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Displayed below are some selected recent viaLibri matches for books published in 1925

        Ralph 124C 41+: A Romance of the Year 2660 ---by Hugo Gernsback -a Signed Copy ( 124C41+ )

      Boston, Massachussetts: Boston, MA: The Stratford Company, 1925, 1st Edition, First Printing , 1925. -----------hardcover, a solid Very Good to Very Good+ example with a wee bit of rubbing and age darkening to the edges of the boards and spine tips, the binding is completely square and tight, a bit of rubbing to the blue cloth ---this copy has been signed "Sincerely yours Hugo gernsback", quite scarce in the 1st edition but really quite rare to be found signed --- in a Fine FACSIMILE dust jacket with that super Paul cover art of a sort of television or video phone, as well all 11 plates by Paul are present, this copy is Priority A as per Currey with the publishers name on the spine measuring 1 1/2 cm vs priority B which measures 2 cm, no priority established, blue cloth with just a bit of wear, Gernsback's book is considered the true beginning of 20th century science fiction, Gernsback believed in the perpetual advancememt of mankind towards greater and greater inventions and conveniences, ---as mentioned in Bleiler ----"The literary treatment is on a very low level, but RALPH 124C 41+ is renowned for its many highly imaginative technological projections. These include clear descriptions of radar, book & newspaper microfilms & microfiches, television, plant hormones, wireless transmission of power." ---.many things which today we take for granted, .--- true expression of his personal philosophy of man's triumph over all around him the book is largely unreadable today but remains a cornerstone of any serious science fiction collection, Gernsback originally serialized RALPH in his MODERN ELECTRICS magazine, shortly after the appearance of RALPH in book form Gernsback began AMAZING STORIES ---arguably one of the most successful pulp magazines ever, --- today we remember Gernsback with the annual HUGO AWARDS which are named after him, ---this copy has an ink name on the front blank endpaper, name is P M Millman who is likely the Canadian astronomer Peter Mackenzie Millman, I suspect that this copy was his during his younger days before he went on to be a world renowned astonomer, not 100% certain but it is likely that a future astronomer had a keen interest in early science fiction, any image directly beside this listing is the actual book and not a generic photo. Signed. First Edition. Hard Cover. Very Good (see description)/Fine ( FACSIMILE ). Illus. by Frank R Paul.

      [Bookseller: Leonard Shoup ]
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        Stockholm.

      Orig.-Zeichnung. 20, 7 x 13, 3 cm. vgl. Thieme-B. XIX, 582f. Antiquitäten-Rundschau 23. Jg. 1925, Nr. 24 Schüttler, Wien 1944 - Zeichnung für eine Menukarte f. d. Hapag-Lloyd. Vom Künstler eh. signiert u. bezichnet.

      [Bookseller: Antiquariat Burgverlag]
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        Einblattholzschnitte des XV. und XVI. Jahrhunderts von den Originalstocken Gedruckt

      1925. Unpag. (8 pp.) booklet with title, introductory text, and descriptions, accompanying 11 woodcuts printed from original old woodblocks in the Berlin Kupferstichkabinett, the Germanische Museum in Nuremberg, and the Maihingen Collection, mounted on 9 leaves with passepartouts. Folio. Boards portfolio, front cover damaged. Munich (Munchner Drucke) 1925. One of only 110 copies.

      [Bookseller: F.A. Bernett Books ]
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        Steckelhörnfleet: Alt-Hamburg. Radierung mit Blick in den Steckelhörnfleet und auf die Nikolaikirche.

      Von Kasimir am rechten Bildunterrand handsigniert, in der Platte mit *Alt-Hamburg* bezeichnet. Rückwärtig mit *Steckelhörnfleet* bezeichnet. Undatiert - ca. um 1925 entstanden. Bildgröße: 44,5 x 31 cm ( Höhe x Breite ) / alt unter Glas und Passepartout gerahmt ( Rahmenmaß: 68 x 53 cm ). Das Passepartout gering fleckig, sonst guter Zustand. ( Bitte beachten: Hier aufgrund der Größe und weil unter Glas gerahmt kein Versand - hier bitte nur Selbstabholung ) ( Pic erhältlich // webimage available )

      [Bookseller: Antiquariat Friederichsen]
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        Douze robes pour décembre 1925 (Croquis, La Gazette du Bon ton, 1925 n°9)

      Set of eight original prints in color, drawn on laid paper. The boards are introduced by a text signed LRF Sketches L, LII, LIII, LV, are signed David, respectively on the lower right and left boards.Original prints made ​​for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is illustrated including 573 color plates and 148 sketches depicting models of fashion designers. Upon publication, these luxury publications "are for bibliophiles and worldly aesthetes" (Françoise Tétart-Vittu "good Gazette of tone" in the fashion dictionary, 2016). Printed on fine laid paper, they use a typeface created specifically for the magazine by Georges Peignot, the Cochin character, taken in 1946 by Christian Dior. The prints are made with the technique of metal stencil, enhanced color and some outlined in gold or palladium.The adventure began in 1912 when Lucien Vogel, man of the world and fashion - it has already participated in Femina magazine - decided to found with his wife Cosette de Brunhoff (John's sister, the father of Babar) Gazette good tone in which the subtitle is then "Art, fashions and frivolities." Georges Charensol quotes the editor: "In 1910, he observed, there was no truly artistic fashion magazine and representative of the spirit of his time. So I thought of making a glossy magazine with truly modern artists [...] I was certain of success because for any fashion country can compete with France. "(" A great art editor. Lucien Vogel "in literary News, No. 133, May 1925). The success of the magazine is immediate, not only in France but also the US and South America.Originally, Vogel therefore brings together a group of seven artists: André-Édouard Marty and Pierre Brissaud, followed by Georges Lepape and Dammicourt; and finally his friends from the School of Fine Arts as are George Barbier, Bernard Boutet de Monvel or Charles Martin. Other talents come quickly reach the equipped Guy Arnoux, Léon Bakst, Benito, Boutet de Monvel, Umberto Brunelleschi, Chas Laborde, Jean-Gabriel Domergue, Raoul Dufy, Edward Halouze Alexander Iacovleff, Jean Emile Laboureur Charles Loupot, Charles Martin, Maggie Salcedo. These artists, mostly unknown when Lucien Vogel appealed to them, will eventually become iconic figures and artistic sought. These are the same illustrators who make the drawings advertisements Gazette.The boards highlight the dresses and sublime seven artists of the time: Lanvin, Doeuillet, Paquin, Poiret, Worth, Vionnet and Doucet. The designers provide for each number of exclusive models. Nevertheless, some of Illustrations contained no real model, but only the idea that the illustrator is done in the fashion of the day.Gazette fashionable is a milestone in the history of fashion. Combining the aesthetic requirement and plastic unit, it brings together for the first time the great talents of the world of arts, literature and fashion and imposed by this alchemy, a new image of women, slender, independent and bold, also driven by the new generation of designers Coco Chanel, Jean Patou, Rochas Marcel ...Recovery in 1920 by Condé Montrose Nast, Gazette fashionable modeled for the new composition and the aesthetic choices of the "little dying newspaper" that Nast had bought a few years ago: the Vogue magazine. Lucien Vogel éditeur Paris 1925 18x24cm relié

      [Bookseller: Librairie Le Feu Follet]
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        Fünf Episoden. Mit |zehn Originallithographien| von |Josèphe Verheyen|.

      Wien, Eros-Presse, 1925. - Gr.- Folio 47x31 cm. 20 S., 1 Bl. und 10 Tafeln mit Lithographien in Rotdruck. Orig.-Pappband mit Buntpapier bezogen, mit Front- und RTitel und Titelvignette. Die zarten, eindeutig erotischen Lithographien von Verheyen sind von besonderer Delikatesse: die männlichen Körper wirken immer auch sehr feminin und die Grenzen zwischen den Geschlechtern verschwimmen. Der Text folgt der Übersetzung von Heinrich Conrad. Dieses Werk entstand als erster Druck der Eros-Presse. Im Impressum wird eine Gesamtauflage von 1000 genannt; diese Angabe ist handschriftl. auf 300 korrigiert und erscheint realistisch. Denn ein weiteres Werk der Eros-Presse (Petronius Arbiter, Satyrikon), in gleicher aufwendiger Gestaltung und vom selben Künstler anonym illustriert, erschien auch nur in einer Auflage von 360 Exemplaren. Zudem spricht die Seltenheit des Werks für eine kleine Auflage. Vorliegend ist ein handschriftl. numeriertes Exemplar der Ausgabe C mit Druck auf handgeschöpftem Bütten, in handgefertigtem Wachspapier auf Pergamentstreifen geheftet. Der empfindliche Einband etwas berieben und Kanten beschabt. Vereinzelt kleinste Braunflecken und leicht fingerfleckig. Schönes Exemplar. Hayn-Got. IX, 102. Childs 211 ("With ten licentious cubistic illus. in color. The five episodes are: Bettina, Nannette and Marton, Juliette, Lucretia and Angelica, and the Greek slave girl"). --------------------------[Verheyen]. Casanova. Fünf Episoden. Mit zehn Originallithographien von Josèphe Verheyen. [Cinq épisodes. Avec 10 lithographies orginales de J. V.] Vienne, Eros-Presse, 1925. In-folio 47x31 cm. 20 pp., 1 f. et 10 planches avec lithographies imprimées en rouge. Carton d'éditeur, recouvert avec papier mabré, titre sur premier plat et dos, vignette de titre. Les lithographies délicates et libres sont d'un goût particulier : les corps des hommes donnent l'impression d'être feminin et la dsitance entre les sexes est voilée. Le texte suit une traduction de Heinrich Conrad. Cet oeuvre était la première impression d'Eros-Presse. Le colophon indique un tirage de 1000 exemplaires ; notre exemplaire porte une correction manuscrite à 300 exemplaires qui semble crédible. Car une autre impression d'Eros-Presse (c'est Petronius Arbiter, Satyrikon), qui fut imprimée dans le même style et illustrée par le même artiste anonyme, parue qu'à 360 exemplaires. La rareté d'oeuvre plaide également en faveur d'un tirage moins grand. Notre exemplaire fait parti de l'impression C, imprimé sur papier à la cuve, numéroté à la main. Dans une chemise en papier ciré, broché sur une bande de parchemin. La reliure sensible avec frottements, bords épidermés. Par endroits, quelques taches brûnes minimes, taches de doigts légères. Bel exemplaire. Hayn-Got. IX, 102.---------------------|English description available on request|. [Attributes: Soft Cover]

      [Bookseller: Antiquariat Ars Amandi]
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        KNAVE OF HEARTS

      PARRISH, MAXFIELD. (PARRISH,MAXFIELD)illus. KNAVE OF HEARTS by Louise Saunders. NY: Scribner 1925 (1925) folio, black cloth, pictorial paste-on, some rubbing to cover plate and cloth, VG+ in fine custom facsimile box. First edition of Parrish's masterwork. Illustrated with glorious pictorial endpapers plus really magnificent full page color illustrations (printed on rectos only) and numerous rich color illustrations in-text, all printed on thick, heavy coated paper. LAID IN IS A HANDWRITTEN LETTER FROM PARRISH TO HIS EDITOR, J.H. CHAPIN DISCUSSING HIS PROGRESS ON THE KNAVE. Written on both sides of a 3 1/2 x 5" card, dated January 26, 1922, Parrish writes to Chapin about his progress with the Knave, specifically his work on the double-page pictorial endpapers. "I have your note of the 23rd. The cover and one of the illustrations, very similar to the cover, are finished, and I am at work upon the cover lining. This one, as you know is to be a very grand affair and will take as much time almost as a big mural decoration, but its going to be very fine & elegant. By May I ought to have in your hands enough to make a respectable dummy. I disike in any way to exaggerate, but we seem to be undergoing a cold snap. 32 degrees below zero at this moment: 28 yesterday and 36 the day before. Our road has vanished in hard snow drifts and its a life of snowshoes now, as far as mail and provisions are concerned. Photographs come from my youngsters in Florida, out rowing in their shirt sleeves and lying around on the sand in bathing suits. Methinks we live in a big country. Sincerely: Maxfield Parrish". Its always a bonus when the content of a letter adds meaning to the development of a book.

      [Bookseller: Aleph-Bet Books, Inc.]
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        Knave of Hearts

      Scribners, New York 1925 - Folio. 47 pp. Illustrations by Maxfield Parrish. Cloth binding, pictorial on-lay, very good copy. (91745). [Attributes: First Edition; Hard Cover]

      [Bookseller: Bauer Rare Books]
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        SHIKEI SENKOKU

      , 1925. 1925. Paperback. Good. [MAVO] HAGIWARA Kyojiro. SHIKEI SENKOKU. Tokyo, 1925. Prelims, 11pp, 6pp., 161pp., 5pp., finals. Profusely illustrated throughout in linocuts by Okada Tatsuo, Toda Tatsuo, and Yabashi Kimimaro. Wrappers designed by Okada. With the Okada-designed slipcase and very scarce as such. Perhaps the most important Mavo-inspired volume. Here in the second issue with the addition of color to the covers and a few of the plates. A cornerstone of any MAVO collection. The spine is darkened, the covers and slipcase are a bit rubbed. But all and all, a good copy of this fragile work. For more on its importance, see Weisenfeld's book, MAVO, JAPANESE ARTISTS AND THE AVANT GARDE, pp. 97-101.

      [Bookseller: Boston Book Company ]
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        Fermina Marquez

      - Emile-Paul frères, Paris 1925, 19,5x24,5cm, broché. - Edizione illustrata con 14 incisioni originali di Chas-Laborde e ornamenti e le iniziali, una delle 300 copie numerate su asta Rives, la nostra non giustificato, un pareggio con il 14 e il Giappone 50 Olanda. La nostra copia è eccezionalmente arricchita con un doppio stato in nero di 14 incisioni. Un leggero testa intoppo indietro, morde su piccoli piatti, altrimenti bella copia. - [FRENCH VERSION FOLLOWS] Edition illustrée de 14 eaux-fortes originales de Chas-Laborde ainsi que d'ornements et de lettrines, un des 300 exemplaires numérotés sur vergé de Rives, le nôtre non justifié, seul tirage avec 14 Japon et 50 Hollande. Notre exemplaire est exceptionnellement enrichi d'un double état en noir des 14 eaux-fortes. Un léger accroc en tête du dos, petites piqûres sur les plats, sinon agréable exemplaire.

      [Bookseller: Librairie Le Feu Follet]
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        Kristin Lavrandsdatter. 1-3. Med træsnit av Albert Jærn.

      Oslo 1925. 8vo. 503 + 352 + 530 s. Originale røde helskinnbind med permbordyre og ryggdekor i gull. Indre denteller. Topp gullsnitt. Ubeskåret. Bibliofilutgave. Trykket i 200 nummererte salgseksemplarer. Dette er nr. 97. Den originale bibliofilutaven av dette verket. Schiötz og Ringstrøm A utgave.

      [Bookseller: Adamstuen Antikvariat]
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        Contes. Traduction de E. Vivier-Kousnetzoff. Illustrations en couleurs de Pierre Rousseau

      [6]-99-[2] pp Paris, René Kieffer, (1925), in-8, [6]-99-[2] pp, demi-maroquin rouge à coins de l'époque, dos à faux nerfs et orné de motifs mosaïqués d'inspiration russe, tête dorée, couverture et dos conservés [Zendel], Nombreuses illustrations, dans le texte et à pleine page, coloriées au pochoir. Tirage limité à 500 exemplaires numérotés, celui-ci un des 450 sur vélin de cuve. Contient les contes du Tzar Saltane, du Pope et de son serviteur Balda, de la Princesse morte et de sept chevaliers, du Pêcheur et du petit poisson, et du Coq d'or Agréable reliure de Joseph Zendel. Dos insolé et légers frottements aux charnières. Monod, n° 9254.

      [Bookseller: Librairie Alain Brieux]
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        Mon vieil Annam. Ses bêtes, contes et récits de chasse

      XIV, 254 pages et 10 planches Paris, Société d'éditions géographiques, maritimes et coloniales, 1925, in-8, XIV, 254 pages et 10 planches, exemplaire broché, couverture imprimée en noir et rouge, Edition originale, qu'on rencontre peu, de cet ouvrage qui fut réédité en 1927 et 1930. Pierre Sauvaire, "apôtre convaincu de l'expansion coloniale" (préface du Général Berdoulat) entreprit de nombreux voyages en Indochine à partir des années 1890 dont il donna plusieurs relations (En Indo-Chine (1894-1895), Au Pays Moï, etc.). Il propose avec le présent ouvrage une introduction, en tant que chasseur, à la faune indochinoise : "Mon Vieil Annam est une succession de tableaux vigoureusement brossés où, dans leur habitat familier, l'on voit vivre et mourir les divers animaux qui peuplent la jungle annamite" (le Mundjack doré, le boeuf gaur, l'éléphant, le tigre, le buffle, le Banting, le con-héou, l'ours, le gibbon, le paon, etc.). 10 planches montrent des scènes de vie rencontrées au hasard des pérégrinations des chasseurs français. Très bon exemplaire

      [Bookseller: Librairie Alain Brieux]
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        Lugano Grand Palace Hotel

      1925 ca. Due piccoli strappi al margine destro perfettamente restaurati. mm 700x1000

      [Bookseller: Libreria Trippini Sergio]
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        L'idée de bien chez Tolstoï et Nietzsche

      First edition of the French translation by Georges Bataille and T. Beresovski-Chestov printed on Alfa paper and why it was not drawn large paper, review copy.Rare autograph signed Leon Shestov in fraçais, Gabriel Alphand.Back insolated and with a lack and a foot tear, keeps it appears the autograph fully shaded. Editions du siècle Paris 1925 12x19cm broché

      [Bookseller: Librairie Le Feu Follet]
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        The Painted Veil

      New York: George H. Doran Company, 1925. First Edition. Hardcover. Very Good. Signed. Large paper edition. Copy #28 of a limited 250 copies, signed by W. Somerset Maugham on the limitation page. Very Good with chipping to title label on spine. Toning to spine, board edges and pages. Edge tear to page 25. Previous owner bookplate to front paste down; bookseller ticket and author photo tipped in at rear paste down. A very nice copy.

      [Bookseller: Burnside Rare Books]
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        L'Ange Heurtebise poème avec une photographie de l'ange par Man Ray.

      Libraire Stock 1925 - Paris, Libraire Stock, 1923. Grand in-4 en feuilles sous couverture remplié, 5 ff. non chiffrés (1 blanc, faux-titre, titre, frontispice, 1 blanc), feuillets chiffrés 1-15, 2 feuillets non chiffrés. 1 planche hors texte : rayogramme par Man Ray tiré en héliogravure par Dujardin à Paris. Édition originale imprimée à 350 exemplaires, 1 des 250 numérotés sur vélin d'Arches. Complet. Couverture un peu défraichie : Partiellement et légèrement brunie, quelques petites rousseurs, petites déchirures sans manque sur le dos. Quelques rousseurs, essentiellement sur les tranches et débordant parfois dans les marges. [Attributes: First Edition; Soft Cover]

      [Bookseller: Rometti Vincent]
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        Sonderdruck Sigmund Freud [offprint from L. R. Grotes' "Die Medizin Der Gegenwart in Selbstdarstellungen")

      Leipzig: Felix Meiner, 1925 First edition off-print of Sigmund Freud's autobiography, inscribed on the top cover, "Seimen lieben / O. Pfister / Freud / 12.2.25." The book is further inscribed by Pfister on the blank recto of the frontispiece, " Seimen lieben Freunde / Prof. R. Brandt / In herzlicher Gesinnung / Zurich 24.4.55." Sigmund Freud (1856-1939) was an Austrian neurologist and the founder of psychoanalysis. Oskar Pfister (1873-1956) was a Swiss Lutheran minister and lay psychoanalyst born in Zurich, Switzerland. He is perhaps best known for applying psychoanalysis to the science of education, as well as a belief system combining psychoanalytic psychology and theology. In Zurich, he was in close intellectual proximity to Eugen Bleuler and Carl Jung. The friendship between Freud and Pfister is well documented, lasting over 30 years and only ending upon Freud's death. Less is known about Professor Brandt, though he is believed to have completed his Ph.D. in Clinical Psychology at the University of Ottawa, Canada and to have written several articles pertaining to Sigmund Freud as well as the psychoanalytic concept of transference. (We are interested to learn more of Dr. Brandt should anyone have additional information). This offprint is bound in teal paper wrap covers. There are a few penciled marks in the margins, as well as some notations believed to be in German in the blank spaces of the last page. There are some handling creases scattered throughout. Overall, this offprint remains tight, and it is otherwise clean and intact. The offprint is housed in a custom felt-lined clamshell case with leather spine and spine labels, raised spine bands, and gilt lettering. The offprint cover is nicely copied onto a green cloth affixed to the top of the case. This cloth piece shows light rubbing, not affecting any letter. Case is otherwise Fine. . Association copy, inscribed by the Author. First Edition. Soft Cover. Very Good/No Dust Jacket.

      [Bookseller: Lloyd Zimmer, Books and Maps]
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        Mesicník pro stavební umení (= Der Bau. Monatsschrift für Baukunst). III. Jahrg., Heft 1 - 12 (Juli 1924 - Juni 1925).

      Originalausgabe. - Kompletter Jahrgang der bedeutenden Zeitschrift des tschechischen Konstruktivismus mit vorgeb. Jahresinhaltsverzeichnis. - Die Reihe befasst sich mit den europäischen Strömungen funktioneller Architektur und Gestaltung, so ist Heft II der ?De Stijl?-Gruppe gewidmet. Teige konnte zahlreiche bedeutende Vertreter für Textbeiträge gewinnen, darunter u.a. Le Corbusier, Theo van Doesburg, Walter Gropius, Ludwig Hilberseimer, Georg Muche, Mies van der Rohe. - Insgesamt ordentlicher Zustand. - Heller 112f.

      [Bookseller: Rotes Antiquariat]
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        The Song of Songs. Called by many the Canticle of Canticles. (Illustrations... by Eric Gill

      Waltham St. Lawrence: Golden Cockerel Press, 1925). Limited edition, no. 436 of 750 copies, small 4to, 42, (4) pp. 18 wood engravings in the text plus one each to the title page and colophon, light browning to free endpapers only. A very good bright copy in the original cream buckram, printed d.w. replicating the title page to the upper wrapper with some light browning and spotting, some minor loss to extremities. Chanticleer 31. Evan Gill 275.

      [Bookseller: Bow Windows Bookshop]
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        Douze robes pour décembre 1925 (Croquis, La Gazette du Bon ton, 1925 n°9)

      - Lucien Vogel éditeur, Paris 1925, 18x24cm, relié. - Serie di otto stampe originali a colori, disegnato su carta vergata. Le schede sono introdotti da un testo firmato LRF Sketches L, LII, LIII, LV, sono firmati David, rispettivamente, sulle tavole basso a destra e sinistra. stampe originali realizzati per l'illustrazione di The Gazette alla moda, una delle più belle e più influenti riviste di moda secolo XX, che celebra il talento di creatori e artisti francesi fiorente art deco. rivista di moda Famosa fondata nel 1912 da Lucien Vogel, The Gazette moda è apparso fino al 1925, con un'interruzione durante la guerra del 1915-1920, a causa della mobilitazione del suo Direttore. Lei è di 69 consegne a partire da soli 2000 copie ed è illustrato tra cui 573 tavole a colori e 148 schizzi raffiguranti modelli di stilisti. All'atto della pubblicazione, queste pubblicazioni di lusso "sono per bibliofili e gli esteti del mondo" (Françoise Tétart-Vittu "buona Ufficiale della tono" nel dizionario della moda, 2016). Stampato su carta vergata bene, usano un carattere creato appositamente per la rivista di Georges Peignot, il personaggio Cochin, presa nel 1946 da Christian Dior. Le stampe sono realizzate con la tecnica di stencil metallo, colori ottimizzati e alcuni delineati in oro o palladio. L'avventura è iniziata nel 1912, quando Lucien Vogel, uomo di mondo e della moda - ha già partecipato a magazine Femina - decise di fondare con la moglie Cosette de Brunhoff (sorella di John, il padre di Babar) Gazette buono tono con cui il sottotitolo è poi "l'arte, mode e frivolezze." Georges Charensol cita l'editor: "Nel 1910, ha osservato, non vi era alcuna rivista di moda veramente artistica e rappresentante dello spirito del suo tempo. Così ho pensato di fare una rivista patinata con gli artisti dei più moderni [...] ero certo del successo, perché per tutto il paese della moda in grado di competere con la Francia. "(" Un grande editore d'arte. Lucien Vogel "in letteraria News, N. 133, maggio 1925). Il successo della rivista è immediato, non solo in Francia, ma anche gli Stati Uniti e Sud America. In origine, Vogel mette quindi insieme un gruppo di sette artisti: André-Edouard Marty e Pierre Brissaud, seguito da Georges Lepape e Dammicourt; e, infine, i suoi amici della Scuola di Belle Arti come sono George Barbier, Bernard Boutet de Monvel o Charles Martin. Altri talenti vengono rapidamente raggiungere il equipaggiato Guy Arnoux, Léon Bakst, Benito, Boutet de Monvel, Umberto Brunelleschi, Chas Laborde, Jean-Gabriel Domergue, Raoul Dufy, Edward Alexander Halouze Iacovleff, Jean Emile Laboureur Charles Loupot, Charles Martin, Maggie Salcedo. Questi artisti, per lo più sconosciuti quando Lucien Vogel appello a loro, finirà per diventare figure iconiche e artistico ricercato. Questi sono gli stessi illustratori che fanno disegni annunci delle Gazette. Le schede evidenziano gli abiti e le sublimi sette artisti del tempo: Lanvin, Doeuillet, Paquin, Poiret, Worth, Vionnet e Doucet. I progettisti prevedono per ogni numero di modelli esclusivi. Tuttavia, alcune delle illustrazioni contenute alcun modello reale, ma solo l'idea che l'illustratore è fatto in la moda del giorno. Gazette alla moda è una pietra miliare nella storia della moda. Combinando l'esigenza estetica e l'unità di plastica, si riunisce per la prima volta i grandi talenti del mondo delle arti, della letteratura e della moda e imposto da questa alchimia, una nuova immagine della donna, esile, indipendente e audace, spinto anche dalla nuova generazione di designer Coco Chanel, Jean Patou, Rochas Marcel ... Recupero nel 1920 da Condé Nast Montrose, Gazette moda modellato per la nuova composizione e le scelte estetiche del "piccolo giornale che muore" che Nast aveva comprato qualche anno fa: la rivista Vogue. - [FRENCH VERSION FOLLOWS] Ensemble de douze estampes originales à l'or fin, tirées sur papier vergé. Les planches présentent des modèles de robes réalisés par quatre grands créateurs, Lanvin, Poiret, Vionney et Worth. Reliure à la bradel en plein papier à motif décoratif, dos lisse, tête dorée. Gravures originales réalisées pour l'illustration de La Gazette du bon ton, l'une des plus belles et des plus influentes revues de mode du XXème siècle, célébrant le talent des créateurs et des artistes français en plein essor de l'art déco.   Célèbre revue de mode fondée en 1912 par Lucien Vogel, La Gazette du bon ton a paru jusqu'en 1925 avec une interruption durant la Guerre de 1915 à 1920, pour cause de mobilisation de son rédacteur en chef. Elle se constitue de 69 livraisons tirées à seulement 2000 exemplaires et est illustrée notamment de 573 planches en couleurs et de 148 croquis représentant des modèles de grands couturiers. Dès leur parution, ces luxueuses publications « s'adressent aux bibliophiles et aux mondains esthètes » (Françoise Tétart-Vittu « La Gazette du bon ton » in Dictionnaire de la mode, 2016). Imprimées sur beau papier vergé, elles utilisent une police typographique spécialement créée pour la revue par Georges Peignot, le caractère Cochin, repris en 1946 par Christian Dior. Les estampes sont réalisées grâce à la technique du pochoir métallique, rehaussées en couleurs et pour certaines soulignées à l'or ou au palladium. L'aventure commence en 1912 lorsque Lucien Vogel, homme du monde et de la mode - il a déjà participé à la revue Femina - décide de fonder avec sa femme Cosette de Brunhoff (s

      [Bookseller: Librairie Le Feu Follet]
 21.   Check availability:     maremagnum.com     Link/Print  


        S.L.C. TO C.T.

      Privately Printed, 1925. Original Wraps. Very Good+. Small Octavo. 24pp. One of 100 copies, in original printed wraps. Contains correspondence between Twain and Charlotte Teller. A very good+ copy, housed within a custom morocco backed slipcase and chemise.

      [Bookseller: Charles Parkhurst Rare Books, Inc.]
 22.   Check availability:     Biblio     Link/Print  


        Malerei, Photographie, Film.

      München, Langen, 1925 - Kl.4°. Mit gefalt. Musikbeilage und zahlr. Abbildungen. 1 Bl. (weiß), 133 S. Erste Ausgabe. - Heidtmann 9484. Wingler 563. - Die ersten Bl. leicht fleckig. Insgesamt wohlerhalten. Sprache: Deutsch Gewicht in Gramm: 850 OLwd. (gering berieben und bestoßen, etwas angestaubt). - (Bauhausbücher 8). [Attributes: First Edition; Hard Cover]

      [Bookseller: Antiquariat Sander]
 23.   Check availability:     ZVAB     Link/Print  


        Sämtliche Werke. 10 Bände. Vollständige Ausgabe. Mit Anmerkungen hrsg. von Levin Ludwig Schücking und E. von Schaubert. Die Übertragungen von August Wilhelm von Schlegel und Ludwig Tieck. "Pericles von Tyrus" übersetzte H. Steinitzer, die Gedichte T. Robinson. Bd. 1: Andronicus, Verlorene Liebesmüh, Komödie der Irrungen, Die beiden Veroneser. Bd. 2: Heinrich VI, 1. 2. und 3. Teil, Richard III. Bd. 3: Richard II, Romeo und Julia, Sommernachtstraum. Der Widerspenstigen Zähmung. Bd. 4: König Johann, Kaufmann von Venedig, Heinrich IV, 1. und 2. Teil. Bd. 5: Heinrich V, Weiber von Windsor, Cäsar, Viel Lärmen um Nichts. Bd. 6: Wie es euch gefällt, Was ihr wollt, Hamlet, Troilus und Cressida. Bd. 7: Mass für Mass, Ende gut, alles gut, Lear, Othell

      München, Georg Müller, 1925-29. - Zus. ca. 4800 S. Buchaustattung von Paul Renner. - Von kleineren Läsuren an den Überzugspapieren abgesehen, noch gutes und ansehnliches Exemplar. Sprache: Deutsch Gewicht in Gramm: 12000 Gr.-8°. Originalhalbledereinbände mit Lederecken, Überzugspapier mit Gittermotiv, Kopfgoldschnitt und Lesebändchen.

      [Bookseller: Antiquariat Michael Solder]
 24.   Check availability:     ZVAB     Link/Print  


        Tango Argentino. Mit 10 signierten Original-Radierungen von Ernst Oppler.

      Berlin, Eigenbrödler Verlag, o. J. (um 1925). (2)32(1) Seiten, 4°, grüner OMaroquin-Ledereinband, mit Rückenvergoldung, goldgeprägtes Deckelornament, Steh- und Innenkantenvergoldung, Kopfgoldschnitt. Vorliegend: Nr. 20 von 25 römisch numerierten Exemplaren (Gesamt: 550) der Vorzugsausgabe mit den signierten Radierungen von der unverstählten Platte. Der Druckvermerk von Kyser und Oppler signiert. Einbandentwurf von Ernst Nicolas. Druck in der Offizin Otto von Holten, Berlin. Lang, Impressionismus 146. Gutes Exemplar. Deckelkanten etwas berieben. Sehr selten. Very rare. 10 handsigned original etchings. Fine copy, limited and numbered. Number - of 25 copies. Very rare. Versand D: 5,00 EUR Ernst Oppler (1867-1929), Originalgraphik, Vorzugsausgabe, limited, Bibliophil

      [Bookseller: AS - Antiquariat Schröter]
 25.   Check availability:     buchfreund.de     Link/Print  


        Ethnographical Studies in Celebes. Results of the Author's Expedition to Celebes 1917-20. I-VI.

      Gothenburg, 1925-1944. 22,5x16,5 cm. xiii, (1 blank), 404 pp. + 3 maps + 2 plates & ix, (1 blank), 216 & xiii, (1 blank), 322 & xix, (1 blank), 515, (1 blank) pp. + 1 map + 2 plates & xi, (1 blank), 191, (1 blank) & xxiii, (1 blank), 445, (2, 1 blank) pp. + 4 maps + 68 plates. With numerous maps and figures in the text. Six volumes in brown half leather, five raised bands and gilt spine-titles, marbled boards and patterned endpapers. Wrappers are not preserved. Spines are a bit dry, worn and a little stained, the corners are worn. There are a few scattered small specks in the second volume, and most leaves in the fifth volume have a slight nick in outer margin. A well-preserved set, which comes with an extra set of 65 plates of art and traditional patterns. The copy is purchased from the Kaudern family and has belonged to Kaudern's wife Teres, but there are no traces of her ownership. Kaudern (1881-1942), Swedish ethnographer and naturalist, spent the years 1917-1921 in Celebes/Sulawesi, where he made ethnographical and zoological-geographical observations in the mainly unknown inland parts of the island. He brought home a collection consisting of more than 3000 ethnographical objects and donated parts of it to the Gothenburg Museum of Ethnography, and he succeeded his former teacher Erland Nordenskiöld as director of the same institution in 1934. The first five parts, dealing with structures and settlements, migrations of the Toraja in Central Celebes, musical instruments, games and dances, and megalithic finds, were published by Kaudern himself, while the last volume treating art was posthumously edited and published by his wife together with his former colleague Henry Wassén.

      [Bookseller: Patrik Andersson Antikvariat]
 26.   Check availability:     Antikvariat     Link/Print  


        John Wisden's Cricketers' Almanack for 1925 - 1925 Original Hardback Wisden, .

      1925. This lot is an 1925 Original Hardback Wisden. In Very Good Condition. This book is very nice, it has had no restoration, the front board is very good, tiny mark but with shiny, original gilt, nice spine cloth with some fading to the lettering. Some dusty ness to the spine cloth. Inside the the hinges are wonderful and the pastedowns very yellow, odd mark and a small sticker to the first page. The pages are clean and crisp with a lovely photoplate. Mark to back board and the page block is dark to one side.

      [Bookseller: Wisdenshop.com]
 27.   Check availability:     Biblio     Link/Print  


        Bogen. Dens Historie, Fremstilling og Udbredelse.

      Den danske Boghandler-Medhjælperforening, København 1925. 332 sider. Illustreret i s/h. Indbundet i et pragtfuldt helbind af mørkebrunt kalveskind med rig forgyldning på ryg og permer, med indvendig guldbordure forsatse af vævet silke samt ekstra forsatse af gyldent-marmoreret papir samt tresidet guldsnit, udført med foryldning på hvert enkelt blad (Agnete With).

      [Bookseller: Vangsgaards Antikvariat]
 28.   Check availability:     Antikvariat     Link/Print  


        Married Love

      Fifteenth Edition; limited to 540 copies signed by the author; 8vo; original gilt decorated cloth boards. Signed by the author below the frontispiece photograph. Additionally inscribed on the front free end paper 'To dear Niss, with the author's love, Xmas 1925.' In 1935 a survey of American academics said Married Love was one of the 25 most influential books of the previous 50 years, ahead of Relativity by Albert Einstein, Interpretation of Dreams by Sigmund Freud, Mein Kampf by Adolf Hitler and The Economic Consequences of the Peace by John Maynard Keynes. A very good copy bumped to corners and spine ends, some spotting and off setting to end papers.

      [Bookseller: York Modern Books]
 29.   Check availability:     PBFA     Link/Print  


        LOST KING OF OZ

      - (BAUM,L.FRANK) LOST KING OF OZ by Ruth Plumly Thompson. Chic: Reilly & Lee (1925) 4to, blue cloth, pict. paste-on, MINT IN DUST WRAPPER (dw near fine, price clipped, with a crease and mend on rear panel, listing this title last). 1st ed., 1st issue (H-G XIX) in 1st state dw. Illustrated with 12 color plates (coated one-side) plus pictorial ep's and b&w's thruout by J.R. NEILL. This is a magnificent copy of the 19th Oz title, rarely found in this condition with dust wrapper. [Attributes: First Edition; Hard Cover]

      [Bookseller: Aleph-Bet Books, Inc. - ABAA]
 30.   Check availability:     AbeBooks     Link/Print  


        A Map of New York which is Published by the Washington Square Bookshop. Here is a map to give you pleasure, a town reduced to your mantel's measure, city of gaiety, city of gold, your Bagdad on Hudson, three hundred years old.

      New York.: Washington Square Bookshop.. 1925.. Color pictographic / pictorial map, 30 1/2 x 38 inches, professionally mounted on linen. Folds (as issued) with infill at fold intersections, pinholes, a few tears (minimized by linen backing). Very good condition. A vibrant bird's eye view of New York City humorously designed by Joseph B. Platt, with Battery Park in the lower right corner and Grant's Tomb and the Polo Grounds in the upper left. The map is bordered by decorative text that reads "Here is a map to give you pleasure, a town reduced to your mantel's measure, city of gayety, city of gold, your Bagdad on Hudson, three hundred years old". This scarce map published to celebrate the tricentenary of the purchase of Manhattan by the Dutch ("Little Miss New York Born 1626" reads a banner flying from the small plane to the right of the central compass rose) is quite extraordinarily modernist in character. It employs some of the graphic features of the new style of "wonder map" developed by MacDonald Gill in his London Underground map posters of the early teens and twenties, notably the "speech balloons" with comic quips explicating the city history and contemporary character and also in its decorative border with text of civic pride. However in the almost abstract coloration of its startling color palette, it stands alone. Examples of the quips: "Is this map to be formal or informal?"; a couple looking at the Woolworth Building exclaim "Oh Boy! That's some stack of dimes." The map was printed by the Ritchey Litho Corp. WorldCat lists a single library holding for this map, at Brown University; another copy is located at the Norman B. Leventhal Map Center (Boston Public Library). .

      [Bookseller: oldimprints.com]
 31.   Check availability:     Biblio     Link/Print  


        ULYSSES

      , 1925. 1925. Paperback. T.S. ELIOT'S SECRETARY'S COPY JOYCE, James. ULYSSES. Paris: Shakespeare and Company, 1925. The seventh edition. 735 pp. (which includes the last 4 pages as "Additional corrections") Bound in original blue wrappers. Wear along the hinges, two small chips at the tail of the spine, and a tape repair inside the front flap of the front cover fold. Overall an appealing copy in a custom box. This copy belonged to John Hayward with his ink signature on the front flyleaf."For eleven years, from 1946 to 1957 (Hayward) shared a house with his close friend ... T.S.Eliot, gathering and archiving Eliot's papers." He compiled and edited Eliot's Poems Written in Earyl Youth. During this period he thought of himself as "The Keeper of the Eliot Archive." (Wikipedia John Day Hayward)

      [Bookseller: Boston Book Company ]
 32.   Check availability:     ABAA     Link/Print  


        Album PETIOT d'échantillons de cartes, menus, carnets de bals, cartes de fantaisies. -

      Sans mention d'éditeur Sans date. (1925) - - 1 volume. Petit in-folio. Cartonnage bleu marine. Dos textile muet. Premier plat avec la mention Album Petiot, collection E, Paris. Bel état. Album de présentation de cartes de menus, de carnets de bals et cartes de fantaisie avec de nombreuses illustrations au pochoir dans le style Art-déco, très proche du style de George Barbier. Un rare exemplaire de livres d'échantillons appartenant à l'imprimeur-éditeur Petiot, imprimerie spécialisée dans les menus. Il contient près de 45 modèles de superbes menus gaufrés, imprimés en or, en argent ou en couleurs avec une typographie et des ornements dans l'esprit des années 1920. La référence du stock apparaît sur le coin des cartes. [Attributes: Hard Cover]

      [Bookseller: Librairie KOEGUI]
 33.   Check availability:     AbeBooks     Link/Print  


        Douze robes pour décembre 1925 (Croquis, La Gazette du Bon ton, 1925 n°9)

      Lucien Vogel éditeur 1925 - - Lucien Vogel éditeur, Paris 1925, 18x24cm, relié. - Ensemble de douze estampes originales à l'or fin, tirées sur papier vergé. Les planches présentent des modèles de robes réalisés par quatre grands créateurs, Lanvin, Poiret, Vionney et Worth. Reliure à la bradel en plein papier à motif décoratif, dos lisse, tête dorée. Gravures originales réalisées pour l'illustration de La Gazette du bon ton, l'une des plus belles et des plus influentes revues de mode du XXème siècle, célébrant le talent des créateurs et des artistes français en plein essor de l'art déco. Célèbre revue de mode fondée en 1912 par Lucien Vogel, La Gazette du bon ton a paru jusqu'en 1925 avec une interruption durant la Guerre de 1915 à 1920, pour cause de mobilisation de son rédacteur en chef. Elle se constitue de 69 livraisons tirées à seulement 2000 exemplaires et est illustrée notamment de 573 planches en couleurs et de 148 croquis représentant des modèles de grands couturiers. Dès leur parution, ces luxueuses publications « s'adressent aux bibliophiles et aux mondains esthètes » (Françoise Tétart-Vittu « La Gazette du bon ton » in Dictionnaire de la mode, 2016). Imprimées sur beau papier vergé, elles utilisent une police typographique spécialement créée pour la revue par Georges Peignot, le caractère Cochin, repris en 1946 par Christian Dior. Les estampes sont réalisées grâce à la technique du pochoir métallique, rehaussées en couleurs et pour certaines soulignées à l'or ou au palladium. L'aventure commence en 1912 lorsque Lucien Vogel, homme du monde et de la mode - il a déjà participé à la revue Femina - décide de fonder avec sa femme Cosette de Brunhoff (sœur de Jean, le père de Babar) la Gazette du bon ton dont le sous-titre est alors « Art, modes et frivolités ». Georges Charensol rapporte les propos du rédacteur en chef : « En 1910, observe-t-il, il n'existait aucun journal de mode véritablement artistique et représentatif de l'esprit de son époque. Je songeais donc à faire un magazine de luxe avec des artistes véritablement modernes [.] J'étais certain du succès car pour la mode aucun pays ne peut rivaliser avec la France. » (« Un grand éditeur d'art. Lucien Vogel » in Les Nouvelles littéraires, n°133, mai 1925). Le succès de la revue est immédiat, non seulement en France, mais aussi aux Etats-Unis et en Amérique du Sud. À l'origine, Vogel réunit donc un groupe de sept artistes : André-Édouard Marty et Pierre Brissaud, suivis de Georges Lepape et Dammicourt ; et enfin ses amis de l'École des beaux-arts que sont George Barbier, Bernard Boutet de Monvel, ou Charles Martin. D'autres talents viennent rapidement rejoindre l'équipée : Guy Arnoux, Léon Bakst, Benito, Boutet de Monvel, Umberto Brunelleschi, Chas Laborde, Jean-Gabriel Domergue, Raoul Dufy, Édouard Halouze, Alexandre Iacovleff, Jean Émile Laboureur, Charles Loupot, Charles Martin, Maggie Salcedo. Ces artistes, inconnus pour la plupart lorsque Lucien Vogel fait appel à eux, deviendront par la suite des figures artistiques emblématiques et recherchées. Ce sont ces mêmes illustrateurs qui réalisent les dessins des publicités de la Gazette. Les planches mettent en lumière et subliment les robes de sept créateurs de l'époque : Lanvin, Doeuillet, Paquin, Poiret, Worth, Vionnet et Doucet. Les couturiers fournissent pour chaque numéro des modèles exclusifs. Néanmoins, certaines des illustrations ne figurent aucun modèle réel, mais seulement l'idée que l'illustrateur se fait de la mode du jour. La Gazette du bon ton est une étape décisive dans l'histoire de la mode. Alliant l'exigence esthétique et l'unité plastique, elle réunit pour la première fois les grands talents du monde des arts, des lettres et de la mode et impose, par cette alchimie, une toute nouvelle image de la femme, élancée, indépendante et audacieuse, également portée par la nouvelle génération de couturiers Coco Chanel, Jean Patou, Marcel Rochas. Reprise en 1920 par Condé Montrose Nast, la Gazette du bon ton inspirera largement la no [Attributes: First Edition; Hard Cover]

      [Bookseller: Librairie Le Feu Follet]
 34.   Check availability:     AbeBooks     Link/Print  


        LOST KING OF OZ

      NEILL.J.R. (BAUM,L.FRANK) LOST KING OF OZ by Ruth Plumly Thompson. Chic: Reilly & Lee (1925) 4to, blue cloth, pict. paste-on, MINT IN DUST WRAPPER (dw near fine, price clipped, with a crease and mend on rear panel, listing this title last). 1st ed., 1st issue (H-G XIX) in 1st state dw. Illustrated with 12 color plates (coated one-side) plus pictorial ep's and b&w's thruout by J.R. NEILL. This is a magnificent copy of the 19th Oz title, rarely found in this condition with dust wrapper.

      [Bookseller: Aleph-Bet Books, Inc.]
 35.   Check availability:     Biblio     Link/Print  


        MAP OF AMERICA'S MAKING A Chart of Places and Events For those who would sail with the Discoverers seek freedom with the Colonists, follow the westward trails, subdue the Wilderness and behold THE BUILDING OF THE REPUBLIC.

      R.R. Bowker Company. New York. Copyright 1925, 1926, 1929. - Color pictorial / pictographic map, map 21 x 29 1/2 inches on sheet 23 1/2 x 32 1/4 inches, mounted on thick board with tape edge as issued. Wear to corners and one spot at upper right edge, small abrasion to paper at lower left corner outside of the map image, couple of tiny spots in image scarcely noticeable, overall map is in very good condition. A visual synopsis of early European American history with pictographs and text highlighting places and events.

      [Bookseller: old imprints ABAA/ILAB]
 36.   Check availability:     AbeBooks     Link/Print  


        ARABIAN NIGHTS

      - (DETMOLD,EDWARD)illus. THE ARABIAN NIGHTS. London: Hodder & Stoughton [1925]). Large thick 4to, full vellum, gilt pictorial covers, slightest cover bowing and blank endpapers foxed as usual else Fine and bright in custom vellum backed box. LIMITED TO ONLY 100 NUMBERED COPIES SIGNED BY DETMOLD! Illustrated with 12 exquisite tipped in color plates with tissue guards. A beautiful book, rare in the limited edition. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Aleph-Bet Books, Inc. - ABAA]
 37.   Check availability:     AbeBooks     Link/Print  


        ORIGINAL ART: PETER RABBIT

      - POTTER,BEATRIX. ORIGINAL ART: PETER RABBIT. Offered here is an exquisite ink and watercolor drawing of Peter Rabbit, presented by Potter to Anne Carroll Moore, the influential and opinionated head of children's library services for the New York Public Library and children's book author. Done circa 1925, the image shows Peter standing in front of a green leafy background. He is wearing a blue jacket and red shoes, holding a bouquet of pink flowers in one hand and an envelope in the other addressed "To Ann Caraway". The actual image measures 4" wide x 4 3/4" high on paper measuring 7" wide x 9 1/2" high. The paper is slightly faded on edges from where it had been matted, the verso has some narrow old tape marks and some tiny spots, overall Fine condition with the colors fresh and rich. It is signed and inscribed by Potter in 4 lines beneath the picture: Congratulations to / Anne Carroll Moore / from little Peter Rabbit and / Beatrix Potter". Moore first discovered Potter's work during her time as Children's Librarian at the Pratt Institute Free Library in Brooklyn, becoming one of Potter's early American admirers. After the first World War Moore traveled to Europe to help replenish devastated children's libraries and while there she contacted Potter (as well as Leslie Brooke and Walter de la Mare). This began a friendship with Potter that lasted more than 20 years. About this first meeting Moore remembered "her bright blue eyes sparkled with merriment and her smile was that of a child who shares a secret, as indeed she did. She spoke with the tang of the north country. No welcome could have been more cordial than hers to Hill Top Farm." [from "An Appreciation" the introduction to The "Art of Beatrix Potter" edited by Linder and Herring, 1955]. Although they were to meet only once more in person, the two kept up a regular exchange of letters, books and photos in which Potter's admiration of Moore was evident. Although the painting is not dated, it is undoubtedly circa 1925 sent to Moore after the publication of her first children's book, "Nicholas: A Manhattan Christmas Story" about a wooden doll and its owner Ann Caraway (the name on the envelope that Peter is holdi [Attributes: Hard Cover]

      [Bookseller: Aleph-Bet Books, Inc. - ABAA]
 38.   Check availability:     AbeBooks     Link/Print  


        Brautwerbung. Käfer-Ritter, von einem Zwerg begleitet, wirbt mit einer Kette um das Akelei- und Rapunzel-Fräulein. Farblithographie von 4 Platten. .

      47 x 37 cm , 23 x 17 cm, Einriss am linken Rand (1, 5 cm ins Blatt, hinterlegt) Rechts unten im Stein signiert: E. Kreidolf. [Huggler 222. - Jahresgabe der Bernischen Kunstgesellschaft 1925].

      [Bookseller: antiquariat peter petrej]
 39.   Check availability:     booklooker.de     Link/Print  

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