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Displayed below are some selected recent viaLibri matches for books published in 1924

        Hamburg, Petrikirche.

      - Holzschnitt, aquarelliert, 1924, auf Bütten, signiert und betitelt. Darstellungsgröße 46,5:28,7 cm, Blattgröße 62,5:48 cm. Literatur: Niederdeutsche Welt, Jahrgang 8 (1933), Heft 9, S. 252/55, mit Abb.; Der Neue Rump. Lexikon der Bild. Künstler Hamburgs, Altonas und der näheren Umgebung. Wachholtz, 2005, S. 90; Ausst. Katalog: Gesamtkunstwerk. Mathildenhöhe Darmstadt, 2010/11. Dibbert studierte an der Schule für freie und angewandte Kunst in Hamburg, danach im Meisteratelier Walter Klemms (1883-1957) an der Kunstschule in Weimar. Er war in Hamburg als Maler, Gebrauchsgraphiker und Raumkünstler tätig. Bekannt wurde er vor allem durch seine architektonischen Holzschnitte. Das Chilehaus wurde 1922/24 von dem Architekten Fritz Höger (1896-1949) in dem für ihn typischen norddeutschen Backsteinexpressionismus, mit dem er international bekannt wurde, erbaut. Der Auftraggeber war der Hamburger Kaufmann Henry B. Sloman (1848-1931)

      [Bookseller: Galerie Joseph Fach GmbH]
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        The Man In The Brown Suit.

      London: John Lane, The Bodley Head, 1924.. [Mystery novel]. FIRST EDITION. Octavo, pp.[vi]; 310; [2], advertisements. Publisher's light brown cloth, titled and decorated in dark brown. A gently used copy with some minor rubbing and wear, some trivial spotting to text block. The cloth is particularly bright with no darkening/change in colour to the backstrip. Most uncommon thus. The fourth of Christie's 66 original crime novels, and the first to feature the secret service agent Johnny Race.

      [Bookseller: Adrian Harrington Rare Books]
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        Woodcuts and Some Words [Signed] + Original Woodcut

      Published by J. M. Dent & Sons Ltd., Aldine House, Bedford Street, London First Edition 1924. 1924., 1924. First edition hard back binding in publisher's original donkey brown buckram covers, bevelled edges, gilt title and author lettering to the spine, blocked 'G. C.' monogram to front cover, top edge gilt. 4to 11'' x 8½''. Contains seven-page introduction by Campbell Dodgson, C.B.E. [xx] 122 printed pages of text with tipped in woodcut frontispiece and 58 tipped in reproduction woodcuts, together with various illustrations in the text. Tissue-guarded hand written number 25 of 160 Limited Edition copies of which 150 are for sale. SIGNED by the author. Additional loosely laid-in original 50 mm square Edward Gordon Craig woodcut dated 1910, initialed by Craig 'E.G.C. 1923' stating 'Only 50 Signed copies, copy 13' added by Craig to the bottom margin. Just a little surface rubbing of the buckram to the bottom edge of the rear board. Very Good condition book in Poor condition dust wrapper with the majority of the paper down the down missing, chips to the edges. Dust wrapper supplied in archive acetate film protection, it does not adhere to the book or to the dust wrapper. Member of the P.B.F.A.

      [Bookseller: Little Stour Books PBFA]
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        E.T.A. Hoffmanns Sämtliche Werke, Tagebücher / Briefe, herausgegeben und eingeleitet von Rudolf Frank * H A L B L E D E R - V O R Z U G S A U S G A B E

      München, Rösl & Cie., 1924 - Vollständige Ausgabe in 11 Verlags-Handeinbänden: rotbraunes genarbtes Halbleder / OHLdr / HLdr im Format 15,5 x 23 cm mit Rückentitel und -dekoration in Goldprägung, Lederecken und Kopffarbschnitt sowie Handpapierbezug (farbiges Marmorpapier) der Deckel, XXVI,422 / 490 / 473 / 467 / 505 / 453 / 537 / 506 / 492 / 536 / 535 Seiten, Schrift: Fraktur. Band 1 mit einer längeren Einleitung von Rudolf Frank sowie Frontispiz-Abbildung von E.T.A. Hoffmann mit Seidenhemdchen. - Aus dem Inhalt: Band 1: Verse, Werke für Theater, Oper und Ballett, Singspiele, Festspieltexte. -- Band 2: "Phantasiestücke in Callots Manier", "Über Beethoven". - Band 3: "Lebensansichten des Katers Murr nebst fragmentarischer Biographie des Kapellmeisters Johannes Kreisler", Weitere Kreisler-Fragmente. - Band 4: "Die Elixiere des Teufels", "Die Doppelgänger", "Die Marquise de la Pivardiere". - Band 5: "Die Serapions-Brüder" (Erster Teil). - Band 6: "Die Serapions-Brüder" (Zweiter Teil). - Band 7: "Die Serapions-Brüder" (Dritter Teil). - Band 8: "Meister Floh", "Klein Zaches genannt Zinnober", "Datura fastuosa", "Haimatochare", Autobiographisches, Zeitgeschichtliches. - Band 9: "Nachtstücke, "Die Räuber", "Der Elementargeist", Fragmente, Anekdoten. - Band 10: "Seltsame Leiden eines Theaterdirektors", Kleinere Schriften über Theater, Violinschule, Kleinere Schriften über Musik, Tagebücher (Erster Teil). - Band 11: Tagebücher (Zweiter Teil), Briefe. - "Warum handgebunden? - Die wesentlichsten Vorzüge des guten Handbandes sind: Die einzelnen Druckbögen werden mit der Hand nach dem Schriftspiegel gefalzt. Die Bogenränder werden dadurch zwar ungleich, aber das Satzbild steht gerade. Um infolge der ungleichen Ränder ein späteres zu starkes Beschneiden mit der Maschine zu vermeiden, werden die Bogen einzeln, vorne und unten, mit der Pappschere auf ein Mittelmaß rauh beschnitten. Dadurch wird der Druckrand weitestgehend geschont. Als erste und letzte Lage wird dem Buche zum Schutze eine leere Papierlage hinzugefügt, welche mit einem feinen Leinen- oder echten Japanpapierfalz versehen ist. Geheftet wird der Handband nach sorgfältiger Auswahl des Heftzwirnes auf echten erhabenen oder aufgedrehten flachen Bünden und auf Pergamentriemchen (welche beim Pergamentbande durch den Rücken gezogen werden). Die Deckel werden in einem tiefen Falz angesetzt, mit den Bünden nach außen. Ein Herausreißen aus der Decke ist somit nur unter Zuhilfenahme von Werkzeug möglich. Als Einbandmaterial kommen sumachgares, lichtechtes Saffian, Kalbleder, vereinzelt auch Rindsleder, ferner naturelles und weißes Schweinsleder sowie Kalbspergament zur Verwendung. Ein mit der Hand hergestelltes, dazupassendes Überzugpapier sowie Handvergoldung oder Blinddruck am Rücken ergänzen das Werk nach außen. Ein solcher Einband entspricht allen Anforderungen, die an einen Gebrauchsband gestellt werden können." Aus einem alten Prospekt von Richard Hönn, ehemals Handbinderei des Verlages Albert Langen, Werkstatt für feine Buchbinder- und Lederarbeiten in München, Dienerstrasse 14. - Deutsche Kunstbuchbinderei im 20.Jahrhundert, Kunstbuchbinder, deutsche Literatur im 19.Jahrhunderts, Romantik, Halbleder-Handeinband, Musikschriftsteller, Gesamtausgabe, Lederausgabe, Vorzugsausgabe. - Leder-Vorzugsausgabe aus der Reihe "Rösl-Klassiker", Exemplar in guter Erhaltung (teilweise minimal berieben, sonst tadellos) Versand an Institutionen auch gegen Rechnung Sprache: Deutsch Gewicht in Gramm: 2000 [Attributes: Soft Cover]

      [Bookseller: Galerie für gegenständliche Kunst]
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        The Marble Faun.

      Boston: The Four Seas Company, 1924 - Octavo. Original mottled green boards, white paper title labels to front board and spine printed in green. With the dust jacket. Housed in a black quarter morocco solander box by the Chelsea Bindery. Front hinge starting, small production flaw to rear hinge, small tear to the top of the front joint of the jacket, but a stunning copy of a famously vulnerable publication. First edition, sole printing, presentation copy of Faulkner's first book. This copy has been inscribed on the front free endpaper, "To Dink Cearley from Bill Faulkner" and also signed and dated 31 December 1924 on the title page. C. L. ("Dink") Cearley was in 1924 the 19-year-old son of Abb W. Cearley (69 years old, married at age 36) and Mollie Cearley. Abb was the jailor in Oxford, Mississippi, and would probably have been elected to that position. Abb and Mollie were both born in Mississippi, as were all four of their parents. The Cearley family (including several siblings) lived on the premises of the jail. In 1931 there is a record of a minor ($2) payment to a Mr Woodward "in the Dink Cearley Case" and there are occasional references to Cearley Service Station, but otherwise the family seems to have lived quietly. The fact that Faulkner uses the familiar form of his own forename suggests that he was on easy terms with the younger Dink. Faulkner employed the unusual forename for the character Dink Quistenberry in The Town, who marries into the Snopes family and runs the Jefferson (formerly Snopes) Hotel. The Marble Faun is the author's first book, of which only 500 of the projected 1,000 copies were printed and some 300 of those were later pulped. The official publication date was, after some delay, fixed as 15 December 1924 and the earliest dated presentation copies were signed on the 19th. With thanks to John Ward, professor in the English department at Quinnipiac University, Hamden, CT, for information about the recipient. [Attributes: First Edition; Signed Copy]

      [Bookseller: Peter Harrington. ABA member]
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        Gavarnie.

      o. O. 1924 - Orig. Buntstiftzeichnung. ca. 29 x 45 cm. Gerahmt. Mit eighd. Signatur und Titelei, datiert '24.

      [Bookseller: Antiquariat Weinek]
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        Les Biches

      Bronislava Nijinska, illustrated by Marie Laurencin 1924 - Les Biches is a ballet by Bronislava Nijinska, with music by Francis Poulenc and with costume design by Marie Laurencin. Edition of 335 copies. Copy number 17 of 60 copies on Hollande Van Gelder paper. Edition in two volumes. The first volume includes an article by Jean Cocteau and one by Darius Mihold, a portrait of La Nijinska and one of Francis Poulenc, as well as 14 hand painted drawing and illustrations by Marie Laurencin, that also illustrated the cover. The second volume is a collection of black and white photographs, including one of Marie Laurencin. Includes also the paperback slipcase. Copy with book beard, partly uncut, parts of the spine lightly unglued. Almost perfect conditions. La libreria offre per un periodo limitato uno sconto del 30% su tutti i suoi libri. Il prezzo originale dell'articolo era 3800 euro. [Attributes: Soft Cover]

      [Bookseller: Wallector]
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        Zapiski poeta. Povest? [Aufzeichnungen eines Dichters. Erzählung].

      Original-Ausgabe. - Selvinsky war einer der bedeutendsten Vertreter des literarischen Konstruktivismus. Die vorliegende Erzählung ist eine Art Autobiographie des Dichters, der seine Verse hier als Werk des imaginären Lyrikers Evgeny Ney publizierte. - Berühmtheit erlangte die kleine Veröffentlichung vor allem durch die prägnante Einbandgestaltung El Lissitzkys. So nutzte er zwei fotografische Porträtaufnahmen, die er 1924 von Hans Arp fertigte, und belichtete die Negative unterschiedlich, so dass die Profilaufnahme heller und die Frontalaufnahme dunkler geriet, schließlich fügte er beide zu einem Doppelporträt zusammen. Als Hintergrund verwandte er die Dada-Zeitschrift 391, auf den Hemdkragen ließ er den Namen des imaginären Dichters setzen. - Erschienen in einer Aulage von dreitausend Exemplaren. - Die häufig fehelnde Faltkarte hier mit Einriss, sonst hervorragend erhaltenes Exemplar. - Lissitzky-Küppers 121. - Kat. Sprengel Museum 218. - Bowlt/Hernad 73. - Kat. MoMa 750. - Andel, Avantgarde Pagedesign 252.

      [Bookseller: Rotes Antiquariat]
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        Trade Catalogue] Exhibit Supply Company Catalogue 1924. Amusement Machines -- Post Cards -- Penny Arcade Supplies The Exhibit Supply Company. Manufacturer of Coin Operated Machines, Post Cards and Penny Arcade Supplies. The Largest Plant Manufacturing Legal Amusement Machines and Penny Arcade Supplies in the U.S.A.

      Exhibit Supply Company, Chicago 1924 - 8vo. 19.5 by 12 cm. 12 pp., wraps. Photo images, two per page, of sundry card dispensers and fun fixtures, some of which are long forgotten and no inhabitants of what penny arcades survive, although there may be distant descendants which have comparable gimmickry. Examples: The Radio which vends a love message and photo, or a "Duoscope", a drop machine holding two sets of views. The Gypsy Fortune Teller is something that might be in the memory banks of people still alive. Regardless, a trade catalogue for these kind of novelty machines is a scarce thing, and this particular one, especially. No copies of this, or any of the companies' promotions of amusement machines pre-1970, listed on OCLC. The brochure touts its machines as "an investment" and speaks of the "money earning power" of its machines. Light wear. [Attributes: Soft Cover]

      [Bookseller: White Fox Rare Books, ABAA/ILAB]
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        L'ornement

      Wasmuth, 1924. Recueil d'ornements de couleur et de décors reproduisant particulièrement des spécimens de civilisations peu connues. 120 planches coloriées choisies pour l'usage pratique et expliquées par H.-Th. Bossert. Préface d'Otto von Falke / Compendio di ornamenti colorati e decorazioni che riproducono esemplari di civiltà poco conosciute. 120 tavole a colori scelte per l'uso pratico e spiegate da H.-Th. Bossert. Prefazione di Otto von Falke. Folio (cm 40x29). pp. 36 + 120 tavole. . Ottimo (Fine). . Prima edizione (First Edition). .

      [Bookseller: Studio Bibliografico Marini]
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        Il Liceo - Ginnasio "P. Giannone" in Benevento

      Tipi Cav. Uff. G. De Martini - Benevento, 1924. ITALIANO 0,08 Fascicolo degli anni '20 in stato discreto, coperta in carta, margini dei piatti scoloriti, fioritura sparsa, dorso consumato, bordo e punte poco usurati con lacerazione, legatura allentata, tagli bruniti, pagine in buono stato. Elegante testatina su incipit. USATO

      [Bookseller: Biblioteca di Babele]
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        Fairy Tales

      London: Hodder and Stoughton, 1924. First edition, no. 115 of 500 copies of the De Luxe Edition, signed by Nielsen. 12 mounted color plates and numerous monochrome drawings and decorations in the text after Kay Nielsen. 4to. Full gilt-pictorial vellum after an elaborate design by Nielsen incorporating a portrait of Andersen, trees, and rising sun, t.e.g. Occasional thumb-soiling to margins, boards slightly bowed but an excellent copy. Nielsen, Kay. First edition, no. 115 of 500 copies of the De Luxe Edition, signed by Nielsen. 12 mounted color plates and numerous monochrome drawings and decorations in the text after Kay Nielsen. 4to. Deluxe Edition, Signed. A lovely copy of the deluxe edition these classic tales, with the celebrated illustrations by Nielsen.

      [Bookseller: James Cummins Bookseller]
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        L\'art islamique en Orient. Tl. II. (Fragments d\'architecture religieuse et civile).

      Constantinople, Librairie Raymond 1924. Mit 52 farbigen Tafeln (Num. 1 - 60; 9 doppelseitige, davon 8 als jeweils zwei gezählt) . 2 Bl., 11 S. Lose in OHlwd.-Mappe mit Orig.-Umschlag, 49 x 37 cm. Erste Ausgabe. - Atabey 1015 mir der irrigen Bermerkung: \"First edition of part two, all published. Apparently the first part never appeared.\"; es gibt einen ersten Teil, der allerdings nur in wenigen Exemplaren bekannt ist. – Umschlag lädiert, ein Mappenflügel lose. Titel und Widmung mit kleinen Randschäden, sonst sehr gut erhalten. Versandkostenfreie Lieferung

      [Bookseller: Antiquariat Uwe Turszynski]
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        When we were very young.

      London Methuen & Co 1924 - First edition, first issue with no roman numerals on Contents page, 8vo., frontispiece and illustrations by E.H. Shepard, some quires opening but still strong, original blue cloth blocked and lettered in gilt, top edge gilt, some bumping and rubbing to extremities and corners, otherwise very good; preserved in a custom-made slip-case. "the greatest children's book since Alice" The Times. 'They're changing the guard at Buckingham Palace- Christopher Robin went down with Alice.' A very good example of the first and rarest of the Christopher Robin books, increasingly hard to find in the first issue state, some 5,175 were printed and sold out in one day, November 6, 1924. Consequently by the end of the year over 53,000 copes had been printed but the second print-run included the roman numeral ix on the contents page. [Attributes: First Edition; Hard Cover]

      [Bookseller: Shapero Rare Books]
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        A BRIEF CORRESPONDENCE between "KING KONG" CO-DIRECTOR & AVIATOR MERIAN C. COOPER & Lecture Agent JAMES POND.

      New York, 1924 to 1927. [1924]. [1924]. - - A brief correspondence between the aviator/film director Merian C. Cooper and James Pond regarding arrangements for a series of lectures by Cooper. The letters, dating from September 18, 1924 through May 5, 1927 include an Autograph Letter Signed by Cooper and a lengthy note penciled by Cooper at the bottom of a list of lecture venues, 3 Typed Letters Signed for Cooper by his secretary and carbon's of Pond's letters and replies. The correspondence here begins with a short Typed Letter Signed for him by Cooper's secretary, dated September, 1924. Cooper mentions enclosing a check for an ad in Pond's catalog and requests to see the blurb "before having it set up". On January 19th, 1925, Pond writes that he made arrangements & started booking venues following Cooper's assertion that he [Cooper] had arranged with Famous Players to use his films in conjunction with his lectures. Subsequently finding out that Famous Players has severely limited where Cooper could lecture and what material he could use, Pond was able to back out of all but one engagement in Buffalo and requests that Cooper make a special effort to follow through with this one. On March 28th, Pond again requests a response from Cooper. Cooper then replies with a lengthy note penciled in his hand at the bottom of a list of venues. Except for Buffalo, most of the venues are geographical or scientific societies which Famous Players will allow with major restrictions. Cooper writes: "There will be no public admissions - no publicity unless Famous wishes. If you have objections the only date arranged is with the Buffalo Club - a society club - which was arranged before signing contract". In a Typed Note Signed for him by his secretary, Cooper urgently requests that Pond let him know "if traveling expenses are included" before turning down the "Lancaster date". A brief note by Pond on April 20, 1925 mentions enclosing the contracts for Buffalo & Bridgeport. In a brief letter, penciled and signed in full by him, Cooper writes that he will be "available next week except Thursday the thirtieth" and that he will train a substitute for that date. This letter is accompanied by a carbon of a letter to a "Mr. Beulah" neatly typed by his secretary and dated April 20, 1925. On February 21st, 1927, Pond writes to invite Cooper to join him as his guest at the Circumnavigators Club dinner. Replying in a typed letter signed for him by his secretary, addressing Pond as "Dear Jim", Cooper writes: "I would like like Hell to go to the Circumnavigators dinner but I am right in the midst of trying to complete a book, finish the picture.". On May 5, 1927, Pond, eager to have Cooper become a member, again invites the aviator/director to join him for a subsequent Circumnavigators' Club dinner and suggests that Cooper is "eligible for membership in this Club. It is a most amusing one and I think you would like to know the bunch."Pond's retained carbon copies of his letters are chipped with several short tears to the edges. Merian Cooper's letters and notes are in otherwise very good condition. The American producer & film director Merian C. Cooper (1893-1973) was also an aviator. He served as a DH-4 bomber pilot during the First World War. Shot down by German troops, he served the remainder of that war in a POW camp. Following the war, he joined the Kosciuszko Squadron, a group of volunteer Americans which supported the Polish Army in the Polish-Soviet War. He was once again shot down and, this time, incarcerated in a Soviet POW camp. Escaping after 9 months, he was subsequently decorated with Poland's highest military award the Virtuti Militari. He enlisted and served as a Colonel in the Second World War and assisted in setting up the Assam-Burma-China Ferrying Command and led many missions. Before and after the Second World War, Cooper produced movies for RKO. His most memorable production was "King Kong", a film which he co-wrote, co-directed and in which he also played an acting role. He foll [Attributes: First Edition; Signed Copy]

      [Bookseller: Blue Mountain Books & Manuscripts, Ltd.]
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        Scènes mythologiques. Avec 40 eaux-fortes originales.

      [Argenteuil: Coulouma for] 'Le Livre',, Paris 1924 - First edition of this modern-day fable sequence with superb, finely-etched symbolist illustrations by Marty. This copy is number 10, one of 10 on japon with an extra suite on chine (of a total edition of 350). 'André Marty studied philosophy and then travelled to Italy. He studied in Cormon's studio at the École des Beaux-Arts, Paris. He exhibited regularly in Paris, at the Salon des Arts Décoratifs, of which he became a member of the jury in 1925, and at the Salon des Humoristes. He was influenced by the illustrator Boutet de Monvel. He was very popular and produced posters for the Russian ballet, stage sets and sketches for fashion magazines . The illustrations in his stylised manner were appealing and achieved great popularity for the grace of the figures and their surroundings' (Benezit). He is best known in Britain as a successful poster designer for the London Underground in the 1930s. 16mo (256 × 125 mm), pp. [118] Etched ornaments and illustrations, all present in an additional state on chine. Uncut in original smooth calf, spine with red labels, slipcase. Upper hinge just cracking toward head, but still a fine copy. [Carteret IV, p. 336: 'Édition originale et premier tirage de cette belle publication, trés recherchée et cotée; elle est illustré par un artiste de talent'.] [Attributes: First Edition; Hard Cover]

      [Bookseller: Justin Croft Antiquarian Books Ltd ABA]
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        Studies in Egyptian Syntax

      Librairie Paul Geuthner, Paris 1924 - Extremely rare. Librairie Paul Geuthner, Paris, 1924. First edition. xxvii & 202 pages. Modern half-cloth with ivory boards, in perfect condition. [Attributes: First Edition; Hard Cover]

      [Bookseller: Meretseger Books]
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        L'ESILIATA VIAGGI

      IMPERIA, MILANO 1924 - FIORE DI OGNI LETTERATURA ITALIANO Traduzione di Alfredo fabietti, copertina e quarta in cartonato rigido con impurità; dorso scurito dal tempo. Inserito ritratto dell'autore in nero, post frontespizio in un disegno a penna di L. Rossi. e timbro di libreria presente al frontespizio. Pagine ben conservate, con testi scorrevoli; aloni di umidità solo alla prima pagina della premessa. Internamente dorso scollato dal libro.

      [Bookseller: Biblioteca di Babele]
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        Pulp Magazine]: Weird Tales - Vol. 4, No. 2, May, June, July 1924

      The Rural Publishing Corp, Indianapolis, Indianna 1924 - Magazine. Folio. Perfectbound in illustrated wrappers. Very good with a split along the spine with a small tear extending to the front wrap and light wear at the edges; page off white and still supple. The triple-sized anniversary issue containing three stories by H.P. Lovecraft: "Hypnos," "The Loved Dead" (writing as C.M. Eddy, Jr.), and the cover story, "Imprisoned with the Pharaohs" (ghost written for Harry Houdini). Any increasing scarce copy of the last bedsheet edition of Weird Tales.

      [Bookseller: Between the Covers-Rare Books, Inc. ABAA]
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        [Pulp Magazine]: Weird Tales - Vol. 4, No. 2, May, June, July 1924

      Indianapolis, Indianna: The Rural Publishing Corp, 1924. Very Good. Magazine. Folio. Perfectbound in illustrated wrappers. Very good with a split along the spine with a small tear extending to the front wrap and light wear at the edges; page off white and still supple. The triple-sized anniversary issue containing three stories by H.P. Lovecraft: "Hypnos," "The Loved Dead" (writing as C.M. Eddy, Jr.), and the cover story, "Imprisoned with the Pharaohs" (ghost written for Harry Houdini). Any increasing scarce copy of the last bedsheet edition of Weird Tales.

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
 20.   Check availability:     ABAA     Link/Print  


        Vita di Vittorio Alfieri da Asti scritta da esso

      Felice Le Monnier Editore - Firenze, FIRENZE 1924 - ITALIANO Volume degli anni '20 in buono stato, coperta in mezzapelle con angoli, piatti in cartone rigido, bruniture, cima e piede poco usurati, fioritura sparsa, tagli e margini delle pagine bruniti, pagine con marginalia, pagina 79-80 con lacerazione sul margine di testa e minima perdita di testo. Firma d'appartenenza su frontespizio e sulla pagine successiva all' Avvertenza.

      [Bookseller: Biblioteca di Babele]
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        PROFILI. Collezione comprendente i nn. da 1 a 129. (Mancano i seguenti: 19, 73, 83, 103, 113).

      Roma, Formiggini, 1924-1938, voll. 124, in-16, cartone editoriale. Con ritratti.

      [Bookseller: Libreria Antiquaria Gozzini]
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        Golf without Tears

      New York: A. L. Burt, 1924. Hardcover. Very Good. Reissue, though carries an "A" on the copyright page. In Very Good condition, in a Near Fine dust jacket. Scuffing to spine, light edge wear to cloth. Foxing to top edge of page block. The dust jacket shows a tear and a chip at the tail of the spine, small ding to the edge of the spine panel, faint soiling and light edge wear. A lovely copy in a striking dust jacket.

      [Bookseller: Burnside Rare Books, ABAA ]
 23.   Check availability:     ABAA     Link/Print  


        A hitherto undescribed form of valvular and mural endocarditis. Offprint. H. M. Evans copy

      Chicago, 1924. Libman, Emanuel (1872-1946) and Benjamin Sacks (1896-1939). A hitherto undescribed form of valvular and mural endocarditis. Offprint from Archives of Internal Medicine 33 (1924). 39pp. Text illustrations. 256 x 174 mm. Original gray printed wrappers, slight wear and spotting. Very good. From the library of Herbert M. Evans (1882-1971), discoverer of Vitamin E, with his stamp on the front wrapper.First Edition, Offprint Issue. The first description of "Libman-Sacks disease," a form of nonbacterial endocarditis involving all four valves and the mural endocardium, and often accompanied by eruptions on the face resembling those of systemic lupus erythematosus. Garrison-Morton.com 2855. Norman 1346 (this copy).

      [Bookseller: Jeremy Norman's Historyofscience.com ]
 24.   Check availability:     ABAA     Link/Print  


        The Madman. His Parables and Poems

      Alfred A. Knopf, New York 1924 - Third printing. With three plate illustrations reproducing drawings by the author. 71 pp. 8vo. Inscribed. Inscribed on the front free endpaper: "This is for Anna Hilda, a gracious friend and a fine artist. Kahlil Gibran 1926." Inscribed copies of any of Gibran's works are rare. Originally published in 1918, The Madman was Gibran's first published work in English. Original black cloth lettered and illustrated in gold. Scattered finger-soiling, gilt on cover a little rubbed, but a near fine copy, without the scarce dust-jacket With three plate illustrations reproducing drawings by the author. 71 pp. 8vo [Attributes: Signed Copy; Hard Cover]

      [Bookseller: James Cummins Bookseller, ABAA]
 25.   Check availability:     AbeBooks     Link/Print  


        Ulysses

      Shakespeare and Company, Paris 1924 - The fourth impression. A very good copy bound in recent half morocco with the original wraps preserved. Some light rubbing to the corners, with a couple of archival repairs. Previous owner¿s name on first leaf. [Attributes: Hard Cover]

      [Bookseller: Blackrock Rare Books]
 26.   Check availability:     AbeBooks     Link/Print  


        Dedalus. Portrait de l'Artiste Jeune par Lui-meme. Translated by Ludmila Savitzky.

      Paris: Editions de la Sirene, 1924 - Octavo. Original white wrappers printed in green and black. Housed in a green quarter morocco solander box by The Chelsea Bindery. Contents browned as always but an excellent copy. First French edition of A Portrait of the Artist as a Young Man. With the translator's signed presentation inscription to the first blank leaf. The name of the recipient has been excised and the inscription partially obscured by a one-page autograph letter from Joyce written in French on the back of one of the advertisement leaves which were laid into the book at publication. Again the name of the recipient has been excised. Joyce first gives details of his new address, then proceeds to present this copy. He mentions critics and gives some information regarding Ludmila Savitzky's movements. Slocum & Cahoon D15. [Attributes: First Edition; Signed Copy]

      [Bookseller: Peter Harrington. ABA member]
 27.   Check availability:     ZVAB     Link/Print  


        A Passage to India.

      London: Edward Arnold & Co.,, 1924. Octavo. Original red cloth, spine and front board lettered in black, publishers advertisment on rear endpapers. Spine slightly faded, a little rubbing to extremities, contents slightly foxed. A very good copy. First edition, first impression. A Passage to India was adapted into the Academy award-winning film of 1984, starring Peggy Ashcroft, Judy David, James Fox, and Alex Guinness.

      [Bookseller: Peter Harrington]
 28.   Check availability:     Biblio     Link/Print  


        Building Plans and Hand Colored Elevation for W. H. Woodfield between 6th St. and Harriet St., San Francisco.

      San Francisco: James H. Hjul, Structural Engineer, March - June 1924.(). Original pencil drawings on tracing paper, including a hand colored dated elevation. Sheet size primarily 24" x 36". 6 sheets. Job #132. James Hansen Hjul (1882 - 1957), a structural engineer, constructed many buildings in San Francisco. He was the founder of the J.H. Construction Company and was listed as a contractor, civil engineer, structural engineer and construction engineer in San Francisco City Directories from 1907 to 1958. Most of his work occurred in the South of Market area on warehouses and industrial buildings.

      [Bookseller: Wittenborn Art Books]
 29.   Check availability:     Bibliophile     Link/Print  


        The Mark of Zorro

      New York: Grosset and Dunlap, 1924. 1st edition. Near fine in a 1st printing jacket (having all points as above) with a chip at the base of the front panel, some wear, rubs, and 1 fold strengthened, otherwise very good. Grosset published mostly reprints, but not this one. There was a 1919, abridged version in All-Story Magazine titled The Curse of Capistrano, followed by an expansion of the story (McCulley, Eugene Miller and Douglas Fairbanks using his pen name, Elton Thomas) for the 1920 U. A. film and for our 1924 novel, but reports of a 1920 book edition are a hoax. Near fine / very good.

      [Bookseller: Biblioctopus]
 30.   Check availability:     Direct From Seller     Link/Print  


        When We Were Very Young

      London: Methuen & Co.,, 1924. Octavo. Original blue cloth, spine lettered in gilt, gilt vignettes to the covers, top edge gilt. Illustrated by Ernest H. Shepard. Very slightly bowed, slight marking to spine, marking to fore and bottom edges, occasional slight blemishes to contents. A very good copy. First edition, first impression. Milne composed most of When We Were Very Young as entertainment during a dreary holiday in Wales. Many of the poems first ran as weekly instalments in Punch, charmingly illustrated by fellow contributor Shepard. When the collection was published in the present book the first printing sold out almost immediately. By the end of the year more than 53,000 copies had been printed of what The Times called "the greatest children's book since Alice" (Thwaite, p. 286). This copy is in the second state of the first impression, with the page number ix present in the preliminaries. In copies of the first state the contents leaf (ix-x) is unnumbered.

      [Bookseller: Peter Harrington]
 31.   Check availability:     Biblio     Link/Print  


        Zapiski poeta. Povest? [Aufzeichnungen eines Dichters. Erzählung].

      Original-Ausgabe. - Selvinsky war einer der bedeutendsten Vertreter des literarischen Konstruktivismus. Die vorliegende Erzählung ist eine Art Autobiographie des Dichters, der seine Verse hier als Werk des imaginären Lyrikers Evgeny Ney publizierte. - Berühmtheit erlangte die kleine Veröffentlichung vor allem durch die prägnante Einbandgestaltung El Lissitzkys. So nutzte er zwei fotografische Porträtaufnahmen, die er 1924 von Hans Arp fertigte, und belichtete die Negative unterschiedlich, so dass die Profilaufnahme heller und die Frontalaufnahme dunkler geriet, schließlich fügte er beide zu einem Doppelporträt zusammen. Als Hintergrund verwandte er die Dada-Zeitschrift 391, auf den Hemdkragen ließ er den Namen des imaginären Dichters setzen. - Erschienen in einer Aulage von dreitausend Exemplaren. - Die häufig fehelnde Faltkarte hier mit Einriss, sonst hervorragend erhaltenes Exemplar. - Lissitzky-Küppers 121. - Kat. Sprengel Museum 218. - Bowlt/Hernad 73. - Kat. MoMa 750. - Andel, Avantgarde Pagedesign 252.

      [Bookseller: Rotes Antiquariat]
 32.   Check availability:     booklooker.de     Link/Print  


        Hotel Savoy.

      Bln., Die Schmiede 1924.. gr.-8°. 145 S. OPbd. Einbandillustr. v. Georg SALTER. Rücken fachger. restaur. Ecken schwach berieb. Kl. Fleck am Vorderdeckel. EA. W.-G.² 1; Kosch XIII, 361 - Erste Ausgabe des ersten Buchveröffentl. Roths. Das Vorbild für diesen Roman dürfte das gleichnamige Hotel in Lodz gewesen sein, in dem Roth einige Zeit verbracht hatte. "(Man sieht dort) eine Unzahl von Spitzeln aller Nationalitäten und Konfessionen ... Das Hotel wird im Roman zum mikrokosmischen Gleichnis für die Undurchschaubarkeit und Unentrinnbarkeit der Welt." (Bronsen 251)

      [Bookseller: Antiquariat Burgverlag]
 33.   Check availability:     Biblio     Link/Print  


        Svenska fruktsorter i färglagda avbildningar: 50 äpplen, 25 päron, 10 körsbär, 15 plommon.

      Bok. Halvfranskat band med övre färgat snitt och fyra upphöjda bind. Norstedts 1924, andra upplagan. Svenska Trädgårdsföreningen. 2400 gram. Illustrerad med underbara planscher i färg. Aningen hyllnötta nedre pärmslut, eljest mycket gott skick. (va)

      [Bookseller: Hargshamns Böcker]
 34.   Check availability:     Bokbörsen     Link/Print  


        Fairy Tales by Hans Andersen Illustrated by Kay Nielsen.

      London Hodder and Stoughton 1924 - Edition de Luxe, with Twelve Mounted Color Plates [NIELSEN, Kay, illustrator]. ANDERSEN, Hans [Christian]. Fairy Tales. Illustrated by Kay Nielsen. London: Hodder and Stoughton, [n.d., 1924]. Edition de Luxe. Limited to 500 numbered copies, this copy bound without signed limitation page. Large quarto (12 x 9 3/4 inches; 305 x 250 mm). [3]-197, [3, blank] pp. Twelve mounted color plates, with descriptive tissue guards. Numerous black and white text illustrations (seventeen full-page) and decorative borders and initials. Full vellum over boards pictorially stamped and lettered in gilt on front cover and spine. Newer endpapers and silk page marker. Occasional light spotting to descriptive tissue guards only. Some toning to mounting pages, but illustrations are clean and bright. An beautiful copy. Nielsen had completed these drawings in 1912. Hodder and Stoughton, however, published another edition of Hans Andersen in 1913, illustrated by Heath Robinson, which probably explains the late appearance of the Nielsen edition. HBS 67906. $2,000 [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Heritage Book Shop, ABAA]
 35.   Check availability:     AbeBooks     Link/Print  


        Fairy Tales.

      New York: George H. Doran Company, , 1924. Quarto. Original black cloth, titles to spine in silver, pictorial label printed in silver, orange and black pasted to front cover, pictorial endpapers. 12 tipped-in colour plates with tissue guards, black and white illustrations throughout, all by Nielsen. Ownership inscription to front free endpaper. Very slight wear to spine, extremities and covers slightly rubbed, top edge lightly toned. An excellent copy. First U.S. edition, first printing, first published in the UK earlier the same year.

      [Bookseller: Peter Harrington]
 36.   Check availability:     Biblio     Link/Print  


        Ganymedes. Een gedicht. Met vijf (= 6) houtsneden van Johan Dijkstra.

      (Amsterdam, De Gulden Ster, 1924). Ingenaaid, op Chinese blokboekwijze met raffia gebonden. 30 p. Gedrukt in een oplage van 125 genummerde en door dichter en kunstenaar gesigneerde exemplaren. 1e druk.

      [Bookseller: Antiquariaat Fokas HOLTHUIS]
 37.   Check availability:     NVvA     Link/Print  


        Kate Douglas Wiggin Collection II

      1924. . Kate Douglas Wiggin was the author of numerous children's books, notably, Rebecca of Sunnybrook Farm; she also founded the first free kindergarten in San Francisco, and devoted much of her working life to children's welfare and charities. While Wiggin's book's attract great interest and attention this collection provides might greater personal insight and association with this charming author. A great opportunity for any Kate Douglas Wiggin new or existing fan to enhance their Wiggin collection. This Kate Douglas Wiggin collection consists of 17 items dating from 1893 to 1924; 8 Autographed Letters Signed (ALS), 4 Signed Books, 1 photo (signed) and 4 Ephemera. 8 ALS; • ALS (2 pp.) to Mr. MacPhail, 23 May ?, inviting him to dinner with reference to their meeting in Edinburgh. • ALS (1 p.) ND, to Mrs. Williams, Wednesday Bronxville, declining an invitation: "Everyone can come to your reception save the Doomed Woman who pens these lines. She is ill in bed. Give my ice, my sandwich, my punch, even my welcome, to a luckier person & believe me… Please give the welcome to Mrs. Fenellosa.". • ALS addressed Dear Sir, 26 January 1896, re her sketch, just written, "Tale of a Self-Made Cat". • ALS (4 pp.) to Mrs. Blaikie, 8 January 1898, whether a soup bowl and spoon are English or Scottish, Wiggins mentions a mistake she made in one of her recent works. • ALS (4 pp.) to H.G. Jacobs, 15 October 1913, re his harsh review of The Story of Waitstill Baxter: "The book itself we will not discuss, for if an author cannot beguile a reader into interest she certainly cannot browbeat him into a different attitude of mind.". • ALS (2 pp.) to Mrs. Burlie, n.d., thanking her for the information, liking two men at a tea, and her lame left ankle. • 2 ALS to Wiggin from Joseph Parker (English theologian), 31 May [1894] and 19 June 1894, re meeting her ("Just home from Scotland… we are both longing to see you. Come soon."). 4 Books (signed); • A Cathedral Courtship and Penelope's English Experiences (New York: Grosset & Dunlap, copyright 1893), light green cloth, slight tear at bottom of the spine, signed on front free endpaper, with signed quotation on the front pastedown in Wiggin's hand from • The Birds' Christmas Carol (London: Gay and Bird, 1894), popular ed., paper boards, quarter brown gold cloth, paper pieces missing on the sides, signed presentation copy for Lady Moray at Edinburgh, May 1897. • Rebecca of Sunnybrook Farm (Boston: Houghton Mifflin Company, 1904), dark green pictorial cloth, signed on front free endpaper by S. [Solomon] Guggenheim, the American businessman, art collector and philanthropist, on 29 February 1904, with a signed card on the front pastedown: "`Never forget that your | mother was a McGrill!' | Mrs. Ruggles | Kate Douglas Wiggin | The Birds Christmas Carol". • Susanna and Sue (Boston: Houghton Mifflin Company, 1909), first edition, blue pictorial cloth in very good condition, in slightly chipped jacket, signed card pasted to the front free endpaper. 1 Photo (signed) • Signed oval photo of Wiggins, ND, ("To Mr. & Mrs. Nichols | from their neighbor | Kate Douglas Wiggin") within a separated wrapper (A Remembrance of Happy Days) which has crude pencil drawings on it. 4 Ephemera; • The Rebecca-Calendar (New York: Sully and Kleinteich, 1916). Approx. 60 leaves, red cord ties. Illus. with colour plate on cover by F.C. Yohn and with 2-colour illus. on text pages. • The Rebecca-Calendar (New York: Sully and Kleinteich, 1918). Approx. 60 leaves, cord ties. Illus. with colour plate on cover and with 2-colour illus. on text pages, 3 small pieces missing from the paper covers, slight water residue spots on the covers. • Frances Hodgson Burnett, Kate Douglas Wiggin. A Sketch of Her Life; with an Appreciation (Boston: Houghton Mifflin Company, [192?]), pamphlet, wire-stitched. • Broadside advertisement for dramatization of "The Old Peabody Pew" based on her novel given at the Unitarian Church, Kennebunk, Maine, by the ladies of the parish, 19 August 1924. This collection is on consignment with LDRB.

      [Bookseller: Lord Durham Rare Books (IOBA)]
 38.   Check availability:     IOBABooks     Link/Print  

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