º, 2 h. 778 pp. 1h. 30 láminas. 9º, 2 h. 772 pp. 25 láminas. Algun subrayado y anotación. Todos los tomos con profusión de ilustraciones en el texto.

      [Bookseller: LIBRERIA ANTICUARIA SANZ]
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        THE TWENTY THIRD PSALM. Illustrated by Paul Paschetto. Rome, Privately Printed, 1927.

      - Splendida pubblicazione, in formato cm.38,8x33,4, composta da 30 pagine doppie. Legatura originale in piena pergamena con immagine di Cristo, con una pecora in spalla, impressa in tricromia al piatto anteriore. Dorso a quattro nervature. Il testo, in lingua inglese, comprende una Prefazione di Enrico Sartorio, il testo del Salmo XXXIII impresso in rosso e nero e nove tavole silografiche impresse in bianco e nero e applicate. Ogni tavola riporta la sigla dell'Autore apposta a matita in forma circolare, con l'indicazione, sempre a matita, dell'anno di stampa. A fronte di esse altrettante tavole in bicromia che ripetono il testo del Salmo. Un ricco fregio silografico anche all'inizio e in fine al volume. Tiratura limitatissima di 100 copie numerate e firmate da Paschetto. Il nostro è l'esemplare n°21, offerto a Pietro Fedele. Con dedica manoscritta: "A S.E. Pietro Fedele, con rispettosa devozione, Enrico Sartorio. Giorno di San Pietro 1928". Stupenda raffigurazione grafica del cosiddetto "Salmo del buon pastore", in spettacolari condizioni di conservazione. "Paolo Paschetto, di famiglia valdese, nacque il 12 febbraio 1885 a Torre Pellice, in provincia di Torino, dove è morto il 9 marzo 1963. Si diplomò' all'Istituto di Belle Arti di Roma. Ancora studente comincio' ad esporre alle Promotrici romane ed alla Quadriennale di Torino. Professore di Ornato all'Istituto di Belle Arti di Roma dal 1914 al 1948, fu artista polivalente, passando dalla xilografia alla grafica, dall'olio all'affresco, dalla pittura religiosa al paesaggio. Svolse un'intensa attivita' nel campo delle arti grafiche, collaborando con le principali case editrici e istituti d'arte grafica e pubblicando opere su riviste. Risalgono al 1900 le sue prime xilografie di soggetto vario (paesaggi, ex libris, illustrazioni); dal 1910 in poi i suoi legni trattarono per lo piu' temi religiosi, tra queste: Il Credo Apostolico (otto grandi legni), Il Salmo del buon Pastore (otto legni), Il Padre Nostro (otto legni), Costumi valdesi. E' di questo periodo la decorazione, eseguita da Paschetto, del Tempio Valdese di Roma in Piazza Cavour, che, sempre sottolineando il legame ideale fra evangelici e protocristiani, si ispira liberamente alle basiliche paleocristiane, con motivi di chiara ascendenza liberty. Gli evangelici, rompendo una tradizione nata come reazione all'abuso di decorazioni, capace di destare nei fedeli forme eccessive di religiosità, tornavano ad esprimere la loro fede con il linguaggio artistico, imitando anche in questo i cristiani dei primi secoli. Il grande tempio fu ufficialmente inaugurato, dopo tre anni di lavori, l'8 febbraio 1914. Sempre su cartoni del Paschetto vennero realizzate le vetrate, che per il valore di testimonianza ed insegnamento loro attribuito dall'autore, secondo l'uso antico, rappresentano il vero fulcro di tutta la decorazione, in cui l'atmosfera creata dai giochi floreali delle alte trifore sostiene lo svelarsi attraverso i simboli biblici del ricco contenuto della fede. Dal 1925 Paolo Paschetto si dedicò anche alla pittura di paesaggio, senza abbandonare la xilografia da lui prediletta. Partecipò a numerose mostre italiane ed estere e tenne personali a Roma, Torino, Biella, Pinerolo, Verona. Fu autore, tra l'altro, di numerosi francobolli, compresa "la rondine" della prima emissione italiana di posta aerea e dell'emblema, simbolo ufficiale della Repubblica Italiana dal 5 maggio 1948. Nel 1947 venne indetto dalla Costituente un concorso per l'emblema della Repubblica: vi parteciparono 341 concorrenti con 637 disegni e la commissione scelse la soluzione di Paschetto che rappresentava una cinta turrita con una porta aperta al centro, completata dalla figurazione del mare e di una stella raggiante; l'emblema era circondato da una corona di ulivo con le parole "Unità e Libertà". L'originario bozzetto gli venne piu' volte cambiato ed infine stravolto per esigenze araldiche, politiche, pratiche. Fu, comunque, un impegno che stimolò un certo lato [Attributes: Hard Cover]

      [Bookseller: studio bibliografico pera s.a.s.]
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        The Ballad of the Brown Girl. An Old Retold.

      New York and London: Harper & Brothers 1927 - 8vo., black cloth and beige boards, with paper spine label printed in black. First edition. One of five hundred copies, especially issued by "Opportunity Journal of Negro Life." The Dedication Copy, marked “A” (with the printed dedication: “To Witter Bynner”) and inscribed: “To Witter – For whom this poem was written, with no thought of the pleasurable friendship it would bring. Sincerely, Countee Cullen,” on the extra colophon leaf; with Bynner’s library bookplate ----- Witter Bynner (1881-1968) once concocted an esoteric rating to evaluate Countee Cullen’s first volume of verse, Color. Using zeros and wing-shaped marks, the Brooklyn-born bard and editor graded each poem (poor, average, good, excellent): 36 scored zero; 13, one wing; 7, two wings; and one (“Incident”), three wings. The 1925 assessment reflected Bynner’s own lofty standards and honest perception of Cullen’s writing. Two years earlier in the Witter Bynner Undergraduate Poetry Contest, the New York University sophomore disappointingly won “honorable mention” for “The Ballad of the Brown Girl” by judges Carl Sandburg, Alice Corbin, and Bynner. According to biographer David Levering Lewis, in November (two months before The Crisis announced the contest winners), Bynner had discreetly consoled Cullen about being outvoted in ceding the poem top prize. When the exquisitely crafted tale about a doomed interracial relationship was published in 1927, Bynner inherited the first copy. Although the pages were never cut, the dedicatee’s memory was unquestionably clear: still present on the title page is the faint imprint of three wing-shaped marks. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: North Star Rare Books & Manuscripts]
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        THE OXFORD BOOK OF AMERICAN VERSE. Signed.

      Oxford University Press, New York 1927 - Carman, Bliss. THE OXFORD BOOK OF AMERICAN VERSE. Oxford University Press, New York, 1927. 8vo., 680pp. Publisher's dark blue cloth, gilt lettered at the spine, top edge gilt. A fine unique Association Copy Inscribed by Carman to first cousin & great friend, Sir Charles G. D. Roberts the grand 'Old Man' of Canadian Letters on the front free endpaper. "This book is not as good / as the Second Edition / will be, but until / then, best wishes to C. G. / Bliss". An exceptional example. Bliss Carman FRSC [April 15, 1861 - June 8, 1929] Preeminent Canadian poet, born William Bliss Carman, Fredericton, New Brunswick. Published under the name "Bliss Carman," although the "Bliss" is his mother's surname. Arguably Canada's best known poet, dubbed by some the "unofficial poet laureate of Canada." He later moved to New York & was influential as both an editor & writer for Cosmopolitan, the Atlantic Monthly, the Chap Book and other journals. Recognized for his anthology & editing of the 10 volume work, The World's Best Poetry, 1904 & The Oxford book of American verse. In 1928 he was awarded the Lorne Pierce Gold Medal by the Royal Society of Canada. Sir Charles George Douglas Roberts, KCMG , FRSC , BA [January 10, 1860 – November 26, 1943]. Canadian poet & prose writer. Besides his own body of work, Roberts is known as the "Father of Canadian Poetry" because he served as an inspiration for other writers of his time. Roberts, his cousin Bliss Carman, Archibald Lampman and Duncan Campbell Scott were known as the "Confederation poets". [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: TBCL The Book Collector's Library]
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        Oeuvres Complètes Notes et Commentaires de Maurice Le Blond Texte de l’édition Eugène Fasquelle.

      Paris: François Bernouard, [1927-29]. - 50 Volumes. 8vo. with half-titles. contemporary half morocco, t.e.g., original printed wrs. bound in (spines sunned & a few with rubbing or small nicks on raised bands). One of 5000 numbered copies on Vergé d’alfa.

      [Bookseller: D & E LAKE LTD. (ABAC/ILAB)]
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        WE": The Famous Flier's Own Story of His Life and His Transatlantic Flight, Together With His Views on the Future of Aviation.

      Putnam's Sons,, New York: 1927 - First edition. One of 1,000 numbered copies SIGNED by Lindbergh. In the original glassine dust jacket and dark blue gift box. A fine copy in original half-vellum boards, with text printed on Old Stratford Linen paper and top edge gilt. Glassine jacket only moderately worn, and the box shows only light use. Publisher's note on this edition laid in. [Attributes: First Edition; Hard Cover]

      [Bookseller: Quill & Brush, member ABAA]
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        "We"

      New York: G.P. Putnam's Sons. 1927. Seventeenth printing (four months after the first). Bookplate of Frank Russell on the front pastedown, slight foxing in the text, else a bright, near fine copy lacking the dustwrapper. Boldly Signed by Lindbergh on the verso of the frontispiece, underneath an inscription: "To Frank Russell," which looks contemporary and in the same ink, but is probably in a secretarial hand. Frank Russell was the President of Curtiss Aircraft, the leading American manufacturer of aircraft of the time. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        We

      With a Foreword by Myron T. Herrick, U.S. Ambassador to France. Fully Illustrated. New York: G.P. Putnam's Sons, 1927. FIRST EDITION. Hardcover. Inscribed by Lindbergh on the verso of the frontispiece (effectively, the first blank leaf) and dated January, 1930. Clean, near fine copy in a bright unfaded dust jacket, lightly edgeworn, in the original publisher's box (also slightly worn).

      [Bookseller: Robert Dagg Rare Books]
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        Signature on a page from his book

      1927. unbound. Signed vintage photograph on the back of an original 1927 image of Lindbergh standing in front of the Spirit of St. Louis. This page, which measures 7.25 x 5 inches, was removed from the book "We," his account of his transatlantic flight, published in July 1927 by G.P. Putnam and Sons. On the back of the photo George P. Putnam has written in his distinct hand: "Oct. 25, 1927 - Dear Kip - Wishing you success at St. Georges School." Directly beneath, Lindbergh has written "Sincerely" followed by his name in full. Light dust-soiling; otherwise very good condition.

      [Bookseller: Argosy Book Store]
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        Thomas l'Imposteur. Histoire et Dessins par Jean Cocteau.

      Gallimard/NRF. Paris. 1927., Paris. - 4to. Wrappers. Pochoir frontis and numerous line drawings full-page and vignette, with tissue guards by Cocteau. Uncut. No.124/320 copies on velin, from a total edition of 373. Covers worn and frayed at lower edge, spine panel cracked. Diagonal crease on first 12 pages. [Attributes: First Edition; Soft Cover]

      [Bookseller: Roe and Moore]
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        WE

      New York: G.P. Putnam's Sons, 1927. Book. Illus. by With Photos. Very Good. Hardcover. First Edition. 8vo - over 7¾" - 9¾" tall. An aviation cornerstone. Complete; in the publisher's slipcase. Extremely scarce thus..

      [Bookseller: Brooklyn Books]
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        L'INGÉNU .

      A. Blaizot, Paris - 1927 - Avec 29 burins et eaux - fortes hors texte originaux et 19 eaux - fortes originaux en - tête de B. Naudin. 176 pages . Edition limité à 351 exemplaires .Celui ci un des 50 exemplaires sur papier du Japon , avec les eaux -- fortes en deux états , l'eau - forte pure et l'état terminé.- Plein maroquin janséniste aubergine, dos lisse , doublure et garde de moire argenté, tranches dorées à témoins , la belle couverture et dos originales conservés .Etui. REL : CREUZEVAULT . Très bon état .- *** .One of the 50 copies on japan paper , with the 29 etchings in 2 states . Full aubergine morocco. Binding signed by CREUZEVAULT. very fine conditions.- Size: In 4to [Attributes: Hard Cover]

      [Bookseller: MAGNASCO]
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        Now We Are Six. Decorations by Ernest H. Shepard

      London, Methuen and Co., 1927., 1927. First Edition in publisher's De Luxe binding of blue full morocco with gilt titles and decoration to spine, decorative gilt rule to boards with gilt-stamped illustration to centre of upper; all edges gilt, pink pictorial end papers. 8vo.; pp. 103. Neat small inscription to f.f.e.p. A fine copy held in a protective custom made blue cloth wallet. Book Collector No.271, 'The Great Illustrators'.

      [Bookseller: Adrian Harrington Rare Books]
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        Now We are Six. With Decorations by Ernest H. Shepard

      London: Methuen & Co. (1927). . First deluxe edition, 8vo, (xii), 103, (1) pp. Illustrations throughout. Original Publisher’s limp blue morocco with gilt decoration, spine slightly sunned with faint rubbing to ends, a handsome copy.

      [Bookseller: Bow Windows Bookshop]
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        Letter signed.

      Grimstad, 9. VIII. 1927. - Large 8vo. 1 p. To an unnamed addressee, asking him to contact Albert Langen (Hamsun's German publisher) who is commissioned by Hamsun to negotiate on his behalf.

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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        Death Comes for the Archbishop

      New York: Alfred A. Knopf. 1927. First. First edition. Contemporary gift inscription, else fine in a nice, near fine dustwrapper with a very short tear on the front panel, and a touch of age-toning at the spine of the off-white jacket. One of the nicest copies we've seen in recent years of Cather's classic character study of two Frenchmen trying to organize a Catholic Diocese on the frontier of New Mexico. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        AFFICHE : FOIRE INTERNATIONALE DE MARSEILLE L'APPEL DES AFFAIRES

      - Date : 1927 Dimensions : 120x160cm Imp : AFFICHES LUTETIA PARIS Condition : entoilée A Affiche originale entoilée en bon état.

      [Bookseller: Philippe Beguin Affiches et livres ancie]
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        La congiura dei passeri

      Milano; Morreale G. 1927 - in 8°; pp. 54 (2); br.; 1^ ed. Copertina originale ill. a colori da Fortunato Depero. "Una delle copertine più belle dei libri futuristi italiani" così era stata definita da Marinetti ai tempi della sua uscita editoriale. Bella dedica autografa dell'aut. di forte impatto futurista (cfr. Cammarota, Futurismo, p. 227; Salaris, Bibliografia, p. 39)

      [Bookseller: IL LIBRAIO]
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        Original Aquarell über Bleistift [erotische Darstellung].

      [Cottbus], 1927,. 14,8 x 9,6 cm, oben links mit Bleistift datiert "1927". Rückseitig Montagereste.. Brühl (1983), Seite 224. - Busch gehörte zu den Mitarbeitern von Herwarth Walden und dem STURM; besonders bekannt ist er für die Ausstattungen der STURM-Bälle. Ausstellungen im Sturm hatte er zusammmen mit Maria Uhden und Johannes Molzahn.

      [Bookseller: Stader Kunst-Buch-Kabinett]
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        Studien aus Spanien. Zehn Original Lithographien.

      - Berlin, Bruno Cassirer o.J. (1927). Gr.-Folio (50,2 : 33,8 cm). 2 Bl. Titel, Inhalt u. Druckvermerk (sämtl. Text in Lithogr.) sowie 10 signierte Lithographien, davon 1 in Farben. Orig.-Ganzpergament-Kassette mit Deckelillustr. von Orlik. Exemplar X von 10 römisch numerierten Ex. der Vorzugsausgabe (A) auf Japanpapier. Es wurden insgesamt lediglich 30 Exemplare gedruckt! (11-30 auf holländisch Bütten). Der lithogr. Text auf Zanders-Bütten. - Bl. 7 "Sevillanerin mit Kind" wurde durch einen

      [Bookseller: Gerhard Zähringer, Antiquariat & Galerie]
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        The small bachelor

      Methuen 1927 - London 1927 orange cloth first edition with second issue wrapper .F/F .Methuen printed 20,000 copies including 2500 in colonial cloth 1000 in colonial wraps ,1300 for mcclelland (canadian publisher) and 590 which were used in the 3/6 edition ,reference methuen records with blue cloth and variants in orange and tan cloth . The book is fine ,fresh with no defect ,the wrapper has had minor restoration and has minor rubbing . [Attributes: Hard Cover]

      [Bookseller: Dick Neal Fine Books]
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        Meet Mr Mulliner

      McClelland & Stewart 1927 - I am not sure but it looks as though prior to 1927 Herbert Jenkins bound the Canadian editions in their format with MCclellend and Stewart prelims and their badging on the spine of the book .There seems to be a bit of a miss mash with the early editions until they bound their own editions.I'm guessing that both publishers waited until they were satisfied that there was a worthwhile market before M and S took over ,but at this stage theres not enough information to be sure and as these copies rarely turn up it will need more time . [Attributes: First Edition; Hard Cover]

      [Bookseller: Dick Neal Fine Books]
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        Giants in the Earth: A Saga of the Prairie

      Harper & Brothers, Publishers, New York 1927 - The special presentation edition, bound in finely woven tan cloth with impressionistic cloud designs in soft colors, especially on the rear panel. The delicate colors on the front boards have faded away. With a paper label on the spine: title and author and presentation edition, autographed. On the limitation page: "This Presentation Edition of Giants in the Earth is limited to one hundred copies signed by the author of which this is number 13. Signed brightly in blue ink "O.E. Rolvaag." The binding is worn, faded and lightly shaken. Internally very good and clean. "In his novels, Rölvaag was primarily concerned with the theme of immigration, which he explored in his largely autobiographical Letters from America (1912) and The Boat of Longing (1921). He took a one-year leave of absence from St. Olaf College and lived in lonely cabin in Minnesota to write the epic that would become Giants in the Earth. He originally wrote all his novels in Norwegian and then helped translate them into English. Two novels, I de dage (In Those Days) and Riket grundlaeges (The Kingdom Is Founded) were first published in Norway in 1924 and 1925. They were then translated into English and published in the United States in one volume, Giants in the Earth (1927)." (Spark Notes) Worn with light vertical crease to spine Presentation Edition, Stated "First Edition" and "Autographed" [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Brainerd Phillipson Rare Books]
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        Géographie Universelle

      Librairie Armand Colin 1927 - 15 Tomes en 23 volumes très bien reliés . Des centaines de photos et de cartes dans chaque VOLUME publiés entre 1927 et 1935 , COMMENT SE SITUER DANS LE MONDE sur tous les CONTINENTS REf livre 720 boîte 54 et 55 . [Attributes: Hard Cover]

      [Bookseller: Michel Guay]
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        Ejina River Archaeological Report(TitleLanguage) NEI MENG GU E JI NA HE LIU YU KAO GU BAO GAO

      Academy Press, 2014-03-01. paperback. New. Ship out in 2 business day, And Fast shipping, Free Tracking number will be provided after the shipment.Language:Chinese.Pub Date: 2014-03-01 Publisher: Academy Press Ejina River Archaeological Report is Bergmann Ejin Qi archaeological report. according to the 20th century. the English version of the compiler Volker Bergmann written by famous Swedish archaeologist together. This book is Bergmann 1927 in Inner Mongolia Ejinaqi Han Dynasty Ruins (ie Juyanhai ruins). in the bottom of Bongsudae excavated ancient well-preserved 102 BC to AD two years of the Han Dynasty about 4000 wooden slips. There... Satisfaction guaranteed,or money back.

      [Bookseller: cninternationalseller]
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        Mosquitoes

      Boni & Liveright 1927 - First Edition, First Printing. This is the rare card player dustjacket that seldom comes up on the market. This original dustjacket has the first issue point with Boni and Liveright printed on the spine and $2.50 price present on front flap. The dustjacket has some chips and wear to the spine and panels. The book is in excellent condition housed in a custom clamshell slipcase for preserveration. Overall, a collectable copy of this TRUE FIRST EDITION. [Attributes: First Edition; Hard Cover]

      [Bookseller: Quintessential Rare Books, LLC]
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        Aspects of the Novel.

      London: Edward Arnold, 1927 - Octavo. Original red cloth, titles to spine and upper board gilt. Cloth a little rubbed at extremities, endpapers toned. An excellent copy. First edition, first impression. Inscribed by the author on the front free endpaper, "Raymond Mortimer from E. M. Forster 30.10.27". The recipient was the literary critic and editor Charles Raymond Mortimer (1895–1980). [Attributes: First Edition; Signed Copy]

      [Bookseller: Peter Harrington. ABA member]
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        PAUL KLEE: CATALOGUE RAISONNÉ VOLUME 5: 1927-1930

      (KLEE, PAUL). Helfenstein, Josef & Christian Rumelin. The Paul Klee Foundation, Editor. PAUL KLEE: CATALOGUE RAISONNÉ VOLUME 5: 1927-1930. London & New York: Thames & Hudson Ltd., 2002. First Edition. 4to. Cloth in Illustrated Jacket. Catalogue Raisonné. As New/As New. 580pp, over 1,000 b&w and color illustrations. Text in English and German. With a bibliography, exhibition history and indices. This is the massive fifth volume of The Paul Klee Foundation at the Museum of Fine Arts in Berne's nine volume catalogue raisonné of paintings and works on paper by the renowned Swiss modern artist. It covers the years 1927 to 1930. A pristine example of the exceedingly limited (estimated at seven hundred copies) Thames and Hudson English language edition of 2002 still in the publisher's shrinkwrap. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight and value - we will inform you of the applicable amount at time of purchase. 0-500-09283-4 Inventory Number: 017189&

      [Bookseller: Arcana: Books on the Arts]
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        Mosquitoes

      New York: Liveright Publishing Corporation. (1927) / [but after July 25, 1933]. Second edition. Stated on the front flap of the dustwrapper as a "New Edition" with a price of $3.00, and ads on the rear panel as per Petersen. Fine in near fine "cardplayer" dustwrapper with some overall toning, and shallow loss at and near the crown. A handsome copy. Petersen Collection A4.3. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        DOCUMENTS POUR SERVIR A L'ETUDE DE L'ART EGYPTIEN

      Paris. Editions du Pegase & 1931 1927 - 2 volumes quarto, original publisher's cloth, one decorated one plain. Volume one- title, (xvi) 1-88 pages and 100 plates. Volume two- title (xv) 1-114 pages and 100 plates. Complete. Bindings a little worn but internally very clean. LIMITED EDITION OF 612 COPIES. See photos. [Attributes: Hard Cover]

      [Bookseller: Charles Russell, ABA, ILAB, est 1978]
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        Les Hommes Abandonnes. Illustre de lithographies par M. de Vlaminck.

      Editions Marcel Seheur, Paris 1927 - One of 25 copies on Japon Shidzuoka with an extra suite on Chine, from a total issue of 345: 25 tirage de tete on Japon Shidzuoka as described above, 320 on Velin d'Arches ordinary issue (20 of which hors commerce). Page size: 12 7/8 x 9 1/4". Bound: full black crushed morocco by E. MAYLANDER spine with author, title, date and place in gilt, five raised bands extending to front and back panel simulating clasps, all edges gilt, caramel morocco doublures surrounded by gold fillet, brown and blue silk brocade flyleaves, paste-paper flyleaves, ex-libris on lower front paste- paper, signed on lower front turn-in, "Rel. E. Maylander. Dor.," original wrappers bound in, morocco-edged paste-paper slipcase, signed in gilt, "Maylander." spine a bit rubbed on raised bands. Illustrated with one original etching (frontispiece)and 24 original lithographs, plus two additional suites (the ordinary issue had one additional suite), this is the second Vlaminck title published by Seheur. Mourlot pulled the lithographs. Vlaminck (1876-1958), one of the more prolific members of the School of Paris, exhibited with the Fauves in 1905. His earlier work is generally more sought after than his later studied landscapes. This lovely book -- with its strong graphic images -- gives reason to that prejudice. References: Lilly Library, Beyond Illustration: The Livre d'Artiste in the Twentieth Century, No. 16. Rauch 94. See an Image. [Attributes: Signed Copy; Soft Cover]

      [Bookseller: Priscilla Juvelis Inc., ABAA]
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        The War Chief - 1st Edition

      A. C. McClurg & Co., Chicago 1927 - A smart First Edition/First Printing, orange cloth with dark brown lettering and Apache profile in Fine condition with minor rubbing to extremities in Near Fine, with light soiled dust-jacket with closed tear to rear fold. Dust-jacket illustration by Paul Stahr as in the magazine appearance (April 16th, 1927) . Zeuschner 822 ; "This is one of the most impressive Indian stories that has ever been written in recent years. Different from the usual Burroughs tales of wierd [sic] fantasy it not only has trills and excitement galore but it shows us the beauty and grandeur of the life of the red man when he roamed the plains" (from the dust-jacket) [Attributes: First Edition; Hard Cover]

      [Bookseller: Books Tell You Why - ABAA/ILAB]
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        Revolt in the Desert

      Jonathan Cape, London 1927 - One Quarter dark brown pigskin over light brown buckram. Limited edition of 315 copies only of which this is #123. This is the abridged version of Lawrence's Seven Pillars of Wisdom which he did in order to pay the bills. Much tighter limitation than the limiteds of Seven Pillars done in 1935, it is rare thus. Other limiteds of Seven Pillars are either impossible to find or impossibly priced. Lacks the dust wrapper. Evidence of label removal from the ffep and half title but is otherwise fine but for slight edgewear. Size: Large Octavo [Attributes: First Edition; Hard Cover]

      [Bookseller: Contact Editions, ABAC, ILAB]
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        Les Hommes Abandonnes. Illustre de Lithographies par M. de Vlaminck.

      Editions Marcel Seheur, Paris, 1927 - Quarto. Original grey wrappers printed in red and black, with the original glassine and somewhat defective publisher's slipcase. Some minor browning to first and last blank leaves otherwise just about fine in the original slipcase which has lost the top and bottom panels. With 29 original lithographs and 1 original etching by Vlaminck. First illustrated edition. From a total edition of 345 copies this is one of 300 numbered examples printed on handmade paper. [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
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        Revolt in the Desert ( Limited to 315 Copies )

      Jonathan Cape, London 1927 - Limited to 315 copies. Collation, 445[1]pp 20 illustrations including frontis & map. Bound in original publishers quarter brown leather, with buckram boards, gilt title lettering, gilt line on boards, top gilt edge others rough. Slight lean on spine, top board lightly dust/dirt marked, cloth on corners of top board slightly worn. Binding in very good firm condition.Internally, no loose pages, previous owners name/date on fixed endpaper. Pages and illustrations in very good clean condition throughout. 8993.A66 Size: Large 8vo [Attributes: First Edition]

      [Bookseller: George Jeffery Books]
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