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Displayed below are some selected recent viaLibri matches for books published in 1927

        Laugh, Clown, Laugh (Original screenplay for the 1928 film, original typescript with red intertitles)

      Culver City, CA: Metro-Goldwyn-Mayer [MGM], 1927. Shooting script for the 1928 film. Original typescript with descriptive text in black type and intertitles in red type. Holograph ink and pencil notations on the front wrapper, noting starring performers, draft type, and crediting screenwriter Meehan. With a few notations in holograph pencil throughout. A rare example of a silent film screenplay. Based on the 1924 stage adaptation by David Belasco and Tom Cushing, about professional clowns Tito (Chaney) and Simon (Siegel), who take in an abandoned child and name her Simonetta (Young, who was 15 at the time). When Simonetta is older, she joins the circus, and meets Count Luigi Ravelli (Asther), who becomes infatuated with her. Ravelli consults a doctor about his fits of uncontrollable laughter, and there he meets Tito, who has come to seek help for his fits of uncontrollable weeping. The two decide to help each other, but soon find they are both vying for Simonetta's love. Nominated for an Academy Award in 1929 for Best Title Writing, the only year for that category. Set in Italy, shot on location in Elysian Park (a suburb of Los Angeles, California). Blue studio wrappers, noted as FIRST TEMPORARY INCOMPLETE (and struck through, with Final Draft inscribed) on the front wrapper, rubber-stamped copy No. 1640 and production No. 5272, dated Nov. 19, 1927, with credits for playwrights Belasco and Cushing, and (in ink) screenwriter Meehan. 73 unnumbered leaves, typescript on watermarked onionskin stock. Pages Near Fine, wrapper Very Good, split at the spine (now encapsulated in mylar), bound with two gold brads. Blake (2001), pp. 175-177.

      [Bookseller: Royal Books, Inc.]
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        Di Goldene Medine

      Freiheit, 30 Union Square, New York, New York 1927 - Unmpaginated. Title page followed by a 7 page Forward in Yiddish by Mark Epstein, a master of the Yiddish Avant-garde, and one of the Kiev Kultur-lige, followed by 142 pages of cartoons with Yiddish captions. 2 inches trip of outer spine lacking. William Victor "Bill" Gropper (Dec. 3, 1897 - Jan. 3, 1977) was a U.S. cartoonist, painter, lithographer, and muralist. A committed radical, he is best known for the political work which he contributed to such left wing publications as The Revolutionary Age, The Liberator, The New Masses, The Worker, and The Morning Freiheit. Gropper was born to Harry and Jenny Gropper in New York City, the eldest of 6 children. His parents were Jewish immigrants from Romania and Ukraine, who were both employed in the city's garment industry, living in poverty on New York's Lower East Side. His mother worked hard sewing piecework at home. His father was university-educated and fluent in 8 languages, but was unable to find employment in America in a field for which he was suited. This failure of the American economic system to make proper use of his father's talents doubtlessly contributed to William Gropper's lifelong antipathy to capitalism. Gropper's alienation was accentuated when on March 24, 1911 he lost a favorite aunt in the Triangle Shirtwaist Factory fire, in which 146 worked burned to death or jumped to their deaths because they were unable to flee the burning sweatshop since the doors were locks by the employers. At age 6 Gropper took chalk to the sidewalks, decorating the concrete with elaborate picture stories of cowboys and Indians that extended around the block. As a child on the way to school, Bill used to lug bundles of his mother's piecework sewing to the sweatshops by which she was employed. At age 13, Gropper took his first art instruction at the radical Ferrer School, where he studied under George Bellows and Robert Henri. In 1913, Bill graduated from public school, earning a medal in art and a scholarship to the National Academy of Design. He refused to conform at the academy, however, and was subsequently expelled. He attempted to attend High School that fall, but finances prevented his attendance and he was forced to seek work to help support his family.He worked as an assistant in a clothing store, earning $5 a week. In 1915, Bill showed a portfolio of his work to Frank Parsons, the head of the New York School of Fine and Applied Arts. The work so impressed Parsons that Gropper was offered a scholarship to the school. Gropper continued to work reduced hours for reduced wages in the clothing store while he continued his artistic education. In the subsequent two years, Bill gained recognition and awards for his work. In 1917, Gropper was offered a position on the staff of the New York Tribune, where over the next several years he earned a steady income doing drawings for the paper's special Sunday feature articles. At this time, the politically radical Gropper was brought into the orbit of original and innovative artists around the left wing New York monthly, The Masses. After The Masses was banned from the US Mail in 1917, due to its unflinching anti-militarism, Gropper joined artists like Robert Minor, Maurice Becker, Art Young, Lydia Gibson, Hugo Gellert, and Boardman Robinson in contributing to its successor, The Liberator. Gropper also contributed his art to The Revolutionary Age, a revolutionary socialist weekly edited by Louis C. Fraina and (in later issues) John Reed, a publication which narrowly predated the establishment of the American Communist Party, as well as to The Rebel Worker, a magazine of the Industrial Workers of the World, an anarcho-syndicalist union. In 1920 Gropper went to Cuba briefly as an oiler on a United Fruit Company freight boat. He left the ship in Cuba and spent some time there observing life and working as a supervisor on a railroad construction detail. . . [Attributes: Hard Cover]

      [Bookseller: Meir Turner]
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        Konvolut aus 26 Radierungen. Beinhaltet: op. 20 \"Hartäckerpark\" [124 x 178 mm, I. Zustand, 1 von 4 Probedrucken]. op. 24 \"Der Bildhauer\" [230 x 156 mm, III. Zustand, 1 von 3 Probedrucken]. op. 23 \"Arena in Arles I\" [148 x 188 mm, III. Zustand, 1 von 4 Probedrucken]. op. 10 \"Siedlungsbau\" [140 x 190 mm, Nr. 2 von 25 Expl.]. op. 25 \"Turenne\" [124 x 247 mm, II. Zustand, 1 von 3 Probedrucken]. op. 11 \"Kircheninterieur\" [160 x 200 mm, Nr. 2 von 25 Expl.]. op. 13 \"Das Haus auf der Anhöhe\" [130 x 180 mm, Nr. 2 von 25 Expl.]. op. 29 \"Blumen I\" [200 x 115 mm, II. Zustand, 1 von 3 Probedrucken]. op. 15 \"Hütteldorf\" [130 x 210 mm, II. Zustand, Nr. 2 von 25 Expl.]. op. 30 \"Sion I\" [155 x 215 mm, II. Zustand, 1 von 4 Probedrucken]. op. 17 \"Schloß Neulengbach\" [170 x 240 mm, Nr. 2 von 25 Expl.]. op. 32 \"Sion am Abned\" [121 x 171 mm, Nr. 12 von 20 Expl.]. op. 33 \"St. Gilles\" (eigentl. ein Relief aus dem Kreuzgang St. Trophine, Arles) [150 x 123 mm, Nr. 12 von 20 Expl.]. op. 35 \"Montblanc\" [155 x 293 mm, III. Zustand, Nr. 12 von 20 Expl.]. op. 37 \"Romanische Plastik\" [218 x 131 mm, Nr. 12 von 20 Expl.]. op. 38 \"Ansicht von Avignon\" [170 x 261 mm, Nr. 12 von 20 Expl.]. op. 39 \"Kaiser Friedrich Barbarossa und ein Bischof\" [242 x 141 mm, Nr. 12 von 20 Expl.]. op. 41 \"Mondnacht\" [169 x 257 mm, Nr. 12 von 20 Expl.]. op. 42 \"Marmolata\" [160 x301 mm, Nr. 12 von 20 Expl.]. op. 45 \"Blumen III\" [194 x 118 mm, Nr. 12 von 20 Expl.]. op. 46 \"Silvretta\" [150 x 248 mm, Nr. 12 von 20 Expl.]. op. 26 \"Uzerche [an der Loire]\" [167 x 219 mm. Einer von drei Probedrucken.]. op. 27 \"San Cassiano\" [150 x 178 mm. III. Zustand, einer von drei Probedrucken.]. op. 21 \"Badende\" [129 x 249 mm. Probedruck, nicht verzeichnet.]. op. 31 \"Sion im Morgengrauen\" [149 x 192 mm. Probedruck 3, Zustand II.] op. 40 \"Figur eines Abtes\" (Romanische Plastik von der Kirche St. Pierre zu Moissac/ Frankreich) [200 x 163 mm. Nr. 12 von 20 Expl.]

      [Wien], 1927 - 1929. Alle Blätter in Passepartouts. Alle Radierungen eighd. signiert und betitelt. Hds. Bezeichnungen der Bilder sind auf dem Passepartout in Bleistift. Beiliegend Tietze, G. Frankl mit S. 17 - 25 (Oeuvre-Katalog). - Passepartouts angestaubt. - Frankl (1901 - 1965) widmete sich nach einem Jahr an der Technischen Univeristät Wien, der Malerei. Nach der anfänglichen Orientierung an seinem Lehrer Anton Kolig wandte er sich dem Studium der alten Meister zu und paraphrasierte u.a. Bilder von Peter Paul Rubens, Konrad Witz, Abraham van Bayeren, Pieter Bruegel d. Ä. und Jan Fyt. Entscheidend für seiner weitere Entwicklung wurde die Kenntnis der Malerei Paul Cézannes, von deren Einfluss Frankls Landschaften und Stilleben der zwanziger und dreißiger Jahre geprägt sind. Während des Londoner Exils konzentrierte er sich auf Landschaftsaquarelle und -zeichnungen. Nach dem Kreigsende hielt er Vorlesungen in Cambridge und London. Die Bilder des ersten Nachkriegsaufenthaltes in Wien reflektieren symbolhaft das Bild der Stadt in einer teils kubistisch oder konstruktivistisch ausgerichteten Formensprache. Um 1960 fand Frankl zu einer pastellhaften, malerischen Bildstruktur, die die Grenzen der Gegenständlichkeit fast völlig sprengt. Seine letzte Werkgruppe 1964/65 ist der Bildzyklus In Memoriam, in dem er in drastischem Realismus die Greuel der nationalsozialistischen Konzentrationslager verarbeitet, denen auch seine Eltern zum Opfer gefallen waren. (siehe auch die Publikation \"Gerhart Frankl. Oeuvre-Katalog der Radierungen\" der Galerie Welz 1994). - Hier eindrucksvolle Kaltnadelradierungen, vor seiner Emigration nach London. Versand D: 7,00 EUR Kunst

      [Bookseller: Antiquariat Weinek]
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        Salmonitis. A Treatise on Its Symptomology, Pathology, and Eradication. [Preface by Howard Knight]

      [N.p.: Privately printed by Howard Knight, 1927. First edition. Illustrated with photographs and green decorative borders throughout. [ii], 45 pp. 1 vols. 4to. Green cloth spine and orange paper over boards. Very good. First edition. Illustrated with photographs and green decorative borders throughout. [ii], 45 pp. 1 vols. 4to. Interesting and whimsical privately printed account of a salmon fishing trip to the Laval River in Quebec, 9-25 June, 1927. Bruns S-85; Bibliotheca Salmo Salar 120; Heller 2:483. OCLC 2 locations (UNH, N.Y. Hist. Soc.). Provenance: [Morris] Heller (partially erased name on flyleaf)

      [Bookseller: James Cummins Bookseller]
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        Histoire Charmante de l'Adolescente Sucre d'Amour.

      - P. Chez l'Artiste 1927 In-4° plein maroquin marron, dos lisse, titre doré sur le premier plat, large filet au carborandum ondulant du premier au second plat, garde moirée, plats intérieurs ornés d'un quadruple filets dorés et de larges bandes au carborendum et dorées, tête dorée, étui bordé de maroquin marron (reliure de MAROT-RODDE). 14 superbes H.T. gravés sur bois en couleurs de et trés nombreuses ornementations dans le texte de F.L. SCHMIED. Tirage limité à 170 exemplaires, un des 150 sur Arches signé par l'Artiste à la justification. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Librairie In-Quarto]
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        La Bohème et mon coeur. Suivi de chansons aigres-douces et de petits airs. Avec un portrait de l’auteur par André Derain.

      A la Cité des livres 1927 - In-4 broché, couverture rempliée, chemise cartonnée, 111 pp. Non coupé. Portrait frontispice. Edition en partie originale tiré à 350 exemplaires numérotés, un des 34 sur Hollande (après 26 Japon). Bel envoi de l’auteur avec un dessin original signé. Nous joignons l’acier original du portrait par Derain. in-4° [Attributes: Signed Copy; Soft Cover]

      [Bookseller: Librairie de l'Avenue - Veyrier]
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        ADAM STVORITEL: KOMEDIE O SEDMI OBRAZECH.

      Praha: Aventinum,. 1927. title page printed in red and black, original cream wrappers printed in red and black, all edges untrimmed.. Small, faint stain to front cover, wrappers a bit tanned, a very good. copy. (#144778). First edition. The Brothers Capek published ADAM STVORITEL, their last joint work, in 1927. The play is another comedy on a utopian theme, and continues the tradition of R.U.R and THE MAKROPULOS SECRET. For plot summary and analysis of the play, see William E. Harkins, Karel Capek, pp. 115-18. It was first published in English (a translation by Dora Round) as ADAM THE CREATOR: A COMEDY IN SIX SCENES AND AN EPILOGUE by George Allen & Unwin Ltd in 1929.

      [Bookseller: L. W. Currey, Inc.]
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        Faust. Zweiter Teil. Mit fünfhundertundzehn Lithographien und elf Radierungen von Max Slevogt.

      Berlin, Bruno Cassirer 1926 - 1927. - 2 Bl., Titelbl., 460, (4) S., OLdr., eingebunden die OBroschuren der vier Einzellieferungen. Papier nur teilweise sehr leicht stockfl., die Broschuren stärker. Einband an einigen winzigen Stellen minim. berieben. Insgesamt hervorragend erhaltenes, nahezu tadelloses Exemplar. In einer neuen Halbleder-Kassette. Schauer I.214 u. II.84. Eyssen S. 146 - 147. * Eins von 250 Exemplaren, in allen Colophonen der vier Teillieferungen (jeweils den hinteren Umschlag-Innenklappen) numeriert, im ersten Colophon signiert. - Auf kräftiges, handgeschöpftes Bütten gedruckt. Unser Exemplar im handgebundenen Vorzugseinband: Rotes Maroquin auf fünf unechten Bünden, mit schlichter Filetenvergoldung auf den Buchdeckeln, goldgepr. Deckel- u. Rückentiteln u. Kopfgoldschnitt. Das Buch ruht in einer von Roland Meuter gefertigten, farblich passenden Halbmaroquin-Kassette (das Leder teils minimal verblaßt), mit goldgepr. Rückentitel, Rohleinenüberzug u. Velourleder-Innenausstattung. - In jeglicher Hinsicht, vor allem, was Buchgröße, Illustrationen u. Aufwand betrifft, eine wahrlich monumentale Ausgabe, vielleicht die größte buchkünstlerische Huldigung, die Goethes "Faust" jemals zuteil geworden ist. Auch in diesem Werk bilden der leichte Satz aus einer nicht näher benannten Kursiv mit Slevogts Illustrationen eine äußerst harmonische, spielerische Einheit. Mit diesem seinem illustratorischen "Testament" hat Slevogt endgültig - nach den Illustrationen zur "Zauberflöte" - den Höhepunkt seiner Illustrationskunst erreicht. Dabei zeigt er sich auch hier völlig befreit von aller Rücksichtnahme gegenüber traditionellen, buchgestalterischen Forderungen, seine Illustrationen umrahmen als Arabesken und illustrative Girlanden den Text, spielen in die Textblöcke hinein mit Szenendarstellungen, in denen Slevogt wiederum seine "Meisterschaft im Festhalten von Bewegung" beweist, "in denen es darum geht, dramatische Zuspitzung zu fixieren (.) Ein Werk, das immer wieder zum Blättern und Betrachten verlockt, ein 'Bilderbuch' für Erwachsene. (Eyssen). - "Slevogt ließ sich gewiß tief beeindrucken von geschehnisreichen Stoffen. Der Kern seines Werkes, das ins Aquarell, ins Ölgemälde und in die Wandmalerei seine Ausläufer trieb, war die Bilderzählung für's Buch (.) Max Slevogt, der lebenssprühende Illustrator war im Grunde ein Maler, der des literarischen Geschehens (.) bedurfte. Aus kostbarsten Gesteinen wußte er einen schier unversieglichen Quell, ja eine Sturzflut sinnfälligen Geschehens herauszuschlagen." (Schauer, S. 214). [Attributes: Signed Copy; Hard Cover]

      [Bookseller: ANTIQUARIAT MATTHIAS LOIDL]
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        THE CLEANSING OF POISONVILLE" [RED HARVEST, PART I] - IN BLACK MASK - VOL X, NO 9 (NOVEMBER, 1927)

      New York: Pro-Distributors Publishing Company, 1927. Quarto; illustrated pulp wrappers; 128, 24pp ads; illus. Sunning to spine, with small loss to heel and upper 1.5" supplied; adhesive residue along left edge of front wrapper, with wear, diagonal creases, small nicks and tears to same; lacking 3/4 of rear wrapper; text clean and supple; complete copy, but Good only. First of four parts of what Hammett would eventually develop into his first novel, Red Harvest. The four-part serial was issued in Black Mask as an interconnected series of novelettes between November 1927-February 1928, with significant variations in the text compared to the finished novel. The issue features a superb cover by Fred Craft, with contributions by Erle Stanley Gardner, Raoul Whitfield, and Frederick Nebel, et al. Scarce. Layman C77, Hagemann 1093.

      [Bookseller: Captain Ahab's Rare Books]
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        ANDALUCÍA LA BAJA. (Poemas en verso).

      - Madrid. Edit. Reus. Imp. Mejías y Susillo. 1927 (1926 en el colofón) 1ª edic. 23x17 cm. 170 págs. encuadernación en cartoné, tejuelo, guardas al agua, Conservando las cubiertas, cortas del margen superior y falto de un trocito del margen derecho, también en las 3 primeras hojas sin afectar. Las páginas 15-16 tiene un pequeño injerto. Algún subrayado en el texto. buenos márgenes y limpio. # poesía. [Attributes: Soft Cover]

      [Bookseller: Librería Torreón de Rueda]
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        Flaubert à Paris ou le Mort Vivant. Avec des bois originaux d'Hermann Paul.

      - P., Delpeuch 1927.Petit in4, 1/2 maroquin bordeaux époque, dos à nerfs richement orné, couverture et dos conservés, dos légèrement insolé. Edition illustrée de 14 bois originaux d'Hermann Paul tirés en sépia.Tirage total limité à 245 exemplaires. Un des 25 de tête numérotés sur Japon à la forme (17) comprenant une suite en noir de tous les bois.Bel exemplaire, très rare en grand papier.Membre de l'Académie Française, Louis Bertrand (1866-1941) fut un grand admirateur de Flaubert. Il fut le légataire de sa bibliothèque.

      [Bookseller: LIBRAIRIE GODON]
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        DELUGE: A ROMANCE.

      London: Fowler Wright Ltd.,. 1927. original green cloth, front and spine panels stamped in black.. A fine copy in very good or better printed dust jacket with a couple. of short closed tears at top and bottom edges and some general dust. soiling. A very nice example of the jacket. The UK edition is. uncommon; the jacket is rare. (#153565). First edition. A self-published book that became a bestseller. "Geological upheavals result in widespread flooding, but southern England is elevated to make the Cotswolds a tiny archipelago. The inhabitants' struggle for existence is described with a cold realism not previously seen." - Anatomy of Wonder (1995) 2-149. "...one of the very best catastrophe stories." - Bleiler, Science-Fiction: The Early Years 2439. Filmed in 1933 by RKO studios and directed by Felix Feist, this was one the very first disaster movies, the setting moved to New York for this adaptation of Wright's novel. Anatomy of Wonder (1976) 3-71; (1981) 2-126; (1987) 2-139; (1995) 2-149; and (2004) II-1289. Clareson, Science Fiction in America, 1870s- 1930s 829. Clarke, Tale of the Future (1978), p. 55. Lewis, Utopian Literature, p. 215. Locke, A Spectrum of Fantasy, p. 235. In 333. Bleiler (1978), p. 213. Reginald 15657.

      [Bookseller: L. W. Currey, Inc.]
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        Die deutsche Werbe-Graphik.

      Berlin, Francken & Lang, 1927. - 252 S., 63 (von 70) Taf., zahlr. (tls. mont.) Abb., fol., Ln., StaT. --Vorwort. Wesen und Erscheinungsformen der Werbegraphik. Aus der Geschichte der deutschen Werbegraphik. Einzelgebiete der deutschen Werbegraphik: Das Plakat. Das werbeblatt; Der Prospekt; Der Katalog. Die Anzeige. Brief- und Formularausstattung. Packungen und Etiketten. Schutzmarken und Signette. Buchgraphik. Sonstiges: Urkundengraphik. Amtliche Graphik. Mitglieds-, Einladungs- und Empfehlungskarten. Gasthaus-Graphik. Theater- und Ausstellungsprogramme. Reklamemarken. Einwickelpapier. Kalendergraphik. - Namen- und Abbildungen-Verzeichnis. - U.a. Alfons Amsel, Viktor Arnaud, Otto Arpke, von Axster-Heudtlaß, Hans Baluschek, Carl Becker, Lucian Bernhard, Max Bittrof, Hans Bohn, Walter Buhe, Johann Vinzenz Cissarz, Wilhelm Deffke, Ernst Deutsch, Fritz Hellmuth Ehmcke, Hans Rudi Erdt, Max Eschle, Albert Fuss, Julius Gipkens, Erich Gruner, O. H. W. Hadank, Max Henze-Dessau, Max Hertwig, Ludwig Hohlwein, Hans Ibe, Heinz Keune, W. Kleinschmidt, Julius Klinger, Lehmann-Steglitz, Karl Michel, Hans Nolpa, Louis Oppenheim, Otto Ottler, Tommi Parzinger, Wilhelm Poettler, Emil Preetorius, Christian Prelle, Walter Riemer, Fritz Rosen, Richard Rump, Paul Scheurich, Wilhelm Schnarrenberger, Karl Schulpig, Kurt Siebert, Eugen Spiro, Herbert Thannhaeuser, Eduard Thöny, Walter Trier, August Trueb, Hermann Virl, A. Paul Weber, Jupp Wiertz, Willy Willrab, Lucian Zabel, Valentin Zietara.-- [Attributes: First Edition; Hard Cover]

      [Bookseller: oeconomie.de | Antiquariat Hohmann]
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        The East African Manual

      Johannesburg, South Africa: Mining and Industrial Publications of Africa, 1927. 1927. Hardcover. VG+. Dealing with the governments and government departments, agriculture, industry....big game hunting, motor touring in Kenya Colony, Tanganyika Terrirotyr, Nyasaland, Uganda and Zanzibar Protectorates and Portuguese East Africa. 899 pp, over 400 illustrations, + ads in front and rear. Some really excellent photographs. Someone really appreciated how much information this held because the thick and heavy volume has been fully bound in genuine leather, gilt ruled and stamped and with marbled endpapers front and rear. This must have been done close to publication because the interior is rear fine and there is very little wear at corners and none on spine.

      [Bookseller: Trophy Room Books]
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        Unterm Leichentuch. Ein Nachtstück

      Merlin-Verlag, (1927)., Heidelberg - M. 4 Vollbildern u. zahlr. Textillustr. v. Alfred Kubin. Illustrationen von Kubin, A. 4to. OHLdr. mit goldgeprägter Titelvignette. 77 S., 1 Bl. (Das zweite der Kubin-Bücher). Einbd. gering beschabt u. Rückendeckel etw. lichtrandig. Von 630 Exemplaren der einfachen Ausgabe die Nr. 588. In diesem Exemplar hat aber Kubin entsprechend der Ausgabe A im Impressum handschriftlich signiert und alle Vollbilder handschriftlich unterzeichnet. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Magdeburger Antiquariat]
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        NKF-catalogue. (1leaf)

      , 1927 - Uncut proof of a leaf from the NKF-catalogue, 1927. 4 pages. Printed in black and red, recto and verso. Folded in the middle. Leaf : 32 x 44 cm. Rare proof of pages 17,18,31,32. Scanns on request. [Attributes: Soft Cover]

      [Bookseller: adr. van den bemt]
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        SOME GHOST STORIES

      [London]: Cecil Palmer,. [1927]. original black cloth, front and spine panels stamped in white, bottom edge untrimmed.. A fine, bright copy. An excellent copy. (#152633). First edition. The first of Burrage's two collections of weird fiction (the other was SOMEONE IN THE ROOM [1931] published under the pseudonym "Ex-Private X"). "Burrage's underrated short stories are deft and subtle, and include a number of poignant posthumous fantasies." - Barron (ed), Horror Literature 3-43. "The best stories in SOME GHOST STORIES and SOMEONE IN THE ROOM are intelligent, well crafted, and imaginative ...." - Sullivan (ed), The Penguin Encyclopedia of Horror and the Supernatural, p. 64. Ashley, Who's Who in Horror and Fantasy Fiction, p. 47. Bleiler, The Guide to Supernatural Fiction 314. Locke, A Spectrum of Fantasy, pp. 43-4. Tymn (ed), Horror Literature 4-53. Bleiler (1978), p. 35. Reginald 02267.

      [Bookseller: L. W. Currey, Inc.]
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        Les Belles de Nuit

      Les Editions D`Art Devambez, Paris 1927 - By the French poet and author Maurice Magre. Brown faux snake-skin bossed binding, with gilt debossed decoration and title lettered to spine. Slight wear to the hinges of the spine. A wonderful example of the fine Art Deco binding found in Paris in the 1920s by the famous French bookbinder Rene Kieffer, with his stamp on the front free endpaper. With an additional stunning colour pastel drawing by Chimot on the half-title, and signed by him in pencil. Top edge gilt. With 18 original etchings by Chimot, 10 in colour (plates, with tissue guards). Number 130 of 325 limited copies on high-quality paper. Paper spine of the original binding included but detached. Coloured pictorial endpapers. Minor foxing throughout and some offsetting from the plates. Fore-edge and bottom of the text block deckled. `Arches` watermark. Headbanding. First edition of the text with Chimot`s etchings. A beautiful copy. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Kagerou Bunko (ABAJ, ILAB)]
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        Riatas and Spurs

      Boston And New York: Houghton Mifflin Company. Fine in Good dust jacket. 1927. First Edition. Hardcover. Mylared dust jacket has chips, light soil and sunning. Not price clipped. Brown boards with brown imprint, bumped and rubbed corners. Small bookseller's label on rear pastedown. Clean interior with uncut pages. In a brown cloth slipcase. A very scarce first edition that was suppressed by the publisher because it contained real names and references to the Pinkerton Detective Agency, the same legal issue that had halted the publication of Siringo's earlier book Cowboy Detective. Pages 120-268 were suppressed, and in the revised edition the pages are primarily about outlaws, changing the entire second half of the book. On those pages in this suppressed copy, Siringo discusses the Haymarket Riots and many investigations on railroads, counterfeiters, and mining thefts. Pinkerton spent over twenty years working for the Pinkerton Detective Agency and then many more years embroiled in legal battles with them. Six Guns 2030. Howes S 517. ; B&W Illustrations; 8vo - over 7¾" - 9¾" tall; 276 pp .

      [Bookseller: Back of Beyond Books, ABAA]
 19.   Check availability:     Biblio     Link/Print  


        On Tour with Queen Marie, Autograph Queen Marie,

      1927, New York, Robert M. McBride & Company, 1927 - On Tour with Queen Marie by Constance Lily Morris (Mrs. Ira Nelson Morris) with a foreword by Marie, Queen of Roumania, hrg. Robert M. Mc.Bride & Company, New York, 1927 (EA) Forword handsigniert von Queen Marie, weiters 1 Frontispiz Quenn Marie handsigniert, 1 Widmung d. Autorien auf Vorsatz; of this edition of "on tour with Queen Marie" there have been printed on large paper, ech with an introduction singed by Marie, Queen of Roumania, one hundred and fortyeight conpies, of which one which one hundred and ten copies are for sale. this copy is numer 57; OPpbd m. goldgepr. Wappen auf Vorderdeckel, gr 8°, 238 S m. vielen mont. Schwarzweißabbildungen. (davon 1 signiert von Königin), etwas schiegel. u. leicht bestossen, Vorsätze fachgem. erneuert. sehr rare Ausgabe! Königin Maria von Rumänien (1900-1961) war von 1922 bis zum Tod ihres Mannes, Alexander Karadorddevic im Jahr 1934, Königin des ehemaligen Königreiches Jugoslawien. Sprache: Deutsch Gewicht in Gramm: 1200 von Queen Marie singierte Ausgabe u. Widmung Autorin, Vorzugsausgabe (EA 1927).

      [Bookseller: Alte Bücherwelt]
 20.   Check availability:     ZVAB     Link/Print  


        Quatorze planches gravées pour Les fleurs du mal

      Jacquemin (for the aquatints) / L'Etoile Filante (for the text) 1927 (for the aquatints) / 1966 (for the book, Paris - WITH FOURTEEN LARGE FOLIO HORS-TEXTE ORIGINAL AQUATINTS BY GEORGES ROUAULT. Rouault executed the 14 plates in 1926. Jacquemin printed 500 impressions of each in 1927 for Ambroise Vollard, who kept them until his premature death. In 1966 the book was finally published (using the original 1927 impressions, of course). Since many of the impressions had suffered some sort of damage, only 425 copies could be issued. Printed on fine Arches wove paper. Large folio (47.2 x 36.5 cm). Loose as issued in original chemise and slipcase. FINE AND BRIGHT, WITH NO DEFECTS. Chapon & Rouault 214-227. [Attributes: First Edition]

      [Bookseller: Cole & Contreras / Sylvan Cole Gallery]
 21.   Check availability:     AbeBooks     Link/Print  


        AINU LIFE AND LORE ECHOES OF A DEPARTING RACE.

      AN IMPORTANT EARLY STUDY OF NO. JAPAN'S AINU Tokyo [1927] - , Kyobunkwan. Blue cloth, very good, 448p., 15color, 80 color & b. w. photographs, dust jacket in mylarprotector, extremely bright, clean, fresh copy, 16 x 23 cm.FIRST EDITION EXCEPTIONALLY R A R E W O R K Color scans available for this book on request. Description content 2016Copyright Rare Oriental Books Co.

      [Bookseller: RARE ORIENTAL BOOK CO., ABAA, ILAB]
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        Let's Pretend. Poems

      J. Saville & Co, London 1927 - Shepard, Ernest H. First edition. Number 92 of 160 copies, signed by the author and Artist. Illustrated by Ernest H. Shepard. 70, [2, blank] pp. 1 vols. 4to. Quarter vellum and blue buckram. Fine in blue boards slipcase (repaired) Illustrated by Ernest H. Shepard. 70, [2, blank] pp. 1 vols. 4to First edition. Number 92 of 160 copies, signed by the author and Artist. [Attributes: First Edition; Signed Copy]

      [Bookseller: James Cummins Bookseller, ABAA]
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        Jahrbuch der Einbandkunst, 1. Jahrgang, 1927,

      Leipzig, Verlag für Einbandkunst 1927. mit zahlreichen Abbildungen auf Tafeln sowie weitere Abbildungen im Text, XII, 253 Seiten, 21x31, braunes O Ldr mit farbiger Art-Deco Ornamentik auf der vorderen Buchdecke sowie geprägter Rückenbeschriftung und Kopf-Farbschnitt, die Buchdecken der Original-Broschur wurden mit eingebunden, SEHR SCHÖNER GANZLEDER-HANDEINBAND mit farbigen Art-Deco Vorsatzpapieren, von Fritz Kliesing (*1891 in Bonn, + 1941in Bonn), Buchbindemeister in Krefeld - Einband von höchster handwerklicher Güte; mit Beiträgen über alte Einbandkunst von Dr. Alexander Birkenmajer, Adolf Rhein, Dr. Heinrich Endres, Dr. Adolf Schmidt, Dr. Max Josef Husung, Dr. Ilse Schunke, Hofrat Dr. Ferdinand Eichler, Prof. Dr. Konrad Haubler u.a. sowie über neue Einbandkunst von Otto Pfaff, Hugo Steiner-Prag, Elisebath Kner, Hermann Nitz, Ernest Valenta u. a., innen stellenweise etwas fleckig und vereinzelt etwas gewellt Versand D: 5,00 EUR VR 37981, Einbandkunst

      [Bookseller: Antiquariat im Baldreit]
 24.   Check availability:     buchfreund.de     Link/Print  


        1927 Marc Chagall Fables de LaFontaine, The Wolves and the Ewes Etching

      1927 - "Fables de LaFontaine, The Wolves and the Ewes" by Marc Chagall, Unsigned Etching printed in 1927. The overall is size of the Etching is 15.25 x 11.75 inches. The conditon of this piece has been graded as A-: Near Mint, very light signs of handling. Here is some supplemental information about the Etching: This work is a fine dark black impression, unsigned. Plate 37, "The Wolves and the Ewes" from the series of Fables de La Fontaine, 100 illustrations for fables and poems written by Jean de la Fontaine commissioned by Ambroise Vollard. The etchings for The Fables were executed by Chagall between 1927 and 1930; 200 portfolios on Montval were issued, 40 editions were part of a suite of etchings on japon nacre, 85 were part of a suite with gouache hand-coloring by Chagall. In addition, 15 portfolios hors commerce were created. There were also 100 sets of etching on paper with wide margins, each numbered and signed.

      [Bookseller: Rare Posters]
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        THE "CANARY" MURDER CASE.

      Charles Scribner's Sons, 1927., 1927. First edition in the first state dust jacket with the words "The Taxicab Murder Case" listed as the forthcoming third book in the series on the back flap. Former owner's small stamped name at top of front fly leaf, else a fine, bright copy in an attractive and colorful, lightly rubbed dust jacket with light wear to the spine ends and corners, and a tiny closed tear to top edge of front cover and bottom edge of rear cover. Margaret O'Dell, a blackmailing musical comedy star, is found strangled in her apartment, and four men come under suspicion: Lindquist, a half-mad doctor in love with Margaret; Cleaver, a politician whose career she threatened; Mannix, a fat broker with a jealous wife; and Jimmy Spotswoode, a young society boy Margaret was attempting to blackmail into marriage. Jimmy is arrested, and Philo Vance, a whimsical society man and amateur detective who is a close friend of Jimmy's father, is called in on the case. A Haycraft/Queen Cornerstone title and about the nicest copy of this elusive title we've had the pleasure to offer. Housed in a four point protective cloth case that is inserted into a cloth clamshell case with red leather labels on the spine and titles stamped in gold gilt.

      [Bookseller: BUCKINGHAM BOOKS]
 26.   Check availability:     Biblio     Link/Print  


        Bouddha vivant.

      - Bernard Grasset. Les Cahiers Verts. Paris 1927, in-4° broché. 247 pages, double couverture. Edition originale réimposée dans le format in-4° Tellière. N°1 des 14 exemplaires sur vélin or Turner.

      [Bookseller: Librairie La Rose de Java]
 27.   Check availability:     AbeBooks     Link/Print  


        Repose on the flight to Egypt".

      - Radierung, aquarelliert, auf festem chamoisfarbenem Japan, signiert, betitelt und bezeichnet „Dr. Dani Bormann". 16:13,5 cm. Über die Künstlerin Franzi Wilfer Horst ist kaum etwas bekannt. Sie lebte wohl zeitweise in Brasilien, wo sie auch als Bildhauerin tätig war, und war Mitglied im Künstlerbund Klosterneuburg (dort Franziska Horst-Wilfer), wo sie 1927 ausgestellt hatte. Möglicherweise war sie verwandt oder verheiratet mit dem österreichischen, in Klosterneuburg wirkenden Landschaftsmaler Franz Horst (1862-1950).

      [Bookseller: Galerie Joseph Fach GmbH]
 28.   Check availability:     ZVAB     Link/Print  


        CHILDREN OF THE RITZ

      Sydney: Cornstalk Publishing Company, 1927. First Australian Edition. Octavo; taupe cloth, with titling and ruled border stamped in black on spine and front cover; dustjacket; 301, [3]pp. Foxing to text edges, preliminary and terminal leaves; boards sharp and clean; Very Good+. Dustjacket lightly shelfworn, with a few small nicks and short tears to extremities, and some scattered soil to rear panel; list of books in the Canberra, Famous Bellbird, and Platypus series printed on verso; Very Good+. The author's second book, one of six Fitzgerald-esque novels written before turning his hand at crime fiction. The story of a rich, beautiful flapper who decides to give a try living life in the raw. She marries a poor chauffeur, and their roles are reversed when her family loses their money and he wins $50,000 at the racetrack. The Cornstalk edition is rare in dustjacket, and the first of the author's books published outside of the U.S. Basis for John Francis Dillon's 1929 silent film of the same name, starring Dorothy Mackaill and Jack Mulhall. OCLC finds 5 locations, of these, only 3 in the U.S.

      [Bookseller: Captain Ahab's Rare Books]
 29.   Check availability:     Biblio     Link/Print  


        Survey of International Affairs 1925 Vol I & 2 Complete [Islamic World Since the Peace Settlement]

      Oxford University Press 1927 - Oxford University Press; London, 1927 & 1928. Hardcovers. First editions. Complete in 2 volumes. Very Good, soiling to top page edges w/some general use and wear, in a Very Good, small diamond cutout to spine of vol I and very light wear to extremes, Dustwrappers. An amazing well preserved set of this uncommon and sought after detailing of political realignments after the post world war I peace accords. No markings to books, Scarce thus. 8vo[octavo or aprx 6 x 9 inches], 611, 486pp., indexed, appenices, 4 maps each[as called for] perfect at rear vol I & 2, We pack securely and ship daily with delivery confirmation on every book. The picture on the listing page is of the actual book for sale. Additional Scan(s) are available for any item, please inquire. [Attributes: First Edition; Hard Cover]

      [Bookseller: Lavendier Books]
 30.   Check availability:     AbeBooks     Link/Print  


        The Bridge of San Luis Rey

      New York: Albert & Charles Boni, 1927. First American Edition. Octavo (20.75cm.); original tan decorative cloth embossed in green and black, green topstain, green pictorial dust jacket; 235pp.; map endpapers, frontispiece & text illus. throughout. Jacket extremities chipped and rubbed with small loss to top edge of upper panel affecting the title's "THE," additional loss to top edge of rear panel not affecting text; spine rather toned, jacket verso with substantial tape repair; cloth a bit rubbed, textblock shaken, else Near Very Good in Good or better jacket. Winner of the Pulitzer Prize for the Novel (1927).

      [Bookseller: Lorne Bair Rare Books]
 31.   Check availability:     Biblio     Link/Print  


        guirlande des dunes.

      , Paris l'edition d'art Piazza, 1927. in-8°, 130pp. illustré de 32 en couleurs par Heni Cassiers. Relié plein vélin signeé par Laurent Peeters - Anvers: filet dore cerment les plats. tête dorée sous vouverture imprimée d'éditeur et embîtage luxueux.Tirage limité à 1100 ex. dont 125 sur Vélin de Rives. Imprimés spécialement pour un groupe de bibliophiles Belges.

      [Bookseller: Erik Tonen Books]
 32.   Check availability:     NVvA     Link/Print  


        SOSHI MONYO SHU:

      [Kyoto 1927, - Markia Ga Bohiff. Stiff wrs. folded color wood-block printed covers, vols. 3,5-8,12,13.15 only, each holds9-10 single color woodcut prints, size is 12.5 x 18 cm.,veryclean, bright, no issues, some covers mended. OBSCURE ITEM ! Color scans available for this book on request. Description content 2015Copyright Rare Oriental Books Co.

      [Bookseller: RARE ORIENTAL BOOK CO., ABAA, ILAB]
 33.   Check availability:     ZVAB     Link/Print  


        HISTORY OF THE CHISUM WAR; OR, LIFE OF IKE FRIDGE, STIRRING EVENTS OF COWBOY LIFE ON THE FRONTIER AS TOLD TO JODIE D. SMITH, ELECTRA, TEXAS.

      Smith, [1927]., 1927. First edition. 8vo. Pictorial wrappers, [i-ii, ii blank], 1-70 pp. [71, illus]. 22 x 15cm., frontis., illustrated. J. Frank Dobie says it best,"Ike Fridge's pamphlet story of his ridings for John Chisum..chief provider of cattle for Billy the Kid to steal...has more of the juice of reality in it and, therefore, more of literary value than some of James Fenimore Cooper's novels, and than some of James Russell Lowell's odes...as compact as jerked beef and as laconic as conversation in alkali dust." This copy is inscribed to Ace Reid, Sr., father of Ace Reid, the cartoonist of Cowpokes fame, attesting that Reid "slept under the wagon and the stars with me (Fridge) in 1918" and signed by Ike Fridge and Jodie D. Smith. Also, handwritten in ink on the last blank page is Ace Reis's Sr.'s account of an experience his father had on the trail with John Chisum in the 1880's. Moderate wear to the spine ends, a small corner crease to bottom of front cover, else a very good and sound copy of this rare cowboy memoir. Housed in a clamshell case with titles on the spine.

      [Bookseller: BUCKINGHAM BOOKS]
 34.   Check availability:     Biblio     Link/Print  


        A Charles Forot au pigeonnier.

      (publié par) Ses amis, 1927, - in-8vo, frontispice par Jos. Jullien + 128 p., ill. avec 4 bois + 9 bois sur planches (entre autre 1 de Gaspard Maillol), grand papier non rogné, qqs. rousseurs, brochure originale, couverture fortement piquée. Ill. de 9 bois gravés e.a de Gaspard Maillol Un des 10 exemplaires (num. de 2 à 11) sur vergé de Montval de Gaspard Maillol (Après 1 exempl. sur Japon Impériale). No. 7. Tirage totale 200 exemplaires. Voici les sujets: Un matin chez Fotot, frontispice gravé au burin par Jos. Jullien / La Combe, bois de Mme Seguin-Bechetoille / Terrasse au Pigeonnier, bois de Ph. Burnot / Ferme de Saint-Felicien, bois de René Borione / Le Pigeonnier, bois de Ph. Burnot jardin au vieux Cluzeaux, dessin de Joseph Coront, gravé sur bois par Burnot Baigneuses, bois de Pierre Deval / Lieu dit Forot à Saint-Félicien, bois de Ph. Burnot / Baigneuse, bois de Gaspard Maillol / C'est une table d'artisan, dessin d'Albert Marchon, gravé sur bois par Burnot / Paysage, bois de Paul de Pidoll / Maréchal ferrant, bois de Henri Rattier / A Saint Félicien, bois de Ph. Burnot / Culs-de-lampe gravés sur bois par Ph. Burnot.Please notify before visiting to see a book. Prices are excl. VAT/TVA (only Switzerland) & postage. [Attributes: Soft Cover]

      [Bookseller: Harteveld Rare Books Ltd.]
 35.   Check availability:     ZVAB     Link/Print  


        Pencil and crayon caricature.

      Paris: , c.1927. Large pencil drawing with crayon shading, neatly trimmed by the artist and mounted on a sheet of red cartridge paper (490 × 310 mm). Signed lower right. Some surface soiling, a scatter of foxing, a few creases, but overall very good. Strikingly kooky image of La Baker by the man dubbed by Churchill "the best caricaturist in France". An image almost certainly from around 1927, when Baker's success at the Follies-Bergère had made her the highest paid entertainer in Europe, and Hemingway was driven to describe her as "the most sensational woman anybody ever saw, or ever will". Shortly after this Baker undertook a world tour, dropping the more sensational, and excessively "primitive" aspects of her act, consciously reconstructing herself as an artist "worthy of Paris". Cabrol began working in Paris as a photographic retoucher at the studios of the official parliamentary photographer. In 1922 his first exhibition - Masques et sourires - a collection of 110 drawings and cartoons, was opened by the minister of education, and met with great success leading to a flood of commissions from publications at home - Le Petit Parisien, le Matin, l'Intransigeant - and abroad - le New York Times, Life, The Graphic, The Sketch, Berliner Illustriete, and Le Soir de Bruxelles. In 1926 he began working exclusively for l'Humanité, but refused the join the Communist Party despite the efforts of his friend Paul Vaillant-Couturier , the editor, to persuade him, Shortly after Vaillant-Couturier's death in 1937, Cabrol resigned from the paper and began to work for le Canard enchaîné. Following the occupation, Cabrol found himself a wanted man because of his famously vicious caricatures of Hitler, which had drawn Churchill's admiration, and joined the resistance in Rignac, Aveyron. After liberation he escaped arrest by the communists, and eventually returned to work for le Canard, refusing any connection with l'Humanité. He died in 1955.

      [Bookseller: Peter Harrington]
 36.   Check availability:     Biblio     Link/Print  


        The Marionette.

      London: Leonard and Virginia Woolf at The Hogarth Press,, 1927. Octavo. Original pale brown cloth, titles to spine gilt, top edge red. With the dust jacket. Board edges a little rubbed, edges of text block lightly foxed; an excellent copy in the slightly stained jacket with sunned spine, bright front panel, and some shallow chips and nicks to extremities. First edition, first impression of the author's first novel. Very uncommon in the dust jacket.

      [Bookseller: Peter Harrington]
 37.   Check availability:     Biblio     Link/Print  


        HITA CHIKUGO GAWA NO YU: EVENING ON THE CHIKUGO RIVER. [Color Woodblock Print]

      Japan 1927, - Yoshida. Color woodcut print,Jizuri self printedpencil signed title & signature bottom rt. margin, Japanese"Jizuri," date & title left margin, brush signed lower rightcorner, minor frame discoloration in margin, else very good. Color scans available for this book on request. Description content 2015Copyright Rare Oriental Books Co.

      [Bookseller: RARE ORIENTAL BOOK CO., ABAA, ILAB]
 38.   Check availability:     ZVAB     Link/Print  


        L'honorable partie de campagne. Avec vingt-neuf compositions gravées à l'eau-forte, en couleurs par Foujita.

      - P., Librairie Gallimard, 1927, In-4, plein maroquin brun, plats ornés d'un filet doré et mosaïqués aux angles d'un motif floral, dos à nerfs, tête dorée, couverture et dos conservés, 223 pp. Tirée à 357 exemplaires numérotés, celui-ci des un des 20 sur Japon Impérial en tirage de tête. [Attributes: Hard Cover]

      [Bookseller: pages volantes]
 39.   Check availability:     AbeBooks     Link/Print  


        Bibliographie des auteurs modernes de langue francaise par Hector Talvart et Joseph Place poi fondee par Hector Talvart etJoseph Place continuee par Georges Place

      Chronique des lettres francaises 1927-1968, Paris - Un solo piatto staccato e sciupato tutti i volumi sono intonsi n.d. p. voll. I-XVIII (1801-1967) da A a Monglond in 18 tomi in-8

      [Bookseller: Libreria Antiquaria Giulio Cesare]
 40.   Check availability:     AbeBooks     Link/Print  


        Modellstudie zum Bild \"Mädchen mit Krug\". Originalphotographie.

       um 1927/ 1989. Modern Print, getont. Signiert von Jiri Mucha (Sohn),Mucha (1860 Ivanice - 1939 Prag) war einer der bedeutenden Jugendstilkünstler, bekannt insbesondere durch seine Plakate mit Sarah Bernard. Schon während seines Studiums in Paris freundet er sich mit dem Brauch an, Aktzeichnungen nach Modellfotografien anzufertigen. Das Modell posiert genau nach der vom Künstler vorgegebenen Instruktion. Trotzdem verleiht M. den Arrangements Lockerheit und authenthische Kraft. Versand D: 8,00 EUR

      [Bookseller: Plesse Antiquariat Minzloff]
 41.   Check availability:     buchfreund.de     Link/Print  


        DIE HALLIGEN

      Berlin: Albertus Verlag 1927 - 8° - XXIpp - 144 b/w plates. Introductory text in German. One geographical map. Picture captions in English, German and French. First edition. Very good condition. [Attributes: First Edition; Hard Cover]

      [Bookseller: °ART...on paper - 20th Century Art Books]
 42.   Check availability:     AbeBooks     Link/Print  


        Das deutsche Lichtbild. Jahresschau 1927 - 1937. Sammlung der 10. Jahrgänge aus der verlassenschaftlichen Bibliothek nach weltbekannten, tschechischen Kunst-Photograph Jan Lauschmann (*1. April 1901 Raudnitz a. Elbe - +1. Januar 1991 Brünn)

      Berlin: Robert & Bruno Schultz 1927-1937 OLWd., 4°, mit zahlreichen teils farbigen Fotografien auf Tafeln und Anzeigen im Text, nahezu unbeschädigte Einbände; Decken stellenweise ganz leicht fleckig, sehr guter Zustand. Sehr selten.Kunst-Foto, Zeitungen u. Zeitschriften

      [Bookseller: Antikvariát Valentinská]
 43.   Check availability:     buchfreund.de     Link/Print  


        Die Rougon-Macquart. Geschichte einer Familie unter dem zweiten Kaiserreich. Einzig berechtigte Ausgabe. Band 1-20 (kompl.). Bd. 1. Das Glück der Familie Rougon, Bd. 2. Jagdbeute, Bd. 3. Der Bauch von Paris, Bd. 4. Eroberung von Plassans, Bd. 5: Die Sünde des Abbe Mouret, Bd. 6: Exellenz Eugen Rougon, Bd. 7: Die Schnapsbude, Bd. 8: Ein Blatt der Liebe, Bd. 9: Nana, Bd. 10: Geschichte einer Familie, Bd. 11: Das Paradies der Damen, Bd. 12: Die Lebensfreude, Bd. 13: Germinal, Bd. 14: Das Werk, Bd. 15: Mutter Erde, Bd. 16: Der Traum, Bd. 17: Die Bestie im Menschen, Bd. 18: Das Geld, Bd. 19: Der Zusammenbruch, Bd. 20: Doktor Pascal.

      Leipzig, Hyperion Hyperionverlag; München, Kurt Wolff Verlag, 1927. Kl.-8°, Ledereinband Schwarzer Ganzledereinband v. Emil Preetorius mit rotem Rückenschildchen u. Deckelvignette sowie Kopfgoldschnitt. Manche Einbände leicht berieben, Kopfschnitt vereinzelt leicht angeschmutzt, Bd. 14 mit klenen Dellen auf V-Deckel, Exlibris auf Innenspiegel, insgesamt noch gutes u. selten kompletes Exemplar. Versand D: 5,00 EUR Französische Literatur, Bibliophile Ausgabe

      [Bookseller: Antiquariat an der Uni München]
 44.   Check availability:     buchfreund.de     Link/Print  


        Das Deutsche Lichtbild (DDL) Die vollständige Reihe, bis auf den Jahresband 1969 und den letzten Band alle gebunden ! 1927 - 1938 [alles !] und 1955 - 1979 [alles !] Deutsche Lichtbild, Das - Das Deutsche Lichtbild. Jahresschau 1927 [- 1938]. Herausgegeben von H.[ans] Windisch [ab 1930: Robert und Bruno Schultz gemeinsam, ab 1934: Bruno Schultz alleine]. Berlin, Verlag Robert & Bruno Schultz [1927 ff; ab 1933: Berlin, Bruno Schultz Verlag]. Strache, Wolf (Hrsg.): Das deutsche Lichtbild. Jahresschau 1955. Stuttgart, Verlag DSB Dr. Wolf Strache, 1955 - 1979 (alles !)

      Berlin, später Stuttgart, Schultz, später DSB Strache 1927..

      [Bookseller: Heinrich Heine Antiquariat Lustenberger ]
 45.   Check availability:     Biblio     Link/Print  

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