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Displayed below are some selected recent viaLibri matches for books published in 1924

        The Mark of Zorro

      New York: Grosset and Dunlap, 1924. 1st edition of the California epic. Fine in the 1st printing dustjacket without the Grosset and Dunlap logo ("G&D") on the spine, and with Dec. 1924 ads on the verso. The dustjacket has small chips to the corners else it's near fine, and 1st editions of Zorro in the correct jacket are plenty scarce (despite us having 2 of them), and most copies in jacket are in the reprint jacket, and those few that are correct, usually look like they've been tortured by Torquemada and then shot by the Death Star. And copies without a jacket are just a submission to hasty expediency. fine / near fine.

      [Bookseller: Biblioctopus]
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        Historische Familien-Merkwürdigkeiten, 1970

      - HERBERT SCHNEIDER, Griesbach/Rottal 1924 - 1983, Historische Familien-Merkwürdigkeiten, 1970, Aquarell, Tusche und Collage, Rechts unten signiert und (19)70 datiert, Blattgröße: ca. 31 x 26,5 cm, zzgl. Passepartout, Herbert Schneider nimmt unter den Malern und Grafikern des 20. Jahrhunderts in Deutschland einen bedeutenden Rang ein. 1924 geboren, erhielt er seine künstlerische Ausbildung bei dem großen Willi Baumeister an der Staatlichen Akademie der Bildenden Künste in Stuttgart. In seinen Werken verarbeitete Herbert Schneider auf vielfältige Art und Weise den häufig fassbaren Einfluss berühmter Stichwortgeber, unter denen beispielsweise Henri Matisse, Protagonist des Fauvismus, hervorzuheben ist. Prägend wirkte außerdem die intensive Auseinandersetzung mit der bayerischen Volkskunst. Vor diesem Hintergrund entstanden Gemälde, Aquarelle oder Lithografien voll überbordender Farbigkeit, in denen die Formensprache Herbert Schneiders zwischen erfrischender Abstraktion und anschaulicher Gegenständlichkeit oszilliert. Werke von Herbert Schneider, der 1983 verstarb, sind heute auf dem Kunstmarkt beliebte Sammlerobjekte.

      [Bookseller: Michael Draheim]
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        Les Amours

      Paris; [1924): L'Editions D'Art. 12mo. A limited edition of 1600 sets. The present set is # 912. A unique set of this work in three volumes 281, 205, and 264pp. with preface by Albert Pauphilet. Each volume illustrated by Georges Pavis (1886-1951), French painter, illustrator and humorist containing his charming and erotically light-hearted illustrations to Ronsard's love poems originally published in 1584. A special set containing 30 original illustrations in rich watercolor and 30 matching original preliminary pencil sketches of watercolor nudes, lovers, seductions and other whimsical erotic endeavors bound in at the rear. Each pencil drawing is presented on various lined or unlined papers. This set was originally issued without illustrations. These illustrations were were most likely added by Pavis as a personal undertaking to enhance this unique collection for his personal library or possibly the library of Kieffer.All finely bound in light brown grained morocco decorated with branches or quills and line flourishes in gilt, spine lettered and decorated in gilt, floral endpapers, top edge gilt with original wrappers bound in at rear by Rene Kieffer's bookbindery and publisher with his mounted ticket. An extraordinary set.

      [Bookseller: Alcuin Books]
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        La Légende des Saintes Oliverie et Liberette.

      Paris, Librairie des Amateurs, A. Ferroud. - F. Ferroud, succ. 1924 - Illustrations en couleurs de Gustave-Adolphe Mossa. Tirage limité à 100 exemplaires in-8, sur vélin teinté d'Arches, texte réimposé, 3 états, numérotés de 1 à 100. Celui-ci porte le numéro 43. 1 état définitif, 1 état en couleurs avec remarques et un état en noir avec remarques. Initiales de l'éditeur sur la justification. Complet & Contrôlé. Paris, Librairie des Amateurs, A. Ferroud. - F. Ferroud, successeur. - 1924 - 38 pages. Reliure plein maroquin bleu nuit signée Ed. Klein. Dos à nerfs aux titre, auteur et date en pied dorés. Tranches dorées sur témoins, non rogné. Large débordement de maroquin sur les contreplats avec sextuple filet doré et fleurons angulaires. Double filet sur les coupes et les chasse. Couverture et dos illustrés de vignettes, conservés. Étui à liseré maroquin. Pas de rousseur. Parfait état. Bel exemplaire, bien relié. Format in-8°(23x16). Edition illustrée [Attributes: Hard Cover]

      [Bookseller: Livres et Collections]
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        [Trade Catalogue] Exhibit Supply Company Catalogue 1924. Amusement Machines -- Post Cards -- Penny Arcade Supplies The Exhibit Supply Company. Manufacturer of Coin Operated Machines, Post Cards and Penny Arcade Supplies. The Largest Plant Manufacturing Legal Amusement Machines and Penny Arcade Supplies in the U.S.A.

      Chicago: Exhibit Supply Company, 1924. Wraps. Very Good. 8vo. 19.5 by 12 cm. 12 pp., wraps. Photo images, two per page, of sundry card dispensers and fun fixtures, some of which are long forgotten and no inhabitants of what penny arcades survive, although there may be distant descendants which have comparable gimmickry. Examples: The Radio which vends a love message and photo, or a "Duoscope", a drop machine holding two sets of views. The Gypsy Fortune Teller is something that might be in the memory banks of people still alive. Regardless, a trade catalogue for these kind of novelty machines is a scarce thing, and this particular one, especially. No copies of this, or any of the companies' promotions of amusement machines pre-1970, listed on OCLC. The brochure touts its machines as "an investment" and speaks of the "money earning power" of its machines. Light wear.

      [Bookseller: White Fox Rare Books and Antiques]
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        [Trade Catalogue] Exhibit Supply Company Catalogue 1924. Amusement Machines -- Post Cards -- Penny Arcade Supplies

      Chicago: Exhibit Supply Company, 1924. Wraps. Very Good. 8vo. 19.5 by 12 cm. 12 pp., wraps. Photo images, two per page, of sundry card dispensers and fun fixtures, some of which are long forgotten and no inhabitants of what penny arcades survive, although there may be distant descendants which have comparable gimmickry. Examples: The Radio which vends a love message and photo, or a "Duoscope", a drop machine holding two sets of views.The Gypsy Fortune Teller is something that might be in the memory banks of people still alive. Regardless, a trade catalogue for these kind of novelty machines is a scarce thing, and this particular one, especially. No copies of this, or any of the companies' promotions of amusement machines pre-1970, listed on OCLC. The brochure touts its machines as "an investment" and speaks of the "money earning power" of its machines. Light wear.

      [Bookseller: White Fox Rare Books and Antiques ]
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        A HISTORY OF TENNIS

      Oxford University Press. Humphrey Milford. London. 1924. FIRST EDITION. Two volumes. Large 8vo. (11.3 x 7.9 inches). Fully illustrated throughout with 160 illustrations,many full page and including a colour frontispiece in volume one. Publishers dark blue cloth with triple blind ruled borders on boards. Gilt lettering to both spines. The cloth on both of the spines has faded to a mid brown but the gilt is still bright. ----- A cornerstone of any serious Tennis library. An expensive book when published, sales were slow and although only 800 sets were published in 1924, it is recorded in the OUP archive that by 1932 the order had been given to pulp about 380 copies that remained unsold.

      [Bookseller: Paul Foster Books]
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        A History of Tennis

      Oxford University Press 1924 - Comprehensive history of Tennis (Real) in two volumes. Limited edition of 800 copies, although rumoured that several hundred were pulped. First Edition. Each vol. 4to. Vol 1: xv + 281pp. Colour frontis with tissue-guard), 79 plates. Vol 2: viii + 282pp Fronts with tissue-guard, 47 plates. Condition: Original blue cloth boards, gilt lettering to spines. ex Chelsea public library with bookplate to front pastedown, and a few other small stamps and library marks to prelims. Both vols have damage to top of spine and traces of library number below. Corners bumped, spines sunned. Otherwise holding up well. A decent set of one of the key tennis titles. A very heavy set that may require extra shipping charges. From our large stock of tennis books and publications. [Attributes: First Edition; Hard Cover]

      [Bookseller: Pastsport]
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        Balladen und Romanzen. Mit 15 Originalradierungen von Rolf Schott.

      Grünwald, München, Hesperos Verlag 1924 - XIV. Hesperos-Druck. - Nr. 42 von 100 Exemplaren der Ausgabe A in Ganzpergament. Alle Radierungen und der Druckvermerk vom Künstler signiert. Vorderdeckel als Supralibros eine goldverzierte Lyra. Rückdeckel innen mit goldgeprägter Signatur des Einbandkünstlers A. Köllner, Leipzig. - Aus der Bibliothek der deutschen Kaiserin Hermine, der zweiten Gemahlin Kaiser Wilhelms II., mit deren fünfzeiliger eigenhändiger Widmung in Farbstift To Marie loving wishes for her birthday, VIII 25 - Hermo an Marie Gräfin Luxburg in Tegernsee, zusätzlich mit dem gräflich Luxburg'schen Monogramm-Blindstempel. - Makelloses Exemplar 93, (3) Seiten mit 15 signierten Radierungen von Rolf Schott Original-Pergament auf 5 Bünden mit Rücken- und Deckelvergoldung, Kopfgoldschnitt, 4° [Attributes: Signed Copy]

      [Bookseller: Buch & Kunst Antiquariat Flotow GmbH]
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        When We Were Very Young

      This is an exceptionally rare copy of the fist edition, first issue of this classic children's book of poems by A. A. Milne!Published by Methuen, London; 1924. This lovely first edition, first printing is in Near Fine condition. It is tightly bound in original blue boards, with gold gilt detailing to the front and rear, and lettering to the spine. There is some mild bumping to the corners and spine ends and some rubbing to the edges with slight discolouration. Apart from these small points, it is in very smart condition, the binding is sound and the boards free from marks and damage. Inside, there is some slight bubbling to part of the pastedown inside the front board and some very minor toning as to be expected but otherwise the pages are damage free and in lovely bright condition. This is the particularly scarce first issue, without ix to the contents page - a very rare find in this condition, indeed. Provenance: there is a gift inscription dated 1924. The dust jacket is in Very good condition, there is some mild chipping to the edges and top of the spine and a tear running approximately an inch up from the front bottom edge of the spine and then across the spine, but there is no loss to the jacket (please see photos). There is the odd mark, the main one being a stain across the bottom of the front panel and rubbing to the rear, but the jacket remains very smart and attractive nonetheless. In all, a particularly collectible copy of this book and certainly an investment for the future!

      [Bookseller: Everlasting Editions]
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        Okkulte Erlebnisse. Erstausg. Exemplar 42/90 der signierten! Vorzugsausgabe mit der Porträt-Radierung Thomas Manns.

      Berlin, Alf Häger Verlag, [1924]. - 64 S., 2 Bll., mit 1 blattgroßen Radierung, Gr.-8°, Blauer O-Ecrasélederband mit vergoldeten Fileten, Deckel-, Rücken- u. Innenkantenvergoldung, grün-goldene Vorsatzpapiere u. dreiseitiger Goldschnitt. Im O-Schuber mit Lederkanten Einmalige Auflage in 300 Exemplaren, die ersten 90 (vorl. 42) mit einer Porträtradierung Thomas Manns von Karl Dannemann (1896-1945, Schauspieler u. Maler, als Student Meisterschüler von Max Slevogt), die sowohl von Dannemann als auch von Thomas Mann signiert ist! Eine zweite Signatur Thomas Mann's hinten unter dem Druckvermerk. - Von dieser Ausgabe kamen nur 75 Expl. in den Handel. Einband u. Vergoldung aus der Werkstatt Holzey & Sohn, Leipzig. Titel in Blau u. Schwarz; breitrandiger Pressendruck von Poeschel & Trepte in Leipzig; gedruckt in Grasset-Antiqua auf Zanders-Hadernpapier. - Der Text basiert auf vier spiritistischen Sitzungen mit Albert von Schrenck-Notzing u. dem Medium Willi Schneider. Die Protokolle, die der Niederschrift von "Okkulte Erlebnisse" vorangingen, wurden erstmals von Schrenck-Notzing in "Experimente der Fernbewegung" (S.253-262) veröffentlicht. Etliche Formulierungen u. sogar ganze Abschnitte aus dem vorliegendem Essay hat Thomas Mann auch in seinen im selben Jahr erschienenen Roman "Zauberberg" übernommen (im Kapitel "Fragwürdigstes"; vgl. P. Pytlik: Okkultismus und Moderne. Ein kulturhistorisches Phänomen und seine Bedeutung für die Literatur um 1900. Schöningh 2005, S.115ff). - Schuber leicht berieben u. bestossen; Rücken etwas verfärbt, Ecken min. berieben; ein gutes u. schönes Expl. [Attributes: First Edition]

      [Bookseller: Versandantiquariat Hans-Jürgen Lange]
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        A BRIEF CORRESPONDENCE between "KING KONG" CO-DIRECTOR & AVIATOR MERIAN C. COOPER & Lecture Agent JAMES POND.

      New York, 1924 to 1927. [1924]., [1924].. - A brief correspondence between the aviator/film director Merian C. Cooper and James Pond regarding arrangements for a series of lectures by Cooper. The letters, dating from September 18, 1924 through May 5, 1927 include an Autograph Letter Signed by Cooper and a lengthy note penciled by Cooper at the bottom of a list of lecture venues, 3 Typed Letters Signed for Cooper by his secretary and carbon's of Pond's letters and replies. The correspondence here begins with a short Typed Letter Signed for him by Cooper's secretary, dated September, 1924. Cooper mentions enclosing a check for an ad in Pond's catalog and requests to see the blurb "before having it set up". On January 19th, 1925, Pond writes that he made arrangements & started booking venues following Cooper's assertion that he [Cooper] had arranged with Famous Players to use his films in conjunction with his lectures. Subsequently finding out that Famous Players has severely limited where Cooper could lecture and what material he could use, Pond was able to back out of all but one engagement in Buffalo and requests that Cooper make a special effort to follow through with this one. On March 28th, Pond again requests a response from Cooper. Cooper then replies with a lengthy note penciled in his hand at the bottom of a list of venues. Except for Buffalo, most of the venues are geographical or scientific societies which Famous Players will allow with major restrictions. Cooper writes: "There will be no public admissions - no publicity unless Famous wishes. If you have objections the only date arranged is with the Buffalo Club - a society club - which was arranged before signing contract". In a Typed Note Signed for him by his secretary, Cooper urgently requests that Pond let him know "if traveling expenses are included" before turning down the "Lancaster date". A brief note by Pond on April 20, 1925 mentions enclosing the contracts for Buffalo & Bridgeport. In a brief letter, penciled and signed in full by him, Cooper writes that he will be "available next week except Thursday the thirtieth" and that he will train a substitute for that date. This letter is accompanied by a carbon of a letter to a "Mr. Beulah" neatly typed by his secretary and dated April 20, 1925. On February 21st, 1927, Pond writes to invite Cooper to join him as his guest at the Circumnavigators Club dinner. Replying in a typed letter signed for him by his secretary, addressing Pond as "Dear Jim", Cooper writes: "I would like like Hell to go to the Circumnavigators dinner but I am right in the midst of trying to complete a book, finish the picture....". On May 5, 1927, Pond, eager to have Cooper become a member, again invites the aviator/director to join him for a subsequent Circumnavigators' Club dinner and suggests that Cooper is "eligible for membership in this Club. It is a most amusing one and I think you would like to know the bunch."Pond's retained carbon copies of his letters are chipped with several short tears to the edges. Merian Cooper's letters and notes are in otherwise very good condition. The American producer & film director Merian C. Cooper (1893-1973) was also an aviator. He served as a DH-4 bomber pilot during the First World War. Shot down by German troops, he served the remainder of that war in a POW camp. Following the war, he joined the Kosciuszko Squadron, a group of volunteer Americans which supported the Polish Army in the Polish-Soviet War. He was once again shot down and, this time, incarcerated in a Soviet POW camp. Escaping after 9 months, he was subsequently decorated with Poland's highest military award the Virtuti Militari. He enlisted and served as a Colonel in the Second World War and assisted in setting up the Assam-Burma-China Ferrying Command and led many missions. Before and after the Second World War, Cooper produced movies for RKO. His most memorable production was "King Kong", a film which he co-wrote, co-directed and in which he also played an acting role. He followed "King Kong" with "She" and pioneered ground breaking technology such as Technicolor and Cinerama. With his friend John Ford, who directed many legendary Westerns, he formed Argosy Productions in 1947. He and Ford went on to produce "Wagon Master", "Rio Grande", "The Quiet Man", and the "Searchers" among other films.

      [Bookseller: Blue Mountain Books & Manuscripts, Ltd.]
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        Über Quantenmechanik [On Quantum Mechanics]

      Julius Springer, Berlin 1924 - FIRST EDITION OFFPRINT IN ORIGINAL WRAPPERS OF BORN'S NEW MATHEMATICAL DESCRIPTION OF QUANTUM PHYSICS, INCLUDING THE FIRST USE OF THE TERM "QUANTUM MECHANICS." "An important paper by Born published in August 1924 took its starting point in the 'considerable progress' made with the BKS theory and Kramers' use of it to explain the dispersion of light. Born's paper, entitled 'Über Quantenmechanik,' merits attention not only because it introduced 'quantum mechanics' as the name for the quantum theory of the future, but also because it was a serious attempt to formulate the general structure of this still unborn theory" (Helge Kragh: Niels Bohr and the Quantum Atom). "In June 1924, Born completed his paper 'On quantum mechanics.' In this article Born tried to establish a method by which the classical perturbation theory of multiple periodic non-degenerate systems could be applied to quantum phenomena which involve external periodic disturbances or internal couplings. So far, Born argued, theories of poly-electronic systems, such as the helium atom, which treated the electronic interactions along classical lines, had to fail since electrons affect each other with frequencies of the order of those of light, but the interaction between matter and light is evidently a 'non-mechanical' quantum process; one cannot expect, therefore, that the interactions between electrons can be treated along classical lines either. Born now suggested a solution of the problem by generalizing Kramers' treatment of the interaction between radiation and electrons into a 'quantum mechanics' of interactions. In carrying out this program, Born showed that the transition from classical mechanics to what he called 'quantum mechanics' can be obtained in accordance with Bohr's correspondence principle if a certain differential is replaced by a corresponding difference ?" (Jammer, Conceptual Foundations of Quantum Mechanics, pp. 191-2). OFFPRINT FROM: Zeitschrift für Physik, Band 26, No. 6, pp. 379-395. Berlin: Julius Springer, 1924. Octavo, original printed wrappers; custom box. A FINE COPY. [Attributes: First Edition; Soft Cover]

      [Bookseller: Manhattan Rare Book Company, ABAA, ILAB]
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        LES TRACHINIENNES. PHILOCTETE. OEDIPE A COLONE. LES LIMIERS. VOL.II

      LES BELLES LETTRES, Paris 1924 - COLLECTION DES UNIVERSITES DE FRANCE INTERLINGUE A cura di Paul Masqueray, in francese e greco, 250 doppie pagine quindi effettive 500, pagine che sono ancora intonse e brunite attorno ai testi, rilegatura in mezza tela con piatti marmorizzati leggermente usurati ai bordi ed alle punte, dorso con tassello rosso con piccola abrasione, ingiallito, con macchie e lieve usura alla cima

      [Bookseller: Biblioteca di Babele]
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        Bich/Buzoter [ / ] (Scourge/Troublemaker). Buzoter No. 1 (November 1924) through Bich No. 16 (April 1928)

      66 issues total, each issue approx. 12 pp., of the two rare satirical leftist Russian journals notable for their caricature art and photomontage illustrations, published under the name Buzoter from 1924 through 1927, Bich/Buzoter for a few issues in 1927, and Bich from 1927 through 1928, including contributions from Vladimir Koslinsky, Nikolai Denisovsky, Mikhail Cheremnykh, David Shterenberg, Vladimir Lebedev, Boris Antonovsky, Alexei Radakov, Vladimir Mayakovsky, Mikhail Zoshchenko, Mikhail Bulgakov, and many others. Illustrated profusely throughout, primarily with cartoons, caricatures, and photomontages. Some scattered soiling, small tears, pencil notations, rubber stamps, and foxing. Small folio. Orig. illustrated wrpps., some issues loose, some sewn together, and some bound together in cloth-backed boards with one illustrated cover (Bich 1928 No. 1) mounted to the cover. Boards with losses, wear to spine, soiling. Moscow (Trud) 1924-1928. Bich/Buzoter was the main rival at the time to the well-known illustrated satirical journal, Krokodil, which had contributions from the Soviet Union's best artists and writers. Some of the various notable works in Bich/Buzoter include caricatures of Karl Marx, Leon Trotsky, opposition members, Rasputin, David Riazanov, Vsevolod Meyerhold, and Empress Alexandra Feodorovna, a comic strip about the end of the Romanov dynasty, photomontages of Bolshevik leaders and revolutionaries, anti-bureaucratic poems, and satirical plays.Issues in this collection include: Buzoter: 1924 (1); 1925 (13, 14, 15, 16, 17, 18, 19x2, 20, 21, 22, 23, 24, 25, 26, 27, 28); 1926 (1, 2, 3, 4, 5, 6, 7, 20, 21, 22); 1927 (1, 3, 6, 8, 9, 13x2, 14, 19, 21, 22, 24, 25, 26, 27, 29, 30, 31, 32, 33, 35, 38)Bich/Buzoter: 1927 (39, 40, 41, 42x2)Bich: 1927 (43x2, 44, 45x2, 46x2, 47, 48); 1928 (1, 2, 5, 8x2, 15, 16).

      [Bookseller: F.A. Bernett Books ]
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        New Hampshire: A Poem with Notes and Grace Notes

      New York: Henry Holt & Company, 1924. Hardcover. Very Good +. J.J. Lankes. SIGNED IN YEAR-OF-PUBLICATION BY ROBERT FROST on the front free endpaper. A very solid copy to boot of the May 1924 stated 3rd printing (just on the heels of the October 1923 1st printing). Tight and VG+ in its dark-green boards, with bright gilt title-label at the front panel and crisp gilt-lettering along the spine. Very light bumping and wear to the tips, very light creasing near the spine crown. Otherwise, the boards are very clean and, internally, this is also the case, with no writing of markings to speak of. Octavo, several handsome J.J. Lankes woodcuts complementing the text.

      [Bookseller: Appledore Books, ABAA]
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        Bich/Buzoter [ / ] (Scourge/Troublemaker). Buzoter No. 1 (November 1924) through Bich No. 16 (April 1928)

      66 issues total, each issue approx. 12 pp., of the two rare satirical leftist Russian journals notable for their caricature art and photomontage illustrations, published under the name Buzoter from 1924 through 1927, Bich/Buzoter for a few issues in 1927, and Bich from 1927 through 1928, including contributions from Vladimir Koslinsky, Nikolai Denisovsky, Mikhail Cheremnykh, David Shterenberg, Vladimir Lebedev, Boris Antonovsky, Alexei Radakov, Vladimir Mayakovsky, Mikhail Zoshchenko, Mikhail Bulgakov, and many others. Illustrated profusely throughout, primarily with cartoons, caricatures, and photomontages. Some scattered soiling, small tears, pencil notations, rubber stamps, and foxing. Small folio. Orig. illustrated wrpps., some issues loose, some sewn together, and some bound together in cloth-backed boards with one illustrated cover (Bich 1928 No. 1) mounted to the cover. Boards with losses, wear to spine, soiling. Moscow (Trud) 1924-1928. Bich/Buzoter was the main rival at the time to the well-known illustrated satirical journal, Krokodil, which had contributions from the Soviet Union's best artists and writers. Some of the various notable works in Bich/Buzoter include caricatures of Karl Marx, Leon Trotsky, opposition members, Rasputin, David Riazanov, Vsevolod Meyerhold, and Empress Alexandra Feodorovna, a comic strip about the end of the Romanov dynasty, photomontages of Bolshevik leaders and revolutionaries, anti-bureaucratic poems, and satirical plays. Issues in this collection include: Buzoter: 1924 (1); 1925 (13, 14, 15, 16, 17, 18, 19x2, 20, 21, 22, 23, 24, 25, 26, 27, 28); 1926 (1, 2, 3, 4, 5, 6, 7, 20, 21, 22); 1927 (1, 3, 6, 8, 9, 13x2, 14, 19, 21, 22, 24, 25, 26, 27, 29, 30, 31, 32, 33, 35, 38) Bich/Buzoter: 1927 (39, 40, 41, 42x2) Bich: 1927 (43x2, 44, 45x2, 46x2, 47, 48); 1928 (1, 2, 5, 8x2, 15, 16).

      [Bookseller: F.A. Bernett Books]
 17.   Check availability:     Biblio     Link/Print  


        E.T.A. Hoffmanns Sämtliche Werke, Tagebücher / Briefe, herausgegeben und eingeleitet von Rudolf Frank * H A L B L E D E R - V O R Z U G S A U S G A B E

      München, Rösl & Cie., 1924. Vollständige Ausgabe in 11 Verlags-Handeinbänden: rotbraunes genarbtes Halbleder / OHLdr / HLdr im Format 15,5 x 23 cm mit Rückentitel und -dekoration in Goldprägung, Lederecken und Kopffarbschnitt sowie Handpapierbezug (farbiges Marmorpapier) der Deckel, XXVI,422 / 490 / 473 / 467 / 505 / 453 / 537 / 506 / 492 / 536 / 535 Seiten, Schrift: Fraktur. Band 1 mit einer längeren Einleitung von Rudolf Frank sowie Frontispiz-Abbildung von E.T.A. Hoffmann mit Seidenhemdchen. - Aus dem Inhalt: Band 1: Verse, Werke für Theater, Oper und Ballett, Singspiele, Festspieltexte. -- Band 2: \"Phantasiestücke in Callots Manier\", \"Über Beethoven\". - Band 3: \"Lebensansichten des Katers Murr nebst fragmentarischer Biographie des Kapellmeisters Johannes Kreisler\", Weitere Kreisler-Fragmente. - Band 4: \"Die Elixiere des Teufels\", \"Die Doppelgänger\", \"Die Marquise de la Pivardiere\". - Band 5: \"Die Serapions-Brüder\" (Erster Teil). - Band 6: \"Die Serapions-Brüder\" (Zweiter Teil). - Band 7: \"Die Serapions-Brüder\" (Dritter Teil). - Band 8: \"Meister Floh\", \"Klein Zaches genannt Zinnober\", \"Datura fastuosa\", \"Haimatochare\", Autobiographisches, Zeitgeschichtliches. - Band 9: \"Nachtstücke, \"Die Räuber\", \"Der Elementargeist\", Fragmente, Anekdoten. - Band 10: \"Seltsame Leiden eines Theaterdirektors\", Kleinere Schriften über Theater, Violinschule, Kleinere Schriften über Musik, Tagebücher (Erster Teil). - Band 11: Tagebücher (Zweiter Teil), Briefe. - \"Warum handgebunden? - Die wesentlichsten Vorzüge des guten Handbandes sind: Die einzelnen Druckbögen werden mit der Hand nach dem Schriftspiegel gefalzt. Die Bogenränder werden dadurch zwar ungleich, aber das Satzbild steht gerade. Um infolge der ungleichen Ränder ein späteres zu starkes Beschneiden mit der Maschine zu vermeiden, werden die Bogen einzeln, vorne und unten, mit der Pappschere auf ein Mittelmaß rauh beschnitten. Dadurch wird der Druckrand weitestgehend geschont. Als erste und letzte Lage wird dem Buche zum Schutze eine leere Papierlage hinzugefügt, welche mit einem feinen Leinen- oder echten Japanpapierfalz versehen ist. Geheftet wird der Handband nach sorgfältiger Auswahl des Heftzwirnes auf echten erhabenen oder aufgedrehten flachen Bünden und auf Pergamentriemchen (welche beim Pergamentbande durch den Rücken gezogen werden). Die Deckel werden in einem tiefen Falz angesetzt, mit den Bünden nach außen. Ein Herausreißen aus der Decke ist somit nur unter Zuhilfenahme von Werkzeug möglich. Als Einbandmaterial kommen sumachgares, lichtechtes Saffian, Kalbleder, vereinzelt auch Rindsleder, ferner naturelles und weißes Schweinsleder sowie Kalbspergament zur Verwendung. Ein mit der Hand hergestelltes, dazupassendes Überzugpapier sowie Handvergoldung oder Blinddruck am Rücken ergänzen das Werk nach außen. Ein solcher Einband entspricht allen Anforderungen, die an einen Gebrauchsband gestellt werden können.\" Aus einem alten Prospekt von Richard Hönn, ehemals Handbinderei des Verlages Albert Langen, Werkstatt für feine Buchbinder- und Lederarbeiten in München, Dienerstrasse 14. - Deutsche Kunstbuchbinderei im 20.Jahrhundert, Kunstbuchbinder, deutsche Literatur im 19.Jahrhunderts, Romantik, Halbleder-Handeinband, Musikschriftsteller, Gesamtausgabe, Lederausgabe, Vorzugsausgabe. - Leder-Vorzugsausgabe aus der Reihe \"Rösl-Klassiker\", Exemplar in guter Erhaltung (teilweise minimal berieben, sonst tadellos) Versand D: 5,90 EUR Deutsche Kunstbuchbinderei im 20.Jahrhundert, Kunstbuchbinder, deutsche Literatur im 19.Jahrhunderts, Romantik, Halbleder-Handeinband, Musikschriftsteller, Gesamtausgabe, Lederausgabe, Vorzugsausgabe

      [Bookseller: Galerie für gegenständliche Kunst]
 18.   Check availability:     buchfreund.de     Link/Print  


        Hamburg, Rings um St. Jacobi.

      - Holzschnitt, aquarelliert, 1924, auf Bütten, signiert und betitelt. Darstellungsgröße 46,5:28,5 cm, Blattgröße 62,5:48 cm. – Im äußeren breiten Rand leicht gebräunt. Literatur: Niederdeutsche Welt, Jahrgang 8 (1933), Heft 9, S. 252/55, mit Abb.; Der Neue Rump. Lexikon der Bild. Künstler Hamburgs, Altonas und der näheren Umgebung. Wachholtz, 2005, S. 90; Ausst. Katalog: Gesamtkunstwerk. Mathildenhöhe Darmstadt, 2010/11. Dibbert studierte an der Schule für freie und angewandte Kunst in Hamburg, danach im Meisteratelier Walter Klemms (1883-1957) an der Kunstschule in Weimar. Er war in Hamburg als Maler, Gebrauchsgraphiker und Raumkünstler tätig. Bekannt wurde er vor allem durch seine architektonischen Holzschnitte. Das Chilehaus wurde 1922/24 von dem Architekten Fritz Höger (1896-1949) in dem für ihn typischen norddeutschen Backsteinexpressionismus, mit dem er international bekannt wurde, erbaut. Der Auftraggeber war der Hamburger Kaufmann Henry B. Sloman (1848-1931)

      [Bookseller: Galerie Joseph Fach GmbH]
 19.   Check availability:     ZVAB     Link/Print  


        The Man In The Brown Suit.

      London: John Lane, The Bodley Head, 1924.. [Mystery novel]. FIRST EDITION. Octavo, pp.[vi]; 310; [2], advertisements. Publisher's light brown cloth, titled and decorated in dark brown. A gently used copy with some minor rubbing and wear, some trivial spotting to text block. The cloth is particularly bright with no darkening/change in colour to the backstrip. Most uncommon thus. The fourth of Christie's 66 original crime novels, and the first to feature the secret service agent Johnny Race.

      [Bookseller: Adrian Harrington Rare Books]
 20.   Check availability:     IOBABooks     Link/Print  


        Woodcuts and Some Words [Signed] + Original Woodcut

      Published by J. M. Dent & Sons Ltd., Aldine House, Bedford Street, London First Edition 1924. 1924., 1924. First edition hard back binding in publisher's original donkey brown buckram covers, bevelled edges, gilt title and author lettering to the spine, blocked 'G. C.' monogram to front cover, top edge gilt. 4to 11'' x 8½''. Contains seven-page introduction by Campbell Dodgson, C.B.E. [xx] 122 printed pages of text with tipped in woodcut frontispiece and 58 tipped in reproduction woodcuts, together with various illustrations in the text. Tissue-guarded hand written number 25 of 160 Limited Edition copies of which 150 are for sale. SIGNED by the author. Additional loosely laid-in original 50 mm square Edward Gordon Craig woodcut dated 1910, initialed by Craig 'E.G.C. 1923' stating 'Only 50 Signed copies, copy 13' added by Craig to the bottom margin. Just a little surface rubbing of the buckram to the bottom edge of the rear board. Very Good condition book in Poor condition dust wrapper with the majority of the paper down the down missing, chips to the edges. Dust wrapper supplied in archive acetate film protection, it does not adhere to the book or to the dust wrapper. Member of the P.B.F.A.

      [Bookseller: Little Stour Books PBFA]
 21.   Check availability:     Biblio     Link/Print  


        E.T.A. Hoffmanns Sämtliche Werke, Tagebücher / Briefe, herausgegeben und eingeleitet von Rudolf Frank * H A L B L E D E R - V O R Z U G S A U S G A B E

      München, Rösl & Cie., 1924 - Vollständige Ausgabe in 11 Verlags-Handeinbänden: rotbraunes genarbtes Halbleder / OHLdr / HLdr im Format 15,5 x 23 cm mit Rückentitel und -dekoration in Goldprägung, Lederecken und Kopffarbschnitt sowie Handpapierbezug (farbiges Marmorpapier) der Deckel, XXVI,422 / 490 / 473 / 467 / 505 / 453 / 537 / 506 / 492 / 536 / 535 Seiten, Schrift: Fraktur. Band 1 mit einer längeren Einleitung von Rudolf Frank sowie Frontispiz-Abbildung von E.T.A. Hoffmann mit Seidenhemdchen. - Aus dem Inhalt: Band 1: Verse, Werke für Theater, Oper und Ballett, Singspiele, Festspieltexte. -- Band 2: "Phantasiestücke in Callots Manier", "Über Beethoven". - Band 3: "Lebensansichten des Katers Murr nebst fragmentarischer Biographie des Kapellmeisters Johannes Kreisler", Weitere Kreisler-Fragmente. - Band 4: "Die Elixiere des Teufels", "Die Doppelgänger", "Die Marquise de la Pivardiere". - Band 5: "Die Serapions-Brüder" (Erster Teil). - Band 6: "Die Serapions-Brüder" (Zweiter Teil). - Band 7: "Die Serapions-Brüder" (Dritter Teil). - Band 8: "Meister Floh", "Klein Zaches genannt Zinnober", "Datura fastuosa", "Haimatochare", Autobiographisches, Zeitgeschichtliches. - Band 9: "Nachtstücke, "Die Räuber", "Der Elementargeist", Fragmente, Anekdoten. - Band 10: "Seltsame Leiden eines Theaterdirektors", Kleinere Schriften über Theater, Violinschule, Kleinere Schriften über Musik, Tagebücher (Erster Teil). - Band 11: Tagebücher (Zweiter Teil), Briefe. - "Warum handgebunden? - Die wesentlichsten Vorzüge des guten Handbandes sind: Die einzelnen Druckbögen werden mit der Hand nach dem Schriftspiegel gefalzt. Die Bogenränder werden dadurch zwar ungleich, aber das Satzbild steht gerade. Um infolge der ungleichen Ränder ein späteres zu starkes Beschneiden mit der Maschine zu vermeiden, werden die Bogen einzeln, vorne und unten, mit der Pappschere auf ein Mittelmaß rauh beschnitten. Dadurch wird der Druckrand weitestgehend geschont. Als erste und letzte Lage wird dem Buche zum Schutze eine leere Papierlage hinzugefügt, welche mit einem feinen Leinen- oder echten Japanpapierfalz versehen ist. Geheftet wird der Handband nach sorgfältiger Auswahl des Heftzwirnes auf echten erhabenen oder aufgedrehten flachen Bünden und auf Pergamentriemchen (welche beim Pergamentbande durch den Rücken gezogen werden). Die Deckel werden in einem tiefen Falz angesetzt, mit den Bünden nach außen. Ein Herausreißen aus der Decke ist somit nur unter Zuhilfenahme von Werkzeug möglich. Als Einbandmaterial kommen sumachgares, lichtechtes Saffian, Kalbleder, vereinzelt auch Rindsleder, ferner naturelles und weißes Schweinsleder sowie Kalbspergament zur Verwendung. Ein mit der Hand hergestelltes, dazupassendes Überzugpapier sowie Handvergoldung oder Blinddruck am Rücken ergänzen das Werk nach außen. Ein solcher Einband entspricht allen Anforderungen, die an einen Gebrauchsband gestellt werden können." Aus einem alten Prospekt von Richard Hönn, ehemals Handbinderei des Verlages Albert Langen, Werkstatt für feine Buchbinder- und Lederarbeiten in München, Dienerstrasse 14. - Deutsche Kunstbuchbinderei im 20.Jahrhundert, Kunstbuchbinder, deutsche Literatur im 19.Jahrhunderts, Romantik, Halbleder-Handeinband, Musikschriftsteller, Gesamtausgabe, Lederausgabe, Vorzugsausgabe. - Leder-Vorzugsausgabe aus der Reihe "Rösl-Klassiker", Exemplar in guter Erhaltung (teilweise minimal berieben, sonst tadellos) Versand an Institutionen auch gegen Rechnung Sprache: Deutsch Gewicht in Gramm: 2000 [Attributes: Soft Cover]

      [Bookseller: Galerie für gegenständliche Kunst]
 22.   Check availability:     AbeBooks     Link/Print  


        The Marble Faun.

      Boston: The Four Seas Company, 1924 - Octavo. Original mottled green boards, white paper title labels to front board and spine printed in green. With the dust jacket. Housed in a black quarter morocco solander box by the Chelsea Bindery. Front hinge starting, small production flaw to rear hinge, small tear to the top of the front joint of the jacket, but a stunning copy of a famously vulnerable publication. First edition, sole printing, presentation copy of Faulkner's first book. This copy has been inscribed on the front free endpaper, "To Dink Cearley from Bill Faulkner" and also signed and dated 31 December 1924 on the title page. C. L. ("Dink") Cearley was in 1924 the 19-year-old son of Abb W. Cearley (69 years old, married at age 36) and Mollie Cearley. Abb was the jailor in Oxford, Mississippi, and would probably have been elected to that position. Abb and Mollie were both born in Mississippi, as were all four of their parents. The Cearley family (including several siblings) lived on the premises of the jail. In 1931 there is a record of a minor ($2) payment to a Mr Woodward "in the Dink Cearley Case" and there are occasional references to Cearley Service Station, but otherwise the family seems to have lived quietly. The fact that Faulkner uses the familiar form of his own forename suggests that he was on easy terms with the younger Dink. Faulkner employed the unusual forename for the character Dink Quistenberry in The Town, who marries into the Snopes family and runs the Jefferson (formerly Snopes) Hotel. The Marble Faun is the author's first book, of which only 500 of the projected 1,000 copies were printed and some 300 of those were later pulped. The official publication date was, after some delay, fixed as 15 December 1924 and the earliest dated presentation copies were signed on the 19th. With thanks to John Ward, professor in the English department at Quinnipiac University, Hamden, CT, for information about the recipient. [Attributes: First Edition; Signed Copy]

      [Bookseller: Peter Harrington. ABA member]
 23.   Check availability:     AbeBooks     Link/Print  


        Gavarnie.

      o. O. 1924 - Orig. Buntstiftzeichnung. ca. 29 x 45 cm. Gerahmt. Mit eighd. Signatur und Titelei, datiert '24.

      [Bookseller: Antiquariat Weinek]
 24.   Check availability:     IberLibro     Link/Print  


        Les Biches

      Bronislava Nijinska, illustrated by Marie Laurencin 1924 - Les Biches is a ballet by Bronislava Nijinska, with music by Francis Poulenc and with costume design by Marie Laurencin. Edition of 335 copies. Copy number 17 of 60 copies on Hollande Van Gelder paper. Edition in two volumes. The first volume includes an article by Jean Cocteau and one by Darius Mihold, a portrait of La Nijinska and one of Francis Poulenc, as well as 14 hand painted drawing and illustrations by Marie Laurencin, that also illustrated the cover. The second volume is a collection of black and white photographs, including one of Marie Laurencin. Includes also the paperback slipcase. Copy with book beard, partly uncut, parts of the spine lightly unglued. Almost perfect conditions. La libreria offre per un periodo limitato uno sconto del 30% su tutti i suoi libri. Il prezzo originale dell'articolo era 3800 euro. [Attributes: Soft Cover]

      [Bookseller: Wallector]
 25.   Check availability:     IberLibro     Link/Print  


        Zapiski poeta. Povest? [Aufzeichnungen eines Dichters. Erzählung].

      Original-Ausgabe. - Selvinsky war einer der bedeutendsten Vertreter des literarischen Konstruktivismus. Die vorliegende Erzählung ist eine Art Autobiographie des Dichters, der seine Verse hier als Werk des imaginären Lyrikers Evgeny Ney publizierte. - Berühmtheit erlangte die kleine Veröffentlichung vor allem durch die prägnante Einbandgestaltung El Lissitzkys. So nutzte er zwei fotografische Porträtaufnahmen, die er 1924 von Hans Arp fertigte, und belichtete die Negative unterschiedlich, so dass die Profilaufnahme heller und die Frontalaufnahme dunkler geriet, schließlich fügte er beide zu einem Doppelporträt zusammen. Als Hintergrund verwandte er die Dada-Zeitschrift 391, auf den Hemdkragen ließ er den Namen des imaginären Dichters setzen. - Erschienen in einer Aulage von dreitausend Exemplaren. - Die häufig fehelnde Faltkarte hier mit Einriss, sonst hervorragend erhaltenes Exemplar. - Lissitzky-Küppers 121. - Kat. Sprengel Museum 218. - Bowlt/Hernad 73. - Kat. MoMa 750. - Andel, Avantgarde Pagedesign 252.

      [Bookseller: Rotes Antiquariat]
 26.   Check availability:     booklooker.de     Link/Print  


        Trade Catalogue] Exhibit Supply Company Catalogue 1924. Amusement Machines -- Post Cards -- Penny Arcade Supplies The Exhibit Supply Company. Manufacturer of Coin Operated Machines, Post Cards and Penny Arcade Supplies. The Largest Plant Manufacturing Legal Amusement Machines and Penny Arcade Supplies in the U.S.A.

      Exhibit Supply Company, Chicago 1924 - 8vo. 19.5 by 12 cm. 12 pp., wraps. Photo images, two per page, of sundry card dispensers and fun fixtures, some of which are long forgotten and no inhabitants of what penny arcades survive, although there may be distant descendants which have comparable gimmickry. Examples: The Radio which vends a love message and photo, or a "Duoscope", a drop machine holding two sets of views. The Gypsy Fortune Teller is something that might be in the memory banks of people still alive. Regardless, a trade catalogue for these kind of novelty machines is a scarce thing, and this particular one, especially. No copies of this, or any of the companies' promotions of amusement machines pre-1970, listed on OCLC. The brochure touts its machines as "an investment" and speaks of the "money earning power" of its machines. Light wear. [Attributes: Soft Cover]

      [Bookseller: White Fox Rare Books, ABAA/ILAB]
 27.   Check availability:     ZVAB     Link/Print  


        Extraits inédits relatifs au Maghreb (Géographie et Histoire), Traduit et Annotée par E. Fagnan.

      Alger Ancienne Maison Bastide, Jules Carbonel 1924 - Demi-chagrin prune, dos lisse, auteur & titre or, plat marbré, (couv.cons)Index générale ; Index des mots arabes. Fragments tirés de divers manuscrits concernant la géographie et l’histoire de l’Espagne et du Maghreb musulmans. Sommaire : Partie Géographique : -Herewi (‘Ali ben Aboû Backr, mort en 611/1214), tiré de « El-ichârat ila ma’rifat ez-Ziyârat » - Ibn Sa’id Gharnâti (‘Ali ben Moûsa ben Mohammad, mort en 673 ou 685), tiré du « Kitâb el-Bedî »- Aboû Hamîd Andalousî (?)-Mohammad ben Ibrahîm ben yahya Ançâri Kotobi, mort en 718/1318), tiré du « Menâhidj el-fiker wa-mebâhidj el-‘iber » - Ibn Fadl Allâh Al ‘Omari (Chihâb ed-Dîn Ahmad ben Yahya, mort en 749/1348), tiré du grand ouvrage Encyclopédique géographique-historique en plus de 20 volumes « Mesâlik el-absâr fi mamalik al-ansâr. » ?uvre considérable, sur la partie Administrative des empires, la chancellerie, l’histoire, la géographie, etc. [ – Ahmad ben Alî Mahalli (Xe siècle), « tiré de la chronique intitulée, « Infiçal dawla el-awân wa’ttiçat dawlat beni ‘Othmân »- Partie Historique : -Abou Backr Mohammad ben ‘Omar, Ibn al Qoutiya (mort en 367 Hégire). , son ouvrage que l’on intitule, « Histoire de la Conquête de l’Espagne, relate entre autres les récits relatifs aux premiers princes Omeyyades d’Espagne et à souvent été mis à contribution des Orientalistes à la fin du 19e siècle, par R.P.A.Dozy, «  Recherches sur l’histoire politique et Littéraire de l’Espagne au moyen-âge, 1849 ». Du Catalogue, ainsi que dans « Histoire des musulmans d’Espagne (711-1110), 4 volumes, in-12°, 1868 », Du catalogue, et « Reinaud, Invasion des Sarrazins, 1836 », Du catalogue).- Ibn Kethir (Ismä’il ben ‘Omar, mort en 764), chronique intitulé, « ‘Oyoûn el-tawârîkh »- Mohammad ben Châkir Kotobi (406-435 H)- ‘Ayni (Bedr ed-Dîn Mahmoûd ben Ahmad), auteur d’une vaste chronique intitulée, « ‘Ikd el-djomân », qui s’étend jusqu’à 850.- Sabkhâwi (Mohammad ben ‘Abd er-Rahman 830-902 H) docteur Shafé’ite, auteur de nombreux ouvrages sur le fikh et le Hadith, tiré de « El Tibr el-Mesboûk.-Djennâbi (Moustapha ben Hasan (M. en 939/1590), auteur d’une chronique intitulée : « El-bahr ez-zekhkhâr wa ‘l aylem et –teyyâr », vaste compilation ou il est parlé de 82 dynasties : - Rois de Sicile-Mérinides-Hafsides-Benoû Wattâs- Chérifs de Fez , Marrakech et Soûs- Almoravides-Anonyme sur la dynastie Sa’adienne, 916-1045 H- Règne de Moulay Mohammad-Règne de Moulay Ahmad ed-Dhehebi- Lieutenance à Fez de Mohammad ech-Cheykh- Entrée d’Ech-Cheykh à Fez Djedid après la mort de son père-Règne de Moulay Zaydan- Gouvernement des provinces succédant à l’injustice des Khalifes- Gouvernement des Provinces- Evénements survenus du temps des Chérifs. [Attributes: First Edition; Hard Cover]

      [Bookseller: CollectionOrientales]
 28.   Check availability:     AbeBooks     Link/Print  


        Ariane decorated by Jean Lebedeff

      Les éditions G. Crès & Cie 1924 - Edition of 1150 copies including 52 original xylograph by Lebedeff. This is one of the only 25 copies on Vélin Bleu de Rives, in near perfect conditions except some stains on spine and uncut. Exceptionnaly rare and fine copy, in original soft cover and blue paper. La libreria offre per un periodo limitato uno sconto del 30% su tutti i suoi libri. Il prezzo originale dell'articolo era 750 euro. [Attributes: Soft Cover]

      [Bookseller: Wallector]
 29.   Check availability:     AbeBooks     Link/Print  


        L'ornement

      Wasmuth, 1924. Recueil d'ornements de couleur et de décors reproduisant particulièrement des spécimens de civilisations peu connues. 120 planches coloriées choisies pour l'usage pratique et expliquées par H.-Th. Bossert. Préface d'Otto von Falke / Compendio di ornamenti colorati e decorazioni che riproducono esemplari di civiltà poco conosciute. 120 tavole a colori scelte per l'uso pratico e spiegate da H.-Th. Bossert. Prefazione di Otto von Falke. Folio (cm 40x29). pp. 36 + 120 tavole. . Ottimo (Fine). . Prima edizione (First Edition). .

      [Bookseller: Studio Bibliografico Marini]
 30.   Check availability:     maremagnum.com     Link/Print  

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