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Displayed below are some selected recent viaLibri matches for books published in 1924

        COPPER TOP

      GAZE, HAROLD. GAZE,HAROLD. COPPER TOP. NY: Harper Brothers (1924 B-Y). Thick 4to (7 1/4 x 9 1/4"), 338p., blue cloth stamped in gold. Last illustration slightly out of register else Fine in dust wrapper (dw chipped spine ends). First American edition of this marvelous fantasy adventure written by Gaze as well as illustrated by him. The story is about a little girl who meets all manner of strange gnomes, fairies and creatures after she goes to sleep at night. Illustrated by Gaze with 12 beautiful color plates plus many full and partial page fanciful line illustrations. Gaze was a New Zealand artist who "dominated the fairy genre in Australian children's books " after Ida Rentoul Outhwaite (See Muir History of Australian Children's Book Illus. p.77). Scarce in dust wrapper.

      [Bookseller: Aleph-Bet Books, Inc.]
 1.   Check availability:     Biblio     Link/Print  

        Plakatkunst im Klassenkampf 1924 - 1932. 24 politische Plakate der Weimarer Republik. .

      Textheft (10 S.) und 24 teilw. mehrfach gefalzte Plakate, OLwd.-Kassette 52 x 37 cm, Tadell. Hrsg. in Zusammenarbeit mit dem Museum für Deutsche Geschichte Berlin. Mit einer Einführung von Hellmut Rademacher. Die Plakate sind in der Originalgrösse faksimiliert. Plakate: Käthe Kollwitz, Die Überlebenden 1924. Käthe Kollwitz, Nie wieder Krieg. 1924 (69 x 91 cm). - Max Schwimmer, Wählt VSPD. 1924 (59 x 89,5 cm). - Alfred Frank, Krieg dem Kriege. 1925 (60 x 90 cm). - Max Pechstein, Übt Solidarität mit Sowjet-Russland. 1927 (46 x 68,5). - John Heartfiled, Fünf Finger hat die Hand. 1928 (69 x 97 cm). - Alex Keil (Sandor Ek), Reichsjugendtag des kommunistischen Jugendverbandes Deutschlands KJDV. 1928 (25 x 36 cm). - Malsow (Victor Slama), Wenn Arbeiter und Bauern raufen. Bilderbogenplakat. 1928 (48 x 68,5). - Malsow (Victor Slama), Für ein Württemberg der Arbeiter und Bauern. 1928 (69 x 94 cm). - Heinrich Vogeler, Arbeiter, das ist Eure Not. Um 1928 (34 x 46 cm). - Kraetke, Maifeier 1929. 1929 (59,5 x 89,5). - Anonym, Lenin weist Euch den Weg. 1930 (59,5 x 89,5). - John Heartfield, Kämpft mit uns. 1930 (65 x 96 cm). - Max Gebhardt, Arbeiterkinder, werdet Junge Pioniere. 1932 (49,5 x 69 cm). - Anonym, Revolutionskundgebung. 1931 (59,5 x 89 cm). - John Heartfield, Kämpft für die Sowjetunion. 1932. (49 x 71,5 cm). - John Heartfield, Kämpft gegen Hunger und Krieg. 1932 (49,5 x 70 cm). - John Heartfield, 160 Millionen im Osten. 1932 (66,5 x 95 cm). - Max Gebhardt, 12. Internationale Kinderwoche der Jungen Pioniere. 1932 (49,5 x 69 cm). - Anonym (Entwurf nach Deni), Schluß mit diesem System. 1932 (62 x 91 cm). - Fuk (Boris Angeluscheff), Krieg dem imperialistischen Kriege. 1932 (49,5 x 68 cm). - John Heartfield, Das letzte Stück Brot raubt Ihnen der Kapitalismus. 1932 (65 x 95 cm). - Anonym, Einheitsfrontaktion gegen faschistische Reaktion. 1932 (62,5 x 93 cm). - Geis, An diesem System stirbt das Volk. 1932 (69 x 98 cm).

      [Bookseller: antiquariat peter petrej]
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        La Danse, très rare série complète de la revue, en 49 fascicules de 1920 à 1924. Avec le fascicule-programme de Relâche, le ballet instantanéïste de Picabia pour les Ballets Suédois.

      P., La danse, dir. J. Hébertot, 1920-1924. - 4 vol. (15 + 12 +12 + 10 num. & un h.s.), Reliure modeste pleine toile grise, défr., pièces de titre, mouillures claires à plusieurs numéros. Edition originale, rarissime en collection complète. L'essentiel de la revue est consacré à la promotion des Ballets suédois, fondés par Rolf de Maré, avec Jean Borlin comme chorégraphe unique, compagnie concurrente de celle de Diaghilev. L'ensemble est bien complet du numéro spécial vendu comme programme du ballet Relâche, conçu par Picabia, avec la couverture ill. coul. de Marie Vassilieff. [Attributes: First Edition; Hard Cover]

      [Bookseller: SOLSTICES RARE BOOKS]
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        42 Miniaturen zum Koran

      Berlin: Brandussche Verlagsbuchhandlung, 1924. With 42 mounted color plates printed by Graphische Kunstanstalt Ganymed. 1 vols. Square 8vo. Full white vellum, with fore edge guard, green and gilt arabesques to boards, t.e.g. Near fine, an unusual binding. Lydis, Mariette. With 42 mounted color plates printed by Graphische Kunstanstalt Ganymed. 1 vols. Square 8vo. Selection of German prose translations of Koranic verses, with Persianate illustrations by the celebrated Mariette Lydis (1894-1970).

      [Bookseller: James Cummins Bookseller]
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        Crêpes, tambours, poussière... Manuscrit autographe signé

      A report on the state funeral of Anatole France, which appeared in 'le Journal' on the 19th October 1924. Henri Béraud once more demonstrates his powers of polemic and his rich sense of irony on the occasion of the funeral; this superb text echoes those published at the same time by the Surrealists in their famous text 'Un cadavre'. Manuscrit autographe signé de 17 pages in-8 avec quelques corrections [1924] 14x18cm en feuilles

      [Bookseller: Librairie Le Feu Follet]
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        Select Readings from Conan Doyle [Second Series] Kenkyusha English Texts

      Kenkyusha Tokyo 1924 - First Edition. Edited with introduction and notes by Torajiro Sawamura. Original gray cloth, printed tan dustjacket, octavo, 238 pp. Extremely scarce anthology of Sherlock Holmes stories to be published in Japan and possibly the first Japanese collection of these stories. Includes: The Adventures of the Beryl Coronet, The Solitary Cyclist, The Red headed League, Lord of Chateau Noir, The Three Correspondents, The New Catacomb, A Foreign Office Romance, A Physiologist's Wife, A Question of Diplomacy, and A Medical Document. Near Fine, contemporary ownership signature at endpapers, some pencil notation to text, in Very Good dustjacket, chipped at top spine end and top flap corners. 0.0 [Attributes: First Edition; Hard Cover]

      [Bookseller: Babylon Revisited Rare Books]
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      New York: The Anderson Galleries, 1924. Original wraps. Near Fine. The 1st separate edition of Edna St. Vincent Millay's "first great poem" and first published work. Printed by the great Frederick Goudy "on the handpress formerly owned by William Morris --on which the Kelmscott Chaucer was printed--" and initialed by him at the limitation. #119 of an unknown number of copies issued. A clean, very well-preserved copy to boot -- a solid, Near Fine octavo in its light-blue, hand-sewn wrappers.

      [Bookseller: Appledore Books, ABAA]
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        TESS OF THE D'URBERVILLES (Superb Original Example of the 1924 Photoplay)

      New York: A. L. Burt Hardy, Thomas. TESS OF THE D'URBERVILLES. NY: A. L. Burt, (1924). First Photoplay Edition. A FINE copy (slight sunning to the spine, a touch of shelf wear) in a FINE ORIGINAL PUBLISHER'S DUST JACKET (virtually flawless). Published in tandem with the 1924 MGM film shot in England at genuine Hardy Country locations starring Blanche Sweet as Tess. It would be very difficult indeed to find a better copy.. First Edition, Thus. Hard Cover. Fine/Fine.

      [Bookseller: Lakin & Marley Rare Books ]
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        Ole Olsens Art Collections - Generaldirektør Ole Olsens Kunstsamlinger - Ole Olsens Kunstsammlungen (2 volumes complete)

      F. Bruckmann, München 1924 - First edition. Quarto. Hardcover. Fine. (8) + 104; 104 + 112 + (4); (8) + 76 + 74 + 80 pages. Illustrated in black and white. Over 2000 items described. Text in English, Danih and German. Volume 1 consists of Works in Precious and other Metals, Carved Work, Scuplture and Furniture. Volume 2 consists of Ceramic: Italian Majolika, Palissy Ware, German Stone Ware, Delft and German Faience, German and Danish Porcelain, China Porcelain, Glass a.s.o. "The importance of the collection of chief manager Ole Olsen in Kopenhagen, which is described by this catalogue to lovers of art and science, consists chiefly in the variety and completeness with regard to the quantity of works of old industrial art. Only a few of the great collections of the old and new continent can rival this collection in extent, quality and variety of the industrial antiquities. Nearly all spheres of artistic work from the prehistorical period to the end of the eighteenth century are represented by characteristic, sometimes excellent works. This work brings to lovers of art and scholars of old industrial art, a catalogue such has not been published since the great catalogues of the Spitzer, Lanna and Morgan collections. Giving the descriptions in Danish, English and German, the possessor and the editor hope to render a service to the science of the history of art." [Attributes: First Edition; Hard Cover]

      [Bookseller: Meijering Art Books]
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        Der Regenbogen. Ein Buch vom frohgemuten Ich. Mit 6 signierten (einschließlich Titel) Original-Radierungen von Ferdinand Staeger.

      Dresden - Leipzig, Falken-Verlag, 1924. 193(1) S., 4°, OHLn mit Buntpapierbezug und aufgeklebtem Titelschildchen, Fadenheftung. Druck der Graphischen Kunstanstalt Liepsch & Reichardt, Dresden. \"Diese Buch erschien in einer Auflage von 230 numerierten Exemplaren. Die Radierungen wurden vom Künstler eigenhändig signiert....Nummer 1 - 100, auf handgeschöpftes Bütten gedruckt, enthält die Originalradierungen mit Remarken. Einband: Antik-Halbpergament, handgeheftet, ebabierter Vorder- und Unterschnitt, Goldoberschnitt, Titeldrucke in Echt Gold.....(Impressum)\". Dieses Buch trägt die Nummer 23. Nicht bei Rodenberg. Reihe: Bücher vom heiteren Herzen, Band 2. Entgegen der Beschreibung handelt es sich beim vorliegenden Exemplar um eine Halb-Leinen-Bindung, ebenso fehlt die Titelvergoldung und der Kopfgoldschnitt. Da die Vorsatzpapiere sehr hell aussehen, liegt vermutlich eine spätere Bindung (Restauration ?) vor. Schönes Exemplar in dieser Vorzugsausgabe. Insgesamt eine sehr seltene Ausgabe in einem schönen Zustand. New binding; 6 handsigned etchings by the artist. Versand D: 5,00 EUR Staeger (1880-1976), Bibliophil, Originalgraphik, signiert

      [Bookseller: AS - Antiquariat Schröter]
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        When We Were Very Young

      London: Methuen & Co. Ltd, 1924. First Edition. Hardcover. Very Good. Shepard, E. H. First edition, first printing; second issue with page ix numbered. Very Good with a bit of rippling to cloth at bottom portion of covers, light bruising to spine ends and rubbing to corners, contents lightly foxed and several hinges just slightly over-opened. In a lightly soiled and lightly edge-worn first issue dust jacket, which is lightly soiled, darkened at the spine panel, rubbed at extremities with light chipping to corners and spine ends and with a short closed tear to the rear top spine joint. The first and scarcest of the Pooh books.

      [Bookseller: Burnside Rare Books]
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        Songs and Sonnets of William Shakespeare

      London: Macmillan and Co., Limited, 1924. "Shall I Compare Thee To A Summer's Day?" A Superb Arabesque Style Binding With A Fine Gilt Pointille Design by Ramage of London [RAMAGE, John, binder]. SHAKESPEARE, William. Songs and Sonnets of William Shakespeare. Edited by F.T. Palgrave. London: Macmillan and Co., Limited, 1924. Small octavo (5 7/8 x 3 7/8 inches; 149 x 98 mm.). viii, 253, [1, imprint] pp. Bound ca. 1925 by Ramage of London (stamp-signed on front turn-in). Full purple crushed levant morocco, covers beautifully decorated with a central gilt-ruled 'star' shape design surrounded by an elaborate and very fine gilt pointille design in the 'Arabesque' style. Spine with five raised bands elaborately decorated and lettered in gilt in compartments, gilt ruled board edges, wide turn-ins with a double gilt ruled border enclosing four corner and two side decorations in elaborate gilt pointille, purple watered silk liners and end-leaves, all edges gilt. With the engraved bookplate of Helen Margaret Nimmo on the verso of the front endleaf. Very fine. The gilt pointille work is quite exceptional. Born in London in 1836, John Ramage served an apprenticeship with John Wright, then went to Paris, where he was able to work with the distinguished Marcellin Lortic (1822-1892), who opened his shop on the Rue St. Honoré in 1840. In 1860 Ramage purchased the binding business of Alexander Banks, Jr., in Edinburgh, then returned three years later to London, where he was in business at various locations into the 20th century. Though the range designs is broad, Ramage bindings are celebrated for their remarkably delicate, careful, and elaborate gilt work. Shakespeare's Sonnets is the title of a collection of 154 sonnets by William Shakespeare, which covers themes such as the passage of time, love, beauty and mortality. The first 126 sonnets are addressed to a young man; the last 28 to a woman. Shakespeare's Songs: Not surprisingly, Shakespeare alludes to or includes the text of well over one hundred songs in his works. Music was an integral part of Elizabethan life, as it is today. London publishers were constantly producing broadside ballads, madrigals, and consort pieces, and most educated people could read music and play a tune on a recorder, lute, or viola da gamba.

      [Bookseller: David Brass Rare Books, Inc.]
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        You Gentiles

      Harcourt, Brace and Company, New York 1924 - 221 pages. "In this book a modern Jew, perhaps for the first time, tells the gentiles what he thinks of them. Analyzes our western civilization, its religion, morality, art and science, as an expression of the gentile way of life and shows where this clashes with the nature and spiritual impulses of the Jew." - from dust jacket. Dust jacket heavily worn. Somewhat above-average wear to book. Back hinge open. [Attributes: Hard Cover]

      [Bookseller: RareNonFiction, IOBA]
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        Daedalus, or Science and the Future: A Paper Read to the Heretics, Cambridge on February 4th 1923

      New York: E. P. Dutton & Company, 1924. First Edition. Hardcover. Very Good. First American edition. v, 93pp. Original blue cloth with printed paper labels. Near Fine in Very Good original dust jacket. A few spots of toning to cloth, dust-soiling to edges, a few easily-erasable pencil marks in margins. Jacket chipped along head/back panel and at tail, a little foxed, nick in spine. The author's first book, a wide-ranging lecture on technology, ethics, and science that helped inspired Huxley's novel Brave New World.

      [Bookseller: Burnside Rare Books]
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        A Story Teller's Story

      B. W. Huebsch, Inc., New York 1924 - First Printing. Scarce in Jacket. Signed on half-title page. Jacket is tanned with edge and corner wear and chipping at head and tail. Book has light toning to page edges. From the William Ripley Collection. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Kaleidoscope Books & Collectibles]
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      London: Jarrolds,, 1924. Octavo. Original black cloth, titles to spine gilt. With the dust jacket designed by Dame Laura Knight. Boards rubbed and slightly discoloured, spotting to edges of text block. A very good copy in the jacket with partly split spine and and some chips to spine panel and tips. First UK edition, first impression of the Pulitzer Prize-winning author's third novel. It was originally published in the US in 1915. Scarce in the jacket.

      [Bookseller: Peter Harrington]
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        The Stretton Street Affair.

      London, Cassell and Co., 1924. First Edition. 8vo. This copy INSCRIBED by Le Queux to his niece Enid Gaby. Fine in publisher's burgundy cloth titled and decorated in black to spine and front board. Internally clean, very light foxing to page edges. Inscribed Le Queux is difficult to happen upon, and in a copy of this quality it is very scarce. 'The man who really deserves credit for helping develop the spy novel is William Le Queux' (Peter Haining). William Le Queux, seems to have done everything (or at least said he did); journalist, diplomat, explorer, early pilot, radio enthusiast and the author of a staggering 197 books. There is even the suggestion that Duckworth Drew, one of Le Queux's espionage heroes, was a direct inspiration for James Bond. HUBIN; Crime Fiction IV, p920.

      [Bookseller: Adrian Harrington]
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        The Town Child's Alphabet. Designs by David Jones.

      The Poetry Bookshop 1924 - FIRST EDITION, each letter with a full-page illustration by Jones, the majority of these with a small amount of colouring in blue, some handling marks and occasional light spotting, pp. [55], [4, ads], 4to, original wrappers with Jones illustration to front printed in orange and blue, a small split at head of upper joint and loss at foot of backstrip with chipping at head of same, rubbing to covers but not to image, ownership inscription to inside front cover, good. Significant as Jones's first illustration work outside of the Ditchling community, and departing from his work there in its more playful tone whilst preserving traces of it in the skill and composition. (Woolmer A40)

      [Bookseller: Blackwell's Rare Books ABA ILAB BA]
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        MEMOIRES DE J. CASANOVA DE SEINGALT - ecrits par lui-meme / EN 12 VOLUMES - DU TOME 1 AU TOME 12.

      1924. DE LA SIRENE. 1924-1935. In-4.Carré. Broché. Etat d'usage. Tâchée. Dos abîmé. Intérieur frais. CII + 340 + 324 + 361 + 337 + 337 + 351 + 340 + 316 + 434 + 365 + 346 + 338 pages - pages augmentées de nombreuses illustrations en noir et blanc dans et hors texte, dont certaines sous serpente - Bandeaux, lettrines et culs de lampe. Dos salis. 5 PHOTOS DISPONIBLES - EDITION nouvelle d'apres le texte d'origine de l'edition princeps Leipzig-Bruxelles-Paris (1826-1838) - Variantes des editions Schutz et Paulin-Rosez - Commentaires historiques et critiques.

      [Bookseller: Le-Livre.Com]
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        Künstlernachlaß des Dresdener Werbegraphikers Paul Nasdala (1924-2007). Bestehend aus einer Arbeitsmappe \"Meine Lehrzeit\" (1939-1942, Folio) vom Lehrbetrieb Kunstanstalt May Aktiengesellschaft, darin zahlreiche Freihandzeichnungen, Zeichnungen nach Vorlage, Federzeichnungen, Pausübungen, Kreidelithographien, Asphaltschabarbeiten, Springschaberübungen, Spritzarbeiten, Linolschnitte, Aquarelle, Handzeichnungen, einem Album Filmkarikaturen mit 28 Tuschzeichnungen der damaligen UFA-Stars (u. a. Hans Albers, Willy Birgel usw.), 18 von N. gestalteten Werbe- bzw. Veranstaltungsplakaten aus den Jahren 1956-1972, zahlreichen weiteren Aquarellen und Handzeichnungen, Photos und Selbstporträts des Künstlers sowei Kopien von Lehrvertrag, Lehr- und Prüfungszeugnis sowie zwei Briefen der \"Zeit im Bild\"-Redaktion an den Karikaturisten (1946).

       Guter Zustand. *Paul Nasdala.*1924, erlernte in Dresden den Beruf eines Farbenlithographs und besuchte die Kunstgewerbeschule. Nach Kriegsdienst und Neubeginn Gebrauchsgraphiker in der DEWAG Werbung Dresden, hier besonders Graphiken und Plakate für die Pneumant Reifenwerke und das Chemiewerk Nünchritz sowie Werbegraphik für Messen und Ausstellungen, außerdem war N. als Karikaturist für die Illustrierte \"Zeit im Bild\" tätig. Arbeiten des durch zahlreiche staatliche und betriebliche Auszeichnungen geehrten Künstlers, wurden auf der VI. Deutschen Kunstausstellung Dresden sowie auf Ausstellungen in Moskau und Brünn gezeigt. Versand D: 5,00 EUR Gebrauchsgraphik, Gebrauchsgrafik, Karikaturen, Graphisches Gewerbe

      [Bookseller: Historica Antiquariat Bert Wawrzinek]
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        The Man in the Brown Suit.

      London: John Lane the Bodley Head Limited, 1924 - Octavo. Original buff cloth, titles and decorative border to spine and front board in brown, top edge brown. Spine faded, slight rubbing to extremities, slight bumps to tips, mark to rear panel, small mark to front panel, a very good copy. First edition, first impression of Christie's fifth book. Signed by the author to the front free endpaper. [Attributes: First Edition; Signed Copy]

      [Bookseller: Peter Harrington. ABA member]
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        Reichssteuerblatt Jahrgang 1924 - 1945,

      1924 - in 21 Bänden. Berlin, Reichsdruckerei/Reichsverlagsamt, 1924 ff., Gebundene Ausgabe, Halbleineneinband, Großformat, 293 + 282 + 383 + 321 + 423 + 714 + 863 + 1039 + 1243 + 1412 + 1767 + 1655 + 1344 + 1387 + 1271 + 1299 + 1072 + 56 + 976 + 47 + 1152 + 860 +776 + 64 Seiten, in wenigen Bänden vereinzelt Antstreichungen mit Buntstift, bei Band 1932 letzten Seiten wasserrandig, Band 1936 leicht bestoßen, Bände 1941 - 44/45 in Einbänden der Zeit gebunden, bei Bänden 1942 und 1943 Einbände mit Wasserfleck, Innen aber gut!, Zustand 2/3 (R397) (R397) Sprache: Deutsch Gewicht in Gramm: 700 [Attributes: Hard Cover]

      [Bookseller: Antiquariat Ehbrecht - Preise inkl. MwSt]
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        When We Were Very Young

      London: Methuen & Co. Ltd, 1924. First Edition. Hardcover. Very Good. Shepard, E. H. First edition, first printing; second issue with page ix numbered. Very Good with a bit of rippling to cloth at bottom portion of covers, light bruising to spine ends and rubbing to corners, contents lightly foxed and several hinges just slightly over-opened. In a lightly soiled and lightly edge-worn first issue dust jacket, which is lightly soiled, darkened at the spine panel, rubbed at extremities with light chipping to corners and spine ends and with a short closed tear to the rear top spine joint. The first and scarcest of the Pooh books.

      [Bookseller: Burnside Rare Books]
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        Zapiski poeta. Povest? [Aufzeichnungen eines Dichters. Erzählung].

      Original-Ausgabe. - Selvinsky war einer der bedeutendsten Vertreter des literarischen Konstruktivismus. Die vorliegende Erzählung ist eine Art Autobiographie des Dichters, der seine Verse hier als Werk des imaginären Lyrikers Evgeny Ney publizierte. - Berühmtheit erlangte die kleine Veröffentlichung vor allem durch die prägnante Einbandgestaltung El Lissitzkys. So nutzte er zwei fotografische Porträtaufnahmen, die er 1924 von Hans Arp fertigte, und belichtete die Negative unterschiedlich, so dass die Profilaufnahme heller und die Frontalaufnahme dunkler geriet, schließlich fügte er beide zu einem Doppelporträt zusammen. Als Hintergrund verwandte er die Dada-Zeitschrift 391, auf den Hemdkragen ließ er den Namen des imaginären Dichters setzen. - Erschienen in einer Aulage von dreitausend Exemplaren. - Die häufig fehelnde Faltkarte hier mit Einriss, sonst hervorragend erhaltenes Exemplar. - Lissitzky-Küppers 121. - Kat. Sprengel Museum 218. - Bowlt/Hernad 73. - Kat. MoMa 750. - Andel, Avantgarde Pagedesign 252.

      [Bookseller: Rotes Antiquariat]
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        Don Quichote. Gezeichnet von Adolf Uzarski.

      Jos. Scholz, Mainz 1924 - [1924]. Mit 8 ganzseitigen Farblithographien und 13 schwarz-weißen Illustrationen im Text sowie 1 farb. Einbandillustration. (22 x 29 cm). 4°-quer. OHLn. = Scholz' Künstler-Bilderbücher, No. 113. - Leichte Gebrauchsspuren, sehr schönes Exemplar. Erstausgabe des wohl seltensten Bilderbuches aus der Reihe der 'Scholz-Künstler-Bilderbücher' (Geisenheyner) . - . die im Verlag Jos. Scholz in Mainz erschienenen 'Künstler-Bilderbücher' aus den zwanziger Jahren (zeigen) den lockeren Strich, die expressive Lebendigkeit und übertreibende Zeichnung von Figuren und Gegenständen, wie sie auch von Th. Th. Heine, George Grosz u.a. bekannt sind. Die karikaturistischen Züge, wie sie im 'Don Quichote' (1924) besonders stark hervortreten, bleiben bei U. auch noch später erhalten. (Doderer IV, 526). - Adolf Uzarski (1885 - 1970) lebte als Maler, Graphiker und Schriftsteller in Düsseldorf. Ab 1933 erhielt er von den Nationalsozialisten Berufsverbot. Ohne größere Erfolge erzielen zu können, lebte er nach dem 2. Weltkrieg wieder in Düsseldorf. Sein Werk wurde 1967 durch eine Ausstellung in der Berliner Akademie der Künste geehrt. - Murken, Uzarski, 2; Stuck-Villa II, 337. [Attributes: First Edition; Hard Cover]

      [Bookseller: Antiquariat Michael Butter]
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        Le paradis à l'ombre des épées. - Les onze devant la porte dorée.

      - Grasset, Paris 1924, 12x19cm, 2 volumes brochés. - Prima edizione, una copia del servizio stampa del bouffant per ogni volume. spedizioni preziosi autografi firmati da Henri de Montherlant Charles Maurras sulla prima guardia ogni volume. Dos e piatti marginalmente insolated come di solito. - [FRENCH VERSION FOLLOWS] Edition originale, un des exemplaires du service de presse sur bouffant pour chacun des volumes.  Précieux envois autographes signés d'Henry de Montherlant à Charles Maurras sur la première garde de chacun des volumes : « Respectueux hommage » et « Hommage respectueux ». Charles Maurras a exercé une influence capitale sur Henry de Montherlant dont témoignent ces deux envois. Le fondateur de l'Action française fut en effet l'un de ses maîtres revendiqués, ainsi qu'il l'écrit dans sa préface de L'Exil en 1929, les deux hommes partageant une certaine conception de l'antiquité méditerranéenne. Intéressante marque de fidélité de Montherlant à l'égard de Maurras.  

      [Bookseller: Librairie Le Feu Follet]
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        Falbalas & Fanfreluches: almanach des modes, présentes, passées et futures pour 1924

      Paris: Meynial, 1924. Barbier, George. Small quarto. 12pp., + (12)ff. colored plates. One of 600 copies. Art Deco legend George Barbier contributed fashion plates to several albums and almanacs starting in 1912 before finally starting his own publication in 1922 titled Falbalas et Fanfreluches. Each annual issue included an almanac for the year, a guest essay, and twelve brightly hand-colored pochoir plates. Not all of the plates are traditional fashion plates; Barbier chose to include many fantastical renderings of period and foreign costumes and folk dress, presented in his usual elegant style. Falbalas et Fanfreluches was issued from 1922 through 1926, making this the third of five total issues. This 1924 edition includes "Glorifions la Coquetterie" by Cécil Soral, as well as a color-illustrated title page and an additional black & white headpiece. Near fine, loose as issued in illustrated chemise, showing a modern woman standing in a shell à la Botticelli's Birth of Venus, and original glassine. (Colas 1026).

      [Bookseller: Bromer Booksellers]
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      ZANICHELLI, 1924. ITALIANO 0,42 Legatura leggermente lenta con pagina indice volante e frontespizio mancante, pagine brunite da fattore tempo e con lieve fioritura, alle prime pagine appunti e sottolineature a matita, coperta morbida ingiallita, con fioritura, con bordi stanchi e con strappi al dorso USATO

      [Bookseller: Biblioteca di Babele]
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        Immortelle maladie. Poème. Avec un frontispice de Man Ray.

      P., Collection "Littérature", 1924 - 21 x 16,5 cm, 18 p., ill. Broché, couverture imprimée en noir sur orangé. Très bel exemplaire. Edition originale de ces six poèmes, tirage limité à 201 exemplaires, un des 120 numérotés sur vélin (après 1 Chine, 10 Japon et 20 Hollande). [Attributes: First Edition; Soft Cover]

      [Bookseller: SOLSTICES RARE BOOKS]
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        Soirée de Paris, organisée sous la direction de M. le Comte Etienne de Beaumont au théâtre de la Cigale du 17 mai au 30 juin 1924. Au bénéfice de l'Oeuvre d'Assistance aux Veuves de la Guerre et du Comité de Secours aux Réfugiés Russes.

      P., Publications Willy Fischer, Association franco-américaine d'exposition de peinture et de sculpture, 1924. - 25 x 18,5 cm, 36 p., ill. Broché, couv. ill., cordelette. Edition originale de cet important programme illustré (Picasso, Braque, Derain, Jean Hugo). Le comte Étienne de Beaumont (1883-1956), fut à la fois un créateur de décors de ballets, de costumes et de bijoux, un peintre, un mondain accompli, connu pour ses bals masqués, et un généreux mécène. Le 17 mai 1924, il inaugure les Soirées de Paris au Théâtre de la Cigale à Montmartre. Celles-ci ne dureront qu'une année, mêlant spectacles de music-hall, ballet, poésie et théâtre, avec la participation d'artistes aussi variés que Jean Cocteau, Pablo Picasso, Georges Braque ou encore Erik Satie et Darius Milhaud. Avec sa femme Édith, Étienne de Beaumont commandita des films et des ballets d'avant-garde, puis, après la guerre, fonda l'Association franco-américaine. Paul Morand, Jean Cocteau, Marc Allégret, Lucien Daudet, René Crevel ont décrit l'extraordinaire personnalité du comte de Beaumont.- Programme complet des ballets chorégraphiés par Massine, décors et costume par Picasso, Braque, Derain, Jean Hugo (ill.), musiques de Milhaud, Satie, Sauguet. Théâtre de Tzara, Cocteau. Argument et distribution de chaque spectacle. Salade, contrepoint chorégraphique en deux actes, musique de Darius Milhaud, décors et costumes de G. Braque, chorégraphie de L. Massine. Mercure, poses plastiques, thème et chorégraphie de Massine, musique d'Erik Satie, décor et costumes de Picasso. Les roses, chorégraphie de Massine, musique d'Henri Sauguet. Gigue, chorégraphie de Massine, décor et costumes d'André Derain. Vogues, trois pages dansées, illustrations de Valentine Hugo, poème de Paul Morand. Mouchoir de nuages, tragédie en quinze actes de Tristan Tzara, costumes de Jeanne Lanvin, projections de Loïe Fuller. Roméo et Juliette, drame de W. Shakespeare, adaptation et mise en scène de Jean Cocteau, décors et costumes de Jean Hugo. Ballet espagnol par J. M. Sert, dansé par Ida Rubinstein. Danses actuelles par H. Wills.- In fine, Catalogue de l'exposition l'Art au théâtre, au music-hall et au cirque (introd. de Léon Daudet, oeuvres de Cézanne, Degas, Seurat, Toulouse-Lautrec, liste des oeuvres avec provenance). [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: SOLSTICES RARE BOOKS]
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        Chart of the South East Coast of Arabia from Ras Sukra to Palinurus Shoal, compiled from trigonometric Surveys. London, published by John Walker, 1924.

      1924. 1140 x 710 mm. Chart of the East Coast of Arabia from Ras Sukra to Palinurus Shoal with inset maps of Bander Reisut, Merbat Bay and Kishin Bay. Engraved chart, including tidal information, compass roses, soundings, seabed notations, currents, sandbanks, shoals, lighthouses and beacons picked out in yellow and red, inland elevations, detailing and buildings. Published by John Walker, Geographer to the East India Company in 1850, new editions in 1865, 1888, 1921 and 1924. Signs of contemporary use. Folded.

      [Bookseller: Antiquariat Inlibris]
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        Le Joaillier Léon Devos

      Bruxelles: Ets. Guy Onkelinx, 1924. Devos, Léon. Small quarto. (40)pp. Illustrated with ten color plates of Art Deco jewelry design, and six allegorical color plates, a full-page black & white unattributed image, and a small vignette by American artist Lawrence Sterne Stevens. The jewelry designs by Devos, an important Belgian jeweler, are elegantly styled to the Art Deco aesthetic, and expertly rendered in the plates. The designs are divided into five sections by type of gem - diamonds, pearls, sapphires, rubies, and emeralds - and each section is prefaced by an illustration by Sterne Stevens of exotic foreign locales and beautiful women and men draped in jewels. Sterne Stevens was born in Michigan and worked as a cartoonist while taking night classes at the Minneapolis School of Fine Arts. By chance, Alphonse Mucha visited his former teacher at the school and was introduced to Sterne Stevens; with their encouragement, he moved to Belgium in 1910 to study at the Royal Academy of Fine Arts in Antwerp. Following the war, he returned to Belgium and worked as a designer and illustrator from 1924 to 1937 before returning to the States to work as a freelance illustrator. This trade catalogue, then, would have been one of his earliest works after he returned to Belgium. Bound in brown wrappers with decorative cord at the spine. The front is enhanced by an embossed design and printing in dark brown and light blue. Typed letter on the company stationary and signed by Devos laid in. The letter, which would accompany the catalogue, invites the recipient to visit the showroom at 63 rue de Namur where they could find "un assortiment vraiment unique." Fine.

      [Bookseller: Bromer Booksellers]
 32.   Check availability:     Biblio     Link/Print  

        Don Quichote. Gezeichnet von Adolf Uzarski.

      Mit 8 ganzseitigen Farblithographien und 13 schwarz-weißen Illustrationen im Text sowie 1 farb. Einbandillustration. (22 x 29 cm). 4-quer. OHLn. = Scholz' Künstler-Bilderbücher, No. 113. - Leichte Gebrauchsspuren, sehr schönes Exemplar. Erstausgabe des wohl seltensten Bilderbuches aus der Reihe der 'Scholz-Künstler-Bilderbücher' (Geisenheyner) . - ... die im Verlag Jos. Scholz in Mainz erschienenen 'Künstler-Bilderbücher' aus den zwanziger Jahren (zeigen) den lockeren Strich, die expressive Lebendigkeit und übertreibende Zeichnung von Figuren und Gegenständen, wie sie auch von Th. Th. Heine, George Grosz u.a. bekannt sind. Die karikaturistischen Züge, wie sie im 'Don Quichote' (1924) besonders stark hervortreten, bleiben bei U. auch noch später erhalten. (Doderer IV, 526). - Adolf Uzarski (1885 - 1970) lebte als Maler, Graphiker und Schriftsteller in Düsseldorf. Ab 1933 erhielt er von den Nationalsozialisten Berufsverbot. Ohne größere Erfolge erzielen zu können, lebte er nach dem 2. Weltkrieg wieder in Düsseldorf. Sein Werk wurde 1967 durch eine Ausstellung in der Berliner Akademie der Künste geehrt. - Murken, Uzarski, 2 Stuck-Villa II, 337.

      [Bookseller: Antiquariat Butter]
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      Bln., Rembrandt-Verlag, 1924. - Einleitung von Oskar Fischel. Fol. OGanzpergamentbd. 8 nn. Bll. mit 2 sign. und dat. Orig.-Radierungen und 60 teils farb. Tafeln. Sprache: Deutsch, Erste Ausgabe. - Nr. 47 von 100 Exemplaren der Vorzugsausgabe (Gesamtaufl. 410). - "Auf solche prächtigen Publikationen dürfen Verleger und Künstler gleich stolz sein. Man geht in ihnen spazieren wie in einem gepflegten Garten [.]. Sie sind die rechten Behältnisse für eine Kunst, deren Wesentliches nicht zuletzt eine heitere Anmut, eine unbekümmerte Problemlosigkeit ist" (Monatshefte für Bücherfreunde). - Badorrek-H. 1.40. Jentsch XXXIX sowie 422 II a und 425 II a. Vollmer III, 364. - Vorsätze etwas angestaubt, sonst schönes Exemplar der Vorzugsausgabe mit den Radierungen auf Japanpapier. [Attributes: First Edition; Signed Copy]

      [Bookseller: Antiquariat Frank Albrecht (VDA/ILAB)]
 34.   Check availability:     ZVAB     Link/Print  

        TARZAN AND THE ANT-MEN in ARGOSY ALL-STORY WEEKLY [complete in seven issues]

      The Frank A. Munsey, Company, New York 1924 - Octavo, seven issues, cover illustration for the February 2 issue by Stockton Mulford, interior illustration in each issue, pictorial wrappers. Pulp magazine. Complete seven part serial "Tarzan and the Ant-Men." This magazine version is approximately 7,000 words shorter than the novel published in book form in the U.S., the British book publication matches this version. Heins pp. 64-65. The first issue, February 9, has edge wear and is a very good copy, the March 1 issue (5) has some paper loss to the spine affecting the title lettering, a very good to nearly fine copy, the rest of the issues are nearly fine to fine. A bright attractive set. (20857) [Attributes: Soft Cover]

      [Bookseller: John W. Knott, Jr, Bookseller, ABAA/ILAB]
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      Montreal ; The Rothchild Press 1924-1927 - First edition. Original boards. 8vo. 210 pages; 188+36 pages; 140+41 pages; 256 pages; 145 +26+14 pages. 23 cm. In Hebrew. First full printing of the Zohar in North America. Title translates to "The Zohar: The Zohar Interpretation of the Torah. " The translation work was done by one of Canada’s prominent rabbis, Yehudah Yudl Rozenberg. Rabbi Rozenberg (1859–1935) was a very prominent Polish rabbi who wrote extensively on the Talmud, Torah, Kabbalah, and other aspects of Jewish life. This translation was a monumental achievement and was commended by the likes of Rav Kook and Rabbi Margolis. He is considered the originator of many aspects of the Golem legend, which he wrote about in "The Maharal and the Golem. " ) Brody, SUBJECTS: CABALA – KABBALAH. OCLC lists 14 copies worldwide, and only one in Canada (UOttawa) . Ex-library with usual markings. Backstrip rebacked with tape. Boards are minorly edgeworn. Overall Good Condition. (HEB-50-16) [Attributes: First Edition; Hard Cover]

      [Bookseller: Dan Wyman Books, LLC]
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        A Passage to India.

      Edward Arnold & Co., London 1924 - First Edition. 8vo. [193 x 123 x 35 mm]. 325, [3] pp. Publisher's red cloth, front cover and spine lettered in black, plain endleaves and edges. (Edges spotted). A little spotting or foxing at front and rear but a fine copy. "Up to the last moment [Forster] had been assailed by doubts and despairs about his novel, but its reception removed all fears. The book suited the moment, and friends and reviewers alike called it a masterpiece and his finest achievement" - Furbank, E. M. Forster: A Life, II, p.123. [Attributes: First Edition]

      [Bookseller: George Bayntun ABA ILAB PBFA]
 37.   Check availability:     AbeBooks     Link/Print  

        Seducers in Equador

      The Hogarth Press, London 1924 - Vita Sackville-West's 1924 novel Seducers in Ecuador is seldom seen thus, in near fine condition and still bearing the original dust jacket. One of 1,500 copies, this copy features a beautifully bright, square, and tight binding, with sharp corners, paper spine label fully intact, and only a hint of wear to the spine ends. The contents remain bright with no previous ownership marks and light, intermittent spotting. The red-stained top edge retains strong, unfaded color and differential toning to the endpapers corresponding to the dust jacket flaps confirms what the lovely binding already testifies – that this copy has spent life jacketed. The dust jacket is in two pieces, split along the rear hinge with the upper third of the spine missing and the balance of the spine toned. The dust jacket is protected beneath a removable, archival quality clear cover. Vita Sackville-West (1892-1962) was a poet, novelist, associate of the Bloomsbury Group, lover to Virginia Woolf, and the inspiration for Woolf's 1928 novel Orlando. As the daughter of a Baron and the wife of a politician (Harold George Nicholson, with whom she shared an open marriage), Vita's early life was spent split between the conventions of Edwardian society and diplomatic missions to locales such as Constantinople and Persia. These settings no doubt influenced her writing, which often dealt with a woman's place in society, both in her native Britain and, such as in the case of Seducers in Ecuador, abroad. In addition to the society novels she for which was most well-known, Vita was also an accomplished poet (twice winning the Hawthornden Prize, the only writer to do so), biographer, and one of the first to write a speculative science fiction novel about a hypothetical Nazi victory (Grand Canyon, 1942). A strange modernist novella centered on an English group on an Egyptian cruise, Seducers in Ecuador is the first of Vita Sackville-West's books published by the Hogarth Press and marks the beginning of their 17 year exclusive publishing relationship. As Hogarth Press was founded by Leonard and Virginia Woolf, this publication also coincides with the start of Sackville-West's relationship with Virginia Woolf, to whom this novel is dedicated. Though she was already an accomplished writer, it was Sackville-West who approached the Woolfs by asking them if they would like to publish "a longish short story. which no ordinary publisher would have looked at." (This from Leonard's later account. Some contemporary evidence suggests the Woolfs approached Sackville-West.) Through the preparations for publication Vita Sackville-West and Virginia Woolf's relationship deepened through mutual admiration and cooperation. Sackville-West called the novel their "joint progeny" and dedicated it to her friend. Some critics suggest that Sackville-West even changed her style specifically to appeal to Woolf. If this is the case, she was certainly successful as Woolf would say in a 1924 letter, "I like the story very very much. it is the sort of thing I should like to write myself" and praised the "fantasticality of the details." It was around this time that their romantic relationship began which would continue through the 20s, and the impression that Vita Sackville-West made on Virginia Woolf was profound. Woolf wrote nearly 450 letters to Sackville-West, more than to any other correspondent save her sister, Vanessa Bell. In 1928 Woolf published Orlando, the title character inspired by Sackville-West, which was called by Sackville-West's son "the longest and most charming love letter in literature." [Attributes: First Edition; Hard Cover]

      [Bookseller: Churchill Book Collector ABAA/ILAB/IOBA]
 38.   Check availability:     IberLibro     Link/Print  

        Ein Hungerkünstler. Vier Geschichten. [Erstausgabe].

      Berlin, Verlag Die Schmiede 1924 - 8°. 20 cm. 85 Seiten. Original-Pappband, gebunden mit Rücken- und Deckelschildchen. (Die Romane des 20. Jahrhunderts). Erste Ausgabe. WG 7. Dietz 66. Exlibris auf Innendeckel. Einband wenig berieben. Gutes bis sehr gutes Exemplar. [Attributes: First Edition; Hard Cover]

      [Bookseller: Antiquariat Lenzen GbR]
 39.   Check availability:     ZVAB     Link/Print  


      Paris: Shakespeare, 1924. 2nd Printing. Original wraps. Printed for Sylvia Beach by Darantiere at Dijon, France, this was the first time the cover was white with blue letters. Fourth printing overall, after the first Shakespeare, second and third Egoist. This copy was kept by Beach in her Lending Library, but never circulated. Lending Library promotional card laid in. Tight, clean and square. Many pages are unopened. Protected by Mylar. Custom clamshell case, blue cloth with gilt rules and titling. Pages toned, as is usual due to low quality paper, minimal for this copy is the typical flaking. Conceived in sixteen years and written in seven, Ulysses is regarded as one of the greatest works of literature. The work's confiscation, burning and trial at an early stage pleased James Joyce, who hoped for notoriety. Though controversial, the work impressed his peers T.S. Eliot, Virginia Woolf and W.B. Yeats and was considered by his admirers to be superb, magical, and a work of genius. It became required reading for the intelligentsia and brought first fame to Joyce. Stunning, unrestored, largely unopened second Shakespeare printing. Slocum & Cahoon 17. Ellmann p. 499-532.

      [Bookseller: EXCELSA SCRIPTA Rare & Collectible Books]
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        Schutt. Enthält die Gedichte Spuk, Rot, Schwer, Die Dänin, Ach du zerrinnender, Chaos, Nacht und Die Welten halten. (= Lyrische Flugblätter 105).

      Alfred Richard Meyer Verlag Berlin-Wilmersdorf . Erstausgabe. 1924 - 4°. Originalbroschur. Vier Doppelblatt. Auf leicht getöntem, unbeschnittenem Papier. Das äußere Doppelblatt im Rücken brüchig, am oberen Rand mit ca 1 x 3 cm Fehlstelle, innenseitig nahezu unsichtbar mit säurefreiem Filmoplast stabilisiert. Der Umschlag etwas lichtgedunkelt und leicht angestaubt. Gutes Exemplar. Die Erstausgabe erschien in 300 Exemplaren. - Lohner/Zenner 1.40. - Wilpert/Gühring 2/11. - Raabe 24/11. - osch D 4. 3. FL1241-301488 [Attributes: First Edition; Soft Cover]

      [Bookseller: Antiquariat und Buchhandlung Carl Wegner]
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        About Lenin

      Moscow State Publishing, 1924 First edition. Moderate chipping, staining, and Russian library stamps. A very good, internally clean sound copy. Rare - four copies found on OCLC. and none in the auction records*** Written by Trotsky a few months after Lenin's death as a biographical sketch and to begin combatting oncoming Stalinism. Stalin's grip on Soviet Russia was tightening and Trotsky was only a few years away from being exiled. (University of Glasgow)

      [Bookseller: Anniroc Books]
 42.   Check availability:     Biblio     Link/Print  


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