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Displayed below are some selected recent viaLibri matches for books published in 1926

        La Paix chez les bêtes. Edition ornée de gravures sur bois originales de A. Roubille

      Editions du Capitole, Paris 1926 - In-4 (285 x 225 mm), broché, 142 - (2) pp. - (3) ff., non rogné, en partie non coupé, couverture rempliée. Illustré par Auguste ROUBILLE (1872 - 1955) de 34 gravures sur bois originales en couleurs, dont 1 frontispice et 33 grandes vignettes en tête de chaque chapitre. Tirage limité à 765, un des 710 sur vélin de Rives (N° 660). (rousseurs sur la couverture, piqûres sur les tranches et en marge de quelques pages, quelques pliures sur la couverture). // Quarto (285 x 225 mm), softcover, 142 - (2) pp. - (3) ff., uncut, partly unopened, folded cover. Illustrated by Auguste ROUBILLE (1872 - 1955) with 34 original wood-engravings in colours, including 1 frontispiece and 33 large heading vignettes for each chapter. Limited printing of 765 copies, one of the 710 on "vélin de Rives" (Nr 660). (foxing on cover, spots on edges and margin of some pages, some foldings on cover).

      [Bookseller: H. PICARD ET FILS, founded 1860]
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        Mantrap

      London : Jonathan Cape, 1926, Hardback, 1st UK EditionVery good cloth copy in a good if somewhat edge-torn (with some loss) and dust-toned dw, now mylar-sleeved. Remains quite well-preserved overall; tight, bright, clean and strong. Scans on request. ; 320 pages; Description: 320 p. ; 20 cm. Genre: Fiction. Publisher's ephemera including a promotional piece on Lewis loosely inserted.

      [Bookseller: MW Books Ltd.]
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        The Cabala

      Albert and Charles Boni, New York 1926 - The first edition, published by Albert and Charles Boni in 1926. Bound in publishers red cloth and patterned boards. This copy has been inscribed by Wilder; Annetha L. Wilson. With all the best wishes of the author. Thornton Wilder. The exceedingly uncommon dust jacket lacks the upper one third, narrowing rapidly and in triangular fashion for about one inch into the front panel. The paper abscence is more pronounced to the rear panel, with a triangular section missing which extends roughly half way across its breadth. The book itself is near fine, with just a touch of fading to the spine - consistent with the jacket chips. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: The Reluctant Bookseller]
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        Mantrap

      London : Jonathan Cape 1926 - Description: 320 p. ; 20 cm. Genre: Fiction. Publisher's ephemera including a promotional piece on Lewis loosely inserted. Very good cloth copy in a good if somewhat edge-torn (with some loss) and dust-toned dw, now mylar-sleeved. Remains quite well-preserved overall; tight, bright, clean and strong. Scans on request. 1 Kg. 320 pp. [Attributes: Hard Cover]

      [Bookseller: MW Books Ltd]
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        Joseph Conrad's Diary or His Journey Up the Valley of the Congo in 1890

      London: Strangeways, Printers, 1926. First Edition. Hard Cover. Very Good. 8vo - over 7¾" - 9¾" tall. Privately printed and limited to 100 copies. Green cloth cover with printed paper spine label. 35 deckle-edge pages with photo frontispiece of an actual diary page. Protective tissue present. Light wear. Minor sunning to spine; label chipped. Clean pages. Owned by famed book collector Waring Jones, whose signature (in ink) and edition annotation (in pencil) are on the front free endpaper. The foundation of Conrad's masterpiece, The Heart of Darkness.

      [Bookseller: Read 'Em Again Books, ABAA]
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        Indice de la nueva poesía americana.

      Jorge Luis BORGES, Vicente HUIDOBRO, Alberto HIDALGO: Indice de la nueva poesia americana. Buenos Aires, Sociedad de Publicaciones El Inca, 1926. 280p. 4h. Portada ilustrada por Perez Ruiz. Primera edición. Rústica. Buen estado general: cubierta con algunas manchitas y pequeñísimos faltantes en bordes y muy leves en lomo. Sello de antiguo propietario en hoja de respeto. Muy buen ejemplar. Inhallable. La principal antología de la vanguardia poética americana.

      [Bookseller: Librería del Signo]
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        Handbuch der Holz- und Metallschnitte des XV. Jahrhunderts. Stark vermehrte u. bis zu den neuesten Funden ergänzte Umarbeitung des Manuel de l'amateur de la gravure sur bois et sur metal au XVe siecle. 8 Bände. Leipzig, Hiersemann, 1926-30. Fol. Hlwd.d.Zt. mit Buntpapierbezug; Kopfschnitt braunfleckig.

      . . Detaillierte bibliographische Erfassung von ca. 3000 Holzschnitten, mit genauer Größenangabe, Beschreibung, Sekundärliteratur u. Bestandsnachweisen. - 1. Holzschnitte mit Darstellungen aus dem alten und neuen Testament, den apokryphen Evangelien und biblischen Legenden. X, 239 S. - 2. Holzschnitte mit Darstellungen der heiligen Dreifaltigkeit, Gottvaters, Jesu Christi und der Jungfrau und Gottesmutter Maria. X, 174 S., 1 Bl. - 3. Holzschnitte mit Darstellungen der männlichen und weiblichen Heiligen. X, 232 S., 1 Bl. - 4. Holzschnitte darstellend religiös-mystische Allegorien, Lebensalter, Glücksrad, Tod, Kalender, Medizin... XII, 159 S. - 5. Metallschnitte. Schrotblätter. XII, 217 S. - 6. Teigdrucke, Weißlinienschnitte, Holzschnitte ohne Bilder nebst Monogrammen-Register, Liste der Passepartout-Bordüren, Attributen der Heiligen. XII, 152 S., 1 Bl. - 7. Der Formschnitt. Seine Geschichte, Abarten, Technik, Entwicklung und seine ikonologischen Grundlagen. XII, 176 S., 1 Bl. - 8. Nachträge zu den vorhergehenden Bänden. General-Übersicht des gegenwärtigen bekannten Bestandes öffentlicher und privater Sammlungen im Inland und Ausland. XIV, 189 S., 1 Bl. - Vorsätze etwas stockfleckig. ** Bestellungen bis 14 Uhr versenden wir am selben Tag. - Schweizer Postkonto vorhanden. **

      [Bookseller: Antiquariat Patzer & Trenkle]
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        Winnie the Pooh

      U S A: E. P. Dutton and Company 1926. xiv., 159 pp, illustrated in b/w. Bound in full dark green morocco, with gilt lettering, lines and devices by The Chelsea Bindery. Leather entry slipcase. Silk endpapers, the boards having a gilt decorated morocco border. Number 15 of 200 Large Paper copies printed on Japanese Vellum, and signed by both A A Milne and E H Shephard on the limitation page. All edges gilt. A beautiful thing to behold. . Fine. Full gilt-decorated Morocco. First Edition. 1926. Large 8vo..

      [Bookseller: Stephen Foster Books]
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        All the Sad Young Men

      Scribners, New York, 1926, Hardcover, Book Condition: Near Fine, A First Edition, First PrintingPages just slightly toned, else near fine, finely bound in recent full dark green morocco, raised bands with gilt title and decorations on spine, top edge gilt, marbled end papers. Small area of erasure evidence on the half title page.A beautiful copy of this first edition, Book

      [Bookseller: James Graham, Bookseller]
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        Adams

      Paris: Bernard Grasset. 1926. First. First edition. Printed wrappers as issued. Very slight wrinkling on the front wrap, still easily fine. This is Copy #1 of seven copies on Japon (of the seven there were also two copies hors commerce numbered HCI and HCII). Very warmly Inscribed by the author: "a Monsieur Brun qui a si cordialement accueilli mon debut. Avec la reconnaissance de Rene Clair," which translates roughly as "To Mr. Brun who so cordially welcomed my debut. With appreciation, Rene Clair." A nicely inscribed, and highly limited issue of the first novel by the famous French film director probably best known in the English-speaking world for his 1945 film of Agatha Christie's And Then There Were None. Rare. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        The Camp Fire Torment

      W. & R. Chambers Limited, London, 1926, Dust Jacket Condition: Hardback, Book, First Edition, Illustrated By: Enid W. BrowneVery Good

      [Bookseller: Kirkland Books]
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        Old Decorative Maps and Charts

      Halton and Truscott Smith Ltd. 1926 - Folio. Leather-bound. Slipcase. 3/4 bound in vellum over cloth boards. Vellum corners. 8 bands. 7 compartments. Spine adorned in gilt lettering. Copy number 15 of a run limited to 100. 79 plates. 19 in color. A comprehensive collection of historical maps, detailing various key points in the development of cartography, compiled and explained by Arthur L. Humphreys. Tight binding and minimal shelf-wear. Solid boards. Minor scuffing to cover. Clean, unmarked pages. Moderate soiling to slipcase. [Attributes: Hard Cover]

      [Bookseller: Sequitur Books]
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        Monsieur Godeau intime

      Nrf 1926 - - Nrf, Paris 1926, 17x22cm, broché. - Edition originale, un des 109 ex numérotés sur pur fil Lafuma réimposés dans le format in-quarto tellière, tirage de tête. Bel exemplaire. [Attributes: First Edition; Soft Cover]

      [Bookseller: Librairie Le Feu Follet]
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        ANIMALIA; OR FIBS ABOUT BEASTS

      Payson & Clarke 1926 - Underwood, Leon. ANIMALIA; OR FIBS ABOUT BEASTS. NY: Payson & Clarke, c1926. unpaginated. illus. wood engravings by the author. illus. epages. 4to. Pictorial black cloth, lettered in green. Fine bright hardcover with only slight rubbing on tips, crown and tail of spine. [Attributes: Hard Cover]

      [Bookseller: Columbia Books, ABAA/ILAB]
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        Allo! París!

      Paris, Éditions des Quatre Chemins, 1926. 275x225 mm, 116 p. y 21 litografías de Delaunay estampadas por Engelmann. Edición de 300 ejemplares numerados, este de los 275 impresos en Arches. Encuadernación jansenista en chagrín de grano, planos enmarcados por tres líneas; nervios (Brugalla, 1946). Estupendo ejemplar de uno de los más bellos libros de artista franceses, para muchos obra maestra del libro cubista. ?Mientras que algunas de las litografías son vistas pictóricas de París, otras, como las correspondientes a la Torre Eiffel y Saint Séverin son de un carácter eminentemente cubista, recordando las pinturas de estos temas del período 1909- 1912? (The Artist & the Book 1860-1960); aparecen en alguna de las litografías difuminados motivos circulares tan característicos en la pintura de Delaunay.Ejemplar con dos copias de la litografía del capítulo 16, Le desert, una de ellas estampada en pape japón firmada a lápiz por Robert Delaunay. Las imágenes más impactantes son las de la Torre Eiffel, en tanto que es el monumento más alto del mundo en la época y símbolo de lo moderno y tema recurrente en la obra de Robert Delaunay. Ref.: The Artist & the Book 1860-1960, 72; Johnson, Artists? Books in the Modern Era 1870- 2000, 53; Stein, Libri cubisti, 9.Monod, 3581.Mahé I, 669. Carteret V, 62. Skira, 60. 

      [Bookseller: Elena Gallego - Arte y Grafía.com]
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        Entrée interdite au public

      S.n., S.l. 1926 - N.p., Album in-4, en feuilles sous chemise. 4 pages de justification et de présentation. Suite de 15 eaux-fortes libres tirées en noir, en bistre, en sanguine ou en vert de Marcel VERTES (sur 20 originellement) sous passe-partout. Edition Originale. Exemplaire n° 48 / 250 sur Japon Impérial. Chemise défraichie, abîmée aux gardes, quelques rousseurs sur les 4 premières pages, 5 planches manquantes, planches parfaitement fraiches. Bon exemplaire. In-4° [Attributes: First Edition; Soft Cover]

      [Bookseller: Ad hoc Art]
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        15 Heliogravüren [von 20] aus der Mappe 'Entrée interdite au public'.

      Ohne weitere Angaben [d.i. Paris, Cotinaud, um 1926]. - 4°. Unterschiedl. Größe in der Tönung Schwarz, Braun, Rot oder Grün auf Japan. Jeweils unter Passepartouts. Die Folge erschien anonym in 250 numerierten Exemplaren auf Japon Impérial. Sie vereint die facettenreiche Darstellung des Erotischen vom drastisch Sexuellen über das allzu Menschliche bis zur liebevoll-ironischen Beobachtung. Passepartouts etwas gedunkelt und fingerfleckig. Dutel 1487.

      [Bookseller: Antiquariat Ars Amandi]
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        Der Luftschiffbau Schütte-Lanz 1909-1925

      München/Berlin, R. Oldenbourg Verlag, 1926. Mit zahlreichen Abbildungen und Konstruktionszeichnungen im Text und auf 6 Falttafeln. 4°, 152, grünes O-Leinen mit goldgeprägter Abbildung des SL II und Titel auf Deckel,, Vorderer Deckel mit kleinem Nr-Zettel und Abstellkreis eines Bechers. Einband-Kanten bestossen. Einband in gutem Zustand. Bindung fest. Seiten und Falttafeln in sehr gutem Zustand..

      [Bookseller: Versandantiquariat Werner Eichel]
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        Codine

      Rieder 1926 - In-8 broché, 235 pages, édition originale, un des 70 exemplaires (n°3) sur Hollande Van Gelder Zonen, exemplaire à toutes marges, non coupé ; dos très légèrement marqué, tête et bords des marges très infimement salis, exemplaire en excellent état général. Prosateurs Français Contemporains [Attributes: First Edition; Soft Cover]

      [Bookseller: Abraxas-libris]
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        ALL THE SAD YOUNG MEN

      New York: Charles Scribner's Sons, 1926. First Edition. Hard Cover. Good dust jacket. Octavo. Blue/green cloth as issued with title stamped in blind on the front cover and in gold on the spine; a very bright copy in Very Good condition or better; light rubbing at the corners and spine ends; top corner of the back board is mildly bumped; the stamping on the spine remains bright; Scribner's seal on the copyright page; type on pages 38, 248 and page number 90 remains strong and unbattered; a few leaves have creases from having the corners turned down; vertical crease running the length of the front free endpaper; a few leaves at the beginning have been roughly opened; otherwise a clean bright copy in uncommon dust jacket; dust jacket is separated at the rear joint as well as at the bottom of the spine; all pieces are held in place in a mylar cover though there is evidence of a few pieces of tape on the verso; piece missing at the top of the spine affecting the title (a facsimile has been laid in to give the book a better shelf presence); flap folds have some closed tears; the lips on the front panel illustration are battered indicating it came a bit later in the run. A nice copy in scarce dust jacket of Fitzgerald's third collection of short stories. While Fitzgerald is most remembered for his novels, in particular The Great Gatsby, he made his living by his stories which were published in the popular magazines of the day -- Saturday Evening Post, The Smart Set, American Mercury, and others. Scholars have argued that Fitzgerald used the short stories to work out themes in service of the novels that followed. While his short stories were typically far more popular than his novels, it was in his longer fiction that Fitzgerald felt he was practicing his art. All the Sad Young Men is the collection that followed The Great Gatsby which at its publication was a critical and commercial failure but is now thought to be Fitzgerald's most important work—indeed some have gone so far to call it the ?"great American novel.?" All the Sad Young Men is a masterful collection including ?"Absolution,?" often thought to be a false start to Gatsby as well as often anthologized ?"Winter Dreams.?"

      [Bookseller: Michael Pyron, Bookseller]
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        Rien que la terre

      1926 - Paris, Grasset, Les Cahiers verts, 1926. Boché, 120 x 190 mm, 255 pp. Dos passé comment souvent dans cette collection. EDITION ORIGINALE. UN DES 47 PREMIERS EXEMPLAIRES numérotés sur papier vert lumière (tirage total de 6167 ex.). En 1925, nommé gérant de la délégation de la République à Bangkok, Morand rejoint le Siam en passant par les Etats-Unis, le Canada, le Japon et la Chine. Le récit de ce premier véritable tour de monde de Morand sera publié l'année suivante sous le titre Rien que la Terre. RARE TIRAGE.

      [Bookseller: Librairie le pas sage]
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        The Dancing Floor

      Boston and New York: Houghton Mifflin Company, 1926., 1926. FIRST AMERICAN EDITION, FIRST PRINTING. Octavo pp. 268. Publisher's dark blue cloth with light blue titles to upper and spine. Top edge blue with rded and blue patterned endpapers, in original pictorial dust jacket. Small bookseller's ticket to front flyleaf and a little splashing to top edge, else a near fine copy of the book. The dust jacket is a little rubbed to edges, with small loss to foot of spine, but shows well. Previous owner's small red stamp to both inner flaps. A near fine copy, uncommon in dust jacket.

      [Bookseller: Adrian Harrington Rare Books]
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        Winnie The Pooh; With Decorations By Ernest H. Shepard - 1st Edition

      London: Methuen & Co. Ltd. Very Good+ with no dust jacket. 1926. First Edition; First Printing. Cloth. A charming First Impression of the First Edition. Green cloth trade binding with gilt stamped illustrations of Pooh and Christopher Robin to front board, top edges gilt. Decorations by Ernest Shepard with map of "100 Aker Wood" illustrating front and rear papers. Short closed tear to page 143, the occasional minor smudge. An attractive presentation, Very Good+ indeed ; Milne's first collection of stories about Winnie-the-Pooh, first mentioned in a poem in the 1924 publication of his children's verse book When We Were Very Young. "This writing business. Pencils and what-not. Over-rated, if you ask me. Silly stuff. Nothing in it." .

      [Bookseller: Books Tell You Why]
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        Eigenh. Brief mit U.

      Göggingen, 29. Mai 1926. 3 SS. 8vo. Auf 2 Ansichtskarten und einem Doppelbogen mit Initialen. Mit eh. Kuvert.. An die Sängerin u. Freundin Gertrud Full in München. Er ist wieder im ruhigen Göggingen, "es gibt kaum einen heilsameren Ort für mich ewigen Flüchtling", doch "dann gilt es wieder ärztliche Energien zu entwickeln". "[ ] Viele Jahre belehren mich nun schon, daß meine so wichtigen Morgenstunden ganz von der Art des vergangenen Abends abhängen; Einsamkeit u. Schweigen, unter diesen Zeichen muß der Abend stehen, dann gib es eine gute klare Morgenstunde. Und auch sonst gibt es heimliche Einstellungen, die das Leben bestimmen [ ]". Erschienen sei noch nichts "[ ] Ein neues großes Stück die Heilungen' hab ich hier wenigstens in den Hauptstücken vollendet; lange Zeit hielt ich es für unausführbar, aber in der Münchner Pfingstwoche hat sich plötzlich ein Weg gezeigt. Nun wird der Entwurf eingesiegelt u. begraben; vielleicht, nach Monaten, ist er zur Auferstehung reif [ ]". - Die Postkarten mit Ansichten Göggingens.

      [Bookseller: Kotte Autographs GmbH]
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        Über das Wasserstoffspektrum vom Standpunkt der neuen Quantenmechanik.

      Julius Springer, Berlin 1926 - First edition, in original printed wrappers, of Pauli’s important derivation of the hydrogen spectrum from the new quantum mechanics, providing the first validation of Heisenberg’s theory. As Pauli explains in the abstract: "It is shown that the Balmer terms of an atom with a single electron are yielded correctly by the new quantum mechanics and that the difficulties which arose in the old theory disappear in the new theory." Heisenberg’s epochal ‘Über quantentheoretische Umdeutung kinematischer und mechanischer Beziehungen’ had appeared just a few months earlier, in September 1925. "The first nontrivial and physically important application of quantum mechanics was made soon afterwards by Wolfgang Pauli [in the present paper], who calculated the stationary energy values of the hydrogen atom by the matrix method and found complete agreement with Bohr’s 1913 formulas. From this moment, there was no longer any doubt about the correctness of the theory among physicists" (Max Born, Physics in My Generation (1956), p. 181)."Now the time had come to test the new formalism on the hydrogen atom. Dirac had solved a two-dimensional hydrogen model [‘Quantum mechanics and a preliminary investigation of the hydrogen atom,’ Proc. Roy. Soc.,Vol. 110 (1926)]. But the real thing apparently was too difficult even for Born. Heisenberg wrote in his contribution to the Memorial Volume for Pauli: ‘At that time I myself was somewhat unhappy that I did not succeed in deriving even the simple hydrogen atom.’ Liberated from his work on the ‘Quantentheorie’ [Handbuch der Physik, Vol. 23, pp. 1-278] Pauli had gone into this problem at full pelt, and on 17 January 1926 he submitted for publication his paper ‘On the hydrogen spectrum from the standpoint of the new quantum mechanics.’ Already on 3 November 1925 Heisenberg had written to Pauli: ‘I probably don’t have to tell you how much I rejoiced at your new theory of hydrogen and how much I admire that you have made out this theory so far,’ and he closed the letter with ‘hearty congratulations for your theory’" (C. P. Enz, No Time to be Brief (2002), pp. 134-5). B.L. van der Waerden, Sources of Quantum Mechanics, no. 16. Pp. 336-363 in Zeitschrift für Physik, 36. Band, 5 Heft, 27 March, 1926. 8vo (229 x 157 mm), pp. 325-400. Original printed wrappers. Very fine. [Attributes: First Edition]

      [Bookseller: SOPHIA RARE BOOKS]
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        The Sun Also Rises

      New York: Charles Scribner's Sons. 1926. First edition. Hardcover. Good. First issue (with "stoppped" on line 26 of page 181). Cloth hardcover with paper onlays on front cover and spine, 259 pp., a Good copy, previous owner's stamp on the pastedowns and on page 259, pencil notations on the rear flyleaf, creasing or tearing to some of the outer pages, a bit of soiling or discoloration to some pages and to the page-edges, some wear to the paper onlay on the spine including some loss, a bit of rubbing or wear to the tips of the book's covers, slight lean to the book, no dust jacket. We have housed the book in protective mylar.

      [Bookseller: Caliban Books ABAA-ILAB]
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        The Memoirs of the 18th (Queen Mary's Own) Royal Hussars, 1906-1922, including operations in the Great War / By Brig.-General Charles Burnett

      Winchester : Warren & Sons, 1926, Hardback, Book Condition: Very Good, First EditionVery good cloth copy, with some slight dulling and rubbing around the spine bands and panel edges. In a good if somewhat edge-torn and dust-dulled dw, now mylar-sleeved. Minor, scattered foxing, mainly around prelims. Previous owner's signature to front pastedown. Remains particularly and surprisingly well-preserved; tight, bright, clean and strong. Further scans, images etc. and additional bibliographical material available on request.; 8vo 8" - 9" tall; 215 pages; Physical description: 215p., 16 leaves of plates : ill., frontis., folding maps, ports. ; 23cm. Subjects: Miltary history -- Great Britain. Army. Royal Hussars, 18th (Queen Mary's Own) -- World War, 1914-1918 -- Regimental histories -- Great Britain -- 18th Royal Hussars. Notes: Includes folding maps.

      [Bookseller: MW Books Ltd.]
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        Alice's Adventures in Wonderland

      London: Humphrey Milford, 1926. 199; (i) pages. 16 mounted colour plates by A. E. Jackson, and illustrations in text, covers and slipcase by the artist. Near contemporary presentation inscription on front endpaper and front of the slipcase. Original light blue cloth decorated and lettered in gilt and chocolate brown. IN RARE ORIGINAL PICTORIAL SLIPCASE. Wonderful period style illustrations. First Edition, thus. 4to.. Book.

      [Bookseller: Roger Collicott Books]
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        Payment Deferred

      London: John Lane the Bodley Head Limited,, 1926. Octavo. Original red cloth, titles to spine and upper board gilt, top edge dyed red. Boards a little rubbed, corners bumped, spine rolled, light partial tanning to endpapers. A very good copy. First edition, first impression.

      [Bookseller: Peter Harrington]
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        Kinderland. Zeitschrift der österreichischen Arbeiter- und Bauernkinder. 72 Originalhefte der Jahrgänge 1926-1934.

      Wien, Vorwärts, 1926-1934.. Die Sammlung umfasst 76 Originalhefte (inkl. Originalumschläge) der monatlich erschienenen sozialdemokartischen Zeitschrift. Mit zahlreichen Illustrationen, Photos sowie Photomontagen. Besonders reizvoll die typographisch gestalteten Umschläge. - Das Konvolut umfasst folgende Hefte: 1926: Nr. 1, 3, 4, 5, 12. - 1927: 2, 3, 4, 6, 8, 9, 10, 11, 12. - 1928: 1, 2, 6, 7, 8, 10, 11, 12. - 1929: 1, 2, 3, 8, 4, 9, 11, 12 - 1930: 2, 3, 4, 5, 7, 9, 10, 11, 12. - 1931: 1, 2, 3, 4, 5, 6, 7, 8, 11, 12. - 1932: 1, 2, 3, 4, 5, 7, 8, 9, 10, 11, 12. - 1933: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 12. - 1934: Nr. 1. - Die seltene Zeitschrift erschien von 1923 bis 1934. Steiner, Bibliographie zur österr. Arbeiterbewegung, S. 205/2293.. Hefte teils angestaubt, abgegriffen und gebräunt. Einige Umschläge bestoßen und rissig. 2 Hefte mit Fehlstellen in den Umschlägen. 1 Heftumschlag gestempelt.

      [Bookseller: erlesenes · Antiquariat und Buchhandlung]
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        L'ITALIANO Diretto da Leo Longanesi. Rivista settimanale della gente fascista.

      Bologna,, 1926-1930.. Di questo importante periodico fondato da Leo Longanesi, offriamo una preziosa e rara raccolta dal 1926 (Anno I) al 1930 (Anno V), quasi completa. Si tratta dell?'edizione in folio (mm. 500x365) per gli anni 1926-29 e, in-4 (mm. 360x250), per l?'annata 1930, così composta: - 1926 (anno I): n. 1 (14 gen.) - 2 (28 gen.) - 3 (11 feb,) - 8 (3 giu.) - 12/13 (7 ott.) - 14/15 (15 nov.) // "Mancano": nn. 4- 5- 6 -7 - 9 - 10 - 11 - 16/17. - 1927 (Anno II): n. 1/2 (15 febbr.) - 3/4 (21 mar.) - 7/8/9 (30 giu.) - 10/11 (31 lugl.) - 12/13 (30 sett.) - 14/15 (8 nov.) - 16/17 con il Lunario (ultimo num. 20 dic.) // "Manca" n. 5/6. - 1928 (Anno III): n. 1/2 (15 febbr.) - 3/4/5 (15 apr.) - 6/7 (28 magg.) - 8/9 (28 giu.) - 10/11 (24 lugl.) - 12/13 (15 ott.) - 14/15 (30 nov.) - 16/17 (31 dic.). Completo. - 1929 (Anno IV): n. 1 (31 genn.) - 2/3/4 (19 mar.) - 5/6 (17 apr.) - 7/8 (12 magg.) - 9/10 (20 giu.) - 11/12 (1 sett.) - 13/14 (30 sett.) - 15/16 (30 ott.) - 17/18 (ultimo num. 15 dic.). Completo. - 1930 (anno V): n. 1 (9 genn.) - 2/3 (28 febb.) - 4 (15 mar.) - 5/6 (17 apr.) - 7/8 (15 magg.) - 9/10 (giu.) - 11/12 (31 lugl.) - 13 (15 ago.) - 14/15 (15 sett.) - 16/17 (28 ott.) - 18/19 (28 nov.) - 20/21 (30 dic.). Completo. Fondato a Bologna nel 1926, la sua pubblicazione (in formati diversi) si protrasse fino al 1942 a Roma, ma non ebbe mai una periodicità regolare: all'inizio il sottotitolo recava la scritta "?"settimanale della gente fascista", poi "foglio quindicinale", più tardi "foglio mensile" ed infine, dall'aprile del 1932, semplicemente "periodico". L?'edizione in folio, impaginato su 4 colonne, si distingue per l?'eleganza nella composizione, arricchita dall?'uso dei disegni, quasi sempre satirici e, nella prima fase, di mano sia di Longanesi che di Mino Maccari. Con il n. 1 del 9 gennaio 1930 diminuisce il formato e aumenta il numero delle pagg. che passano da 4 a 12. A partire dal marzo 1931 fino al dicembre 1942, l?'"Italiano" viene pubblicato in formato ?"quaderno?", per un totale di 70 numeri. Le prime 4 annate (nel formato in folio) presentano delle lievi manc. nelle piegature in 6 numeri, mentre il V anno (formato in-4), ha la prima pag. del n. 20 restaur. al marg. infer. per mancanza. Complessivam. esempl. ben conservato. .

      [Bookseller: Libreria Malavasi sas]
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        La piramide

      Firenze: Vallecchi, 1926. Prima edizione (First Edition). broch. Molto buono (Very Good). 8vo. Scherzo di cattivo genere e fuor di luogo

      [Bookseller: Studio Bibliografico MArini]
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        Today is Friday, One Act Play

      Englewood, NJ: AS Stable Publ, 1926. Brochure. Very Good. Soft cover. 1st Edition. Original white illustrated wraps w/original unmarked envelope, 8pp, Limited Edition of 236/300, (260 were for sale), one signature string sl. loose else NF, Cover illustration by Cocteau-with a line-cut drawing; includes torn pencil letter to author from anon. writer congratulating him on winning Nobel Prize etc. This pamphlet represents the first appearance of this one-act play that later was included in Men Without Women. Hemingway claimed that in one day in Madrid he shut himself up in his hotel room and wrote "The Killers, " "Ten Little Indians, " and "Today is Friday." "'I was in love and the girl was in Bologna and I couldn't sleep anyway, so why not write, ' he explained years later".

      [Bookseller: BohemianBookworm]
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        Le Spleen de Paris. Petits Poems en Prose

      Paris: Editions de l'Intermediaire du Bibliophile, [1926]. Limited Edition. Hardcover. Fine. Specially bound by Cordonnier in navy morocco with red calf triangles and gilt-stamped patterns, doublures with similar pattern, red moire silk endleaves, gold-speckled blanks, text leaves of varying size; 4to; in custom slipcase of red and blue textured painted with morocco edges at opening. With 10 etchings by Chimot in three states (uncolored, colored, and with remarques) and typographical decorations by Paul de Pidoll. Marked "G. G." as one of only ten copies on velin de Hollande, reserved for bibliophile friends of the publisher. From a total edition of 750.

      [Bookseller: Sanctuary Books ]
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        Schall, Margarete. - Herbst.

      . Zeichnung / Aquarell & Gouache, um 1926. Von Margarete Schall. 42,0 x 46,5 cm (Darstellung / Blatt). Rechts unten in Deckweiß signiert. - Blattrand knickspurig mit Fehlstellen und Einrissen. Mangelhafter Zustand. Margarete Schall (1896 Gelsenkirchen - 1939 Düsseldorf). Eigentlich Maria Margarete Schall. Deutsche Malerin und Grafikerin der Klassischen Moderne. Tochter des Kaufmanns Emil Schall. 1913/14 Besuch der privaten Kunstschule von Lothar von Kunowski in Düsseldorf. 1914-16 Ausbildung zur Zeichenlehrerin an den Staatlichen Zeichenlehrerkursen Düsseldorf (Kunstakademie Düsseldorf). 1916/17 Besuch des Turnseminars des Frauenbildungsvereins in Frankfurt am Main. 1917-20 Kandidatin für das Zeichenlehramt an der Viktoriaschule in Essen, dort ab 1920 Zeichen- und Turnlehrerin, ab 1925 Studienrätin. 1921 Bewerbung am Staatlichen Bauhaus in Weimar; tritt das Studium nicht an. 1922 Malschule Johannes Walther-Kurau zusammen mit Else Lohmann, von der sie 1920 porträtiert wird. 1924 kurzzeitig in Paris, wo sie sich als Malerin und gelegentliches Modell mit ihrer Freundin, der Fotografin Florence Henri ein Atelier teilt. 1927/28 Studium am Bauhaus Dessau bei Josef Albers, Wassily Kandinsky und Paul Klee. In Dessau Freundschaft mit dem Ehepaar Hinnerk und Lou Scheper, desweiteren Anregung der Künstlerin Florence Henri zur Fotografie, die 1928 am Bauhaus fotografische Porträts von ihr anfertigt. 1919-33 an den Ausstellungen des Jungen Rheinlands, der Rheingruppe und der Rheinischen Sezession beteiligt. 1931 Künstlerbund-Ausstellung in Essen, wo die Kritik einen Einfluss von Raoul Dufy konstatiert. Reisen führten sie 1924 nach Italien, 1928 nach Paris (Aufenthalt), 1930 nach Südfrankreich, Südtirol und Korsika, 1932-34 nach Spanien sowie 1935 nach Dänemark, Holland, Österreich und in die Schweiz. Werke unter anderem im Folkwang Museum Essen. Zeigt ihr Frühwerk eine Berührung mit den französischen Fauves, stand sie später stilistisch stärker mit dem Dessauer Bauhaus in Verbindung..

      [Bookseller: Galerie Himmel]
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        Wisden Cricketers' Almanack 1926

      John Wisden & Co. 1926 - Sixty-third edition. Original hardback. Some paint blotches to the front, some smudges to spine. Top of page edges soiled. A good copy.

      [Bookseller: Sportspages]
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        Tales of the Angler's Eldorado: New Zealand

      New York and London: Harper & Brothers Publishers, 1926 - A scarce and desirable Zane Gray work and very much so in a really top dust-jacket First edition, so stated on copyright page (with publisher's code "G-A"). 4to. With over100 photographs by the author and illustrations by Frank E. Phares. viii, [ii], 228 pp. Original dark blue cloth, gilt title on spine and upper cover. Fine copy in clipped pictorial dust-jacket which is fine with only the slightest sunning to the spine. Bruns G181 [Attributes: First Edition; Hard Cover]

      [Bookseller: James Cummins Bookseller, ABAA]
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        A Girl from China (Soumay Tcheng)

      Frederick A. Stokes Company, New York 1926 - A very good copy of the presumed first hard cover edition (no explicit edition or printing statement), lacking a dust-jacket. Previous bookshop stamp to front endpaper, with "The Rent of this Book is 10c for 7 Days / 5c per day overdue" stamped to front free endpaper; else the text is wholly unmarked, pristine, and the binding and jacket are bright and fresh in appearance. (This is NOT an ex-library copy.) Wear and fraying at the extremities of the boards, as well as at the crown and base of the spine. Gilt lettering on the front board is still quite bright, while the gilt on the spine has dulled to illegibility. All in all a sharp copy of this rare Van Vorst title. [Attributes: First Edition; Hard Cover]

      [Bookseller: Works on Paper]
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        The Land of Mist

      U. S. A.: George H Doran Co, 1926. Green cloth boards, black title to front and spine, wear/ribbing to edges, mainly spine and corners, crease to front board. Signed at title page by A Conan Doyle. 285pp slight foxing to bottom corner up to page 20, otherwise text clkean, binding firm. . Signed by Author. First U.S.A. Edition. Hardback. Good +/No Jacket.

      [Bookseller: GOLDSWORTH BOOKS & PRINTS LTD]
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        SPAETANTIKE und KOPTISCHE STOFFE aus Aegyptischen Grabfunden. Staatlichen Museen Kaiser-Friedrich-Museum / Aegyptisches Museum Schliemann-Sammlung.

      Berlino 1926 - Ril. in tela con., cm 33,5X25, pp XIII + 159 , 135 tavv ( 38 a col. inc.) con moltissime ill. in b/n.

      [Bookseller: EDITORIALE UMBRA SAS]
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        The Great Gatsby

      London: Chatto & Windus. (1926). First. First English edition. Dark blue cloth gilt, the primary binding (there were two later bindings: tan and light blue, thought to be remainder bindings). Miniscule tear at the crown and a bit of rubbing on the boards, still a very good or better copy lacking the very rare dustwrapper (at the time of publication of the bibliography Bruccoli had not seen one, but we subsequently located and sold it to him). The much rarer first English edition of an American classic with, according to various sources, as few as 1500 to 3000 copies printed versus 20,870 of the American edition. Fitzgerald's perception of the lack of support he received from his English publishers was the source of great consternation to him. According to one source: "On 15 June 1925, William Collins, Fitzgerald's English publisher for This Side of Paradise and The Beautiful and Damned, turned down The Great Gatsby, declaring that "to publish The Great Gatsby would be to reduce the number of his readers rather than to increase them." A rarity. Connolly 100. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        TYPED LETTER SIGNED

      1926 - Typed Letter Signed ("Herbert"; with 6-word holograph addition) on Famous Players-Lasky Corporation, Paramount Pictures pictorial letterhead, Long Island City, NY, December 2, 1926. 4to. 1 page. To Jesse Lasky, in New York City: "Enclosed is a letter I received from Percival Wren, the author of BEAU GESTE. I am also sending a copy to Mr. Zukor. I do this not because of any reference to me but rather because of what he says about yourself and Mr. Zukor as American Producers. You once said.that it was your ambition to produce a picture which could be released on the same day and date in every principal city in the world. It is naturally my ambition to direct this picture.What we all did with Beau Geste Proves that we Americans can produce a picture which will appeal equally to every Anglo-Saxon mind in the world."; Paramount Pictures released "Beau Geste" on August 1, 1927, directed by Herbert Brenon. The cast included Ronald Colman, Neil Hamilton, Ralph Forbes and Alice Joyce. [Attributes: Signed Copy]

      [Bookseller: Houle Rare Books/Autographs/ABAA/PADA]
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        Winnie the Pooh

      E. P. Dutton, 1926. Hardcover. Very Good. New York: E. P. Dutton, 1926. First Edition, First Printing, in original dust jacket. In Very Good condition, in a Very Good dust jacket. Cloth shows light mottling at the edges and rear board, light edge wear, light rubbing to gilt stamping. Boards faintly bowed outward. The pages are clean, though lightly toned. The last few pages have a gentle crease to their corners. The jacket shows fading, soiling and edge wear. A lovely copy of the first American edition, rare in the original dust jacket.

      [Bookseller: Burnside Rare Books]
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