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Displayed below are some selected recent viaLibri matches for books published in 1924

        L'ornement

      Berlin, Wasmuth, 1924 - Recueil d'ornements de couleur et de décors reproduisant particulièrement des spécimens de civilisations peu connues. 120 planches coloriées choisies pour l'usage pratique et expliquées par H.-Th. Bossert. Préface d'Otto von Falke / Compendio di ornamenti colorati e decorazioni che riproducono esemplari di civiltà poco conosciute. 120 tavole a colori scelte per l'uso pratico e spiegate da H.-Th. Bossert. Prefazione di Otto von Falke. Folio (cm 40x29). pp. 36 + 120 tavole. . Ottimo (Fine). . Prima edizione (First Edition). . Fogli sciolti in cartelletta (loose as issued in original portfolio) [Attributes: Hard Cover]

      [Bookseller: Studio Bibliografico Marini ALAI - ILAB]
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        Il Liceo - Ginnasio "P. Giannone" in Benevento

      Tipi Cav. Uff. G. De Martini - Benevento, 1924. ITALIANO 0,08 Fascicolo degli anni '20 in stato discreto, coperta in carta, margini dei piatti scoloriti, fioritura sparsa, dorso consumato, bordo e punte poco usurati con lacerazione, legatura allentata, tagli bruniti, pagine in buono stato. Elegante testatina su incipit. USATO

      [Bookseller: Biblioteca di Babele]
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        Fairy Tales

      London: Hodder and Stoughton, 1924. First edition, no. 115 of 500 copies of the De Luxe Edition, signed by Nielsen. 12 mounted color plates and numerous monochrome drawings and decorations in the text after Kay Nielsen. 4to. Full gilt-pictorial vellum after an elaborate design by Nielsen incorporating a portrait of Andersen, trees, and rising sun, t.e.g. Occasional thumb-soiling to margins, boards slightly bowed but an excellent copy. Nielsen, Kay. First edition, no. 115 of 500 copies of the De Luxe Edition, signed by Nielsen. 12 mounted color plates and numerous monochrome drawings and decorations in the text after Kay Nielsen. 4to. Deluxe Edition, Signed. A lovely copy of the deluxe edition these classic tales, with the celebrated illustrations by Nielsen.

      [Bookseller: James Cummins Bookseller]
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        L\'art islamique en Orient. Tl. II. (Fragments d\'architecture religieuse et civile).

      Constantinople, Librairie Raymond 1924. Mit 52 farbigen Tafeln (Num. 1 - 60; 9 doppelseitige, davon 8 als jeweils zwei gezählt) . 2 Bl., 11 S. Lose in OHlwd.-Mappe mit Orig.-Umschlag, 49 x 37 cm. Erste Ausgabe. - Atabey 1015 mir der irrigen Bermerkung: \"First edition of part two, all published. Apparently the first part never appeared.\"; es gibt einen ersten Teil, der allerdings nur in wenigen Exemplaren bekannt ist. – Umschlag lädiert, ein Mappenflügel lose. Titel und Widmung mit kleinen Randschäden, sonst sehr gut erhalten. Versandkostenfreie Lieferung

      [Bookseller: Antiquariat Uwe Turszynski]
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        A BRIEF CORRESPONDENCE between "KING KONG" CO-DIRECTOR & AVIATOR MERIAN C. COOPER & Lecture Agent JAMES POND.

      New York, 1924 to 1927. [1924]. [1924]. - - A brief correspondence between the aviator/film director Merian C. Cooper and James Pond regarding arrangements for a series of lectures by Cooper. The letters, dating from September 18, 1924 through May 5, 1927 include an Autograph Letter Signed by Cooper and a lengthy note penciled by Cooper at the bottom of a list of lecture venues, 3 Typed Letters Signed for Cooper by his secretary and carbon's of Pond's letters and replies. The correspondence here begins with a short Typed Letter Signed for him by Cooper's secretary, dated September, 1924. Cooper mentions enclosing a check for an ad in Pond's catalog and requests to see the blurb "before having it set up". On January 19th, 1925, Pond writes that he made arrangements & started booking venues following Cooper's assertion that he [Cooper] had arranged with Famous Players to use his films in conjunction with his lectures. Subsequently finding out that Famous Players has severely limited where Cooper could lecture and what material he could use, Pond was able to back out of all but one engagement in Buffalo and requests that Cooper make a special effort to follow through with this one. On March 28th, Pond again requests a response from Cooper. Cooper then replies with a lengthy note penciled in his hand at the bottom of a list of venues. Except for Buffalo, most of the venues are geographical or scientific societies which Famous Players will allow with major restrictions. Cooper writes: "There will be no public admissions - no publicity unless Famous wishes. If you have objections the only date arranged is with the Buffalo Club - a society club - which was arranged before signing contract". In a Typed Note Signed for him by his secretary, Cooper urgently requests that Pond let him know "if traveling expenses are included" before turning down the "Lancaster date". A brief note by Pond on April 20, 1925 mentions enclosing the contracts for Buffalo & Bridgeport. In a brief letter, penciled and signed in full by him, Cooper writes that he will be "available next week except Thursday the thirtieth" and that he will train a substitute for that date. This letter is accompanied by a carbon of a letter to a "Mr. Beulah" neatly typed by his secretary and dated April 20, 1925. On February 21st, 1927, Pond writes to invite Cooper to join him as his guest at the Circumnavigators Club dinner. Replying in a typed letter signed for him by his secretary, addressing Pond as "Dear Jim", Cooper writes: "I would like like Hell to go to the Circumnavigators dinner but I am right in the midst of trying to complete a book, finish the picture.". On May 5, 1927, Pond, eager to have Cooper become a member, again invites the aviator/director to join him for a subsequent Circumnavigators' Club dinner and suggests that Cooper is "eligible for membership in this Club. It is a most amusing one and I think you would like to know the bunch."Pond's retained carbon copies of his letters are chipped with several short tears to the edges. Merian Cooper's letters and notes are in otherwise very good condition. The American producer & film director Merian C. Cooper (1893-1973) was also an aviator. He served as a DH-4 bomber pilot during the First World War. Shot down by German troops, he served the remainder of that war in a POW camp. Following the war, he joined the Kosciuszko Squadron, a group of volunteer Americans which supported the Polish Army in the Polish-Soviet War. He was once again shot down and, this time, incarcerated in a Soviet POW camp. Escaping after 9 months, he was subsequently decorated with Poland's highest military award the Virtuti Militari. He enlisted and served as a Colonel in the Second World War and assisted in setting up the Assam-Burma-China Ferrying Command and led many missions. Before and after the Second World War, Cooper produced movies for RKO. His most memorable production was "King Kong", a film which he co-wrote, co-directed and in which he also played an acting role. He foll [Attributes: First Edition; Signed Copy]

      [Bookseller: Blue Mountain Books & Manuscripts, Ltd.]
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        L'ESILIATA VIAGGI

      IMPERIA, MILANO 1924 - FIORE DI OGNI LETTERATURA ITALIANO Traduzione di Alfredo fabietti, copertina e quarta in cartonato rigido con impurità; dorso scurito dal tempo. Inserito ritratto dell'autore in nero, post frontespizio in un disegno a penna di L. Rossi. e timbro di libreria presente al frontespizio. Pagine ben conservate, con testi scorrevoli; aloni di umidità solo alla prima pagina della premessa. Internamente dorso scollato dal libro.

      [Bookseller: Biblioteca di Babele]
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        [Pulp Magazine]: Weird Tales - Vol. 4, No. 2, May, June, July 1924

      Indianapolis, Indianna: The Rural Publishing Corp, 1924. Very Good. Magazine. Folio. Perfectbound in illustrated wrappers. Very good with a split along the spine with a small tear extending to the front wrap and light wear at the edges; page off white and still supple. The triple-sized anniversary issue containing three stories by H.P. Lovecraft: "Hypnos," "The Loved Dead" (writing as C.M. Eddy, Jr.), and the cover story, "Imprisoned with the Pharaohs" (ghost written for Harry Houdini). Any increasing scarce copy of the last bedsheet edition of Weird Tales.

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Vita di Vittorio Alfieri da Asti scritta da esso

      Felice Le Monnier Editore - Firenze, FIRENZE 1924 - ITALIANO Volume degli anni '20 in buono stato, coperta in mezzapelle con angoli, piatti in cartone rigido, bruniture, cima e piede poco usurati, fioritura sparsa, tagli e margini delle pagine bruniti, pagine con marginalia, pagina 79-80 con lacerazione sul margine di testa e minima perdita di testo. Firma d'appartenenza su frontespizio e sulla pagine successiva all' Avvertenza.

      [Bookseller: Biblioteca di Babele]
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        PROFILI. Collezione comprendente i nn. da 1 a 129. (Mancano i seguenti: 19, 73, 83, 103, 113).

      Roma, Formiggini, 1924-1938, voll. 124, in-16, cartone editoriale. Con ritratti.

      [Bookseller: Libreria Antiquaria Gozzini]
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        Golf without Tears

      New York: A. L. Burt, 1924. Hardcover. Very Good. Reissue, though carries an "A" on the copyright page. In Very Good condition, in a Near Fine dust jacket. Scuffing to spine, light edge wear to cloth. Foxing to top edge of page block. The dust jacket shows a tear and a chip at the tail of the spine, small ding to the edge of the spine panel, faint soiling and light edge wear. A lovely copy in a striking dust jacket.

      [Bookseller: Burnside Rare Books, ABAA ]
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        Ulysses

      Shakespeare and Company, Paris 1924 - The fourth impression. A very good copy bound in recent half morocco with the original wraps preserved. Some light rubbing to the corners, with a couple of archival repairs. Previous owner¿s name on first leaf. [Attributes: Hard Cover]

      [Bookseller: Blackrock Rare Books]
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        Dedalus. Portrait de l'Artiste Jeune par Lui-meme. Translated by Ludmila Savitzky.

      Paris: Editions de la Sirene, 1924 - Octavo. Original white wrappers printed in green and black. Housed in a green quarter morocco solander box by The Chelsea Bindery. Contents browned as always but an excellent copy. First French edition of A Portrait of the Artist as a Young Man. With the translator's signed presentation inscription to the first blank leaf. The name of the recipient has been excised and the inscription partially obscured by a one-page autograph letter from Joyce written in French on the back of one of the advertisement leaves which were laid into the book at publication. Again the name of the recipient has been excised. Joyce first gives details of his new address, then proceeds to present this copy. He mentions critics and gives some information regarding Ludmila Savitzky's movements. Slocum & Cahoon D15. [Attributes: First Edition; Signed Copy]

      [Bookseller: Peter Harrington. ABA member]
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        A Passage to India.

      London: Edward Arnold & Co.,, 1924. Octavo. Original red cloth, spine and front board lettered in black, publishers advertisment on rear endpapers. Spine slightly faded, a little rubbing to extremities, contents slightly foxed. A very good copy. First edition, first impression. A Passage to India was adapted into the Academy award-winning film of 1984, starring Peggy Ashcroft, Judy David, James Fox, and Alex Guinness.

      [Bookseller: Peter Harrington]
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        Building Plans and Hand Colored Elevation for W. H. Woodfield between 6th St. and Harriet St., San Francisco.

      San Francisco: James H. Hjul, Structural Engineer, March - June 1924.(). Original pencil drawings on tracing paper, including a hand colored dated elevation. Sheet size primarily 24" x 36". 6 sheets. Job #132. James Hansen Hjul (1882 - 1957), a structural engineer, constructed many buildings in San Francisco. He was the founder of the J.H. Construction Company and was listed as a contractor, civil engineer, structural engineer and construction engineer in San Francisco City Directories from 1907 to 1958. Most of his work occurred in the South of Market area on warehouses and industrial buildings.

      [Bookseller: Wittenborn Art Books]
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        The Mark of Zorro

      New York: Grosset and Dunlap, 1924. 1st edition. Near fine in a 1st printing jacket (having all points as above) with a chip at the base of the front panel, some wear, rubs, and 1 fold strengthened, otherwise very good. Grosset published mostly reprints, but not this one. There was a 1919, abridged version in All-Story Magazine titled The Curse of Capistrano, followed by an expansion of the story (McCulley, Eugene Miller and Douglas Fairbanks using his pen name, Elton Thomas) for the 1920 U. A. film and for our 1924 novel, but reports of a 1920 book edition are a hoax. Near fine / very good.

      [Bookseller: Biblioctopus]
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        When We Were Very Young

      London: Methuen & Co.,, 1924. Octavo. Original blue cloth, spine lettered in gilt, gilt vignettes to the covers, top edge gilt. Illustrated by Ernest H. Shepard. Very slightly bowed, slight marking to spine, marking to fore and bottom edges, occasional slight blemishes to contents. A very good copy. First edition, first impression. Milne composed most of When We Were Very Young as entertainment during a dreary holiday in Wales. Many of the poems first ran as weekly instalments in Punch, charmingly illustrated by fellow contributor Shepard. When the collection was published in the present book the first printing sold out almost immediately. By the end of the year more than 53,000 copies had been printed of what The Times called "the greatest children's book since Alice" (Thwaite, p. 286). This copy is in the second state of the first impression, with the page number ix present in the preliminaries. In copies of the first state the contents leaf (ix-x) is unnumbered.

      [Bookseller: Peter Harrington]
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        Zapiski poeta. Povest? [Aufzeichnungen eines Dichters. Erzählung].

      Original-Ausgabe. - Selvinsky war einer der bedeutendsten Vertreter des literarischen Konstruktivismus. Die vorliegende Erzählung ist eine Art Autobiographie des Dichters, der seine Verse hier als Werk des imaginären Lyrikers Evgeny Ney publizierte. - Berühmtheit erlangte die kleine Veröffentlichung vor allem durch die prägnante Einbandgestaltung El Lissitzkys. So nutzte er zwei fotografische Porträtaufnahmen, die er 1924 von Hans Arp fertigte, und belichtete die Negative unterschiedlich, so dass die Profilaufnahme heller und die Frontalaufnahme dunkler geriet, schließlich fügte er beide zu einem Doppelporträt zusammen. Als Hintergrund verwandte er die Dada-Zeitschrift 391, auf den Hemdkragen ließ er den Namen des imaginären Dichters setzen. - Erschienen in einer Aulage von dreitausend Exemplaren. - Die häufig fehelnde Faltkarte hier mit Einriss, sonst hervorragend erhaltenes Exemplar. - Lissitzky-Küppers 121. - Kat. Sprengel Museum 218. - Bowlt/Hernad 73. - Kat. MoMa 750. - Andel, Avantgarde Pagedesign 252.

      [Bookseller: Rotes Antiquariat]
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        Hotel Savoy.

      Bln., Die Schmiede 1924.. gr.-8°. 145 S. OPbd. Einbandillustr. v. Georg SALTER. Rücken fachger. restaur. Ecken schwach berieb. Kl. Fleck am Vorderdeckel. EA. W.-G.² 1; Kosch XIII, 361 - Erste Ausgabe des ersten Buchveröffentl. Roths. Das Vorbild für diesen Roman dürfte das gleichnamige Hotel in Lodz gewesen sein, in dem Roth einige Zeit verbracht hatte. "(Man sieht dort) eine Unzahl von Spitzeln aller Nationalitäten und Konfessionen ... Das Hotel wird im Roman zum mikrokosmischen Gleichnis für die Undurchschaubarkeit und Unentrinnbarkeit der Welt." (Bronsen 251)

      [Bookseller: Antiquariat Burgverlag]
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        Svenska fruktsorter i färglagda avbildningar: 50 äpplen, 25 päron, 10 körsbär, 15 plommon.

      Bok. Halvfranskat band med övre färgat snitt och fyra upphöjda bind. Norstedts 1924, andra upplagan. Svenska Trädgårdsföreningen. 2400 gram. Illustrerad med underbara planscher i färg. Aningen hyllnötta nedre pärmslut, eljest mycket gott skick. (va)

      [Bookseller: Hargshamns Böcker]
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        Fairy Tales.

      New York: George H. Doran Company, , 1924. Quarto. Original black cloth, titles to spine in silver, pictorial label printed in silver, orange and black pasted to front cover, pictorial endpapers. 12 tipped-in colour plates with tissue guards, black and white illustrations throughout, all by Nielsen. Ownership inscription to front free endpaper. Very slight wear to spine, extremities and covers slightly rubbed, top edge lightly toned. An excellent copy. First U.S. edition, first printing, first published in the UK earlier the same year.

      [Bookseller: Peter Harrington]
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        Ganymedes. Een gedicht. Met vijf (= 6) houtsneden van Johan Dijkstra.

      (Amsterdam, De Gulden Ster, 1924). Ingenaaid, op Chinese blokboekwijze met raffia gebonden. 30 p. Gedrukt in een oplage van 125 genummerde en door dichter en kunstenaar gesigneerde exemplaren. 1e druk.

      [Bookseller: Antiquariaat Fokas HOLTHUIS]
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        Kate Douglas Wiggin Collection II

      1924. . Kate Douglas Wiggin was the author of numerous children's books, notably, Rebecca of Sunnybrook Farm; she also founded the first free kindergarten in San Francisco, and devoted much of her working life to children's welfare and charities. While Wiggin's book's attract great interest and attention this collection provides might greater personal insight and association with this charming author. A great opportunity for any Kate Douglas Wiggin new or existing fan to enhance their Wiggin collection. This Kate Douglas Wiggin collection consists of 17 items dating from 1893 to 1924; 8 Autographed Letters Signed (ALS), 4 Signed Books, 1 photo (signed) and 4 Ephemera. 8 ALS; • ALS (2 pp.) to Mr. MacPhail, 23 May ?, inviting him to dinner with reference to their meeting in Edinburgh. • ALS (1 p.) ND, to Mrs. Williams, Wednesday Bronxville, declining an invitation: "Everyone can come to your reception save the Doomed Woman who pens these lines. She is ill in bed. Give my ice, my sandwich, my punch, even my welcome, to a luckier person & believe me… Please give the welcome to Mrs. Fenellosa.". • ALS addressed Dear Sir, 26 January 1896, re her sketch, just written, "Tale of a Self-Made Cat". • ALS (4 pp.) to Mrs. Blaikie, 8 January 1898, whether a soup bowl and spoon are English or Scottish, Wiggins mentions a mistake she made in one of her recent works. • ALS (4 pp.) to H.G. Jacobs, 15 October 1913, re his harsh review of The Story of Waitstill Baxter: "The book itself we will not discuss, for if an author cannot beguile a reader into interest she certainly cannot browbeat him into a different attitude of mind.". • ALS (2 pp.) to Mrs. Burlie, n.d., thanking her for the information, liking two men at a tea, and her lame left ankle. • 2 ALS to Wiggin from Joseph Parker (English theologian), 31 May [1894] and 19 June 1894, re meeting her ("Just home from Scotland… we are both longing to see you. Come soon."). 4 Books (signed); • A Cathedral Courtship and Penelope's English Experiences (New York: Grosset & Dunlap, copyright 1893), light green cloth, slight tear at bottom of the spine, signed on front free endpaper, with signed quotation on the front pastedown in Wiggin's hand from • The Birds' Christmas Carol (London: Gay and Bird, 1894), popular ed., paper boards, quarter brown gold cloth, paper pieces missing on the sides, signed presentation copy for Lady Moray at Edinburgh, May 1897. • Rebecca of Sunnybrook Farm (Boston: Houghton Mifflin Company, 1904), dark green pictorial cloth, signed on front free endpaper by S. [Solomon] Guggenheim, the American businessman, art collector and philanthropist, on 29 February 1904, with a signed card on the front pastedown: "`Never forget that your | mother was a McGrill!' | Mrs. Ruggles | Kate Douglas Wiggin | The Birds Christmas Carol". • Susanna and Sue (Boston: Houghton Mifflin Company, 1909), first edition, blue pictorial cloth in very good condition, in slightly chipped jacket, signed card pasted to the front free endpaper. 1 Photo (signed) • Signed oval photo of Wiggins, ND, ("To Mr. & Mrs. Nichols | from their neighbor | Kate Douglas Wiggin") within a separated wrapper (A Remembrance of Happy Days) which has crude pencil drawings on it. 4 Ephemera; • The Rebecca-Calendar (New York: Sully and Kleinteich, 1916). Approx. 60 leaves, red cord ties. Illus. with colour plate on cover by F.C. Yohn and with 2-colour illus. on text pages. • The Rebecca-Calendar (New York: Sully and Kleinteich, 1918). Approx. 60 leaves, cord ties. Illus. with colour plate on cover and with 2-colour illus. on text pages, 3 small pieces missing from the paper covers, slight water residue spots on the covers. • Frances Hodgson Burnett, Kate Douglas Wiggin. A Sketch of Her Life; with an Appreciation (Boston: Houghton Mifflin Company, [192?]), pamphlet, wire-stitched. • Broadside advertisement for dramatization of "The Old Peabody Pew" based on her novel given at the Unitarian Church, Kennebunk, Maine, by the ladies of the parish, 19 August 1924. This collection is on consignment with LDRB.

      [Bookseller: Lord Durham Rare Books (IOBA)]
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        When We Were Very Young WITH: Winnie-The-Pooh WITH: Now We Are Six WITH: The House At Pooh Corner With Decorations by Ernest H Shepard

      London: Methuen & Co., Ltd, 1924-1928. First editions of each work in Milne's Pooh quartet. Octavo, original cloth, pictorial endpapers, top edge gilt. First issue of When We Were Very Young without p. IX numbering, jacket with song setting advert only. The first three books are each signed by A.A. Milne on the title page. Each are fine in near fine dust jackets with light rubbing and wear. Now We Are Six is signed by Milne on the title page. Housed in a custom full leather box. Illustrated by Ernest Shepard. An exceptional set, most rare and desirable signed with all being first issue books and jackets. Although Alan Alexander Milne wrote novels, short stories, poetry and many plays for adults, in addition to his work as assistant editor for Punch from 1906 to 1914, it is his writings for children that have captured the hearts of millions of people worldwide and granted Milne everlasting fame" (Silvey, 461). Milne wrote most of these poems at the request of friend and fellow poet Rose Fyleman, who was planning a new children's magazine. "On a rain-blighted holiday in Wales, [Milne] escaped from the crowd of fellow guests to the summerhouse, and for 11 days wrote a set of children's verses, one each day... 'There on the other side of the lawn was a child with whom I had lived for three years [his son, Christopher Robin]... and here within me were unforgettable memories of my own childhood.' He added more verses when he got home, enough for a book, and allowed some to be published in advance in Punch" (Carpenter & Prichard, 351). Shepard, a Punch staff artist at the time, provided delightful line vignettes, resulting in "a wonderful marriage of verse and vision. His delicately precise and fresh drawings had an instant appeal" (DNB). When We Were Very Young is second issue, as usual, with page ix numbered.

      [Bookseller: Raptis Rare Books]
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        When We Were Very Young

      London: Methuen & Co, 1924. First Edition. Hardcover. Fine/Fine. E.H. Shepard. 1st edition. The first of the 4 Pooh books. One of 100 large paper copies, the smallest limitation for this title, signed by Milne and Shepard. Fine in fine dustjacket, a pristine jacket, with the spine wholly unfaded and pure blue, and on this book, that is a rare thing. Other copies in jacket offered elsewhere (chipped, torn, browned, or faded) are a practical joke on value, even when they're priced less than ours, because they're never enough less. Finest copy in the world.

      [Bookseller: Biblioctopus]
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        The Glorious Mystery

      Covici-McGee Co, Chicago 1924 - The first edition, a near fine copy in the dust wrapper, lightly rubbed at the edges. [Attributes: First Edition; Hard Cover]

      [Bookseller: Blackrock Rare Books]
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        When We Were Very Young.

      London, Methuen & Co. Ltd. 1924. 8vo. Original royal blue cloth panelled in gilt with gilt vignettes to covers, top edge gilt, others untrimmed, plain white endpapers as issued, preserved in a handsome twentieth-century slipcase with dark blue morocco spine and 5 raised bands over blue cloth, vertically ruled in gilt to sides, lettered gilt in compartments, with internal blue cloth-covered chemise, by James Macdonald Co., New York; pp. [vi], vii-x + [ii] + 99 + [i]; illustrated throughout in line by Shepard; both externally and internally a fine, fresh copy with minor bruising and rubbing to spine ends, a neat contemporary gift inscription, dated 1924, to front free endpaper, and the usual faint toning to free endpapers with negligible internal cracking, but overall an unusually handsome copy. First edition. The first of Milne's celebrated quartet of children's titles, and by far the scarcest, being issued in a very small edition of only 5,175 copies. Its success took the publishers completely by surprise as it reportedly sold out on its publishing day and was reprinted three times in one month. It has been referred to as the most significant children's book since Alice.

      [Bookseller: Henry Sotheran Ltd.]
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        The Twilight of the Gods

      Bodley Head, UK 1924 - This very rare 3rd imp proof copy that belonged to the artist Henry Keen.was probably a new updated version with new line drawings. lncludes many pages with alternative rough sketches by the artist. The softback proof book is good++ and bright. Edges rubbed and cover slightly creased and marked. Spine creased. Contents good. Full provenance provided when purcahsed. More images can be taken upon request. Ref Size: 8vo - over 7¾" - 9¾" tall [Attributes: First Edition; Soft Cover]

      [Bookseller: Lasting Words Ltd]
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        In the Nicobar Islands: The Record of a Lengthy Sojourn in Islands of Sunshine & Palms Amongst a People Primitive in Their Habits & Belifes & Simple in Their Manner of Living, with a Description of Their Customs & Religious...,

      London , 1924. Paperback. UsedGood. In the Nicobar Islands: The Record of a Lengthy Sojourn in Islands of Sunshine & Palms Amongst a People Primitive in Their Habits & Belifes & Simple in Their Manner of Living, with a Description of Their Customs & Religious..., Some dust/dirt on page edges from long-term storage.

      [Bookseller: SEATE SERVICES]
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        Junge Menschen. Monatshefte für Politik, Kunst, Literatur und Leben aus dem Geiste der jungen Generation, hrsg. von Walter Hammer. 5. Jg. 1924, Heft 1-9 (so kplt). Mit Heft 8. Sonderheft Bauhaus Weimar. Schriftleitung: Werther b. Bielefeld. Typographis

      Hannover Verlag Junge Menschen, Hamburg 1924 - 4to. Mit Abbildungen. 1 Band. Halbleinenband mit farbigem Deckelbezug. Heft 8 mit 16 Text-Beiträgen u.a. von: Josef Albers, W. Wagenfeld, H. Hoffmann, Siegfr. Ebeling, Jos. Hartwig, Jos. Albers, Marcel Breuer. Photographische Werkarbeiten u.a. von: W. Molnar, Marcel Breuer, Jucker und Wagenfeld, Alma Buscher, Heinr. Koch, Walter Gropius (Serienhäuser-Modelle). [Attributes: Hard Cover]

      [Bookseller: Antiquariat Sibylle Böhme]
 29.   Check availability:     ZVAB     Link/Print  


        The Price of Freedom: Speeches and Addresses

      Charles Scribner's Sons, New York and London, 1924. First Edition. Hardcover. Very Good Condition/Poor. Signed by Author. Size: Octavo (standard book size). Text body is clean, and free from previous owner annotation, underlining and highlighting. Binding is tight, covers and spine fully intact. Navy gilt-stamped cloth over boards, fore-edge deckled, (vi), 420 pages, Index. Signed by Calvin Coolidge on ffep to Cuyler Reynolds (1866-1934), a well-regarded journalist and author who was named the Albany City Historian; his best-known work is the "Albany Chronicles." Reynolds tipped-in a newspaper photo from the NY Times of Coolidge's inaugural procession dated March 4, 1925. Also included are pieces of the dust jacket, one of which is stamped "Signed Nov 27 1924. Thanksgiving Day", and the White House stationery addressed label that was on the package. The pieces of the dust jacket are worn at edges, lightly stained. The book's corners and spine ends are bumped, top edge of text block stained, a few spots near foot of spine, a couple of pages are uncut, Cuyler Reynolds' address label and some toning/offsetting on rear end papers, book is protected in mylar jacket. Quantity Available: 1. Shipped Weight: 4 lbs 0 oz. Category: Politics & Government; Signed by Author. Pictures of this item not already displayed here available upon request. Inventory No: 012507. .

      [Bookseller: Dennis Holzman Antiques]
 30.   Check availability:     Biblio     Link/Print  


        Une vague de rêves

      Hors commerce, Paris s.d. (1924), 19x24cm, broché. - Hors commerce, Paris s.d. (1924), 19x24cm, broché. - Edizione manciata di questo titolato dalla rivista Commercio stampato. autografo Precious firmato da Louis Aragon e Philippe Colette (Clemente) sul fondatore testo del surrealismo. Fonte: Biblioteca di Colette Clément con il suo ex libris incollato sul retro della prima piastra di copertura. copia piacevole e raro. [FRENCH VERSION FOLLOWS] Edition originale imprimée à tout petit nombre de ce titré à part de la revue Commerce. Précieux envoi autographe signé de Louis Aragon à Philippe et Colette (Clément) sur ce texte fondateur du surréalisme. Provenance : de la bibliothèque de Colette Clément avec son ex-libris encollé au verso du premier plat de couverture. Agréable et rare exemplaire.

      [Bookseller: Librairie Feu Follet]
 31.   Check availability:     maremagnum.com     Link/Print  


        The Lay of Maldoror

      n.p.: Casanova Society. 1924. 1st Edition in English; First Printing. Hardcover. No. 5 of 100 hand-numbered copies printed on hand-made Zander paper and signed by John Rodker. "Large paper" is called for, but this is an 8" book. Good to very good in good only jacket, the latter not often seen. There is a slanted crack in the vellum boards, running from the fore-edge to the spine, caused by shrinking vellum and humidity changes. The front joint has a 4" crack running from the bottom upwrards. Dust jacket trimmed ¼", spine in 3 pieces, but nearly all are present and in place, chipping at rear of jacket. ; 8vo 8" - 9" tall; 319 pp .

      [Bookseller: Beasley Books]
 32.   Check availability:     Biblio     Link/Print  


        When We Were Very Young

      New York: E. P. Dutton & Company, 1924. First Edition. Hardcover. Good. First American edition, first printing. Good or better, with number "17" inked on spine and front end sheets. Cloth a bit soiled, shelve worn, and darkened at spine. Corners bumped. Pages lightly thumbed and with a small age spot to the fore edge of the text block.

      [Bookseller: Burnside Rare Books ]
 33.   Check availability:     ABAA     Link/Print  


        L`art islamique en Orient Tl II (Fragments d`architecture religieuse et civile)

      Constantinople, Librairie Raymond 1924.. Mit 52 farbigen Tafeln (Num. 1 - 60; 9 doppelseitige, davon 8 als jeweils zwei gezählt) . 2 Bl., 11 S. Lose in OHlwd.-Mappe mit Orig.-Umschlag, 49 x 37 cm. Erste Ausgabe. - Atabey 1015 mir der irrigen Bermerkung: "First edition of part two, all published. Apparently the first part never appeared."; es gibt einen ersten Teil, der allerdings nur in wenigen Exemplaren bekannt ist. – Umschlag lädiert, ein Mappenflügel lose. Titel und Widmung mit kleinen Randschäden, sonst sehr gut erhalten.

      [Bookseller: Antiquariat Turszynski]
 34.   Check availability:     Biblio     Link/Print  


        Paul Schaan (1857-1924) - 1924 Watercolour, Cardinal

      1924 - Paul Schaan (1857-1924) - Original 1924 Watercolour. Superb varnished watercolour by Paul Schaan. Dated on the reverse. Painted on paper laid down on card and board. Signed and dated. This artwork has been exquisitely restored. A once large loss in lower left corner is now virtually invisible.Paul Schaan (1857-1924) was a French painter and illustrator. He studied at the School of Fine Arts in Paris and then in the studio of Jean Baptiste Lavastre from 1888 to 1890. He began to exhibit his work at the Paris Salon in 1880 and received honourable mention for The Cloister of Saint Remi in 1892. He painted many scenes of city life, including the Eiffel Tower in various states of construction, but is perhaps best known for his scenes of religious figures, mainly cardinals. Size: Large (30-60cm) Framed: No Style: Realism Weight: 501.00g [Attributes: Signed Copy]

      [Bookseller: Sulis Fine Art]
 35.   Check availability:     AbeBooks     Link/Print  


        SEVERAL SHORT POEMS

      [New York]: Henry Holt and Co.([1924]). First Edition, Single sheet folded once to make a four page pamphlet printing six poems, including "Stopping by Woods on a Snowy Evening." Illustrated with two woodcuts by J.J. Lankes. Crane A8. Limited to 2000 copies printed for distribution at Frost lectures at East Coast colleges, essentially a give-away item that due to its ephemeral nature is now quite scarce especially when SIGNED by the poet, as this copy is on the front cover beneath the poem "The Pasture.", wraps, Minor and expected soiling, about Fine

      [Bookseller: Charles Agvent, ABAA]
 36.   Check availability:     Bibliophile     Link/Print  


        EIN HUNGERKÜNSTLER. VIER GESCHICHTEN.

      Die Schmiede, Berlin 1924 - 86pp. Owner's name on flyleaf. A FINE COPY ,VERY FRESH AND CLEAN.RARE FIRST EDITION. SHIPPING WORLDWIDE INCLUDED. Size: 8vo [Attributes: First Edition; Soft Cover]

      [Bookseller: M.POLLAK ANTIQUARIAT Est.1899, ABA, ILAB]
 37.   Check availability:     ZVAB     Link/Print  


        Zapiski poeta. Povest? [Aufzeichnungen eines Dichters. Erzählung].

      Original-Ausgabe. - Selvinsky war einer der bedeutendsten Vertreter des literarischen Konstruktivismus. Die vorliegende Erzählung ist eine Art Autobiographie des Dichters, der seine Verse hier als Werk des imaginären Lyrikers Evgeny Ney publizierte. - Berühmtheit erlangte die kleine Veröffentlichung vor allem durch die prägnante Einbandgestaltung El Lissitzkys. So nutzte er zwei fotografische Porträtaufnahmen, die er 1924 von Hans Arp fertigte, und belichtete die Negative unterschiedlich, so dass die Profilaufnahme heller und die Frontalaufnahme dunkler geriet, schließlich fügte er beide zu einem Doppelporträt zusammen. Als Hintergrund verwandte er die Dada-Zeitschrift 391, auf den Hemdkragen ließ er den Namen des imaginären Dichters setzen. - Erschienen in einer Aulage von dreitausend Exemplaren. - Die häufig fehelnde Faltkarte hier mit Einriss, sonst hervorragend erhaltenes Exemplar. - Lissitzky-Küppers 121. - Kat. Sprengel Museum 218. - Bowlt/Hernad 73. - Kat. MoMa 750. - Andel, Avantgarde Pagedesign 252.

      [Bookseller: Rotes Antiquariat]
 38.   Check availability:     booklooker.de     Link/Print  


        Portfolio of Seven Photogravure Plates from Photographs by Robert J. Flaherty of Eskimos.

      Revillion Freres [ca. 1924], New York - A published portfolio of photogravures of Eskimos in the sub-arctic part of Eastern Canada. Images approx. 22 x 16 cm. on sheets 50 x 33 cm. (19 3/4 x 13 inches), with captions on attached slips. Loose images along with tissue interleaves and printed introductory sheet, set in gray boards folding box. Scarce portfolio of seven images which were chosen from a group of 18 that were made during a series of five expeditions over eight years. The images are: Nascaupie Indian Chief, Northern Labrador; Tooktoo (the Deer), Chief of Sikoslingmuit Eskimos, Southern Baffin Island; Cunayou (The Sculpin), Sikoslingmuit Eskimo Girl, Southern Baffin Island, The Gramophone, Nyla and Child, Eteeveemuit Eskimo of Cape Dufferin, Northwestern Ungava, The Huskie (The Wolf Dog of the Eskimos). Generally this portfolio is found with 6 photogravures; why this one has seven is not clear. Attached box lid with a couple of joint splits and two blank tissue guards with wrinkles but overall a very handsome and clean set in the original box.This gathering is unusual in that all of the images are of Inuits (other than the Husky); there are no nature scenes. Laid in is a business card from Thierry Mallet, president on Revillon Freres, on which Mallet has written in ink ÒDear Doctor Bancroft, may I send you these few photos of the North with my compliments, [signed] Thierry MalletÓ. Both of the famous Bancrofts, Hubert Howe and Albert Little, were dead at this time. It is possible that it was given to the Dr. Bancroft that was head of Geology at the University of British Columbia Vancouver at that time. author of Plain Tales of the North and Glimpses of the Barren Lands, both published by Revillon Freres. Mallet was associated with Revillon Freres for over 20 years and was quite the arctic adventurer himself. Every year he spent three months in the far north among the Inuit arranging fur purchases. Robert J. Flaherty is often credited as being the father of documentary filmmaking. From 1910 to 1916 he served as a guide for the mapping expeditions of Sir William McKenzie to Hudson's Bay. It was during one of these trips that Flaherty decided to make a film of the land and people he had become so familiar with. His first film as accidentally destroyed but the seed had been planted and in 1922 he finished his first documentary, Nanook of the North. It won universal acclaim and is usually referred to as the first documentary film. Driven by the acclaim, Flaherty went on to make a number of other documentaries but he still is best known for Nanook. Flaherty made different financial arrangements for all his films and Nanook was made under the aegis of Revillon Freres, a large fur trading company. This production was probably issued by Revillon Freres to cash in on Flaherty's abrupt rise in fame.

      [Bookseller: Nat DesMarais Rare Books, ABAA]
 39.   Check availability:     AbeBooks     Link/Print  


        LEGENDS OF CHARLEMAGNE

      - (WYETH,N.C.)illus. LEGENDS OF CHARLEMAGNE by Thomas Bulfinch. NY: Cosmopolitan 1924. 4to, (7 1/8 x 9 1/2"), maroon cloth, pictorial paste-on, top edge gilt, FINE in dust wrapper (dw with some soil, fraying, a few closed tears). 1st ed. Illustrated by Wyeth with cover plate, pictorial endpapers and title page plus 8 beautiful color plates. Great copy, hard to find in the dust wrapper. Allen p.200. [Attributes: First Edition; Hard Cover]

      [Bookseller: Aleph-Bet Books, Inc. - ABAA]
 40.   Check availability:     AbeBooks     Link/Print  


        When We Were Very Young

      London: Methuen & Co. 1924. 1st edition. The first of the 4 Pooh books. One of 100 large paper copies, the smallest limitation for this title, signed by Milne and Shepard. Fine in fine dustjacket, a pristine jacket, with the spine wholly unfaded and pure blue, and on this book, that is a rare thing. Other copies in jacket offered elsewhere (chipped, torn, browned, or faded) are a practical joke on value, even when they're priced less than ours, because they're never enough less. Finest copy in the world. Fine / Fine.

      [Bookseller: Biblioctopus]
 41.   Check availability:     Direct From Seller     Link/Print  

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