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Displayed below are some selected recent viaLibri matches for books published in 1926

        Winnie - the - Pooh

      Methuen & Co, London 1926 - Small 8vo, 7 1/2in, 19cm, pp. xiv, 160, line drawings, pictorial endpapers, top edges gilt, protected dustwrapper. Inscription to blank. A little tanning to free endpapers. Ends of spine and corners slightly rubbed. Lower rear corner bumped and upper rear corner just a little nudged. Front cover lightly affected by damp at fore-edge. Dustwrapper somewhat worn and dust-stained, and with loss at ends of spine and folds. Insect tracks to tops of flaps. A very good copy in fair only dw. [Attributes: First Edition; Hard Cover]

      [Bookseller: Kernaghan Books PBFA]
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        WINNIE THE POOH

      London: Methuen & Co 1926 - First edition, first printing. Publisher’s original green cloth with gilt titles and illustration to the upper board and spine. Top edge gilt. A superb very near fine copy, the cloth spotlessly clean and the gilt sharp and bright. Very light pushing to the spine tips. The contents are clean and tight, the only marking being a child’s ownership inscription to page one. A lovely copy. Further details and images for any of the items listed are available on request. Lucius Books welcomes direct contact with our customers. [Attributes: First Edition; Hard Cover]

      [Bookseller: LUCIUS BOOKS (ABA, ILAB, PBFA)]
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        WINNIE-THE-POOH

      Methuen & Co. Ltd. 1926 - 1st 1926. Almost very good condition with no wrapper. Dark green cloth, gilt titles to spine, gilt border and vignette to front cover. Pictorial endpapers. Top edge gilt. Absolutely delightful b/w illustrations of Pooh Bear and friends. A children's classic. Spine and corners bumped and slightly rubbed. A few light marks to covers (including faint pencil scribble to front). A few hinges are slightly cracked, one page part detached (1" at inner margin) because of this. Some light fingermarks to contents but generally bright and clean. [R] [Attributes: First Edition; Hard Cover]

      [Bookseller: Stella & Rose's Books, PBFA]
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        Winnie The Pooh

      1926 - MILNE, A. A. WINNIE THE POOH. London: Methuen & Co. Ltd., (1926). First Edition in dust jacket. A bit of offsetting to the illustrated endpapers from the jacket flaps and minor bumps to the corners, else a near-fine copy, with bright and clean boards, in a very worn dust jacket that is missing about 2.25 inches from the jacket spine.

      [Bookseller: Boston Book Company, inc.o ABAA]
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        WINNIE-THE-POOH

      Methuen & Co. Ltd. 1926 - 2nd 1926. Nearly fine condition in an almost very good dustwrapper. Dark green cloth, gilt titles to spine, gilt border and vignette to front cover. Pictorial endpapers. Top edge gilt. Absolutely delightful b/w illustrations of Pooh Bear and friends. A children's classic. A beautifully bright, clean copy with just a hint of rubbing to the corners. Spine is very slightly bumped. Inscription in ink to front endpaper. Small light brown marks to lower margins of pages 22 and 23 else a fine copy in original wrapper. The dustwrapper is browned to spine with very slightly chipping at top and tail of spine, not affecting the text. there are small nicks at the corners and the folds are rubbed. The front and rear panels are slightly grubby. Overall a lovely copy of this early edition, scarce in original wrapper. [Attributes: Hard Cover]

      [Bookseller: Stella & Rose's Books, PBFA]
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        Winnie the Pooh

      Methuen 1926, London - 158 pp, illustrated in b/w, pale blue limp leather deluxe edition with gilt decorated spine and page edges, wear to spine edges and small part worn away and fading and mark to cover. 210c [Attributes: First Edition; Hard Cover]

      [Bookseller: Stephen Foster - ABA ILAB & ibooknet]
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        The Murder of Roger Ackroyd

      London: W Collins Sons & Co Ltd 1926 - Fine 1926 1st edition HB in recent quality calf rebind with new endpapers and no inscriptions. Spine has 5 raised bands and gilt titles on red panels. A VG clean tight bright copy of 312pp. (13 x 19cm) [Attributes: First Edition; Hard Cover]

      [Bookseller: Berwyn Books]
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        The Tempest. With and Introduction Illustrated by Arthur Rackham.

      London: William Heinemann / New York, Doubleday, Page & Co., [1926]. - Quarto. Finely bound by The Chelsea Bindery in dark green morocco, titles and decoration to spine, raised bands, single rule to boards, pictorial title block to front, roll to turn-ins, marbled endpapers, top edge gilt, others untrimmed. A fine copy. With 16 tipped-in colour plates. Signed limited edition, one of 520 numbered copies signed by the artist. [Attributes: Signed Copy]

      [Bookseller: Peter Harrington. ABA member]
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        FUMEURS D ' OPIUM

      - Paris TERQUEM 1926 . Superbe reliure demi maroquin à coins , dos à 2 faux nerfs encadrant une grande composition de mosaïque de cuir représentant des fleurs de pavot surmontant un visage asiatique et 2 pipes à opium , tranches dorées ,reliure signée FLAMMARION . IN 4 de 318 pp ornées d ' un frontispice couleurs au repérage et de 17 eaux- fortes en noir dont 8 hors textes , augmentées d ' une suite de toutes les illustrations en sanguine avec remarques , de Henri LE RICHE . Tirage à 152 exemplaires . Un des 130 ex . sur papier Vélin de cuve du Marais filigrané d ' un dessin de l ' artiste .( N ° 84 ). Très rare réalisation sur ce thème . [Attributes: Hard Cover]

      [Bookseller: LA FRANCE GALANTE]
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        Northanger Abbey Persuasion, Pride and Prejudice, Sense and Sensibility, Mansfield Park, Emma

      Oxford, UK 1926 - 2nd Edition 1926. The first edition was a limited edition on large paper printed in 1923. This is first "Trade" edition. With b/w illustrations. A fine set of this important edition which contains facsimiles of the original title pages,notes,and various appendixes giving chronologies,indexes of characters and general indexes of real persons and places.In Geoffrey Keynes Bibliography of the works of Jane Austen he states that this edition is the most authoritative text published and is never likely to be improved. A Full set of the Jane Austen novels. Six Books in Five Volumes. Books are very good+ and bright. Spine tips a little rubbed. Boards very lightly marked. Contents very good. Un-common as nice as this. Digital images available upon request.Ref 5949 [Attributes: First Edition; Hard Cover]

      [Bookseller: Lasting Words Ltd PBFA]
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        ULYSSES

      Paris Shakespeare and Company 1926 - The first printing of Ulysses to have the type entirely reset, work accomplished with Joyce’s participation, the 8th printing overall and one of the key Shakespeare and Company printings, very early and desirable. Small 4to, in a handsome contemporary binding of three-quarter green morocco over marbled paper-covered boards, the spine evenly toned to a pleasant honey color and with simple raised bands ruled in blind, red morocco label lettered and framed in gilt, t.e.g. (6), 735 pp. A very desirable copy in contemporary binding, the paper still quite fresh for this title and all very sturdy and sound. With a bit of quite pleasant and expected mellowing by time. ONE OF THE KEY PRINTINGS BY SYLVIA BEACH’S SHAKESPEARE AND COMPANY OF THIS LANDMARK OF 20th CENTURY LITERATURE. It is the first reprinting of the work to use entirely reset type. The work was accomplished with Joyce’s participation. The copy is bound as is often found on printings of the period in a simple style designed to draw little attention to itself due the controversy of the text within. In all a highly collectable copy. ULYSSES can be viewed as the pinnacle of the Modernist movement, and its impact on all subsequent western literature is unmistakable. Such writers as Virginia Woolf, John Dos Passos, William Faulkner, Samuel Beckett, Malcolm Lowry, and Anthony Burgess have all paid tribute, consciously or unconsciously, to Joyce's influence. Burgess as well pronounced it the greatest single work in the English literature of the century, and he was not alone in that opinion. At the beginning of the present century the Modern Library placed ULYSSES in the number one spot on their 100 best books of the 20th century list. [Attributes: Hard Cover]

      [Bookseller: Buddenbrooks, Inc. ABAA]
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        Ulysses

      Shakespeare and Company 1926 - The eighth overall printing, type reset and errors corrected, so effectively a second edition. Shakespeare and Company, 1926. In the original wrappers. Good only condition. Back cover missing but with the blue spine and front cover still in place. Comes in a clamshell case. [Attributes: Soft Cover]

      [Bookseller: Bookbid]
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        APOSTATE.

      Constable (1926), London - [iv], 235p. Gilt-titled white cloth, t.e.g. Taylor 12. Lightly soiled, internally clean. First edition. LIMITED TO 50 COPIES SIGNED BY REID. [Attributes: Hard Cover]

      [Bookseller: First Folio A.B.A.A.]
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        La Tentation de Saint Antoine

      Paris: Societe D' Editions et de Librairie Henri Reynaud, 1926. Leather Bound. Fine. SZYK, Arthur. La Tentation de Saint Antoine [The Temptation of St. Anthony]. FLAUBERT, Gustave. Paris: Societe D' Editions et de Librairie Henri Reynaud, (1926). Text in French. 20 full color pochoir illustrations printed on Imperial Japon paper with an additional suite of the same 20 images bound in throughout on Arches paper. Contemporary burgundy morocco binding with raised bands and marbled slipcase. a.e.g. A Fine copy.& & LIMITED EDITION. One of 30 deluxe numbered copies (out of a total edition of 343) printed on Imperial Japon paper.& & These exquisite, dreamy images from Szyk's Paris period represent the artist's mastery of symbolism and mysticism. It is not unreasonable to suspect that Szyk might have been influenced by Hieronymus Bosch's nightmarish 16th diptych of the same title. Szyk's unique style in the Temptation is wholly uncharacteristic of Szyk's familiar medieval -influenced work and is found in only one other work, Le Puits de Jacob (also from the Paris period).& & The pochoir printing technique used here reproduces illustrations that are nearly three-dimensional in quality.& & St. Anthony the Great (c. 251 - 356 CE) is the fabled “first Christian monk” and the father of the ascetic doctrine.&

      [Bookseller: Historicana]
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        Le Juif Qui Rit [The Laughing Jew]

      Paris: Albin Michel, Editeur, 1926. Original Wraps. Very Good. SZYK, Arthur. Le Juif Qui Rit [The Laughing Jew], legendes anciennes et nouvelles arragnees par Curnonsky & J.W. Bienstock. Paris: Albin Michel, Editeur, 1926. Text in French. Two volumes. 221pp. and 239pp. Profusely illustrated black and white line drawings and sketches. Original pictorial wrappers printed on acid paper. Wrappers fragile. Very scarce.& & FIRST EDITION. Szyk's political and satirical wit is exulted in these books of illustrated cartoon jokes divided into categories such as education, hygiene, cafes, and society life.& & Szyk's wife Julia wrote in her memoirs…“In 1925, Arthur illustrated a small book called 'Le Juif Qui Rit'. It was a book of jokes and humorous stories…illustrated with satirical works. It came about in a curious manner. One night while sitting in a cafe in Montparnasse a friend of ours brought to our table the gentlemen Bienstock and Curnonsky. They were introduced as the greatest humorists of the times. They began to relate anecdotes. Arthur, always a lover of stories and humor began to tell them Polish stories. The evening was spent in laughter. At the end of the evening Mr. Curnonsky broached the subject of a book of stories just related. Arthur was not enthusiastic since he had always used his art for a definite purpose. They finally prevailed upon him to say 'yes' and the book was eventually printed in France that year.” The title of his book was not chosen by accident, “The Laughing Jew”. It serves as “both an answer to our detractors as well as a way for us to see images of truthfulness about ourselves.”&

      [Bookseller: Historicana]
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        The Adventures of Pinocchio

      MacMillan, New York 1926 - First printing thus. Color illustration by Attilio Mussino. Deep blue cloth pictorially stamped with Pinocchio in green, gray and cream in a striking dust jacket. Printed in Italy. Very good (some foxing in book but outside covers are near fine) in a near fine dust jacket. Very rare in the original dust jacket. Original price still present on the front flap of the dust jacket. Previous owner's name and writing on front free end paper. Housed in a custom-made collector's slipcase. [Attributes: Hard Cover]

      [Bookseller: Bookbid]
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        Le Radjah de Mazulipatam

      Mornay, Paris 1926 - LIMITED EDITION, one of only 468 numbered copies on Holland van Gelder (out of a total edition of 500 copies), with 14 full-page color pochoir plates and 54 color pochoir vignettes by Brunelleschi. One of the most highly regarded books illustrated by Brunelleschi. (Paris): Mornay, 1926. Octavo, original pictorial wrappers; glassine. A beautiful, fine copy. $1900. [Attributes: First Edition; Soft Cover]

      [Bookseller: Manhattan Rare Book Company, ABAA, ILAB]
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        Henri de Toulouse-Lautrec. 1864-1901. Peintre & Dessins - Estampes - Affiches. 2 volumes

      Paris: Floury, 1926-27. 2 volumes, 1st edition, thick 4to's (10.5 x 8 in. 20 x 26 cm. ), 311 + 284 illustrated with 106 hors-texte collotype and lithographic plates, including 21 in colors and 2 drypoint etchings by the artist ("Charles Maurin" & "Portrait de Monsieur X", (W. 242 & 246). Bound in non-matching 3/4 morocco. original wrappers bound in.

      [Bookseller: Alan Wofsy Fine Arts]
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        LA MAISON TELLIER [WITH SIGNED ORIGINAL ART] [G] [Lbc]

      Javal Et Bourdeaux, Paris 1926 - French Language; We fit archival quality clear acrylic covers for additional protection whenever possible. ; 4to 11" - 13" tall; 88 + plates in two states pages; (LOBEL-RICHE, ALMERY). DE MAUPASSANT, GUY. La Maison Tellier. Illustre par Lobel-Riche. Paris: Javal et Bourdeaux, 1926. First Edition with these illustrations, Hors de Commerce copy, separate from limited edition of 375 copies. Small 4to, light green printed wraps, text in loose signatures, as issued, 12 full-page and 3 smaller engraved reproductions of occasionally erotic drawings by Lobel-Riche, extra loose set of the engraved illustrations printed in sepia with small remarque illustrations in margins (plus one additional plate not called for in the book) , and single sheet of green paper with four (4) original pencil sketches by Lobel-Riche (several heightened in red pencil) , signed at bottom right by the artist. Wraps sun-browned at spine, minor wear at edges, original glassine over wrapper chipped and torn at edges with early owner's hand-lettered title in ink at spine torn and partly lacking, text quite good, slight aging, text and plates very clean, sheet with original illustrations with some aging at edges, offsetting to protective paper folder. The edition consisted of 75 copies on Japon Ancien with the plates in four or five states, and 300 copies on Velin d'Arches with plates in two or three states; there were also 42 additional lettered or Roman-numbered copies on Japon Imperial or Arches. This copy is an Hors de Commerce copy similar to the 200 copies on Arches with plates in two states, with the addition of the sheet with original drawings; the limitation leaf cites no other issue which also included an original drawing although there probably were some. One set is with and one without additional small drawings in the lower margin. A number of additional graphics are available. ; 0 [Attributes: First Edition; Soft Cover]

      [Bookseller: poor man's books (mrbooks)]
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        Les Nuits du Hoggar

      Les Editions d'Art Devambez. 1926 - 79pp. Très Bon Etat numéro 18 sur 65 exemplaires sur papier spécial Madagascar avec double suite des bois gravés. etat remarquable. [Attributes: Hard Cover]

      [Bookseller: dansmongarage]
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        The Sun Also Rises

      New York, Charles Scribner's Sons,, 1926. Octavo. Finely bound by The Chelsea Bindery in black morocco, titles and decoration to spine, raised bands, single rule to boards, twin rule to turn-ins, marbled endpapers, gilt edges. A fine copy. First Edition, First Printing.

      [Bookseller: Peter Harrington]
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        The Torrents Of Spring

      New York: Charles Scribner's Sons, 1926: First edition, first printing. In Very Good condition. Light foxing to cloth, a few very tiny specks to front cover, light scuff to the spine, and light rubbing to the corners. Moderate foxing to prelims and terminals, with some light foxing occasionally scattered throughout. A very lovely copy.

      [Bookseller: Burnside Rare Books]
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        Torrents of Spring, The

      Charles Scribner's Sons, New York 1926 - First Printing. 8vo: [8],143,[1]pp.Publisher's finely woven midnight-green cloth (appearing almost black)f, spine and upper cover lettered in scarlet, fore- and bottom edges untrimmed. Better than Near Fine (slight lean, fronrtend papers toned, several marginal stains to text) copy of Hemingway's first novel and second book to be published in America, one of only 1250 copies printed. Provenance: circular blindstamp of Ray McRae to front fly leaf, small bookseller's ticket of Brentano's, Paris, to lower paste down. Hanneman A4.A. The author's first novel, published by Scribner's after Boni and Liveright rejected it. In this slim volume, Hemingway parodied Sherwood Anderson's Dark Laughter (1925), and because Anderson was under contract with Boni and Liveright, that publisher chose not to publish the parody. According to the Literary Encyclopedia, The Torrents of Spring was on one level a declaration of literary independence (Anderson had served as something of a mentor to Hemingway), but many scholars also suspect Hemingway wrote the parody to escape from his three-book contract with Boni and Liveright. If that was the case, the plan worked, and Scribner's became Hemingway's publisher for the rest of his life. Still, some reviewers saw the book as a detour in Hemingway's own career, because Torrents of Spring had little in common with the excellent short stories he had published in his first U.S. book, In Our Time. Note: With few exceptions (always identified), we only stock books in exceptional condition, carefully preserved in archival, removable polypropylene sleeves. All orders are packaged with care and posted promptly. Satisfaction guaranteed. [Attributes: First Edition; Hard Cover]

      [Bookseller: Fine Editions Ltd]
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        The Torrents of Spring. A Romantic Novel in Honor of the Passing of a Great Race

      London: Collins. VG : in very good condition without dust jacket in clear protective wraps. Light foxing to end papers. Edges browned. Minor edgewear to spine ends. 1926. First Edition. Black hardback cloth cover. 220mm x 140mm (9" x 6"). 398pp. First issue points: first printing with the mis-spelled dedication 'To H L Mencken and S Stanwood Mencken'. .

      [Bookseller: Barter Books Ltd]
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        Expressionismus und Film

      Berlin: der Lichtbildbühne,, 1926. Mit 73 Abbildungen und 5 farbigen Tafeln. Den Einband zeichnete Paul Leni. Quarto. Original yellow cloth, colour paste-on to upper board, marbled endpapers. Colour frontispiece and illustrations throughout. Cloth a little rubbed and dulled with wear at the corners, small tear to cloth at head of toned spine, small abrasion to edge of front free endpaper, short closed tear to page 115/116. A very good copy. First edition, first impression.

      [Bookseller: Peter Harrington]
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        The Torrents of Spring. A Romantic Novel in Honor of the Passing of a Great Race.

      New York: Charles Scribner's Sons, 1926. - FIRST EDITION. 8vo. In a lovely binding of recent black morocco with raised bands, gilt titles and gilt to spine, gilt border to boards with author's signature tooled in gilt to upper, marbled end papers. With the publisher's original dark cloth and orange-titled spine and upper board pasted down at rear. A beautiful copy. Scarce Hanneman [A4] [Attributes: First Edition; Hard Cover]

      [Bookseller: Adrian Harrington Rare Books, ABA ILAB]
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        Les silences du colonel Bramble ; Les discours du docteur O'Grady

      Société d'Edition "Le Livre" ; Emile Chamontin, Paris - 1926 et 1929, 244 pp. + 251 pp., 2 volumes in-8° (16 x 22,5 cm), plein maroquin bordeaux, dos 5 nerfs avec auteur et titre dorés, tête dorée, filet doré sur les coupes, filet d'encadrement doré sur les contre plats, couverture et dos conservés, étui commun bordé. Reliures signées TRINCKVEL. Réunion de ces deux titres inséparables sous étui commun. 30 burins originaux de J.-E. LABOUREUR. «Les silences.»: Exemplaire n° XXX / 430, un des XXX hors commerce sur différents papier, le notre sur vélin à la forme des Papeteries d'Arches. «Les discours.»: Exemplaire n° 297 / 430, un des 350 sur vélin à la forme des Papeteries d'Arches. 1ère édition illustrée. Reliures parfaitement réalisées, quelques feuillets avec de très pâles rousseurs pour «Les discours.». Très bon ensemble. In-8° [Attributes: Hard Cover]

      [Bookseller: Ad hoc Art]
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        ANNALES DE LA SOCIETE SCIENTIFIQUE DE BRUXELLES, 1908-1926, 9 VOLUMES (INCOMPLET)

      Société Scientifique de Bruxelles 1926 - RO40190802: 5 volumes reliés et 4 volumes brochés. De 336 + 44 pages pour le 1er, à 736 pages pour le dernier. Illustrés de très nombreux dessins, graphiques, et photo-gravures en noir et blanc dans le texte et sur planches hors texte. Titre, tomaison et filets dorés sur les dos des volumes reliés. Etiquettes de code sur les dos. Quelques tampons et annotations de bibliothèque sur les 1ers plats et en pages de titre. Cahiers de la 37e année (1912-13) détachés. Couverture de la 47e année (1920-21) fortement déchirée avec manques. 32e année, 1907-08 (relié). 33e année, 1908-09 (relié). 34e année, 1909-10 (relié). 35e année, 1910-11 (relié). 36e année, 1911-12 (relié). 37e année, 1912-13. 39e année, 1919-20. 40e année, 1920-21. 50e année, Volume Jubilaire, 1926. 32e année, 1907-08: Analyse sommaire d'un nouvel écrit d'Archimède retrouvé en 1906 et publié en 1907, M.P. Mansion. L'électricité considérée comme forme de l'énergie, électrostatique, M. Ariès. Sur le parallélisme entre les sociétés des fourmis et les sociétés humaines, P. Wasmann. Un curieux cas de mimétisme chez un diptère Acroceridae du genreOncodes, Meigen, M.F. Meunier. Les cités animales et leur évolution, M.A. Proost. Le calcul des pièces élastiques par la méthode du travail des forces, M. Merten. Sur les conséquences directes de la cohésion des liquides, M. Van der Mensbrugghe. Le chemin de fer monorail de Brennan, M. Carlier. Note sur l'Espace et le Temps, P. Bulliot. Nouveaux insectes des schistes houillers de Commentry, M.F. Meunier. La capillarité dans ses rapports avec l'étude des cellules organiques, M. Van der Mensbrugghe, etc. 50e année, Volume Jubilaire, 1926: Le 3e Livre des Commentairessur l'Almageste par Théon et Hypatie, A. Rome. Sur les congruences rectilignes à surface focale double ou à courbe focale double, F. Simonart. Les Carrés Bigamiques, A. Gérardin. Formation du son dans les tyaux à bouche de flûte, Z. Carrière. L'histoire de la Meuse quaternaire dans les environs de Huy, X. Stai [Attributes: Hard Cover]

      [Bookseller: le-livre]
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        Daphnis et Alcimadure par Jean de La Fontaine. Illustré de quatorze eaux-fortes originales par André E. Marty. Précédé de Oraison funèbre d'une fable par Paul Valéry

      Xavier Havermans, Paris 1926 - In-8 (236 x 170 mm), broché, non rogné. Illustré d'eaux-fortes originales par MARTY. Tirage limité à 275 exemplaires numérotés ; un des 200 sur papier d'Arches (N° 120). (dos en partie fendu, petite déchirure sur la couverture supérieure, rousseurs). // Octavo (236 x 170 mm), softbound, uncut. Illustrated with original etchings by MARTY. Limited printing of 275 numbered copies ; one of the 200 on Arches paper (Nr 120). (spine partly cracked, small tear on upper cover, brownings).

      [Bookseller: H. PICARD ET FILS, founded 1860]
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        Ceylon. The Land of Eternal Charm

      London: Hutchinson, 1926. First edition. Signed by Author.. Large thick 8vo. (23 x 16 cm). pp.xxxi + 352. 87 photo plates and 4 plates in colour. Dark navy blue cloth, gilt to spine, slightly sunned to top edge and margin of front cover. Endpapers lightly browned. Warm gift inscription in ink from the author to front free endpaper. To my dear and esteemed friend Yousef Philippe Gelat Bey, in grateful remembrance and with the very kind regards and best compliments of the Author, Ali Fouad Toulba, Cairo, Feb 19, 1927. A near fine copy. We reduce the default shipping charge for lighter books or use it for a tracked service if books are expensive or uncommon. We pack books securely in boxes, or corrugated card or cardboard, and protect corners with bubble-wrap.

      [Bookseller: John Taylor Books P.B.F.A.]
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        Lettres d'un Satyre Eaux-fortes de Frans de Geetere.

      Editions du Siecle [1926], Paris - One of 300 numbered copies on velin ancien de Vidalon, from a total edition of 424. 8vo; handsomely bound in 3/4 blue morocco and marbled boards, spine paneled, decorated with gilt fillets and gilt rosebuds with red inlay, ribbon marker, title gilt, top edge gilt, some rubbing to edges, very good, a bit of foxing, original wrappers bound in, previous owner's signature and date (1929) in blue pencil on front blank, red ex- libris stamp of Daniel Navarro on half-title, illustrated with 15 etchings by Frans de Geetere. See an Image. [Attributes: Soft Cover]

      [Bookseller: Priscilla Juvelis Inc., ABAA]
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        HISTOIRE DU CHEVALIER DES GRIEUX ET DE MANON LESCAUT. Lithographies de Charles GUERIN.

      1926 - Paris, Helleu et Sergent, 1926. Petit in-8 (138 X 208) maroquin vieux rouge, jeu de filets dorés et argentés se poursuivant sur les plats, le dos, les coupes et la bordure intérieure, sur le premier plat deux bandes parallèles composées de motifs géométriques or et palladium et d'un listel de maroquin beige, bordure intérieure ornée de filets or et palladium et d'un encadrement de listel de box brun, doublures et contregardes de moire framboise, gardes de papier marbré, tranches dorées, plats et dos de la couverture conservés, chemise à rabats maroquin vieux rouge à bandes, sans étui (JEANNE LANGRAND 1930) ; (1) f. blanc, (1) f., faux-titre, frontispice, 362 pages (dont titre), 2 planches hors-texte, (1) f. de justification du tirage, suite de 20 planches hors-texte. EDITION illustrée de 20 LITHOGRAPHIES ORIGINALES (dont 3 hors-texte, frontispice compris, et 17 in-texte) en noir et sépia de Charles GUERIN. Tirage limité à 320 exemplaires, celui-ci UN des 40 numérotés sur CHINE comportant une suite imprimée sur JAPON de toutes les illustrations. BELLE RELIURE décorée, réalisée en 1930 par Jeanne LANGRAND, qui produisit dans la première moitié du XXe siècle des reliures inspirées de celles de Pierre LEGRAIN qui sont d'une réalisation sobre et intelligente (FLETY, 104). Des rousseurs apparaissent à la fin du volume, principalement sur les planches de la suite. La reliure est en PARFAIT ETAT. NICE COPY. PICTURES AND MORE DETAILS ON REQUEST.

      [Bookseller: LIBRAIRIE ERIC CASTERAN]
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        Tales of the Angler's Eldorado: New Zealand

      New York: Harper & Brothers, 1926 - A rare and desirable Zane Grey work, in the original publisher's presentation binding; from Zane Grey's library with his blind stamp on the front flyleaf First edition. 4to. With photographs by the author and illustrations by Frank E. Phares. Publisher's presentation binding in three quarter red morocco with raised bands, marbled paper sides and endpapers, t.e.g. ONE OF ONLY TEN SPECIAL DELUXE COPIES. Fine copy in blue cloth slipcase. Bruns G 181 [Attributes: First Edition; Hard Cover]

      [Bookseller: James Cummins Bookseller, ABAA]
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        Oeuvres Completes, 32 volumes - Romans, Drame, Poesie (1926)

      Société d'Éditions Littéraires et Artistiques, Paris 1926 - 32 volumes, all 1926 printings, tall 8vo, bound in half green marbled morocco and handsome patterned papercovered boards with green/gold art deco marbling. Uniformly age-toned to a mellow golden-brown to the spines, raised bands, titled in gilt. There are 14 volumes of the Romans, 5 volumes Drame, 13 volumes Poesie. Appears to be complete. If there are non- fiction, biographical or philosophical works that were issued with this set, we do not have them. We have the novels, plays and poetry. Very good, occasional nick to spine end, but a handsome, rare set in near fine condition (pages a little tanned / age-toned). Extra postage required outside the United States. [Attributes: First Edition; Hard Cover]

      [Bookseller: Caliban Books Pittsburgh PA, ABAA]
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        L'Illusion Heroique de Tito Bassi (Gravures de Charles Martin).

      La Roseraie, Paris, (1926). #127 of 291 copies (of the 200 on papier velin de Rives; 92-291). Printed by Coulouma, Argenteuil (H. Barthelemy) & the etchings by Roger Lacouriere, Paris. - 10 x 7 3/4", 165pp. Contains 15 separate 6 1/2 x 4 1/2" (image size) colored etchings & 1 smaller colored etching at head of text & colored engraved titlepage. Original printed wrappers with title printed on spine & front cover (with La Roseraie rose on front cover); original glassine paper (which shows a tear at top of back panel, foot of spine, etc.) Small tear to lower front cover hinge at spine, some inner loosening of glue; else an overall fine copy of this fragile & uncommon item. Finely detailed & colored etchings by French illustrator Charles Martin (see Benezit, 1956; Vol. 5, p. 804). Historical romance set in 18th century Italy by French symbolist poet Henri de Regnier. Beautifully, designed, printed & illustrated edition. Illustrations show influence of the then popular Art Deco style found in pochoir illustrations of the same period. [Attributes: Soft Cover]

      [Bookseller: Peter Keisogloff Rare Books, Inc.]
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        Faust. Zweiter Teil. Mit fünfhundertundzehn Lithographien und elf Radierungen von Max Slevogt.

      Berlin, Bruno Cassirer 1926 - 1927.. 34 x 46 cm. 2 Bl., Titelbl., 460, (4) S., OLdr., eingebunden die OBroschuren der vier Einzellieferungen. Papier nur teilweise sehr leicht stockfl., die Broschuren stärker. Einband an einigen winzigen Stellen minim. berieben. Insgesamt hervorragend erhaltenes, nahezu tadelloses Exemplar. In einer neuen Halbleder-Kassette. Schauer I.214 u. II.84. Eyssen S. 146 - 147.. * Eins von 250 Exemplaren, in allen Colophonen der vier Teillieferungen (jeweils den hinteren Umschlag-Innenklappen) numeriert, im ersten Colophon signiert. - Auf kräftiges, handgeschöpftes Bütten gedruckt. Unser Exemplar im handgebundenen Vorzugseinband: Rotes Maroquin auf fünf unechten Bünden, mit schlichter Filetenvergoldung auf den Buchdeckeln, goldgepr. Deckel- u. Rückentiteln u. Kopfgoldschnitt. Das Buch ruht in einer von Roland Meuter gefertigten, farblich passenden Halbmaroquin-Kassette (das Leder teils minimal verblaßt), mit goldgepr. Rückentitel, Rohleinenüberzug u. Velourleder-Innenausstattung. - In jeglicher Hinsicht, vor allem, was Buchgröße, Illustrationen u. Aufwand betrifft, eine wahrlich monumentale Ausgabe, vielleicht die größte buchkünstlerische Huldigung, die Goethes "Faust" jemals zuteil geworden ist. Auch in diesem Werk bilden der leichte Satz aus einer nicht näher benannten Kursiv mit Slevogts Illustrationen eine äußerst harmonische, spielerische Einheit. Mit diesem seinem illustratorischen "Testament" hat Slevogt endgültig - nach den Illustrationen zur "Zauberflöte" - den Höhepunkt seiner Illustrationskunst erreicht. Dabei zeigt er sich auch hier völlig befreit von aller Rücksichtnahme gegenüber traditionellen, buchgestalterischen Forderungen, seine Illustrationen umrahmen als Arabesken und illustrative Girlanden den Text, spielen in die Textblöcke hinein mit Szenendarstellungen, in denen Slevogt wiederum seine "Meisterschaft im Festhalten von Bewegung" beweist, "in denen es darum geht, dramatische Zuspitzung zu fixieren (...) Ein Werk, das immer wieder zum Blättern und Betrachten verlockt, ein 'Bilderbuch' für Erwachsene... (Eyssen). - "Slevogt ließ sich gewiß tief beeindrucken von geschehnisreichen Stoffen. Der Kern seines Werkes, das ins Aquarell, ins Ölgemälde und in die Wandmalerei seine Ausläufer trieb, war die Bilderzählung für's Buch (...) Max Slevogt, der lebenssprühende Illustrator war im Grunde ein Maler, der des literarischen Geschehens (...) bedurfte. Aus kostbarsten Gesteinen wußte er einen schier unversieglichen Quell, ja eine Sturzflut sinnfälligen Geschehens herauszuschlagen." (Schauer, S. 214).

      [Bookseller: Antiquariat Matthias Loidl]
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        The Texas Streak

      1926. Movie poster. 2 of 3 parts. Color lithograph mounted on linen. 52 x 39 inches. Cowboy movie. Also with Jack Curtis.

      [Bookseller: Alan Wofsy Fine Arts]
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        RARO Y EXCEPCIONAL CARTEL FIESTAS DE MAYO VALENCIA 1926

      Imp.Lit.J.Ortega, Valencia, 160x120 1926 - papel Bueno, restaurado Valencia del 4 al 16. DIBUJO DE J.BARREIRA

      [Bookseller: Librería Maestro Gozalbo]
 38.   Check availability:     IberLibro     Link/Print  

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