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Displayed below are some selected recent viaLibri matches for books published in 1925

        Mesicník pro stavební umení (= Der Bau. Monatsschrift für Baukunst). III. Jahrg., Heft 1 - 12 (Juli 1924 - Juni 1925).

      Originalausgabe. - Kompletter Jahrgang der bedeutenden Zeitschrift des tschechischen Konstruktivismus mit vorgeb. Jahresinhaltsverzeichnis. - Die Reihe befasst sich mit den europäischen Strömungen funktioneller Architektur und Gestaltung, so ist Heft II der ?De Stijl?-Gruppe gewidmet. Teige konnte zahlreiche bedeutende Vertreter für Textbeiträge gewinnen, darunter u.a. Le Corbusier, Theo van Doesburg, Walter Gropius, Ludwig Hilberseimer, Georg Muche, Mies van der Rohe. - Insgesamt ordentlicher Zustand. - Heller 112f.

      [Bookseller: Rotes Antiquariat]
 1.   Check availability:     booklooker.de     Link/Print  


        Hansel and Gretel and Other Stories by the Brothers Grimm

      New York: George H. Doran Company, 1925 - Limited to 600 CopiesSigned and Numbered by the ArtistIn a Wonderful Multi-Colored Inlaid Binding by The Chelsea BinderyNIELSEN, Kay (artist). GRIMM, Jacob and Wilhelm. Hansel and Gretel and Other Stories by the Brothers Grimm. New York: George H. Doran Company, [1925]. American signed limited edition, comprised of 600 copies numbered and signed by the artist, this being copy no. 317. Large quarto (11 13/16 x 9 5/8 inches; 300 x 246 mm). [12], 275, [1], [4, blank] pp. Twelve mounted color plates, with descriptive tissue guards. Ten black and white plates (included in pagination). Title and initials letters printed in red and black.Handsomely bound by The Chelsea Bindery (stamp-signed on front turn-in) in full black crushed levant morocco, covers ruled in gilt, spine with five raised bands, bordered and lettered in gilt in compartments, gilt board edges, decorative gilt turn-ins, plum end-papers (original decorative end-papers preserved), top edge gilt, others uncut. The front cover with a superb multi-colored morocco design replicating the color plate facing page eight "They saw that the cottage was made of bread and cakes." illustrating the story of Hansel Gretel. A very fine copy. "In an attempt to reinvigorate the market for gift books after the war, Hodder & Stoughton resumed the publishing of Kay Nielsen's books, though on a more modest scale. In 1924 they published a work that Nielsen had begun in 1912, Hans Andersen's Fairy Tales, including sixteen stories illustrated with twelve watercolors. Nielsen returned to London, and in 1925 his final book for Hodder & Stoughton, Hansel and Gretel, appeared with twelve color plates" (Susan E. Meyer, A Treasury of the Great Children's Book Illustrators, p. 206).Larkin, p. 13. [Attributes: Signed Copy]

      [Bookseller: David Brass Rare Books, Inc.]
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        The Great Gatsby

      Charles Scribner's Sons, New York 1925 - 8vo. Original green cloth, titled-in blind on front, gilt-lettered on spine; quarter morocco slipcase. A fine copy of the first edition. Bruccoli A11.1a. A very fresh and bright copy, the spine gilt crisp First edition, first issue, with all first printing points: "chatter" on p. 60, line 16; "northern" on p. 119, line 22; "it's" on p. 165, line 16; "away" on p. 165, line 29; "sick in tired" on p. 205, lines 9-10; and "Union Street station" on p. 211, lines 7-8. [Attributes: First Edition; Hard Cover]

      [Bookseller: Riverrun Books & Manuscripts]
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        Tableau de Grands Magasins

      Paris, editions de la nouvelle revue francaise 1925 - 25x3x20 cm Edition tirée à 334 exemplaires. Exemplaire numéroté 2 sur papier Vélin Pur Fil Lafuma Navarre. L'ouvrage inclut 12 gravures originales de Jean-Emile Laboureur. Partiellement non-coupé. Dans des conditions parfaites. Edition of 334 copies. Copy number 2 on Velin pur fil Lafuma Navarre paper. Includes 12 original etchings by Jean Emile Laboureur. Partially uncut. Perfect conditions.

      [Bookseller: Amoc Art]
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        L'Histoire du costume féminin mondial de l'an 5318 avant J.C. à nos jours

      Parigi: Editions Nilsson, , 1925. Brossura, custodia (wrappers, slip-case). Molto Buono (Very Good). Due cartelle contenenti ciascuna 10 fascicoli con belle copertine illustrate, composti da 8 pagine di testo e 10 bellissime tavole sciolte in zincografia colorate a pochoir (cm 37,5x27,5), raffiguranti i costumi dei vari Paesi, per un totale di100 tavole per volume e 200 per entrambi i volumi. VOLUME I: Le symbolisme des costumes chinois - La splendeur des modes japonaises - La magnificence des habillements égyptiens - Le vêtement égyptien: Memphis, Thèbes, Le Caire - La luxuriance des Bien-Vêtir des Assyriens - La somptuosité des Atours Persans - L'éblouissement des Costumes Hindous - La liliale simplicité des Robes Grecques - Le triomphe des Drapés Gréco-Romains - La rutilance des Accoutrements Orientaux. VOLUME II: La Ligne dans le Costume Romain - Le Comfortable dans le Costume Gaulois - L'Aurore du Costume Européen - Le Costume Européen. La France - Le Costume Européen des Pays du Nord. Scandinavie - Le Costume Européen. les Britanniques - Les Costume Européen. Les Latins. Espagne. Italie - Le Costume Européen. Les Etats Centraux. Allemagne. Russie - L'Habillement dans les Trois Amériques. Le Plumage et Pelage des Races Noires. Senza data (circa 1925). 4to (cm 38x29). pp. n.n. Molto Buono (Very Good). Prima edizione (First Edition).

      [Bookseller: Studio Bibliografico MArini]
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        Exceptional Signed Portrait Photograph by Edward STEICHEN (Charles, 1889-1977, Comedian)

      1925 - (1879-1973), signed and inscribed to R.A.J. Wolling "from Charlie Chaplin" on two lines across the image, mostly in the light background, showing him head and shoulders, the shoulders in near profile to the viewer's right, his head turned slightly forward, three quarter face to the viewer, a warm smile just forming in his eyes, cheeks and lips, a few touches of grey in his hair, he wears a dark jacket with thin stripes at the collar, a lighter tie, his left arm descending diagonally at the back of the image, the image 9" x 7" in margins 10" x 8" on contemporary light card mount 14" x 10¾" with photographer's light protective 'flimsy', no place, no date, circa flimsy loose with a few small edge defects, photo and mount in fine condition This portrait dates from Steichen's 'Condé Nast' period, when he made artistic studies for Vogue and Vanity Fair. It bears an astonishing resemblance to the image, part of the Steichen Bequest, in the Minneapolis Institute of Arts. There is no perceptible difference in the pose, the angle of the head, or the contours of the hair, but the Minneapolis image has no smile and indeed by contrast appears serious, almost severe, although clearly taken at the same sitting. We do not think the smile has been achieved by retouching, and its warmth appears entirely natural, indeed most attractive. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Sophie Dupre ABA ILAB PADA]
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        OEUVRES COMPLETES DE H. DE BALZAC - EN 19 VOLUMES (VOIR DETAIL). MANQUE LE TOME XX.

      GUILLOT FRANCIS 1925 - R320093667: 19 volumes d'environ 600 pages chacun - Portrait de l'auteur en noir et blanc en Frontispice. Ouvrages dans l'ensemble satisfaisant - interieurs frais. 4 PHOTOS DISPONIBLES - MANQUE LE TOME XX. SOMMAIRE DETAILLE DES 19 VOLUMES : SCENES DE LA VIE PRIVEE : EN 4 TOMES : Tome I : la maison du chat qui pelote - Le bal de Sceaux - Memoires de deux jeunes mariées - La bourse - Modeste Ignon + Tome II : (tome 1 : UN debut dans la vie - Albert Savarus - LA vendetta - Une double famille - La paix du menage - Madame Firmiani - Etude de femme - La fausse maitresse - Une fille d'Eve + Tome III : LE message - La grenadiere - La femme abandonnée - Honorine - Béatrix - Gobsteck - LA femme de trente ans + Tome IV : LE pere Gloriot - Le Colonel Chabert - La messe de l'Athée - L'interdiction - Le contrat de mariage - Autre etude de femme / SCENES DE LA VIE DE PROVENCE : Tome V : Tome 1 : Ursule Mirouet - Eugenie GRandet - Le lys dans la vallée - Les celibataires - Premiere histoire, Pierrette - Tome VI : Tome 2 : Les celibataires - 2e histoire - LE curé de Tours - 3e histoire - LA rabouilleuse - Les parisiens en Provence - 1ere histoire - L'illustre Gaudissart - 2e histoire - LA muse du deaprtement - Les rivalités - LA vieille fille + TOME VII : Tome 3 : LEs provinciaux a Paris - LEs cabinet des Antiques - Illusion perdue - 1ere partie - Les deux poetes - 2e partie - Un grand homme de Province à Paris - 3e partie : LEs souffrances de l'inventeur / SCENES DE VIE PARISENNE : TOME VIII : tome 1 : Histoire de treize - I-Ferragus, chef des devorants - II-LA Duchesse de Langeais - III-La fille aux yeix d'or - Histoire de la grandeur et de la decadence de César Birotteau - La maison Nucingen + TOME IX : tome 2 : Splendeurs et miseres courtisanes - 1ere partie : comment aiment les filles - 2e partie - A combien l'amour revient aux viellards - 3e partie - Ou menent les mauvais chemins - 4e partie : La derniere incarnation de Vautrin - Les secrets de la Pricesse de Cadignan - F [Attributes: Hard Cover]

      [Bookseller: Le-Livre]
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        Marcel Proust sa vie, son oeuvre

      First edition, one of 90 copies on Holland ours unjustified.Precious and touching autograph signed by the author Jean Cocteau: "... the friend of Marcel Proust, who first understood so deeply, this book which he collaborated with such sympathy with my deep and sincere gratitude. Sincerely. "Dos irradiated with a tiny lack Length, guards and slightly partially shaded.Specimen with all margins complete facsimile autograph letter from Marcel Proust.  Simon Kra Paris 1925 16x21,5cm broché

      [Bookseller: Librairie Le Feu Follet]
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        The Dignity of Jugglers Affected by Night

      - Wax, silica, and pure decorator colors on fiberboard, 13" wide x 18 1/2 high, ca. 1925, signed "K. Rex" at the bottom-edge. Loose in frame, some light wear at edges, a few light surface marks, some small areas of surface loss (approximately 1/2" x 1/2" and 1/3" x 1/3") at diagonally opposed corners, otherwise in very good condition. Loose in frame, some light wear at edges, a few light surface marks, some small areas of surface loss (approximately 1/2" x 1/2" and 1/3" x 1/3") at diagonally opposed corners, otherwise in very good condition Rexroth's notes date the painting to 1925, and give the remark: "?Cubist' colors as of the period", perhaps an allusion to Braque's palette. A man and a woman in profile turned towards each other, the painting recalls Francis Picabia's work with its rounded, curvilinear forms. The colors of the painting are monochromatic shades of gray brightening to blue, and beige deepening into black. For the 1981 UCSB retrospective, Rexroth gave the painting the title "Abstraction: The Dignity of Jugglers Affected by Night". San Francisco Museum of Art label on the back, with title given as "Abstraction", dated "6/29/42". [Attributes: Signed Copy]

      [Bookseller: James S. Jaffe Rare Books, LLC, ABAA]
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        BUCHEINBÄNDE AUS DER PREUSSISCHEN STAATSBIBLIOTHEK ZU BERLIN.

      Leipzig: Karl W. Hiersemann, 1925. folio. half red calf over marbled paper covered boards. vii, (i), 47, (1) pages (in Xerox) followed by 100 plates. First edition. (S-K 967) Max Husung has brought together this selection of outstanding bookbindings from the Preussischen Staatsbibliothek in Berlin. Includes 182 illustrations in 100 plates (black-and-white and color). Each illustration is supplemented with a full description. The bindings illustrated range from Byzantine examples inset with carved ivory vignettes to mediaeval blindstamping to nineteenth-century gilt and filleted types. Original four page prospectus loosely inserted. Preliminary and text pages are present in Xerox and bound in. Scuffing of leather around edges.

      [Bookseller: Oak Knoll]
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        Albumblatt mit eighd. Signaturen zu "Das Mirakel" von Karl Vollmoeller: Max Reinhardt, Karl Vollmoeller, Eduard Hütter, Ernest de Weerth, Paumgartner, Rosamond Pinchot, Anna Bahr-Mildenburg, Diana Manners, Pantscho Wladigeroff, Fritz Delius, Daisy Baillau, Oskar Homolka, Charilindis, Luis Rainer, Hermann Thimig, Albrecht Viktor Blüm, Klaus Pöhl, Missi Wilczek, Robert Beck, Ferd. Jaschke, Antonie Stradsky (?), Ilse Larsen, Maria Lilly Hufnagl, Hermann Sven sowie drei unleserliche Signaturen. [16. - 29. August 1925: Schauspiel].

      [ca. 24,8 x 21,7 cm] Vgl. Jaklitsch III 4. - Leichte Gbrsp., Exlibris-St. a. Rückseite, leichte Lichtschatten bzw. leicht stockfleckig, linker Rand beschnitten, kl. Bleistift-Notiz: 1925 Das Mirakel.

      [Bookseller: Antiquariat Weinek]
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        Pastora ki [Pastorals]. Drzeworyty Tadeusza Makowskiego

      Polskie Towarzystwo Przyjació Ksi ki, Paris 1925 - Quarto (26 × 21 cm). Original pictorial wrappers with a woodcut by Makowski; twelve woodcuts, of which six full- page; 34, [3] pp. Very good. Considered one of the most beautiful Polish artist books of the twentieth-century, this edition of twelve modernist Christmas carols is illustrated with striking primitivist woodcuts by Tadeusz Makowski (1882-1932), a Polish painter active in Paris. Futurist poet and painter Czy ewski (1880-1945) was one of the founders of the "Formist" group, the main avant-garde organization in Poland from 1917-22; from 1922 to 1930 he lived in Paris, where he exhibited widely. "The Pastoralki is both a modern work and at the same time one that reaches into the wealth of folk art. Its modernity finds expression in conceiving folkiness as an artistic inspiration far removed from the ethnographic folklorism; it also expresses itself in a close relationship to dadaism" (Wyka 104). One of 520 copies, this one unnumbered and unsigned. Printed on handmade laid paper by Joseph Joubert-Fournier in Auvergne. With the mark of the Polish Association of Bibliophiles to the title page, a woodcut by Konstanty Brandel. See Gro ska 368. Rypson 21. KVK, OCLC show copies at British Library, UC London, Bibliotheque Nationale, and six in the United States. [Attributes: Soft Cover]

      [Bookseller: Penka Rare Books, ILAB]
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        Sangschaw (Inscribed And Signed By The Author To The Poet Maurice Lindsay)

      First Edition published by William Blackwood And Sons in 1925. First issue with dark blue cloth and gilt titling. The BOOK is in near Fine condition. Some light pushing at the spine ends. Some toning to the text-block with some spotting to the prelims and endpapers. Occasional light spot to the pages in places. The WRAPPER is complete and is in Very Good++ or better condition. Toning to the edges, folds and the spine. Light creasing and mild edge-wear at the spine ends with a little loss. Light archival tape repairs to the spine folds on the verso. The wrapper is protected in a removable Brodart archival cover. The book has been Inscribed and Signed By the Author to the front blank endpaper: 'Signed with pleasure and warmest regards for my friend, fellow poet and fellow scot, Maurice Lindsay, Hugh M'Diarmid, 14/9/74'. With Maurice Lindsay's bookplate to the front pastedown and his signature in green ink to the front end-paper. The recipient Maurice Lindsay was a Scottish broadcaster, writer and poet. He became a radio broadcaster, also editing the 1946 'Anthology Modern Scottish Poetry', and writing music criticism. He later became Programme Controller at Border Television. Hugh MacDiarmid (C.M. Grieve) was Scotland's most influential and controversial writer in the 20th century. He urged and enabled the regeneration of all aspects of Scotland's literature and culture through his poetry, polemical writing and political activity. 'A Drunk Man Looks at the Thistle' (1926) is generally regarded as Scotland's masterpiece of Modernism. 'He started writing in Scots, using words and phrases he knew from boyhood and acquired from reading in dictionaries and works of Scottish literature from earlier eras. The poems of Sangschaw (1925), Penny Wheep (1926) and A Drunk Man Looks At The Thistle (1926) were shocking, adult, wry, rebarbative, difficult, piercingly sweet, unsentimental and brutal. They established a new dispensation for Scottish literature, and modernist lusts: for the body and the sexually explicit cognate with Joyce and Lawrence; for the local and demotic, cognate with William Carlos Williams; for the difficult, cognate with Eliot; for the vatic and austere, cognate with Yeats and Pound; for the intellectually demanding, cognate with Stevens and Valéry; but uniquely in the Scottish context, reclaiming a literary history that had fallen into neglect and obfuscation. Forget about Burns, he advised, go back to Dunbar and Henryson, recover and reclaim a national tradition that goes back through millennia.' (Scottish Poetry Library). A wonderful signed association copy of the author's first poetry collection and scarce with such attributes. Ashton Rare Books welcomes direct contact.

      [Bookseller: Ashton Rare Books ABA (Associate) PBFA]
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        THE MYSTERY OF ANGELINA FROOD

      Dodd, Mead and Company, New York 1925 - Octavo, pp. [1-6] [1-2] 3-312 [313-314: blank], original violet cloth, front panel stamped in yellow and blind, spine panel stamped in yellow. First U.S. edition. This mystery novel featuring Dr. Thorndyke is somewhat ahead of it's time as it concerns wife abuse. A fine copy in nearly fine dust jacket with a tiny closed tear at the bottom edge of the front panel, touch of wear to the corner tips, light damp stain to upper spine end and upper left front corner, and several light stains to spine panel. A lovely copy of a book which is uncommon in dust jacket. (#156631) [Attributes: First Edition; Hard Cover]

      [Bookseller: Currey, L.W. Inc. ABAA/ILAB]
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        Les Diaboliques. Les Six Premières. Illustrées De Dix-neuf Eau-Fortes De Serge Ivanoff et d'Ornements Typographiques De André Hofer.

      Simon Kra, Paris 1925 - 278 pp. y 19 láminas. Todo en buen papel de hilo. Edición de 350 ejemplares. (nº121). Sencilla encuadernación de época a dos pieles. Lomera con nervios. Ejemplar intonso y conserva las cubiertas originales. Size: 26,5 x 21 Cm. [Attributes: First Edition; Hard Cover]

      [Bookseller: BALAGUÉ LLIBRERÍA ANTIQUÀRIA]
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        Renaissance Architecture and Ornament of Spain. A series of examples selected from the purest works executed between the years 1500 - 1560, measured and drawn by .

      The Architectural Book Publishing Co., New York 1925 - 35x51. Title page, 60 plates, index. publisher's quarter leather folder. Edifcios de Santiago, León, Palencia, Burgos, Salamanca, Avila, Toledo, Sevilla, Alcalá de Henares, Cuenca, Sigüenza, Zaragoza, Palma, etc. some slight fraying around the edges of a very few plates, otherwise a very nice copy. Envíos para España: el pago contra reembolso conlleva un recargo de 4 Euros.

      [Bookseller: Carmichael Alonso libros]
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        PRIMA ESPOSIZIONE INDUSTRIALE-AGRICOLA ITALO-SVIZZERA. DOMODOSSOLA AGOSTO-SETTEMBRE 1925. MOSTRA D'ARTE OSSOLANA.

      1925. Milano - Alessandria, Casa d'Arte Ariel, (Arti Grafiche Calamandrei e C. Milano), 1925, cm. 100 x 69,5, litografia a colori, ottimo stato tranne i segni delle pieghe (vedi foto). Dardo Battaglini, (1889-1953), pittore, cartellonista, incisore, fu l'Anima della casa editrice Ariel di Alessandria e prediletto dell'editore bolognese Cesare Ratta.

      [Bookseller: Dominioni Alessandro Libreria]
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        Mrs. Dalloway

      Hogarth Press, London 1925 - lg. 12mo, rust brown cloth-covered bds, re-backed with entire original spine laid back on, gold spine title still fairly bright, corners and edges sl. rubbed but straight, few very superficial rubs to bds, else clean and bright; eps a little tanned, else internally clean and unmarked; no dj, volume protected in archival cover. See photographs. One of only 2,000 copies printed. Nice condition. [Attributes: First Edition; Hard Cover]

      [Bookseller: Gunstock Hill Books]
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        Enchanting oval photo signed by both - 'Albert' & 'Elizabeth', (1895-1952, King of England) & ELIZABETH (1900-2002, Queen of Great Britain)

      1925 - showing the recently married couple together, Elizabeth is seated wearing a beaded white dress and pearls and her husband is standing behing her in full uniform with medals and his hand on his sword, 8" x 5" in gilt frame with a crown at the top, 13" x 9", no place, [Attributes: Hard Cover]

      [Bookseller: Sophie Dupre ABA ILAB PADA]
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        Lithographed Travel Poster

      , 1925. 1925. (ANCHOR-DONALDSON LINE) (CUNARD LINE). Lithographed Travel Poster: Anchor-Donaldson Line. Direct Service to Scotland. Canada: Cunard, 1925. Broadside, lithograph measures 21 by 26 inches; contemporary wooden frame, entire piece measures 24-1/2 by 29-1/2 inches. $3500.Lovely 1925 Canadian lithographed travel poster advertising the Anchor-Donaldson Steamship Line's direct service to Scotland.The Anchor-Donaldson Line offered transatlantic steamship passenger services between the ports of Glasgow, Moville, and Liverpool in the U.K., the Canadian ports of Montreal, Toronto, Halifax, and St. John, and Portland, Maine. The Anchor-Donaldson Line was formed on October 20, 1916, when the Donaldson Line absorbed the Anchor Line, forming a new company to be known as the Anchor-Donaldson Line. Sir Alfred Booth, of the Cunard Line, a company that had a strong influence over the Anchor Line, was named as chairman of the new company. Near-fine condition, a lovely piece in contemporary frame.

      [Bookseller: Bauman Rare Books ]
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        Leon Bakst

      1925. First Edition . (BAKST, Leon) LEVINSOHN, Andre. Leon Bakst. Berlin: Verlag Ernst Wasmuth, [1925]. Folio (11 by 14-1/2 inches), original full vellum, uncut; original slipcase. $3500.Limited first German edition of Levinsohn's life of Bakst, number 23 of only 250 copies produced, tracing the artist's important contributions to the history of modern art and dance, with 68 full-page mounted plates of costumes and sets, 52 in color, including the frontispiece portrait of Bakst by Modigliani, and numerous in-text mounted linecuts and photogravures, many also in color.""In the book of fame, the name of Léon Bakst is writ largeÂ… He was destined to modify profoundly the whole conception of the western stage."" A gifted painter, Bakst is best remembered for the sets and costumes he designed for Diaghilev's Ballets Russes in the early decades of the 20th century. His exotic and sumptuous designs, in conjunction with Diaghilev's radical and provocative choreography, helped revitalize ballet and lay the framework for modern interpretive dance. It was the Ballets Russes that first brought such classics as Tchaikovsky's Sleeping Beauty to the West, featuring scenery and costumes by Bakst. This ""luxurious volume of color plates"" contains beautiful designs from many of the Russian ballet's most renowned productions, including Firebird, Blue God, Cleopatra, Narcissus, and Bakst's famous Scheherazade (Steegmuller, 78). ""Bakst's greatest claim to theatrical glory lies in his feeling for synthesis, in his impeccable instinct for harmony"" (Levinson). Preceded by the 1922 American edition and the 1923 English and French editions. Text in German. See Freitag 422. Text and plates clean and fine. Expert repair to vellum along rear joint, minor toning to spine, binding attractive. Moderate wear to original slipcase. An extremely good copy of this splendid production.

      [Bookseller: Bauman Rare Books]
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        Ex Libris: 15 Medirytin a Drevorytu [15 Copperplate Engravings and Woodcuts]

      Karel Novotný and Uh. Hradišti 1925 - SIGNED. One bookplate is missing. Fourteen tipped-in bookplates mounted on green paper, housed in a folding printed paper portfolio, with folded sheet comprising title page, introduction, and colophon laid in. List of plates pasted to verso of rear portfolio cover (as issued). Three-panel portfolio has split along most of its length at both folds-- at one time, tape was applied to the verso folds, leaving dark marks. Tape still partially affixed to one of the folds. Toning and short tears to portfolio, with narrow dampstain along "spine". Small ownership stamp in Czech on verso of portfolio cover. The bookplates themselves, printed on a variety of papers, are crisp and clean. The upper left-hand corners of the mounting papers are lightly creased. Portfolio measures 16.5 cm x 21 cm closed; mounting papers measure 15 cm x 20.5 cm; bookplate measurements vary. Signed by Bochorakova-Dittrichova in pencil on title page of introductory leaflet. Number 66 of an edition of 150. A wonderful collection of images celebrating reading, study, and well-appointed libraries. Bochorakova-Dittrichova primarily worked in woodcut, so the engravings are a rare and interesting component of this early work. Helena Bochorakova-Dittrichova (1894-1980) was the first female wordless novelist, and the only woman to work in this medium during its heyday. She was born in the Moravian region of what is now the Czech Republic and spent most of her life in Brno, the Moravian capital. She graduated from the Academy of Fine Arts in Prague and in 1923 received a government scholarship to study printmaking in Paris. Bochorakova-Dittrichova's unpublished wordless novel Malířka Na Cestách [The Artist on Her Journey] recounts this period in her life. In Paris, she first encountered the wordless novels of Flemish artist Franz Masereel, the originator of the form, and was inspired to create her own. Over the course of her long career, Bochorakova-Dittrichova published several wordless novels, along with travelogues and historical works. She also worked as a printmaker and illustrator, and was highly regarded in her native land, though largely unknown elsewhere. This changed in 2014, when the National Museum of Women in the Arts held an exhibition of her work entitled "The First Woman Graphic Novelist: Helena Bochorakova-Dittrichova," and this important artist finally began to gain global recognition. Her work, however, is still not widely available. [Attributes: First Edition]

      [Bookseller: Ken Sanders Rare Books, ABAA]
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        Lithographed Travel Poster

      1925. (ANCHOR-DONALDSON LINE) (CUNARD LINE). Lithographed Travel Poster: Anchor-Donaldson Line. Direct Service to Scotland. Canada: Cunard, 1925. Broadside, lithograph measures 21 by 26 inches; contemporary wooden frame, entire piece measures 24-1/2 by 29-1/2 inches. $3500.Lovely 1925 Canadian lithographed travel poster advertising the Anchor-Donaldson Steamship Line's direct service to Scotland.The Anchor-Donaldson Line offered transatlantic steamship passenger services between the ports of Glasgow, Moville, and Liverpool in the U.K., the Canadian ports of Montreal, Toronto, Halifax, and St. John, and Portland, Maine. The Anchor-Donaldson Line was formed on October 20, 1916, when the Donaldson Line absorbed the Anchor Line, forming a new company to be known as the Anchor-Donaldson Line. Sir Alfred Booth, of the Cunard Line, a company that had a strong influence over the Anchor Line, was named as chairman of the new company. Near-fine condition, a lovely piece in contemporary frame.

      [Bookseller: Bauman Rare Books]
 23.   Check availability:     Biblio     Link/Print  


        La Rose Separee

      1925. Signed. NERUDA, Pablo; ZAÑARTU. La Rose Séparée. Traduction de Max Clarac-Sérou. Gravures de Zañartu. Paris: Editions du Dragon, 1972. Folio (10 by 13 inches), signatures and plates loose as issued in heavy paper wrappers, original cloth portfolio, original cloth slipcase. $4500.Signed limited first French edition of this lovely artist's book, a French translation of Pablo Neruda's long poem ""La Rosa Separada,"" featuring six color gravures by Enrique Zañartu, number 20 of only 99 copies, signed by both Neruda and the artist on the limitation page.This was one of Neruda's final poems, a moving meditation on a visit to Easter Island made while he was dying of cancer. Text in French, translated by Max Clarac-Sérou. Issued simultaneously with an edition in Spanish, also by Editions du Dragon. Fine condition. Very scarce.

      [Bookseller: Bauman Rare Books]
 24.   Check availability:     Biblio     Link/Print  


        THE KNAVE OF HEARTS. With Pictures by Maxfield Parrish.

      Charles Scribner's Sons, New York 1925 - Louise Saunders. The Knave Of Hearts. Pictures by Maxfield Parrish. New York: Charles Scribner's Sons, 1925. First Edition. 14 x 11 ½ inches. [6],46,[1],[3 blanks] pages. Black cloth, color illustration mounted on front cover, color illustrated endpapers. Very good condition. Lower left edge of front cover bumped (slight dent showing on pastedown as well), small area of mild toning to lower right corner of front cover, few small blemishes to rear cover, cover illustration fairly bright, hint of foxing to fore-and lower edges of text block. Interior clean, bright, occasional faint/mild foxing (barely noticeable) to few blank pages (not on images), no owner's name. 15 full-page color plates including frontis (w/tissue guard) and title page, 8 third page color illustrations. ; Color Plates; 14 x 11 1/4 inches; 47 pages [Attributes: First Edition; Hard Cover]

      [Bookseller: Dale A. Sorenson]
 25.   Check availability:     AbeBooks     Link/Print  


        The Knave of Hearts

      Charles Scribner's Sons, NY 1925 - Black cloth hardcover with pictorial onlay, pictorial endpages, frontis with tissue. No add'l printings/same date first edition. Beautifully illustrated by Maxfield Parrish, with his signature on a card laid in. Binding has a separation at gutter of title page. No ownership names, fingerprints to title page. Rear board mildly stained, corners softened, edges slightly bumped consistent with gentle wear for its age. Pictorial onlay mildly rubbed/scuffed in spots. Plastic protective cover. Truly a beautiful book. ; Folio 13" - 23" tall; Signed by Illustrator [Attributes: First Edition; Hard Cover]

      [Bookseller: curtis paul books, inc.]
 26.   Check availability:     AbeBooks     Link/Print  


        Koksende Hure. Lithographie.

       1925. Signiert \"Gangolf\". Im Stein signiert, datiert und betitelt. Kräftiger Druck auf Maschinenbütten. 32,5 x 26,3 cm. Papier: 41 x 30,8 cm. Söhn HDO 72718-7. Eines von 100 Exemplaren. Blatt 7 aus Die Schaffenden, V. Jarhgang, 2. Mappe, 1926. - Der jüdische Künstler Paul Gangolf, eigentlich Paul Loewy, war Autodidakt und schuf neben Gemälden vor allem grafische Arbeiten. Ab 1914 entstanden erste expressionistische Holzschnitte, in denen Gangolf unter anderem seine Erlebnisse als Soldat im Ersten Weltkrieg verarbeitete. Zu Beginn der 1920er Jahre veröffentlichte er mehrere Mappenwerke. Neben der 1923 entstandenen Mappe ›Großstadt‹ gehört die im Malikverlag erschienene Serie ›Metropolis‹ zu seinen wichtigsten Werken. Gangolf wurde von Gustav Schiefler gefördert und Schiefler plante ein Werkverzeichnis der Druckgraphiken Ganglofs zu erstellen. Durch den Tod Schieflers konnte dieses Projekt nicht umgesetzt werden. - Die Ecken teilweise mit ganz schwacher Knickspur. Die obere Ecke mit einem kleinen Braunflek. Versand D: 5,00 EUR Expressionismus, Die Schaffenden, 1920er Jahre, Jüdischer Künstler

      [Bookseller: Kunstantiquariat Joachim Lührs]
 27.   Check availability:     buchfreund.de     Link/Print  


        Minx der Geistersucher: Der Schatz der Huricania Heft 2

      Gern auch im Tausch gegen Krimis aus meiner Suchliste: anonym: Minx der Geistersucher Band 2: Der Schatz der Huricania, Berlin: Neuer Verlag um 1925, Originalheft, oben leicht beschnitten, im Innenteil kleinere Reparaturen mit Reparaturband, gutes Exemplar, Bild folgt, gern im Tausch gegen Bücher oder Umschläge meiner Suchliste

      [Bookseller: palermo]
 28.   Check availability:     booklooker.de     Link/Print  


        Minx der Geistersucher: Der Schatz im Irrenhause Heft 6

      Gern auch im Tausch gegen Krimis aus meiner Suchliste: anonym: Minx der Geistersucher Band 6: Der Schatz im Irrenhause, Berlin: Neuer Verlag um 1925, Originalheft, unbeschnitten, in gutem, gebrauchtem Zustand, schönes Original, berieben, bestaubt

      [Bookseller: palermo]
 29.   Check availability:     booklooker.de     Link/Print  


        PROGRAM

      Yiddish Art Theatre, New York 1925 - 1st Edition. Original Full-Color Wrappers, Beautifully Illustrated by Josef Foshko. 8vo. 10 pages ; 22 cm. Original Program from the Yiddish Art Theatre’s production of Romain Rolland’s "Wolves" (Les Loups) from January, 29th 1925. Maurice Schwartz, who founded the historic Yiddish Art Theater at Irving Place, both directed and starred in the show. Notably, the second part of "D’Oryon" is played by Paul Muni, listed here as "Muni Weisenfreund. " "Muni was an American stage and film actor who was born in Lemberg (Galicia, Austro-Hungarian Empire) and grew up in Chicago. He started his acting career in the Yiddish theatre. During the 1930s, he was considered one of the most prestigious actors at Warner Brothers studios, and was given the rare privilege of choosing which parts he wanted " Muni would get his break about 4 years after this show was produced in 1929. The program is from 8 years before Muni’s now famous role as Tony Camonte in the original ‘Scarface, ’ and 9 years before he won Best Actor for his role as Louis Pasteur. The program also provides a good example of the Yiddish Art Theatre’s mission. "In 1918 Schwartz founded the Yiddish Art Theatre (and) had ambitions for a people's theater that would produce classic, literary works that will bring honor to the Yiddish Theatre. "(Wikipedia, 2016) Interestingly, this would not be the only production of Rolland’s "Wolves" in Yiddish. "The Warsaw Yiddish Art Theatre sought to expose its audiences to an international repertoire rooted in contemporary social and political issues (as well) , staging plays such as Victor Hugo’s ‘Der glokntsier fun Noterdam’ (The Bell-Ringer of Notre Dame; 1925) and Romain Rolland’s ‘Velf’ (Wolves; 1926) , the latter set during the French Revolution. " (Yivo Encyclopedia, 2016) Rolland won the Nobel Prize for literature in 1915 for his renowned novel "Jean-Christophe. " Includes Cast of Characters with Credits, a diagram of the theater, and a full synopsis of the play. Also includes many many Illustrated Period Ads from Yiddish Businesses – including the "American Palestine Line, " "a steamship company, formed in 1924 in the U. S. , for the purpose of providing direct passenger service from New York to Palestine and was reportedly the first steamship company owned and operated by Jews. " (Wikipedia, 2016) . OCLC lists no copies worldwide. Program is worn with edges folded. Overall it is very attractive with bright colors and clear text. About good condition. (AMR-49-45A) [Attributes: First Edition; Soft Cover]

      [Bookseller: Dan Wyman Books, LLC]
 30.   Check availability:     ZVAB     Link/Print  


        Krest’ianskii Vopros (stat'i i rechi) [The Peasant Question (Articles and Speeches)].

      Moskva, Leningrad:  Gos. Izd-­vo 1925 - RARE first edition. 71pp  (3).  21  cm  x  13.5  cm.  Original  rear  stapled  wrap,  missing  front  and  spine.  Toning  to  paper   stock   not  affecting  text  block,  thumbnail  sized  open  tear  to  title,  rubbing  to  edges.  Light  soiling  to   rear,  bookseller's  ink  stamp.  Binding  supple,  printing  bright.     Stalin's   text   on   the   peasantry,   briefly   touching   on   their   relationship   with   the   working  class  but   more   importantly   their   role   in   the   overhaul   and   restoration   of   the   Soviet   economy.   In   a   year   particularly  marked  by  the  struggle  between  Trotsky  and  Stalin  for  leadership  of  the  party,  Stalin   was   already   general   secretary   and   supported   by   the   majority.   A   masterpiece   of   Stalinist   propaganda   during   the   soviet   age   Stalin   appeals   to   the   peasantry   and   their   importance   in   furthering   Lenin's   plan   for   implementing   socialism   in   the   USSR,   the   lead   topic   of   debate   at   the   Fourteenth   Congress   of   the   All-­Union   Communist   Party   at   which   Trotsky   mounted   a   silent   protest. More pictures on request.     [Attributes: First Edition; Soft Cover]

      [Bookseller: SEFIREL RARE BOOKS]
 31.   Check availability:     AbeBooks     Link/Print  


        Statistical Methods for Research Workers.

      Edinburgh & London: Oliver & Boyd,, 1925 . Octavo. Original blue cloth, titles to spine gilt and to front board black. Folding map to rear. Bookplate to front free endpaper. Boards slightly darkened, spine rolled, small bump to head of rear board, tips slightly worn, contents lightly toned. An excellent copy. First edition, first impression of this major work on statistics.

      [Bookseller: Peter Harrington]
 32.   Check availability:     Biblio     Link/Print  


        Ex Libris: 15 M dirytin a D evoryt [15 Copperplate Engravings and Woodcuts]

      Brno: Karel Novotný and Uh. Hradišti, 1925. First edition. SIGNED. One bookplate is missing. Fourteen tipped-in bookplates mounted on green paper, housed in a folding printed paper portfolio, with folded sheet comprising title page, introduction, and colophon laid in. List of plates pasted to verso of rear portfolio cover (as issued). Three-panel portfolio has split along most of its length at both folds-- at one time, tape was applied to the verso folds, leaving dark marks. Tape still partially affixed to one of the folds. Toning and short tears to portfolio, with narrow dampstain along "spine". Small ownership stamp in Czech on verso of portfolio cover. The bookplates themselves, printed on a variety of papers, are crisp and clean. The upper left-hand corners of the mounting papers are lightly creased. Portfolio measures 16.5 cm x 21 cm closed; mounting papers measure 15 cm x 20.5 cm; bookplate measurements vary. Signed by Bocho áková-Dittrichová in pencil on title page of introductory leaflet. Number 66 of an edition of 150. A wonderful collection of images celebrating reading, study, and well-appointed libraries. Bocho áková-Dittrichová primarily worked in woodcut, so the engravings are a rare and interesting component of this early work. Helena Bocho áková-Dittrichová (1894-1980) was the first female wordless novelist, and the only woman to work in this medium during its heyday. She was born in the Moravian region of what is now the Czech Republic and spent most of her life in Brno, the Moravian capital. She graduated from the Academy of Fine Arts in Prague and in 1923 received a government scholarship to study printmaking in Paris. Bocho áková-Dittrichová's unpublished wordless novel Malí ka Na Cestách [The Artist on Her Journey] recounts this period in her life. In Paris, she first encountered the wordless novels of Flemish artist Franz Masereel, the originator of the form, and was inspired to create her own. Over the course of her long career, Bocho áková-Dittrichová published several wordless novels, along with travelogues and historical works. She also worked as a printmaker and illustrator, and was highly regarded in her native land, though largely unknown elsewhere. This changed in 2014, when the National Museum of Women in the Arts held an exhibition of her work entitled "The First Woman Graphic Novelist: Helena Bocho áková-Dittrichová," and this important artist finally began to gain global recognition. Her work, however, is still not widely available.

      [Bookseller: Ken Sanders Rare Books, ABAA]
 33.   Check availability:     Biblio     Link/Print  


        Fasching

      Gerhard Hauptmann: Fasching. Mit monogrammierter lithographischer Kopfvignette. 10 signierten ganzseitigen Original-Lithographien und 1 signierten lithographischen Schlußvignette von Alfred Kubin (1925) S.Fischer, Berlin. Erstausgabe, Groß 4to/ 33 x 25 cm lose unbeschnittene und unaufgeschnittene Rohbögen. Eins von 50 (GA 450) Exemplaren der Vorzugsausgabe, bei der sämmtliche Vollbilder von Kubin signiert wurden, hier auch die Kopfvignette monogrammiert und die Schlußvignette signiert, im Druckvermerk von Hauptmann signiert, jedoch nicht nummeriert. Horodisch 49 - Raabe 291. Sehr schönes Exemplar vor Bindung in privater blauer Kartonmappe, diese in schwarzer Pappmappe und in einer privat gefertigten schwarzen Pappschatulle.

      [Bookseller: tigerle]
 34.   Check availability:     booklooker.de     Link/Print  


        Gallery of Children

      1925. First Edition . MILNE, A.A. A Gallery of Children. London: Stanley Paul, (1925). Folio (10 by 13 inches), original gilt-stamped white linen, beveled edges, top edge gilt, uncut. $2500.Signed limited first edition of this brightly illustrated collection of childrenÂ’s stories and fairy tales, number 156 of only 500 copies signed by A.A. Milne, illustrated with 12 charming color plates by H. Willebeek Le Mair.In this whimsical and wistful collection of stories, Milne brings readers into an idealized nursery of childhood. Published a year before Winnie-the-Pooh, A Gallery of Children anticipates much of the style and many of the themes that characterize Milne's better-known stories: the power of naming and the magic of wishing; humorous, earnest conversations with stuffed rabbits and bears about such mysterious, grown-up ideas as condensed milk; the search for an enchanted place; and the spell cast by storytelling. Cotsen 7299. See Cutler & Stiles, 116. A fine copy, with only sparse foxing to front endpaper.

      [Bookseller: Bauman Rare Books]
 35.   Check availability:     Biblio     Link/Print  


        Ex Libris: 15 M dirytin a D evoryt [15 Copperplate Engravings and Woodcuts]

      Brno: Karel Novotný and Uh. Hradišti, 1925. First edition. SIGNED. One bookplate is missing. Fourteen tipped-in bookplates mounted on green paper, housed in a folding printed paper portfolio, with folded sheet comprising title page, introduction, and colophon laid in. List of plates pasted to verso of rear portfolio cover (as issued). Three-panel portfolio has split along most of its length at both folds.Toning and short tears to portfolio.The bookplates themselves, printed on a variety of papers, are crisp and clean. Two of the plates are mounted on a darker, slightly smaller paper, implying that they may originally come from a different copy. Portfolio measures 16.5 cm x 21 cm closed; mounting papers measure 15 cm x 20.5 cm; bookplate measurements vary. Signed by Bocho áková-Dittrichová in pencil on title page of introductory leaflet. Number 100 of an edition of 150.A wonderful collection of images celebrating reading, study, and well-appointed libraries. Bocho áková-Dittrichová primarily worked in woodcut, so the engravings are a rare and interesting component of this early work.Helena Bocho áková-Dittrichová (1894-1980) was the first female wordless novelist, and the only woman to work in this medium during its heyday. She was born in the Moravian region of what is now the Czech Republic and spent most of her life in Brno, the Moravian capital. She graduated from the Academy of Fine Arts in Prague and in 1923 received a government scholarship to study printmaking in Paris. Bocho áková-Dittrichová's unpublished wordless novel Malí ka Na Cestách [The Artist on Her Journey] recounts this period in her life. In Paris, she first encountered the wordless novels of Flemish artist Franz Masereel, the originator of the form, and was inspired to create her own. Over the course of her long career, Bocho áková-Dittrichová published several wordless novels, along with travelogues and historical works. She also worked as a printmaker and illustrator, and was highly regarded in her native land, though largely unknown elsewhere. This changed in 2014, when the National Museum of Women in the Arts held an exhibition of her work entitled "The First Woman Graphic Novelist: Helena Bocho áková-Dittrichová," and this important artist finally began to gain global recognition. Her work, however, is still not widely available.

      [Bookseller: Ken Sanders Rare Books, ABAA ]
 36.   Check availability:     ABAA     Link/Print  


        Tales of The Long Bow.

      London: Cassell, 1925. First Edition. 8vo. 310pp. Publisher's green cloth titled and ruled in green to spine and front board. Lightly sunned along edges and spine. Cassell publisher's label to front board. In an extremely good copy of the scarce dustwrapper, bright, sharp and crisp, with minor edgewear to head of spine and very light sunning to the spine panel. Very attractive indeed. Top edge spotted and slightly dusty. Internally bright and fresh.

      [Bookseller: Adrian Harrington]
 37.   Check availability:     Direct From Seller     Link/Print  


        Nu Feminin

      1925. Signed. CHIMOT, Édouard. “Nu Feminin.” Original signed color aquatint. Paris, circa 1925. Original large aquatint image (13 by 17-1/2 inches), sheet measures 20-1/2 by 26 inches. $1800.Impression number 21 of only 200 copies of this beautiful full-length color aquatint of a female nude, signed by Chimot both in the plate and on the print.Influenced by Lautrec, Renoir, Rodin and later the Symbolists, Édouard Chimot taught himself painting and directed his talent primarily to etching, often for fine private-press limited editions. Best known for his voluptuous erotic images, he has been called “the painter of feminine sensuality” (Slatkine, Livres Illustrés 1900-1930). Chimot reached his artistic height during the 1920s and early 30s. He had become a significant figure in the Paris art world, with a public “hungry for his late-Symbolist nudes, ‘soumises à leurs passions mortelles et délicieuses” (André Warnod). Fine condition, with only a few minor white spots to margin (not affecting image).

      [Bookseller: Bauman Rare Books]
 38.   Check availability:     Biblio     Link/Print  


        Arabia. Routes between ‘Oqair and Jabrin Oasis in Eastern Nejd.

      London, 1925. - Colour-printed map (51 x 48 cm). Al-Qasimi 285.

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
 39.   Check availability:     ZVAB     Link/Print  


        Mesicník pro stavební umení (= Der Bau. Monatsschrift für Baukunst). III. Jahrg., Heft 1 - 12 (Juli 1924 - Juni 1925).

      Originalausgabe. - Kompletter Jahrgang der bedeutenden Zeitschrift des tschechischen Konstruktivismus mit vorgeb. Jahresinhaltsverzeichnis. - Die Reihe befasst sich mit den europäischen Strömungen funktioneller Architektur und Gestaltung, so ist Heft II der ?De Stijl?-Gruppe gewidmet. Teige konnte zahlreiche bedeutende Vertreter für Textbeiträge gewinnen, darunter u.a. Le Corbusier, Theo van Doesburg, Walter Gropius, Ludwig Hilberseimer, Georg Muche, Mies van der Rohe. - Insgesamt ordentlicher Zustand. - Heller 112f.

      [Bookseller: Rotes Antiquariat]
 40.   Check availability:     booklooker.de     Link/Print  


        Autograph Letter Signed ('Edward P') to "Dear Sister Dempster", on St James's Palace headed paper, (1894-1972, King of Great Britain, Later the Duke of Windsor)

      1925 - apologising for not returning George's letter and "I've heard from him 2 or 3 times since then- he seems to be happier . thank goodness my stunting months are nearly there and I can get away and I hope you will too", with autograph envelope, 2 sides 8vo, Wednesday, c.

      [Bookseller: Sophie Dupre ABA ILAB PADA]
 41.   Check availability:     AbeBooks     Link/Print  


        Negro Myths from the Georgia Coast

      1925. JONES, Charles C., Jr. Negro Myths from the Georgia Coast. Told in the Vernacular. Columbia, South Carolina: The State Company, 1925. Small octavo, original dark purple cloth gilt, original dust jacket. $1500.Later edition of Jones' written record of traditional African trickster stories as told in the Gullah creole, in rare original dust jacket.Raised on three Georgia plantations owned by his wealthy Presbyterian clergyman father, Charles Collock Jones, Jr. spent much time around ""Gullah-speaking people whose folkways and folklore provided Jones with resources for some of his later published materialsÂ… Jones is best known for his writings on the history of Georgia and for his studies of Native-American antiquitiesÂ… [He] was a meticulous scholar whose concern for details often limited the scope of his studies"" (ANB). This volume ""preserved Gullah dialect versions of the African trickster tales more commonly associated with the Uncle Remus tales of Joel Chandler Harris"" (Georgia Encyclopedia). Jones pursued a more ethnological approach than did Harris; his was ""the first attempt to record systematically the dialect used on the Georgia and the South Carolina coast. The glossary of 450 words and expressionsÂ… is a valuable addition"" (Georgia Historical Quarterly 27:4, December 1943, 328-29). First published 1888. See Work, 431; Blockson 853. Book about-fine, with light offsetting to endpapers, cloth gilt bright. Rare original dust jacket extremely good, with only light wear. An excellent and attractive copy in near-fine condition.

      [Bookseller: Bauman Rare Books]
 42.   Check availability:     Biblio     Link/Print  


        S/W Porträtpostkarte. [ca. 13,2 x 8,4 cm].

      Wien, Edith Barakovich, o. J. [um 1925]. Mit zwei Prägestempeln. - Etw. angestaubt. Im Passepartout montiert. Versand D: 7,00 EUR Foto; Fotografie; Musik

      [Bookseller: Antiquariat Weinek]
 43.   Check availability:     buchfreund.de     Link/Print  

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