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Displayed below are some selected recent viaLibri matches for books published in 1924

        Carolina Folk Plays: Second Series. Edited with an Introduction on Making a Folk Theatre

      New York: Henry Holt and Company, 1924 - Contains Thomas Clayton Wolfe's first play. Written for his dramatic writing course, the "Carolina Playmakers" taught by Frederick H. Koch. When it was produced in March 15 and 16, 1919 Wolfe played the hero, and with a photo of Wolfe in this role as Buck Gavin. Plays by Elizabeth A. Lay, Lucy M. Cobb, Erma and Paul Green and Frances Gray are included as is an appendix of a selected bibliography and list of productions of the "Carolina Playmakers" and a selected bibliography of "The Dakota Playmakers." Inscribed by Frederick H. Koch Raleigh 1924 on the front free-endpapers (WOLFE, THOMAS) First edition. Thomas Wolfe's first appearance in a book, following the separate publication of his "Crisis in Industry.". 8vo. 8 photographic illustrations including one which shows Wolfe portraying Buck Gavin, two woodcuts by J.J. Lankes and another by Mary De B. Graves. xxxiv, 173, [8, ads] pp. Original buckram, lettered in green. Fine in pictorial cream dust jacket, with small loss on top of front panel, with price change on front cover from $1.75 to $2.00. In blue cloth box and chemise. Preston p. 59; Seven Gables Bookshop "More First Books" 293 [Attributes: First Edition; Hard Cover]

      [Bookseller: James Cummins Bookseller, ABAA]
 1.   Check availability:     AbeBooks     Link/Print  


      New York: The MacMillan Company, 1924. First Edition. Hardcover. Owner name on front endpaper. Some wear to corners, spine label soiled. About Very Good, lacking the scarce slipcase. First Printing of the New and Revised Edition. Original green cloth-backed brown paper boards with a paper label on the front cover and on the spine. Copy #114 of only 250 numbered copies SIGNED by the author on the limitation leaf.

      [Bookseller: Charles Agvent]
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        The World Crisis, full set of 6 British first editions, mixed printings

      London: Thornton Butterworth Limited, 1924. 1st Edition. Hardcover. Near fine. Of The World Crisis, Churchill bibliographer Frederick Woods wrote: "The volumes contain some of Churchill's finest writing, weaving the many threads together with majestic ease, describing the massive battles in terms which fitly combine relish of the literary challenge with an awareness of the sombre tragedy of the events." Churchill was in a unique position to write this history, having served both in the Cabinet and on the front; Churchill was First Lord of the Admiralty until 1915 and then, after bearing blame for the Dardanelles tragedy, served as a lieutenant colonel leading a battalion in the trenches. Many consider the British edition, with its larger volumes and shoulder notes summarizing the subject of each page, aesthetically superior the U.S. Offered here is a full set of all six British first editions, mixed printings. This set is notable for its excellent shelf presentation and much better than average condition. Volumes vary in condition from truly fine to very good+. Volume III Part 1, Volume III Part 2 and Volume IV are all first edition, first printing. Volume I is first edition fifth printing. Volume II is first edition fourth printing. Volume V - The Eastern Front - is the first edition second printing. There were only two first edition printings of The Eastern Front, the second occurring in the same month as the first printing and being identical in all respects but for the copyright page. All six volumes have superior blue cloth bindings with bright gilt and only minimal shelf wear. It should be noted that Volume IV, The Aftermath, shows a small amount of the bubbling to the cloth that is endemic to this particular edition. The contents are of special note. All six volumes have clean, bright, and tight contents. We find no spotting and no inscriptions. The only previous ownership mark is a bookplate on the ffep of The Eastern Front. Even the text block edges are unusually bright and free of spotting. The first four volumes are so crisp and bright internally that it is clear they have never been read. All maps and illustrations are present and all maps are properly folded (including the notoriously fragile folding map at p.368 of The Eastern Front). Additional images available upon request. Please note that this large set may require additional postage. Bibliographic reference: Cohen A69.2(I).g, A69.2(II).d, A69.2(III-1).a, A69.2(III-2).a, A69.2(IV).b, A69.2(V).b; Woods/ICS A31(ab), Langworth p.105

      [Bookseller: Churchill Book Collector]
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        Rip Van Winkle and The Legend of Sleepy Hollow

      Philadelphia: J.B. Lippincott Company. (1924). Reprint. Illustrations in color by Edna Cooke. Line drawings by Felix O.C. Darley. Spine a little sunned and the lettering a bit rubbed but readable, a very good copy. Joseph P. Kennedy, Jr.'s copy with his bookplate and juvenile pencil signature ("Joe Kennedy"). Kennedy was the oldest of the nine Kennedy siblings and was considered the scion of the family. His death in WWII propelled his brother John F. Kennedy into the family's political leadership role. It also prompted JFK to write a memoir of his brother, As We Remember Joe. A very uncommon signature. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        The World Crisis, set of four British first edition, later printings in the rare dust jackets

      London: Thornton Butterworth Limited, 1924. 1st Edition. Hardcover. Very good/Very good. Here is a jacketed, four volume set of British first edition, later printings of Churchill's history of the First World War, which he titled "The World Crisis." These four volumes comprise the history of the war years 1911-1918. Churchill published these first four volumes between 1923 and 1927. Two supplemental volumes followed in 1929 and 1931. These were The Aftermath covering the years 1918-1928 and The Eastern Front, which Churchill initially proposed as "separate from but supplementary to our five volume history." (Cohen, Vol. I, P.234) We can supply copies of these two supplemental volumes separately, upon request. The volumes in this set vary from fine to very good plus, the jackets from near-fine to very good minus. Volume I, 1911-1914, is the British first edition, fifth printing. It was published in 1924, 15 months after the first printing, and retains very similar appearance. The dust jacket's pale green color, spine, front face, and front flap are identical to the first printing, with the rear face adding a blurb for the 1915 volume and the back flap adding reviews of the 1911-1914 volume. The navy cloth binding is identical to that of the first printing, with the exception of a single gilt star added to the spine. Volume II, 1915, is the British first edition, fourth printing, published in 1923, less than two months after the first printing. Notably, the dust jacket is identical to that of the first printing, as is the navy cloth binding. The two 1916-1918 Volumes, Parts I & II, are the British first edition, third printing, published the same month as the first printing. The dust jackets are nearly identical to those of the first printing, differing only in replacement of the six-line blurb at the center of each front face with five lines of review quotes from Daily Mail and Daily Telegraph. The volumes are bound in navy cloth identical to that of the first printing, though the volumes use thinner sheets than the first printing. The blue cloth bindings of all four volumes are square, clean, and tight with bright spine gilt and only trivial wear to extremities. The contents of the two 1916-1918 volumes are especially bright with no spotting and clean page edges. In the 1916-1918 volumes we note only a tiny Paris bookshop sticker affixed to the front pastedown of each volume and some denting at the upper fore edge of Part 2, affecting the blank margins of pages 531-561. The contents of the 1911-1914 and 1915 volumes are bright with no previous ownership marks and spotting limited to the page edges and the first and final pages of the text, the spotting very light to the 1911-1914 page edges, which are age-toned, and heaver to the 1915 volume page edges. All four dust jackets are noteworthy for both scarcity and condition. The 1911-1914 dust jacket retains the pale green color on both faces, with typical spine toning. The only noteworthy loss is at the spine head, extending to a maximum depth of .5 inch. There is fractional chipping to corners, spine tail, and the top edge of the front face as well as a faint L-shaped stain on the front face where another book or rectangular object once lay against the dust jacket. The 1915 dust jacket is an excellent example, highly complete with only fractional chipping at extremities and minor toning to the spine. The 1916-1916 dust jackets show shallow chipping to the spine ends and the upper edges to a maximum depth of .25 inch. Both 1916-1918 jacket spines are mildly toned with a few faint moisture stains. All four dust jackets are protected in removable, archival quality clear covers. Fully jacketed, first printing, six-volume sets today - on the rare occasions they are available - command a premium price well into five figures. This unique set offers the collector the rarity and prestige of first edition dust jackets for the four war years volumes at a fraction of that price. Bibliographic reference: Cohen A69.2(I).g, A69.2(II).d, A69.2(III-1&2).c; Woods/ICS A31(ab), Langworth p.105

      [Bookseller: Churchill Book Collector]
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        Illuminated manuscript on vellum, The Eve of St. Agnes

      London: Alberto Sangorski,, 1924–5. Quarto (277 × 232 × 22 mm). Fine binding, unsigned but probably by Alberto Sangorski, of turquoise levant morocco, covers with gilt fillet and gilt dotted outer borders, upper cover with an onlaid brown morocco strip border enclosing an inner panel border of continuous gilt tooled flower and leaf spray tooling with small red morocco onlays and gilt dots, gilt heart-shaped corner ornaments, a large inner panel of identical tooling in blind with small white onlays and small dots, lower cover undecorated save for the outer border; spine in six compartments with five raised bands, gilt lettered in one compartment, a decorated gilt panel in the rest; board edges with single gilt fillet, turn-ins with gilt fillets and gilt dotted line, doublures and free endpapers of brown watered silk, interleaved with doubled white satin, gilt edges; pale blue full morocco folding box, lettered in gilt. Illuminated manuscript on thick vellum, 15 leaves plus one blank fly-leaf each at front and back (27 numbered pages plus colophon page), on linen guards, written in an upright semi-gothic book hand in black, title in red within a full ornamental border incorporating an oval miniature portrait of Keats; 2 full-page miniatures and 7 vignettes, six of the illustrations signed by Sangorski with his AS cipher and dated 1924 or 1925; a total of five pages with full-page borders, 17 illuminated initials (one historiated) incorporating elaborate borders with penwork tracery, other verse-opening initials in alternating red, blue, green or gold with penwork tracery; the full-page and smaller borders in a variety of green, purple, blue, brown, red and other colours, all in stylized floral and foliate design and lavishly heightened with gold. Bookplates of Frederick S. Peck and Paul Edward Chevalier (his sale, Christie's NY, 9 Nov. 1990, lot 76). Colophon statement: "This manuscript The Eve of St. Agnes by John Keats was designed, written out, and illuminated by Alberto Sangorski. This manuscript will not be duplicated [signed:] Alberto Sangorski". An illuminated manuscript of exceptional quality in fine condition. Alberto Sangorski (1862–1932) was elder brother of Francis Sangorski, co-founder with George Sutcliffe of the London binders Sangorski & Sutcliffe. Around 1905, Alberto abandoned his career as secretary to a goldsmith and took up the art of calligraphy, creating sumptuous illuminated manuscripts of the very highest quality. Having illuminated Sangorski & Sutcliffe's masterpiece, the Great Omar, in its elaborate jewelled binding (famously lost on the Titanic), Alberto fell out with his brother, who would not let him sign his manuscripts, and in about 1910 took his talents to Sangorski & Sutcliffe's fierce rivals, Riviere & Son, where he was free to sign his own work. It is not known how long Alberto's relationship with Riviere lasted, but it seems that by the mid 1920s, Alberto, then in his 60s, was producing work on his own account, lavishing all the time and attention necessary to complete each book himself. The Folger library (call no. W.b. 260) has a Sangorski illuminated manuscript in a similar binding to the present, purchased by H. C. Folger in 1926 from Robson & Co. Ltd., London. The Times Literary Supplement for 23 December 1926 reported that, "For many years a Londoner of foreign descent, Mr. Alberto Sangorski, has been 'making' beautiful books .... He has just completed for Messrs. Robson and Co., of 7 Hanover Street, a richly illuminated manuscript of Shakespeare's Songs and Sonnets, [which] has been in hand for five years, and every detail — designing, engrossing illumination, painting and binding has been done by Mr. Sangorski." Messrs Robson and Co. were a small bookselling firm run by Philip Appleby Robson (1871–1951), son of the architect Edward Robert Robson (1836–1917), who had connections with the Pre-Raphaelite Brotherhood and who designed the handsome board school in Hanover Street (now Noel Street, Islington). In the late 1890s the firm had been in West End premises at 23 Coventry Street, off Piccadilly Circus. There is no sign of their involvement in this volume, but they are the probable agents for its sale; perhaps it was a commission for the Rhode Island collector Frederick S. Peck (1868–1947). ILLUSTRATIONS 1. John Keats (vignette), signed: "AS 1924", oval: 69 × 59 mm, title, p. 1; 2. Madeline (full-page), signed: "AS 1924", 130 × 92 mm, p. 2; 3. St. Agnes (historiated initial), unsigned, 50 × 31 mm, p. 3; 4. The Beadsman at prayer (vignette), signed: "AS 1924", shaped: 92 × 78 mm, p. 3; 5. "The sculptur'd dead" (vignette), unsigned, oval: 71 × 54 mm, p. 4; 6. Madeline and Old Angela on the stair (vignette), unsigned, oval: 70 × 89 mm, p. 14; 7. Madeline at prayer (vignette), signed: "AS 1924", shaped: 105 × 85 mm, p. 16; 8. Porphyro gazing upon the sleeping Madeline (vignette), unsigned, shaped: 92 × 86 mm, p. 18; 9. Porphyro and Madeline flee (vignette), signed: "AS 1925", shaped: 104 × 82 mm, p. 24; 10. The Beadsman (vignette), unsigned, oval: 69 × 55 mm, p. 26; 11. Madeline and Porphyro embrace (full-page), signed: "AS 1925", 134 × 85 mm, p. 27.

      [Bookseller: Peter Harrington]
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        History of the Oregon Country in Six Volumes by Scott, Harvey W

      The Riverside Press. Hardcover. Six Volume Set. Clean text, tight bindings, red cloth over decorated boards, gold gilt lettering and decoration to front covers, Territory of Oregon seals on rear covers, deckled edges, few minor imperfections, knicks and scratches to covers, light wear to corners and edges, a handsome set of books. #456 of 500 limited edition sets, volume one signed by the author. . Very Good. 1924.

      [Bookseller: Earthlight Books]
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        Souvenirs entomologiques. Etudes sur l'instinct et les moeurs des insectes. Edition définitive illustrée. Vie de J.-H. Fabre par G.-V. Legros. 11 volumes.

      Delagrave 1920-1924, Paris - Reliure d'éditeur. 255x170mm, photos n/b, Demi-veau marbré, dos à nerfs, étiquettes de titre et de tomaison rouges, ornementations dorées au dos, plats papier marbré, tranches supérieures rouges, couvertures conservées.Les 6 premiers volumes sont légèrement insolés.Pages de garde intérieures du 1er vol seul jaunies par une page de journal insérée.Voir photo. [Attributes: Hard Cover]

      [Bookseller: La Bouquinerie]
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        The Adventures of a Coquette

      London: T. Werner Laurie,, [1924]. Translated by Hannaford Bennett. Octavo. Original red cloth decorated in black. With the dust jacket Faint tanning to initial and final leaves. An excellent copy in the lightly edge chipped jacket, with tape residue on the spine panel, where a sticker has been removed. First edition, first impression.

      [Bookseller: Peter Harrington]
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        The Quantum Theory of Radiation

      Taylor and Francis London: Taylor and Francis. 1st Edition. Soft cover. Very Good. FIRST EDITION of Bohr, Kramers, and Clarke's influential paper that "contained drastic theoretical proposals concerning the interaction of light and matter." Printed simultaneously in German in Zeitschrift fur Physik. "After Kramers had succeeded in extending the scope of the correspondence argument to the theory of optical dispersion - thus rounding off a treatment of the interaction of atomic systems with radiation that accounted for all emission, absorption, and scattering processes - Bohr ventured to propose a systematic formulation of the whole theory, in which what he called the virtual character of the classical model was emphasized. In this he was aided by Kramers and a young American visitor, J. C. Slater, and the new theory was published in 1924 under the authorship of all three. The most striking feature of this remarkable paper, 'The Quantum Theory of Radiation,' was the renunciation of the classical form of causality in favor of a purely statistical description. Even the distribution of energy and momentum between the radiation field and the 'virtual oscillators' constituting the atomic systems was assumed to be statistical, the conservation laws being fulfilled only on the average. This was going too far: the paper was hardly in print before A. H. Compton and A. W. Simon had established by direct experiment the strict conservation of energy and momentum in an individual process of interaction between atom and radiation. Nevertheless, this short-lived attempt exerted a profound influence on the course of events; what remained after its failure was the conviction that the classical mode of description of the atomic processes had to be entirely relinquished" (Dictionary of Scientific Biography).IN: The London, Edinburgh, and Dublin Philosophical Magazine and Journal of Science, Vol. 47, No. 281, May 1924, pp. 785-802). London: Taylor and Francis, 1924. Octavo, original wrappers. The whole issue in original wrappers. Chips to wrappers spine, otherwise fine. RARE in original wrappers.

      [Bookseller: The Manhattan Rare Book Company ]
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        Nasser Schnee. Übertragen von Isa Janthur. Mit rad. Titel- und -Schlußvignette, 1 rad. Initiale und 6 sign. Orig.-Radierungen von W. Geiger.

      - Berlin, F. Schneider [1924]., OHLdr. mit KGoldschnitt und Lesebändchen. 27,5 : 19 cm. - Eines (Nr. 69) von 200 Exemplaren auf Bütten, im Druckvermerk vom Künstler signiert und hs. num. Unbeschnittener breitrandiger Druck auf chamoisfarb. Papier. Eine von mehreren Dostojewski-Illustrationen Willi Geigers. Petzet S. 29. - Lang 75. - Pommeranz-Liedtke S. 183. Teilweise abgelöstes Exlibris im Vorderdeckel, der Lederrücken minimal berieben, sonst tadellos. Bei Bestellungen gegen offene Rechnung bitte Telefonnummer angeben. Danke! [Attributes: First Edition; Hard Cover]

      [Bookseller: Antiquariat Roland Moser]
 11.   Check availability:     IberLibro     Link/Print  

        Der Tod des Iwan Iljitsch. Erzählung. Deutsch von Arthur Luther.

      - Eines (Nummer VIII) der 30 (ges. 150 Expl.) auf handgeschöpften Zandersbütten abgezogenen Exemplaren. Berlin, Euphorion Verlag, 1924. 122 S. 3 Bl. mit 12 ganzseitigen, sig. Radierungen von W. Geiger. Gr.-8°, OPpBd. mit mont. Deckel- und Rückentitel. Einband mit Abrieb unten, Bindung etwas locker, sonst tadellos. Bei Bestellungen gegen offene Rechnung bitte Telefonnummer angeben. Danke! [Attributes: Hard Cover]

      [Bookseller: Antiquariat Roland Moser]
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        Das junge Weib. Eine Novelle mit zwölf Radierungen von Willi Geiger.

      - Eins (Nr. 37) von 200 num. Exemplaren. Leipzig, Seemann, (1924)., 89 S., 1 Bl. mit 12 ganzseitigen hs. signierten Orig.-Radierungen von Willi Geiger. Fol., LnBd. mit mont. Rückentitel. Erste Auflage mit diesen Illustrationen. - Lang, Expressionistische Buchillustration 77. - Alle 12 Radierungen vom Künstler signiert. Tadelloses, schönes Exemplar. Bei Bestellungen gegen offene Rechnung bitte Telefonnummer angeben. Danke!

      [Bookseller: Antiquariat Roland Moser]
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        Handbooks/Guides on Theater, Music, Cinema, Entertainment, Variety, Photography, etc

      Moscow and Leningrad, 1924-1935. Text in Russian. Softcovers. Over 2500 pp. in all 8 books. 2000-6000 copies only. In various condition. 1. FOTO-KINO LENINGRAD ("Photo-Cinema Leningrad" 1924. 2. TEATRAL'NAYA MOSKVA ("Theatrical Moscow. Theater-Music-Cinema Guide") 1926. 3. TEATRAL'NAYA MOSKVA ("Theatrical Moscow. Theater-Music-Cinema Guide") 1926-1927. (2nd year). 4. TEATRAL'NAYA MOSKVA ("Theatrical Moscow. Theater-Music-Cinema Guide") 1927-1928. (3rd year). 5. TEATRAL'NAYA MOSKVA ("Theatrical Moscow. A Guide") 1929. 6. TEATRAL'NAYA MOSKVA ("Theatrical Moscow. A Guide) 1930. 7. TEATRAL'NY I MUZYKAL'NY SPRAVOCHNIK PO SSSR ("Theatrical and Musical Handbook on the USSR") 1930. 8. TEATRY I ZRELISHCHA MOSKVY ("Theaters and Shows of Moscow. A Short Guide"). 1935. Everything on Performing Arts and photography in Moscow, Leningrad (and even in the USSR): Historical facts, structures and addresses of organizations, plans, repertoires, hundreds of pages of home addresses of people related to Performing Arts: actors, artists, musicians, dramatists, officials, etc., etc. Mostly illustrated with dozens of photographs. Overwhelming amount of data. An indispensable source of important and useful information. Rare. Please see the picture. For more images please visit our website.. 1st ed..

      [Bookseller: Books You Want]
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        THE WORKS. THE ATLANTIC EDITION. 28 Volumes. Including; The Time machine, Kipps, The Invisible Man, War of the Worlds, Tono-Bungay, The First Men in the Moon, The history of Mr. Polly, The Island of Doctor Moreau.

      T. Fisher Unwin Ltd. London. 1924 - LIMITED EDITION. SIGNED BY WELLS. Number 414 of 620 sets for Great Britain and Ireland, 600 for sale & 20 for presentation (There were also 1050 sets for America). 28 large 8vo volumes (9.2 x 6.3 inches), complete. A fine, bright set, finely bound in recent half tan calf leather bindings. Spines with raised bands, red and green labels with gilt lettering, the compartments decorated with elaborate gilt design. Pebble morocco grained brown paper on boards. Top edges gilt. A beautiful set of the less common English limited edition. [Attributes: Hard Cover]

      [Bookseller: Paul Foster-ABA.]
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        Concentrated New England

      First Edition Near fine in bright red cloth covered boards with black text stamped on the front board. A small octavo measuring 7 3/4" by 5" with a prior owner's name neatly written on the first free end page. In a very good- dust jacket with the upper 3/8" of jacket missing from the front panel and spine area. An extremely scarce copy in dust jacket. The jacket in this case shows the small, black and white photographic reproduction of Coolidge on the front panel. (58) pages of text. Our code number = TB01478

      [Bookseller: Town's End Books, ABAA, ILAB]
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        A Pawn Among Kings

      London, Methuen and Co. 1924, 1924. FIRST EDITION of the author's first book, a mediaeval drama. 8vo, Publisher's sea blue cloth. Some bumping to spine and corners, slight staining to top edge of back board, a little fading to top front edge and spine. Tiny bookseller's sticker is attached to the back fixed endpaper. There is an inscription to the owner of the book on the front free endpaper, very good. C.S. Forester was awarded the 1938 James Tait Black Memorial Prize, founded in memory of a partner in the publishing house of A. and C. Black Ltd., and is one of the oldest and most prestigious book awards in Britain.

      [Bookseller: Adrian Harrington Rare Books]
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        Purpurne Schmerzen

      Rutli Verlag: Zurich (c.1924). 4to. 60pp - Rutli Verlag: Zurich (c.1924). 4to. 60pp. A collection of erotic poetry and illustrations (by Carl Hermannes), which includes several explicitly gay poems. Of particular interest is the poem "Sein Lustknabe" about a beautiful effeminate boy who is ridiculed by all (his father demands that he become a blacksmith) until he leaves home and makes a profitable living as a travesty and then he lives in a beautiful house and everyone respects him. . Good in brown wrappers, a bit of edgewear, the inscription page has several small holes. [Attributes: Soft Cover]

      [Bookseller: Elysium Books]
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        Bill the Conqueror: His Invasion of England in the Springtime

      New York : George H. Doran Company . Very Good . 1924 . First Edition . Hardback . .

      [Bookseller: St. Mary's Books & Prints]
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        When We Were Very Young

      E. P. Dutton and Company, 1924-01-01. First Edition. Hardcover. Good. New York: E. P. Dutton, 1924: First printing, special edition with limitation statement "This Special Edition of When We Were very Young is limited to five hundred copies". Of those five hundred, one hundred were signed by the author. This copy is not signed, and is one of the four hundred unsigned copies. In Good to fair condition, lacking the original dust jacket. Exterior shows chipping to edges, rubbing to side edges of boards, wear to spine ends with fraying, and stamping on spine is completely rubbed. Pages show age and use with foxing, spotting and occasional small tear, with a larger closed tear to page ix. Front hinge appears repaired, contents overall a bit worn with signs of age and use.

      [Bookseller: Odd Duck Books]
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        A Tract on Monetary Reform.

      London: Macmillan and Co., Limited, 1924 - Octavo. Original blue cloth, titles to spine gilt, double-line rule to boards in blind continued in gilt to spine. Rubbed at extremities, upper board bowed, light spotting to endpapers. A very good copy. Second impression. Inscribed by the author on the front pastedown, "Dedicated by the author to Mr. Gladitz".

      [Bookseller: Peter Harrington. ABA member]
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        Building Plans and Hand Colored Elevation for W. H. Woodfield between 6th St. and Harriet St., San Francisco

      San Francisco: James H. Hjul, Structural Engineer, March - June 1924. Original pencil drawings on tracing paper, including a hand colored dated elevation. Sheet size primarily 24" x 36". 6 sheets. Job #132. James Hansen Hjul (1882 - 1957), a structural engineer, constructed many buildings in San Francisco. He was the founder of the J.H. Construction Company and was listed as a contractor, civil engineer, structural engineer and construction engineer in San Francisco City Directories from 1907 to 1958. Most of his work occurred in the South of Market area on warehouses and industrial buildings.

      [Bookseller: Alan Wofsy Fine Arts]
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        500 NOVYKH OSTROT ("500 New Jokes and Puns of Pushkin"). First Edition

      Moscow: Author, 1924. Text in Russian. Stapled wraps. Cover design: Constructivism. 2000 copies only. (A Catalogue of Russian Avant-Garde Books in the British Library 1912-1934, No. 210) [Kruchenykh, Alexei (1886-1968): A famous Russian writer, one of the founders of Russian Futurism. - Rare, especially in such condition.] Please see the picture.. 1st ed..

      [Bookseller: Books You Want]
 23.   Check availability:     Biblio     Link/Print  


      The Macmillan Company 1924 - 250 copies, this is number 65, printed. Signed by Yeats under the limitation notice. viii, 538 pages; boards with paper labels. Spine label chipped at bottom right hand corner, not affecting lettering, otherwise an unworn copy. Contains his 'Ideas of Good and Evil (1896-1903)'; 'The Cutting of an Agate (1903-1915)'; 'Per Amica Silentia Lunae (1916-1917)'. A very good unworn copy under mylar. [Attributes: First Edition; Hard Cover]

      [Bookseller: Barry Cassidy Rare Books]
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        Building Plans, Elevation, and Radius Map for a Garage Building for Daniel Lagan. on Howard Street, San Francisco.

      San Francisco: James H. Hjul, Structural Engineer, April 3. 1924 - Original pencil drawings on tracing paper. Sheet size 18" x 31". 5 sheets. Job #130. James Hansen Hjul (1882 - 1957), a structural engineer, constructed many buildings in San Francisco. He was the founder of the J.H. Construction Company and was listed as a contractor, civil engineer, structural engineer and construction engineer in San Francisco City Directories from 1907 to 1958. Most of his work occurred in the South of Market area on warehouses and industrial buildings.

      [Bookseller: Wittenborn Art Books]
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        Le Troisième Livre des monogrammes, chachets, marques et ex-libris composés.

      Paris: Henri Floury Libraire 1924. (12) p. + 88 plates. Uncut copy bound with orig. wrappers and topedge gilt in nice contp. halfleather.. Copy no. 37 of 100 on "papier reyal de Madagascar"

      [Bookseller: Peter Grosell's Antikvariat]
 26.   Check availability:     Antikvariat     Link/Print  

        Port of New York

      New York: Harcourt, Brace and Company, 1924. Purple Cloth, with paper labels. Bright, square, tight, and clean. Signed by Alfred Stieglitz on the title page.. Signed by Illustrator. First Edition. Hard Cover. Near Fine/Very Good. Illus. by Alfred Stieglitz. 8vo - over 7¾" - 9¾" tall.

      [Bookseller: Brooklyn Books]
 27.   Check availability:     Biblio     Link/Print  

        The book of the queen's dolls' House { 2 Volumes }

      London: Methuen & Co., 1924. Queen Mary's Dolls' House is a doll's house built in the early 1920s, completed in 1924, for Queen Mary, the wife of King George V. It showcased the very finest and most modern goods of the period.These books are about this fantastic House. They are not only Limited Editions, but they have the advantage of Dust Jackets and Volume 1 is personally SIGNED BY "MARY R 1942, when presenting it to Coleg Harlech at that time. Also with an official Handwritten Compliments Slip "From Her Majesty Queen Mary" This Slip is with the address Marlborough House, but is probably from one of Queen Mary's staff". ". General Note: Vol. 2 edited by E. V. Lucas has title: The book of the queen's dolls' house library. "This edition is limited to 1,500 copies of which this is no. 1323." Brief Description: 2 v. col. fronts. (ports.) ill. (plans) plates (part col.) facsims. 27 cm. Fuller Description: pp. xiv, 248; xiv, 384. 116 plates including 32 in colour. Each Volume is virtually Fine, clean crisp and tight copies, hinges are tight and have been professionally reinforced. Volume 1 has the two covers but the spine is missing from the red Dust Jacket; Volume 2 has a complete Dust Jacket, , a little edge rubbed and with spine fade. A choice and very Rare copy, bearing the hand of the Queen, for whom the Doll's House was constructed. Now housed in a Fine clean Slip Box with Gilt Titles to Spine. OFFERS INVITED.. Limited Edition - Also SIGNED. Hardcover. Near Fine/Good ( See Comm ). Tall 8vo.

      [Bookseller: Norman Macdonald's Collection]
 28.   Check availability:     Biblio     Link/Print  

        Monetary Reform

      Harcourt, Brace and Company, 1924-01-01. First Edition. Hardcover. Very Good. New York: Harcourt, Brace and Company, 1924: First Edition, First Printings; in scarce, price-clipped dust jacket. In Very Good overall condition, in a Good-Minus dust jacket. Clean pages. Name of former owner on front paste down. Sound binding. Cloth shows light edge wear and rubbing. The dust jacket is fragile, especially along the folds, and has some tape reinforcements made from the verso. The jacket shows chipping, sunning, clipped corners and edge wear. A nice copy overall, rarely seen in a dust jacket.

      [Bookseller: Odd Duck Books]
 29.   Check availability:     Biblio     Link/Print  

        Later Poems

      Macmillan, New York 1924 - 1st US Edition. Hardcover. This is a first edition of the enlarged edition. 8vo boards, cloth spine, front and spine labels. Lacks tissue and box (most do) but in very nice condition. Spine-label slightly rubbed and bit darkene but front-label is bright, two tips slightly bumped, very little wear to binding. Signed limited 167/250. Housed in custom clamshell box; quarter green leather and green linen boads by Don Kobetsky of Chicago. [Attributes: First Edition; Hard Cover]

      [Bookseller: Lyons Fine Books]
 30.   Check availability:     AbeBooks     Link/Print  

        La xilografia.

      Subject: (Xilografia). Roma, Edizioni della Fiamma, 1924, 16mo pp. 42 con fig. Con firma autografa dell'A. Rarissima pubblicazione.

      [Bookseller: LIBRERIA PIANI]
 31.   Check availability:     TomFolio     Link/Print  

        The Stretton Street Affair.

      London, Cassell and Co., 1924. - First Edition. 8vo. This copy INSCRIBED by Le Queux to his niece Enid Gaby. Fine in publisher's burgundy cloth titled and decorated in black to spine and front board. Internally clean, very light foxing to page edges. Inscribed Le Queux is difficult to happen upon, and in a copy of this quality it is very scarce. 'The man who really deserves credit for helping develop the spy novel is William Le Queux' (Peter Haining). William Le Queux, seems to have done everything (or at least said he did); journalist, diplomat, explorer, early pilot, radio enthusiast and the author of a staggering 197 books. There is even the suggestion that Duckworth Drew, one of Le Queux's espionage heroes, was a direct inspiration for James Bond. HUBIN; Crime Fiction IV, p920. [Attributes: First Edition; Hard Cover]

      [Bookseller: Adrian Harrington Rare Books, ABA ILAB]
 32.   Check availability:     AbeBooks     Link/Print  

        Rogues in Porcelain A Miscellany of Eighteenth Century Poems

      London: Chapman & Hall, Ltd.. Very Good+ with no dust jacket. 1924. First Edition. First Printing. Leather. Magnificent inlaid binding by Riviere and Son, with their stamp on the front turn-in. Full green crushed morocco with a leather inlay of a gentleman kneeling behind a lady in a gown, in seven different colors of leather. Spine in six compartments separated by raised bands, gilt lettering in two compartments, gilt tooling and borders in the remainder, gilt ruled borders with gilt devices at each corner on covers, color illustrated endpapers which are matched by the doublure pastedowns, gilt borders and devices on each turn-in, a.e.g. Illustrated with bright color plates, head and tail-pieces by John Austen. This volume is designed to "give pleasure to all those who love the courtesies, the formalities, and the gracious fancies of the Augustan age of English Poetry." A stunningly beautiful book. . Head of spine and edges of spine are lightly rubbed, spine is sunned, slight wear to tips, else unmarked, tight, square, clean, and crisp. VERY GOOD+. . Color drawings. Small 4to 9" - 11" tall. 258 pp .

      [Bookseller: Round Table Books]
 33.   Check availability:     Biblio     Link/Print  

        Mountain Interval

      Henry Holt, New York, 1924. Early Edition. Hardcover (Original Cloth). Good Condition/No Dust Jacket. Signed by Author. Worn at the corners, faint dampstain at edges and spotting to spine cloth, light foxing to early pages, otherwise clean internally. Old gift inscription to the front endpaper and signed by Forst and dated 1939 at the top of the title page. Frontis of a bust of Frost with tissue guard. 75pp with one page of ads at the rear. Size: Octavo (8vo). Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Poetry; Signed by Author. Inventory No: 044149. .

      [Bookseller: Pazzo Books]
 34.   Check availability:     Biblio     Link/Print  

        FAIRY TALES. Limited Edition. [In the original, Rare printed Dust Jacket]

      London:: Hodder and Stoughton,, 1924. Near Fine. SIGNED BY KAY NIELSEN ON COLOPHON PAGE without personalization. A Near Fine hardback First Edition Thus Illustrated. DELUXE EDITION LIMITED TO 500 SIGNED COPIES. THIS IS No. 412. Bound in original blue cloth with gilt lettering and design spine and covers. Illustrated with 12 fine full-page mounted color plates as well as head and tail-pieces, decorative borders and full-page b&w illustrations by Nielsen. Minimal cover edge wear. Owner bookplate ffep. Minimal scattered foxing. In Very Good+ Dust Jacket with mild edge wear, short closed tears, tape residue, small piece missing rear panel of Dust Jacket. In modern marbled blue paper covered slipcase. 4to. 197 pp.

      [Bookseller: By The Book, LC ABAA-ILAB]
 35.   Check availability:     Biblio     Link/Print  

        BOUI BOUIS. Limited Edition

      Berlin:: Razum-Verlag,, 1924. First Edition. Very Good++. A Very Good++ hardback First Edition LIMITED TO 500 NUMBERED COPIES. THIS COPY NOT NUMBERED. Complete with 28 plates with tissue guards, as issued. Bound in original tan cloth spine and blue paper covered boards with gilt lettering spine and covers. Mild cover edge wear, sunning spine and covers. In custom made blue cloth covered slipcase with gilt lettering on leather spine label. Three Essays about the Artist by Farrere, Makowsky and Schloezer. Folio.

      [Bookseller: By The Book, LC ABAA-ILAB]
 36.   Check availability:     Biblio     Link/Print  

        Trentuna fantasie bizzarre e crudeli, precedute dalla diabolica imagine di Niccolò Paganini e dall'autoritratto dell'uomo pallido.

      Bottega di Poesia 1924 - Milan, Bottega di Poesia, 1924. Grand in 4 de 36 illustrations, reliure cartonnée de l'éditeur, illustrée en noir, charnières légèrement fendues sur cinq et sept centimètres environ, réparées, de très petits manques de papier aux coiffes et au dos, reliure légèrement fatiguée, restant néanmoins très solide, bon et bel exemplaire. Alberto Martini naquit en 1876 dans un village près de Trévise en Vénétie. Il fut peintre, graveur, illustrateur, graphiste, et dessinateur. Les critiques d'Art décrivent son oeuvre d'élégante et épique à grotesque et macabre. Il est considéré comme l'un des précurseurs du surréalisme, une certaine influence pouvant d'ailleurs se retrouver entre autres dans certaines oeuvres de Salvador Dali ou de Max Ernst. Fils d'un professeur d'Art à l'Institut technique de Trévise et portraitiste, Martini débuta en 1895 comme illustrateur de livres, avec "Il Morgante Maggiore" de Luigi Pulci et ''La secchia rapita" d'Alessandro Tassoni. En 1897 il exposa 14 dessins intitulés "La corte dei miracoli" (la cours des miracles) à la Biennale de Venise. En 1898 il devint illustrateur pour le magazine d'Art allemand ''Dekorative Kunst''. En 1901 il illustra "La Divina commedia" de Dante Alighieri. En 1905 il produisit 132 dessins et gravures à l'encre pour les histoires extraordinaires d'Edgar Allan Poe. Son oeuvre fut largement influencée par Albretch Dürer, Pieter Bruegel, Lucas Cranach, Albretch Altdorfer, Joseph Sattler. En 1910, il illustra les ''Poèmes'' de Paul Verlaine et ''Hamlet" de William Shakespeare. A partir de 1915 il peignit des pastels et des lithographies sur la thématique du ''papillon" dans un style très proto-surréaliste. Durant la première guerre mondiale, il produisit des dessins intitulés "Danza macabra" qui illustrèrent des cartes postales distribuées aux troupes italiennes et aux alliés qui combattaient les Austro-Hongrois. Il produisit des peintures commissionnées par la marquise Luisa Casati, la comtesse Revedin et Paola d'Oestheim et d'autres encore. En 1923 il écrivit une sorte d'autobiographie "Vita d'artista" (vie d'artiste) et ''Il Tetiteatro " exposant des idées innovantes afin d'illustrer et de décorer le théâtre. En 1928, déçu par les critiques et le monde artistique de son pays, il s'exila en France, y demeurant 6 ans. En 1940 il publia une revue d'Art intitulée ''Perseus", en 1952 il illustra l'oeuvre de Rainer Maria Rilke, il décéda en 1954. Parmi tous les oeuvres publiées par l'artiste, cette édition est une des plus prisées et recherchées. [Attributes: Soft Cover]

      [Bookseller: Librairie Scritti]
 37.   Check availability:     AbeBooks     Link/Print  

        THE DREAM

      The MacMillan Company, New York 1924 - Published April 1924. "This book is sent to you with the com- pliments of its Publisher. The Dream will be published on April 22. I hope that you will enjoy reading it." For The Macmillan Company." super rare advance first edition with extra special cover and additional page [Attributes: First Edition; Hard Cover]

      [Bookseller: beat book shop]
 38.   Check availability:     AbeBooks     Link/Print  

        Sketches of Northern Spanish Architecture: In Pen, Pencil and Wash

      New York: Architectural Book Publishing Co, 1924. Hardcover. Good +. 51 illustrated plates unbound in the publisher's original salmon boards stamped in black with original red cloth spine and with a cloth ribbon tie. All plates present and in good condition. Samuel Chamberlain studied architecture at the University of Washington (1913) and at the Massachusetts Institute of Technology (1914). When the United States entered the First World War Chamberlain left M.I.T. to join the American Field Service Ambulance Corps in France. He was so impressed with the architecture of the old world that he stayed in Europe to sketch after the end of the war in 1918. In this regard, Samuel Chamberlain joined other famous Americans who dedicated much of their art to European architectural scenes, such as Whistler, Pennell and John Taylor Arms. Chamberlain was both the author and illustrator of a number of architectural books, including Sketches of Northern Spanish Architecture (1924), Domestic Architecture in Rural France (1926) and Tudor Homes of England (1928). [see photo]

      [Bookseller: PickfordsBooks]
 39.   Check availability:     Biblio     Link/Print  

        Little Things

      Freelands [Kentucky]: Privately printed,, 1924. Octavo. Original blue cloth-backed boards, title label to upper board, blue endpapers. With the plain tissue dust jacket. Housed in a quarter green morocco slipcase. Tipped-in original signed etching by Power O'Malley. Fine. First edition, first printing. One of just 25 copies printed on Japanese paper, specially bound. With the author's signed inscription, "To send a message Bidding us be brave, And bidding us be free. James Stephens Dublin May 1924". Rare.

      [Bookseller: Peter Harrington]
 40.   Check availability:     Biblio     Link/Print  


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