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Displayed below are some selected recent viaLibri matches for books published in 1926

        All the Sad Young Men

      Charles Scribner's Sons, New York 1926 - First Printing. First State dustjacket with unbattered lips. Dustjacket has light chipping at corners and spine ends. Book is first state with clear type on pages 38 and 248. [Attributes: First Edition; Hard Cover]

      [Bookseller: Cahill Rare Books]
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        Petits poëmes en prose

      Editions des Quatre Chemins, Paris 1926 - 143 pp., In-4 (22,5 x 28 cm), broché, couverture rempliée. Exemplaire n° 32 / 360, un des 35 sur Hollande Van Gelder, 1er papier avant 300 sur vélin d'Arches. 10 eaux-fortes hors-texte, gravées par Marcel GROMAIRE. Minime déchirure, sans manque, en tête et en queue du mors du premier plat, papier et planches très frais. Très bon exemplaire. In-4° [Attributes: Soft Cover]

      [Bookseller: Ad hoc Art]
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        Un Teatro De Arte En España

      Ediciones La Esfinge, Madrid 1926 - 198 pag. Contiene 49 reproducciones a todo color, tiradas a parte; 68 a todo color intercaladas en texto, 36 grabados en negro, 49 heliotipias según originales inéditos y creados especialmente para la Empresa de Gregorio Martinez Sierra. Intervinieron en la redacción, confección y ejecución de esta obra los escritores Manuel Abril, Tomás Borras, Rafael Cansinos Assens y Eduardo Marquina, los dibujantes Bagaría, Barradas, Bürman, Fontanals, Penagos y Sanchis Yago; los fotografos Miguel Andrès , Beringola, Calvache, Kaulak y Vidal; los fotograbadores Sucesores de Páez y Unión de fotograbadores. Tirada de 200 ejemplares numerados ( este es el nº. 91) en papel Holanda con filigrana Van Gelder Zonen. Encuadernado en holandesa piel en buen estado, conserva las cubiertas originales. Formato folio mayor. Size: 36x 26 [Attributes: Soft Cover]

      [Bookseller: Reus, Paris, Londres]
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        China in Sign and Symbol. With Decorations by Kent Crane. ORIGINAL DUSTJACKET

      Shanghai: Kelly & Walsh, 1926 - First edition, first printing. ORIGINAL DUSTJACKET. 29.5*23*3cm, wt:1.4kg. Page edges uncut, some unopened, almost AS NEW. Dustjacket with very small tears (repaired at the back), now protected in mylar. Lower book spine with a tiny mark (see scan), otherwise a fine copy in near fine dustjacket. All pages and plates complete. [Attributes: First Edition; Hard Cover]

      [Bookseller: Chinese Art Books]
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        The Dragon of the Alchemists.

      Elkin Matthews Ltd., London 1926 - Hardcover. Small 4to. 54 pp text + 38 wood engraved plates of alchemical symbolism. Quarter black cloth over blue/grey paper covered boards, gilt title to spine, fore-edge uncut. Illustrations by Frederick Carter. This copy inscribed in pencil on the first blank "David Poole's [?] copy, with the author's regards, Frederick Carter." Also signed in pencil by Carter on the title page. Carter was friend and co-editor of Form Magazine with Austin Osman Spare, and in his own right an interesting alchemist of the spirit. The Dragon of the Alchemists comprises an essay and thirty-eight drawings, some of which are indeed strongly reminiscent of the work of Spare, whilst others are more conventional in their mystical allegory. Boards a little darkened at outer edges, spine ends and corners lightly bumped and chafed, very light bow to upper board, endpapers unevenly browned, contemporary bookshop sticker on front endpaper, faint foxing to half title page, pages a bit browned at margins. Overall a tight, unmarked VG copy in Fair dust jacket. (Dust jacket somewhat darkened and grubby. Rubbed chipped and creased at all edges, spine sunned, long closed tear on front panel repaired on inside with paper tape, lacking about one inch of upper edge of rear panel) [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Weiser Antiquarian Books, Inc.]
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        Les Confessions. Illustrations Gravées Sur Bois De Paul Baudier Et Émilien Dufour.

      Paris, Ed. du Trianon, 1926 - 3 volumes In-8,356/275/220pp. , Tirage à 475 exemplaires, Un des 15 exemplaires tirés sur Japon Impérial avec (2 suites des bois), illustrations gravées sur bois de Paul Baudier et Emilien Dufour.Relié demi-veau à coins fauve, 4 nerfs, titres dorés, couv bon état. [Attributes: Hard Cover]

      [Bookseller: BOUQUINERIE SAINT-LAMBERT]
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        JUST WILLIAM

      George Newnes Limited 1926 - 16th 1926. Very good condition in a good dustwrapper. Red cloth, black titles to spine and front cover. B/w illustrations. 248 pages and 4 pages of adverts to rear. Spine bumped. Covers bright and clean. Foxing to outer page edges. Dust wrapper is edge chipped and creased with slight loss at corners and 0.5" loss to top of spine. Overall, a very desirable copy of the 16th edition with its extremely rare wrapper! SPECIAL OFFER: REDUCED FROM £740! [R] [Attributes: Hard Cover]

      [Bookseller: Stella & Rose's Books, PBFA]
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        The Sun Also Rises.

      Charles Scribner's Sons, New York 1926 - First edition, first issue of the first printing, with the misprint ("stoppped") on page 181 line 26, in the first issue dust jacket with the misprint on the front panel ("In Our Times" vs. "In Our Time"). Octavo, original black cloth. A near fine copy with a bookplate to the inside pastedown in a very good first issue dust jacket, which has had professional restoration, mostly in strengthening the paper and with a small bit of paper replacement at the upper front flap fold. The Annette Campbell-White copy brought $120,000 at Sotheby's in 2007. The Sun Also Rises was published by Scribner's in 1926, and a year later in the United Kingdom by Jonathan Cape under the title Fiesta. Though it initially received mixed reviews, it is now "recognized as Hemingway's greatest work" (Meyers, 1985). The fictional plot depicts a love story between war-wounded and impotent Jake Barnes and the promiscuous divorcée Lady Brett Ashley, but the novel is a roman à clef; the characters are based on real people and the action is based on real events. Hemingway proposes that the "Lost Generation," considered to have been decadent, dissolute and irretrievably damaged by World War I, was resilient and strong. Naturally, themes of love, death, renewal in nature, and the nature of masculinity are heavily investigated. For example, the characters engage in bull-fighting, which is presented as an idealized drama: The matador faces death and, in so doing, creates a moment of existential nothingness, broken when he vanquishes the possibility of death by killing the bull (Stoltzfus, 2005). The Sun Also Rises is seen as an iconic modernist novel for future generations (Mellow, 1992), although it has been emphasized that Hemingway was not philosophically a modernist (Reynolds, 1990). "The Sun Also Rises is Hemingway's masterpiece - one of them, anyway - and no matter how many times you've read it or how you feel about the manners and morals of the characters, you won't be able to resist its spell. This is a classic that really does live up to its reputation" (David Laskin). [Attributes: First Edition; Hard Cover]

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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        Passio Domini Nostri Jesu Christi: Being the 26th and 27th Chapters of Saint Matthew's Gospel from the Latin Text.

      Crown 4to, 252 X 180mm, pp.viii + 24, The Golden Cockerel Press, Waltham Saint Lawrence, 1926 - Number 80 of 250 copies handset in Caslon and printed in red and black on Batchelor hand-made paper. Initial letters, title-page and 5 other wood-engravings by Eric Gill. Full bound in white buckram, spine gilt, edges uncut. Lacking dust-jacket (which repeats the title-page), but otherwise a fine clean copy, with the book label of the wood-engraver Peter Foster, (Chanticleer 35, Gill 276) [Attributes: Hard Cover]

      [Bookseller: Collinge & Clark]
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        ID QUOD VISUM PLACET. A Practical Test of the Beautiful

      Waltham St. Lawrence Privately printed for the Author by Robert Gibbings at the Golden Cockerel Press 17 September, 1926 - SCARCE LIMITED EDITION of only 150 copies hand-numbered and signed by Eric Gill at Capel-Y-Ffin, this copy being number 18. With a wood engraved title and two fine copper-engraved plates by the author, Eric Gill. 8vo, printer's original buff boards backed in buckram, upper board with paper lettering label printed in black, edges untrimmed. [vi], 20pp. Internally quite fine, and a well preserved copy with light mellowing to the paper and the spine. A very presentable and quite handsome copy. QUITE SCARCE, ONE OF ONLY 150 COPIES PRINTED FOR THE AUTHOR AND SIGNED AND NUMBERED BY HIM. The title of Gill's essay is the definition of beauty as given by St. Thomas Aquinas, "that which pleases by being seen". Gill writes in the form of a philosphical argument, also much in the style of Aquinas. It was written while in Wales, when Gill was a member of the Order of St. Dominic [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Buddenbrooks, Inc. ABAA]
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        The Sun Also Rises

      Charles Scribner's Sons 1926 - New York: Charles Scribner's Sons, 1926. First Edition, First Printing. Second issue,with "stopped" spelled correctly on page 181. In Good+ condition. Clean text, though pages are toned. Bookplate from previous owner on front paste down, previous owner name and date on front free end paper in ink. Binding is shaken, with the stitching tender, exposing some hinges slightly. Cloth shows rubbing and wear at the corners and edges. Title label on spine is worn down its center, with a strip at the top worn away. First Edition, First Printing. Second Issue. [Attributes: First Edition; Hard Cover]

      [Bookseller: Burnside Rare Books]
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        The Cubical City. (First and Only Novel)

      Putnam's Sons., New York 1926 - A very handsome copy bound in finely woven gleaming black cloth stamped brightly in gilt on the front boards and on the spine. Splendidly bright and complete gilt lettering. Charming endpapers with stylized cityscape of New York against clouds and a blue sky. Very clean and tight throughout; with a tender rear hinge. Two corners lightly bumped; and a small pinhole at the center of the front hinge; otherwise, a splendid copy. With red top-staining. In the complete original pictorial dustjacket printed on textured paper with the original price of $2.00 at the bottom of the inside front flap. The jacket features an artistic rendering of the Manhattan skyline of 1926. There is slight darkening to the spine and one light scuff mark; and light edge-rubbing. With a 1.5" closed tear at the top of the rear flap. Light chipping and wear to the top and bottom of the spine ends as well as the corners. Very scarce in a complete dust jacket. "Occasionally there appears a first novel which refuses to fit into any of the stock descriptive categories that the publisher usually finds serviceable. Such a novel is "The Cubical City," an intense, vital story of Manhattan which follows none of the conventional fiction lines. Miss Flanner has created for herself a stylistic idiom that is highly individual, and complete originality marks the unfolding of her narrative." (Inside front flap) Janet Flanner (March 13, 1892 – November 7, 1978) was an American writer and journalist who served as the Paris correspondent of The New Yorker magazine from 1925 until she retired in 1975. She wrote under the pen name "Genêt". She also published a single novel, The Cubical City, set in New York City.In September 1925 Flanner published her first "Letter from Paris" in The New Yorker, launched the previous February, starting a professional association that lasted for five decades. She wrote under the pen name "Genêt". Flanner had first come to the attention of editor Harold Ross through his first wife, Jane Grant, who was a friend of Flanner's from the Lucy Stone League, an organization that fought for women to preserve their maiden names after marriage, in the manner of Lucy Stone. Flanner joined the group in 1921. Ross famously thought "Genêt" was French for "Janet".Flanner was a prominent member of the American expatriate community which included Ernest Hemingway, F. Scott Fitzgerald, John Dos Passos, e. e. cummings, Hart Crane, Djuna Barnes, Ezra Pound, and Gertrude Stein– the world of the Lost Generation and Les Deux Magots. While in Paris she became very close friends with Gertrude Stein and her lover, Alice B. Toklas. In 1932 she fell in love with Noel Haskins Murphy, a singer from a village just outside Paris, and had a short-lived romance. This did not affect her relationship with Solano.She played a crucial role in introducing her contemporaries to new artists in Paris, including Pablo Picasso, Georges Braque, Henri Matisse, André Gide, Jean Cocteau, and the Ballets Russes, as well as crime passionel and vernissage, the triumphant crossing of the Atlantic Ocean by Charles Lindbergh and the depravities of the Stavisky Affair.Her prose style has since come to epitomise the "New Yorker style"– its influence can be seen decades later in the prose of Bruce Chatwin. (WiKipedia) First Edition with 1926 on the title and copyright pages as well as the colophon of the Knickerbocker Press/ New York and "Made in the United States of America" on the copyright page. [Attributes: First Edition; Hard Cover]

      [Bookseller: Brainerd Phillipson Rare Books]
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        Sailing-Ships and Barges of the Western Mediterranean and Adriatic Seas. A Series of Copper Plates engraved in the Line manner by Edward Wadsworth. And coloured by hand, with an Introduction and Brief Descriptions by Bernard Windeler.

      Frederick Etchells & Hugh MacDonald., London. 1926 - Engraved titles, an engraved map, 4 engraved vignettes and 17 engraved plates, all but the map and two vignettes hand-coloured in wash. Uncut, unopened. No.275/450 copies. Printed at the Curwen Press. Covers very lightly marked, a fine copy. [Attributes: First Edition; Hard Cover]

      [Bookseller: Roe and Moore]
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        Sailing Ships and Barges of the Western Mediterranean & Adriatic Seas;

      Etchells & Macdonald 1926 - 22 copper engravings, 18 of which are hand-coloured; 86pp, 310 x 200mm; red cloth gilt, white cloth spine, slipcase (a little rubbed at corners); no. 260 of 450 copies; loosely inserted are 7 pencil drawings of barges & ships mounted on a single sheet. Nice copy [Attributes: Hard Cover]

      [Bookseller: BOOKS & THINGS]
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        Sailing-Ships and Barges of the Western Mediterranean and Adriatic Seas. l td ed, no case.

      Frederick Etchells & Hugh MacDonald, 1926, - WADSWORTH, Edward. Sailing-Ships and Barges of the Western Mediterranean and Adriatic Seas : A Series of Copper Plates Engraved in the Line Manner by Edward Wadsworth and Coloured by Hand, with an Introduction and Brief Descriptions by Bernard Windeler. L: Frederick Etchells & Hugh MacDonald, 1926. Pp [4], (i)-xv, [1], 1-79, [7]. Tall 8vo, white cloth spine with orange cloth boards, gilt to front and spine. Number 114 of a numbered, limited edition of 450 copies printed by the Curwen Press, after which the plates were destroyed. Very faint rubbing to front corners, very faint discolouration of cloth to about two square inches at top of front board, small spot of bubbled cloth at same, occasional spots of very minor foxing, two former owners' bookplates, bookseller's ticket, else vg. Lacking slipcase. A very handsome book in very nice condition. 1100.00 [Attributes: Hard Cover]

      [Bookseller: John W. Doull, Bookseller (A.B.A.C.)]
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        Au Royaume de la Perle.

      Paris L'Edition D'Art -H. Piazza, 1926. - Edition Limited to 1500 numbered copies of which this is #1113 Printed on Japanese vellum and illustrated by decorative title-page, 10 tipped-in tissue-guarded colour plates and elaborate chapter headings by Edmond Dulac. 4to. Bound in original blue, gold and silver wraps with a title label to front cover. Encased in silver tri-fold chemise. Usual vertical strip wear to spine, a few spots of very mild occassional foxing ( not affecting plates ). A Very Good copy of this extraordinary Dulac work. [Attributes: Soft Cover]

      [Bookseller: Heldfond Book Gallery, Ltd. ABAA , ILAB]
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        Die Diamantenwüste Südwest-Afrikas, zugleich Erläuterung zu einer geologischen Spezialkarte der südl. Diamantenfelder. 2 Bände. Berlin, D. Reimer 1926. 4°. X. 321 S.; VII. 535 S., 25 Bll. (Tafelerkl.). Mit 13 farb. Faltkarten, 56 (2 farb.) Tafeln, 32 Stereobilder auf 16 Tafeln, 2 gefalt. Tab. u. zahlr. Abbildungen, illustr. OLwdbde.

      . . NDB XI, 35 - Sinkankas 3306.- Einzige Ausgabe des "Standardwerkes der Kristallinpetrographie und der Allgemeinen Geologie" (NDB). Beschreibt das Gebiet der Diamantlagerstätten von der Elisabethbucht bis nach Angras Juntas hin und einen wesentlichen Teil der südlichen Namib.- "Large, handsome, high-quality materials and design; on the geology of the diamondiferous surface deposits of South West Africa, stretching along the Atlantic coast from Eizabeth Bay southward for a distance of ca 50 miles" (Sinkankas).- Vorsätze u. Titel gestempelt, Ebd. leicht fleckig, sonst schönes Ex.

      [Bookseller: Antiquariat Johannes Müller]
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        "Onn Ock Toh Ommer Mott !!!".

      . Radierung, 1926, auf festem chamoisfarbenem Velin, signiert und datiert. 23,6:17,4 cm. Unser Blatt erinnert in Ausführung und Ausdruck an Radierungen von K. Kollwitz (1867-1945).. Gertrud Lerbs studierte an der Kunst- und Gewerbeschule Königsberg bei O. Ewel (1871-1954), Feist und Weber, ab 1918 an der Kunstakademie Königsberg in der Graphikklasse von G.H. Wolff (1875-1945), wo sie die erste Frau mit Meisteratelier war. An der Königsberger Kunstakademie lernte sie 1923 ihren Ehemann, den Maler Kurt Bernecker (1896-1974) kennen. 1924 erhielt sie die Goldene Medaille der Künste, 1928 die Medaille der Berliner Akademie für hervorragende Leistungen Preußischer Kunsthochschüler. Studienreisen unternahm sie nach Holland und Paris. 1930 hatte sie eine Ausstellung in Berlin bei Gurlitt. Durch Kriegseinwirkung wurde 1944/1945 ihr Atelier zerstört. Nach dem Zweiten Weltkrieg siedelte sie nach Lüneburg über, wo sie gemeinsam mit ihrem Mann eine Malschule betrieb. Ihre Haupttechnik war die Radierung, sie schuf aber auch Illustrationen. Graphikmappen (z.B. Griffelkunst Vereinigung Hamburg) mit Künstlern wie H. Orlowski (1894-1967), E. Ende (1901-1965) und E. Bargheer (1901-1979). Die Motive reichen vom Märchenhaften zu ostpreußischen Landschaften und sozialen Problemen.

      [Bookseller: Galerie Joseph Fach GmbH]
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        Winnie the Pooh

      E. P. Dutton and Company 1926, U S A - xiv., 159 pp, illustrated in b/w. Bound in full dark green morocco, with gilt lettering, lines and devices by The Chelsea Bindery. Leather entry slipcase. Silk endpapers, the boards having a gilt decorated morocco border. Number 15 of 200 Large Paper copies printed on Japanese Vellum, and signed by both A A Milne and E H Shephard on the limitation page. All edges gilt. A beautiful thing to behold. 210c [Attributes: First Edition]

      [Bookseller: Stephen Foster - ABA ILAB & ibooknet]
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        La Cochinchine. Album général illustré de 456 gravures sur cuivre

      Saigon: "Edition Photo Nadal, n.d." Saigon: "Edition Photo Nadal, n.d.". [ca. 1926]. "First edition limited to 400 copies, oblong folio, pp. 173, [3]; parallel text in French and English; profusely illustrated throughout with sepia- green- gray- and blue-toned photographic illustrations; ca.1967-74 native Vietnamese half red calf, gilt lettering and decoration on spine; title a little spotted, some toning and spotting throughout, else very good. "

      [Bookseller: Rulon-Miller Books]
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        The complete works of Gustave Flaubert, Romances, Travels, Comedies, Sketches and Correspondence. Complete 10 volume set

      Privately Published. Hardcover. A complete 10 volume set of the "Luxe" Edition, limited to 500 sets. Bound in gilt decorated navy cloth which is very tactile. The spines have faded a little and the corners are generally bumped but otherwise wear is minimal. Good solid hinges and text block, the pages are clean without internal markings - slightly yellowed. . Good. 1926.

      [Bookseller: Infinitebooks]
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        North American Indians being letters and notes on thir manners, Customs, and conditions, written during eigth years' travel amongst the wildest tribes of indians in North America 1832 - 1839

      Edinburgh John Grant, 1926.. in two Volumes 2 Bände 298 + 303 Seiten with three hundred and twenty illustrations, carefully engraved from the author's Original paintings rote, goldgeprägte Ganzleinenbände, Kopfgoldschnitt. Kapitale oben und unten leicht gestaucht, Ecken etwas600 berieben.

      [Bookseller: Antiquariat Kohr]
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        Die Erziehung. Monatsschrift für den Zusammenhang von Kultur und Erziehung in Wissenschaft und Leben (KONVOLUT aus 1.-17. Jahrgang (1926 - 1942) - einheitlich gebunden in 17 Bänden)

      Verlag von Quelle und Meyer; 1926 - 1942.. je Jahrgang/ Band ca. 300 - 700 Seiten; Gebundene Ausgabe. Die Erziehung, "Monatsschrift für den Zusammenhang von Kultur und Erziehung in Wissenschaft und Leben" war eine Fachzeitschrift der Erziehungswissenschaft. Sie war geprägt von geisteswissenschaftlicher und Reformpädagogik. Herausgegeben wurde sie bis 1937 von Eduard Spranger, Wilhelm Flitner, Theodor Litt, Herman Nohl und Aloys Fischer. Nach dem Ausscheiden von Flitner, Litt, Nohl und Fischer, übernahm Eduard Spranger die Herausgeberschaft gemeinsam mit Hans Wenke. Spranger und der Verlag verweigerten 1943 die Zusammenlegung mit den Zeitschriften "Nationalsozialistisches Bildungswesen" und "Weltanschauung und Schule". Daraufhin wurde "Die Erziehung" eingestellt, offiziell aus kriegsnotwendigen Gründen. Das hier angebotene Werk besteht aus 17 kompletten, einheitlich gebunden Jahrgänen bis 1942 (teilweise Reprint). Der Erhaltungszustand des hier angebotenen Werks ist trotz seiner Bibliotheksnutzung ordentlich. Es befindet sich lediglich ein Bibliotheksstempel im jeweiligen Buch; ordnungsgemäß entwidmet. KOMPLETTPREIS für 17 Jahrgänge; bei Versand ins Ausland erfragen Sie bitte zuerst die Versandkosten!!

      [Bookseller: Petra Gros - Versandantiquariat]
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        Winnie the Pooh

      E.P. Dutton & Co, 1926. Hardcover. Very Good/Very Good. E.P. Dutton & Co, New York 1926. First American Edition / First Printing. Dated 1926 with no additional printings. Decorations by Ernest H. Shepard. Cloth binding. In the rare jacket. Book Condition: Very Good, shelf wear, light spots on the boards. Bookplate at the front endpaper, newspaper clipping at the half title page. Previous owner name at the 2nd blank page, light age toning. Dust Jacket Condition: Very Good, light spots, chipping, short tears. Wrapped in a new removable mylar cover.

      [Bookseller: 1st Editions and Antiquarian Books, ABA,]
 24.   Check availability:     Biblio     Link/Print  


        Cover Charge

      Boni & Liveright, 1926-01-01. Hardcover. Very Good. New York: Boni & Liveright, 1926. 286 p. First edition, first printing. Signed by the author on the front end paper in black ink, inscribed to former owner, undated. Very Good+ condition. Lacks scarce dust wrapper. Clean, bright pages. Spine lettering a bit dulled, a few pages toward rear irregularly cut when opened (production error) with a few of the last sheets and sheets in middle slightly smaller. Small scuff mark on front board. Hinge near front starting. A neat, bright copy in very nice shape for its age. The acclaimed crime writer Cornell Woolrich's first book.

      [Bookseller: Burnside Rare Books]
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        Soldiers' Pay

      Boni and Liveright, 1926-01-01. Hardcover. Very Good. New York: Boni & Liveright, 1926. 319 p. First edition, first printing. Navy cloth with yellow lettering, beautiful blue endpapers. Very Good hardcover. Clean pages and sturdy binding. Light wear to lettering at foot. Spine a bit creased, stiff like it was repaired by a previous owner. A few finger smudges in text. Nice condition overall. A nice copy of Faulkner's rare first book, one of only 2,500 printed.

      [Bookseller: Burnside Rare Books]
 26.   Check availability:     IOBABooks     Link/Print  


        Tess of the D'Urbervilles [with the inscribed visiting cards of Thomas and Florence Hardy laid in]

      London: Macmillan and Co. Ltd, 1926 Book. Very Good. Hardcover. Signed by Author(s). First Thus. [frontispiece] xiv, pp 1-508. [folding Wessex map to rear] A presentation copy of the limited edition of Hardy's tragic novel, Tess of the D'Urbervilles, inscribed by his second wife, Florence Hardy with the couple's visiting cards laid in. The books is bound in the original blue buckram over bevel-edges boards with top edge gilt and gilt spine lettering. The spine is faded. Florence Hardy has written on the first blank to an unknown recipient: 'With every good wish from Mr & Mrs Thomas Hardy. November 1927'. Laid in are the visiting cards for both Thomas Hardy and his wife. The author's card conforms to the usual late Victorian pattern and dimensions of 3x1.5 inches with Hardy's London Club, The Athenaeum, and Max Gate addresses printed in the lower corners and written above his name: 'Good wishes, from' in a contemporary hand that seems likely to be that of Hardy's first wife, Emma Hardy, but is certainly not Florence Hardy's hand nor, apparently, the author's own. Florence Hardy's visiting hand accompanies that of her husband and, interestingly, is about twice the size of his card with her Max Gate address only and, written in her hand, 'With good wishes' below her printed married name. The 'h' of 'wishes' displays her characteristic trailing approach to the letter that is also displayed in the book's inscription. This little collection of cards and inscribed book, no doubt put together by a near contemporary of Hardy, is a testament to the celebrity status that Hardy possessed as an author during his last two decades. Please contact Christian White at Modernfirsteditions if you would like more information about this book..

      [Bookseller: Modernfirsteditions Ltd]
 27.   Check availability:     Biblio     Link/Print  


        A.D.M. Gamiani ou deux nuits d'excès. Fac-similé du texte original orné des 12 lithographies de Devéria & Grévedon.

      1833 - Paris - 1926 aux dépens d'un amateur. - 4°. 75 S. und 26 S. faksimilierter Text der Orig.-Ausgabe sowie |12 Tafeln mit kolorierten Lithographien|. Dunkelrotes HLeder d. Zt. auf 4 unechten Bünden mit goldgepr. RTitel und Kopfgoldschnitt. Eins von 100 Exemplaren der kolorierten Fassung auf papier Montgolfier, hier jedoch mit einer Nummer der unkolorierten Fassung (Gesamtauflage 360 Exemplare). Der Text besteht aus vier Teilen; einer 'Notice bibliographique' von André de Sermanmagny, Bibliophile [d.i. André Warnod], einer Einführung 'Préface' und dem eigentlichen Text sowie dem faksimilierten Text der Orig.-Ausgabe von 1833. Die Illustrationen erheben dieses Werk zu einer der schönsten und seltensten Gamiani-Ausgaben. Die Kolorierung in frischer Farbigkeit und durch Eiweiß gehöht. Einband etwas berieben und an Kapitalen und Bünden teils beschabt. Innen frisch. Schönes Exemplar dieses erotischen Meisterwerks. Dutel 1640. Pia 531f., Drouot, Imp. Biblio. 179, vgl. Hobart & Maclean 73ff. ----- Gamiani. [Musset, Alfred de]. A.D.M. Gamiani ou deux nuits d'excès. Fac-similé du texte original orné des 12 lithographies de Devéria & Grévedon. 1833 - Paris - 1926 aux dépens d'un amateur. In-4°. 75 pp. et 26 pp. avec texte en facsimile d'édition originale, 12 planches avec lithographies en couleur. Demi-cuir d'époque rouge sombre sur 4 faux-nerfs avec titre au dos en lettres dorées, tête dorée. Un des 100 exemplaires de la version coloriée sur papier Montgolfier ; ici portant un numéro des exemplaires non-coloriés (au total 360). Le texte est composé de trois parties : une 'Notice bibliographique' par André de Sermanmagny, Bibliophile [i.e. André Warnod], une 'Préface' et le texte en facsimile d'édition originale de 1833. Avec ces illustrations, cette édition de Gamiani est une des plus belles et des plus rares. Les couleurs très fraiches et réhausées. Reliure un peu frottée, coiffes et nerfs légèrement grattés. A l'intérieure très frais. Bel exemplaire de ce chef-d'oeuvre érotique. Dutel 1640. Pia 531, Drouot, Imp. Biblio. 179, voir Hobart & Maclean 73ff. -------------- One of 100 copies of the hand-coloured version on 'papier Montgolfier' which has however a number of the uncolourd version (total state 360 copies). The colouration of the 12 lithographs is of fresh intensity. The text consits of 4 parts: The 'Notice bibliographique' of André de Sermanmagny, Bibliophile [d.i. André Warnod], the introduction 'Préface', the text of the novel and this text in facsimile of the original edition from 1833. Half calf of the period with 4 raised bands and gilt-stamped title on the back and gilt zop edge. Binding slighty worn or cafed at the back. Inside good. Dutel 1640. Pia 531f., Drouot, Imp. Biblio. 179, vgl. Hobart & Maclean 73ff. [Attributes: Hard Cover]

      [Bookseller: Antiquariat Ars Amandi]
 28.   Check availability:     AbeBooks     Link/Print  


        A HUNDRETH SUNDRIE FLOWRES, FROM THE ORIGINAL EDITION

      London: Printed for Frederick Etchells and Hugh Macdonald by the Shakespeare Head Press, 1926. Limited Edition, numbered 40 of 50 printed on Bachelor';s Kelmscott paper; this from a larger limitation of 450. Vellum Binding. Very Good binding. Octavo. A lovely edition in full vellum with later neat burgundy silk ties; largely unopened textblock; some offsetting from the front turn-ins has affected the perimeter of the first 5 leaves--this is not an issue with the back turn-ins; nevertheless, uncommon in this condition; digital images can be made available upon request. Very Good binding.

      [Bookseller: Black Swan Books, Inc. ]
 29.   Check availability:     ABAA     Link/Print  


        The Sun Also Rises

      Charles Scribner's Sons, 1926. Hardcover. Very Good. New York: Charles Scribner's Sons, 1926. First Edition, First Printing. Second issue,with "stopped" spelled correctly on page 181. In Good+ condition. Clean text, though pages are toned. Bookplate from previous owner on front paste down, previous owner name and date on front free end paper in ink. Binding is shaken, with the stitching tender, exposing some hinges slightly. Cloth shows rubbing and wear at the corners and edges. Title label on spine is worn down its center, with a strip at the top worn away. First Edition, First Printing. Second Issue.

      [Bookseller: Burnside Rare Books]
 30.   Check availability:     IOBABooks     Link/Print  


        The Tempest

      London: William Heinemann Ltd., [1926] Illustrations by Arthur Rackham. 4to. Vellum spine with gilt lettering and cream paper over boards, dust jacket. xiv, 185pp. Color frontispiece + 19 tipped-in color plates, extra color plate. Near fine/very good. Bit of jacket edgewear and with several small edge chips, mainly at head and tail of age-toned spine. A tight and quite handsome copy of this sumptuous edition limited to 520 numbered copies (this #300) signed by Rackham -- this being one of those (#261 through 520) intended for sale in the U.S. The "Sea-nymphs hourly ring his knell" color plate preceding the title page is not present in the trade edition. Very scarce, especially in the rarely-seen dust jacket.

      [Bookseller: Main Street Fine Books & Manuscripts, AB]
 31.   Check availability:     Biblio     Link/Print  


        Turandot: Dramma Lirico in Tre Atti e Cinque Quadri...di G. Adami e R. Simoni; [with] Manuscript Musical Autograph Sheet From Turandot

      Milan: G. Ricordi & Co., 1926. 4to, (14), 398 pp. Quarter beige cloth, printed paper over boards. Some wear at extremities of fragile boards. Decorative endpapers. Front hinge cracked. The manuscript autograph sheet is a single folio leaf measuring 12 x 13-inches. Music notation penciled on both sides. A few short and scattered tears not affecting the text. Both housed in recent and matching quarter morocco clamshell boxes. First Italian edition. An important pair of items from PucciniÕs final opera. Giacomo Puccini died 29 November 1924 from complications associated with cancer surgery, roughly one year after his diagnosis; yet Turandot was incomplete and finished later, with considerable dispute over the quality of his work, by Franco Alfano as commissioned by Toscanini. The present manuscript autograph leaf contains nine bars of boldly written notational shorthand, three of which Puccini has crossed out for unknown reasons, especially notable because Ã’it is not generally realized that Puccini was an inveterate reviser, constantly changing and improving his work right up until the time of his death..Ó (Hopkinson, introduction). The librettists Guiseppe Adami and Renato Simoni Ã’based their libretto on Carlo GozziÕs 4th dramatic Fable, Turandotte...[and] Puccini had become familiar with this work through Andrea MalfeiÕs Italian translation of Friedrich SchillerÕs German adaptation of the originalÓ (Fairtile in Giacomo Puccini: A Guide to Research).

      [Bookseller: John Windle Antiquarian Bookseller]
 32.   Check availability:     Biblio     Link/Print  


        Trias / Drei Elefanten 1926

      1926. Scherenschnitt auf Japan montiert, ca. 5,2 x 28,3 cm. R. u. Darstellung sign. u. dat.: "Engert 1926"; l. daneben mit Widmung: "Alexander Kiel, zum Gedächtnis zur ersten Flasche!" Das Motiv wurde von Engert "Trias" bezeichnet, nach freundlichem Hinweis von Josef Hamm. Der 1922 geborene Sohn von Franz Kiel, der zu den engsten Freunden Engerts zählte. Sie hatten sich in München in der Schwabinger Pension Fürmann kennengelernt. Vgl. Ausst. Kat. Bonn 1992, S. 61, Abb. 115 und Abb. 162, dort Illustration für den General-Anzeiger vom 5. November 1927..

      [Bookseller: Galerie Joseph Fach GmbH]
 33.   Check availability:     ZVAB     Link/Print  


        Winnie the Pooh

      E.P. Dutton & Co, 1926. Hardcover. Very Good/Very Good. E.P. Dutton & Co, New York 1926. First American Edition / First Printing. Dated 1926 with no additional printings. Decorations by Ernest H. Shepard. Cloth binding. In the rare jacket. Book Condition: Very Good, shelf wear, light spots on the boards. Bookplate at the front endpaper, newspaper clipping at the half title page. Previous owner name at the 2nd blank page, light age toning. Dust Jacket Condition: Very Good, light spots, chipping, short tears. Wrapped in a new removable mylar cover.

      [Bookseller: 1st Editions and Antiquarian Books, ABA,]
 34.   Check availability:     IOBABooks     Link/Print  

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