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Displayed below are some selected recent viaLibri matches for books published in 1926

        North American Indians

      Edinburgh: John Grant,, 1926. Being Letters and Notes on Their Manners, Customs, and Conditions, Written During Their Eight Years' Travel Amongst the Wildest Tribes of Indians in North America. 1832-1839. 2 volumes, large octavo, original pictorial red cloth, titles gilt to spines and front covers with pictorial decoration in gilt and black, top edge gilt, others uncut. Over 300 colour illustrations on 180 plates, including 3 coloured maps, one folding. Very light bumps and rubbing to ends of spines and tips; an excellent, fresh set. A young lawyer turned portraitist, Catlin set out in 1830 from his home in Pennsylvania to record on canvas the indigenous tribes of North America and their way of life. His eight years among the major tribes of the Great Plains and the Rocky Mountains resulted in his "Indian Gallery," an enormous collection of artefacts as well as more than four hundred paintings, including portraits and scenes of tribal life. The resultant book, first published with uncoloured plates in 1841, is "one of the most original, authentic and popular works on the subject" (Sabin). "The history and the customs of such a people," Catlin wrote, "preserved by pictorial illustrations, are themes worthy of the lifetime of one man, and nothing short of the loss of my life, shall prevent me from becoming their historian" (Hassrick).

      [Bookseller: Peter Harrington]
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        SAILING SHIPS AND BARGES OF THE WESTERN MEDITERRANEAN AND ADRIATIC SEAS. A Series of Copper Plates engraved in the Line manner by Edward Wadsworth and coloured by hand, with an Introduction and Brief Descriptions by Bernard Windeler.

      Frederick Etchells & Hugh MacDonald, London 1926 - Original orange and white cloth binding with a slightly darkened spine, and minor rubbing, soiling, a touch of sunning to the extremities, and a few small spots of discoloration to the rear board. Minor separation of text block following page 40, remaining intact and attractive. A few tiny spots of light soiling to the edge of the page margins here and there; very minor. Previous owner's bookplate affixed neatly on the inside of the front cover. Contains numerous engraved plates, many of which are hand-colored. Number 431 of 450 published. First and only edition. Size: Quarto (4to) [Attributes: First Edition; Hard Cover]

      [Bookseller: Kurt Gippert Bookseller ABAA]
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        Mashenka].

      Berlin Slovo 1926 - 8vo., (20 x 14 cm.), 169 pp., 6pp. of advertisements, modern green calf, facsimile paper label after the original window-mounted to front cover, original wrappers bound in at rear, edges untrimmed, as published, fine. A lovely copy of the rare first edition of Nabokov's first novel, a partly autobiographical work set during the peak of the Russian emigration to Berlin in 1924, it contains descriptions of the young Nabokov's first serious romance as well as that of the Nabokov family estate. The story unfolds from a Berlin boarding- house filled with an assortment of eccentric Russian émigrés. Lev Ganin, an energetic young officer poised between his past and his future, relives his first love affair. His memories of Mary are suffused with the freshness of youth and the idyllic ambience of pre-revolutionary Russia. In stark contrast is the decidedly unappealing boarder living in the room next to Ganin's, who, he discovers, is Mary's husband, temporarily separated from her by the Revolution but expecting her imminent arrival from Russia. The contemporary critic A. S. Izgoev wrote of the work: "This is a page not only in the biography of a young author, but also in the history of Russian literature, and not merely its émigré branch. Mashenka has about it something of the national self-awareness of the Russian intelligentsia" (quoted by Andrew Field, Nabokov: His Life in Art). After attending a reading another critic, Yuli Aykhenvald, declared Nabokov 'a new Turgenev'. Rare: we could trace only two copies at auction in over 35 years. [Attributes: Soft Cover]

      [Bookseller: Shapero Rare Books]
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        The Prophet

      New York: Alfred A. Knopf, 1926. Hardcover. This is a scarce, early Deluxe Holiday Edition of one the best-selling books of the 20th century. Condition is good plus. The original gold foil paper boards show scuffing, as is typical of this edition. The paper covered spine shows some loss at the ends, as do the paper-covered corners. The binding is nonetheless square and tight. The contents are printed on heavy, watermarked, laid paper with untrimmed fore and bottom edges and gilt top edge, and are printed with ornamental drop caps at the beginning of each section and twelve full-page collotype illustrations by the author. (This is the first edition to include the authorÂ’s illustrations.) The contents are notably clean, free of any spotting. The sole previous ownership mark is a small previous owner sticker affixed to the lower front pastedown with an inked name and number across it. The top edge gilt remains bright. All illustrations are present. The sole interior defect noted is a roughly cut signature at page 84 (the final page of text), leaving both that leaf and the following with rough edges. Since its first publication in 1923, The Prophet has never been out of print. It has reportedly been translated into more than 50 languages, gone through over 160 printings, and more than 100 million copies have sold. Its author, Kahlil Gibran (1883-1931), is the third best-selling poet of all time behind Shakespeare and Lao-Tzu. These numbers are all the more astonishing considering the unlikely circumstances into which Gibran was born. As a child of poverty in northern Mount Lebanon (then a semi-autonomous part of the Ottoman Empire), Gibran received no formal education during his youth. Upon the imprisonment of his gambler father for embezzlement, Gibran's mother decided to join her brother in the United States. Once settled in a Lebanese community in Boston, Gibran began school enrolled in a class for immigrants as well as art school. Desiring to further his abilities in art, Gibran enrolled in Académie Julian in Paris at the age of 25 where he developed the symbolist style visible in his later illustrations for The Prophet. Influenced by the Eastern Catholic religion he was raised in, Sufi mysticism, and Gibran's meeting with a leader of the Bahá'í Faith, The Prophet is a series of 26 prose poems covering a variety of topics on the human condition. Despite popular reception, The Prophet found little praise from western critics. Irrespective, the The Prophet has enjoyed a wide cultural influence. The book experienced a resurgence in popularity when the counterculture of the 1960s took up the book as a universally accessible spiritual text free of dogma and encouraging unity. The text influenced people as varied as Elvis, JFK, The Beatles, and David Bowie.

      [Bookseller: Churchill Book Collector]
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        Winnie the Pooh.

      London: Methuen and Co., 1926.. FIRST EDITION. Octavo, pp.xi; [5]; 158; [2]. Publisher's green cloth with gilt titles to spine, gilt decoration to upper, top edge gilt and illustrated endpapers. Illustrated throughout by Shepard. Small loss to top right corner of page 11 and bottom right corner of page 1, small closed tear to page 157, not encroaching on text and neat repaired. Occasional ghosts of folds and marks to the textblock. The cloth shows well with some rubbing to corners and spine ends, some bubbling to cloth on the upper board, a very good, sound copy.

      [Bookseller: Adrian Harrington Rare Books]
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        The Incredulity of Father Brown.

      Cassell and Co., Ltd., London, 1926. FIRST EDITION. 8vo., pp. 295. Red trimmed black cloth. Top edge a little spotted else fine. In bright, attractive unrestored dustwrapper, abrasion over price (7/6) on spine, light soiling, with a little minor wear. Shows extremely well indeed.The third Father Brown collection. Cooper & Pike; Detective Fiction p79-82, Eric Quayle; Detective Fiction. Book Collector No.273, p34.

      [Bookseller: Adrian Harrington]
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        BOLETÍN DE LA REVISTA GENERAL DE LEGISLACIÓN Y JURISPRUDENCIA. Periódico oficial del ilustre Colegio de Abogados de Madrid. Año 74. Tomo 198. Sep-Oct. 1925 a Año 77. Tomo 226. Nov-Dic. 1930, consecutivos. XXIX (Veintinueve) volúmenes

      1926 - Madrid. Reus, S.A. 1926-1930. Veintinueve volúmenes. En 8º mayor, entre 700 y 1250pp por volumen. Bonita encuadernación homogénea plena piel española época, hierros dorados en lomera, triple tejuelo, cortes jaspeados. Algún tomo con marcas. Muy bien conservado y encuadernado, en general limpio. No en CCPB. INCLUIDO GASTOS DE ENVÍO PARA ESPAÑA [Attributes: Hard Cover]

      [Bookseller: MIMO Libros]
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        Rote Giebel (Rödgen bei Eilenburg. 1977, Öl / Hartfaser, 86 x 81 cm. In originalem Künsterrahmen. Monogrammiert "M.", datiert "(19)77". (vgl. G. k. Müller, Hrsg. v. P. Gosse, S. 86).

      - Gerhard Kurt Müller (*1926 in Leipzig-Probstheida). Deutscher Maler, Grafiker und Bildhauer. Von 1941-43 Lehre im Grafischen Gewerbe, Besuch der Gutenbergschule, dort erste künstlerische Anregungen.Mitglied des Leipziger Kunstvereins. 1948 Bewerbung an der Hochschule für Grafik und Buchkunst Leipzig. Zum Wintersemester 1948/49 Immatrikulation. Bis 1952 Studium an der HGB Leipzig bei Prof. Elisabeth Voigt und Prof. C.K. Massloff. Abschluss mit Diplom mit satirischen Lithographien und einer Arbeit über Honoré Daumier. 1952 Mitglied des Verbandes Bildender Künstler Deutschlands, später VBK/DDR. 1954 - 68 Lehrtätigkeit und Professur (1961) an der HGB Leipzig, Leiter der Abteilung für Freie Grafik, Leiter der Klasse für Freie Grafik und Illustration. 1964 - 66 Rektor der HGB Leipzig, leitet die Zweihundertjahrfeier der Akademie. 1968 verlässt er die Hochschule, er arbeitet freischaffend als Maler und Grafiker in Leipzig. 1954 erste Holzstiche, Illustrationen zu Gogol, Balzac, Heine, Kleist, Schiller u.a. 1966 erstes größeres Tafelbild, ab 1973 Holzskulpturen.Gerhard Kurt Müller gehört zu den Schlüsselfiguren der "Leipziger Schule". In gutem Erhaltungszustand. Sprache: Deutsch 9500 gr.

      [Bookseller: Graphikantiquariat Martin Koenitz]
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        L'Ardenne Mysterieuse

      1926. First Edition . Signed. BANNEUX, Louis. LÂ’Ardenne Mystérieuse. Prix de Littérature de Brabant, 1925. Bruxelles: J. Lebègue & Cie., 1926. Tall octavo, original printed pictorial self-wrappers, uncut, original glassine. Housed in custom full morocco slipcase. $1650.First edition, number 22 of only 100 copies issued, with 16 lovely woodcut-style illustrations by Alfred Martin as well as an extra suite of the illustrations. This copy signed and presented by 38 members of the staff and faculty of the Royal Conservatory of Liege to honorary director, Belgian conductor and composer Sylvain Dupuis.Born in Liège, recipient Sylvain Dupuis was trained at the Royal Conservatory there. After graduating in 1878, he was appointed to that schoolÂ’s faculty as a professor, ultimately going on to become Director in 1911. Among his notable pupils were Hubert de Blanck and Charles Houdret. Dupuis worked actively as a composer during the early part of his career, winning the Belgian Prix de Rome for his cantata Le Chant de la Création in 1879 and composing two operas in the 1880s: Moîna and Coûr dÂ’Ognon. With his 1890 appointment to the conducting staff at the Théâtre Royal de la Monnaie, he began to devote more of his energy to his work as an opera conductor. In 1900 he assumed the role of principal conductor at that house, where he conducted its first productions of such operas as Götterdämmerung (1891), Die Entführung aus dem Serail (1902), Tosca (1904), La Damnation de Faust (1906), Madama Butterfly (1909), Elektra (1910) and Roma (1913), among others. The work, presented to him by the faculty and staff of the conservatory at a banquet in honor of his long, loyal and fruitful career in service to the Royal Conservatory, is a collection of folktales from the heavily forested Ardennes region of Belgium and France. The presentation inscription reads: “La Direction, le Corps Professoral et lÂ’Administration du Conservatoire Royal de Musique de Liège à son directeur honoraire: Monsieur Sylvain Dupuis, 12 Juin 1926.” Text in French. Only one copy is recorded in OCLC. Fine condition.

      [Bookseller: Bauman Rare Books]
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        [Photo Album]: Young Woman in China 1926-1946, Three Volumes

      China. 1926-1946. Three volumes. Octavo measuring 6" x 8.5"; quarto measuring 8" x 10", oblong quarto measuring 8.5" x 11.5". Two of the volumes are string-tied cloth, one with an embroidered dragon illustration on the front board, the other is textured leather over paper boards. Contains 455 black and white or sepia toned gelatin silver photographs measuring between 1" x 1.5" and 6" x 8" with some captions. All volumes near fine with slight edgewear with near fine photographs.A photo album kept by Noelie Frances Gutierrez between 1926 and 1946 while living in China. The albums are a collection of family, school, and later military photos compiled by Noelie during her childhood and early adulthood. All the captions are written in English and it is assumed they were Americans stationed in China or that she moved to America after the war. The photos are not kept in complete chronological order but cover two decades of Noelie's life. A large part of her young life was involved with the Coy Guides, a Chinese version of the Girl Scouts. There are photos of the girls in uniform, picnicking, and camping. The girls are seen in group photos in uniform with the 4th Company of the Coy Guides. Noelie's father, who is seen throughout the albums, was a military man sometimes referred to as "Captain Daddy" by Noelie. There are photos of a military base, a few portrait photographs of Mr. Gutierrez, and one of a uniformed man in a bike taxi. The family photos show Noelie and her family around their family homes. One section of photos shows Noelie's first communion in 1936 with photos of her in her white dress and a procession with a statue of the Virgin Mary. In one album a trip to Shanghai is documented with photos of Noelie standing by the Embankment building and a group posing in a garden. The last few pages of one of the albums contains a collection of photostrip portraits of Noelie's family and friends with some signed and dedicated to her. One photo of a destroyed city street has a stamp on the verso saying it is property of "North China Daily News."The final album shows Noelie, with her family apparently still stationed in China, posed with a young soldier during World War II. The album focuses on war related imagery including barracks, an airstrip, ships in a harbor, and soldiers surrounding the 701st MP, Provost Marshals, HQ 5. A series of sweet portrait photos of Noelie and her soldier beau is featured here with the two of them looking cute and in love. The album shows photos of Noelie posing on a mini-golf course and with friends. Later in the album there are photos of a military medal ceremony with soldiers standing at attention and being presented with accolades. After these there is a section of photos showing a fire with images of men on ladders and with water hoses trying to abate the crisis. Men are seen posing around the barracks with military jeeps, enjoying leisurely activities such as playing games in the yard, and working on equipment. One photo shows a man working at a large desk in an office in the barracks. The men are photographed in candids as well as portraits and in group shots.An interesting collection of a young woman's life in China beginning in the 1920s and going through World War II. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Mathematical Investigations in the Theory of Value and Prices

      , 1926. 1926. Signed. FISHER, Irving. Mathematical Investigations in the Theory of Value and Prices. New Haven: Yale University Press, 1926. Octavo, original navy cloth. Housed in a custom clamshell box. $6000.Photo-engraved later printing of Irving Fisher

      [Bookseller: Bauman Rare Books ]
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        [Photo Album]: Young Woman in China 1926-1946, Three Volumes

      China. 1926-1946. Three volumes. Octavo measuring 6" x 8.5"; quarto measuring 8" x 10", oblong quarto measuring 8.5" x 11.5". Two of the volumes are string-tied cloth, one with an embroidered dragon illustration on the front board, the other is textured leather over paper boards. Contains 455 black and white or sepia toned gelatin silver photographs measuring between 1" x 1.5" and 6" x 8" with some captions. All volumes near fine with slight edgewear with near fine photographs.A photo album kept by Noelie Frances Gutierrez between 1926 and 1946 while living in China. The albums are a collection of family, school, and later military photos compiled by Noelie during her childhood and early adulthood. All the captions are written in English and it is assumed they were Americans stationed in China or that she moved to America after the war. The photos are not kept in complete chronological order but cover two decades of Noelie's life. A large part of her young life was involved with the Coy Guides, a Chinese version of the Girl Scouts. There are photos of the girls in uniform, picnicking, and camping. The girls are seen in group photos in uniform with the 4th Company of the Coy Guides. Noelie's father, who is seen throughout the albums, was a military man sometimes referred to as "Captain Daddy" by Noelie. There are photos of a military base, a few portrait photographs of Mr. Gutierrez, and one of a uniformed man in a bike taxi. The family photos show Noelie and her family around their family homes. One section of photos shows Noelie's first communion in 1936 with photos of her in her white dress and a procession with a statue of the Virgin Mary. In one album a trip to Shanghai is documented with photos of Noelie standing by the Embankment building and a group posing in a garden. The last few pages of one of the albums contains a collection of photostrip portraits of Noelie's family and friends with some signed and dedicated to her. One photo of a destroyed city street has a stamp on the verso saying it is property of "North China Daily News."The final album shows Noelie, with her family apparently still stationed in China, posed with a young soldier during World War II. The album focuses on war related imagery including barracks, an airstrip, ships in a harbor, and soldiers surrounding the 701st MP, Provost Marshals, HQ 5. A series of sweet portrait photos of Noelie and her soldier beau is featured here with the two of them looking cute and in love. The album shows photos of Noelie posing on a mini-golf course and with friends. Later in the album there are photos of a military medal ceremony with soldiers standing at attention and being presented with accolades. After these there is a section of photos showing a fire with images of men on ladders and with water hoses trying to abate the crisis. Men are seen posing around the barracks with military jeeps, enjoying leisurely activities such as playing games in the yard, and working on equipment. One photo shows a man working at a large desk in an office in the barracks. The men are photographed in candids as well as portraits and in group shots.An interesting collection of a young woman's life in China beginning in the 1920s and going through World War II. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        In Unknown Arabia

      

      [Bookseller: Maggs Bros. Ltd.]
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        Klebeetikett für: Bacon. Packers P. Van Berkel Ltd. Rotterdam ca. 1926. 18,9 x 14 cm. 1 Blatt gedruckt in Schwarz und Rot auf gelblichen Papier.

      1926. Originalausgabe. Dick Maan, Schuitema Seite 18. Der Rotterdamer Exporteur von Fleischwaren und Hersteller von Waagen und Schneidemaschinen P. van Berkel bot Schuitema über Jahre die Möglichkeit seine typographischen Fähigkeiten in den Dienst der Vermarktung der Firmenprodukte zu stellen. Ein schönes Beispiel dieser Tätigkeit liefert vorliegendes Klebeetikett für die 4 Kiloverpackung des in alle Welt verschickten Berkel Schinkens.

      [Bookseller: Antiquariat Günter Linke]
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        Noa Noa: Voyage à Tahiti.

      Paris: G. Crès et Cie., [1926]. Large quarto. Original raffia cloth, titles to spine and front cover red. With the lithographed dust jacket. With 36 full page facsimile reproductions of water colours, drawings, woodblock prints and photos, further illustrations in text, all by Gauguin. Bookseller's ticket to foot of rear pastedown. Light rubbing to foot of spine, an excellent uncommonly bright copy in the jacket with lightly toned spine, light nicks to extremities, 3 small closed tears to head of front panel, 1 to head of rear panel, another to head of spine. First French edition, number 80 of 100 copies, a facsimile of Gauguin's original manuscript journal, which, "represents an important project in book-making by this major artist". It is less common than the German edition, published in the same year with a total limitation of 400 copies. Only eight copies of the French edition have been traced at auction.

      [Bookseller: Peter Harrington]
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        242 Hefte 1926-1933. Die Weltbühne. Der Schaubühne xxx Jahr. Wochenschrift für Politik, Kunst, Wirtschaft. 1929 komplett, 1930 (42 Hefte von 53), 1931 (51 Hefte von 52), 1932 (48 Hefte von 52), 1933 (1-10, alles erschienene).

      - 242 Hefte 1926-1933. Die Weltbühne. Der Schaubühne xxx Jahr. Wochenschrift für Politik, Kunst, Wirtschaft. 1926: Herausgeber Siegfried Jacobsohn / 1927: Begründet von Siegfried Jacobsohn, Herausgeber Kurt Tucholsky / 1928: Begründet von Siegfried Jacobsohn, unter Mitarbeit von Kurt Tucholsky geleitet von Carl v. Ossietzky. Verlag der Weltbühne, Berlin. Konvolut von 242 Heften 1926-1933, je 8°, kartoniert, je ca. 40 Seiten. Lichtrandig, Rücken unten oft mit kleinen Läsuren, vereinzelt mit kleinen Läsuren, partiell falzig, oft mit Teilen der Poststempel auf Deckeln, im Ganzen schön erhalten, wenn nicht unten anders angegeben. Teil mit beiliegender Zahlkarte an den „Verlag der Weltbühne Siegfried Jacobsohn & Ci., Charlottenburg 2" ///// 1926 (ein Heft): Nr. 45 / 1927 (2 Hefte): 3 (mit Bleistiftskizzen der Zeit auf Deckel vorne), 13. / 1928 (26 Hefte): 2, 21, 23, 25, 26, 27, 29, 30, 32, 33, 35, 36, 37, 40, 41, 42, 43, 44, 45, 46, 47, 48, 49, 50, 51, 52. / 1929 (52 Hefte, komplett mit Nr. 11, 2 Hefte mit mont. Inhaltsangabenblatt auf Deckeln): 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20 (mit beiliegendem Werbeblatt „Das Problem des Genies und Erfolges" zu Emil-Ludwig-Büchern), 21, 22, 23, 24, 25, 26 (mit Werbeheft des S.Fischer-Verlages), 27, 28, 29, 30, 31, 32, 33, 34, 35, 36, 37, 38, 38, 40, 41, 42, 43, 44, 45, 46, 47, 48, 49 (mit Werbeheft des Schünemann Verlages, Bremen), 50, 5,1 52. / 1930 (42 Hefte von 53): 2, 3, 4 (ein Blatt lose), 5, 6, 7, 8, 9, 10, 11, 12, 13, 15, 16, 17, 18, 19, 22, 24, 28, 29, 30, 31, 32, 33, 34, 35, 36, 37 („25 Jahre Weltbühne", hier ca. 40 St. dick), 40, 42, 43, 44, 45, 46 (mit Werbedruck des Mail Verlages, einige Seiten aus „Walter Müller, Wenn wir 1918 ."), 47, 48, 49, 50, 51, 52, 53 (Deckel hinten fast lose). / 1931 (51 Hefte von 52, Heft 43 fehlt, sonst komplett): 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11 (mit Poststempel komplett auf Deckel vorne), 12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22, 23, 24, 25, 26, 27, 28, 29, 30, 31, 32, 33, 34, 35, 36, 37 (S. 401-412 fehlen), 38 (eine Lage lose), 39, 40, 41, 42, 44, 45, 46, 47, 48, 49, 50, 51, 52. / 1932 (48 Hefte von 52, fehlen 22, 23, 24, 36): 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20 (mit Beiblatt „Für Carl von Ossietzky" mit Unterschriftssammlung wg. Verurteilung des Autors und Verlegers zu 1 ½ Jahren Gefängnis), 21 (ebenso mit dem Beiblatt), 25, 26 (ebenso mit Beiblatt wie vor), 27, 28, 29, 30 (stark falzig), 31, 32 (mit Malik-Prospekt zu Ottwalt, Denn sie wissen was sie tun), 33, 34, 35, 37, 38, 39 (hint. Deckel lose), 40, 41, 42, 43, 44, 45, 46, 47, 48, 49, 50, 51, 52. / 1933: (10 Hefte, alles erschienene, 1-10 komplett): 1, 2, 3, 4, 5, 6, 7, 8, 9, 10 (7.3.1933, auf der letzten Seite (376) steht oben: „An unsere Leser: Nach den Ereignissen des 27. Februar wurde eine Reihe von Persönlichkeiten verhaftet, unter denen sich auch der Herausgeber unseres Blattes, Carl von Ossietzky, befindet. Redaktion und Verlag der ‚Weltbühne’ versichern den Lesern, daß sie und ihr Rechtsbeistand Kurt Rosenfeld alles tun werden, was im Rahmen des heute noch Möglichen liegt, um Carl von Ossietzky die Freiheit zurückzuverschaffen. Eine Reihe von Gründen, vor allem technischer Natur, machen es uns diesmal nicht möglich, wie üblich sofort zu dem Wahlergebnis Stellung zu nehmen. Welche Bedeutung ist diesen Wahlen beizumessen? Mit ihnen wird die erste Periode in der Geschichte der Deutschen Republik abgeschlossen . So schmerzlich die Konstatierung auch ist: Unsere Kritik, unsere Warnungen waren mehr als berechtigt. ."). 1948: Heft 15. [Attributes: Soft Cover]

      [Bookseller: Cassiodor Antiquariat]
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        Jazz.

      Paris: Jazz,, 1926-8. A Flippant Magazine [later "Le Magazine du Music Hall"] Quarto (309 × 239 mm) 23 issues bound in contemporary plum half cloth on marbled boards, marbled endpapers, original colour printed wraps bound in. Profusely illustrated throughout. Externally a little rubbed, internally very good. A remarkable survival from "les années folles," when in France jazz meant modernity, exoticism, américanisation, nudity, more or less anything but jazz. Largely comprising slightly risqué photographs of dancers and other performers at the music halls and dancings of Paris, interpersed with reviews of the shows, lightly erotic stories, and much enhanced by the ads for "Snappy Photos;" "All unpublished things you are looking for;" the Egyptian Palace - "English spoken. Recommended. New Interior. Modern Comfort. Madame Marie-Louise de Longwy. Society relationships and things out of the ordinary at her private house;" "High class lingerie;" "Intimate Attitudes." Includes a number of better-known figures from the era Joséphine Baker - and her imitators - and an article on 'Un Bal Chez Foujita' with pictures of the artist "en Mongol". Unusual and evocative.

      [Bookseller: Peter Harrington]
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        Jazz. A Flippant Magazine [later "Le Magazine du Music Hall"]

      Paris: Jazz, 1926-8 - Quarto (309 × 239 mm) 23 issues bound in contemporary plum half cloth on marbled boards, marbled endpapers, original colour printed wraps bound in. Externally a little rubbed, internally very good. Profusely illustrated throughout. A remarkable survival from "les années folles," when in France jazz meant modernity, exoticism, américanisation, nudity, more or less anything but jazz. Largely comprising slightly risqué photographs of dancers and other performers at the music halls and dancings of Paris, interpersed with reviews of the shows, lightly erotic stories, and much enhanced by the ads for "Snappy Photos;" "All unpublished things you are looking for;" the Egyptian Palace - "English spoken. Recommended. New Interior. Modern Comfort. Madame Marie-Louise de Longwy. Society relationships and things out of the ordinary at her private house;" "High class lingerie;" "Intimate Attitudes." Includes a number of better-known figures from the era Joséphine Baker - and her imitators - and an article on 'Un Bal Chez Foujita' with pictures of the artist "en Mongol". Unusual and evocative.

      [Bookseller: Peter Harrington. ABA member]
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        Mathematical Investigations in the Theory of Value and Prices

      1926. Signed. FISHER, Irving. Mathematical Investigations in the Theory of Value and Prices. New Haven: Yale University Press, 1926. Octavo, original navy cloth. Housed in a custom clamshell box. $6000.Photo-engraved later printing of Irving FisherÂ’s groundbreaking doctoral dissertation at Yale, presentation/association copy, with numerous diagrams for the design of a hydraulic mechanism demonstrating equilibrium prices in a multi-market economy, inscribed to a famous economist: “To Mr. O. Gressens with the compliments of Irving Fisher. February, 1927.”While a graduate student at Yale, Fisher “studied mathematics under Josiah Willard Gibbs and political economy with William Graham Sumner. When the time came for a doctoral dissertation, Sumner suggested he combine the two fields, and this was how Fisher came to write one of the earliest works of mathematical economics by an American. The dissertation was published in 1892 in the Transactions of the Connecticut Academy of Arts and Sciences and rapidly won him an international reputationÂ… FisherÂ’s economic research was marked above all by an ideal of quantification. Political economy, as the discipline had traditionally been known, underwent an important theoretical change in the 1870s and 1880s. The new neoclassical theory identified value with utility, or more precisely with the utility of the last increment of a product consumed. Because utility was defined ‘at the margin,Â’ this increment could be regarded mathematically as a derivative. That is, the new marginal utility theory permitted the calculus to enter economics as the fundamental basis of theory. This was why Sumner could recommend that Fisher join his study of political economy to that of mathematics. He relied for his dissertation mainly on books by the British economist William Stanley Jevons and by two Germans, Rudolf Auspitz and Richard Lieben” (ANB). Although Fisher was unaware of WalrasÂ’s Éléments dÉconomie politique pure (1874) prior to this thesis, he acknowledged the priority of that work on equations of general equilibrium in his preface, as well as the importance of EdgeworthÂ’s Mathematical Psychics on the subject of utility surfaces. It is generally agreed that “although only a student, Fisher had independently developed a theory of general economic equilibrium that was identical to part of WalrasÂ’s and included the concept of indifference surface, one of the fundamental bases of modern economic theory” (IESS V:477).In his dissertation, Fisher delineates the machine he constructed, a “hydraulic-mechanical analogue model of a general equilibrium system, replete with cisterns, valves, levers, balances and camps. Thus could he display physically how a shock to demand or supply in one of ten interrelated markets altered prices and quantities in all markets and changes the incomes and consumption bundles on the various consumers. The model is described in detail in the book; unfortunately both the original model and a second one constructed in 1925 have been lost to posterity” (The New Palgrave II). Fisher continued at Yale as a distinguished and popular professor until his retirement in 1935. His “impatience and opportunity” theory on interest was introduced in The Rate of Interest (1907), later revised and enlarged by him in The Theory of Interest (1930). Other major works include: The Purchasing Power of Money (1911), and the monumental The Making of Index Numbers (1922). Joseph Schumpeter “predicted in 1948 that Irving FisherÂ’s ‘name will stand in history principally as this countryÂ’s greatest scientific economist” (ANB). The first edition of this work was published in the Transactions of the Connecticut Academy of Arts and Sciences in 1892 and subsequently went out of print. This photo-engraved reprint edition was published in 1925 in respond to demand; this is the second printing of that edition. This presentation/association copy is inscribed to statistician/economist Otto Gressens. Gressens wrote “On the Measurement of Seasonal Variations” (Journal of the American Statistical Association, June 1926, pp. 203-10), as well as “The Validity of Correlation in Time Sequences and a New Coefficient of Similarity” (with E.D. Mouzon, Jr., ibid, Dec. 1927, pp. 483-92). The latter gave birth to a widely used concept known as the Gressen and Mouzons Coefficient.Only slightest rubbing and soiling to cloth. A most desirable inscribed presentation/association copy in near-fine condition.

      [Bookseller: Bauman Rare Books]
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        The grandeur of the gorges. Fifty photographic studies, with descriptive notes, of China's great waterway, the Yangtze Kiang, including twelve hand-coloured prints. From photographs by Donald Mennie

      Shanghai: A. S. Watson & Co. (The Shanghai Pharmacy, Ltd.), Kelly & Walsh, Ltd, 1926. First edition limited to 1000 numbered copies (this, no. 68), large 4to, pp. [16], plus 50 leaves with mounted photogravures (12 hand-colored) within printed borders, each with a corresponding caption on the verso of the previous leaf, [2]; title page printed in green and brown, text printed in brown with 50 vignette illustrations under the captions; original pictorial silk cloth; generally a fine, attractive copy.

      [Bookseller: Rulon-Miller Books]
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        Autograph letter signed

      1926. Signed. O'NEILL, Eugene. Autograph letter signed. Bermuda, April 30, [1926]. Two leaves, 8-1/2 by 11 inches, of O'Neill's letterhead, writing on rectos only. $5000.Lengthy autograph letter signed by Eugene O'Neill to his agent Richard Madden, discussing a London edition of his works and productions of his plays Marco Millions, Beyond the Horizon and Desire Under the Elms.The letter, to his agent Richard Madden, reads in full: ""April 30th. Dear Dick: Just a line. Yes, it is alright for Cape to go ahead on the new volume—except give him to know that I am sore because I never notice a damn line of notice or ad about my stuff in his publishers magazine. He ought to do better by me. How about 'Beyond' - London? I don't get it. I never saw or signed any contract for that production and they must have started before they got your warning about using cut version. I don't like that kind of work. Campbell is too swift. Belasco wrote me + sent copy of his letter to you. He is some faker, what? I have written him, told him he could have all time he wanted if he forfeited his advance and always could have had—thereby calling his bluff. You may inform him ditto. I have a line from [George Jean] Nathan. He says he hasn't heard from you. Better keep in touch with him on 'Marco'. He is strong for it and has good hunches. He says he will urge it on [Winthrop] Ames if I am submitting script to him. I am writing Nathan to go ahead and get in touch with Ames as Ames has script already. If he hasn't, will you see he gets one at once? Please, for Gawds sake, bring in some royalties! I have written Kenneth [Macgowan] a strong protest against what I feel is unfair treatment. It is all McKaig's fault. Why don't James and Green make good 'Desire' royalties out of that advance they got? They ought to. All best! Gene.""The letter opens with a reference to Jonathan Cape, O'Neill's English publisher, and to a possible London production of Beyond the Horizon, but proceeds swiftly to discuss theater impressario David Belasco, who had contracted to produce Marco's Millions on Broadway in 1925, promising to spend the (then astounding) sum of $200,000 on the production. Over time, O'Neill had become frustrated with Belasco's delays, and questioned Belasco's commitment to the play; after Belasco withdrew from the project (only a few days before this letter), O'Neill had trouble finding a suitable replacement, and it was not until January, 1928 that Marco's Millions premiered at New York's Guild Theatre. George Jean Nathan, co-editor and drama critic of the literary magazine The Smart Set, was one of O'Neill's fiercest advocates in the theater world; in addition to reading and commenting on drafts of work, he would actively advocate for the production of works he believed in. Producer Kenneth Macgowan ran the Provincetown Playhouse with O'Neill in the early 1920s, and remained a close friend of his throughout his life; Winthrop Ames was a prominent theater directors in the teens and 20s; and Alexander McKaig was the business manager of the Greenwich Village Theatre, which was the main venue for O'Neill dramas in New York in the 20s. One small smudge to the first page, not affecting readability. Near-fine condition.

      [Bookseller: Bauman Rare Books]
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        Der gute Schutzmann (Ein lehrreiches Bilderbuch zur Verhütung der Verkehrsgefahren) 1. Ausgabe

      München, Braun und Schneider, (1926). Relativ frühes Werk zur Verkehrserziehung in Reimform dargestellt

      [Bookseller: Antiquariat Eppler]
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        Outstanding photograph signed, of his portrait, inscribed in Italian and dated, (Benito, 1883-1945, 'Il Duce', Italian Dictator & Prime Minister, Founder of the Fascist Party)

      1926 - "To Edda, this picture of a posing and imposing knight!", showing him astride a magnificent horse, upright in the saddle and nearly full face, looking into the future with the gaze of a leader, high above an idealized backdrop of the remains of the Roman Forum and with a distant glimpse of St Peter's, 14¾" x 11¾", Rome, 1st September Mussolini has made up two joke words, "poziente" and "impoziente", half Italian and half French or English! (They are a bit like 'paziente' and 'impaziente', 'patient' and 'impatient'). Following the March on Rome in October 1922, Mussolini became Prime Minister, the youngest till 2014 in Italian history. Master of his public image, the message of the present portrait is clear. Since my coming to power, all obstacles (to replacing socialism by totalitarian fascism) have been overcome and will continue to be. (By the way, in April 1926 I brushed off an assassination attempt). Relations with the Roman Catholic Church (whose power I envy but recognise) will be settled (in fact by 1929, with the creation of the Vatican State and laws making the church the church of the country). Italians including fascists have often looked back to Ancient Rome – for example, in my equestrian portrait here – but greater things are to come.

      [Bookseller: Sophie Dupre ABA ILAB PADA]
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        Poeti allo specchio.

      Franco Campitelli 1926 - in 8 pp. 106 seconda serie

      [Bookseller: LIBET - Libreria del Riacquisto]
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        Die Artillerie beim Angriff im Stellungskrieg [signiert]

      1926. Halb-Leinen, 215 Seiten, 10 Blätter als Beilage. Lagerspuren, ExLibris auf Innendeckel, Besitzvermerk 1957 auf Titel, Block etwas gelockert, ansonsten gutes Exemplar. Auf Vorsatz vom "Verfasser" 1926 signiert (persönlicher Widmung), außerdem beiliegend 2 Briefe des Autors bei (1926 und 1931).

      [Bookseller: Antiquariat Ralf Bader]
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        Le rappel à l'ordre

      - Stock, Paris 1926, 12x19cm, broché sous chemise et étui. - Edition collective en partie originale, fausse mention de deuxième édition. Précieux envoi autographe signé de Jean Cocteau à Pierre Benoit : "... son admirateur qui voudrait être son ami..." Dos légèrement éclairci comme généralement comportant deux petits manques en tête et en pied   - [FRENCH VERSION FOLLOWS] Edition collective en partie originale, fausse mention de deuxième édition. Précieux envoi autographe signé de Jean Cocteau à Pierre Benoit : "... son admirateur qui voudrait être son ami..." Notre exemplaire est présenté sous une chemise et un étui en plein cartonnage recouvert de tissu noir à effets moirés, pièce de titre de maroquin noir sur le dos de la chemise; élégant ensemble signé de P. Goy & C. Vilaine. Dos légèrement éclairci comme généralement comportant deux petits manques en tête et en pied.  

      [Bookseller: Librairie Le Feu Follet]
 26.   Check availability:     maremagnum.com     Link/Print  


        End of Laissez-Faire

      1926. First Edition . KEYNES, John Maynard. The End of Laissez-Faire. London: Leonard & Virginia Woolf at the Hogarth Press, 1926. Small octavo, original half gray cloth, paper spine label, original dust jacket. $1800.First edition of this timely economic and philosophical discussion by the most important economist of the 20th century, in scarce original dust jacket.Stemming largely from Keynes' arguments in the Tract on Monetary Reform (1923), The End of Laissez-Faire is an examination of the role and responsibility of governments in ameliorating the economic hardships of their citizens, namely the problem of unemployment. Keynes draws on writings of Locke, Rousseau, Paley, Bentham, Adam Smith, Malthus, Ricardo and others to call for a re-appraisal of government policy in favor of a broader, more active role in providing economic assistance. The question of the harmful effects of laissez-faire policies became central to Keynes in his later work, when he helped to establish the economic framework within which public policy was to be considered. Book with a bit of discoloration to boards; scarce dust jacket bright and fine.

      [Bookseller: Bauman Rare Books]
 27.   Check availability:     Biblio     Link/Print  


        The Mad King

      Chicago 1926 - First edition, first state with textual errors on p.12 and p.92. Blue cloth, stamped orange. 365pp. No Jacket present. Frontispiece illustration by J. Allen St. John. [Attributes: First Edition; Hard Cover]

      [Bookseller: Heartwood Rare Books]
 28.   Check availability:     AbeBooks     Link/Print  


        The Casuarina Tree six Stories

      

      [Bookseller: Maggs Bros. Ltd.]
 29.   Check availability:     Direct From Seller     Link/Print  


        Verhandlungen der Gesellschaft f

      Halbleinen 10 B

      [Bookseller: Versand-Antiquariat Konrad von Agris]
 30.   Check availability:     booklooker.de     Link/Print  


        CATALOGUE DE D

      1926 - Plus de 450 d

      [Bookseller: Librairie Camille Sourget]
 31.   Check availability:     AbeBooks     Link/Print  


        Fine Autograph Letter Signed signed 'Albert' as Duke of York, to his Steward Mr Seaton (1895-1952, King of Great Britain)

      1926 - regretting that "When I left Bruton Street the other night I completely forgot to say good-bye to you. You were asking me about rugs . & I got into the car without saying anything. I am sorry about that, as I don't want you to think I did it intentionally. I am very sorry you're going & I hope you will get the job you want. You must come and see us some time when you are settled ." and ending by thanking him "for all you have done for me since my marriage .", 2 sides 8vo., Glamis Castle headed paper, 12th August slightly soiled From the collection of Percy George SEATON (1894-1971), steward to the Duke of York and Household Steward to the Duke and Duchess, (1923-1926). He attended the wedding at Westminster Abbey and was responsible for running their household and the receptions that the young couple held. During WWI Mr Seaton had served in France with the Royal Horse Guards and in 1919 took up special duties with Prince Henry and Prince George. He left the Duke and Duchess owing to a serious operation (performed by George V's surgeon) to go into the hotel business, then in WWII joined the RAF. He was assigned to furnishing and catering aboard the Avro 'York' Transport adapted to carry VIPs, in particular the King and Mr Churchill. When George VI flew to North Africa in 1944 he was delighted to re-introduce Mr Seaton to the Queen and Princess Elizabeth on the runway.

      [Bookseller: Sophie Dupre ABA ILAB PADA]
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        Les Caractères de Théophraste. Traduit du grec, avec Les Caractères ou Les Moeurs de ce Siècle.

      1926. KIEFFER René. 1926. In-4.Carré. Broché. Etat passable. 1er plat abîmé. Dos satisfaisant. Non coupé. 333 pages + une suite d'environ 50 / 60 planches. Exemplaire n°18 / 50, tiré sur papier Japon, contenant une suite à part des gravures tirées en sanguines, une aquarelle originale et 5 dessins originaux de Georges Bruyer. Nombreuses vignettes, dans le texte, illustrées en une couleurs. Couverture contre-pliée. Déchirure d'une quinzaine de cm sur le 1er plat de couverture. Charnières partiellement fendues. INTROUVABLE

      [Bookseller: Le-Livre.Com]
 33.   Check availability:     maremagnum.com     Link/Print  


        Das Schloss [ The Castle ]

      Kurt Wolff, Munich 1926 - KAFKA'S CASTLE. IN THE VERY RARE DUST-JACKET. Octavo. (191

      [Bookseller: Nicholas Marlowe Rare Books]
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        Winnie The Pooh - First Edition

      London: Methuen & Co. Ltd., 1926, 1926. FIRST EDITION. 1 volume, illustrated by E. H. Shephard. Bound in the publisher's original gilt stamped green cloth, top edge gilt, pictorial pastedowns and endpapers, inner and outer hinges fine, the faintest of rubbing to head and foot of spine and back corners, no bookplate or previous ownership markings of any kind, overall a NEAR FINE clean and bright copy. An increasingly difficult book to find in really nice condition.

      [Bookseller: D&D Galleries - ABAA]
 35.   Check availability:     Biblio     Link/Print  


        Winnie The Pooh - True first edition SIGNED by the Author

      A first edition, first printing published by Methuen in 1926. A near fine book with a hint of spotting to the edges. Gilt top edge still present. SIGNED without dedication to the title page. In a very good first issue dust wrapper which has small imperceptible stain to the front panel and a little light wear to the spine tips and corners. None of the usual heavy browning to the spine as is often encountered.Very scarce to find this first edition signed.

      [Bookseller: John Atkinson Books]
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        Le bois du templier pendu

      First edition, one of the numbered on over 290 pure, ours one of 20 hors commerce and specially printed for Alin Laubreaux. Beautiful handwritten dedication signed almost full page, the author Alin Laubreaux "... you born this book, you helped to live, you almost as much as his father belongs But. his father loves you like a son and that's my little Alin tenderly with a grumpy you greenhouse on his heart ... "Light bites are not serious on the last guard and some witnesses, nice copy with all margins. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! Les éditions de France Paris 1926 13,5x21cm broché

      [Bookseller: Librairie Le Feu Follet]
 37.   Check availability:     Direct From Seller     Link/Print  


        Winnie-the-Pooh.

      London: Methuen & Co. Ltd,, 1926. With Decorations by Ernest H. Shepard. Octavo. Original green cloth, titles to spine gilt, gilt rules, vignette to front board gilt, top edge gilt, yellow map endpapers. With the dust jacket. Illustrated throughout by Ernest H. Shepard. Mild partial toning to endpapers, neat contemporary inscription in ink to front blank, spine tips gently bumped. Overall a bright and sharp copy in the jacket slightly nicked at the head and lightly rubbed along the spine panel and top front panel. An excellent copy. First edition, first impression. After the huge success of When We Were Very Young, first published on 6 November 1924, Milne was asked to contribute a story to the London Evening News. "The Wrong Sort of Bees", published on Christmas Eve 1925, was based on a bedtime story that Milne had told his son Christopher. It starred Christopher's stuffed bear, who had made his first public appearance in the poem "Teddy Bear", published in Punch in 1924 and later in When We Were Very Young. The original toy was a top-of-the-range Alpha Farnell bought at Harrods for Christopher Milne's first birthday, known initially as Edward or Edward Bear, then later rechristened Winnie-the-Pooh (after a favourite bear cub at London zoo). Winnie-the-Pooh was an immediate success and garnered even more enthusiastic reviews than its predecessor, with one critic writing that "When the real Christopher Robin is a little old man, children will find him waiting for them. It is the child's book of the season that seems certain to stay" (Thwaite p. 317). The book was first published in London on 14 October 1926 in an edition of 30,000 regular trade copies.

      [Bookseller: Peter Harrington]
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        The British Gazette

      His Majesty's Stationary Office, May 5 - May 13, 1926.. 8 issues. A complete set of the British Gazette newspaper. All in very good condition, folded, with some toning as expected with newsprint. Overall an exceptionally good set, housed in a leather-spined clamshell box with gilt titles to spine. During the the General Strike of 1926 Churchill edited this paper, which was initiated to combat the closing-down of the newspaper offices. It was published from the Daily Telegraph building in Fleet Street, where it was also printed by a volunteer staff. The British Gazette ran for eight issues between 5 May and 13 May excluding Sunday 9 May. Its circulation figures are: 232,000; 507,000; 655,000; 836,000; 1,801,400; and 2,209,000. The sales for the last issue were well in excess of the 2,000,000 mark. It is currently thought that most of the paper was written by Churchill himself. In the final issue, the article 'The Birth and Life of the British Gazette' closes with the most Churchillian turn of phrase: 'It becomes a memory; but it remains a monument'.

      [Bookseller: Adrian Harrington Rare Books]
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        Arusu Shashin Nenkan The ARS Annual for Photographers 1926

      

      [Bookseller: Maggs Bros. Ltd.]
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        Marazan.

      London: Cassell and Company, 1926.. FIRST EDITION. Crown Octavo, pp.319; [1]. In publisher's cyan cloth with black titles stamped to spine and upper board. Heavily abraded black ink ownership inscription to front free endpaper, below a more recent black ink ownership. Very slight reading lean; a little external wear. Very good indeed. Shute's first published novel, in which a commercial pilot helps crack a drug smuggling ring.

      [Bookseller: Adrian Harrington Rare Books]
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        The Land of Mist.

      London; Hutchinson. [1926]. First Edition. 8vo. Publisher's dark green cloth titled and decorated in light green, light edgewear, slight scuffing. Very good indeed. In a very good, bright and attractive dustwrapper, laid on to grey card at some point to forestall further deterioration and unfortunately lacking a significant corner of the upper rear panel. An attractive copy in the very scarce dustwrapper, albeit an example that has seen some handling and has some edgewear. Old paper label affixed to tail of spine panel. Internally clean, ownership to front pastedown, ownership stamp to title page and an admonition against dog-earing ink stamped to the bottom of the contents page. An attractive survival.

      [Bookseller: Adrian Harrington]
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        Céleste Ugolin

      - Simon Kra, Paris 1926, 13x18cm, relié. - Prima edizione, una delle copie della stampa. Associazione a bradel metà marina Marocco, colonna vertebrale liscio, data la coda, piatti carta marmorizzata, coperture e della colonna vertebrale conservato con colpi marginali, top bordo dorato, vincolante siglato T. Boichot. Precious dedica autografa firmata dall'autore Aldous Huxley. Frontespizio, un ritratto dell'autore. - [FRENCH VERSION FOLLOWS] Edition originale, un des exemplaires du service de presse. Reliure à la bradel en demi maroquin marine, dos lisse, date en queue, plats de papier marbré, couvertures et dos conservés comportant des piqûres marginales, tête dorée, reliure signée de T. Boichot. Précieux envoi autographe signé de Georges Ribemont-Dessaignes à Aldous Huxley. En frontispice, un portrait de l'auteur.

      [Bookseller: Librairie Le Feu Follet]
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        Odyssee

      M

      [Bookseller: Antiquariat Appel - Wessling]
 44.   Check availability:     ZVAB     Link/Print  

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