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Displayed below are some selected recent viaLibri matches for books published in 1925
Sonderdruck Sigmund Freud [offprint from L. R. Grotes' "Die Medizin Der Gegenwart in Selbstdarstellungen") Leipzig: Felix Meiner, 1925 First edition off-print of Sigmund Freud's autobiography, inscribed on the top cover, "Seimen lieben / O. Pfister / Freud / 12.2.25." The book is further inscribed by Pfister on the blank recto of the frontispiece, " Seimen lieben Freunde / Prof. R. Brandt / In herzlicher Gesinnung / Zurich 24.4.55." Sigmund Freud (1856-1939) was an Austrian neurologist and the founder of psychoanalysis. Oskar Pfister (1873-1956) was a Swiss Lutheran minister and lay psychoanalyst born in Zurich, Switzerland. He is perhaps best known for applying psychoanalysis to the science of education, as well as a belief system combining psychoanalytic psychology and theology. In Zurich, he was in close intellectual proximity to Eugen Bleuler and Carl Jung. The friendship between Freud and Pfister is well documented, lasting over 30 years and only ending upon Freud's death. Less is known about Professor Brandt, though he is believed to have completed his Ph.D. in Clinical Psychology at the University of Ottawa, Canada and to have written several articles pertaining to Sigmund Freud as well as the psychoanalytic concept of transference. (We are interested to learn more of Dr. Brandt should anyone have additional information). This offprint is bound in teal paper wrap covers. There are a few penciled marks in the margins, as well as some notations believed to be in German in the blank spaces of the last page. There are some handling creases scattered throughout. Overall, this offprint remains tight, and it is otherwise clean and intact. The offprint is housed in a custom felt-lined clamshell case with leather spine and spine labels, raised spine bands, and gilt lettering. The offprint cover is nicely copied onto a green cloth affixed to the top of the case. This cloth piece shows light rubbing, not affecting any letter. Case is otherwise Fine. . Association copy, inscribed by the Author. First Edition. Soft Cover. Very Good/No Dust Jacket. [Bookseller: Lloyd Zimmer, Books and Maps] 
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Mesicník pro stavební umení (= Der Bau. Monatsschrift für Baukunst). III. Jahrg., Heft 1 - 12 (Juli 1924 - Juni 1925). Originalausgabe. - Kompletter Jahrgang der bedeutenden Zeitschrift des tschechischen Konstruktivismus mit vorgeb. Jahresinhaltsverzeichnis. - Die Reihe befasst sich mit den europäischen Strömungen funktioneller Architektur und Gestaltung, so ist Heft II der ?De Stijl?-Gruppe gewidmet. Teige konnte zahlreiche bedeutende Vertreter für Textbeiträge gewinnen, darunter u.a. Le Corbusier, Theo van Doesburg, Walter Gropius, Ludwig Hilberseimer, Georg Muche, Mies van der Rohe. - Insgesamt ordentlicher Zustand. - Heller 112f. [Bookseller: Rotes Antiquariat]
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The Song of Songs. Called by many the Canticle of Canticles. (Illustrations... by Eric Gill Waltham St. Lawrence: Golden Cockerel Press, 1925). Limited edition, no. 436 of 750 copies, small 4to, 42, (4) pp. 18 wood engravings in the text plus one each to the title page and colophon, light browning to free endpapers only. A very good bright copy in the original cream buckram, printed d.w. replicating the title page to the upper wrapper with some light browning and spotting, some minor loss to extremities. Chanticleer 31. Evan Gill 275. [Bookseller: Bow Windows Bookshop]
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Douze robes pour décembre 1925 (Croquis, La Gazette du Bon ton, 1925 n°9) - Lucien Vogel éditeur, Paris 1925, 18x24cm, relié. - Serie di otto stampe originali a colori, disegnato su carta vergata. Le schede sono introdotti da un testo firmato LRF Sketches L, LII, LIII, LV, sono firmati David, rispettivamente, sulle tavole basso a destra e sinistra. stampe originali realizzati per l'illustrazione di The Gazette alla moda, una delle più belle e più influenti riviste di moda secolo XX, che celebra il talento di creatori e artisti francesi fiorente art deco. rivista di moda Famosa fondata nel 1912 da Lucien Vogel, The Gazette moda è apparso fino al 1925, con un'interruzione durante la guerra del 1915-1920, a causa della mobilitazione del suo Direttore. Lei è di 69 consegne a partire da soli 2000 copie ed è illustrato tra cui 573 tavole a colori e 148 schizzi raffiguranti modelli di stilisti. All'atto della pubblicazione, queste pubblicazioni di lusso "sono per bibliofili e gli esteti del mondo" (Françoise Tétart-Vittu "buona Ufficiale della tono" nel dizionario della moda, 2016). Stampato su carta vergata bene, usano un carattere creato appositamente per la rivista di Georges Peignot, il personaggio Cochin, presa nel 1946 da Christian Dior. Le stampe sono realizzate con la tecnica di stencil metallo, colori ottimizzati e alcuni delineati in oro o palladio. L'avventura è iniziata nel 1912, quando Lucien Vogel, uomo di mondo e della moda - ha già partecipato a magazine Femina - decise di fondare con la moglie Cosette de Brunhoff (sorella di John, il padre di Babar) Gazette buono tono con cui il sottotitolo è poi "l'arte, mode e frivolezze." Georges Charensol cita l'editor: "Nel 1910, ha osservato, non vi era alcuna rivista di moda veramente artistica e rappresentante dello spirito del suo tempo. Così ho pensato di fare una rivista patinata con gli artisti dei più moderni [...] ero certo del successo, perché per tutto il paese della moda in grado di competere con la Francia. "(" Un grande editore d'arte. Lucien Vogel "in letteraria News, N. 133, maggio 1925). Il successo della rivista è immediato, non solo in Francia, ma anche gli Stati Uniti e Sud America. In origine, Vogel mette quindi insieme un gruppo di sette artisti: André-Edouard Marty e Pierre Brissaud, seguito da Georges Lepape e Dammicourt; e, infine, i suoi amici della Scuola di Belle Arti come sono George Barbier, Bernard Boutet de Monvel o Charles Martin. Altri talenti vengono rapidamente raggiungere il equipaggiato Guy Arnoux, Léon Bakst, Benito, Boutet de Monvel, Umberto Brunelleschi, Chas Laborde, Jean-Gabriel Domergue, Raoul Dufy, Edward Alexander Halouze Iacovleff, Jean Emile Laboureur Charles Loupot, Charles Martin, Maggie Salcedo. Questi artisti, per lo più sconosciuti quando Lucien Vogel appello a loro, finirà per diventare figure iconiche e artistico ricercato. Questi sono gli stessi illustratori che fanno disegni annunci delle Gazette. Le schede evidenziano gli abiti e le sublimi sette artisti del tempo: Lanvin, Doeuillet, Paquin, Poiret, Worth, Vionnet e Doucet. I progettisti prevedono per ogni numero di modelli esclusivi. Tuttavia, alcune delle illustrazioni contenute alcun modello reale, ma solo l'idea che l'illustratore è fatto in la moda del giorno. Gazette alla moda è una pietra miliare nella storia della moda. Combinando l'esigenza estetica e l'unità di plastica, si riunisce per la prima volta i grandi talenti del mondo delle arti, della letteratura e della moda e imposto da questa alchimia, una nuova immagine della donna, esile, indipendente e audace, spinto anche dalla nuova generazione di designer Coco Chanel, Jean Patou, Rochas Marcel ... Recupero nel 1920 da Condé Nast Montrose, Gazette moda modellato per la nuova composizione e le scelte estetiche del "piccolo giornale che muore" che Nast aveva comprato qualche anno fa: la rivista Vogue. - [FRENCH VERSION FOLLOWS] Ensemble de douze estampes originales à l'or fin, tirées sur papier vergé. Les planches présentent des modèles de robes réalisés par quatre grands créateurs, Lanvin, Poiret, Vionney et Worth. Reliure à la bradel en plein papier à motif décoratif, dos lisse, tête dorée. Gravures originales réalisées pour l'illustration de La Gazette du bon ton, l'une des plus belles et des plus influentes revues de mode du XXème siècle, célébrant le talent des créateurs et des artistes français en plein essor de l'art déco. Célèbre revue de mode fondée en 1912 par Lucien Vogel, La Gazette du bon ton a paru jusqu'en 1925 avec une interruption durant la Guerre de 1915 à 1920, pour cause de mobilisation de son rédacteur en chef. Elle se constitue de 69 livraisons tirées à seulement 2000 exemplaires et est illustrée notamment de 573 planches en couleurs et de 148 croquis représentant des modèles de grands couturiers. Dès leur parution, ces luxueuses publications « s'adressent aux bibliophiles et aux mondains esthètes » (Françoise Tétart-Vittu « La Gazette du bon ton » in Dictionnaire de la mode, 2016). Imprimées sur beau papier vergé, elles utilisent une police typographique spécialement créée pour la revue par Georges Peignot, le caractère Cochin, repris en 1946 par Christian Dior. Les estampes sont réalisées grâce à la technique du pochoir métallique, rehaussées en couleurs et pour certaines soulignées à l'or ou au palladium. L'aventure commence en 1912 lorsque Lucien Vogel, homme du monde et de la mode - il a déjà participé à la revue Femina - décide de fonder avec sa femme Cosette de Brunhoff (s [Bookseller: Librairie Le Feu Follet]
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S.L.C. TO C.T. Privately Printed, 1925. Original Wraps. Very Good+. Small Octavo. 24pp. One of 100 copies, in original printed wraps. Contains correspondence between Twain and Charlotte Teller. A very good+ copy, housed within a custom morocco backed slipcase and chemise. [Bookseller: Charles Parkhurst Rare Books, Inc.]
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Malerei, Photographie, Film. München, Langen, 1925 - Kl.4°. Mit gefalt. Musikbeilage und zahlr. Abbildungen. 1 Bl. (weiß), 133 S. Erste Ausgabe. - Heidtmann 9484. Wingler 563. - Die ersten Bl. leicht fleckig. Insgesamt wohlerhalten. Sprache: Deutsch Gewicht in Gramm: 850 OLwd. (gering berieben und bestoßen, etwas angestaubt). - (Bauhausbücher 8). [Attributes: First Edition; Hard Cover] [Bookseller: Antiquariat Sander]
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Sämtliche Werke. 10 Bände. Vollständige Ausgabe. Mit Anmerkungen hrsg. von Levin Ludwig Schücking und E. von Schaubert. Die Übertragungen von August Wilhelm von Schlegel und Ludwig Tieck. "Pericles von Tyrus" übersetzte H. Steinitzer, die Gedichte T. Robinson. Bd. 1: Andronicus, Verlorene Liebesmüh, Komödie der Irrungen, Die beiden Veroneser. Bd. 2: Heinrich VI, 1. 2. und 3. Teil, Richard III. Bd. 3: Richard II, Romeo und Julia, Sommernachtstraum. Der Widerspenstigen Zähmung. Bd. 4: König Johann, Kaufmann von Venedig, Heinrich IV, 1. und 2. Teil. Bd. 5: Heinrich V, Weiber von Windsor, Cäsar, Viel Lärmen um Nichts. Bd. 6: Wie es euch gefällt, Was ihr wollt, Hamlet, Troilus und Cressida. Bd. 7: Mass für Mass, Ende gut, alles gut, Lear, Othell München, Georg Müller, 1925-29. - Zus. ca. 4800 S. Buchaustattung von Paul Renner. - Von kleineren Läsuren an den Überzugspapieren abgesehen, noch gutes und ansehnliches Exemplar. Sprache: Deutsch Gewicht in Gramm: 12000 Gr.-8°. Originalhalbledereinbände mit Lederecken, Überzugspapier mit Gittermotiv, Kopfgoldschnitt und Lesebändchen. [Bookseller: Antiquariat Michael Solder]
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Tango Argentino. Mit 10 signierten Original-Radierungen von Ernst Oppler. Berlin, Eigenbrödler Verlag, o. J. (um 1925). (2)32(1) Seiten, 4°, grüner OMaroquin-Ledereinband, mit Rückenvergoldung, goldgeprägtes Deckelornament, Steh- und Innenkantenvergoldung, Kopfgoldschnitt. Vorliegend: Nr. 20 von 25 römisch numerierten Exemplaren (Gesamt: 550) der Vorzugsausgabe mit den signierten Radierungen von der unverstählten Platte. Der Druckvermerk von Kyser und Oppler signiert. Einbandentwurf von Ernst Nicolas. Druck in der Offizin Otto von Holten, Berlin. Lang, Impressionismus 146. Gutes Exemplar. Deckelkanten etwas berieben. Sehr selten. Very rare. 10 handsigned original etchings. Fine copy, limited and numbered. Number - of 25 copies. Very rare. Versand D: 5,00 EUR Ernst Oppler (1867-1929), Originalgraphik, Vorzugsausgabe, limited, Bibliophil [Bookseller: AS - Antiquariat Schröter]
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Ethnographical Studies in Celebes. Results of the Author's Expedition to Celebes 1917-20. I-VI. Gothenburg, 1925-1944. 22,5x16,5 cm. xiii, (1 blank), 404 pp. + 3 maps + 2 plates & ix, (1 blank), 216 & xiii, (1 blank), 322 & xix, (1 blank), 515, (1 blank) pp. + 1 map + 2 plates & xi, (1 blank), 191, (1 blank) & xxiii, (1 blank), 445, (2, 1 blank) pp. + 4 maps + 68 plates. With numerous maps and figures in the text. Six volumes in brown half leather, five raised bands and gilt spine-titles, marbled boards and patterned endpapers. Wrappers are not preserved. Spines are a bit dry, worn and a little stained, the corners are worn. There are a few scattered small specks in the second volume, and most leaves in the fifth volume have a slight nick in outer margin. A well-preserved set, which comes with an extra set of 65 plates of art and traditional patterns. The copy is purchased from the Kaudern family and has belonged to Kaudern's wife Teres, but there are no traces of her ownership. Kaudern (1881-1942), Swedish ethnographer and naturalist, spent the years 1917-1921 in Celebes/Sulawesi, where he made ethnographical and zoological-geographical observations in the mainly unknown inland parts of the island. He brought home a collection consisting of more than 3000 ethnographical objects and donated parts of it to the Gothenburg Museum of Ethnography, and he succeeded his former teacher Erland Nordenskiöld as director of the same institution in 1934. The first five parts, dealing with structures and settlements, migrations of the Toraja in Central Celebes, musical instruments, games and dances, and megalithic finds, were published by Kaudern himself, while the last volume treating art was posthumously edited and published by his wife together with his former colleague Henry Wassén. [Bookseller: Patrik Andersson Antikvariat]
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John Wisden's Cricketers' Almanack for 1925 - 1925 Original Hardback Wisden, . 1925. This lot is an 1925 Original Hardback Wisden. In Very Good Condition. This book is very nice, it has had no restoration, the front board is very good, tiny mark but with shiny, original gilt, nice spine cloth with some fading to the lettering. Some dusty ness to the spine cloth. Inside the the hinges are wonderful and the pastedowns very yellow, odd mark and a small sticker to the first page. The pages are clean and crisp with a lovely photoplate. Mark to back board and the page block is dark to one side. [Bookseller: Wisdenshop.com]
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Bogen. Dens Historie, Fremstilling og Udbredelse. Den danske Boghandler-Medhjælperforening, København 1925. 332 sider. Illustreret i s/h. Indbundet i et pragtfuldt helbind af mørkebrunt kalveskind med rig forgyldning på ryg og permer, med indvendig guldbordure forsatse af vævet silke samt ekstra forsatse af gyldent-marmoreret papir samt tresidet guldsnit, udført med foryldning på hvert enkelt blad (Agnete With). [Bookseller: Vangsgaards Antikvariat]
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Married Love Fifteenth Edition; limited to 540 copies signed by the author; 8vo; original gilt decorated cloth boards. Signed by the author below the frontispiece photograph. Additionally inscribed on the front free end paper 'To dear Niss, with the author's love, Xmas 1925.' In 1935 a survey of American academics said Married Love was one of the 25 most influential books of the previous 50 years, ahead of Relativity by Albert Einstein, Interpretation of Dreams by Sigmund Freud, Mein Kampf by Adolf Hitler and The Economic Consequences of the Peace by John Maynard Keynes. A very good copy bumped to corners and spine ends, some spotting and off setting to end papers. [Bookseller: York Modern Books]
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LOST KING OF OZ - (BAUM,L.FRANK) LOST KING OF OZ by Ruth Plumly Thompson. Chic: Reilly & Lee (1925) 4to, blue cloth, pict. paste-on, MINT IN DUST WRAPPER (dw near fine, price clipped, with a crease and mend on rear panel, listing this title last). 1st ed., 1st issue (H-G XIX) in 1st state dw. Illustrated with 12 color plates (coated one-side) plus pictorial ep's and b&w's thruout by J.R. NEILL. This is a magnificent copy of the 19th Oz title, rarely found in this condition with dust wrapper. [Attributes: First Edition; Hard Cover] [Bookseller: Aleph-Bet Books, Inc. - ABAA]
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A Map of New York which is Published by the Washington Square Bookshop. Here is a map to give you pleasure, a town reduced to your mantel's measure, city of gaiety, city of gold, your Bagdad on Hudson, three hundred years old. New York.: Washington Square Bookshop.. 1925.. Color pictographic / pictorial map, 30 1/2 x 38 inches, professionally mounted on linen. Folds (as issued) with infill at fold intersections, pinholes, a few tears (minimized by linen backing). Very good condition. A vibrant bird's eye view of New York City humorously designed by Joseph B. Platt, with Battery Park in the lower right corner and Grant's Tomb and the Polo Grounds in the upper left. The map is bordered by decorative text that reads "Here is a map to give you pleasure, a town reduced to your mantel's measure, city of gayety, city of gold, your Bagdad on Hudson, three hundred years old". This scarce map published to celebrate the tricentenary of the purchase of Manhattan by the Dutch ("Little Miss New York Born 1626" reads a banner flying from the small plane to the right of the central compass rose) is quite extraordinarily modernist in character. It employs some of the graphic features of the new style of "wonder map" developed by MacDonald Gill in his London Underground map posters of the early teens and twenties, notably the "speech balloons" with comic quips explicating the city history and contemporary character and also in its decorative border with text of civic pride. However in the almost abstract coloration of its startling color palette, it stands alone. Examples of the quips: "Is this map to be formal or informal?"; a couple looking at the Woolworth Building exclaim "Oh Boy! That's some stack of dimes." The map was printed by the Ritchey Litho Corp. WorldCat lists a single library holding for this map, at Brown University; another copy is located at the Norman B. Leventhal Map Center (Boston Public Library). . [Bookseller: oldimprints.com]
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ULYSSES , 1925. 1925. Paperback. T.S. ELIOT'S SECRETARY'S COPY JOYCE, James. ULYSSES. Paris: Shakespeare and Company, 1925. The seventh edition. 735 pp. (which includes the last 4 pages as "Additional corrections") Bound in original blue wrappers. Wear along the hinges, two small chips at the tail of the spine, and a tape repair inside the front flap of the front cover fold. Overall an appealing copy in a custom box. This copy belonged to John Hayward with his ink signature on the front flyleaf."For eleven years, from 1946 to 1957 (Hayward) shared a house with his close friend ... T.S.Eliot, gathering and archiving Eliot's papers." He compiled and edited Eliot's Poems Written in Earyl Youth. During this period he thought of himself as "The Keeper of the Eliot Archive." (Wikipedia John Day Hayward) [Bookseller: Boston Book Company ]
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Album PETIOT d'échantillons de cartes, menus, carnets de bals, cartes de fantaisies. - Sans mention d'éditeur Sans date. (1925) - - 1 volume. Petit in-folio. Cartonnage bleu marine. Dos textile muet. Premier plat avec la mention Album Petiot, collection E, Paris. Bel état. Album de présentation de cartes de menus, de carnets de bals et cartes de fantaisie avec de nombreuses illustrations au pochoir dans le style Art-déco, très proche du style de George Barbier. Un rare exemplaire de livres d'échantillons appartenant à l'imprimeur-éditeur Petiot, imprimerie spécialisée dans les menus. Il contient près de 45 modèles de superbes menus gaufrés, imprimés en or, en argent ou en couleurs avec une typographie et des ornements dans l'esprit des années 1920. La référence du stock apparaît sur le coin des cartes. [Attributes: Hard Cover] [Bookseller: Librairie KOEGUI]
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Douze robes pour décembre 1925 (Croquis, La Gazette du Bon ton, 1925 n°9) Lucien Vogel éditeur 1925 - - Lucien Vogel éditeur, Paris 1925, 18x24cm, relié. - Ensemble de douze estampes originales à l'or fin, tirées sur papier vergé. Les planches présentent des modèles de robes réalisés par quatre grands créateurs, Lanvin, Poiret, Vionney et Worth. Reliure à la bradel en plein papier à motif décoratif, dos lisse, tête dorée. Gravures originales réalisées pour l'illustration de La Gazette du bon ton, l'une des plus belles et des plus influentes revues de mode du XXème siècle, célébrant le talent des créateurs et des artistes français en plein essor de l'art déco. Célèbre revue de mode fondée en 1912 par Lucien Vogel, La Gazette du bon ton a paru jusqu'en 1925 avec une interruption durant la Guerre de 1915 à 1920, pour cause de mobilisation de son rédacteur en chef. Elle se constitue de 69 livraisons tirées à seulement 2000 exemplaires et est illustrée notamment de 573 planches en couleurs et de 148 croquis représentant des modèles de grands couturiers. Dès leur parution, ces luxueuses publications « s'adressent aux bibliophiles et aux mondains esthètes » (Françoise Tétart-Vittu « La Gazette du bon ton » in Dictionnaire de la mode, 2016). Imprimées sur beau papier vergé, elles utilisent une police typographique spécialement créée pour la revue par Georges Peignot, le caractère Cochin, repris en 1946 par Christian Dior. Les estampes sont réalisées grâce à la technique du pochoir métallique, rehaussées en couleurs et pour certaines soulignées à l'or ou au palladium. L'aventure commence en 1912 lorsque Lucien Vogel, homme du monde et de la mode - il a déjà participé à la revue Femina - décide de fonder avec sa femme Cosette de Brunhoff (sœur de Jean, le père de Babar) la Gazette du bon ton dont le sous-titre est alors « Art, modes et frivolités ». Georges Charensol rapporte les propos du rédacteur en chef : « En 1910, observe-t-il, il n'existait aucun journal de mode véritablement artistique et représentatif de l'esprit de son époque. Je songeais donc à faire un magazine de luxe avec des artistes véritablement modernes [.] J'étais certain du succès car pour la mode aucun pays ne peut rivaliser avec la France. » (« Un grand éditeur d'art. Lucien Vogel » in Les Nouvelles littéraires, n°133, mai 1925). Le succès de la revue est immédiat, non seulement en France, mais aussi aux Etats-Unis et en Amérique du Sud. À l'origine, Vogel réunit donc un groupe de sept artistes : André-Édouard Marty et Pierre Brissaud, suivis de Georges Lepape et Dammicourt ; et enfin ses amis de l'École des beaux-arts que sont George Barbier, Bernard Boutet de Monvel, ou Charles Martin. D'autres talents viennent rapidement rejoindre l'équipée : Guy Arnoux, Léon Bakst, Benito, Boutet de Monvel, Umberto Brunelleschi, Chas Laborde, Jean-Gabriel Domergue, Raoul Dufy, Édouard Halouze, Alexandre Iacovleff, Jean Émile Laboureur, Charles Loupot, Charles Martin, Maggie Salcedo. Ces artistes, inconnus pour la plupart lorsque Lucien Vogel fait appel à eux, deviendront par la suite des figures artistiques emblématiques et recherchées. Ce sont ces mêmes illustrateurs qui réalisent les dessins des publicités de la Gazette. Les planches mettent en lumière et subliment les robes de sept créateurs de l'époque : Lanvin, Doeuillet, Paquin, Poiret, Worth, Vionnet et Doucet. Les couturiers fournissent pour chaque numéro des modèles exclusifs. Néanmoins, certaines des illustrations ne figurent aucun modèle réel, mais seulement l'idée que l'illustrateur se fait de la mode du jour. La Gazette du bon ton est une étape décisive dans l'histoire de la mode. Alliant l'exigence esthétique et l'unité plastique, elle réunit pour la première fois les grands talents du monde des arts, des lettres et de la mode et impose, par cette alchimie, une toute nouvelle image de la femme, élancée, indépendante et audacieuse, également portée par la nouvelle génération de couturiers Coco Chanel, Jean Patou, Marcel Rochas. Reprise en 1920 par Condé Montrose Nast, la Gazette du bon ton inspirera largement la no [Attributes: First Edition; Hard Cover] [Bookseller: Librairie Le Feu Follet]
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LOST KING OF OZ NEILL.J.R. (BAUM,L.FRANK) LOST KING OF OZ by Ruth Plumly Thompson. Chic: Reilly & Lee (1925) 4to, blue cloth, pict. paste-on, MINT IN DUST WRAPPER (dw near fine, price clipped, with a crease and mend on rear panel, listing this title last). 1st ed., 1st issue (H-G XIX) in 1st state dw. Illustrated with 12 color plates (coated one-side) plus pictorial ep's and b&w's thruout by J.R. NEILL. This is a magnificent copy of the 19th Oz title, rarely found in this condition with dust wrapper. [Bookseller: Aleph-Bet Books, Inc.]
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MAP OF AMERICA'S MAKING A Chart of Places and Events For those who would sail with the Discoverers seek freedom with the Colonists, follow the westward trails, subdue the Wilderness and behold THE BUILDING OF THE REPUBLIC. R.R. Bowker Company. New York. Copyright 1925, 1926, 1929. - Color pictorial / pictographic map, map 21 x 29 1/2 inches on sheet 23 1/2 x 32 1/4 inches, mounted on thick board with tape edge as issued. Wear to corners and one spot at upper right edge, small abrasion to paper at lower left corner outside of the map image, couple of tiny spots in image scarcely noticeable, overall map is in very good condition. A visual synopsis of early European American history with pictographs and text highlighting places and events. [Bookseller: old imprints ABAA/ILAB]
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ARABIAN NIGHTS DETMOLD. (DETMOLD,EDWARD)illus. THE ARABIAN NIGHTS. London: Hodder & Stoughton [1925]). Large thick 4to, full vellum, gilt pictorial covers, slightest cover bowing and blank endpapers foxed as usual else Fine and bright in custom vellum backed box. LIMITED TO ONLY 100 NUMBERED COPIES SIGNED BY DETMOLD! Illustrated with 12 exquisite tipped in color plates with tissue guards. A beautiful book, rare in the limited edition. [Bookseller: Aleph-Bet Books, Inc.]
20. Check availability: Biblio
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ORIGINAL ART: PETER RABBIT - POTTER,BEATRIX. ORIGINAL ART: PETER RABBIT. Offered here is an exquisite ink and watercolor drawing of Peter Rabbit, presented by Potter to Anne Carroll Moore, the influential and opinionated head of children's library services for the New York Public Library and children's book author. Done circa 1925, the image shows Peter standing in front of a green leafy background. He is wearing a blue jacket and red shoes, holding a bouquet of pink flowers in one hand and an envelope in the other addressed "To Ann Caraway". The actual image measures 4" wide x 4 3/4" high on paper measuring 7" wide x 9 1/2" high. The paper is slightly faded on edges from where it had been matted, the verso has some narrow old tape marks and some tiny spots, overall Fine condition with the colors fresh and rich. It is signed and inscribed by Potter in 4 lines beneath the picture: Congratulations to / Anne Carroll Moore / from little Peter Rabbit and / Beatrix Potter". Moore first discovered Potter's work during her time as Children's Librarian at the Pratt Institute Free Library in Brooklyn, becoming one of Potter's early American admirers. After the first World War Moore traveled to Europe to help replenish devastated children's libraries and while there she contacted Potter (as well as Leslie Brooke and Walter de la Mare). This began a friendship with Potter that lasted more than 20 years. About this first meeting Moore remembered "her bright blue eyes sparkled with merriment and her smile was that of a child who shares a secret, as indeed she did. She spoke with the tang of the north country. No welcome could have been more cordial than hers to Hill Top Farm." [from "An Appreciation" the introduction to The "Art of Beatrix Potter" edited by Linder and Herring, 1955]. Although they were to meet only once more in person, the two kept up a regular exchange of letters, books and photos in which Potter's admiration of Moore was evident. Although the painting is not dated, it is undoubtedly circa 1925 sent to Moore after the publication of her first children's book, "Nicholas: A Manhattan Christmas Story" about a wooden doll and its owner Ann Caraway (the name on the envelope that Peter is holdi [Attributes: Hard Cover] [Bookseller: Aleph-Bet Books, Inc. - ABAA]
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Brautwerbung. Käfer-Ritter, von einem Zwerg begleitet, wirbt mit einer Kette um das Akelei- und Rapunzel-Fräulein. Farblithographie von 4 Platten. . 47 x 37 cm , 23 x 17 cm, Einriss am linken Rand (1, 5 cm ins Blatt, hinterlegt) Rechts unten im Stein signiert: E. Kreidolf. [Huggler 222. - Jahresgabe der Bernischen Kunstgesellschaft 1925]. [Bookseller: antiquariat peter petrej]
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Schloss Seeburg. Federzeichnungen und Radierungen. M. einem baugeschichtlichen Abriß v. Pfr. Düll. M. 10 signierten Originalradierungen u. 4 montierten Abbildungen v. H. Wäscher Privatdruck,, Seeburg 1925 - 4to. OPrgt. m. montiert. Deckelschild. 4 Bl. Etw. fleck. u. berieben. Nr. 3 einer wohl kleinen Auflage des Privatdrucks auf Bütten. Vom Autor signiert. [Attributes: Signed Copy] [Bookseller: Magdeburger Antiquariat]
23. Check availability: ZVAB
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ULYSSES 1925. Paperback. T.S. ELIOT'S SECRETARY'S COPY JOYCE, James. ULYSSES. Paris: Shakespeare and Company, 1925. The seventh edition. 735 pp. (which includes the last 4 pages as "Additional corrections") Bound in original blue wrappers. Wear along the hinges, two small chips at the tail of the spine, and a tape repair inside the front flap of the front cover fold. Overall an appealing copy in a custom box. This copy belonged to John Hayward with his ink signature on the front flyleaf. "For eleven years, from 1946 to 1957 (Hayward) shared a house with his close friend ... T.S.Eliot, gathering and archiving Eliot's papers." He compiled and edited Eliot's Poems Written in Earyl Youth. During this period he thought of himself as "The Keeper of the Eliot Archive." (Wikipedia John Day Hayward) [Bookseller: Boston Book Company]
24. Check availability: Biblio
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Albumblatt mit eighd. Signaturen des Rosé-Quartetts: Arnold Rosé, Paul Fischer, Anton Ruzitska, Anton Walter. [16. August 1925: Kammerkonzert]. [ca. 24,8 x 21,7 cm] Vgl. Jaklitsch III 5. - Leichte Gbrsp., leichte Lichtschatten bzw. leicht stockfleckig, kl. Tintenkrakler in rechter oberer Ecke, linker Rand beschnitten, kl. Bleistift-Notiz: 16.8.1925 Kammerkonzert. [Bookseller: Antiquariat Weinek]
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The Uncollected Work. London: John Lane The Bodley Head Ltd.; Dodd, Mead and Company, New York,, 1925. With an Introduction by C. Lewis Hind. Quarto. Original blue cloth with black lettering to spine and cover with pictorial design to cover. With the dust jacket with same design in blue. Printed on japon. Frontispiece from a painting of Beardsley by Jacques Blanche. Illustrated title page, 161 further plates including caricature by Max Beerbohm, 5 portraits of Beardsley and sketches in various letters. Inner hinge cracked at head and tail, shelfwear to lower edges; still an excellent copy. First edition, uniform with The Early Work and The Later Work of Aubrey Beardsley, issued the same year. [Bookseller: Peter Harrington]
26. Check availability: Biblio
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Untitled Abstraction with Magnets This piece was given the date 1925-1930 for the UCSB Rexroth retrospective in 1981. A slightly North-of-centre white square is contained within a black magnet, with a red horizontal bar encasing the magnet, and a yellow magnet is poised at the bottom of the composition. The simple, flat geometrical forms are presented against a grey background. The magnets that appear in this piece are a recurring motif in Rexroth's paintings of this period, at times in fragmented or partial form, often used with geometric lines, shapes or grids, and contrasting tones or colors to suggest fields of opposing forces Wax, silica, and pure decorator colors on wooden board or Masonite, 15 7/8" wide x 18" high, ca. 1925-1930, signed "Kenneth Rexroth" in pencil, and framed by the artist. Undated and untitled. Loose in the frame, some cracks in the paint, otherwise in fine condition. [Bookseller: James S. Jaffe Rare Books LLC]
27. Check availability: Biblio
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L'étoile au front Paris, Lemerre, 1925. - LIVRES Édition originale sur beau papier Japon; Couvertures et dos conservés ainsi que le catalogue des éditions Lemerre avec les critiques .Très belle condition. 1 volume in-8°. Plein box mauve, dos long, tête dorée, couv. et dos cons. Rel. Seigneur [Attributes: First Edition; Hard Cover] [Bookseller: Librairie Seigneur]
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Paris Soir" - Signed Watercolor - Original watercolor on paper with pen and ink by the important French poster artist, known for his 1925 poster for the Revue Nègre which helped launch the career of Josephine Baker. The painting depicts an angelic figure in flight, heralding news from the daily newspaper Paris-Soir with a trumpet. Signed at the lower left. Scattered foxing throughout, overall even toning, and some wear to the frame. 12.25 x 15 inches, framed to 16.5 x 19 inches. From the Estate Collection of Yves Georges Prade.One of France's greatest poster artists, Colin was made famous in 1925 for his exotic poster for the Revue Nègre, an all-black show which featured a nineteen-year-old Josephine Baker. Baker, dancing practically nude in revealing costumes, sometimes accompanied by a live cheetah, soon caused a sensation in Paris. Colin and Baker became lovers and lifelong friends; she served as his muse, while he promoted her career, introducing her to Parisian society and immortalizing her in many memorable poster designs. His 1929 portfolio of lithographs, Le Tumulte Noir, recently exhibited at the Smithsonian, features Baker in two images, and captures the Baker-crazed spirit of the time. [Bookseller: Schubertiade Music]
29. Check availability: AbeBooks
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Bildnis Frau S. [Rückseitig: 1925 meine Frau]. Oel auf Leinwand. 83 x 63 cm, gerahmt., Gereinigt und restauriert. Rechts unten signiert. Ebenso auf Rückseite der Lwd., handschriftliche: A. Soldenhoff, (VIII, 44), 1925 meine Frau, ausserdem handgeschriebenes Etikett: A. Soldenhoff, 9. Bildnis von Frau S., unverk.?.- Alexander Soldenhoff (1882-1951): 1886 zog die aus polnischem Adel stammende Familie Soldenhoff von Genf nach Zürich. Alexander verbrachte ab 1898 den Sommer regelmässig in Linthal. Ersten Zeichenunterricht erhielt er an der Kunstgewerbeschule Zürich bei Hermann Gattiker, 1902-05 war er Schüler von Rudolf Koller. Den wichtigsten Anstoss für Soldenhoffs künstlerische Entwicklung gab ein Aufenthalt in Paris 1904. Anschliessend trat er eine Stelle als Zeichenlehrer an der Höheren Stadtschule in Glarus an, wo er nebenbei malte und Privatschüler ausbildete. Nach der Heirat mit Anna Zweifel 1906 erwarb er bei Linthal ein kleines Anwesen, in dem er 1917 ein Atelier einrichtete. Nach ersten Ausstellungserfolgen in Deutschland übersiedelte Soldenhoff nach Frankfurt am Main. Hier wirkte er zwischen 1908 und 1912 als Bühnenbildner und künstlerischer Beirat am Schauspielhaus und an der Oper. 1914 kehrte er nach Linthal und Zürich zurück, behielt aber bis 1922 sein Atelier in Frankfurt. In den 20er Jahren beschäftigte sich Soldenhoff zunehmend mit dem Flugzeugbau. Erst nach dem Scheitern seiner Bemühungen, ein taugliches eigenstabiles schwanzloses Pfeilflugzeug herzustellen, widmete sich Soldenhoff wieder ganz der Kunst. Die letzten Jahre verbrachte er in Ascona. Seine Werke wurden an vielen Ausstellungen gezeigt 1934 und 1935 fanden in den Kunstmuseen von Winterthur und St. Gallen Einzelausstellungen statt 1952 und 1982 veranstaltete das Kunsthaus Glarus Gedächtnisausstellungen.Provenienz: aus einer Glarner Privatsammlung. [Bookseller: antiquariat peter petrej]
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Costa amalfitana 1925. Brossura (wrappers) 50 disegni. Cm 30x25. pp. 8 n.n.+ tavole. Dedica e firma autografe dell'Autore (Inscribed and signed by the Author). Ottimo (Fine). Prima edizione (First Edition). Primo libro di Favai. [Bookseller: Studio Bibliografico Marini]
31. Check availability: maremagnum.com
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The Sanitary Laws and Regulations of Japan. Sanitary Bureau, Department of Home Affairs, Tokyo 1925 - 8vo, ix, 411, 16 (Appendices)pp, brown cloth with gilt lettering, endpapers and all edges marbled, ex-library stamps on the title-page [Attributes: Hard Cover] [Bookseller: Far Eastern Booksellers / Kyokuto Shoten]
32. Check availability: AbeBooks
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A History of English Wallpaper 1509 - 1914 With 70 Plates in Colour and 190 Illustrations in Half-Tone B. T. Batsford Ltd., London 1925 - Georgeous full vellum binding, with gilt lettering, and a special autographed copy, numbered 5 (of an unspecified number), signed by both authors and presented to "The Wall Paper Manufacturers Ltd". Folio, 33.5 by 26.5 cm, 13 by 10 inches. xiii, 281 pp. Lavish book on subject, with heavy paper, beautiful plates, 70 in color, with an extensive history that makes this work serve well as both a scholarly treatise on the subject and a pleasurable "coffee table" book as well, inviting casual dips into its pages. Minor soiling on the vellum, with also trivial rubbing of the gilt lettering. Slight looseness of the front hinge. [Attributes: First Edition] [Bookseller: White Fox Rare Books, ABAA/ILAB]
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Six Years with the Texas Rangers 1875-1881 Yale University Press, New Haven, Connecticut 1925 - 259 pp., frontis, index, photographs. Introduction by M.M. Quaife. A fine, tight, unmarked, sharp cornered copy with the bookplate of New York politician D.A. Eiseline on front paste down, in a very good + unclipped dust jacket. Without a doubt one of the best books ever written about the early exploits of the Texas Rangers. Very scarce in the elusive dust jacket, Six-Guns #829 note, Rader 1591, Phelps, Cattle and Outlaws #610. [Attributes: First Edition; Hard Cover] [Bookseller: K & B Books]
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Der Weltkrieg 1914-1918. Die militärischen Operationen zu Lande. Hier in 12 Bänden komplett ! Berlin, Mittler & Sohn Verlag, 1925. 8°, betitelte und verzierte Original-Halbleder-Bände mit Goldprägung - I: Die Grenzschlachten im Westen (XVI,720 Seiten mit 7 Faltkarten), II: Die Befreiung Ostpreussens (XVI,390 S. mit 14 Faltkarten), III: Der Marne-Feldzug. Von der Sambre zur Marne (XI,427 S. mit 7 Karten und 11 Skizzen), IV: Der Marne-Feldzug. Die Schlacht (XII,576 S. mit 10 Karten und 6 Skizzen), V: Die Herbst-Feldzug 1914 im Westen bis zum Stellungskrieg, Im Osten bis zum Rückzug (XVI, 643 S. mit 18 Karten und 14 Skizzen), VI: Der Herbst-Feldzug 1914 Der Abschluss der Operationen im Westen und Osten (XIV, 500 S. mit 21 Karten und Skizzen), VII: Die Operationen des Jahres 1915. Die Kreignisse im Winter und Frühjahr (XIII, 493 S. mit 40 Karten und Skizzen), VIII: Die Operationen des Jahres 1915. Die Kreignisse im Westen im Frühjahr und Sommer, im Osten vom Frühjahr bis zum Jahresschluss (XIV, 666 S. mit 39 Karten und Skizzen), IX: Die Operationen des Jahres 1915. Die Kreigsnisse im Westen und auf den Balkan von Sommer bis zum Jahresschluss (XIV, 519 S. mit 34 Karten und Skizzen), X: Die Operationen des Jahres 1916 bis zum Wechsel in der Obersten Heeresleitung (XVI,706 S. mit 45 Karten), XI: Die Kriegsführung im Herbst 1916 und im Winter 1916/17. Vom Wechsel in der Obersten Heeresleitung bis zum Entschluss zum Rückzug in die Siegfried-Stellung (XVI, 545 S. mit 37 Karten und Skizzen), XII: Die Kriegsführung im Frühjahr 1917 (XVI,606 Seiten mit 31 Beilagen davon 26 Karten und Skizzen). Einbände und Einbandkanten leicht ber. und best. sonst schöner und KOMPLETTER Zustand ! - 1925 - 1939. Sehr schöne und KOMPLETTE ! Halblederausgabe ! Mit ALLEN Faltkarten und Skizzen - Selten so komplett ! a92867 Versand D: 6,00 EUR Erster Weltkrieg I, Nachschlagewerke [Bookseller: Antiquariat Ehbrecht]
35. Check availability: buchfreund.de
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The Great Gatsby New York: Charles Scribners, 1925. First edition, first state with "chatter" p.60, "northern" p.119, "sick in tired" p.205, and "Union Street station" p. 211. Octavo, original dark green cloth. In very good condition. In 1922, Fitzgerald announced his decision to write "something new--something extraordinary and beautiful and simple and intricately patterned." That extraordinary, beautiful, intricately patterned, and above all, simple novel became The Great Gatsby, arguably Fitzgerald's finest work and certainly the book for which he is best known. A portrait of the Jazz Age in all of its decadence and excess, Gatsby captured the spirit of the author's generation and earned itself a permanent place in American mythology. Cyril Connolly called The Great Gatsby one of the half dozen best American novels: "Gatsby remains a prose poem of delight and sadness which has by now introduced two generations to the romance of America, as Huckleberry Finn and Leaves of Grass introduced those before it" (Modern Movement 48). [Bookseller: Raptis Rare Books]
36. Check availability: Biblio
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Sculpture Khmere Ancienne, La White Lotus, Paris 1925 - Sculpture Khmere Ancienne, La [Attributes: Soft Cover] [Bookseller: SEATE BOOKS]
37. Check availability: AbeBooks
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The Great Gatsby New York: Charles Scribner's Sons. 1925. First. First edition, first issue. Uniform light toning on the endpapers, bottom corner of front board a little bumped still easily a fine copy with the gilt spine lettering bright, lacking the dustwrapper. Housed in a custom embossed paper over boards clamshell case with gilt spine lettering. A far better than usual copy of this American classic. Connolly 100. . [Bookseller: Between the Covers- Rare Books, Inc. ABA]
38. Check availability: Biblio
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Fjordtorsk pilkes fra havis. Jigging fiord cod from the sea ice. 2 akvareller/watercolour drawings. 9,2x14,2 cm. Diskobugten ca. 1925. Indsat i syrefrit passepartout. Grønlænderen Jakob Danielsen var født på Disko øen, hvor han levede sit liv som fanger og kunstner. På foranledning af Ph. Rosendahl, der var landsfoged for Nordgrønland, begyndte han i 1924 at beskrive sin egen og sit folks kultur i billeder. I den lyse tid brugte han akvarel og farver - i den mørke tid, var det blyanten, der blev anvendt. Af den serie på ca. 400 tegninger han udførte for Ph. Rosendahl befinder de fleste sig i dag på Nationalmuseet eller Sophienholms permanente samling i Lyngby. The native Greenlander was born on the Disco Island, where he lived his life as hunter and artist. Encouraged by Ph. Rosendahl, who worked for the danish goverment i North Greenland, he started in 1924 to tell his and his peoples culture in pictures. In the summertime he used watercoulor and in the wintertime he used pencil. Most of the aprox. 400 pictures he made for Ph. Rosendahl are to day owned by the National Museum. [Bookseller: Peter Grosells Antikvariat]
39. Check availability: Antikvariat
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Nouvel Empire [ Livre dédicacé par Jacques Benoist-Méchin, avec une L.A.S. de Fritz von Unruh à Benoist-Méchin et une L.A.S. de Benoist-Méchin ] Traduction, avec une Préface, des Arguments et des Notes par Benoist-Méchin, 1 vol. in-12 reliure de l'époque demi-maroquin vert, dos à 5 nerfs dorés orné, tête dorée, supra-libris en mors du Château de Vertcoeur, Aux Editions du Sagittaire, Simon Kra, Paris, 1925, 179 pp. Bel exemplaire provenant de la bibliothèque du Comte Philipon, enrichi d'un envoi de Jacques Benoist-Méchin, et de deux lettres autographes signée, la première (en allemand) de Fritz von Unruh à Benoist-Méchin (datée du 20 juillet 1923à, dans laquelle il lui recommande un de ses amis romaniste pour la traduction, et évoque également la difficulté des temps présents ("Wir haben durch die Abspannung von jeder Aussenwelt zu leiden. Wann wird der Zustnd des Wahnsinningen in der Welt Enden ?") ; la seconde de Benoist-Méchin (à en-tête de The Universal Service) dans laquelle il évoque l'édition de l'ouvrage. Ecrivain antimilitariste, Fritz von Unruh (1885-1970) s'opposera avec force au nazisme et quittera l'Allemagne dès 1932, pour n'y retourner qu'en 1962. Remarquable exemplaire "à la croisée des chemins"... Français [Bookseller: Librairie Du Cardinal]
40. Check availability: maremagnum.com
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