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Displayed below are some selected recent viaLibri matches for books published in 1926

        Souvenir (SIGNED & INSCRIBED)

      Minneapolis: Hayward & Dahlen, 1926. Photo-illustrated booklet of Native Americans, signed and inscribed to E. A. Drake and Rec Drake by author, 1936. Text accompanying the photor eproductions is somewhat humorous, even satirical, for example: "Stalwart young bucks and agile maids - Unkempt squaws with their raven braids."

      [Bookseller: Eric Chaim Kline - Bookseller ]
 1.   Check availability:     ABAA     Link/Print  


        INQUIETUDES. Poemas.

      Juan Pueyo,, Madrid, 1926 - 112pp. Alguna mancha de edad en cubierta. Buen interior. [Attributes: First Edition; Soft Cover]

      [Bookseller: Carmen Alonso Libros]
 2.   Check availability:     IberLibro     Link/Print  


        Twelve Poems

      London: The Riccardi Press, 1926, 1926. FIRST EDITION SIGNED. 1 vol., limited to 130 numbered copies of which this is copy #58, inscribed on the front blank endleaf "To Elizabeth with love from Edith December 1926." Bound in the publisher's original blue-gray cloth backed boards, gilt lettered spine, inner and outer hinges fine, head and foot of spine fine, lower back corner slightly bumped, mild offsetting to pastedowns and endpapers otherwise VERY GOOD.

      [Bookseller: D&D Galleries - ABAA]
 3.   Check availability:     Biblio     Link/Print  


        International Theatre Exposition New York 1926. Steinway Buildiung 27.2.-15.3.

      Zustand: Bibl.-Expl. (mit Stempel / Numerierung / Stempel etc. / anfangs wenige geringfügige Wasserflecken am Aussensteg Beitraege v. F. Leger H. Richter H. Walden A. Doeblin (Lusitania) Franz T. Czokor Rolf de Mare u.a. Einzigartiger Querschnitt durch das moderne Theaterschaffen der 20er Jahre mit Abb. v. Buehnenbildern (z. B. F. Leger) Kostuemen etc. (z. B. O. Schlemmer) Auffuehrungen v. T. Tzara u.a. Von der allergroessten Seltenheit! International nur ein Mal nachgewiesen in der Bibliothek der University of Delaware mit dem dortigen Eintrag: International Theatre Exposition Catalogue 1926 Consists of a copy of the International Theatre Exposition Catalogue published in New York in 1926. This exposition was organized by Friedrich Kiesler and Jane Heap. The back inside cover displays a full page advertisement for The Little Review and The Little Review Gallery which was created by Heap. The Winter 1926 Theatre Number of The Little Review is based on this exposition. Laid in is an announcement for the American premiere of Marcel L Herbiers film The New Enchantment which features Georgette LeBlanc-Maeterlinck. Bilder gern auf Anfrage___Dieser Titel wird nicht per Versand verkauft sondern nur gegen Barzahlung in unseren Geschaeftsraeumen. Der Eintrag in unserer Datenbank dient lediglich der Information des interessierten Kunden. Bei Interesse sprechen Sie uns bitte an. Vielen Dank fuer Ihre Aufmerksamkeit!___

      [Bookseller: Trigon - Versand-Antiquariat & Tee-Versa]
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        Ulysses

      8vo. (210 x 160mm), pp.[xii], 735, [v]. Clean and bright internally. Original blue paper publisher's wrappers, edges uncut. Upper joint wholly split, so upper cover only attached where it folds around the edges of the first gathering. A bit cocked, spine worn and chipped with some surface peeling, edges tattered with numerous small closed tears and upper fore-edge splitting.There have been at least 18 editions of Ulysses, each with variations in different impressions. Here we find the eighth printing of the first edition, with the 'type entirely re-set', so de facto the second edition. An uncommon find in its original paper wrappers.

      [Bookseller: Unsworth's Antiquarian Booksellers]
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        The Tempest

      New York: William Heinemann, 1926. 185pp. Number 333 out of a limited edition of 520. Signed by Rackham. Some marks to covers, with wear at corners. Owner's signature to front free endpaper . Signed by Illustrator. First Edition Thus. Hard Cover. Very Good. Illus. by Rackham, Arthur.

      [Bookseller: Dark and Stormy Night Books]
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        Foundation Stones

      Denver, CO: Bradford-Robinson Printing Co., 1926. Inscribed by the Author to the Colorado Pioneer Society in 1927; Author's second book; Lengthy hand written ink notes on four blank pages at the back, which appear to be corrections and/or addenda to the text with page number references, else the textblock is very clean and tight . Binding lightly edge-rubbed and worn, with the gilt titling on the front cover still legible but beginning to wear off; Faint, dark spot on front cover at the fore edge; No dust jacket; 243p. Wynar/Depp 348.. Inscribed & Signed by Author. First Edition. Green Cloth, Gilt Titling. Very Good. Illus. by Drawings/Decorations. 12mo - over 6¾" - 7¾" tall. Hardcover.

      [Bookseller: Clausen Books, RMABA]
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        Animalia or Fibs about Beasts. Engraved on Wood and Ensnared in Verse

      New York: Payson & Clarke, 1926. First trade edition of this modern verse bestiary, illustrated with wood engravings by Leon Underwood, "one of the founding fathers of British Modernism" (Telegraph). Best remembered for his African-inspired sculpture, Underwood mastered a wide range of media, and was one of the founders of the English Wood Engraving Society in 1925. The rich black images here are accompanied by nonsense verse in the tradition of Edward Lear and Hilaire Belloc: "The wily serpent never spoils / The appearance of his motive coils / By using lubricating oils." Issued simultaneously with a signed limited edition of twenty-eight copies. A fine copy of a striking book, reflecting the artistic revival of English wood engraving between the wars. Quarto, original full black cloth lettered in green, pastedown wood engraving of a circus ring on upper board, yellow pictorial endpapers. Wood-engraved vignettes on half title, frontispiece, and title page; twenty full-page wood engravings of animals throughout text. Very light wear to cloth.

      [Bookseller: Honey & Wax Booksellers]
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        Marazan.

      London: Cassell and Company, 1926.. FIRST EDITION. Crown Octavo, pp.319; [1]. In publisher's cyan cloth with black titles stamped to spine and upper board. Heavily abraded black ink ownership inscription to front free endpaper, below a more recent black ink ownership. Very slight reading lean; a little external wear. Very good indeed. Shute's first published novel, in which a commercial pilot helps crack a drug smuggling ring.

      [Bookseller: Adrian Harrington Rare Books]
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        Typed postcard signed.

      [New York], 15. II. 1926. - Oblong 8vo. 1 page. In Russian. - On headed paper; left edge with small piece of sellotape.

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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        Die Artillerie beim Angriff im Stellungskrieg.

      8, 216 Seiten mit zahlreichen Karten im Text und 6 Faltkarten sowie 4 Karten in Lasche auf hinteren Buchdeckel KOMPLETT! Illustrierter Originalleinen - Rücken Fehlstelle von ca. 3 cm und Einband leicht berieben, Seiten teils leicht randfleckig sonst guter Zustand - 1926. H1190

      [Bookseller: Antiquariat Ehbrecht - Preis inkl. MwSt.]
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        L'ingénieux Hidalgo Don Quichotte de la Manche. Édition illustrée par Gus Bofa.

      Simon Kra 1926 - Quatre volumes reliés de format in-4, Simon Kra, 1926-27. Sous belle reliure demi-maroquin bleu, date en queue, dos à nerfs (avec légers manques, cf. photographie), couvertures et dos conservés (en grande majorité), intérieur très propre. Bel exemplaire bien relié de cette mythique édition illustrée par Gus Bofa, un des 450 exemplaires sur vélin. Traduction L. Viardot, préface M. de Unamuno. Bel ensemble complet. Photographies supplémentaires disponibles sur demande. Poids total 7 kg. Envoi Colissimo. Frais d'envoi 18,90 euros sur la France, 35 UE et Suisse, entre 45 et 100 euros pour le reste du monde, à spécifier selon zone. Possibilité de remise en mains propres sur Paris, n'hésitez pas à me contacter avant de passer commande. Twitter : @Pontneuf06. [Attributes: Hard Cover]

      [Bookseller: Les Livres du Pont-Neuf]
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        North of Boston

      HENRY HOLT COMPANY, NEW YORK, NY 1926 - Dark green paper-covered boards with cloth spine. Gilt title to cover and spine. Moderate book, shelf, edge wear and rubs. Front and back hinge crack. Untrimmed page edges. Book plate of previous owner on front paste down page. Book plate of previous owner on back paste down page. Name of previous owner in ink on the front free end paper. Pages browned. Frontispiece. DATE PUBLISHED: 1926 EDITION: REPRINT 135 [Attributes: Hard Cover]

      [Bookseller: Princeton Antiques Bookshop]
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        Bonne-Fille

      Paris, Mornay 1926 - 23x2.5x19.8 cm Exemplaire imprimé sur papier Japon impérial. L'ouvrage comprend beaucoup d'illustrations en blanc et noir et en couleur. Parfait état, partiellement non-coupé. Copy on Japon Imperial paper. Many b/w and coloured illustrations. Perfect conditions and partially uncut.

      [Bookseller: Amoc Art]
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        SOLARIA. Rivista mensile di arte e letteratura diretta da A. Carocci.

      Firenze, Parenti, 1926-1934. In-16 gr. e in-8 p., brossura orig. Di questa celeberrima rivista letteraria mensile (poi bimestrale) offriamo "tutto il pubblicato in 78 fascicoli": dal 1926, Anno I (n. 1, gennaio) al 1934, Anno IX (nn. 5/6, settembre/dicembre). A causa della censura, gli ultimi numeri del 1934 furono distribuiti con notevole ritardo (il n. 4 nel marzo 1935 e i nn. 5/6 nel marzo 1936). Solo alcune bross. del 1927 e 1928 hanno aloni, tracce d'uso o mancanze al dorso, altrimenti tutta la raccolta, contenuta in due cofanetti, è ben conservata. Uniamo: l'"Antologia di Solaria", in-8 p., brossura orig. (dorso restaur.), pp. (6),509,(3). E' un volume antologico, pubblicato dopo la chiusura della rivista, con scritti di Gadda, Montale, Pavese, Saba, Quasimodo, Ungaretti, Vittorini, Zavattini e altri. "Prima edizione" stampata in 560 copie numerate. La ns., 97, appartiene alla tiratura di 500 in cifre arabe. Ben conservato. "Solaria", considerata la più importante rivista letteraria del Novecento, fu fondata da Alberto Carocci nel 1926, edita a Firenze dall'editore Parenti. La sua voce, pur non essendo di aperta opposizione al fascismo, era una chiara smentita alla retorica della letteratura ufficiale, e alle pretese d'autarchia culturale del regime opponeva le indicazioni di un Joyce, un Proust, un Kafka. Sarebbe errato voler vedere nella rivista diretta da Alberto Carocci, una organicità che non aveva. Bonsanti, Chiaromonte, Comisso, Gianfranco Contini, Giacomo Debenedetti, Ferrata, Leo Ferrero, C.E. Gadda, Montale, Noventa, Solmi, Stuparich, Ungaretti, Vittorini, sono soltanto alcuni dei nomi che si trovano scorrendo gli indici di Solaria. Al “proustismo” di Bonsanti ed altri si contrappone la nascente vocazione narrativa di un Vittorini; a Montale e Ungaretti - interpreti dell'uomo in crisi - Giacomo Noventa, poeta dei grandi motivi della tradizione classica, e così si potrebbe continuare per molto. Ma al di là di questi nomi e di queste indicazioni c'è qualcosa che si possa definire lo “spirito” di Solaria? Forse l'esigenza, comune a tutti, di una letteratura europea, la nostalgia dell'Europa, che proprio allora stava precipitando irrimediabilmente verso il disastro. Così “Antologia critica di Solaria” (Lerici Edit., 1958).

      [Bookseller: Libreria Malavasi sas]
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        The Strand Magazine Sherlock Holmes July - Dec 1926

      George Newnes 1926 - The Strand Magazine July-Dec 1926.Published by George Newnes in original Strand binding. Pale Blue covers,somewhat faded, especially to spine,see picture. Includes rare later Sherlock Holmes short stories.The Adventure of the Blanched Soldier, The Aventure of the Lion's Mane, The Adventure of the Three Gables. Wounderful illustrations throughout. Includes contributions by many other interesting and famous author's of the time, with P G Wodehouse , Rudyard Kipling , Rider Hagard. All complete and in very good condition.Internally excellent.A very rare volume. [Attributes: First Edition; Hard Cover]

      [Bookseller: JS Rare Books]
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        THE HUNGRY TIGER OF OZ By L FRANK BAUM 1926 COLOR FRONTISPIECE

      Chicago: The Reilly & Lee Co, 1926. Book. Good. Hardcover. 6 x 9. TITLE: THE HUNGRY TIGER OF OZ By L. FRANK BAUM 1926 COLOR FRONTISPIECE AUTHOR: L. FRANK BAUM (By RUTH PLUMY THOMPSON founded on and continuing the famous Oz stories) PUBLISHER - (LOCATION) /COPYRIGHT: The Reilly & Lee Co., Chicago 1926 EDITION: First Edition First Printing, color frontispiece present CATEGORY: Children, Rare BINDING/COVER: Hardback without dust jacket COLOR: Green CONDITION: The book is without a dust jacket. The outside is in good- condition. The ownership page has been filled, there is a name with address in ink on the inside board. There is a '1926' in black marker also written on the inside front board. Book is without other marks or writings, pages are clean, and book is tight and sturdy. SIZE: 6 ½ x 9 (approximately) PAGES: 261 pages. Good-/None dust jacket condition. BACKGROUND/DESCRIPTION: First Edition First Printing with the hyphen on the last line of page 21 and the word 'two' in perfect type on the last line of page 252. Color frontispiece present. The Reilly & Lee Co., Chicago 1926. Good--/None dust jacket condition. ILLUSTRATED By JOHN R. NEILL. By RUTH PLUMY THOMPSON founded on and continuing the famous Oz stories. BEAUTIFUL COLOR PLATES. The following OZ titles (color plates) are also available for sale by us on this same site: 1) THE EMERALD CITY OF OZ 2) OZMA OF OZ 3) THE COWARDLY LION OF OZ 4) THE MAGIC OF OZ 5) GRAMPA IN OZ COMPETITIVE PRICING! Once paid, books will ship immediately without email notification to customer (it's on the way), you are welcomed to email about shipment date! REFUNDS: All ViewFair books, prints, and manuscript items are 100% refundable up to 14 business days after item is received. InvCode 499 E H V VIEWFAIR BOOKS: 005225.

      [Bookseller: FairView Books]
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        THE HUNGRY TIGER OF OZ By L. FRANK BAUM 1926 COLOR FRONTISPIECE

      The Reilly & Lee Co, Chicago 1926 - TITLE: THE HUNGRY TIGER OF OZ By L. FRANK BAUM 1926 COLOR FRONTISPIECE AUTHOR: L. FRANK BAUM (By RUTH PLUMY THOMPSON founded on and continuing the famous Oz stories) PUBLISHER - (LOCATION) /COPYRIGHT: The Reilly & Lee Co., Chicago 1926 EDITION: First Edition First Printing, color frontispiece present CATEGORY: Children, Rare BINDING/COVER: Hardback without dust jacket COLOR: Green CONDITION: The book is without a dust jacket. The outside is in good- condition. The ownership page has been filled, there is a name with address in ink on the inside board. There is a '1926' in black marker also written on the inside front board. Book is without other marks or writings, pages are clean, and book is tight and sturdy. SIZE: 6 ½ x 9 (approximately) PAGES: 261 pages. Good-/None dust jacket condition. BACKGROUND/DESCRIPTION: First Edition First Printing with the hyphen on the last line of page 21 and the word 'two' in perfect type on the last line of page 252. Color frontispiece present. The Reilly & Lee Co., Chicago 1926. Good--/None dust jacket condition. ILLUSTRATED By JOHN R. NEILL. By RUTH PLUMY THOMPSON founded on and continuing the famous Oz stories. BEAUTIFUL COLOR PLATES. The following OZ titles (color plates) are also available for sale by us on this same site: 1) THE EMERALD CITY OF OZ 2) OZMA OF OZ 3) THE COWARDLY LION OF OZ 4) THE MAGIC OF OZ 5) GRAMPA IN OZ COMPETITIVE PRICING! Once paid, books will ship immediately without email notification to customer (it's on the way), you are welcomed to email about shipment date! REFUNDS: All ViewFair books, prints, and manuscript items are 100% refundable up to 14 business days after item is received. InvCode 499 E H V VIEWFAIR BOOKS: 005225 Size: 6 x 9 [Attributes: Hard Cover]

      [Bookseller: VIEWFAIR BOOKS]
 18.   Check availability:     AbeBooks     Link/Print  


        SOLARIA. Rivista mensile di arte e letteratura diretta da A. Carocci.

      In-16 gr. e in-8 p., brossura orig. Di questa celeberrima rivista letteraria mensile (poi bimestrale) offriamo "tutto il pubblicato in 78 fascicoli": dal 1926, Anno I (n. 1, gennaio) al 1934, Anno IX (nn. 5/6, settembre/dicembre). A causa della censura, gli ultimi numeri del 1934 furono distribuiti con notevole ritardo (il n. 4 nel marzo 1935 e i nn. 5/6 nel marzo 1936). Solo alcune bross. del 1927 e 1928 hanno aloni, tracce d'uso o mancanze al dorso, altrimenti tutta la raccolta, contenuta in due cofanetti, è ben conservata. Uniamo: l'"Antologia di Solaria", in-8 p., brossura orig. (dorso restaur.), pp. (6),509,(3). E' un volume antologico, pubblicato dopo la chiusura della rivista, con scritti di Gadda, Montale, Pavese, Saba, Quasimodo, Ungaretti, Vittorini, Zavattini e altri. "Prima edizione" stampata in 560 copie numerate. La ns., 97, appartiene alla tiratura di 500 in cifre arabe. Ben conservato. "Solaria", considerata la più importante rivista letteraria del Novecento, fu fondata da Alberto Carocci nel 1926, edita a Firenze dall'editore Parenti. La sua voce, pur non essendo di aperta opposizione al fascismo, era una chiara smentita alla retorica della letteratura ufficiale, e alle pretese d'autarchia culturale del regime opponeva le indicazioni di un Joyce, un Proust, un Kafka. Sarebbe errato voler vedere nella rivista diretta da Alberto Carocci, una organicità che non aveva. Bonsanti, Chiaromonte, Comisso, Gianfranco Contini, Giacomo Debenedetti, Ferrata, Leo Ferrero, C.E. Gadda, Montale, Noventa, Solmi, Stuparich, Ungaretti, Vittorini, sono soltanto alcuni dei nomi che si trovano scorrendo gli indici di Solaria. Al "proustismo" di Bonsanti ed altri si contrappone la nascente vocazione narrativa di un Vittorini; a Montale e Ungaretti - interpreti dell'uomo in crisi - Giacomo Noventa, poeta dei grandi motivi della tradizione classica, e così si potrebbe continuare per molto. Ma al di là di questi nomi e di queste indicazioni c'è qualcosa che si possa definire lo "spirito" di Solaria? Forse l'esigenza, comune a tutti, di una letteratura europea, la nostalgia dell'Europa, che proprio allora stava precipitando irrimediabilmente verso il disastro. Così "Antologia critica di Solaria" (Lerici Edit., 1958).

      [Bookseller: Libreria Antiquaria Malavasi]
 19.   Check availability:     maremagnum.com     Link/Print  


        Intérieurs Modernes Anglais et Français. 40 Planches en Phototypie. Comprenant : 24 intérieurs de ville, 23 intérieurs de campagne. 3 Edition.

      Paris: Librairie d'art R. Ducher, circa 1926 - Portfolio with 40 plates of furniture designs. 30 x 40cm. Sheets loose as issuedg. Original portfolio with marbled boards, cloth spine and label, and cloth ties. Label of the bookseller Dunod on the title pages with dated of 1926. There was a later edition in 1928 published by Eugène Moreau Jeune, [Attributes: Hard Cover]

      [Bookseller: Wittenborn Art Books]
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        Op. 7]. Georg Büchners Wozzeck Oper in 3 Akten (15 Szenen). Op. 7 Partitur. [Full score]

      Universal-Edition [PN U.E. 7379], Wien. Leipzig 1926 - Folio. Black-cloth backed decorative paper boards with titling gilt to spine, original publisher's light green upper wrapper printed in dark green bound in. 1f. (title), 1f. (dedication in facsimile of Berg's handwriting: "Alma Maria Mahler zugeeignet"), [i] ("Szenarium" [table of contents]), [i] (list of orchestral instruments), [i] (cast list), [i] (instructions for performing the Sprechstimme), 5-405 (music), [i] (blank) pp. Printer's note to lower right corner of last page of music: "Waldheim-Eberle A.G., Wien, VII."A facsimile of the copyist's manuscript. Extensive markings in pencil and red crayon by an unknown conductor to pp. 55-89, 123-171, 215-237, 246-256, 275-348, and 364-405. Handstamp "00006" to upper left corner of upper wrapper.Binding slightly worn and rubbed; upper wrapper slightly worn and soiled; lower wrapper lacking. Slightly worn; tear to verso of blank outer edge of title repaired; corners of some leaves slightly creased; minor repair to blank outer edge of final leaf. First Edition.The spellings "orkester" (passim) and "kor" (p. 291) suggest that the performance for which this copy was used either took place in Scandinavia or was led by a Scandinavian conductor.Georg Büchner's (1813-1837) fragmentary drama Woyzeck [not "Wozzeck"] was written in 1836, but it remained unpublished until 1879 and did not see the stage before Max Reinhardt produced it in Munich in 1913. Its Viennese premiere, in 1914, prompted Berg to compose his opera?the first atonal opera in history and arguably the most successful one to this day."Wozzeck was an epoch-making work that broke new ground musically, emotionally and dramatically. If Büchner's play was discovered and first performed at a time when its techniques and concerns seemed strikingly contemporary, it also appeared at a moment when its extreme states were peculiarly suited to Berg's musical language - an atonal language that, constantly hovering on the edge of tonal confirmation, becomes a perfect musical metaphor for the emotional and mental state of the opera's chief protagonist. The world that the opera presents is a projection of the tortured mind of Wozzeck himself: a world without normality or humanity and peopled by grotesques, a haunted world of strange, hallucinatory voices and visions and of natural phenomena indifferent to the human tragedy being played out." Douglas Jarman in Grove online [Attributes: Hard Cover]

      [Bookseller: J & J LUBRANO MUSIC ANTIQUARIANS LLC]
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        [Cobden-Sanderson, Anne] Souvenir: Edwin and Robert Grabhorn to Anne Cobden-Sanderson. San Franciscot, June 26th at Coppa's Restaurant

      San Francisco: Grabhorn Press, 1926. First edition. Original blue printed wrappers with gilt printed lettering on cover. One of 15 Copies printed for the occasion, sewn and laid in blue paper wrappers, later 25 more copies were issued in boards. [6] pp. plus 4 preliminary and ending blank leaves. Wrappers. 8vo. (8 1/2 x 5 3/4). SIGNED at the end by the participants: Charles Erskine Scott Wood (who wrote the text), Anne Cobden-Sanderson, Edwin Grabhorn, Robert Grabhorn, Albert M. Bender, Henry H. Taylor, Katharine Field Ehrgott, and J. J. Neuberger. Also signed in pencil on first blank page by fine printer Helen Gentry who worked for the Grabhorns at the time. The wrappers are separated at spine and slightly worn at edges, else contents fine. Anne Cobden-Sanderson (1853- 1926), distinguished British feminist who went to jail in London for her suffragist activities in the early 1900's, was married to the famed fine press printer, T. J. Cobden-Sanderson (1840-1922). Charles Erskine Scott Wood (1852-1944) was a noted San Francisco writer and anarchist; Albert M. Bender (1866-1941) was a Jewish philanthropist in San Francisco noted for his support of the arts; Henry H. Taylor was a fine printer of the firm Taylor & Taylor in San Francisco; Katharine Field Ehrgott was the daughter by a previous marriage of feminist Sara Bard Field Ehrgott (1882-1974), who lived with Charles Erskine Scott Wood. GRABHORN PRESS 83.

      [Bookseller: Nudelman Rare Books ]
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        Raison d'être

      1926. Editions du Verseau, Lausanne 1926, 19x27cm, broché. - Editions du Verseau, Lausanne 1926, 19x27cm, broché. - Prima edizione, uno dei 33 esemplari numerati su Holland edizione limitata di 12 dopo il Giappone. Autografo firma dell'autore su una guardia. Guardie e alcuni testimoni marginalmente ombreggiati, bella copia di tutti i margini. [FRENCH VERSION FOLLOWS] Edition originale, un des 33 exemplaires numérotés sur Hollande, tirage de tête après 12 Japon. Signature autographe de l'auteur sur une garde. Gardes et quelques témoins marginalement ombrés, agréable exemplaire à toutes marges.

      [Bookseller: Librairie Feu Follet]
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        Autograph letter signed "Lehár Fr" to the celebrated soprano Maria Jeritza

      1926. "Liebe, du Himmel auf Erden" is an aria from Lehár's operetta Paganini (1926), made into a film in 1934. Maria Jeritza performed the song as part of a shortwave broadcast for an American audience in 1935. Lehár's operetta Schön ist die Welt was first performed in 1930 (a revision of his earlier work Endlich allein, 1914). Like other successful composers of the era, Léhar was close to Maria Jeritza (1887-1982), the most celebrated soprano from the final years of the Habsburg empire. She appeared regularly at the Metropolitan Opera in New York from 1921 on.. In blue ink on the verso of a postal card with unidentified motif; printed credits to "Phot. Ing. F Mayer." Dated September 29, 1935. In German (with translation).Lehár thanks his correspondent (who is not named but may be identified by circumstantial evidence as the soprano Maria Jeritza) for her interpretation of the song "Liebe du Himmel auf Erden" (Love, you heaven on earth) from his operetta Paganini. He is looking forward to seeing her as Tosca soon. He announces that he will travel to Paris imminently to attend a performance of his operetta Schön ist die Welt:"Still under the spell of the song 'Liebe du Himmel auf Erden' so wonderfully rendered by you I am writing you this letter, and I thank you cordially for the artistic enjoyment... Early next week I will travel to Paris. Schön ist die Welt is going to be performed at the Theâtre Paisé Lyrique."From the collection of Maria Jeritza.Slightly worn, creased and smudged; faint red ink stains.

      [Bookseller: J & J Lubrano Music Antiquarians LLC ]
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        Der Kommandant von Kalymnos. Ein Mysterium aus dem Rokoko der Levante. Als Manuskript gedruckt.

      Venedig,S. Maria Formosa (Wien,Dr. v. P.Kaltschmid) 1926. - gr.8°. 62 S. mit 2 ganzs. Zeichn. v. FHO auf mitpag. Taf. Oln. in neuem Hld.-Schuber, min. berieben, hint. Überzug im linken oberen Eck ganz minimal gewellt, hs. Widm. a.d. Vorsatz, insges. schönes Expl. - Eins von 100 (Nr.86) in der Maschine numer. Expl. Erstausgabe der 1.Veröffentl. Kosch VII,1046. Als Privatdruck in nur 100 num. Exemplaren gedruckt. Sehr selten. [Attributes: First Edition; Hard Cover]

      [Bookseller: Antiquariat Krikl]
 25.   Check availability:     ZVAB     Link/Print  


        The Tempest

      New York: William Heinemann, 1926. 185pp. Number 333 out of a limited edition of 520. Signed by Rackham. Some marks to covers, with wear at corners. Owner's signature to front free endpaper . Signed by Illustrator. First Edition Thus. Hard Cover. Very Good. Illus. by Rackham, Arthur.

      [Bookseller: Dark and Stormy Night Books]
 26.   Check availability:     Biblio     Link/Print  


        Autograph postcard signed ("Djuna"), to Charles Barnes

      Algeria 1926 - 3-1/2 x 5-1/2 in. Barnes writes a short note from Algeria - commenting on the jewelry of the Bedouin women on the front of the postcard - to one Charles Barnes of East Orange, NJ, presumably a relative.

      [Bookseller: James Cummins Bookseller, ABAA]
 27.   Check availability:     AbeBooks     Link/Print  


        THE OLD PLANTATIONS AND THEIR OWNERS OF BRAZORIA COUNTY, TEXAS

      Houston: The Union National Bank, 1926., 1926. First edition. First edition. 8vo. Printed wrappers, [4], 46 pp., introductory, portraits, plates. Describes and lists plantations of Brazoria County and a brief history of each one. 42 plantations are reviewed including their history, the owners, the way of life, and their eventual demise. Some of the plantations are Peach Point, Lowwood, Ellersly, Pleasant Grove, Christopher Bell, Josiah Bell, Waldeck, Eagle Island, Lake Jackson, and many others. The introduction is provided by R. M. Farrar and he says "The author's opinions and observations on slavery and the Negro problem - north and south - are frank and dispassionate and, in my opinion, entitled to thoughtful consideration. The story that follows will be of surpassing interest to those who are interested in the glory and grandeur of the 'Old South' and in the romantic and tragic history of Brazoria County, which for a time, was early Texas, and which the author has woven into a historical narrative that contains much which should be preserved for posterity." Edges of the front and rear cover uniformly tanned, else a fine, tight copy of an informative booklet. The author was born on Drayton Plantation which is included in this discussion.

      [Bookseller: BUCKINGHAM BOOKS]
 28.   Check availability:     Biblio     Link/Print  


        Archives d'histoire doctrinale et littéraire du Moyen Age (Numéros I à XV)

      Librairie philosophique J.Vrin 1926 - Librairie philosophique J.Vrin, 1926 à 1946 (quinze premier numéros), forts in-8 brochés vendus ensemble, états satisfaisants (codes-barres de bibliothèque filmoluxé sur chaque bas à droite du premier plat de chaque numéros, traces d'étiquettes en coiffes, exemplaires en bon état sinon, nombreux exemplaires non coupés, rousseurs très peu fréquentes (quelquefois sur tranches), 9 pieds sur 15 portent la mention au fluo noir : RL 7, ces mêmes exemplaires l'ont aussi en haut à gauche du premier plat. Nombreuses pages en latin. in-8 [Attributes: Soft Cover]

      [Bookseller: Vues sur Loire]
 29.   Check availability:     IberLibro     Link/Print  


        Poème d'Orphée - Choeur des Oceanides

      Les Facettes, Francois Bernouard 1926 - 30x0.5x20 cm Ouvrage comprenant 3 gravures réalisées par O. Coubine. La reliure est décollée. L'exemplaire est non coupé et imprimé sur papier Berger. Edition including 3 etchings by O. Coubine. Binding unglued, uncut. Copy on papier Berger.

      [Bookseller: Amoc Art]
 30.   Check availability:     AbeBooks     Link/Print  


        Das Leben des Menschen. Eine volkstümliche Anatomie, Biologie, Physiologie und Entwicklungsgeschichte des Menschen (5 Bände = komplett).

      Band I (1). Mit 20 ganzseitigen Tafeln und 169 Abbildungen im Text, 1926, 272 Seiten / Band II (2). Mit 33 ganzseitigen Tafeln und 269 Abbildungen im Text, 1927, 365 Seiten / Band III (3). Mit 35 ganzseitigen Tafeln und 241 Abbildungen im Text, 1927, 364 Seiten / Band IV (4). Mit 33 ganzseitigen Tafeln und 231 Abbildungen im Text, 1929, 335 Seiten / Band V (5 ). Mit 23 ganzseitigen Tafeln und 157 Abbildungen im Text, 1931, 267 Seiten mit alphabetischen Gesamtregister. Beilagen in Lasche auf dem Hinterdeckel: 1. Faltplakat "Stammbaum des Menschen" (Format: 31 x 48 cm) 2. Broschüre "Der Mensch als Industriepalast", XI Seiten mit Erläuterung der Zeichen und Farben zu der Wandtafel (großes Plakat) und zum Stammbaum des Menschen 3. Eine Papp-Brille rot/blau 4. Riesenplakat "Der Mensch als Industriepalast" (Format: 48 x 96 cm, auf Buchgröße zusammengefaltet). Halbleinen mit Leinenecken und goldgepr. Rückentitel. Vorsätze von Band 1-4 gemustert, von Band 5 in schlichtem grau. 26 x 18 cm. Erscheinungsjahre: 1926-1931. Kapitale und Ecken berieben und bestoßen, Einbände fleckig und lichtrandig, Seiten häufig stockfleckig, viele Bleistifteintragungen, mittlerer Gesamtzustand. Das Plakat ist bis auf leichte Altersspuren und zwei kleinen Einrissen im oberen Falz sehr gut erhalten.

      [Bookseller: Antiquariat Neue Kritik]
 31.   Check availability:     booklooker.de     Link/Print  


        You Can't Win

      New York: The Macmillan Company, 1926. First Edition. Hardcover. Very Good. First edition, first printing. Very Good with light edge wear and light soiling to cloth, very slight fading to spine. Light shelf lean. Offsetting to end sheets, with a blacked out previous owner name to the front end paper and a small bookseller sticker to the rear paste down. Several pages show small stains. An early 20th Century professional burglar and hobo's vividly-written autobiography, which was hailed by Naked Lunch author William S. Burroughs as an important literary influence. Rare.

      [Bookseller: Burnside Rare Books]
 32.   Check availability:     IOBABooks     Link/Print  


        Winnie The Pooh - First UK Edition 1926

      A A Milne - Winnie The Pooh - First UK Edition 1926 - SIGNED by the Author A first edition, first printing published by Methuen in 1926. A near fine book with a hint of spotting to the edges. Gilt top edge still present. SIGNED without dedication to the title page. In a very good first issue dust wrapper which has small imperceptible stain to the front panel and a little light wear to the spine tips and corners. None of the usual heavy browning to the spine as is often encountered. Very scarce to find this first edition signed.

      [Bookseller: John Atkinson Fine & Rare Books]
 33.   Check availability:     PBFA     Link/Print  


        The Viaduct Murder

      Jacobsen Publishing Company, Inc., New York 1926 - Orange cloth binding rubbed at extremities; backstrip lightly foxed & sunned; boards smudged; binding cracked at a few points in textblock; owner's name inked on front free endpaper; leaf edges, paste-downs & endpapers foxed/smudged, else a solid, clean copy of this scarce book. No dj. ; 1926 reprint of author's first novel, originally published, 1925. ; 12mo 7" - 7½" tall; 252 pages [Attributes: Hard Cover]

      [Bookseller: Hyde Brothers, Booksellers]
 34.   Check availability:     AbeBooks     Link/Print  


        Le Juif Qui Rit (First Edition)

      Paris: Albin Michel, 1926. First Edition. First Edition, volume two only. Ex-library copy, with contemporary hardcover library binding and a rubber stamp to a number of pages. Very Good plus, with foxing and toning to pages and hinges starting. Without dust jacket. A book of political cartoons and anecdotes by the active artist. Text in French. A good candidate for rebinding.

      [Bookseller: Royal Books, Inc.]
 35.   Check availability:     Biblio     Link/Print  


        Bekannte und unbekannte Historien von dem abenteuerlichen und weltberufenen Gespenste dem Rübezahl, welche nicht allein aus allerhand Relationen der fremden Handelsleute, sondern auch durch Avisierungen vornehmer und gelahrter schlesischer Personen zuwege gebracht hat. ..... 1. Auflage. Insel-Bücherei Nr. 157.

      Insel, Leipzig, 1926. 11.-15. Tausend. 79 Seiten. Kl.-8°, Originalpappband. Sehr gutes Exemplar der sehr seltenen ZWEITEN AUflage.Titelschild schwarzumrandet (Schrift grün).. Versand D: 6,00 EUR

      [Bookseller: Chiemgauer Internet Antiquariat]
 36.   Check availability:     buchfreund.de     Link/Print  


        [Op. 7]. Georg Büchners Wozzeck Oper in 3 Akten (15 Szenen)... Op. 7 Partitur. [Full score]

      Wien... Leipzig: Universal-Edition [PN U.E. 7379], [1926]. Folio. Black-cloth backed decorative paper boards with titling gilt to spine, original publisher's light green upper wrapper printed in dark green bound in. 1f. (title), 1f. (dedication in facsimile of Berg's handwriting: "Alma Maria Mahler zugeeignet"), [i] ("Szenarium" [table of contents]), [i] (list of orchestral instruments), [i] (cast list), [i] (instructions for performing the Sprechstimme), 5-405 (music), [i] (blank) pp. Printer's note to lower right corner of last page of music: "Waldheim-Eberle A.G., Wien, VII." A facsimile of the copyist's manuscript. Extensive markings in pencil and red crayon by an unknown conductor to pp. 55-89, 123-171, 215-237, 246-256, 275-348, and 364-405. Handstamp "00006" to upper left corner of upper wrapper. Binding slightly worn and rubbed; upper wrapper slightly worn and soiled; lower wrapper lacking. Slightly worn; tear to verso of blank outer edge of title repaired; corners of some leaves slightly creased; minor repair to blank outer edge of final leaf. First Edition. The spellings "orkester" (passim) and "kor" (p. 291) suggest that the performance for which this copy was used either took place in Scandinavia or was led by a Scandinavian conductor. Georg Büchner's (1813-1837) fragmentary drama Woyzeck [not "Wozzeck"] was written in 1836, but it remained unpublished until 1879 and did not see the stage before Max Reinhardt produced it in Munich in 1913. Its Viennese premiere, in 1914, prompted Berg to compose his opera--the first atonal opera in history and arguably the most successful one to this day. "Wozzeck was an epoch-making work that broke new ground musically, emotionally and dramatically. If Büchner's play was discovered and first performed at a time when its techniques and concerns seemed strikingly contemporary, it also appeared at a moment when its extreme states were peculiarly suited to Berg's musical language - an atonal language that, constantly hovering on the edge of tonal confirmation, becomes a perfect musical metaphor for the emotional and mental state of the opera's chief protagonist. The world that the opera presents is a projection of the tortured mind of Wozzeck himself: a world without normality or humanity and peopled by grotesques, a haunted world of strange, hallucinatory voices and visions and of natural phenomena indifferent to the human tragedy being played out." Douglas Jarman in Grove online.

      [Bookseller: J & J LUBRANO MUSIC ANTIQUARIANS]
 37.   Check availability:     Direct From Seller     Link/Print  


        [Op. 28]. Drei Satiren für gemischten Chor Op. 28. [Score]

      Wien... New York: Universal-Edition [PN. U.E. 8586], 1926. First Edition, first issue. Rufer (Engl.) p. 48. Ringer p. 316. Tetsuo Satoh pp. 21-22. All texts are by Schoenberg himself. The second piece, "Vielseitigkeit," is a notorious spoof on Stravinsky, ridiculed as "der kleine Modernsky." "In a letter to Amadeo Filippi in May 1949 Schoenberg wrote that the Drei Satiren were composed when he had been very angered by the attacks by some of his younger contemporaries. Through the Satires he wanted to attack all those who 'seek personal salvation by taking the middle road...' Secondly, 'take aim at those who pretend to aspire "back to..." ' Thirdly, he wanted to attack the 'folklorists... and finally all those "ists" 'in whom I can only see mannerists. Their music is enjoyed most by those who constantly think of the slogan, which is intended to prevent them from thinking of anything else.' Joseph Auner: A Schoenberg Reader, pp. 186-7. Annegret Batschelet-Massini (1918-2004) was a Swiss violinist and music teacher, known as an ardent champion of contemporary music. Ernst Krenek dedicated his Albumblatt für Gesang und Klavier, op. 228 (1977), to her.. Small folio. Original light green printed wrappers. [1] (title), [2] (contents), 3-4 (preface), 5-6 (texts), 7 (notes on performance), 8-53 (music), 54-58 (appendix: tonal canons) pp. Printer's note to lower right corner of p. 58: "Stich u. Druck der Waldheim=Eberle A.G." Publisher's catalog no. 35 "Arnold Schönbergs Werke in der Universal-Edition" dated "VIII [August] 1926" to verso of lower wrapper. Early owner's signature in pencil to head of upper wrapper: "Annegret Batschelet-Massini 1.2.[19]55." With manuscript transcriptions in an unidentified hand (scores and parts) of the canon for string quartet from the appendix on music paper by Hug, Basel.

      [Bookseller: J & J Lubrano Music Antiquarians LLC]
 38.   Check availability:     IOBABooks     Link/Print  

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