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Displayed below are some selected recent viaLibri matches for books published in 1925

        De la elegancia mientras se duerme

      Excelsior, París 1925 - 1ªedición. Dedicado por el autor. Grabados en madera de Raul Monsegur. Editorial Excelsior. Primera edición, París, 1925. 14,5x22cm, 160 pag. Rústica de editorial, conserva todas las barbas. Ejemplar con algunas señales de uso/tiempo, foxing y pequeños cortes en lomo, libro protegido por papel cristal y estuche protector.Los pagos por Paypal tienen un cargo adicional del 5% [Attributes: Soft Cover]

      [Bookseller: El Archivo]
 1.   Check availability:     AbeBooks     Link/Print  

        Vorlagenbuch der Brüsseler Spitzen-Manufaktur Van de Plassche mit zahlreichen Jugendstil-Mustern.

      Brüssel, ohne Jahresangabe (meist um 1900, bis 1925 reichend). - Mit über 100 einmontierten Druckvorlagen auf ca. 90 unnumerierten Blättern. Folio quer, Format ca. 48,5x65 cm), Halbleinenband der Zeit. Zu einem Drittel gefülltes, großformatiges Vorlagenbuch mit einmontierten Mustern für Spitzenarbeiten, auf dünne Durchpausblättern montiert. Kalligraphisch ansprechend handschriftlich beschriftet und betitelt, einige Male auch mit zeichnerischen Ergänzungen und Ausschraffierungen der Vorlagen. Größtenteils in dekorativer Jugendstil-Ornamentik versehene Vorlagen für Blusen, Kragen, Ärmelapplikationen etc.p.p., am Ende einige wenige in der Machart des Art Decos. Einige Male an den Ecken der Blätter mit Firmenstempel versehen: Broderies fine, Van de Plassche, Bruxelles. In einem übergroßen Einband der Zeit. Der Einband etwas beschabt, durch das Einmontieren der Muster vereinzelter Wellenwurf der Seiten, gelegentliche Randläsuren.

      [Bookseller: Antiquariat Thomas Mertens]
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        The Writings of William Blake. In Three Volumes [with] The Life of William Blake (With 4-Page Addendum)

      London: The Nonesuch Press, 1925. Together four (4) volumes. THE WRITINGS OF WILLIAM BLAKE. 1925. No. 1041 of an edition limited to 1500 copies printed by the Chiswick Press on Vidalon handmade paper. Illustrations printed by collotype except for frontispiece in vol. 1 printed by Emery Walker. Vol. 1: pp. xviii, 364, 31 illustrations; Vol. 2: vii, 397, 10 illustrations; Vol. 3: vii, 430, 20 illustrations. Quarter vellum and marbled boards, gilt-stamped spine titles, top edges trimmed other uncut, uniform binding with: "The Life of William Blake" by Mona Wilson. Lightly handwritten in pencil at head of free endpaper in volume 1: 'From the Library of Holbrook Jackson', with his bookplate laid in at end of each volume as was his custom, bookplate on the front pastedown of each volume of Kenneth Glover by S.B., also his signature and date of 1953 to the rear flyleaf of each volume, bookplate of Canadian literary giant, Robertson Davies to front pastedowns of each volume. Spines gently dust soiled, corners slightly bumped and rubbed, else a very good, clean, square set. THE LIFE OF WILLIAM BLAKE by Mona Wilson. No. 959 of an edition limited to 1480 copies, printed at the Chiswick Press on Vidalon handmade paper. 24 illustrations printed by collotype and tipped-in. Includes the loosely inserted 4-page Addendum or supplement printed in 1928. Pp. xv, 397. Quarter vellum and marbled boards, gilt-stamped spine lettering, top edge trimmed, others uncut. This copy also with the bookplate of Robertson Davies to front pastedown, spine slightly dust soiled, lower front cover rubbed, else a very good and clean copy. Dreyfus: History of the Nonesuch Press, #24 & #40. A nice set with an interesting provenance.. Limited Edition. Hardcover. Very Good. 4to.

      [Bookseller: Karol Krysik Books, Member ABAC, IOBA]
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        L'ombilic des limbes

      First edition, one of 793 numbered copies on vellum.Bound in full black morocco, flat spine, a vertical band of red snakeskin leather on upper cover, guards and contreplats of gray paper, wrappers preserved and bound in.autograph dedication of the author autograph signed and dated by Antonin Artaud Dr. Villefrand.Illustrated book, frontispiece, a portrait of the author by André Masson.Nice copy. Nrf Paris 1925 12,5x18,5cm relié

      [Bookseller: Librairie Le Feu Follet]
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        Bauhausbanduumlcher 4 Die Banduumlhne im Bauhaus


      [Bookseller: Maggs Bros. Ltd.]
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        Original Watercolor of Henrik Ibsen and Four of his Heroines.

      1925. A humorous cartoon measuring 10 by 8 1/2 inches. Celebrated playwright Henrik Ibsen, shown in caricature with a wild beard and hair, is depicted surrounded by four of his heroines, including Hedda Gabler and Nora from A Doll's House. Not all seem very happy to see him: Hedda points a pistol at Ibsen's back. The caption reads, "Henrik Ibsen besought by certain of his heroines to ameliorate their destinies." Hugh Deane was a Kensington-based artist, known primarily for his work on magazines and periodicals of the 1920s and 30s. Brightly colored, in the style of nineteenth-century watercolors. A few small spots of rubbing to Nora's plaid skirt, else fine.

      [Bookseller: Bromer Booksellers]
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        ATLAS OF THE BRITISH EMPIRE. Reproduced from the original made for Her Majesty Queen Mary's doll's house.

      With 12 double-page maps printed colour. Original gilt, morocco wraps. 42x33mm. A fine copy. Spielman 13. Bondy: 'To our knowledge this rare volume is the smallest miniature atlas in existence.'.

      [Bookseller: David Miles]
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        The Common Reader - Series One and Two

      The Hogarth Press, 1925 Comprising: The Common Reader - a first edition, first printing published by The Hogarth Press in 1925. A very good book with some off-setting to the rear endpapers. Some wear to the edges and corners and some darkening to the spine. No inscriptions. Small slit to the spine edge. NO dust wrapper. The Common Reader series Two: A near fine book without inscriptions. Some toning to the top edge of the text block. In a very good unclipped wrapper with some light chipping to the spine tips and to the corners. A little light chipping to the edges. Beautifully coloured spine. The first series had 1250 printed and the second 3200. Both first state boards.[removed][removed]

      [Bookseller: John Atkinson Books]
 8.   Check availability:     Biblio     Link/Print  

        Eastern Hat Company, Aberdeen, Hong Kong, 1923- 25.

      This group of documents relate to the founding of an Australian Hong Kong business venture in 1925 Eastern Hats Limited.This archive comprises: The stamped agreement between an Australian businessman resident in Hong Kong at the time, William Leslie Andrews, and two Hong Kong businessmen, Kwong Fai Nam and Fung Tat Hang. Registered in Australia with the aim of "the erection of a Felt Hat Factory in the Colony of Hongkong for the manufacture and sale of felt hats of all kinds". 4pp + [1]blank. Foolscap. Eastern Investments Proprietary Limited. Estimated Statements Re the Proposed New Company. Eastern Hats Limited. [12]pp, foolscap. Statements include details of estimated wages, number of employees etc. Seven letters from Hong Kong companies and one American company largely of a congratulatory nature on the letterheads of Edward D. Shank, Architect, Surveyor and Engineer; Wing On Company Ltd; The Sincere Company Ltd; The Sun Company Ltd; Hong Kong Rope Manufacturing Company Limited; Andersen, Meyer & Co Ltd; all of Hong Kong and Turner Machine Co of Danbury, Connecticut. The letter from the manager of the Wing On Co. Ltd reflects the sentiment "... we have no doubt that your establishing a Felt Hat Factory in the Colony of Hongkong is a new and worthy enterprise which will surely be highly welcomed by the people of Hongkong as well as by people of South China.." Four other documents include a proxy for William L. Andrews to vote on behalf of Mr Kwong at the General Meeting in Melbourne, on Kue Yuen Hong Company letterhead; letter from The HongKong Rope Manufacturing Company finalising purchase of property; statement of interest on the account and note of interest payable.Architectural blueprint for a "Felt Hat Mill", Edward D. Shank architect. Folded with creases and some staining. 70 x 104cm.Visiting card box with label of A. Ying & Co, 22 Pottinger St Hong Kong. Card of William L. Andrews "Special Reporter, The Draper of Australasia", Melbourne inside. 5 x 9 x 2cm. (When referring to this item please quote stockid 156712).

      [Bookseller: Asia Bookroom]
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        A GALLERY OF CHILDREN. Illustrations by Saida (H. Willebeek Le Mair.)

      Illustrated with twelve mounted colour plates. Limited edition of 500 copies, numbered and signed by the author, A. A. Milne. Original white pictorial buckram, gilt. Some light spotting to the endpapers and a few very minor marks occasionally, else an exceptionally clean copy.

      [Bookseller: David Miles]
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        Dr. Musallam`s Zauberbibel. [7 Teile in 1 Band]. Erstausg.

      Berlin-Weissensee, Adonistischer Verlag [E. Bartels Verlag], [1925]. - 60 S., 2 Bll. / 104 S., 4 Bll. / 48 S., 6 S. (Bildteil), 1 Bl. / 110 S., 1 Bl. / 43 S., 2 Bll. / 117 S., 1 Bl. / 4 Bll., 40 S., 4 Bll.; mit Textabb., 8°, Priv. Halbleinen mit aufgezogenem O-Deckel u. Rückenschild Wird genannt in Gregorius: Exorial (Literatur Magie); Siehe auch Dr. Franz Sättler-Musallam Bibliographie von Wolfgang Kistemann in: Der Adept, Sinzheim 2004. - Enthält: I. Chartomantik oder die Kunst, aus den Karten die Zukunft vorherzusagen; II. Astrologie oder die Kunst, aus den Sternen Schicksal und Zukunft vorherzusagen; III. Oniromantik oder: Die Kunst der Traumdeutung; IV. Magie oder die Kunst der Zauberei; V. Chiromantik oder die Kunst, aus den Linien der Hand Schicksal und Zukunft vorherzusagen; VI. Alchimie oder die Kunst, den Stein der Weisen herzustellen, der die Kraft besitzt, alle Krankheiten zu heilen und unedle Metalle in Gold zu verwandeln; VII. Nekromantik oder Die Kunst der Totenbeschwörung. (Alle Teile erschienen auch separat). - Franz Wenzel Sättler (1884-1942?, Dr. Musallam), Doktor der Orientalistik, Reiseschriftsteller, Magier, Okkulthändler, Sozialreformer u. Rebell für sexuelle Freiheit sowie Begründer des Adonismus. - Einband berieben, bestossen u. etwas fleckig; vorderes Innengelenk angeplatzt; Titel u. letztes Blatt mit Leinwandstreifen u. jew. zwei Siegellackmarken (der Leinwandstreifen musste aufgeschnitten werden, um das Buch öffnen zu können); wie bei einem Vergleichsexpl. ohne die 49 Orakelkarten als Beilage zur Chartomantik; tlw. braunfleckig; papierbedingt gebräunt, sonst ein gutes Expl. - Sehr seltene Originalausg. [Attributes: First Edition]

      [Bookseller: Versandantiquariat Hans-Jürgen Lange]
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        The Marmosite's Miscellany

      Hogarth Press, London 1925 - First Edition. 8vo. 23pp. Publishers Patterned Floral Boards. Rubbing and Slight Loss at Corners. Previous Owner Inscription. Woolmer 59 . PBFA Member. We Welcome Direct Contact With Our Customers. If You Require Any Further Information or Images Please Click On 'Ask Bookseller a Question' Link. [Attributes: First Edition; Hard Cover]

      [Bookseller: Neil Ewart]
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        The Book of American Negro Spirituals. Edited with an Introduction by James Weldon Johnson. Musical arrangements by J. Rosamond Johnson.

      4to., original cloth lettered on spine and upper board. A very good copy. First edition. Inscribed by James Johnson "For George Gershwin, Sincerely James Weldon Johnson". Howard Pollack in his George Gershwin: His Life and Work comments "Of the black artists associated with Van Vechten, Gershwin established a special closeness with brothers James Weldon Johnson and J. Rosamond Johnson. In earlier years, the Johnsons had been a songwriting team much like the Gershwins with attorney James Weldon the scholarly lyricist and New England Conservatory graduate J. Rosamond the well trained composer. In the spirit of the Harlem Renaissance, the Johnson brothers also cultivated an interest in African American folk music. In 1925 and 1926, at the movement's zenith, they brought forth two volumes of Negro Spirituals. Each spiritual bore a dedication to some friend or hero including Booker T Washington and W.E.B, Du Bois, dedications that taken together helped chart the social terrain of the Harlem Renaissance. They dedicated "In Dat Great Gittin' Up Mornin'" (In the Second Volume) to Gershwin who was, with Percy Grainger and Fritz Kreisler, one of the small number of white composers so honoured...James Weldon, on hearing of Gershwin's death, sent Ira a telegram stating, "America has lost a great composer. Personally I feel his loss as a friend." The importance of Negro spirituals on Gershwin is readily apparent. In 1925, the year this book was published, he declared "I think it [Jazz Opera] should be a Negro opera, almost a Negro 'Scheherazade'. Negro, because it is not incongruous for a Negro to live jazz. It would not be absurd on the stage. The mood could change from ecstasy to lyricism plausibly because the Negro has so much of both in his nature. That type of opera could not, I am afraid, be done at the Metropolitan. It is a typically opera comique venture. I would like to see it put on with a Negro cast. Artists trained in the old tradition could not sing such music, but Negro singers could. It would be a sensation as well as an innovation." Pollack again comments, "Throughout the remainder of 1925, Gershwin occasionally voiced his intention of writing an opera for African American singers, adding that Carl Van Vechten was helping him find "a suitable libretto". "I shall certainly write an opera", he stated in the fall. "I shall write it for niggers. Blacks sing beautifully. They are always singing; they have it in their blood. They have jazz in their blood too, and I have no doubt that they will be able to do full justice to a jazz opera." The gestation of Gershwin's 'jazz opera' into Porgy and Bess did not see fulfilment until the 1930's. "The opera's distinctive absorbtion of African American oratory and music underpins its great individuality, including allusions to a wide range of black popular music from W.C. Handy to Cab Calloway; and black folk music, from street cries and children's ditties to, above all, the Negro spiritual, which informs not only many of the opera's songs and choruses but its recitatives as well."

      [Bookseller: Henry Sotheran Ltd.]
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        A Bibliography of the Writings of D. H. Lawrence.

      Philadelphia: The Centaur Book Shop,, 1925. With a Foreword by D. H. Lawrence. Octavo. Original natural quarter cloth, blue batik paper boards, titles on white spine label, top edge trimmed. Frontispiece portrait of Lawrence with tissue guard, plate, title printed in blue and black. Contemporary bookplate. Spine browned, wear to extremities, small stain to fore edge, foxing to tissue guard; still a very good copy. First edition, first printing, signed limited issue, one of 100 large-paper copies signed by Lawrence and the bibliographer on the limitation page; there were 500 regular copies printed at the same time. Lawrence's foreword, "The Bad Side of Books" ("What do I care for first or last editions?... To me, no book has a date, no book has a binding"), was reprinted in Phoenix: Posthumous Papers (1936).

      [Bookseller: Peter Harrington]
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        A Bibliography of the Writings of D. H. Lawrence. With a Foreword by D. H. Lawrence.

      Philadelphia: The Centaur Book Shop, 1925 - Octavo. Original natural quarter cloth, blue batik paper boards, titles on white spine label, top edge trimmed. Contemporary bookplate. Spine browned, wear to extremities, small stain to fore edge, foxing to tissue guard; still a very good copy. Frontispiece portrait of Lawrence with tissue guard, plate, title printed in blue and black. First edition, first printing, signed limited issue, one of 100 large-paper copies signed by Lawrence and the bibliographer on the limitation page; there were 500 regular copies printed at the same time. Lawrence's foreword, "The Bad Side of Books" ("What do I care for first or last editions? To me, no book has a date, no book has a binding"), was reprinted in Phoenix: Posthumous Papers (1936). Roberts and Poplawski B16. [Attributes: First Edition; Signed Copy]

      [Bookseller: Peter Harrington. ABA member]
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      London: T. Fisher Unwin, 1925. Later printing. Hardcover. Very good+. Inscribed by Author(s). Maugham's first book, ninth impression. 12mo (7 1/2 in. tall). Inscribed by Maugham on title page: "This really is what Lambeth / was like when I was a / medical student at / St. Thomas's Hospital. / W. Somerset Maugham." Association copy, with the owner's signature "de V. Payen-Payne," James Bertrand de Vincheles Payen-Payne (1866-1945), an English author, editor and translator. Publisher's binding. Very good exterior: spine lightly faded and slightly rolled; tail rubbed and corner bumped; faint soiling to covers. Fine interior. Novel. Maughamiana 1.

      [Bookseller: EXCELSA SCRIPTA Rare & Collectible Books]
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        Der steinerne Gast. Deutsch von Johannes von Guenther. Lithographien von Josef Eberz.

      München, Orchis-Verlag, 1925. 41 (1) S., 1 Bl. Mit 8 ganzs., handkolor. und sign. OGelatineradierungen und 8 Strichätzungen im Text von Josef Eberz. 4°, OPpbd. mit marmoriertem Bezug, mit Deckelschild Orchis-Drucke mit farbiger Graphik 2. - Sennewald, Eberz 23.4. Rodenberg 450.2. - Nr. 344 von 444 Ex.

      [Bookseller: Antiquariat Galerie Joy]
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        Chemins de Fer Paris-Lyon-Mediterranee. Palais et Foret de Fontainebleau. Excursions en autocars au depart de la gare de Fontainbleau. 1er Avril - 2 Novembre 1925...

      Paris. Chemins de Fer Paris-Lyon-Mediterranee. 1925. Color lithographic poster, 42 x 30 1/2 inches, with linen backing (itself vintage in age). Short tears and a few areas of small paper loss to edges (all outside main image area), fraying and wear to edges of linen and paper, some soft creases from rolling, faint spot to lower left corner; the image would display very well. A gorgeous lithograph illustrated by Julien Lacaze featuring a map detailing train and autocar routes and "Curiosites" around Fontainebleau, bordered by an illustration of the Chateau at Fontainebleau at the top and forest at the sides and bottom. The poster advertises bus excursions to the Palace and Forest of Fontainebleau, leaving Fontainbleau station from April 1 to November 2 1925. "32173" printed at lower left under image, "Soc. an. de. l'Imp. Maulde et Renou, Paris 34308" printed at lower right under image. Text in French.

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        Bubus [poster advertising the play, with photos of actors and actresses]

      Moscow: Meyerhold's Theatre; printed by Mospligraf, 1925. 42x28.5 inch poster featuring black and white photo portraits arranged around the title of the play, which is rendered in blocky green constructivist letters. One of 1000 copies. Chips to edges have been professionally repaired, most of the work having been done at lower right corner, and the paper has been de-acidified.

      [Bookseller: Bolerium Books Inc., ABAA/ILAB]
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        Die Odyssee. Von Vava Chagall autorisierte deutsche Ausgabe in 2 Bänden. Mit 43 Farbreproduktionen und den 39 einfarbigen Wiedergaben der OriginalLithographien von Marc Chagall. Text von Wolfgang Schadewald. 2 Bände (komplett).

      Groß-4. 38,5 cm. 305 (6) und 299 (6) Seiten. Original-Leinenbände in Original-Leinenbox. Bücher und Box mit goldgeprägtem Deckeltitel. Nummer 1925 von 2500 nummerierten Exemplaren. Mit zahlreichen Illustrationen. Sehr gute, tadellose Exemplare. Number 1925 of 2500 copies of the limited edition. With many illustrations. 2 Original cloth bindings in cloth-box. Fine condition.

      [Bookseller: Antiquariat Lenzen GbR]
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        Über quantentheoretische Umdeutung kinematischer und mechanischer Beziehungen.

      First edition Berlin: Julius Springer, 1925. First Paper on Quantum Mechanics. A very fine copy (not ex-library) of his breakthrough paper, announcing his discovery of matrix mechanics. "A severe attack of hay fever in early June forced Heisenberg's retreat to the island of Helgoland. There he completed the calculation of the anharmonic oscillator, determined the constants of motion, and obtained from his multiplication rule the Thomas Kuhn summation rule for spectral lines. After nearly two weeks on Helgoland, Heisenberg returned to Göttingen, where he drafted his fundamental paper 'Über die quantentheoretische Umdeutung kinematischer und mechanischer Beziehungen', which he completed in July. In this paper Heisenberg proclaimed that the quantum mechanics of atoms should contain only relations between experimentally observable quantities. The resulting formalism served as the starting point for the new quantum mechanics, based, as Heisenberg's multiplication rule implied, on the manipulation of ordered sets of data forming a mathematical matrix." (DSB). In: Zeitschrift für Physik, Vol. 33, pp.879-893. The complete volume offered (VIII,950 pp.) in a nice contemporary half calf binding with gilt spine lettering. Completely clean throughout - a fine copy.

      [Bookseller: SOPHIA RARE BOOKS]
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        Six Drawings by E. H. Shepard Illustrating Poems from When We Were Very Young.

      London: Methuen, (c. 1925). Folio. (6)ff. Copy number one of twenty copies signed and numbered by the author, A. A. Milne, and the illustrator, E. H. Shepard, in pencil. When We Were Very Young was Milne's first collaboration with Shepard, and the first of the four Christopher Robin books. Each of Milne's poems is printed in calligraphic script and surrounded by a border of several vignettes by Shepard. The six poems selected are "Teddy Bear," featuring the first appearance of Milne's most famous character, Winnie-the-Pooh, "Happiness," "Hoppity," "Vespers," "Lines and Squares," and "The Kings Breakfast." The broadsides are printed on Japan paper, mounted on mat board, and protected with tissue guards. On the reverse of each is a small label bearing the title and publisher's information. The poems are elegantly presented and intended for framing, and as a result, it is likely that many of these sets were broken up. The mounted broadsides range in size from 12 3/4 by 9 3/4 inches to 20 by 15 3/4 inches. Loose in a gray portfolio. Title labels for the set are mounted to the inside flap and inside back panel of the portfolio, and a slip with additional labels for each of the drawings, intended to be adhered to the back board of a picture frame, is also tipped in on the inside back panel. Short, closed tear to margin of one mat, not affecting the broadside, boards soiled, else a fine set of these rare broadsides.

      [Bookseller: Bromer Booksellers]
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        Lingual Exercises for advanced Vocabularians


      [Bookseller: Maggs Bros. Ltd. ]
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        LAURELES. Ilustra Aristides Vallejo. Lima 1925 Signed

      - Inicial: por Héctor Cuenca. Final: por José Gálvez. Lima, Imprenta Lucero, 1925, s/p. (88 pp.) Primera edición. (Incluye el poema “Égloga futurista”). Ejemplar con dedicatoria manuscrita del autor a toda página: En rústica original, con mínimas roturas en cubierta. [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Apartirdecero]
 24.   Check availability:     IberLibro     Link/Print  

        Josephine: Napoleon's Empress

      London, Methuen and Co. 1925. FIRST EDITION. Tall 8vo, publisher's green cloth titled in gilt, in original dustwrapper. A clean, bright copy of the book without the usual heavy foxing, hinges are tight, contents fresh; fine but for dicsreet gift inscription beneath front flap. In the scarce original jacket with printed titles and blurb, priced 10/6 to spine; wrapper has a few chips and tears, some rubbing end edgewear but is essentially a presentable example. An early title, which follows on from the author's first book 'Napoleon and his Court'. Rare in jacket.C.S. Forester was awarded the 1938 James Tait Black Memorial Prize, founded in memory of a partner in the publishing house of A. and C. Black Ltd., and is one of the oldest and most prestigious book awards in Britain.

      [Bookseller: Adrian Harrington]
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        A Map of New York which is Published by the Washington Square Bookshop. Here is a map to give you pleasure, a town reduced to your mantel's measure, city of gaiety, city of gold, your Bagdad on Hudson, three hundred years old....

      New York. Washington Square Bookshop. 1925. Color pictographic / pictorial map, 30 1/2 x 38 inches, professionally mounted on linen. Folds (as issued) with infill at fold intersections, pinholes, a few tears (minimized by linen backing). Very good condition. A vibrant bird's eye view of New York City humorously designed by Joseph B. Platt, with Battery Park in the lower right corner and Grant's Tomb and the Polo Grounds in the upper left. The map is bordered by decorative text that reads "Here is a map to give you pleasure, a town reduced to your mantel's measure, city of gayety, city of gold, your Bagdad on Hudson, three hundred years old". This scarce map published to celebrate the tricentenary of the purchase of Manhattan by the Dutch ("Little Miss New York Born 1626" reads a banner flying from the small plane to the right of the central compass rose) is quite extraordinarily modernist in character. It employs some of the graphic features of the new style of "wonder map" developed by MacDonald Gill in his London Underground map posters of the early teens and twenties, notably the "speech balloons" with comic quips explicating the city history and contemporary character and also in its decorative border with text of civic pride. However in the almost abstract coloration of its startling color palette, it stands alone. Examples of the quips: "Is this map to be formal or informal?"; a couple looking at the Woolworth Building exclaim "Oh Boy! That's some stack of dimes." The map was printed by the Ritchey Litho Corp. WorldCat lists a single library holding for this map, at Brown University; another copy is located at the Norman B. Leventhal Map Center (Boston Public Library)....

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        Ce vice impuni, la lecture... domaine anglais

      First edition, one of 90 numbered copies on laid Arches paper, deluxe edition after 45 China.Signed autograph Valery Larbaud citation form that takes a passage from page 104: "... I like to think of William Ernest Henley-especially as a valiant righter of wrongs."Nice copy wide-margined. Messein Paris 1925 15x21cm broché

      [Bookseller: Librairie Le Feu Follet]
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        Le coq d'or et d'autres contes

      L'édition d'art H. Plazza. First edition, one of 145 copies on Imperial Japan (model 145), illustrated with 19 boards except text colors and decorated with gold,L'édition d'art H. Plazza Paris 1925 23x30cm broché

      [Bookseller: Librairie Le Feu Follet]
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      Biblioteca Nueva, Madrid 1925 - Primera edicion. Encuadernacion original de editorial. Cubiertas en muy buenas condiciones. Ejemplar para coleccionistas. 217 págs.

      [Bookseller: Valentin Peremiansky]
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        La Sculpture au Siam.

      Paris & Brussels: G. van Oest, 1925. Folio, with 70 fine photogravure plates, three of them in colour, and a map; contemporary quarter vellum. A scarce book, evidently produced in quite a limited printing. This is an important study of the Buddhist sculpture of Thailand, handsomely produced and well illustrated. A fine copy.

      [Bookseller: Hordern House]
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        View of New York and Vicinity showing Good Automobile Roads.

      New York. George J. Nostrand. No date. Ca. 1925. Color map, lithograph, 19 5/8 x 29 1/2 inches on sheet 20 5/8 x 30 1/2 inches, originally issued folded, now professionally mounted on linen, minimising wear to fold lines. A striking bird's eye view of the New York area which was issued in several undated editions. This version dates to the late 1920s, showing as it does the George Washington Bridge (originally named the Hudson River Bridge). No ferries are marked above the bridge (unlike earlier versions). The area covered is from Far Rockaway and Port Chester at the right edge of the map to Mountain View and Newark at upper left and Richmond at lower left. The map is lithographed in attractive soft blues and browns, with a strong lithographic treatment of the sky and clouds. A colorful and fascinating wall display for residents or natives of the area.

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        Collection of Original Photographs of Alaska

      Album comprising approximately 500 original photographs of various formats, the majority taken in and around the copper mining town of Kennecott, Alaska, during its heyday in the 1920s, including the Bonanza, Jumbo, and Erie mines, nearby towns such as Cordova, McCarthy, and Ruby, hunting and skiing trips, dogsledding, Eskimos, railroads, the Childs, Columbia, and Kennicott glaciers, and steamships, with 21 most likely unpublished photographs captioned "Mt Logan Alaska 1925 - June / Guided by Andy Taylor, Famous Alaskan Guide" being of particular interest, depicting the first successful expedition to the summit of Mt. Logan in the Yukon Territory, Canada's highest peak, with photographs showing the team setting up camp, loading their sleds, and trekking, together with several pieces of ephemera including a telegram, a Pacific Line steamship catalog, and a newspaper clipping. Original album disbound and trimmed to fit, with original album pages and hand-written captions intact, some original photo corners replaced. Small folio. Housed in two contemporary albums. N.p. (Kennecott, Alaska), circa 1920s. A geologist first approached the Alpine Club of Canada in 1922 with the idea of sending a team to summit Mt. Logan. A team of Canadian, British, and American climbers was assembled, and their trip was delayed from 1924 to 1925 due to delays in funding and preparation. They began their trip in early May, journeying from the Pacific coast by train, and then traversed the remaining 120 miles on foot to the Logan Glacier, where they established base camp. On June 23, 1925, the team of Albert H. MacCarthy, H.F. Lambart, Allen Carpé, W.W. Foster, Norman H. Read, and Andy Taylor became the first people to stand atop the summit of Mt. Logan. The Kennecott Mines were discovered around the turn of the century, and confirmed as the richest known concentration of copper in the world at the time in 1901. Five different mines turned out incredible amounts of copper, at their peak generating $32.4 million worth of ore in a single year. The highest grades of ore were largely depleted by the early 1930s, with the mines closing gradually. The last train left Kennecott on November 10, 1938, leaving it a ghost town. In the 1980's, the town became a tourist destination, and was designated a National Historic Landmark in 1986.

      [Bookseller: F.A. Bernett Books]
 32.   Check availability:     Biblio     Link/Print  

        Il était une boulangère

      First edition, one of 750 numbered copies on vélin paper, this not justified, the only printing along with 50 on Japan.Handsome, attractive Surrealist autograph inscription from Benjamin Péret: '...Pourquoi la chevelure, me direz-vous? Oui, pourquoi? Parce que les cheveux remplacent les parapluies...' to his friend Léo Malet.A good copy. Editions du sagittaire Paris 1925 12x16cm broché

      [Bookseller: Librairie Le Feu Follet]
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        Douze dessins de Victor Hugo gravés sur bois par Aubert

      Georges Crès & Cie. First edition, one of the numbered 375, only tirage.Belle following tests on vellum protected by serpentes Arches paper. Introduction of Gustave Geoffroy. Quite complete his shirt lacets.Quelques foxing mainly affecting the first gravure.Rare. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! Georges Crès & Cie Paris 1925 51x66cm en feuilles sous chemise

      [Bookseller: Librairie Le Feu Follet]
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        The Birds of Australia. Supplement No. 4 [and 5]. Bibliography of The Birds of Australia...

      London: H.F. & G. Witherby, 1925. Two volumes, large quarto; uncut in the original printed wrappers. This two-part supplement to the Birds of Australia was issued separately and intended as a monograph in its own right. Sub-titled 'Books used in the preparation of this work with a few biographical details of authors and collectors', it is still an important bibliographical source. A fine set.

      [Bookseller: Hordern House]
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        Douze robes pour décembre 1925 (Croquis, La Gazette du Bon ton, 1925 n°9)

      Set of eight original prints in color, drawn on laid paper. The boards are introduced by a text signed LRF Sketches L, LII, LIII, LV, are signed David, respectively on the lower right and left boards.Original prints made ??for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is illustrated including 573 color plates and 148 sketches depicting models of fashion designers. Upon publication, these luxury publications "are for bibliophiles and worldly aesthetes" (Françoise Tétart-Vittu "good Gazette of tone" in the fashion dictionary, 2016). Printed on fine laid paper, they use a typeface created specifically for the magazine by Georges Peignot, the Cochin character, taken in 1946 by Christian Dior. The prints are made with the technique of metal stencil, enhanced color and some outlined in gold or palladium.The adventure began in 1912 when Lucien Vogel, man of the world and fashion - it has already participated in Femina magazine - decided to found with his wife Cosette de Brunhoff (John's sister, the father of Babar) Gazette good tone in which the subtitle is then "Art, fashions and frivolities." Georges Charensol quotes the editor: "In 1910, he observed, there was no truly artistic fashion magazine and representative of the spirit of his time. So I thought of making a glossy magazine with truly modern artists [...] I was certain of success because for any fashion country can compete with France. "(" A great art editor. Lucien Vogel "in literary News, No. 133, May 1925). The success of the magazine is immediate, not only in France but also the US and South America.Originally, Vogel therefore brings together a group of seven artists: André-Édouard Marty and Pierre Brissaud, followed by Georges Lepape and Dammicourt; and finally his friends from the School of Fine Arts as are George Barbier, Bernard Boutet de Monvel or Charles Martin. Other talents come quickly reach the equipped Guy Arnoux, Léon Bakst, Benito, Boutet de Monvel, Umberto Brunelleschi, Chas Laborde, Jean-Gabriel Domergue, Raoul Dufy, Edward Halouze Alexander Iacovleff, Jean Emile Laboureur Charles Loupot, Charles Martin, Maggie Salcedo. These artists, mostly unknown when Lucien Vogel appealed to them, will eventually become iconic figures and artistic sought. These are the same illustrators who make the drawings advertisements Gazette.The boards highlight the dresses and sublime seven artists of the time: Lanvin, Doeuillet, Paquin, Poiret, Worth, Vionnet and Doucet. The designers provide for each number of exclusive models. Nevertheless, some of Illustrations contained no real model, but only the idea that the illustrator is done in the fashion of the day.Gazette fashionable is a milestone in the history of fashion. Combining the aesthetic requirement and plastic unit, it brings together for the first time the great talents of the world of arts, literature and fashion and imposed by this alchemy, a new image of women, slender, independent and bold, also driven by the new generation of designers Coco Chanel, Jean Patou, Rochas Marcel ...Recovery in 1920 by Condé Montrose Nast, Gazette fashionable modeled for the new composition and the aesthetic choices of the "little dying newspaper" that Nast had bought a few years ago: the Vogue magazine. Lucien Vogel éditeur Paris 1925 18x24cm relié

      [Bookseller: Librairie Le Feu Follet]
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        Sonnets from the Portuguese


      [Bookseller: Maggs Bros. Ltd. ]
 37.   Check availability:     Direct From Seller     Link/Print  

        G. B. Bodoni's Preface to the Manuale Tipografico of 1818.

      London: Elkin Mathews Ltd. 1925. Octavo. (xii), 57pp. One of twenty-five copies printed on Japanese vellum and signed by the translator, H.V. Marrot, who was the director of Elkin Matthews Ltd. This copy bears a lengthy inscription by Marrot to the English piano composer, Kaikhosru Sorabji. Dated 16 December, 1925, Marrot writes of his pleasure in finding this book on Sorabji's shelf and praises him as an "exceptional auditor...for any writer on printing whose treatment of his subject is aesthetic rather than technical." Indeed, such a distinction appears to have been the guiding principle behind this, the first translation of Bodoni's preface into English. Marrot alludes to this in the Translator's Preface. He also acknowledges the assistance of Stanley Morison in this endeavor. Faint edgewear, slight bowing to covers, else fine in original decorated paper-covered boards.

      [Bookseller: Bromer Booksellers]
 38.   Check availability:     Direct From Seller     Link/Print  

        A Gallery of Children.

      Large 4to. Original white buckram illustrated with gilt vignette to upper cover, lettered in gilt, top edge gilt, others uncut, printed on fine hand-made paper; pp. [iv], 5-105; illustrated title-page and 12 charming coloured plates in Art Deco style; a fine copy preserved in truly exceptional condition, both externally and internally, bar light spotting to the endpapers. First edition: copy number 4 of a total limitation of only 500 (of which only 485 were for sale), signed by Milne.

      [Bookseller: Henry Sotheran Ltd.]
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        In The Original Chamber's Journal Parts; John Macnab [January to August 1925]. A Comedy for Poachers.

      London: W.R. Chambers. 1925. 8 magazine issue in orange paper wraps, very good to very good indeed, minor edgewear, some very little chipping to spine ends, no significant loss or wear. Bright, sharp and handsome. All 8 installments of John Macnab in its first appearance. Also present in the Chmabers Journal are tales and articles by Taffrail, Thomas Hardy, H.T. Munn, Beresford Chancellor and a number of other luminaries. A sharp set of a scarce and desirable survival. Rare.

      [Bookseller: Adrian Harrington]
 40.   Check availability:     Direct From Seller     Link/Print  

        Storia Parlamentare Politica e Diplomatica d'Italia Da Novara a Vittorio Veneto

      Società Editrice Dante Alighieri di Albrighi, Segati & C.-Milano-Roma-Napoli, NAPOLI 1925 - Storia Parlamentare Politica e Diplomatica d'Italia ITALIANO Sei volumi.Buono stato, volumi rilegati con coperta in tessuto, elegante targhetta in pelle incollata sui dorsi, con caratteri dorati in bassorilievo, piede poco consunto, dorsi con segni di sfregamento e leggermente scoloriti, tracce di fioritura sparsa, tagli e margini delle pagine bruniti, diverse sottolineature, evidenziazioni, pochi appunti al margine, con matite colorate. Su frontespizio dedica autografa dell'autore. [Attributes: Signed Copy]

      [Bookseller: Biblioteca di Babele]
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        Papillons. Vingt planches en phototypie coloriées au patron donnant 81 papillons et 16 compositions décoratives.

      Paris: Tolmer editeur, circa, 1925. Complete collection of 20 pochoir plates measuring 448 x 323 mm., with title-page, introductory note and list of plates housed in the original folding case with cloth ties featuring pochoir design to the front board; an excellent set. A rare and astonishingly beautiful French Art Noveau design album based on the butterflies of the world, featuring species from China, India and Asia. Eugene Alain Séguy (1889-1985) was a leading French designer of the Art Noveau and Art Deco periods who produced eleven stunning design portfolios with a range of styles and inspirations. Séguy had an acute interest in scientific study of insects, and utilised this knowledge to produce two albums on this theme including this brilliant set of butterfly designs. For Séguy, insects were both beautiful objects and wondrous mechanical creations, and formed a rich subject matter for illustration and more abstract design possibilities. In Papillons he accomplished both goals. The album features remarkably detailed and accurate depictions of butterflies from across the globe in addition to breathtaking Art Noveau abstract designs derived from the their shimmering patterns. The pochoir stencil printmaking process was ideally suited to this task, capturing the subtlety and iridescence of light playing across fluttering wings. In very good condition.

      [Bookseller: Hordern House]
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        Malerei, Photographie, Film.

      München, Langen, 1925. Kl.4°. Mit gefalt. Musikbeilage und zahlr. Abbildungen. 1 Bl. (weiß), 133 S. OLwd. (gering berieben und bestoßen, etwas angestaubt). - (Bauhausbücher 8). Erste Ausgabe. - Heidtmann² 9484. Wingler 563. - Die ersten Bl. leicht fleckig. Insgesamt wohlerhalten. Versand D: 6,00 EUR

      [Bookseller: Antiquariat Sander]
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        The Ballad of Reading Gaol.(50 num. Exemplaren,dieses Nr.37)

      Methuen u Co.London 1925 - With Woodcuts by Frans Masereel. London, Methuen & Co. 1924 recte: 1925 . Mit 37 (7 ganzseitigen) Originalholzschnitten von Frans Masereel. Kl.-4°. 57 S., 4 Bl. Schöner handgebundener Halblederband mit goldgeprägtem Rückentitel und Blindprägung auf dem Rücken sowie Kopfgoldschnitt. Im Schuber. -Eins von 50 num. Exemplaren der Vorzugsausgabe,(dieses hat die Nr.37). - Auf Bütten gedruckt für Methuen & Co., London, von der Mandruck A. G. in München.-Erste Ausgabe - Ritter 29 I und v. d. Gabelentz C 47 I kennen diese Vorzugsausgabe nicht. - Schönes Exemplar. [Attributes: First Edition; Hard Cover]

      [Bookseller: Antiquariat Stammerjohann]
 44.   Check availability:     ZVAB     Link/Print  

        Dvenadtsat Ballad"

      Gos-Izdat. Leningrad 1925 - First edition. Very rare. 5.000 copies only ! 17,5cm. 36 Russian. Cover by Evgenii Belukha. See scans . All our books are available and can be delivered immediately.More pictures on request. [Attributes: First Edition; Soft Cover]

      [Bookseller: SEFIREL RARE BOOKS]
 45.   Check availability:     AbeBooks     Link/Print  

        Set of five pamphlets recording speeches given at Pilgrim Society occasions.

      [London:] , 1925-1952. Speeches at a Dinner in Honour of His Excellency the American Ambassador The Hon. Frank B. Kellogg"; "Speeches at the Dinner to Celebrate the Bi-centenary of the Birth of George Washington"; "Order of Ceremony at the Unveiling of the Memorial to President Roosevelt by Mrs. Roosevelt"; "The Pilgrims Dinner to Mrs. Roosevelt at the Savoy Hotel"; "Speeches at the Pilgrims Dinner in honour of General Matthew B. Ridgway, U.S.A. (Supreme Commander, Allied Powers in Europe) at the Savoy Hotel". 5 works, small and large octavo. Plain white, cream, or grey card wrappers, wire-stitched (except for one stitched with purple ribbon), front wrappers lettered and illustrated in black or purple. Woodcut logo to front cover of each pamphlet in black or purple, two seating plans, several black and white photographs. Light rubbing and creasing to wrapper extremities, minor loss to front wrapper tip of one pamphlet, a fine set. First edition, first impression. This collection of pamphlets dates from 30 January 1925 to 14 October 1952, preserving speeches from Pilgrim Society events held at the Savoy or Hotel Victoria in London. Established in 1902, the objective of the Pilgrims Societies of Great Britain and the United States was, and remains, to encourage and preserve the Anglo-American relationship. There are transcriptions of speeches by, amongst many others, Eleanor Roosevelt, King George VI, Nicholas Murray Butler, and Winston Churchill. (Two of the pamphlets include speeches given by Winston Churchill that are not recorded in Cohen.) Alphabetical lists of the attending Pilgrims and their guests, as well as detailed seating plans, are also included. The Pilgrims Society's logo was designed by Hugh Fisher, an artist at the Illustrated News, and depicts the lion of Great Britain and the eagle of the USA accompanying a pilgrim on his travels, as another pilgrim above him exclaims over new inventions: the car, bicycle, steamship, train, and airplane. The society's motto, "hic et ubique" ("here and everywhere") is written below.

      [Bookseller: Peter Harrington]
 46.   Check availability:     Biblio     Link/Print  

        L'Histoire du costume féminin mondial de l'an 5318 avant J.C. à nos jours

      Editions Nilsson, 1925. Due cartelle contenenti ciascuna 10 fascicoli con belle copertine illustrate, composti da 8 pagine di testo e 10 bellissime tavole sciolte in zincografia colorate a pochoir (cm 37,5x27,5), raffiguranti i costumi dei vari Paesi, per un totale di100 tavole per volume e 200 per entrambi i volumi. VOLUME I: Le symbolisme des costumes chinois - La splendeur des modes japonaises - La magnificence des habillements égyptiens - Le vêtement égyptien: Memphis, Thèbes, Le Caire - La luxuriance des Bien-Vêtir des Assyriens - La somptuosité des Atours Persans - L'éblouissement des Costumes Hindous - La liliale simplicité des Robes Grecques - Le triomphe des Drapés Gréco-Romains - La rutilance des Accoutrements Orientaux. VOLUME II: La Ligne dans le Costume Romain - Le Comfortable dans le Costume Gaulois - L'Aurore du Costume Européen - Le Costume Européen. La France - Le Costume Européen des Pays du Nord. Scandinavie - Le Costume Européen. les Britanniques - Les Costume Européen. Les Latins. Espagne. Italie - Le Costume Européen. Les Etats Centraux. Allemagne. Russie - L'Habillement dans les Trois Amériques. Le Plumage et Pelage des Races Noires. Senza data (circa 1925) . 4to (cm 38x29). pp. n.n. Molto Buono (Very Good). Prima edizione (First Edition).

      [Bookseller: Studio Bibliografico Marini]
 47.   Check availability:     Link/Print  


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